#my scans
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1963 French Floral Fabric
From Flower Power prints from the 1960s, Tina Skinner, 1998.
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Tihamat Asir; Rabiyah. Saudi Arabia. Scanned from the book Hommes-fleurs d'Arabie by Thierry Mauger.
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Sony Theatres at Lincoln Square - NYC, NY (opened Nov. 1994)
Designed by Gensler and Gallegos Lighting Design
Great example of the Decoplex style, and various homages to the elaborately-themed 'movie palaces' of the early 20th century
Scanned from the June 1995 issue of Lighting Design + Application magazine, Cinema Builders (2001), and Gensler - The Architecture of Entertainment (1996)
#design#interior design#interiors#architecture#colorful#my scans#90s#1990s#sony#lincoln square#movie theatre#movie theater#multiplex#decoplex#nyc#new york city#cinema
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scanned from ideals magazine
#scans#ideals#ideals magazine#70s#80s#vintage#vintage photography#photography#my scans#mine#nature photography
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schwarz stein fools mate 271/may 2004
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Here's a flatlay of the 2006 release. Should be formatted so you can print and fold for any custommade copies of the movie. I haven't corrected the shadows on the sides of the spine (sorry). Let me know if there's any issues! Will also be linked in the drive for a higher quality download <3
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#sailor moon#bishoujo senshi sailor moon#usagi tsukino#super sailor moon#my scans#my edits#edited by Silvermoon424#manga art#manga#shoujo manga#shoujo
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Jenny Holzer, “in a forest of words”, 1994
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#my scans#utenanthy#revolutionary girl utena#adolescence of utena#utena tenjou#anthy himemiya#rgu manga#alt text provided
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Grocery lists I collected when I was a cashier
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Rick Davies of Supertramp From the 1979 Supertramp in America tour book
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Jebel Milhan, 1982. Scanned from the book Yemen by Pascal and Maria Marechaux.
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Sears Wishbook, 1997
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waterparks // black light physical cd scans done by me
#waterparks#waterparks band#awsten knight#geoff wigington#otto wood#waterparks black light#black light#my scans
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sleater-kinney in stomp and stammer, september 2002
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McDonald's - 47 West 57th Street, NYC, NY (1989)
"A fast-food restaurant that makes the customer want to linger is something of a rarity. The McDonald's on 57th Street in New York City, designed by Charles Morris Mount, is almost unrecognizable as a member of the chain that usually boasts golden arches. Eschewing the corporate colors of yellow, red and orange, Mount chose a high-tech, electric blue and fuchsia color palette. Glass bricks, blue tiles and a reflective ceiling give the space a luminous, underwater quality.
Another departure from the fast-food restaurant formula was the installation of a carpet in the seating area, which Mount felt would soften the environment and cut down on noise. The heavily-trafficked main serving area was tiled in a distinctive blue pattern. Easy maintenance of the tiled area, which must be mopped frequently, was ensured by the installation of a slate ribbon between the carpeted and tiled area. The ribbon protects the carpet and also visually defines the curving border between the two floor treatments. The cost per square foot for this project was reportedly no more than a standard McDonald's." (front of house budget listed in 1989 dollars at $450,000)
Designed by Charles Morris Mount, Jennifer Wellmann, and the team of Silver & Ziskind/Mount
Scanned from Restaurant Design 2 (1990) by Judi Radice and The Best of Neon: Architecture, Interiors, Signs (1992) by Vilma Barr
#design#interior design#interiors#architecture#colorful#80s#1980s#my scans#mcdonalds#nyc#ny#neon#restaurant#glass block#glass brick#high tech
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