#the marvin trilogy

[eviltw1nk]

Something i realized is that in any duet between Marvin and Whizzer, Marvin’s lines are held longer than Whizzers are. He’s always the last person singing, or continuing after Whizzer finishes.

For one, i think it shows how Marvin lives longer than Whizzer does, but it could also show that Marvin liked to drag out their fights, trying to get the last word in

[gnomer4]

watched in trousers

probably won’t watch the sequels because Andrew Rannells pisses me off beyond belief

[phierecycled]

happy pride month enjoy these alternate falsettos revival posters i made

[lesbianrecorderplayer]

Noticing a trend recently in the women I'm enjoying.

[ladylylla]

MORE RACQUETBALL!!

[astagsart]

from the requests, baseball game!! this was actually so fun i got to be all loose and sketchy about it good time must say

[sudomanic]

THIS IS SO FUCKING FUNNY LMAOO

[verybestemoting]

[lightlysaltedsalt]

I had to

[human837]

Why I love the big grey cube

The cube starts very uniform and rather out of place as it seems just I bit odd to the audience.

But as it gets ripped apart it becomes clear to the audience how it is just a collection if blocks that are used by the characters to play pretend.

This shows Marvin's attempt to control everyone by viewing life as a game and trying to get everyone to play along to his delusional view on life.

After Meldal is engaged to Trina, he tries to draw her out of the fictional world Marvin has created by physically moving Marvin's blocks and fighting with him in 'a tight-knit family reprise'

As trina breaks free from Marvin's childish world, more props are introduced on stage to signal her newfound freedom from him. She gets to move into her new life with Meldal, and u see them decorate their house together (which is incredibly sweet).

The second act starts with a set made from the cubes arranged in a dolls House like formation as if Marvin will continue living in him fauls reality.

But Marvin himself tears down the formation just before 'its about time' to show how he's developed and is awhere that he can't live life as if its a game.

In the second act it is clear that all the characters are living in reality instead of playing Marvin's pretend both due to the important topics Charrlotte is trying to fight for and the increased use of props spread out across the stage.

(I love their little house plant collection)

When Whizzer gets ill, the set completely shifts to be highly realistic with no use of the grey blocks at all. This shows how Marvin can't ignore things anymore and has to face Whizzers health.

RLDR: The set is amazing. I love it so much!

[morphean42]

He’s gay. He’s homophobic. He’s implied to be dead. Therapy wouldn’t fix him in fact it made him worse. His son calls him slurs. He never got over his toxic situationship. He described said situationship in such great detail his best friends were able to recognize him on sight without ever meeting him before. His boyfriend only gives him blowjobs in Florida. His favourite food is eggs and spinach on toast. He thinks he’s Columbus. He doesn’t have a last name. His mother didn’t love him and he makes it everyone else’s problem. He fucked his friend in front of his wife to come out to her. I didn’t say his name but you thought of him anyway, didn’t you

[alebanana]

reminding everyone of this absolutely EVIL transition (more raquetball to a day in falsettoland) from the falsettos trailer cause im feeling it today

[eviltw1nk]

If I see one more person characterizing Whizzer as a slutty little twink I am going to fucking LOSE IT

[eloose]

"I'm a girl" "I'm a boy" okay??? I'm a bastard bummer with a penis

[skeletohn]

This

Is like comparing the 1993 Falsettos obc and the 2016 revival