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fill-me-with-your-memes-daddy · 3 years ago

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Watching the Rise of the Titans movie and I'll be documenting all of my thoughts/reactions here. [Spoiler Warning]

So instead of reblogging every new update, I'm just going to have this post up on my phone as I watch and type my reactions in a bullet list format.

Nari's human disguise is so cute. As someone who does have a cottagecore aesthetic, I want to cosplay her so bad

Are Skrael and/or Belroc non-binary coded? Regardless, I'm also obsessed and I want to fuck Skrael and be Belroc.

STEVE CARING ABOUT JIM BEING HURT YESSSS!!! My god his redemption has probably been one of the greatest there is because he doesn't just suddenly go from being a bully to a completely good person. You can see the gradual shift in learning better throughout the shows which is awesome.

IN NEW YOOOOOOORRRRRRRK!!!!!! CONCRETE JUNGLE WHERE DREAMS ARE MADE OFFFFFFFFFFFFF!!!!!

The mugshot montage reminded me of season 1 of trollhunters when toby and Jim were arrested at the museum.

STRICKLER PUT A RING ON IT??? HE'S THE ONLY DILF IVE EVER ACTUALLY AGREED WAS HOT WYM I CAN'T HAVE HIM??? well I'm still really happy about his arc over the series probably one of my favorite character growths.

Eli my guy got his growth spurt!!! As an 18 year old who is still 5'0", I'm happy but envious for him

So I went into this movie without watching any trailers or promo, but I doubt anything could have prepared me for the existence of mpreg. In fact, I wasn't going to document my reactions until I saw that.

NAMURA!!!!!!!!! MY BELOVED!!!!!! I CAN STILL THIRST FOR YOU WITHOUT GUILT

The coach teacher just called the kids zoomers so I have to dock one point from my final rating just because of that. Unforgivable

Those husky animation models suck lmao

Oh fuck the titans got power ranger zords!!

God why did they include the mpreg??? This movie would have been perfect without it.... After that plot point being revisited only one time I'm already beyond done with it

Like it's bringing me back to the v*ltron days where they're was a suspiciously high amount of klance omegaverse and mpreg fics and art created and it physically hurts because Steve and Keith's voice actor is the same person meaning this is especially cursed to me since I was unfortunately in the v*ltron fandom and remember all of that

But like on another note, how old are these characters again??? I haven't checked any wikis because of spoilers but is Steve an adult??? I know aja might be technically a lot older than 18 because alien but is whatever age she is equivalent to an adult as far as emotionally and physically in Akaridion development??? IS THIS A TEEN (M)PREGNANCY IN A KIDS SHOW????

Like bruh I saw a singular post on here before going into the movie that was like "rott spoilers without context" and there was a pregnant belly but I was absolutely not expecting the actual context of it. I'll find the post after I finish and edit this post to tag the creator right here: @makoden

This entire post is just gonna be me ranting about mpreg huh

Anyway I love the whole roundtable allusion to the legends of king arthur (not the toa version but the one he's based off)

THERE'S 3 TO 5 BABIES????? I need to take a break bruh this is just too much

Alright I've taken a 30 minute break got some food and did some things i love (decompressed by tactile stimming with some owl plushies and watched some videos on my favorite owl, Garu. He lives in Japan with his owner and is a domesticated eagle owl who basically just acts like a sky cat. If anyone else needs some eye bleach, here is their YouTube channel)

Blinky and ARRRGHHH!!! saying their "if one of us doesn't make it" talk my god one of them is going to die I can see it and I will be utterly crushed. Jim can't lose another father figure and Toby can't lose his wingman again I will riot if this happens

On a similar but unrelated to the movie note, can we just talk about how toa started with Jim having 0 dads and (if strickler and blinky live to the end) will end with 2 dads? Like I just really feel happy for him that he has two dads who actually figured out how to put the past behind them to not have any infighting between them so that both of them are healthy father figures. Jim has already been through literal hell and back losing his actual humanity in the process so if he loses one of them, I'm going to be really pissed because at this point, this is just Jim torture porn. Y'all know how as SpongeBob SquarePants went on, the show just became Squidward torture porn? It's starting to feel that way for toa and I really hope they cut the shit by the ending

Jlaire is such a good ship but like I feel like it's too perfect they never disagree with each other

YESSSSSSS Someone finally doesn't treat toby like a fat waste of space who messes stuff up!!! I think out of all the characters that would have been most deserving of a rewrite, it's Toby. Sometimes I just feel he's only comic relief and any heartfelt moments he's had in the series was also born of stupidity (ie his flour baby project being unharmed was seen by him as divine intervention from his parents but was actually just Eli and Steve behind the scenes).

Ohhhhh yesssssss Archie's father!!! I was hoping I'd see him again because we got so little of him last

Ooooooooooh Asian trollmarket!!!!!

Oh never mind slavery trollmarket

Bruh titanic camelot

I feel like we're not seeing enough of the villains because I completely forgot about the power ranger zord things

NAMORA NOOOOOOOOOOOOOO MY LAST CRUSHHHH

STRICKLER NO NOT YOU TOO PLEASE

WHAT THE FUCK!!!!!!!!!!!!!!!!!!!!!!!!!

THE ONLY TWO CHARACTERS I SIMP FOR ON THIS SHOW DIED WITHIN FIVE MINUTES OF EACH OTHER

THAT WHOLE ASS RANT I WROTE IS COMING TRUE FUCK THIS MOVIE THIS SERIES IS JUST JIM TORTURE PORN

WAIT JIM'S SPERM DONOR INFO?

Oh thank God I don't want to know anything about that person

For the record, I call that man Jim's sperm donor because he has no business being called a father to him. All he did was donate some swimmers to the creation of him and give him abandonment issues

Oh another blind troll elder???? This fucker is just if vendel was a bad guy

Bruh I was grieving

PACIFIC RIM WITH GUN ROBOT VEX AND THE BELROCZORD? I've never seen that movie but I know the reference

Bruh Blinky doesn't read horoscopes? Does he realize conspiracy theories are just the manly version of horoscopes?

NO DON'T KILL VEX STOP KO-ING FOUND FAMILY MEMBERS

Oh thank God he's okay

NO NOT ARCHIE AND CHARLEMAGNE OH MY GOD

oh never mind they're just gonna coup de tat I believe in them :))

But I want to see him again

But I'm glad to see vex

Yay they're in arcadia!

But yeah I wondered why the trolls and Merlin didn't keep the whole "daylight doesn't hurt trolls" feature from the eternal night but now Guillermo del Toro I see you were playing the long con in that just to kill my girl Namora :(((

Oooooh I love the animation of the Narizord over Chihuahua!! It looks very good and realistic (if only they could have put some of that into those huskies from before smh)

Bruh the character designs of the arcane order are so good I want to be them

Nari making sure the Skraelzord doesn't crush the bus

DAMN DOUBLE HOMICIDE

Bruh I'm just glad we finally have an answer on why arcadia had everything going on as opposed to literally anywhere else!! I always found that as a weird coincidence for plot convince.

BRUH WERE BACK TO THE MPREG IM SO JEALOUS I FORGOT ABOUT THAT EVEN THOUGH IT WAS BECAUSE I WAS GRIEVING THE LOSS OF MY LOVELIES.

Oh that's real convenient that the ninth configuration meant all of them. Way to not decide which character gets more attention. Though it probably was a smart way to not have any infighting in the fandom between each character's stan group.

Bruh I just realized where is Barbera did they just ditch her on the Camelot ship???

And where are the other trolls that migrated at the end of trollhunters s3? They said something about new jersey but obviously Jim and the other main characters got on Camelot instead.... This feels like a plot hole

And we never learned the process of how changelings are made and bonded to humans and stuff. We just know it's super painful but I'm curious ffs!!!!

THE DONT THINK BECOME HERO SPEECH ALL SAID TOGETHER!!!

BRUH THEY REALLY HAD TO SHOW HIM GIVING BIRTH??????? WAS THAT AN ABSOLUTE MUST??????

Plus the main audience for this series is little children (the rating for the movie is literally TV-Y7) so even though my adult ass is not in the target audience, I STILL DONT UNDERSTAND WHY WOULD MPREG AND ANAL BIRTH WOULD BE AN IMPORTANT THING TO 7 YEAR OLDS???? THIS IS A LITERAL FETISH HIDDEN IN KIDS CONTENT ITS ELSAGATE ALL OVER AGAIN Y'ALL 😭😭😭😭😭

Though it's probably hypocritical of me to think fetishes don't belong in kids tv when I've openly admitted to thirsting for strickler and namora

HUZZAH

NEW AMULET WAZ GOOD????

STAB THAT BITCH JIM

WAIT NO I SAID STAB NOT GET STABBED

Alright good job just missed the directions at first but you fixed it

SEVEN KIDS?????????

T O B Y ????????????

W A I T NO

N O

IS HE ACTUALLY

OH MY GOD THERE'S HOPE

NO THERE ISN'T

F U C K THIS SHIT THEY REALLY JUST HAD HIM TO BE BULLIED THEN KILLED

Y'ALL IM ACTUALLY CRYING THIS NEVER HAPPENS

I NEVER ACTUALLY GET SO EMOTIONAL OVER MEDIA THAT I CRY IT ONLY HAPPENED ONCE AT THE END OF VOLTRON BUT AHHHHHHHH

W A I T

HE'S GONNA BE BROUGHT BACK?????

HOLD UP THEY'RE JUST GONNA BRING ALL THOSE DEAD PEOPLE BACK??????

WAIT IS HE

BLINKY CALLED HIM A SON

HOLD ON IS THIS GOING TO BE A CLIFFHANGER???????????

BRUH THEY REALLY JUST CAN'T END THE SERIES WITHOUT CLIFFHANGERS like there's always an open ending

TROLLHUNTER TOBY????? You know what forget the whole rants I had on how toby was written they just redeemed it all

And that's all! I'd rate it a 6.5/10 because it's definitely the weakest of all the sequels but still had amazing animation and some good plot points. It's just really hard to look over the bad stuff enough to rate it any higher.

#tales of arcadia #rise of the titans #trollhunters #rott #rise of the titans spoilers #rott spoilers #toa #3 below #athena's own original post!#jim lake jr #claire nuñez #toby domzalski

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qqueenofhades · 5 years ago

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Re: the post you reblogged about Bush. I'm 21 and tbh feel like I can only vote for Bernie, can you explain if/why I shouldn't? Thanks and sorry if this is dumb or anything.

Oh boy. Okay, I’ll do my best here. Note that a) this will get long, and b) I’m old, Tired, and I‘m pretty sure my brain tried to kill me last night. Since by nature I am sure I will say something Controversial ™, if anyone reads this and feels a deep urge to inform me that I am Wrong, just… mark it down as me being Wrong and move on with your life. But also, really, you should read this and hopefully think about it. Because while I’m glad you asked this question, it feels like there’s a lot in your cohort who won’t, and that worries me. A lot.

First, not to sound utterly old-woman-in-a-rocking-chair ancient, people who came of age/are only old enough to have Obama be the first president that they really remember have no idea how good they had it. The world was falling the fuck apart in 2008 (not coincidentally, after 8 years of Bush). We came within a flicker of the permanent collapse of the global economy. The War on Terror was in full roar, the wars in Iraq and Afghanistan were at their height, we had Dick Cheney as the cartoon supervillain before we had any of Trump’s cohort, and this was before Chelsea Manning or Edward Snowden had exposed the extent of NSA/CIA intelligence-gathering/American excesses or there was any kind of public debate around the fact that we were all surveilled all the time. And the fact that a brown guy named Barack Hussein Obama was elected in this climate seems, and still seems tbh, kind of amazing. And Obama was certainly not a Perfect President ™. He had to scale back a lot of planned initiatives, he is notorious for expanding the drone strike/extrajudicial assassination program, he still subscribed to the overall principles of neoliberalism and American exceptionalism, etc etc. There is valid criticism to be made as to how the hopey-changey optimistic rhetoric stacked up against the hard realities of political office. And yet…. at this point, given what we’re seeing from the White House on a daily basis, the depth of the parallel universe/double standards is absurd.

Because here’s the thing. Obama, his entire family, and his entire administration had to be personally/ethically flawless the whole time (and they managed that – not one scandal or arrest in eight years, against the legions of Trumpistas now being convicted) because of the absolute frothing depths of Republican hatred, racial conspiracy theories, and obstruction against him. (Remember Merrick Garland and how Mitch McConnell got away with that, and now we have Gorsuch and Kavanaugh on the Supreme Court? Because I remember that). If Obama had pulled one-tenth of the shit, one-twentieth of the shit that the Trump administration does every day, he would be gone. It also meant that people who only remember Obama think he was typical for an American president, and he wasn’t. Since about… Jimmy Carter, and definitely since Ronald Reagan, the American people have gone for the Trump model a lot more than the Obama model. Whatever your opinion on his politics or character, Obama was a constitutional law professor, a community activist, a neighborhood organizer and brilliant Ivy League intellectual who used to randomly lie awake at night thinking about income inequality. Americans don’t value intellectualism in their politicians; they just don’t. They don’t like thinking that “the elites” are smarter than them. They like the folksy populist who seems fun to have a beer with, and Reagan/Bush Senior/Clinton/Bush Junior sold this persona as hard as they possibly could. As noted in said post, Bush Junior (or Shrub as the late, great Molly Ivins memorably dubbed him) was Trump Lite but from a long-established political family who could operate like an outwardly civilized human.

The point is: when you think Obama was relatively normal (which, again, he wasn’t, for any number of reasons) and not the outlier in a much larger pattern of catastrophic damage that has been accelerated since, again, the 1980s (oh Ronnie Raygun, how you lastingly fucked us!), you miss the overall context in which this, and which Trump, happened. Like most left-wingers, I don’t agree with Obama’s recent and baffling decision to insert himself into the 2020 race and warn the Democratic candidates against being too progressive or whatever he was on about. I think he was giving into the same fear that appears to be motivating the remaining chunk of Joe Biden’s support: that middle/working-class white America won’t go for anything too wild or that might sniff of Socialism, and that Uncle Joe, recalled fondly as said folksy populist and the internet’s favorite meme grandfather from his time as VP, could pick up the votes that went to Trump last time. And that by nature, no one else can.

The underlying belief is that these white voters just can’t support anything too “un-American,” and that by pushing too hard left, Democratic candidates risk handing Trump a second term. Again: I don’t agree and I think he was mistaken in saying it. But I also can’t say that Obama of all people doesn’t know exactly the strength of the political machine operating against the Democratic Party and the progressive agenda as a whole, because he ran headfirst into it for eight years. The fact that he managed to pass any of his legislative agenda, usually before the Tea Party became a thing in 2010, is because Democrats controlled the House and Senate for the first two years of his first term. He was not perfect, but it was clear that he really did care (just look up the pictures of him with kids). He installed smart, efficient, and scandal-free people to do jobs they were qualified for. He gave us Elena Kagan and Sonia Sotomayor to join RBG on the Supreme Court. All of this seems… like a dream.

That said: here we are in a place where Biden, Bernie Sanders, and Elizabeth Warren are the front-runners for the Democratic nomination (and apparently Pete Buttigieg is getting some airplay as a dark horse candidate, which… whatever). The appeal of Biden is discussed above, and he sure as hell is not my favored candidate (frankly, I wish he’d just quit). But Sanders and Warren are 85% - 95% similar in their policy platforms. The fact that Michael “50 Billion Dollar Fortune” Bloomberg started rattling his chains about running for president is because either a Sanders or Warren presidency terrifies the outrageously exploitative billionaire capitalist oligarchy that runs this country and has been allowed to proceed essentially however the fuck they like since… you guessed it, the 1980s, the era of voodoo economics, deregulation, and the free market above all. Warren just happens to be ten years younger than Sanders and female, and Sanders’ age is not insignificant. He’s 80 years old and just had a heart attack, and there’s still a year to go to the election. It’s also more than a little eye-rolling to describe him as the only progressive candidate in the race, when he’s an old white man (however much we like and approve of his policy positions). And here’s the thing, which I think is a big part of the reason why this polarized ideological purity internet leftist culture mistrusts Warren:

She may have changed her mind on things in the past.

Scary, right? I sound like I’m being facetious, but I’m not. An argument I had to read with my own two eyes on this godforsaken hellsite was that since Warren became a Democrat around the time Clinton signed Don’t Ask Don’t Tell, she sekritly hated gay people and might still be a corporate sellout, so on and etcetera. (And don’t even get me STARTED on the fact that DADT, coming a few years after the height of the AIDS crisis which was considered God’s Judgment of the Icky Gays, was the best Clinton could realistically hope to achieve, but this smacks of White Gay Syndrome anyway and that is a whole other kettle of fish.) Bernie has always demonstrably been a democratic socialist, and: good for him. I’m serious. But because there’s the chance that Warren might not have thought exactly as she does now at any point in her life, the hysterical and paranoid left-wing elements don’t trust that she might not still secretly do so. (Zomgz!) It’s the same element that’s feeding cancel culture and “wokeness.” Nobody can be allowed to have shifted or grown in their opinions or, like a functional, thoughtful, non-insane adult, changed their beliefs when presented with compelling evidence to the contrary. To the ideological hordes, any hint of uncertainty or past failure to completely toe the line is tantamount to heresy. Any evidence of any other belief except The Correct One means that this person is functionally as bad as Trump. And frankly, it’s only the Sanders supporters who, just as in 2016, are threatening to withhold their vote in the general election if their preferred candidate doesn’t win the primary, and indeed seem weirdly proud about it.

OK, boomer Bernie or Buster.

Here’s the thing, the thing, the thing: there is never going to be an American president free of the deeply toxic elements of American ideology. There just won’t be. This country has been built how it has for 250 years, and it’s not gonna change. You are never going to have, at least not in the current system, some dream candidate who gets up there and parrots the left-wing talking points and attacks American imperialism, exceptionalism, ravaging global capitalism, military and oil addiction, etc. They want to be elected as leader of a country that has deeply internalized and taken these things to heart for its entire existence, and most of them believe it to some degree themselves. So this groupthink white liberal mentality where the only acceptable candidate is this Perfect Non-Problematic robot who has only ever had one belief their entire lives and has never ever wavered in their devotion to doctrine has really gotten bad. The Democratic Party would be considered… maybe center/mild left in most other developed countries. It’s not even really left-wing by general standards, and Sanders and Warren are the only two candidates for the nomination who are even willing to go there and explicitly put out policy proposals that challenge the systematic structure of power, oppression, and exploitation of the late-stage capitalist 21st century. Warren has the billionaires fussed, and instead of backing down, she’s doubling down. That’s part of why they’re so scared of her. (And also misogyny, because the world is depressing like that.) She is going head-on after picking a fight with some of the worst people on the planet, who are actively killing the rest of us, and I don’t know about you, but I like that.

Of course: none of this will mean squat if she (or the eventual Democratic winner, who I will vote for regardless of who it is, but as you can probably tell, she’s my ride or die) don’t a) win the White House and then do as they promised on the campaign trail, and b) don’t have a Democratic House and Senate willing to have a backbone and pass the laws. Even Nancy Pelosi, much as she’s otherwise a badass, held off on opening a formal impeachment inquiry into Trump for months out of fear it would benefit him, until the Ukraine thing fell into everyone’s laps. The Democrats are really horrible at sticking together and voting the party line the way Republicans do consistently, because Democrats are big-tent people who like to think of themselves as accepting and tolerant of other views and unwilling to force their members’ hands. The Republicans have no such qualms (and indeed, judging by their enabling of Trump, have no qualms at all).

The modern American Republican party has become a vehicle for no-holds-barred power for rich white men at the expense of absolutely everything and everyone else, and if your rationale is that you can’t vote for the person opposing Donald Goddamn Trump is that you’re just not vibing with them on the language of that one policy proposal… well, I’m glad that you, White Middle Class Liberal, feel relatively safe that the consequences of that decision won’t affect you personally. Even if we’re due to be out of the Paris Climate Accords one day after the 2020 election, and the issue of climate change now has the most visibility it’s ever had after years of big-business, Republican-led efforts to deny and discredit the science, hey, Secret Corporate Shill, am I right? Can’t trust ‘er. Let’s go have a craft beer.

As has been said before: vote as far left as you want in the primary. Vote your ideology, vote whatever candidate you want, because the only way to make actual, real-world change is to do that. The huge, embedded, all-consuming and horrible system in which we operate is not just going to suddenly be run by fairy dust and happy thoughts overnight. Select candidates that reflect your values exactly, be as picky and ideologically militant as you want. That’s the time to do that! Then when it comes to the general election:

America is a two-party system. It sucks, but that’s the case. Third-party votes, or refraining from voting because “it doesn’t matter” are functionally useless at best and actively harmful at worst.

Either the Democratic candidate or Donald Trump will win the 2020 election.

There is absolutely no length that the Republican/GOP machine, and its malevolent allies elsewhere, will not go to in order to secure a Trump victory. None.

Any talk whatsoever about “progressive values” or any kind of liberal activism, coupled with a course of action that increases the possibility of a Trump victory, is hypocritical at best and actively malicious at worst.

This is why I found the Democratic response to Obama’s “don’t go too wild” comments interesting. Bernie doubled down on the fact that his plans have widespread public support, and he’s right. (Frankly, the fact that Sanders and Warren are polling at the top, and the fact that they’re politicians and would not be crafting these campaign messages if they didn’t know that they were being positively received, says plenty on its own). Warren cleverly highlighted and praised Obama’s accomplishments in office (i.e. the Affordable Care Act) and didn’t say squat about whether she agreed or disagreed with him, then went right back to campaigning about why billionaires suck. And some guy named Julian Castro basically blew Obama off and claimed that “any Democrat” could beat Trump in 2020, just by nature of existing and being non-insane.

This is very dangerous! Do not be Julian Castro!

As I said in my tags on the Bush post: everyone assumed that sensible people would vote for Kerry in 2004. Guess what happened? Yeah, he got Swift Boated. The race between Obama and McCain in 2008, even after those said nightmare years of Bush, was very close until the global crash broke it open in Obama’s favor, and Sarah Palin was an actual disqualifier for a politician being brazenly incompetent and unprepared. (Then again, she was a woman from a remote backwater state, not a billionaire businessman.) In 2012, we thought Corporate MormonBot Mitt Fuggin’ Romney was somehow the worst and most dangerous candidate the Republicans could offer. In 2016, up until Election Day itself, everyone assumed that HRC was a badly flawed candidate but would win anyway. And… we saw how that worked out. Complacency is literally deadly.

I was born when Reagan was still president. I’m just old enough to remember the efforts to impeach Clinton over forcing an intern to give him a BJ in the Oval Office (This led by the same Republicans making Donald Trump into a darling of the evangelical Christian right wing.) I’m definitely old enough to remember 9/11 and how America lost its mind after that, and I remember the Bush years. And, obviously, the contrast with Obama, the swing back toward Trump, and everything that has happened since. We can’t afford to do this again. We’re hanging by a thread as it is, and not just America, but the entire planet.

So yes. By all means, vote for Sanders in the primary. Then when November 3, 2020 rolls around, if you care about literally any of this at all, hold your nose if necessary and vote straight-ticket Democrat, from the president, to the House and Senate, to the state and local offices. I cannot put it more strongly than that.

#politics for ts #long post #anonymous #ask

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itsclydebitches · 4 years ago

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RWBY Recaps: Volume 8 “Dark”

Welcome back, everyone! Can you believe it's been six weeks already? I can't. Something something the uncomfortable passage of time during a pandemic as emphasized by a web-series.

But we're here to talk about RWBY the fictional story, not RWBY the cultural icon. At least, we will in a moment. First, I'd like to acknowledge that shaky line between the two, growing blurrier with every volume. A sort of good news, bad news situation.

The bad news — to get that out of the way — is that we cannot easily separate RWBY from its authors and those authors have, sadly, been drawing a lot of negative attention as of late. This isn't anything new, not at all, but I think the unexpectedly long hiatus gave a lot of fans (myself included) the chance to think about Rooster Teeth's failings without getting distracted by their biggest and brightest production. There's a laundry list of problems here — everything from the behavior of voice actors to the quality of their merch — but as a sort of summary issue, I'd like to highlight the reviews that continue to pop up on websites like Glassdoor, detailing the toxic, sexist, crunch-obsessed environment that RT employees are forced to work in. A lot of these websites requires a login to read more than a page of reviews, but you can check out a Twitter thread about it here.

Now, I want to be clear: I'm not bringing this up as a way to shame anyone enjoying RWBY. This isn't a simplistic claim of, "The authors are Problematic™ and therefore you can't like the stuff they produce." Nor is this meant to be a catch-all excuse for RWBY's problems. If it were, I'd have dropped these recaps years ago. I'm of the belief that audiences maintain the right to both praise and criticize the work they're given, regardless of the context in which that work was produced. At the end of the day, RT has presented RWBY as a finished product and, more than that, presents it as an excellent product, one worth both our emotional investment and our money (whether in the form of paying for a First account, or encouraging us to buy merch, attend cons, etc.) I'll continue to critique RWBY as needed, but I a) wanted fans to be at least peripherally aware of these issues and b) clarify that my use of "RT" in statements like, "I can't believe RT is screwing up this badly" is meant to be a broad, nebulas acknowledgement that someone in the company is screwing up, either creatively (doesn't have the skill to write a good scene) or morally (hasn't created an environment in which other creators are capable of crafting a good scene). The real, inner workings of such companies are mostly a secret to their audiences and thus it's near impossible for someone like me — random fan writing these for fun as a casual side hobby — to accurately point fingers. Hence, broad "RT." I just wanted to clarify that when I use this it's as a necessary placeholder for whoever is actually responsible, not a damnation of the overworked animator breaking down in a bathroom. Heavy stuff, but I thought it was necessary (or at least worthwhile) to acknowledge this issue as we head into the second half of the volume.

Now for the good news: RWBY has reached 100 episodes! For any who may not know, 100 is a pretty significant number in the TV world because, when talking about prime time programming, it guarantees syndicated reruns. Basically, networks don't want audiences to get burned out with a show — changing the channel when it comes on because ugh, I've seen this already, recently too — and 100 episodes allows for a roughly five month run without any repeats, making it very profitable. RWBY is obviously not a television show and doesn't benefit from any of this (hell, modern television doesn't benefit from this as much as it used to, not in the age of streaming), but the 100 episode threshold is still ingrained in American culture. Beyond just being a nice, rounded number, it is historically a measure of huge success and I can't imagine that RT isn't aware of that. Regardless of what we think of RWBY's current quality, this is one hell of a milestone and should be applauded.

All that being said... RWBY's quality is definitely still lacking lol.

Our 100th episode is titled "Dark" — keeping with the one word titles, then — and I'd like to emphasize that, as a 100th episode, it definitely delivers in terms of plot. There's plenty of action, important character beats, and at least one major reveal, everything we'd expect from a milestone and a Part II premiere. The animation also continues to be noteworthy for its beauty, as I found myself admiring many of the screenshots I took for this recap. There are certainly things to praise. The only problem (one we're all familiar with by now) is that these small successes are situated within a narrative that's otherwise falling apart. It's all good stuff... provided you ignore literally everything else surrounding it.

But let's dive into some examples. We open on Qrow starting, awoken by the thunder outside. Robyn has been watching him and makes a peppy comment about how none of them will be sleeping tonight, followed by a more serious, "Sounds bad out there." Yeah, it does sound bad, especially when they all know — thanks to Ruby's message back in Volume 7 — that this is due to Salem's arrival. I think a lot of the fandom has forgotten that little detail because people often discuss Qrow as if he is entirely ignorant of what is going on outside his cell. Even if we were to assume that he's forgotten all about the pesky Salem issue (the horror of Clover's death overriding everything else, perhaps) he still knows that Tyrian is running loose in a heat-less city with a creepy storm going on and, from his perspective, the Very Evil Ironwood is still running the show. So it's bad, which begs the question of why Qrow (and Robyn, for that matter) hasn't displayed an ounce of legitimate worry for everyone he knows out there. Thus far, their interactions have centered entirely around Qrow's misplaced blame and Robyn's terrible attempts to lighten the mood, despite the fact that a war is raging right beyond that wall. It's another example of RWBY's inability to manage tone properly, to say nothing of balancing the multiple concerns any one character should be trying to juggle. Just as it rankles that Ruby and Yang don't seem to care about what has happened to their uncle, Qrow likewise doesn't seem to care about what might be happening to his nieces. When did we reach a point where these relationships are so broken that someone can be arrested/chucked into a deadly battle and the others just... ignore that?

So Robyn's otherwise innocuous comment immediately reminds me of how badly the narrative has treated these conflicts and, sadly, things don't improve much from here. We are thankfully spared more of Robyn's jokes when Qrow realizes that what he's hearing can't be thunder. A second later, Cinder blasts through the wall — called it! — and Qrow instinctively transforms.

The only downside to this moment is that the whole ceiling falls down on Qrow and the others because APPARENTLY these cells don't have tops on them. Seriously. As far as I can recall we don't see the stone breaking through the forcefield somehow and this looks pretty open to me.

If it is... you're telling me these crazy powerful fighters who practice landing strategies and leap tall buildings in a single bound —

— can't just hop over this mildly high electric fence to get out? Qrow can't just fly away?

We're, like, two minutes in, folks.

We transfer to Nora's perspective as she wakes up, seeing Klein giving her the IV. He tells her not to worry, that "you and your friend are going to be just fine." What friend? Penny? Klein went upstairs prior to Weiss hugging Whitley or Penny crash landing outside. I had thought them bursting through the door with another unconscious friend was the first time he learned what the big bang outside was, but apparently not.

Penny is, obviously, a mess. While I now understand the choice to make her blood such an eye-catching color when that's crucial to the Hound's hunt, I still think it looks strange visually. Like someone has taken a copy of RWBY and painted over it. It doesn't look like it fits the art style. More than that, it implies some rather complicated things about Penny's humanity, especially in a volume focused around her being a "real girl." Real enough for Maiden powers, but with obviously inhuman blood that isn't even referred to as "bleeding." Penny "leaks" instead.

Toss in the fact that she's literally an android who is made up of tech — recall the running gags about her being heavy, or it hurts to fist-bump her, to say nothing of keeping things like multiple blades inside her body — yet Klein says that her "basic anatomy" is the same and he can "stitch up that wound."

I'm sorry, what? Whatever Penny looks like on the inside, it's not going to resemble a human woman's anatomy, and Klein might be able to stitch the outer layer of skin she's got, but that won't do anything to fix whatever metal bits have been broken underneath. Penny isn't a human-robot hybrid, she's a robot with an aura. Penny has knives in her back, rockets in her feet, and a super computer behind her eyes. When our clip introduced that Klein would be the one to help Penny, my initial reaction was, "Seriously? He's a butler and a doctor and an engineer?" But RWBY didn't even try to get away with a Super Klein explanation, they just waved away Penny's very obvious, inhuman anatomy. Yeah, I'm sure "stitching up" an android wound is just like giving Nora her IV. I hope the surgical sutures he used are extra strong!

In an effort to not entirely drag this episode, I do appreciate that Whitley is allowed an "ugh" moment about the non-blood covering his shirt without anyone calling him out on it. That felt like the sort of thing the show would usually try to make a character feel guilty about and I'm glad that, for once, he was just allowed to be frustrated without comment.

Then the power goes out and May calls, which raises questions about what state the CCTS is in and when scrolls are available to our protagonists vs. when they're not. But whatever. She's checking in because she just "saw another bombing run light up the Kingdom" and —

Wait. Bombing? Salem is bombing the city? I know we've seen explosions in the sky, but I'd always just attributed that to evil aesthetic. Why does this dialogue sound like it's from a World War II film and not a fantasy sci-fi show about literal monsters launching a ground attack?

May looks pretty against the sky though. I like her hair color against that purple.

I'm admittedly grasping at positives here because we finally return to her "You have to choose" ultimatum and — surprise! — May has pulled back completely. Ruby says that once they've helped Penny, "We'll...we'll do something!" which is once again her avoiding making a decision. Ruby still refuses to choose, instead falling back on generic, optimistic pep talks. They'll figure out how to stop Salem later. They'll think about the impact of telling the world later. They'll choose who to help later. Ruby keeps pushing these problems into the future where, she hopes, a perfect, magical solution will have appeared for her to latch onto. When that continues to not happen, others pressuring her to actually do something and stop waiting for perfection — Ironwood, Yang, May — she panics and continues stalling for time. Wait an episode and the narrative supports her in this.

Because initially May was forcing Ruby to decide. Now, May enables her desire to keep putting things off. "Don't beat yourself up, kid. At this point, I don't know how much is left to be done." That's the exact opposite of what May believed last episode, that there was still so much work and good to do for the people of Mantle. This is precisely what the show did with Yang and Ren's scenes too, having people call Ruby out... but then return to a message of, 'Don't worry, you're actually doing just fine' before Ruby is forced to actually change.

None of which even touches on May calling her "kid" in this moment. That continues to be a convenient way of absolving Ruby of any responsibility. When she wants to steal airships or Amity Tower, she's an adult everyone should listen to, the leader of this war. When the story wants to absolve her of previously mentioned flaws, she becomes a kid who shouldn't "beat herself up." I said years ago that RWBY couldn't continue to let the group be both children and adults simultaneously, yet here we are.

So that was a thoroughly disappointing scene. Ruby gets her moment to look sad and defeated, listing "the grimm, the crater, Nora, Penny" as problems she doesn't know how to solve. Note that 'Immortal witch attacking the city I've helped trap here' isn't included in that list. Ruby is still ignoring Salem herself and no one in the group is picking up where May left off, challenging her to do more than wring her hands over things others are already trying to take care of: Ironwood is fighting the grimm, May has gone off to help the crater, Klein is patching up Nora and Penny. Ruby, as one flawed individual, should not be expected to come up with a solution to everything, but she does need to stop acting like she can come up with a solution to everything when it matters most (office scene) and rejecting others' solutions when they ask for her help (Ironwood, May).

If it feels like I'm dragging the flawed, traumatized teenager too much, it's not in an effort to ignore those aspects of her identity. Rather, it's because she's also the licensed huntress who wrested control from a world leader and violently demanded she be put in charge of this battle. Ruby, by her own actions, is now responsible for dealing with these problems, or admitting she was wrong and letting others take the lead, without purposefully derailing their plans. She doesn't get to suddenly go, "I don't know," cry a little, and get sympathetic pats.

But of course that's precisely what happens, courtesy of Weiss.

During this whole scene I kept wondering why no one was celebrating Nora waking up, especially when Ruby outright mentions her. Have they just not noticed given all the Penny drama? Because Nora absolutely woke up.

Aaaand went back to sleep, I guess. What was the point of that POV shot? No worries though, she'll wake up again in a minute.

Willow arrives and announces that they can fix the power (and Penny) using the generator at the edge of the property. I'm convinced RT doesn't actually know what a generator is because the characters are acting like it's some super special device that only richy-rich could possibly have. Whitley says that it's the SDC executives who have their "own power supply" and that it's "extremely unfair." Now, don't get me wrong, a good generator powering large portions of your house can run you 30k+, but you can also get one that plugs into your extension cord and powers your fridge for a couple hundred. There's absolutely a class issue here, just not the one Whitley and Weiss seem to be commenting on. They make a generator sound like the sort of device that only a politician-CEO could possible have and it's weird.

Likely, it sounds weird because it's a choppy way of getting Whitley to bring up the wealth disparity so he can then go, 'That's right! We're crazy rich with a company housing tons of ships! We can use those to evacuate Mantle.' Awkwardness aside, I do like that the Schnee wealth is being used for good purposes, but... evacuate where? To the city currently under attack by a giant whale? In a RWBY that wasn't determined to demonize Ironwood, this would have been a great plot point during the office scene instead, with Weiss offering her services to Ironwood, even if the group decides that a continued evacuation still isn't possible.

Instead, we get it here from Whitley. Do I need to point out the obvious? That Whitley is the MVP of this episode? He's done more good in an HOUR than the group has managed in a year. Give this kid some training and make him a huntsmen instead.

We're given a (very pretty!) shot of the shattered moon because it wouldn't be RWBY if we weren't continually reminded that gods once wiped out humanity before destroying part of a celestial body... and absolutely no one talks about that lol.

Blake's coat might not make any sense for her color scheme, but it does make her easy to spot as she and Ruby run across the grounds. Oh my god, they're actually doing something together! It only took eight years. They even get a lovely talk where Blake admits how much she looks up to Ruby, despite her being younger, and once again I'm struck at how much more I would have loved this scene if it had appeared elsewhere in the series. It is, indeed, as sweet and emotional as all the RWBY GIF-ers are claiming... provided you overlook that this is the exact opposite of what Ruby needs to hear right now. She doesn't need to hear that she's more mature and reliable than her elders when she's functioning under a "We don't need adults" mentality. She doesn't need to hear that not knowing what to do is totally fine, not when that led to her turning on Ironwood, despite not knowing how to stop Salem. She doesn't need to hear that "doing something" — doing anything — is a strength, because Ruby keeps avoiding the big problems for smaller ones she's comfortable with, like standing by Penny's bedside instead of deciding between Mantle and Atlas. Blake's speech is heartfelt, but it's a speech that suits a Beacon days Ruby who is having some doubts about her leadership skills, not the girl whose impulsive — and now lack of — actions is having world-wide repercussions. Everyone is babying Ruby to a staggering degree. It's like if we had a med show where the doctor is standing by the bedside of a coding patient, fretting between two treatments. 'Don't worry,' their colleague says, patting their shoulder. 'I've always looked up to you. You'll do something when you're ready' and then they continue to watch the patient, you know, die.

Also: who does Ruby look up to? Everyone talks about how much they depend on and trust Ruby, but who does Ruby look to for guidance? A number of her problems stem from the fact that she has rejected the advice of everyone who has tried to help her improve: Qrow, Ozpin, Ironwood, even Yang. Ruby is presented as the pinnacle of what to strive for in a leader, rather than a leader who has only been doing this for two years and still has a great deal to learn.

Anyway, they get the generator on and the Hound shows up.

I am begging RT to just make RWBY a horror story. All their best scenes the last three years have been horror I am bEGGING —

Anyway, while Ruby waits to be eaten we cut to Willow and Klein, the former of which is reaching for her bottle, pulling back, reaching again, all while her hand shakes. This is good. This is what we should have gotten with Qrow. Which isn't to say that their (or anyone's) addiction should be identical, but rather that this is a far more engaging and complex look at addiction than what our birb got. Willow tells us that she doesn't drink in the dark despite bringing the bottle with her; tries to resist drinking when she's scared and ultimately fails. Qrow just decided to stop drinking after decades of addiction, seemingly for no reason, and that was that. Why is a side character we only met this volume written better than one of the main cast?

Blake manages to call Weiss about the Hound and she asks if Whitley can handle the airships without her. I mean, I assume so given that Weiss is looking at the bookshelves while Whitley does all the work lol. He makes a teasing comment about how he can if she can handle that grimm and she comments that they still need to work on his "attitude."

No they don't. Weiss stuck a weapon in her kid brother's face. Whitley made a joke. Even if Weiss' comment is likewise meant to be read as teasing, it's clear that we've bypassed any meaningful conversation between them. That hug was supposed to be a Fix Everything moment even though, as I've laid out elsewhere, it didn't even come close.

We cut back to Ruby getting thrown through a wall into the backyard and the Hound creepily coming after her. She's freaked out by this clearly abnormal grimm and Blake is weirdly... not? "It's just a grimm. Just focus!" Uh, it's obviously not. Have we reached the traumatized, sleep-deprived point where the group is sinking into full-blown denial? I wouldn't be surprised. They've been awake for like... 40+ hours.

Because the Hound knocks Ruby out with a single hit. Just, bam, she's down. "Focusing" is not the solution here.

Weiss calls to warn the others about the grimm, telling them to stick together. Willow (understandably) starts freaking out and flees the room (classic horror trope!). Klein is left alone when Penny wakes up with red eyes. Oh no!

Don't worry. You know nothing meaningful happens.

She shoves Klein before (somehow?) resisting the hack, her Maiden powers going wild in the process. Just when it looks as if Penny might cause some serious damage, Nora wakes up, takes her hand, and says, I kid you not:

"Hey... no one is going to make you do anything you don't want to do... It's just a part of you. Don't forget about the rest."

Okay. I want to re-emphasize that I love hopeful, uplifting, victory-won-through-the-power-of-love stories. Istg I'm not dead inside, it's just that RWBY does this so badly. I mean, what is this? It has similarities to the character shouting, 'No! Resist!' to their mind-controlled ally, but this is not presented as a desperate, last-ditch effort by Nora. She just speaks like this is the most obvious truth in the world. If you don't want to have your mind taken over... just don't! It's that simple. The problem definitely isn't that Watts has changed her coding and has implemented a command she can't override, it's that Penny has forgotten about the "rest" of her personhood.

And this works. Granted, not for long, but we leave Nora having successfully calmed Penny down and until her eyes unexpectedly go red again scenes later, we're left assuming that this is a permanent solution. That, imo anyway, is taking the Power of Love too far, overriding the basic reality of Penny being hacked. It’s not a personal failing she must overcome, it’s an external attack. I would have rather had Nora react to the scars she saw on her arm, or have a moment with Klein, or get some love from the group. Not a wakes up, falls asleep, wakes up again to save Penny with a Ruby level 'Just ignore reality' pep-talk, then back to sleep again.

So Penny isn't attacking her allies, or mistakenly hurting her allies with wild Maiden powers. Not that the group doesn't have enough to deal with, but still. Weiss arrives to help with the Hound and attempts a new summon, only to fail when two minor grimm burrow up into her glyphs. I really enjoyed that moment, both for the wing visual and the knowledge that Weiss' glyphs can fail if you break them somehow (which makes sense). Also, I just like that she failed in general? Weiss is, as per usual now, about to demonstrate just how OP she is compared to the rest of the team, so it was nice to see her faltering here.

The Hound tries to make off with Ruby and Blake does an excellent job of keeping it tethered. Ruby finally wakes, only to realize that the grimm is actually after Penny since it's staring at her power up through the window, no longer trying to escape. Moments like this remind me that there's someone on RT's writing team that knows what they're doing, at least some of the time. The assumption that the Hound is after Ruby as a SEW, the surprise that it's actually Penny, realizing it holds up because Ruby is covered in Penny's blood and Blake is not... that's all nice, tight plotting. More of that please!

The Hound drops her and Ruby's aura shatters when she hits the ground. I want everyone to remember this moment as an example of how strong the Hound is. The group may be tired, but unlike YJR they've been sitting around in the Schnee manor for a number of hours, regaining strength. We saw the Hound hit Ruby twice — once through the wall and once to knock her out — and then she falls from a not very high distance for a huntress, yet her aura is toast. That's the level of power and skill the Hound possesses. Decimating YJR, knocking Oscar out, same for Ruby, avoiding Blake and Weiss' hits, soon to treat Penny like a ragdoll. Just remember all this for the episode's end.

Blake tells Weiss she'll take care of Ruby, you go help the others. Yay breaking up the duos more! Bad timing though as the new acid-spitting grimm pops out of the ground and Blake is now left alone to face it.

Weiss re-enters the mansion, knowing the Hound is somewhere nearby, but not where. Suddenly, Willow's voice sounds through her scroll with an, "Above you!" which... doesn't keep Weiss from getting hit lol. But it's the thought that counts! Willow has accessed the cameras she's set up throughout the manor, watching the Hound's movements, and I have to say, that is a WAY better use of her separation from Klein than I thought we were getting. I legit thought they'd have Willow run away in a panic, meet the Hound, die, and then Weiss could be sad about losing her mom.

It does say something about RWBY's writing that this was my knee-jerk theory, as well as my surprise when we got something way better.

The Hound runs off, uninterested in Weiss, and she asks Willow to keep tabs on it. It heads for Whitley next (also covered in Penny's blood) and very creepily stalks him in the office with a, "I know you're here." Whitley is seconds away from being Hound chow before one of Weiss' boars pin it against the wall. He runs, then runs BACK to finish deploying the airships, before finally escaping assumed death. Goddamn this boy is pulling his weight.

I assume all these ships are automated then? I hope someone takes a moment to call May. Otherwise it's going to be super weird for the Mantle citizens if a fleet of SDC ships just show up and hover there...

I don't entirely understand how Weiss saved him though. She's nowhere to be seen when Whitley leaves and he runs a fair distance before he and Willow encounter Weiss again. We know her summons don't have to keep right next to her, but are they capable of rudimentary thought, attacking an enemy — and an enemy only — despite Weiss being a couple corridors down and unable to see the current battlefield? I don't know. In another series I'd theorize that this was a deliberate hint, a way to clue us into the fact that Willow, someone who we currently know almost nothing about, had training in the past and summoned the boar herself. Weiss and Winter certainly didn't get that hereditary skill from Jacques. Hell, we might still get that, Weiss reacting with confusion next episode when Whitley thanks her for the boar, but I doubt it. That scene with Ruby and the Hound aside, the show isn't this good at laying groundwork and then following up on it.

Case in point: Weiss says, "I didn't forget you" to Whitley after he gets away from the Hound, the moment trying to harken back to her promise to Willow. Key word is "trying." Because she absolutely forgot him! Weiss threatened and ignored Whitley until he proved his usefulness. I also shouldn't need to point out that, "Don't forget your brother" does not mean, "Don't let your brother die a horrible death by abnormal grimm." Weiss acts like her saving him is a fulfillment of her promise, rather than just the most basic of human decency. And also, you know, her job.

So that part is frustrating. The entire Schnee dynamic is a mess, from Weiss making a joke of her father's arrest, to Willow (presumably) fixing their relationship by putting a hand on her daughter's shoulder. Okay.

Then Weiss cuts off the Hound by summoning a giant wall of ice. My brain, every time this happens:

YOU COULD HAVE FIXED THE HOLE IN MANTLE'S WALL.

Moving on, Blake's fight against the acid... thing has some great choreography, including Blake using her semblance which we haven't seen in AGES.

I really like the fight itself, just not what Blake is shouting the whole time. "I need you, Ruby! We all need you!" This has really gotten ridiculous. Ruby is presented as everyone's sole savior despite failing time and time again. It's not that I don't think Blake as a character should have faith in her leader, it's that I don't think the writers should be crafting a story where everyone puts their unshakable hopes in an untrained, disloyal, impulsive 17 year old. I mean, Ruby is currently unconscious, yet Blake is acting like if she doesn't wake up — she, as an individual, if Ruby Rose does not re-join this fight — then all is lost. If Ruby doesn't save them, no one can. Which is, of course, absurd on numerous levels. Blake doesn't need the passed out, aura-less Ruby right now, she needs the still very healthy Weiss pulling out multiple summons and an ice wall! Use your scroll and call for backup again.

But of course, Ruby wakes up and kills the new, terrifying grimm with a single hit. It's a preview of what's to come with the Hound and it's just as ridiculous here as it will be there.

Speaking of the Hound, am I the only one who thought this was... cute?

I can't possibly be the only one. That head-tilt is exactly what my dogs do and my brain instinctively went, "Aww, puppy!"

Murderous puppy.

The Hound realizes none of the Schnees are who it's looking for and runs off. Penny, meanwhile, has been fully taken over because, well, that's just what's convenient now. She resists long enough keep Amity up, then succumbs, then resists to apologize to Ruby, then succumbs, then resists because Nora asked her to, then succumbs once it's time to knock her out. If RWBY was willing to commit to consequences, Penny would have been taken over and that was that. The characters would need to deal with whatever outcome happens as a result. Instead, the show very carefully avoids any of those pesky consequences by having Penny successfully resisting at key moments, despite no explanation of how she's managing that.

She shoves Klein again (Klein is having a Bad Time) and starts walking down the main steps. When Whitley wants to know where the hell she's going, Penny mechanically responds that she must "Open the vault, then self-destruct." I suppose the change Watts made was the self-destruct order? Ironwood obviously wants the vault open, though not necessarily Penny's death. Think what you will of his moral compass, she's a damn powerful ally — a research project, perhaps — and a Maiden to boot. At the very least, her death may give the powers to someone even worse.

God, please don't let them have brought Penny back and made her a Maiden just to kill her again.

The Hound arrives though and, as said, knocks Penny out. We're back to square one with her, then. Note though that this attack is near instantaneous. She grabs its hands one second, is hanging limply the next. Wow, the Hound sure is a terrifying antagonist!

Not for long.

"That's enough," Ruby says and one-shots it with her eyes.

Now, I want to talk for a moment about the implications of that line. "That's enough." Obviously Ruby is #done with this situation and emotionally unwilling to let the Hound kidnap Penny (congratulations, Nuts and Dolts shippers), but there's a meta reading here as well. Not intentional, but glaring to me nonetheless. Basically, the idea that the Hound has, from a plot perspective, done enough. It has served its singular purpose. It kidnapped Oscar and now it dies. Never-mind how insanely powerful we've established the Hound to be, never-mind how Ruby's eyes also work or don't work according to whether anything of actual import is on the line. From a plot perspective "that's enough" and the Hound can be disposed of instantly. It got Oscar and gave us an episode of filler creepiness. Move along now.

The idea behind Ruby's eyes isn't bad, but the execution absolutely is. RT has undermined a huge portion of the stakes by giving their protagonist an instant kill-shot that always works precisely when she needs it to. Starting with the Apathy, we have yet to get a moment where Ruby's eyes fail to save the day when she really needs them to, no matter how incredible the challenge. The Hound was very intentionally written to be a grimm outside of the group's current power level. It thinks, it talks, they literally can't touch it. This creates the expectation that the group will need to grow stronger — or at least become smarter — in order to surmount this new obstacle, yet Ruby's eyes undermine all of that. The group hasn't grown in years, the show just makes enemies weaker as needed (Ace Ops), or has Ruby pull out her eyes as a trump card. It wouldn't be that bad if we'd at least gotten a good battle out of it, one where the group gets close to defeating the Hound on their own, but needs Ruby's eyes to finish it off. Instead, she literally walks up without any aura, announces to the audience that this antagonist's time is up, and blasts it out a window.

Granted, Ruby's eyes don't completely finish it. The Hound pulls itself to its feet and we see this.

Yup, that's a guy and yup, those are silver eyes.

I would like to issue a formal apology to the "It's secretly Summer!" theorists in the fandom. I mean, I still think it would be ridiculous (and at this point highly improbable) that Ruby's dead mother has actually been a grimm mutant this whole time, just hanging out in Salem's realm while she waits for the plot to start before attacking the world, and then sends some no-name faunus dude after the group instead of their leader's mother for extra, emotional torture... but you all were definitely right about the “It's a person” part! I... don't know how I feel about this. Admittedly, it seems to be a logical continuation of the other grimm-human hybrids we've seen — namely Cinder and Salem herself — and it finally explains why Salem wants Ruby alive (even though it actually doesn't because WHY did she want more SEWs for Hound grimm when she wasn't even attacking back then? And already has all these other insanely powerful tools??), but at the same time, it feels like it's complicating a story that doesn't need further complications. The group fights monsters and has an immortal enemy. You don't need to add 'Some of those monsters are secretly human' to the mix.

It doesn't hurt that this twist is giving me Attack on Titan vibes, which, ew. A dark time in my fandom life, folks.

The Hound staggers a few steps before Whitley and Willow dump a suit of armor on it. That's all it takes to kill the most dangerous grimm we've ever seen: a single flash of silver eyes and some heavy metal. This also wreaks havoc with the implication that Salem wants SEWs alive because they create such powerful grimm. Obviously not. I mean yeah, normal huntsmen are going to have serious problems, we’ve seen that this volume, but any other SEWs nearby will take a Hound out instantaneously. For a villain with so many other powerful abilities — immortality, magic, endless normal grimm, her nifty soup — Salem would be much better served just killing SEWs straight out. Clearly, creating Hounds isn't worth the effort.

The Hound leaves some bones behind and Ruby collapses to her knees, overcome with the knowledge that this was once a person. Again, uncomfortable Attack on Titan parallels.

We finish our premiere with Cinder clearing away rubble to reveal Watts. Honestly, I like that we ended on this because her rescue is hilarious. She just slings him over her shoulders like a sack of potatoes and blasts off with her magic fire feet. Fantastic.

Note though that with this scene we've seen almost everything from the clip and the trailer. What's to come in the rest of Volume 8? No idea. Outside of Winter leading the charge with the bomb, we got it all here.

Time to update the bingo board!

I'm crossing off "Introducing new grimm that are quickly abandoned." Between the Hound and acid-dude both falling to a single blast/cut from Ruby, we've more than earned this square.

It doesn't look as if we'll get another Watts-Jacques team-up now that he's left, but you never know.

Maria's got me worried. I feel like her Yoda fight against Neo is the one thing she'll be allowed to do this volume, but given that we didn't see anyone except Ruby's group this episode, we don't yet know whether the story is now ignoring her and Pietro, or if they'll re-appear in another episode like YJR.

Qrow is free. Will he get a drink before trying to murder Ironwood? Perhaps.

Still no bingo :(

All in all, the episode was by no means horrible. I think there were lots of horrible parts, but also some legitimately well executed moments, fun action, and scenes that I can easily imagine as squee worthy if you lean back and squint. Everything is comparative and in the growing collection of bad RWBY episodes, this one isn't securing a top slot. Which doesn't mean I think it's good, just... not as bad as it could have been and primarily only bad due to long-running problems, not things this specific episode has done. That's my bar then, so low it has officially entered the underworld.

Still, RWBY is back and a part of me is eager to see where this volume takes us, for better or for worse.

Until next week! 💜

[Ko-Fi]

#rwby #rwby spoilers #rwby volume 8 #mymetas #rwby recaps #rwby dark

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sneverussape · 4 years ago

Text

ask game - 1/10?

imma answer these questions by @bloatsome but i’ll try to do it in sets of 5. if you’re interested, my answers will be under the cut!

first set of questions:

Do you have a snOTP? What is it?

What do you think is Snape's favourite colour and why?

Which Disney character, according to you is most like Snape?

Do you think Snape remained a virgin?

Do you think Snape ever loved anyone other than Lily, romantically or platonically?

Do you have a snOTP? What is it?

- to be honest...not really? i like him as is, so any partner that people pair him with (by this i refer to pairings in fics; drawings are fair game) is a pleasant bonus. i do have preferences for pairings though, but it’s not saying much, because i will read anything and everything as long as the plot interests me. that said, here are some of the pairings i enjoy and why:

snucius - i love this pairing because it shows both lucius’ and snape’s humanity but without the sickly sweet sentiment that’s often in the other pairings. i love the idea that both have such small exclusive circles, and anyone within them are definitely people they would die for. their snarkiness is also top-notch

snamione - this pairing grew on me. when i was younger, it wasn’t something that interested me, but then i read the fics. this pairing is tenacious, fiercely intelligent, and loyal to a fault. it’s like snape having a female version of himself for a partner, which is always a treat. hermione never lets him step on her, but she also provides the balance he often needs

snupin - again something which grew on me. i love the moments in fic when they confront their shared past and lupin more or less gets eviscerated for his poor choice of friends, but they try to work on it afterwards, and that’s great

snack - this is such a volatile pairing which is why i love it XD i don’t seek it out though because more often than not having both sirius and snape on the same page gives me unnecessary stress, but the fights are usually well-written and it’s satisfying when they finally get to that middle ground of finally becoming agreeable with each other

snily - tbh it’s very rare for me to find a snily fic i agree with but when they’re good, they’re good (deathdaydungeon’s Dealer is one of them). with snily, i love that they have a shared childhood, and so she has access to a side of snape no one else does. that alone makes the pairing so interesting for me, and worth a read

What do you think is Snape’s favorite colour and why?

- i read this question and oddly enough, only one color came to mind: yellow. yellow in the same way van gogh loved yellow: because it’s happiness personified, and happiness was something he lacked. he never wears the color, but he probably had small items in the shades that calmed him for when he’s feeling particularly stressed.

Which Disney character, according to you is most like Snape?

- hm. i’m not sure tbh. he doesn’t really fit the usual cookie cutter types disney tends to churn out. his sense of humor reminds me of yzma (emperor’s new groove) but his self-serving tendencies also reminds me of gothel (tangled). bagheera (the jungle book) is protective but is too mild to be him.

Do you think Snape remained a virgin?

- i don’t think so, because even if he chose not to partake in that sort of activity, i believe the death eaters would have made that choice for him at some point and he’d have been forced into it. that kind of cult would have had no bounds on its depravity and would have surely demanded that sort of thing from its followers, and he would have had to follow suit. on another note, it’s possible he also could have actively sought it out himself as a channel for his rage and other intense emotions. inasmuch as i can understand others’ preference of him being a virgin, it doesn’t make sense to me given the context he was in.

Do you think Snape ever loved anyone other than Lily, romantically or platonically?

- i believe so; he wasn’t a robot. i believe he loved his co-teachers, dumbledore, and even his students to a certain extent, whether he consciously allowed himself to or not. love comes and is expressed in many forms. in terms of a partner though...i sincerely doubt he had any time or emotional bandwidth for a romantic dalliance. but platonic love...i’m pretty sure he had loved lucius and narcissa at least, and cared for them in his own way. lily though was special and nobody had probably attained the same level that she had been on for snape.

#ask game #let's see how long i can keep this up #snape #hp

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viviane-lefay · 3 years ago

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Really!? Sure that this would be his reaction!?

(still lol @ the choice of pic, though)

Hmm, I don’t think he’d be as averse to it as is implied here - or at all, actually.

Judging from what the canonical material provides, amongst others, he actually happens to have some quite fatherly traits, and even takes pleasure associating himself with that role, as you can see here:

That, apparently, is also the consensus amongst the fandom, given there are memes like this one:

Even in the movie, he refers to his drones as “my babies”.

In this, he strongly reminds me of two other characters associated with science, invention & technology - i.e. Anakin Skywalker (Star Wars), and Aulë the Smith (Tolkien) - who are known not only for their brilliance, bordering on genius, and their strong innate creativity, but also, if not especially, for their associations with fatherhood (Aulë is known as the “Father of the Dwarves”, and Anakin … I don’t think this even needs a mention, does it!?) - again, a distinctive feature of said creative urge.

This seems to be quite a bit of a phenomenon with characters of this type, especially. Therefore, one could say, that, in terms of this role, they indeed do have a natural inclination and aptitude - and, I’d say, it definitely applies also for Robotnik. He certainly displays this very strongly with his machines so far.

Now, in another post of mine, where I looked a little closer into the role that these machines play for him, I came to the conclusion that they, amongst others, act as a surrogate for his actual, yet suppressed needs and desires.

(Please excuse the lengthiness of this part, but I felt it was really relevant for my argument. I tried to keep it as short as possible, though.)

It is so painfully obvious that this guy has some massive issues, stemming from past emotional neglect and negative experiences - so much, that he even rejects all things human altogether, along with his own humanity. His excessive idealization of and identification with technology, therefore, comes quite in handy as a defense mechanism in order to cope with said experiences.

Machines don’t ask much of you, they do what they are told, they are predictable, and they - above all - can’t suddenly abandon, betray, humiliate, and hurt you (which, I think, is the crux of the matter here).

Even though he might claim that his robots are everything to him, and that he doesn’t need anything and anyone else - his actions, however, prove otherwise (let alone his constant spiteful remarks on the matter, which just sound so damn bitter). We can recognize that quite clearly when he is forced into involuntary seclusion on that mushroom planet at the end.

[…] Essentially, all those objects and machines are but a substitutive gratification that he tries to use, but that never come remotely close to the real deal, let alone are ever able to replace it. In the end, he’s still a human being, along with all the human needs that go along with it - human contact and care included.

I am by no means suggesting that they do not matter (they do, being his creations, after all), but rather that they most definitely would take a back seat to a potential (human) child of his - especially if it is born to the woman that he loves - and, therefore, also happens to contain a part of her (which would enhance its position even further).

—

Side Note: Frankly, I absolutely can’t see this happen with any other woman, let alone him becoming physically intimate at all. If any of these - whom he doesn’t care about (no matter how pretty) - tried to do that with him, I bet all she would get from him is a frown, and being coolly, but politely sent out of the room. He just doesn’t seem the type to bother about anyone “less than” - or casual sex, for that matter.

—

And I think it is indeed the connection with this woman that is the crucial part here, given I see her as the single most important person for him - the love of his life & his undisputed No. 1 priority!

(which shouldn’t be all that surprising, given I think he has a similar attachment style & behaviour to his grandfather, as I discussed here)

In the light of this, even this potential child of theirs would “only” get to occupy second place - a very close one, but still a No. 2. But it’s the Morticia to his Gomez we’re talking about, so it’s fine, I guess. ;)

Even so, it still bests the machines with ease, who, in this scenario would get place 3.

Lastly, I want to highlight this little snippet of a quote from a Jim Carrey interview, which encapsulates quite nicely what I was getting at:

“… and all it really comes down to is, he wants to be special to somebody.” [x]

The keyword here is “somebody” - which machines are not, obviously. They’re rather something, an object, which isn’t capable of emotions, or bonds based on love - and to whom a person can never be special in that particular manner.

That is indeed something truly, uniquely human, and, as such, solely reserved for those.

And what bond is more absolute, more exclusive (because no one else can take the place), and, thus, more special than that between a husband and his wife, or - to come back to the subject of this post - a parent and a child!?

So, yeah, the above bits of info about him in mind (aside from my personal interpretation), I think he’d totally dig the thought of being a dad - especially within the context of who the mother is - and I also think he’s one of the characters with the natural propensity for being quite good at it at that (something, not every fave of mine can claim *cough*Ozai*cough*).

To come back to the screenshot at the very top, I’ll concede that he might be a little shocked at first (this coming as a “bit” of a surprise), and, yes, I also think he’d be somewhat concerned (as the OP said), but, I guess, that would be more about his doubts regarding whether or not he’d be able to be a good parent, his own personal history and upbringing in mind. A little self-awareness & -criticism can’t hurt (especially with him), even if he turns out to be wrong about this particular aspect - but, as I said, he’ll do fine. ;)

Ok, so much on that subject - ‘twas fun!

#Sonic the Hedgehog #movieverse #headcanon #personal opinion #Dr Ivo Robotnik #Adelia/Ivo #dr robotnik x OC #at least implied here #again this is just my personal headcanon - if you don't like it then please keep that to yourself and go away #I'm here for like-minded people

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moondrop04 · 4 years ago

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RWBY VOLUME 8 FINALE AFTERMATH!!!

SPOILERS!!!

WOW.......What A F***** Finale To End A Volume!!!! I was left surprised, shocked, sad, disappointed and ecstatic with the events that unfolded and also for the future of the RWBY series!!! I have so many theories and headcanons racking in my brain that I’m acting like a Giddy Little Troll 😆. So let’s jump right into the FINAL aftermath of Volume 8....

-(Tick-Tock Took Out The Vine) Before starting into this I want to give a shout out to CRWBY for starting out the episode with the “Warning” for the deaths that we were about to witness. I’m glad they were thoughtful for their fanbase’s wellbeing after watching this finale and hope they continue this trend of “warnings” in the future.

Now onto the first major character death of the episode......Vine 👀. I was fully expecting to see at least one of the Ace-Op members to die in the finale and I was actually quite surprised to see it only be Vine. Given the circumstances that Qrow, Vine, Elm, Marrow and Robyn were put into because of Harriet’s blind loyalty, it wouldn’t be too hard to have expected more characters to die in that situation.

Vine has always been the calm one within the team, so to see him willing to sacrifice himself to save his friends from death was a very touching moment. I was also honestly quite surprised he could used his semblance like that as well 😳. I kinda wished we had seen some more aspects of him extending his aura like that in previous episodes, but that’s just a bit of a small nit-pick of mine.

It’s also going to be interesting how this will impact the rest of the Ace-Op members going forward, especially Harriet. This will no doubt cause some inner turmoil for her character and only time will tell what type of effect it will hold in future dire situations .

-(Fighting For Your Beliefs) Hmmm......I’ll be honest......I was a bit disappointed with Winter and Ironwood’s fight 😓. Now I have a few reasons why I feel like this so let me explain....

1:I think the decision to make Ironwood fight with a “BFG” against Winter was a poor one. As we have seen in Volume 7 episode 11 we know that Ironwood can fight much better with his duel hand cannons. Watching him fight with a bigger weapon against a much more agile opponent didn’t feel right to me lol.

2: Having Winter win the fight using the maiden powers. Now I have no issue with Penny giving the powers to Winter, but I would have preferred if she could have found a way to defeat Ironwood without having the convenient power up. Winter is a very good fighter in her own right and I think having her defeat Ironwood with her abilities alone would mean much more before she was given the maiden powers by Penny.

3: Now I have said this before in previous posts but I would have liked it if Qrow was the one to fight Ironwood. There was indeed a bit of a build up for Qrow to fight Ironwood this volume so I do feel we were a bit blue-balled for that confrontation. Then after some time to think about it I feel the decision to make Winter be the one face Ironwood was the right one. Considering that this was the end of Atlas and that these two characters are the most associated with Atlas, made their fight against each other more fitting then leaving it up to Qrow.

The only positives I can give this fight is that it showcased more of Winter’s fighting potential and I was pleased how the animators made her fight with both Ironwood and later with Cinder. 😊

-(For Her Friends) Now onto definitely the most important part of this episode......Penny’s death. Now I’m really gonna be honest with all of you......I was not at all surprised that Penny died in the finale 😔. Ever since she gained the maiden powers she was always gonna have the “Red Flag” known as Cinder be connected to her. I more or less imagined that Penny’s powers would be taken by Cinder at some point and Penny would make some sacrificial play to save her friends while she still had her robot body. So when I witnessed her second death, as a REAL GIRL, I was shouting out “How could I be so RIGHT and so WRONG all at the same time!?” 😫

Now what has me intrigued about this second death is the part about Jaune’s involvement. I’m gonna keep my opinion about this choice from the writers neutral for now because I feel this is deeply connected to what they have already written for Volume 9. There’s is something they are planning for Jaune in the future and I want to see the whole picture of what they are drawing out before giving this either a thumbs up or a thumbs down. 😤

I have one more thing I want to bring up about this, and this is my opinion so if anyone wants to skip over this part I totally understand......so here it is. I truly believe Penny will be brought back to life in the future 🙂. When she first “died” back in volume 3 I fully believed she would be back eventually, so even if the circumstances are different this time around I am still having that same feeling that she will come back. I understand everyone else has their own feelings about what happen to Penny so I will not disapprove how everyone feels about it. It’s just how I feel about it is all 😊.....

-(The Captain Goes Down With His Ship) So.........this is the end of James Ironwood. As Atlas inevitably falls, so to does the man that represented as its symbol throughout the series and it’s aspects of strength, elitism and control.....

.......yeah I’m not buying it 😒

Something feels off if this is how he “permanently” dies..... I understand the symbolism of his “fall” parallels that of Atlas crashing down and being destroyed, but him dying doesn’t feel complete to me....

Not to mention this man has survived with half his body being destroyed in the past with what I believe to be nothing but his sheer will. So if I had to bet on anything I think he would have found a way to have survived Atlas’s crash and the flood that came afterwards....but I think he would be terribly wounded in the process....

There are also a few characters that I feel he hasn’t had a satisfying conclusion with that still needs to be addressed......Qrow, Oz and Glynda.

Also forgot to mention that apparently Arther Watts is dead too.....yeah I believe he’s not dead either 🤨. In fact I’m fully expecting Watts will survive but will be horribly burned and scarred the next time we see him. He will vow vengeance against Cinder and will stop at nothing to obtain his revenge on her. So it would be really lucky of him to find an unconscious and badly wounded general nearby that he could kidnap and experiment on to be his personal attack dog later to kill Cinder 🤔......wouldn’t that be a something to see lol

I’ll gladly wear some clown shoes and makeup in believing that we will be seeing both Ironwood and Watts again in the future, and if I’m wrong then I’ll gladly accept that L from everybody.....till then see you again next time general Ironwood and Arther Watts 🤗

-(Volume 9 and The Future Of RWBY) Alright! There is a couple of reasons why this post has taken me three weeks for me to write 😓.

First reason obviously is because of my job 😭. Some things have been happening at my work that has been stressing me out for weeks and honestly it’s been exhausting to even write anything....

Second reason is that over the course of the past few weeks after the finale aired I have been non-stop thinking of several headcannons, theories and speculations on what may happen in volume 9 and future volumes of RWBY 😆!! Don’t believe me? Here is some of the crazy s*** that came out of my head lol

-Team RWBY, Jaune and Neo meet the God Of Darkness

-The God Of Darkness gives Team RWBY power ups and new outfits to fight against Salem. Also gives Neo the ability to speak.

-Oscar vs Raven

-Salem sends Cinder to Vale to search for the Crown of Choice......but not alone. She gives Cinder 4 more experimental S.E.W Grimm to aid her and one of them happens to be Summer Rose.

-Horribly burned and scarred Watts kidnaps a wounded Ironwood and experiments on his body to change him into a complete cyborg with one objective......kill Cinder.

Believe me I have more context for each of those that I just addressed but that’s for separate posts that I hope to make in the future lol 🤗

Well that’s about all I got for that finale review and I literally cannot wait to see what happens next 😤 lol. I hope to engage with some of you in the fandom in the future and hope we get along 😎

Till next time........BUH-BYE!!!!

#rwby #rwby volume 8 #rwby volume 8 spoilers #rwby ruby rose #weiss schnee #blake bellodona #yang xiao long #rwby salem #cinder fall #oscar pine #jaune arc #nora valkyrie #lie ren #penny polendina #winter schnee #emerald sustrai #neopolitan #qrow branwen #raven branwen

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just-the-mage · 4 years ago

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Review-Love Death + Robots (Pt 1. Episodes 1-4)

So here we are again. You, dear readers, and I, a mostly defunct tumblr page. I was thinking...I’ve written a few reviews on here before, and I’ve rather enjoyed myself to be honest. So until RP starts up again for me, I’m going to grab some popcorn and start reviewing some of the media I’ve been indulging in during this exceptionally fun pandemic we’ve all been saddled with (and are becoming increasingly more and more used to as time goes on). Here we go!

Spoilers incoming! I don’t like to discuss a show without going through it entirely-no stone unturned. You have been warned!

Love Death + Robots is a compilation series-each episode is self-contained content, based on what I have experienced thus far. The content varies wildly from cute and sweet to surreal, to horrific. For right now I’m going to stick with the first four episodes since they are fresh in my mind.

Episode 1: Three Robots

Three robots shows a short adventure shared by, you guessed it-Three robots exploring the crumbling remains of human society. It comes across as three tourists making their way through an area that they are completely unfamiliar with, attempting to define and understand elements of the environment as humans once did. Their analysis and attempts to understand not only human culture, but also basic human biology, were entertaining to say the least. Each robot has flair, character, and a their own take on humans and humanity. Over the course of the episode, the fall of mankind is referenced a few times, being initially explained as a mass extinction due to environmental disasters (global warming is probably a factor-one of the buildings has an entire ship sticking out of it). However, the twist ending throws that whole theory into question once the cat that has been accompanying the robots for the last leg of their journey reveals itself as capable of speech. And, interestingly enough...being in possession of opposable thumbs. It was certainly unexpected, and a bit odd-the cat (and its many, many brethren) manage to finish out the episode by convincing the robots that if the robots do not pet them, the cats may explode. I will say that the ending, though it was rather silly and fitting with the tone, felt like an out of place twist intended mostly to give a bit of closure to a story that had no real need to have an ending. It felt a little out-of-left field, at least to me.

This first episode, I think, is one that I could recommend to a much more general audience than almost all of the other content of the show. It’s whimsical and cute, despite inhabiting such a grim setting (and grim it is-post apocalyptic is not taken lightly here. There are plenty of corpses, some skeletal and some not quite so much. At least one of them appears to have died by suicide). I found it to be a nice addition and a good introduction to ease people into the tone of the show. Definitely give this one a watch, even if the ending sort of comes from nowhere.

Episode 2: Beyond the Aquila Rift

This episode was definitely a change of pace from the first. It begins as a high science fiction story starring a hunky, middle aged man and his two crewmates, making some sort of cargo run (?) through a wormhole of some kind, but promptly finding themselves in a completely different place from what they expected. Hunky space captain wakes up first, finding that he is greeted by an old friend (read: lover) of his, who explains that there was a navigation error that led them off course-way off course. They’re in a completely different area than they expected. The ship’s navigator wakes as well, swearing that there couldn’t have been an error in her calculations, but seems ill and is placed back in her future tech cryopod to rest. Space captain man then bangs it out with his ex-lover (Greta) in a scene that was almost definitely written by a man, and she reveals to him that she lied, and that him and his crew are actually hundreds of light-years further off course than they had thought they were, basically dashing any hopes that he could have of returning to his old life. The two then wake the navigator again, who immediately starts ranting that ‘Greta’ isn’t who she says she is. At this point, enough clues have been given that the captain catches up with the audience (it was all a simulation the whole time), and he confronts Greta, demanding that she reveal herself as she truly is. She does, after some prodding-and the captain finds himself in an infested husk of a ship, aged and haggard, obviously dying of starvation. Greta reveals herself as a lovely spider-beast, and the captain wakes up from his pod again-back in his comfortable illusion once more.

I love the premise of this one. Crazy aliens and shit like this is a huge draw for me-sci-fi horror is probably my favorite subgenre of horror when it’s done well. I would count this episode as doing it pretty well. They don’t go into much techno-babble, which I think is a pitfall for some sci-fi stories. The writers are well aware that we aren’t spending too long in this world, so we don’t need to know much about the rules under which it operates outside of ‘computer mistake your ship fly here.’ The twist ending didn’t end up being too much of a twist-in my opinion there were too many clues given throughout the episode to make it that much of a surprise that things weren’t as they seemed. The odds of this man meeting his ex-lover in the infinitesimal reaches of space just by chance were a bit too impossible to make it believable-and the navigator was far too convinced that her work couldn’t be incorrect. In the end, it was an expected twist, but still pretty jarring. Execution is pretty good overall though-and the sex scene is pretty decent as well, even if its strictly a dude-fantasy thing. Also, call me a sucker for cool looking beasties, but I adore the design on spider-Greta. That’s a lady right there for you.

Episode 3: Ice Age

The only live action episode I’ve seen so far-this one gives an *entirely* different tone than the majority of the other episodes in the series. Topher Grace and Mary Elizabeth Winstead happen upon a lost civilization that exists entirely within their refrigerator. They watch in awe as it develops incredibly quickly-hundreds of years passing within the civilization in roughly an hour or so of real time. What starts in the morning as a town in the viking ages eventually develops into a modern society, almost destroys itself with nukes, and then rebuilds from the ashes into a fully futuristic society that quickly ascends beyond physical form, appearing to disperse itself into the cosmos, no longer bound by such petty rules as the laws of physics. A disappointed Topher asks if they’ll return-to which he receives a sad ‘no’ from his partner. It seems all is lost, and the couple go to bed for the night-only to find that the cycle has restarted overnight, and they probably won’t be able to keep any frozen chicken in the freezer for quite some time.

This one is probably one of my favorites of the series so far. It’s fairly well acted, but the real beauty of the episode is getting to watch the mini-civilization develop itself in a glorious time lapse-the work that must’ve gone into it must have been monumental, to be honest. The final product certainly felt that way, in any case. What I also found fascinating was a specific scene in which the protagonists were abandoned in place of some of the tiny denizens of the lost civilization-which made me realize exactly how slow the ‘normal sized people’s’ actions must have looked to the diminutive people of this rapidly developing society. Reminiscent of the earth’s motion in relation to our own perception-and reinforcing the concept that to an individual, perception is everything.

Episode 4: Sonnie’s Edge

This episode opens with three people transporting mysterious cargo into a heavily guarded complex, quickly encountering and interacting with a ‘bigwig’ of sorts with a beautiful woman on his arm. Through context clues the audience is easily able to discover that the three (pictured above) are here for a fight-and that their cargo is their fighter, a living creature of obviously immense proportion. The bigwig asks the team to throw the fight, and they refuse, even after he offers a large amount of money. (It’s worth mentioning that during this scene, ‘Sonnie’, the leader and controller of the beast fighter, shares an EXTREMELY homosexual gaze with the bigwig’s beautiful lady friend. Don’t think I didn’t notice the setup, because I definitely noticed the payoff, even though it was rudely interrupted). Sonnie and her teammates enter the ring, setting up as it appears that she will be piloting her fighter in some way. Her opponent is also introduced, though he is hardly important in the story-imagine a cake of beef with a big sticker on him that says ‘mysogyny’ in bold print. What follows is one of the most brutal fight scenes I’ve seen in animation (this is just my personal opinion though). These creatures fucking tear each other to shreds, with Sonnie’s beast only just barely emerging as the victor, tearing the opposing fighter’s head clean from its body. The bigwig is obviously angry, as is Sonnie’s opponent, and Sonnie and her team retires to a hotel room of sorts, with the exception of Sonnie-who slips away into the room that houses her fighter, promptly encountering the beauty from earlier! (Payoff time)..and it gets gay. Fast. I love me some wlw content, and there’s some nice tension here, right up until the beauty stabs Sonnie through the head. Rude. The bigwig reveals himself, which was a bit of a surprise-the part of me that hadn’t seen much of this show yet was hoping for a fluffy little happy ending. It wasn’t to be though..after the beauty crushes Sonnie’s skull, the two promptly realize that ‘Sonnie’ wasn’t Sonnie at all-just some biotech. The *real* Sonnie...was the fighter, the whole time. Who promptly makes short work of both the beauty and the bigwig, (implied), in what I can only describe as the most satisfying moment in the series that I’ve seen thus far.

This was easily my favorite episode of the show, and has continued to be, and I assume will continue to be my favorite through the rest of the series. It’s not just because of the lesbian rep (my people!), or the misogynists getting fucking destroyed, but the strength of the reveal, the choreography of the fight scene, and the *power* of the protagonist. I love her. I love her sooo much. We are seamlessly introduced into the world, shown a woman who has been beaten, scarred, faced sexual abuse, and she remade herself into a being of pure power. She fought back, and *look how she fights back*. I cannot describe just how much of a cheer-worthy moment it was to watch the smug smile be summarily wiped from the face of the bigwig. I *love* seeing a villain who has full confidence in their victory suddenly realize that they don’t have the upper hand anymore...and that they are, in fact, absolutely screwed. This was one of those wonderful, wonderful moments, and I can think of nobody more deserving than this villain of being torn to shreds. This was an A+ episode for sure-100% recommend this one for anyone who can handle a bit of gore.

Thank you so much for reading! This is only part 1...more to come!

#ooc #not ffxiv #review #show review #tv show review #love death and robots #love #death #robots #animation #sonnie's edge #ice age #beyond the aquila rift #three robots #wlw #lesbian

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sweetrupturedlight · 4 years ago

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This week on Sen Çal Kapımı

Serkan and Eda tell the whole world they’re in love while tensions run high as Selin and Efe create jealousy and doubt. Oh, and maybe they definitely, kinda, probably had s*x?

We kick off the episode with Eda clearly upset and a little jealous that she’s been left by herself as Serkan went to find the dumped Selin. To be honest, I wasn’t as mad about Serkan going after Selin as I thought I would be. They do have a long history. And if there’s one thing this episode did well, its show that Serkan’s understanding and compassion with regards to Selin’s situation - and her selling of the shares - is all because of Eda’s influence on him. Serkan of old would most likely have been cold and clinical, factual in his dealings with Selin - most likely blaming her and raking her across the coals for her mistake. This Serkan is supportive, kind and compassionate. There was nothing romantic about it - he was being a good friend. Truth be told, I really liked that character development. As for Selin, she annoys the heck out of me, but it’s clear she knows how very much he loves Eda. Girl has no chance in hell of winning him back.

In any case, one thing this show does well is not dwelling on drama for too long. I appreciate this. No sooner had Serkan realised Eda was jealous, than he allayed her fears about how he’s proverbially handcuffed to her side. Listen, Serkan’s love language towards Eda is affirmation. He spends the entire episode reassuring her that she means the world to him, that he wants to be with only her, that he wishes they could run away and be together. For this reason, Eda displaying repeated bouts of jealousy felt a little excessive. Yes, seeing him with Selin is annoying. But she is very aware of the context - they are fighting for control of the company - and what he is saying to Selin (within context) isn’t romantic in any way. “I need you” [to help me fight for my company] is vastly different from “I need you” [in my life because I have feelings for you]. And Serkan was clearly firmly operating within the space of the former. The writers were playing some cheap tricks and I wish they would do better.

Vulnerable Serkan is fast becoming one of my favourite aspects of the show. They’re really putting a lot into his development from “robot” to “human”. This is why I really appreciated the moments between him and Leyla. They’re one of my favourite side-pairings and seeing their relationship progress from her essentially being thankful for being fired in the first episode - to vowing to remain within his employ no matter what - was kind of awesome to see. Next step: he hugs her back.

We could talk about Efe, but honestly, the romance between Eda and Serkan is so solid at this point, his presence is not (I don’t believe) to create an alternative romance. I think he represents Italy and education - two things Serkan supports fully. So let’s hope he finds romance elsewhere and like most things, his storyline is wrapped up quickly.

Finally, the argument in the office. I might be in the minority, but I absolutely loved this scene. It’s one of my favourites in the episode because I’ve been waiting for them to have their first disagreement as a couple. The tension had been ramping up all episode - with Serkan and Eda both having to give in to the demands of the others’ family - as well as their inability to spend quality time together without being interrupted by some crisis or another.

Serkan is keenly aware of how much Italy means to Eda. And while he supports her dream, he is also a little insecure. Seeing Efe offer her an opportunity to pursue her studies - while battling the green-eyed monster - pushes them both into a petty argument. Eda accusing Serkan of not being serious about leaving no doubt stems from her conversation with his mother, where she was told about his duties and responsibilities in Turkey. To Serkan, her accusation clearly hurt him deeply. And I really love the choice the writers made to have him quietly exit the conversation. Lord, I felt that. Because Serkan is a fighter. He gives as good as he gets and we’ve seen him go toe to toe with Eda every-single-week. Him walking out - to me - is indicative of his hurt, disappointment and frustration. He was planning a romantic getaway, he bought a home, was planning on opening an office in Rome - and yet the woman he is doing all of this for literally accuses him of being frivolous and insincere. Ouch.

And I think this is why Eda realises her mistake immediately. Serkan fights, he doesn’t give up. And her words made him give up. Her surprise and then her regret is written on her face the minute she realises that he’s leaving - and I think she panics. Its why she follows him immediately and doesn’t let it fester.

The final scene was shot beautifully, but holy sh*t can we get a proper love scene? We’ve had three (?) scenes of them waking up beside each other. Why cut an essential scene like that from this episode, which is clearly meant to indicate a step forward in their shared intimacy??? When I tell you I was frustrated, you have no idea! I raged. I want cute morning cuddles and adorable giggles on their respective pillows dammit. Don’t disappoint me writers! So get to writing what we need.

Also, Eda is clearly talking to Serkan in that curtain hurricane scene. I would have loved to get the actual dialogue. Did she apologise? Did he apologise? Did the both basically just ramble on about what idiots they’re being and how very much they love each other? I mean the audience demands an answer!

Things I loved about this episode:

The handholding. It just doesn’t get old. It’s their thing and I love it.

Aydan and Ayfer collectively freaking out. The “lets team up to break them up” is amusing. I hope it doesn’t get tired soon.

Eda telling the girls. What.An.Adorable.Scene. I knew Melo was #TeamSerkan. Hande was also fantastic in all her breathless, giddy delight.

Both Eda and Serkan telling their respective parents that they’ve in love and that they should basically suck it up. The comedy of it all was gold.

The scene with Eda planting copious kisses on Serkan’s cheek. THIS IS WHAT I SIGNED UP FOR YES PLEASE MORE I NEED. #FlingsSelfIntoTheSun

Eda feeding Serkan those fries. GOLD.

Things that confused me:

Why Piril is even chasing Engin at this point?

Ferit spilling all the beans without even being drunk? Does this man have no filter? WTF

I don’t like Papa Bolat. I’ve tried. But everything about him rubs me the wrong way. His mistake, his secret - yet Serkan needs to pay for it. The entire debacle reeks of selfishness and I just hate it.

The editing was choppy this epi. The dialogue also not as crisp as usual. I imagine they’re working like crazy to get these episodes out. I’m hopeful the standards can remain excellent.

Things I know is coming:

Pain and heartache

Kisses and cuddles

And most importantly:

Did they have s*x???

#FlingsSelfIntoTheEverLovingSun #NotPrepared

#sen cal kapimi #sen çal kapımı #edser #serkan bolat #eda yildiz #naz rambles #lord i love this show

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smallhatlogan · 6 years ago

Text

Why Nonbinary Borderlands Fans are Mad About Zer0′s Pronouns, In a Timeline

2012

Zer0 was introduced in Borderlands 2 as a character meant to be absurdly mysterious in almost every way. Zer0 is apparently not their real name, they seem not to be human (but it’s unclear if they’re an alien, robot, or something else entirely), no one knows where they came from, etc. Still, in Borderlands 2, they defaulted to he/him, and was assumed male. It’s worth noting that Borderlands 2 also featured Bloodwing, Mordecai’s pet alien bird. In the original Borderlands Bloodwing was referred to as he/him, but switched between games to she/her. This is explained outside the game by Burch, who says that Bloodwing’s species changes gender halfway through life.

2013

Gearbox released the Diamond Plate Loot Chest. In it was the “Pandoran Gazette” an in-universe newspaper. It included an “Ask Doctor Tannis” advice column, the last question being:

Dear Doctor Tannis,

I have heard you are acquainted with the vault hunter known as "Zer0". I have been meaning to ask - that's not really his true name, is it? Hell, maybe Zer0 isn't even a "he". Do you have any details on this mysterious figure?

- Curious in Old Haven

Dear Curious,

I am indeed acquainted with the towering stack of leather and poorly-written poetry that so many refer to as "Zer0". As you have correctly noted, "Zer0" is not the Vault Hunter's true name. Zer0's actual name and gender are (CONTINUED ON PAGE 9)

Page 9 was not included. To my knowledge, this was where it was first seeded that Zer0 may not be male.

November 2, 2014

In a panel titled “Playing as a female character panel - Does it Matter” during PAX Australia, Gearbox CEO Randy Pitchford discussed Zer0’s gender:

“The other things that’s interesting to me is sometimes when there’s characters that don’t have a gender or have an ambiguous gender I’ll choose them...In Borderlands 2 we left Zer0’s identity very ambiguous. What gender is he?” *crowd laughs* “We need better pronouns, don’t we? Don’t we need better pronouns?” (Timestamp)

“What’s the gender of Zer0?….That says more about me than it does say about Zer0, the fact that I use the pronoun he when I describe Zer0. In fact, um, we purposely have left Zer0’s gender ambiguous. There’s a lot of folks at Gearbox that like to think that maybe Zer0’s of a particular species that doesn’t have gender- That is more androgynous.” (Timestamp)

(Timeline continues under cut)

November 25th, 2014

The first episode of Tales From the Borderlands was released. Anthony Burch answered this question on his Ask.fm:

To my memory, tumblr blew up with excited nonbinary fans. Prior to seeing screenshots of this, I really didn’t have interest in Borderlands. The idea of a cool nonbinary character who used they/them pronouns, admist a virtual desert of representation, made me play through the entire series as fast as I could so I could catch up in time to see these pronouns in action. For a long time afterwards I’ve seen other nonbinary people expressing the same sudden interest in the series after learning this about Zer0. Because, yeah, it was a pretty big deal.

2015:

Zer0 appeared again in episode 5 of Tales, released almost a year later after the first. Their voice had changed to one that sounds more ambiguous in terms of gender, but Zer0 was still being referred to as “he/him”. Anthony Burch was one of the writers on this episode. Afterward, he answered this on his ask.fm:

Since he claimed it was honestly a mistake, nonbinary fans held out hope. There were posts going around tumblr clarifying that yes, Zer0 was still nonbinary, and still was meant to use they/them pronouns. It was just a mistake made by a thoughtless cisgender man. Of course, then some presumably-cisgender fan goes to Burch, and validates him, because clearly a character can’t just up and CHANGE pronouns! It’s not like anyone ever does that in real life!

It’s not a fair point. It’s a dumb point from someone who has no stakes in this. (Another thing worth noting is it has only been other characters who referred to Zer0 as he/him. Zer0 has never made a point of standing up for their own pronouns.) After this Burch just kind of gives up on the whole idea.

This statement about characters being “progressive enough not to misgender someone” is weird, because the characters, even the sympathetic ones, in Borderlands have often blatantly failed to be progressive. The original Borderlands has the worst of it, it’s your basic 2009 edgelord shit. There’s blatant misogyny, not to mention the extremely homophobic joke surrounding Mr. Shank (and within that the transphobic joke about his girlfriend being a man in a wig). Burch only started writing for the game in Borderlands 2, however. It’s a huge step up, but there’s still a lot of bigotry. Captain Scarlett makes a “no fatties” joke. Mr Torgue fat-shames Ellie. Mr Torgue uses the R-slur. Multiple characters slut-shame Moxxi. Incest jokes surrounding Scooter, who also is implied to be a huge creep towards women. Heck, there’s the entirety of Sir Hammerlock’s Big Game Hunt DLC is a racist, colonialist mess. Its antagonist is implied to be gay, one of two gay male characters introduced thus far, and he’s a pathetic, creepy stalker. This is the game series where there are two common enemy types whose names are straight up ableist. So citing characters as being “too progressive” rings hollow with this context. Besides, trans people are often misgendered, even by people who’d otherwise be considered progressive. Burch left Gearbox the same year, so he’s not entirely to blame for what anything afterwards. He just set a pretty bad precedent.

2019:

Gearbox did seem to take the “make a new nonbinary character” thing to heart. They give us Fl4k, again a nonhuman character, who uses they/them pronouns. And okay, I love Fl4k, but like most nonbinary people I’m tired of all nonbinary characters being robots, aliens, or otherwise non-human in appearance (a trope that yes, Zer0 falls into as well). Still, Fl4k is cute and having a nonbinary playable character who uses they/them pronouns is cool! I definitely plan to play as them. Many nonbinary fans were suspicious though, it seemed likely that Fl4k might be meant to appease us and they could keep on using he/him for Zer0. We were proven right when they released the gameplay preview on May 1st. We hear Zer0 called “he”. None of us are surprised, but it still hurts, we felt like we’d been baited with Zer0. Besides, why can only one character at a time be nonbinary? Why can a bird change pronouns but not a person? Why was a writer allowed to go out and promise this if it wasn’t going to be followed through on (yes, he didn’t use the word “promise” but telling a marginalized group something like that isn’t something you can just “forget” without people feeling betrayed)?

And that’s where we’re at, as of me writing this. I feel like there are some comments I’m bound to get on this, so I’ll answer them here: Why are you making such a big deal about this?

Me typing a few paragraphs isn’t making a big deal. But I feel misled and baited. After a few years of no clarification after Burch promising us they/them Zer0, a lot of people hung on to hope. A lot of people became big fans of Zer0 because they’re a fun, badass, nonbinary character. Their design is really, really rad! And heck, they were (at least for a time) the most popular playable character in Borderlands 2. Telling everyone, in-game, “actually Zer0 was never really a he, they’ve been a ‘they’ this whole time” would have been HUGE. Like how Blizzard made Overwatch’s poster girl, Tracer, canonically a lesbian, and then revealed their badass gruff guy (who fills the roll of your basic FPS protagonist), Soldier 76, to be a gay man. They/them are still not widely accepted pronouns. For us who use them, it’s difficult to convince people not to default to something gendered. Especially when we fail to appear completely androgynous. I’ve been told Zer0 can’t possibly be nonbinary because they have a deep voice and “masculine” body shape. But real nonbinary people come in all shapes and sizes with all kinds of voices!

What about Fl4k?

As I said, I’m very happy about Fl4k. They fall into some problematic tropes even more than Zer0 (as Fl4k is verified beyond a doubt to be a robot, and has an “acceptable” androgynous shape to them). I don’t know their voice yet, I wouldn’t be surprised if it also fell into the category of “acceptably androgynous”. Fl4k is new and already “they/them”. Zer0 is an established character who already has a lot of fans among a bunch of different groups of people. There’s definite value in demonstrating a character can switch pronouns, since pretty much every nonbinary person who uses they/them haven’t used those pronouns their entire life. Besides, there can and should be more than one nonbinary character. Fl4k being nonbinary but not Zer0 kind of feels like Gearbox expects us to shut up and be happy with what we’re given.

What about nonbinary people who use he/him pronouns? Can’t Zer0 be that?

Those people are real and valid. However, we’re talking about real people versus a fictional character. I admit I’d feel better if it was stated, in-game, “Yeah, Zer0 is nonbinary and uses he/him”. But even then, it’s REALLY EASY for cisgender people to ignore that information and write Zer0 off as male (And knowing gearbox, they’d put it somewhere easily missed. I’ve surprised so many straight people who’d played through Borderlands 2 with the fact that Sir Hammerlock is gay, simply because it was only verified in a side quest). And you know, we were promised they/them, so like, not doing that kind of sucks. Also I think it’s really important to normalize they/them.

So what are we supposed to do about this? What do you expect to change, anyways?

Honestly? I don’t expect Gearbox to fix this so late. In all likelihood, that’s way too much dialogue to re-record. But I still think it’s worth making our voices heard. We shouldn’t silently put up with this kind of thing. Other people will pull the same shit, being either unsympathetic or unaware of the harm they do. And heck, it’s unlikely, but maybe Gearbox will at least acknowledge their wrongdoing.

Also, it’s maybe worthwhile to ignore canon, and keep referring to Zer0 as “they/them”, or if this whole thing is news to you, it’s not too late to start. It would mean a lot to nonbinary fans, and make a point about how Zer0 is regarded.

#borderlands #borderlands 3 #zer0 the assassin #misgendering #tftbl #anthony burch #zer0 #nonbinary #transgender #representation

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safflowerseason · 5 years ago

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What are you thoughts on the Dan and Amy argument scene in 5x03 because honestly I don’t remember a very big one

Oh, Anon. Strap in. I think you have not realized what you have unleashed.

There is one very simple reason why this fight means so much in the history of Dan and Amy. In this scene, Dan loses the most important thing to him, and he realizes it.

It’s not a *big* fight in the sense that it lasts very long, or that there’s a lot of yelling. But I would absolutely argue that it’s a very momentous fight for Dan and Amy. It’s my inspiration for all Dan/Amy fights, because it is the only fight they have that’s about their relationship.

This fight basically severs their emotional relationship until the middle of S6, and also really boils down their connection to its fundamental parts, encapsulating all the reasons why Dan and Amy together are so dysfunctional and yet also so deeply tied to one another. A large part of this is due to the strength of the acting. Both Anna Chlumsky and Reid Scott bring the whole history of Dan and Amy to the forefront of their performances. And I just think this scene is played so well, particularly by Reid Scott, who brings out this very subtle but dangerous edge to the argument. Ultimately, this is one of the very few scenes where we see Dan care about something that’s not his professional ambition or his ability to fuck whoever he wants at will, and we see that in RS’s performance. However Mandel was directing (…or not directing) this scene, Dan and Amy’s emotional connection is not played for laughs here, as it is so often for the remaining seasons. It’s one of the few Mandel-era scenes that treats Dan and Amy’s relationship very seriously.

In this vein, the fight also possesses a particular meta-importance as well, because it’s one of the last *real* scenes that Dan and Amy share before Mandel’s vision for the show fully set in. Dan is pre-Mandelian Dan, an ambitious asshole who’s got a crush on Amy and literally cannot handle it in any way approximating healthy. By the end of S5, Mandelian Dan has begun to emerge—this merry, stupid, politics-bro incapable of any genuine emotion and who just sees Amy as his “buddy.” It’s definitely one of the last real scenes Reid Scott has where he’s getting to do something meaty. There are some decent moments in S6, where you see his frustration with his new career come through, but he’s separated from most of the main cast, so they don’t have the same overall impact within the show.

In other words, this scene actually feels like it matters for Dan and Amy. It doesn’t feel like some upside-down absurd nightmare where everyone is casually acting out in monstrous ways because nothing matters. Dan did something shitty, and he faces the very real consquences of his actions in this fight with Amy.

The challenge of this scene is that basically by the end of S5, Veep is a different show, so I think looking back from that perspective, and considering especially the trajectory of Dan’s character, I can see why the weight of it might dissolve. Dan and Amy still work together frequently after 5.03, but we don’t really see the emotional dimension of their relationship the way we used to, except for Dan driving out to Maryland to bother Amy at her parents’ house, and Amy’s dad going off on him in the Brookheimer kitchen (and still, the show completely dodges the significance of that whole interlude.) This kind of works in the sense that Amy has obviously tried to cut off any emotional connection the two of them have, even if she’s still forced to rely on him for work, but the show never explores that notion. Significantly, as we get further and further in S5, the action within each episode starts to matter less and less, not to mention time and space start to bend in weird ways.

Still, if you pretend S7 does not exist, you can trace changes in Dan’s behavior to this fight where he loses Amy, the primary example of course being that he starts sleeping around more aggressively.

Because I’m truly obsessed with this fight and also want to procrastinate, I’m going to close read it now so everyone will understand my deep obsession with it. (But I’m going to preserve everyone’s timelines from my obsessive insanity.) Ahem.

Context: So, Dan has slept with Sophie because he thought she could get him a job at CBS News. (Which is a patently ridiculous idea. Dan would know if Amy had a sister who worked at CBS News, not to mention the fact that he has met Sophie before and obviously knows enough about Amy’s family to refer to Sophie’s children as “illegitimate.” But to be clear, I do absolutely believe that S5 Dan would sleep with Amy’s sister, if Amy’s sister worked in television. I just don’t believe that Dan would buy that Sophie works at CBS News.)

Dan does this right after Amy communicates to him that…she’d like to have sex with him.

It’s a huge admission for Amy, considering her past with Dan, and makes Dan’s betrayal a million times worse. In Amy’s head, she can’t believe she was so fucking stupid a second time. Instead of confirmation that Dan is attracted to her, she gets confirmation that no matter how much Dan likes her as a person, he’s still going to fuck her over with her sister in the pursuit of his career. It’s like a repeat of what he did to her when they ‘dated’, except a million times worse, because their relationship is much deeper than it was at the beginning of S1 and also because it’s her sister. HER HORRIBLE SISTER.

Amy’s implied invitation to Dan carries with it all the weight of their arc over the course of the previous four seasons. They have grown much closer together than they were at the beginning of S1. Dan has proven himself to be there for Amy in very meaningful ways. They know each other much more intimately now, and they rely on each other a lot more. And Dan is a genuine person around Amy in a way he is around no one else. Even if Amy has not grasped that Dan is attracted to her, I do believe she understands on some level that she brings out Dan’s most human qualities.

Also, Dan TOTALLY understood what Amy was saying to him. His smug expression said it all. He decides to sleep with Sophie after he’s already decided to go for it with Amy. Bleah. As much this essay is delving into Dan’s psyche and trying to understand and explain why he acts so horribly, it’s absolutely not a justification for him being shitty and mean to Amy. He deserves to be tortured forever.

So, fast forward twenty-four hours. Dan approaches Amy at the end of the day, looking all cute with his stupid laptop bag. At first, the conversation begins like a normal one:

Jesus, you're still here?

I don't know why. My only jobs seem to be asking Bob and finding out what Bob thinks.

Ugh. They’re still work spouses in this moment.

Yeah, it's been pretty fun to watch. (pause) So you want to grab a drink or something?

First, we must notice how quiet Reid Scott is playing Dan so far. There’s almost none of Dan’s usual swagger. He sounds like he’s had a shitty day and he wants to go blow off steam with his best friend. Second, he is just a bit purposeful about asking her for drinks. He does this cute little shoulder-shrug thing! Like, we know Dan and Amy have had a thousand after-work drinks by now. They were lobbying together for months. Dan’s making it a thing for a reason (because he slept with Sophie and he knows that’s a shitty thing to do.)

Third, what the hell is Dan doing by basically asking Amy out after he’s slept with her sister?

Two things: he wants to pretend like nothing has happened, that the status-quo between them has not changed. It’s also his way of communicating to Amy that sleeping with Sophie doesn’t change anything about their relationship, in his mind. In other words—sleeping with Sophie hasn’t changed the fact that Dan still wants to get drinks with Amy and tease Amy and talk to her all the time. In Dan’s head, Sophie was basically a business decision that failed, so nothing needs to change. They can still be Dan and Amy. Maybe they can even have sex.

Because Amy is not an emotionally stunted robot, this logic obviously does not work with her, and so she declines his invitation.

No, thanks. Oh, but…

(Dan shrugs and starts to turn away.)

Reid Scott’s expression here is a great combination of “hangdog” and “whatever, I don’t care.” Notice that Dan is still *quiet.* He doesn’t fight with Amy, he doesn’t try to get her to choose his company over work. It feels like Dan is maybe aware that he can’t really demand Amy’s time right now, all things considered. It’s time to go lick his wounds in private.

…on your way, would you mind stopping at ABC News and picking up some Advil? Oh, did I say ABC News? I meant Rite Aid.

What a poisonously mocking delivery by Anna Chlumsky. She can’t help herself. And even though she is obviously hurt and furious, there’s a kind of power there. She can at least make fun of Dan for being so fucking stupid and short-sighted that he misheard CVS for CBS.

And Dan obviously embarrassed and angry at himself for sleeping with Sophie (I mean, duh, he’s gotten literally nothing out of it). And on top of feeling humiliated, there’s Amy, the one person he possesses real regard for, simultaneously mocking him for how stupid he was and denying him something he wants—her company. He wants to forget what happened, and Amy won’t let him. No one can get at Dan like Amy can, and she goes right for his masculine ego. Which is basically all he has.

And so he lashes out at her, with the one tool left to him—reminding Amy that he chose her sister over her.

Yeah, you know what, I think you're forgetting something, Amy, it’s that I still had sex with your sister.

The way Reid Scott says this line is just so awful. The smirk on his face is deadly. There’s none of his usual warmth—it’s like if he were actually the villainous DC sociopath everyone thinks he is, instead of an insecure asshole with a really handsome face. He’s angry, with himself and with Amy for refusing to forget that it happened, and the only thing he can do is take his anger out on her. And the way he eases into the line, with that little “yeah” at the beginning…he knows what he’s doing. He knows what he’s done with their relationship. He goes right for it as the way to hurt Amy. He fucked up, and he can’t handle it and he can’t deal with Amy mocking him for it, so he just has to rub it into Amy’s face.

And Amy is angry right back at him, for being so terrible, and she’s also angry at herself, for believing Dan had changed. She looks like she’s swallowing down a scream. Nothing about this scene is really funny. These are two people who possess so much feeling for one other, and yet they’re also ready to hurt each other in order to save themselves from the reality of what it means to care for someone else: the fact that another person can hurt you.

…So good night, have a pleasant evening, and I had sex with your sister.

(Dan exits.)

And the camera lingers on Dan’s whole exit, which is significant. When have we ever seen Dan voluntarily leave a fight with Amy?

You might actually want to go to Rite Aid. Get some Valtrex. (pause, then rustling) Dan?

Amy gets one last parting shot, and the fight is over. I can’t quite figure out from Anna Chlumsky’s delivery if she calls for Dan because the rustling is unsettling, or if she think he’s making the noise, but either way…Dan is gone.

So, Anon. That’s why this fight is so important. Either I’ve convinced you or terrified you with my obsessive analysis.

#veep analysis #5.03 #dan egan #amy brookheimer #otp: star-crossed fuck-ups

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ayankun · 5 years ago

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real quick before I get into season 6

So this is my second time watching Season 6 and I’m p. excited. This last week or so I’ve been dredging up bits and pieces, but most of it is a blur. It seems the memories that lasted this whole year were mostly of the huge armored truck and the nonbinary character who works at *spoilers*’s tech startup.

I’m curious to see if the second time through it’ll settle in like it belongs. I remember Season 5 really didn’t make any sense to me until I saw it again.

But really I’m just excited that in 11 hours I can watch the new stuff?!

But first, before I forget, here’s my last thoughts on Season 5.

So remember how I was surprised at Season 1′s structure, that it folded up nicely down the middle with some pretty tidy symmetry?

None of the other seasons do that.

Instead, I remember particularly strongly how jarring the end of the Ghost Rider arc was in the middle of Season 4. And then again when the (what I’m calling) Kasius arc also wrapped up mid-season.

I’m not sure when I read about it, but it probably was circa Ghost Rider, that they’d intentionally decided on what I’m pretty sure they called “pods” of episodes, these seasons-within-a-season sort of narratives.

Season 2 sort of kicks it off, what with the race to Terragenesis taking eps 1-10 and the Afterlife/splinter SHIELD stories filling 11-22. Then Season 3 has the monolith/Maveth mystery to start, followed by Hive & the Inhumans for the second half. S4 is super poddy, obviously branded as Ghost Rider/Agents of Hydra, and S5 also splits neatly into future!Lighthouse and present day!Lighthouse.

Two points to make on this:

Kasius is such a rockstar villain that I feel really bad for Hale/Ruby/Talbot. They’re so apples and oranges but having the highlight come first allows for unfavorable comparisons to be made. It’s like asking any well-to-do Kree to compare Xandarian snail to oops all berries.

Good thing they’d had all this practice writing complete stories in 12 eps, since I’m hoping Season 6 (and obvs Season 7) will still feel as fully formed as their longer antecedents.

Anyway, that first point is my major point for S5.

S3 already feels like the second half of S2, and its internal halves are the most similar to each other as any of the other “pods,” so it’s not like people have a reason to go around saying “I liked the first half of the season waaay better than the second.”

(although I might. I might say that, actually. but not because the halves were branded separately from one another)

And S4, though the two halves are barely identifiable as coming from the same show much less the same season, they’re both good. Robbie Reyes is perfect. The effort to incorporate new MCU topics/aesthetic from Doctor Strange is great. Robots who just want to be a real girl is my JAM. All the Framework cameos really make my day! And then Robbie Reyes comes back all deus ex machina (ironic) and saves the day, and

it makes sense that he does because the function and nature of the Darkhold was well established in part 1 and

it’s GREAT that he does because he’s perfect and we miss him.

Then here comes S5. I really really respect so much about the creative decisions that took the story where it went (ie, outside Papa MCU’s sphere of interference), and getting to reuse the same set in a different context while minimizing “on-location” shoots is just technical and financial genius, okay.

But there’s so much about the first half, in the future, that compels me waaaaaaay more than the gritty anger of the second half.

Kasius, WOW what a villain. Dominic Rains, everyone. I have nothing unkind to say about the performance, the character, anything. Impeccable. Spectacular. Perfection.

The mystery of the season opener! We had the tag scene where Coulson’s “in space” and plenty of time to ruminate on the how and why, especially with Guardians of the Galaxy Vol 2 coming out right as S4 ended and Thor: Ragnarok literally sizzling in the theaters at the same time as this season started. They answer the question by the end of the episode, but not before several characters come up with and pursue several different theories, and that’s fun.

What a way to capitalize on the Inhuman storyline your show’s been about for years now, without forcing Papa MCU to contend with all this good work you’ve been doing. Just go somewhere he can’t reach you (the future), and then un-write all of it anyway. V. tidy. Extra style points will be awarded.

LEITMOTIFS. If y’all’ve seen BSG, then you know Bear McCreary is a master of the art. But this season has so many good themes, my friends. The Daisy/Quake theme that’s been knocking around for a season is here in full force, and Sinara’s is the best bad guy theme you could have wanted, and dearest sweetest Flint has the best great guy theme you ever heard.

Just, while we’re here. Sinara. She says nothing for episodes (it feels like, I wasn’t counting) and her first line is a scornfully growled “compassion.” Give it up for Florence Faivre !!! She hardly has any lines but you always know exactly what she’s thinking and what she’s about. Sinara and Kasius have the richest on-screen chemistry of anybody on any show from any era fight me on this I dare you.

Mack’s coming down from his second life in the Framework, and that suuuuucks that these folks never have a moment to rest before barreling into their next story. But he gets to be a father to Flint! And Yo-Yo gets to be a mother!!! UGH why couldn’t they have brought Flint instead of Deke lololol oh well.

I think I know another reason why Lincoln seems overhyped to me. That other Inhuman, Ben I think his name is? He’s in like two episodes, serves a narrative purpose, and is disposed. I know Lincoln’s in like 18 times as many episodes but they have the same exact overall impact on my brain-hole. Imagine if it was Ben that came back with them instead of Deke. That’s how I feel about Lincoln. Like, how did this obviously disposable character make it this far?

Then you have Deke. You love to hate him. He’s a very well-fashioned character who is flawless in making you feel the way the showrunners want you to feel. That’s the kind of character that gets killed off twice and still comes back, and it doesn’t surprise you.

So, Enoch. Enoch is everyone’s favorite character, right? Right. Give me genderless robots with a soft spot for humanity ANY DAY. PLEASE where are they I need them. (I’m un-repressing memories of S6 and I feel like somehow I should be careful what I wish for) Man I remember with 1000% clarity the absolute glee I felt sitting down for the opening montage of S5 the first time, how ballsy weird it was, just watching this freaky bald alien of a man go swimming with some fun electro pop number playing in the background. 100/10 please make more television like this

More monoliths!! The time one is so pretty!

(remember when there were more monoliths and no one knew where they came from or what they did but then it didn’t matter because they got instantly exploded?)

The low-key obvious answers to the season’s questions, what with the Inhumans running all over the shop, Quake there to tear everything down and Flint there to put the pieces back together I’m not crying you’re crying

Oh man, and Simmons getting to mentor not one but two Inhuman youths to be confident and trust in themselves and their powers. What a ways from the fear-panic response to Daisy when she turned.

Also, yeah, it has to be said, this show’s blatant “you’re different and that’s okay” agenda sits very well with me. Agents of SHIELD says LGBTQ+ rights!

So anyway, part 2 falls a little flat for me because its strength is its themes, but I’m not really compelled by the stakes and definitely not by the villains and not really even by the intra-team drama.

Obviously S2 touched on parenthood, but it was pretty specific. S5 digs in and brings us a lot more on the topic.

Kasius desperately desires his father’s approval but very deeply despises the methods and the people who earn it.

Hale was indoctrinated by Hydra and was very earnest in wanting to uphold the values of the organization, until the organization (and Whitehall) shared with her their narrow appreciation of the gift of her loyalty. Even then, she struggles to make sense of this loyalty, only realizing too late that being a good Hydra pawn and a good parent are categorically mutually exclusive.

Ruby, obviously, is like a mini-Kasius, the brave-faced rebel who wears her mother’s disappointment on her sleeve like a badge of honor to pretend that it isn’t crippling her.

The Von Strucker kid, boy is he messed up (and his Hydra dad had something to do with it)

((echos of Ward are still heard even this far after his demise, and we know what his father figures were like))

Poor Talbot, got some brain damage and some Hydra conditioning on top of that, cracked that noggin wide open. He just wanted to do good by his family. Just wanted his son to know he loves him.

Polly and Robin. The daughter who needs constant special care because she’s stuck inside her own mind and the mother who’s been through hell and back and still manages to do her best. Even when she knows she won’t always be there for her daughter. Even when she knows she’ll be replaced.

May getting a glimpse at the life she and Andrew once talked about. Getting a chance to do right by that little girl.

Mack recovering from getting that same glimpse, from the echoing memories of a life time spent with his greatest regret erased. Being roped into being a thug and threatening that dad without knowing the meaning behind his threat -- being told that people like him don’t deserve the privilege of parenthood. But then getting to know Flint, and having Yo-Yo at his side while they fast track this kid through all the things he’s gonna need to know in order to be the Big Damn Hero the world needs him to be.

The timey-wimey promise that FitzSimmons will one day be parents to a brilliant daughter who will unfortunately give birth to a Deke.

Coulson and Daisy. Another parent placing enormous expectations on his daughter, desperate that she be ready for his responsibilities because his time is running out. A daughter who mishandles these expectations and refuses to stop fighting a losing battle, not because she’s not ready to step up, but because she doesn’t want to face the fact that she’s losing the man who raised her.

Anyway, aside from all this good Theme work, part 2 wades perfunctorily through musty remnants of the previous season, from The Doctor to The Russian. Which makes sense, because that season ended in a way that left so many loose threads -- but then this season comes along and summarily ties them up, all cute little bows, the lot of them. Dusts its hands. Nothing to see here. Move along now. Time’s up.

#Agents of Shield #aos

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commentaryvorg · 5 years ago

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Danganronpa V3 Commentary: Part 4.5

Be aware that this is not a blind playthrough! This will contain spoilers for the entire game, regardless of the part of the game I’m commenting on. A major focus of this commentary is to talk about all of the hints and foreshadowing of events that are going to happen and facts that are going to be revealed in the future of the story. It is emphatically not intended for someone experiencing the game for their first time.

Last time in chapter 4, Maki opened up about her past, she and Shuichi and Kaito were ADORABLE FRIENDS, Kaito was a huge hypocrite on the topic of burdens, twice, Kokichi helpfully suggested some improvements to Monokuma’s script like an absolute moron, and Kaito’s bonus training for his sidekicks was totally not him desperately trying to prove that they still need him or anything.

Now for the last of chapter 4’s free time!

Shuichi: (What can *I* do? The only thing I’m good at is solving mysteries, but I can’t figure out this academy.)

That’s not the only thing you’re good at, Shuichi! Your detective’s brain also makes you pretty good at coming up with plans. That plan with the cameras in chapter 1 was really not a bad plan if you ignore the fact that the entire premise of it (that the mastermind wouldn’t have a way of knowing about it) was flawed. But of course Shuichi wouldn’t think that or want to attempt something like that again since it indirectly got Kaede killed.

Keebo: “What can we each do to make sure that we all survive…? We all possess Ultimate talents. There *must* be something we can do.”

YES IT’S ALMOST LIKE THE ULTIMATE ROBOT COULD GET US OUT OF HERE OR SOMETHING.

Geez. I was mostly not being too mad at Keebo because I figured he was largely oblivious to the difference his weapons could have made anyway, but this makes it a whole lot less excusable. (And again, there is no indication given that he’s not doing so because of his inner voice, which is the only truly justifiable reason that would make sense within the story.)

So that’s even more reason for me to not hang out with Keebo here like I wasn’t going to anyway, because that should by all rights lead to Shuichi persuading him to use his weapons and get everyone out of here today. And that’s obviously not in line with canon.

Gonta: “Hi, Shuichi! How can Gonta help you today?”

Heh, this mostly just sounds like a polite, gentlemanly greeting, but in this chapter’s context, it definitely has undertones of “please tell Gonta he can help you today, Gonta really wants to be able to help you today”. Sorry, Gonta, I’d love to, but we’re already best friends; Shuichi needs to spread his friendship around others too.

Miu is in the computer room as she was all day yesterday as well, but interestingly, right now Kokichi’s hanging around in the corridor not too far from it too. He does apparently help her set things up for their Virtual World trip, so maybe that’s what he’s doing right now.

Despite Kaito not showing up anywhere on the Monopad’s map due to what is presumably a programming oversight (even characters who aren’t available should have their locations shown, with the understandable exception of Kokichi in chapter 5), he does exist during this free time slot and is perfectly available to hang out. The wiki says he is unavailable right now; the wiki is wrong. He’s in the warehouse. You’re welcome.

(The first time I played through this game myself, during which one of my missions was to find every piece of optional dialogue I might not have seen from Youtube playthroughs, I was determined not to give up on finding Kaito here and resolved to manually check EVERY SINGLE ROOM IN THE SCHOOL IF I HAD TO. Thankfully I started from the bottom up and the warehouse is on the first floor.)

Kaito’s reason for being in the warehouse probably has something to do with the fact that it apparently contains medicine. Like, you know, painkillers and stuff.

Kaito: “I can see my training is already having results for you and Maki Roll.”

It is, and Kaito has every right to be proud of himself for that!

But it’s also interesting that while a lot of the characters are focusing on thinking about what they can do, since that’s what they discussed at breakfast, Kaito is instead focusing on what he already has done. Almost as if thinking about what he can do in future is painful and discouraging because there’s almost nothing he can do (short of suggesting even more bonus training for his sidekicks, which still isn’t going to help them escape), and so he doesn’t want to dwell on that.

Kaito: “But don’t slow down here! It’s important to keep up your training every day.”

It is! Shuichi and Maki (with the addition of Himiko) are absolutely going to keep up their training every day when they get out of here.

(Also, remember back in chapter 2 when I mentioned that I’d started doing exercise myself thanks to Kaito? I’ve been doing that every single day for a little bit over a year now, and it’ll be several months more than that by the time this part I’m writing actually gets posted. Kaito is the best.)

Anyway, we’ve been on a roll with Maki lately in the rest of the story (pun totally intended), so let’s continue that by hanging out with her, shall we?

She happens to be in the dining hall, which is just across the corridor from the warehouse and therefore tantalisingly close to where Kaito is. They could all hang out as a trio again! Kaito would also want to hear more of Maki’s heartbreaking backstory! No? No. Silly game mechanics.

Maki: “Something only I can do… I can think of just one thing. …I know what you’re about to say. But… that’s the reality.”

Oh, Maki. That’s not the only thing you can do!

Maki: “Of course, I’ll think about… other things I can do.”

Exactly! You can fight and protect us!

Shuichi: “I didn’t know that assassins were scouted.”

As the event proper begins, Shuichi just straight-up continues the conversation they were having last night. This is why I had to save Maki’s third FTE until now at the earliest – because having this before that scene just does not make sense.

Maki: “It’s better if you didn’t know. Also, there’s no need for you to know.”

I dunno, Maki, if more people knew that there were child-slave assassins out there then maybe some people would be able to do something about it and this horrendous practice might stop. She just can’t see it that way, because she’s had to accept this as her reality in order to cope.

Maki: “The orphanage I was raised at was run for that reason.”

Shuichi: “…What do you mean?”

Maki: “To raise potential candidates for assassins.”

Yup, that’s the truth of her orphanage. That’s not remotely fucked up at all.

Shuichi: (How much is Maki carrying on her shoulders…? Such small shoulders…)

Heh. You sound like Kaito, Shuichi.

Maki: “The basic training forces your body to go beyond its human limitations. They physically beat us to help us withstand torture, and taught us how to die when needed…”

Happy fun Free Time with upbeat music as our friend casually tells us about how she was tortured.

(It really is a shame Kaito couldn’t be here to hear this too. He would 1000% want to help her carry this awful burden just like Shuichi is doing, even though all they can do is listen.)

Maki: “The only option left when you fail a mission is to die, right? Dying sooner is the nicer way out. It’s much better than being tortured alive.”

…I mean, she failed that one mission with the katana and didn’t have to die for it. I guess what she’s really talking about is if she were to get captured by an enemy of the assassin cult that would use her for information.

At least this means that when they’re all considering group suicide in chapter 5, Maki would know how to also kill herself painlessly at the end of it. You know. Reassuring thoughts.

Shuichi: (I can’t bear to think of what Maki had to go through…)

I know, Shuichi. It may have never really happened to her, but she’s still having to live now with the memory of it, believing that it really happened to her, and that’s not fucking fair at all.

Maki: “They tried to drag my dignity and tear it… To make me feel empty…”

They were trying to turn her into an empty, cold-blooded killer without a heart. And they didn’t succeed.

Maki: “I wouldn’t have accepted the job in the first place if I knew I couldn’t do it… But most importantly… If I broke, then *that girl* would replace me…”

We’ll hear more about this next time, but she’s talking about her best friend from the orphanage. She put herself through what she knew would be literal torture and refused to break under it because if she did, then her best friend would go through that instead. God, Maki is amazing.

(Again, technically none of that really happened to her, but thanks to those fake memories, the person standing here is someone who really would do that kind of thing.)

Shuichi: “That girl?”

Maki: “… Sorry… Pretend you didn’t hear any of that just now.”

But it seems like, at least for right now, she’s not quite ready to open up that much. She’ll get there, though.

Kokichi: “I bumped into Kaito, and he ended up giving me a lecture. He told me to think of a way to escape…”

Kaito has still been trying to get through to Kokichi! He still hasn’t given up on Kokichi and believes there’s some semblance of a decent person inside him who actually wants them all to escape! Kaito is so good.

(It also seems that, despite his earlier declarations, Kaito realised that punching him again might give off the wrong impression and decided to just stick to words this time.)

Kokichi: “But the only idea I can think of is becoming the blackened myself.”

And… Kaito’s not wrong about Kokichi, but he is underestimating how massively, completely inconceivable it is to Kokichi to actually acknowledge that buried part of himself and start being co-operative. What’s about to happen tonight isn’t going to be for lack of Kaito trying to stop it, but even Kaito isn’t enough here.

Kokichi: “That’d entertain everyone.”

Which is exactly what Monokuma wants, you are playing right into his hands and you should know this, you goddamn idiot.

Gonta: “Nrgh… Gonta tired… Gonta think too much…”

Awww, Gonta. He’s been trying so hard.

Gonta: “Rest is important, too… Gonta have to make sure he not useless when everyone need him!”

“When”. He’s still managing to stay so optimistic that that time will come. (Which it will. Sooner and far more tragically than you think, Gonta. Gaaaaah.)

Anyway, this time, in the very last chance we have for it, we’re hanging out with Kaito. Come on, now – you didn’t really think for a second I was going to go through the story without maxing out his FTEs, did you?

Kaito: “O-Oh, Shuichi… What’s the matter?”

Just like he did a day ago, Kaito doesn’t seem super-thrilled to suddenly encounter Shuichi wanting to talk to him.

Kaito: “Yeah, I don’t mind talking, but… My stomach hurts a little. Can we talk somewhere I can rest?”

But this time, he’s actually being somewhat honest about what the problem is. That’s pretty remarkable. Sure, for Kaito to be admitting to Shuichi that his stomach hurts a little, it must really be hurting one hell of a lot, but still. Kaito being willing to show even just a tiny bit of vulnerability in front of his sidekick is such a big deal and warms my heart. It’s okay, Kaito. Shuichi isn’t going to be any less inspired by you just because you’re struggling with a lot of things yourself, you absolute wonderful moron.

Shuichi: (I spent some time with Kaito… Didn’t he say his stomach hurt last night too? I hope he’s okay…)

I’m sure Kaito hates the fact that his tiny nugget of honesty is making Shuichi worry about him and doesn’t want him to do so at all… but Shuichi absolutely should be worried about his friend.

Kaito: “Hey, you got a minute? I got something to talk about.”

Shuichi: “Ah, okay…” (He seems upset…)

Shuichi’s already getting the sense that there’s something more forceful about Kaito than usual as we start the event proper, and boy is there a reason for that.

Shuichi: (Did I do something to make him angry?)

This, however, is not that reason. But of course Shuichi is lacking enough in self-assurance that he would immediately think this is somehow his fault. Of course it wouldn’t ever occur to him that maybe Kaito has issues and problems of his own and that might be what’s at the root of this rather than Shuichi having done anything wrong. (And this won’t be the only time Shuichi misunderstands Kaito in literally exactly this way.)

Kaito: “I’m just gonna say it! What are you moping around for!?”

Shuichi: “What?”

Kaito: “When my sidekick is moping, it really ticks me off!”

Shuichi: (I’m… moping?)

Shuichi isn’t moping. He’s still not a shining paragon of confidence or anything, but he’s been able to be a lot stronger and more positive lately. His own reaction to Kaito’s accusation just now shows that even he didn’t really think there was anything he was being particularly negative about, even though Shuichi is usually his own biggest critic.

Kaito disapproves of moping because it’s just wallowing in your negative feelings without making an effort to make it better. But in this context, the effort to make it better that Shuichi is supposedly avoiding would be asking Kaito for help. Right now, “Why are you moping?” really translates to “Why aren’t you letting me help you?”

Kaito: “I told you, man! Don’t hesitate to talk to me if something’s wrong. But you’re still keeping stuff from me! Am I not reliable enough!? Spit it out! If you bottle everything up, it can’t get fixed!”

What this whole thing really is is Kaito projecting weakness and worries onto Shuichi in another desperate attempt to show that Shuichi still needs his help. His “Am I not reliable enough!?” in particular shows what’s really going on. Kaito is terrified that he really isn’t reliable enough, not now that he’s dying and Shuichi solved the previous trial entirely without him and is seemingly strong enough that maybe he doesn’t really need Kaito’s support any more.

(It could also perhaps seem like Kaito is projecting his own behaviour of hiding his illness from his friends, but like last time, I don’t think the fact that he is incidentally being hypocritical here is the point. If the point was Kaito deflecting, that’d mean that acting like he wants to help Shuichi would just be an excuse to distract from his own problems. But of course Kaito wanting to help Shuichi could never be an excuse – Kaito always wants to help Shuichi, and that’s the real problem.)

Shuichi: “I’m sorry, I don’t know what you’re talking about. I’m not looking for advice…”

Kaito: “You’ve got some guts trying to lie to me.”

Shuichi: “…”

He’s not lying! Shuichi wouldn’t lie to Kaito, not about his own weaknesses and struggles, nor about wanting Kaito’s advice for his problems. He may sometimes hesitate to talk about what’s bothering him until Kaito prods him a little, but he has never and would never outright lie about it once prodded if something really was wrong. And if that wasn’t proof enough, Shuichi’s staring at Kaito here with a sceptical face like he’s wondering why Kaito even thinks this.

Kaito should know perfectly well that Shuichi isn’t lying here. So it’s really quite delightfully messed up that he would rather tell himself Shuichi is lying to him than face the idea that Shuichi doesn’t need him.

(Even though the only way in which that’s really true is that Shuichi happens to not particularly need his help right now. That’s a completely different thing from not needing him at all… but Kaito doesn’t seem to realise that.)

A couple of times previously, Kaito did a similar thing of starting off a conversation with someone by trying to make it about him listening to their troubles and helping them – once with Kaede in an invitation dialogue, and once in his first FTE with Shuichi. Both those times, though, when they didn’t need to talk to him about anything, he accepted that and was happy to start talking about something else. But not this time.

Kaito: “Fine then! Listen up…”

Shuichi: (Kaito encouraged me, complimenting me about my talent.)

If Shuichi isn’t going to ask for Kaito’s help despite Kaito insisting that he totally should be doing so, Kaito’s going to help him anyway, aggressively complimenting him and telling him he’s awesome so that Shuichi can see how inspiring and encouraging and important Kaito still definitely is. (Really, Shuichi had no reason to have ever stopped thinking that about Kaito in the first place, but apparently Kaito doesn’t see it that way.)

You may have noticed from the way I’ve been talking about this event that I’ve been casually assuming despite the flexibility of FTEs that this is definitely taking place during chapter 4, and that all of this is a part of Kaito’s canonical arc that I’ve been talking about the rest of the time. And the thing is, this event really does have to take place in chapter 4, going by the keeping-FTEs-in-line-with-canon logic I’ve been using. Kaito’s fourth FTE mentioned Shuichi being his sidekick, putting that in chapter 3 at the earliest, and while there are two slots in which Kaito is available in chapter 3, the second of those has him already feeling too unwell for it to be believable that a proper FTE would have canonically happened then. So this fifth and final one has to happen, not necessarily this late, but definitely during this chapter.

But even if that weren’t the case, I’d still consider this event practically a canonical part of this chapter. While nothing in it explicitly mentions chapter 4-specific details, this is so clearly written for Kaito’s chapter 4 state of mind as he desperately tries to compensate for the fact that he’s dying by being as helpful as he can to his sidekicks. It fits in beautifully with the rest of the hints toward that we’ve had so far up to this point – in fact, this event is significantly less subtle about it than anything else has been, which is why I’m happy I saved it until the end like this.

Shuichi: (I should tell him… Then he’d understand why. I told him all about the case that got me the title of Ultimate Detective. I told him everything… so that he would know how untalented I really am.)

However, it seems like all of Kaito’s aggressive compliments just made Shuichi feel like he doesn’t deserve them and actually start to feel bad about himself. Now, at least, he has something to talk about that Kaito might be able to help him with, even though he genuinely didn’t need to talk about this when this conversation began.

(I don’t think Kaito was deliberately intending to bring Shuichi’s issues out by complimenting him, though. That’s far too underhanded and manipulative for Kaito to do no matter what state of mind he’s in. Plus, I’m not sure he’s even that consciously aware of the reasons he’s been acting this way, which he’d have to be for this to be deliberate.)

Kaito: “I see… So you were chosen after you solved a case.”

Shuichi: “Yes, and the most important part… I just happened to find some evidence that was missed. I accidentally solved the puzzle. It was all coincidence, happenstance…”

As soon as Kaito says something that puts things in a vaguely positive-sounding light, Shuichi’s immediately jumping to insist that no, that’s not the point, he barely even deserved to solve that case. It’s hard to know how true it is that it was all just a coincidence, but I’m inclined to think it wasn’t. Even if it is just a matter of Shuichi noticing something everyone else missed, that’s still him having better observation skills than anyone else on that case, which is something that’s important for a detective to have. Shuichi’s just likely to not want to give himself enough credit what with how much the outcome of the case traumatised him.

Kaito: “Geez… You worry about the most trivial stuff, man.”

Kaito, you’re the one who was fishing for Shuichi to be worrying about even the tiniest thing so that you’d have an excuse to help him.

Shuichi: “You have no right to say that! You don’t know what I’ve been through!”

Kaito: “Hah! Nice! It’s good to see you actually have some bite to you.”

Shuichi’s response is a dialogue option that I picked, but I like this one, because I enjoy Kaito being proud of him for being able to stand by his own feelings, not even caring that Shuichi doing so involved snapping at him.

(Mind you, Shuichi was also standing by his own feelings earlier when he was asserting that he didn’t need any advice from Kaito right now, and Kaito was much less on board with that, but, you know.)

Regardless, when Kaito said “trivial”, he was really talking about the culprit’s feelings.

Kaito: “He killed someone and was trying to get away with it! He’s a bad guy!”

This is an instance of Kaito’s often fairly black-and-white way of thinking, but even so, him putting things this simplistically helps Shuichi move away from worrying about how the culprit felt. Even if the guy wanted revenge, that still doesn’t justify murder, so Shuichi was right to expose him for it. Kaede and Kirumi’s crimes so far during this killing game were much less black-and-white, such that Shuichi has a decent reason to feel at least a little bad about cornering them, but that one guy? Screw him, he’s nothing like them.

Kaito: “If he’d gotten away with it, he’d be crushed by the weight of his guilt. But you got him before that happened! He should be thanking you!”

It’s also very appropriately Kaito of him to see Shuichi’s job of catching criminals as important because it forces the criminals to take responsibility instead of running away from their own actions and the pain they caused. I especially love that Kaito even sees this as a good thing for the culprit himself. This will be a very relevant idea during this upcoming case in particular, in terms of a certain someone Kaito has already been trying to get through to a lot.

Kaito: “I’ll support you all the way! I know you did the right thing!”

This might still be Kaito overzealously trying to compensate for his own feelings of inferiority, but it’s adorable all the same. This is all Shuichi really needs from him at this point – not necessarily major advice on specific problems, but just knowing that Kaito’s there for him and on his side no matter what. You’re already doing enough, Kaito. Just keep being you.

Kaito: “And not just with that guy! From now on, if anyone holds a grudge against you… I’ll kick their ass!”

This is not ironic foreshadowing to the extent that one might think, because Kaito is never going to hold a grudge against Shuichi, however much it might seem that way. Of course, Kaito would also definitely want to kick the ass of anyone who even seems to hold a grudge against Shuichi, even briefly, just because doing so would hurt him. So… that’s a thing.

Kaito: “So you just gotta follow the path you believe in! You’re my sidekick. So don’t hold back, and rely on me whenever you need to!”

These are Kaito’s voiced lines for his final event, and they couldn’t be more appropriate. They’re adorably full of him believing in and supporting Shuichi, with just a dash of that delightful undertone of him desperately wanting Shuichi to still rely on him even if maybe Shuichi doesn’t need to quite as much any more.

Shuichi: “Kaito… thank you.” (Alright, so he’s foolhardy. But he supports me and expects nothing in return… He does so much for me… I could never turn my back on that. I will never betray his support and trust. I will never break my bond with Kaito!)

While Shuichi is completely oblivious to what’s going on with Kaito and why he’s being so aggressively supportive right now, it’s still just absolutely heartmelting how grateful he is for everything Kaito does for him and trusts him so wholeheartedly in return. For all of Kaito’s issues that this event has been subtly full of, they’re still incredible, adorable friends, which comes across so strongly here. Most FTEs, when they end on emphasising how much the protagonist has become friends with the subject, are kind of dampened by the knowledge that this is just an optional side thing that isn’t really there in the canon storyline. But here, this just serves to highlight the canon adorable friendship between these two even more and I love it.

And if only Kaito could hear everything Shuichi is thinking here. He would never turn his back on you, Kaito! No matter what weaknesses you might have and no matter what mistakes you might make! You have so much less to be afraid of than you think.

Shuichi: “…I understand, Kaito.”

…Shuichi doesn’t really understand. He only understands the fact that Kaito will always be there for him, and while that’s true (or at least, Kaito has no intention of ever making it untrue), that’s not remotely the full picture here.

Shuichi: “I will always depend on you.”

This sounds adorable on the surface, but is potentially pretty messed up if you think about it too hard. Ideally, what Shuichi means is, “I will always depend on you when I need to”, which is the healthy way of looking at it – everyone needs to depend on other people sometimes, and it’s great that Kaito will always be there for him during those times.

But… that might not actually be what Shuichi means. I’ve mentioned multiple times that Shuichi is pretty overly dependent, hence him latching onto Kaede and Kaito so easily… so he might be okay with the idea of always needing to depend on on Kaito. Which he shouldn’t! Nobody should want to be constantly dependent on someone else their entire life, and it’s especially unhealthy if it’s on one single person, no matter how reliable and genuinely well-meaning that person may be. Shuichi should want to become someone who doesn’t need to depend on someone else most of the time, even if that someone else is Kaito.

Kaito: “Yeah! Just leave it to me!”

Under normal circumstances, Kaito would probably be able to pick up on this and recognise that it’s unhealthy and assert that Shuichi should be striving to become more independent. After all, his former sidekicks he mentioned last FTE no longer need him any more, and he seemed perfectly happy with that.

But in the state of mind Kaito’s in by this chapter, he’s not about to do that. Kaito may be a little bit like this even at the best of times, but right now especially he has become incredibly co-dependent – meaning, he’s pathologically dependent on the idea that someone else depends on him. He needs to be needed. And that’s pretty messed up of him too. There is definitely a large part of Kaito that’s worried Shuichi already doesn’t really need him any more – but he’s not letting that part have a say and continuing to insist that of course Shuichi should be constantly depending on him.

Shuichi’s dependency and Kaito’s co-dependency make them a perfect match for each other in a wonderfully messed-up kind of way, and that dysfunctionality lurking beneath the surface is another of the many reasons I enjoy their friendship so much. If it weren’t for this, things wouldn’t be about to fall apart like they do, and this chapter and the beginning of the next wouldn’t be nearly as delightfully heartwrenching.

Shuichi: (Kaito’s smile was as bright as starlight. I couldn’t help but smile back.)

Bright like he’s a luminary or something! Space imagery! FRIENDS.

Shuichi: (…Everything is going to be okay. As long as we have this, we can move forward.)

Oh boy, it sure—

isn’t going to be even remotely okay barely twenty-four hours from now.

Shuichi: (Sometimes I feel as though I’m dragging him down, but I know I’ll catch up one day.)

You’re not, though, Shuichi! This could not be more completely opposite of how Kaito sees things! Kaito feels like he’s the one dragging Shuichi down, which is precisely why we just had this whole event of him desperately trying to show that he isn’t and that Shuichi can still benefit from his support! But Kaito has apparently managed to successfully convince Shuichi that he’s completely invincible and doesn’t have any problems of his own, so Shuichi has no goddamn clue.

Shuichi: (I bet he’d laugh and tell me I have a lot of nerve for a sidekick.)

He wouldn’t, though. The entire point of Kaito’s sidekicks is supposed to be that one day they’ll reach even greater heights than him – we went over that in his previous FTE. Kaito should laugh and then tell Shuichi how proud he is of him for coming this far. I guess Shuichi genuinely never did realise that most of the reason Kaito was telling him about his former sidekicks was to imply that the same thing applies to him.

Or, at least… Kaito should show pride in Shuichi if Shuichi ever overtook him. But that’s Kaito at the best of times, and those are not the times he’s in right now.

In the report card summary for this event, there’s also a very similar line to the one from before:

“Kaito, I know it seems as though you’re dragging me along, but I’ll be right there beside you.”

This is such a delightfully ironic line, and the writers clearly knew exactly how important it is since they essentially included it twice. Oh, Shuichi, if only you had any idea just how completely backwards you have it. If only Kaito would tell you what’s really going on in his head, and then you could support him in return and help him figure things out. But then, this is Kaito we’re talking about here.

All of Kaito’s previous FTEs featured him talking about himself, like FTEs are supposed to. And in general, the final event in particular is meant to involve the subject talking about their biggest issues now that they feel comfortable doing so because of their growing friendship with the protagonist, and maybe having the protagonist help them a little with that. But in Kaito’s final one, he doesn’t talk about himself at all. Because of course Kaito would never talk about his issues, especially not to Shuichi, who needs to see him as strong and invincible in order to be able to rely on him, or so Kaito is irrationally convinced. (And if he somehow miraculously did talk about his issues and Shuichi helped him with them, that’d probably mean that what’s about to happen in the main storyline shouldn’t happen the way it does any more, which we absolutely can’t have.)

Yet this final free time event of Kaito’s still manages to be thoroughly about his issues, not even despite the fact that he doesn’t talk about himself and makes it all about Shuichi’s issues instead, but precisely because of it. It is so appropriate for Kaito that things should be this way, and I love it.

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[Next post]

#danganronpa #danganronpa v3 #drv3 #ndrv3 #chapter 4 #daily life #free time events #commentary

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yellowmechanicalcat · 6 years ago

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emotionally colorblind: plance in season 8

(part one of three)

In the series finale of The I.T. Crowd, one of the techs has started dating a girl from another department. (Yes, this is VLD meta, just stick with me.) He feels the relationship is going well and is very happy, and brags to his coworkers that his girlfriend recently told him he was “emotionally artistic” - which he interprets to mean he’s on the “artistic” emotional spectrum because he’s so in touch with her wants and needs. (At this point, it’s become clear to the viewer that his girlfriend has actually accused him of being “emotionally autistic” and believes him to be on the autistic spectrum.)

Later that day, his girlfriend calls again to tearfully ask if he’d accompany her to her grandfather’s funeral and abruptly hangs up on him when he cheerfully agrees. He’s baffled by her reaction until his manager rightly points out that his girlfriend was upset because the way he responded was completely off base from the subject matter, as his chipper tone of voice made him sound as if he’d just been invited to a music festival rather than having any sympathy for his girlfriend’s loss. Only then does it occur to him that his response was inappropriate because funerals are sad.

“‘Emotionally artistic’? You’re emotionally colorblind,” his manager mutters in disbelief.

Old news, but Season 8 isn’t what anyone expected

‘Emotionally colorblind’ - e.g., giving inappropriate responses to a topic because of an inability to perceive the nuances of a situation - feels like a pretty good description of Season 8, in which excellent animation is overwhelmed by moments in which characterization feels off, dialogue doesn’t seem to fit, or the plot clashes with what’s actually being shown on screen. Those moments - along with the conspicuous lack of reaction from the cast and EPs in the month since its release and cryptic criticism from crew members - have led many fans to conclude that the version of Season 8 released took the cast/crew by surprise. Posts by Aria C., a former DW intern while Season 8 was in production, suggest that the overall plot hadn’t changed dramatically since the scripts were being drafted, but that doesn’t mean that individual character arcs weren’t subtly adjusted along the way.

While it’s not clear exactly how much actually changed about Season 8 during production, we do know that many of the changes were made at the last minute. The most noticeable changes seem to have been in response to the backlash against how LGBT characters were portrayed, although this article covers many of the other pacing issues in Season 8 while some of the discrepancies between the audio description and what’s actually seen on screen are listed here. The single biggest last-minute change seems to be the epilogue (including the final few stills) which was approved extremely late in the production process and underwent additional changes after being leaked just weeks before the season’s release.

I strongly suspect that Pidge and Lance had an arc in Season 8 that was another casualty of the last-minute changes.

The End is the Beginning

Let’s take a look at the ending of the series’ final episode. One year after the final battle with Honerva, Pidge and Matt are working on building a humanoid robot that Pidge dubs Chip. Colleen interrupts to tell Pidge she should be heading out; Pidge looks serious and doesn’t respond, then recovers a moment later and makes Matt promise to wait for her to get back to finish. She leaves her glasses with Chip before heading off in the Green Lion, as Sam and Colleen both watch her leave.

Colleen: “Your father’s got the teludav all warmed up for you. Better get going, you don’t want to be late.”  Sam: (cheerful) “Have a good time, honey!” Pidge: (laughingly) “I will, Dad.”

The way they’re talking to her is the way parents would talk to a teenager who’s about to go to a party or on a date, peppy and almost teasing. Pidge’s serious expression suggests that wherever she’s going is somewhere she’s not entirely ready to be - she isn’t upset about needing to be somewhere, but she isn’t rushing out the door to get there, either. Maybe she’s nervous - we can’t tell.

We cut to Coran and Merla on Altea as they discuss preparations for “the first Celebration of Allura”, then over to Lance as he recounts the story of Allura’s sacrifice to a group of schoolchildren sitting by her statue, telling them that while he misses her, he knows she’s still with all of them. The Altean teacher, in a chipper tone similar to Pidge’s parents, informs the kids that “Paladin Lance has somewhere to be in a few doboshes.” Just then, a wormhole opens and Lance looks up as the Green Lion flies through. He turns away from the statue to watch Pidge land, a smile on his face.

The scene fades to the Paladins having dinner by the statue of Allura. Within moments, it’s obvious that their reunion is the feast Coran and Merla had been discussing earlier. The Celebration of Allura is the one year anniversary of her death. The paladins’ reunion is a memorial.

We’ve seen memorials in VLD before. In Season 7, Shiro visits the Garrison’s memorial wall for those KIA. Later, Earth has a giant memorial service for the victims of just one battle, as Shiro addresses the crowd: “There isn’t one of us here today who hasn’t experienced the tragedy of losing someone close. It truly feels like a light has gone out in our lives and the sun itself couldn’t reignite it. But that light, that fire, hasn’t gone out completely. It’s fueled within each of us by the memories and the love of those we’ve lost. …”

After the one year timeskip, we see Keith persuading the Galra to join the Galactic Coalition with Shiro and Hunk leading diplomatic negotiations on the Atlas; all three invoke Allura’s example as they work towards peace. Hunk even mentions the significance of that day being when they commemorate Allura’s sacrifice. What she did and why she did it aren’t secret. It stands to reason that the anniversary of her death - the anniversary of when Allura saved their reality and countless others - wouldn’t be a ‘celebration’ only for six people. Everyone, everywhere, should be taking a moment to remember her - especially those who fought at her side, like the Holts.

Instead, Sam and Colleen’s reactions in Pidge’s scene are jarring. While things may be different in Voltron’s future world, I doubt any parent would tell their child “Have a good time, honey!” as they go to a memorial dinner for their dead friend. Because as The I.T. Crowd pointed out, funerals are sad - and so is any reminder of someone’s death. You don’t have to be constantly moping and sobbing because you miss someone, you can still celebrate their life, but that kind of event still has a somber, bittersweet element to it. Telling someone ‘Have fun, don’t be late!’ as they head off to a memorial would definitely qualify as emotionally colorblind. It’s hard to believe the actors and voice director would have agreed to record the scene within the context we got onscreen.

Lance’s scene makes it even more complicated. Showing Lance turn to watch only Pidge land is a bizarre choice if the purpose of his scene is to emphasize how much Lance still cares for Allura before showing the other Paladins arriving on Altea. It only makes sense for Lance to turn away from looking at Allura’s statue and towards Pidge if Pidge and Lance are supposed to have a deeper connection.

If the focus is actually meant to be on Allura and this event - and on her family coming together to remember her - it would have made sense for Lance to look past Allura’s statue to see the Blue Lion in the distance, Red parked next to it, as Green, Yellow, and Black emerge from the wormhole to land beside them. If the animation had to be rushed for a last-minute change or the budget was stretched too far, they could have just used the same shot of the Lions sitting together at the end of dinner with daytime lighting instead of night, fading into dinner instead of fading out.

Pidge and Lance’s scenes would also have benefited from being re-recorded with slightly different dialogue and delivery. For example:

Colleen: (serious, but gentle) “Your father’s got the teludav ready to go. You don’t want to be late, Katie.” Sam: “Tell ’em hello for me.” Pidge: (a little reserved) “I will, Dad.”

Teacher: “I think Paladin Lance has some visitors to go meet, and you all have class…”  

VLD’s had to work around making the dialogue fit changes to the animation/plot before. Take The Feud, in which Keith sounds bizarrely calm compared to the others, which the EPs later explained was because Steven Yeun recorded his lines before the storyboards and script had finalized what the paladins’ reactions would be and he was too busy to re-record before the deadline, so they kept his first take. (I suspect that’s also the reason for Keith’s annoyed-sounding “Don’t miss” comment to Lance in Know Your Enemy, which doesn’t mesh with their otherwise more positive relationship at that point, although I have absolutely no proof) But Yeun’s situation isn’t the norm - in cases where the actor was genuinely too busy to re-record, the show either used soundalikes or wrote out a character where possible, replaced dialogue, etc. Any of those tactics could have been valid workarounds…. unless the change was made relatively last-minute and there just wasn’t enough time.

So if the ending is missing the context of an additional scene between Pidge and Lance, what else might have been cut? And why?

I’ll explain in part two.

#sarah forms voltron opinions #plance #flirtyrobot #pidgance #vld s8 #voltron critical #plance meta #been on a bit of a hiatus for the holidays #not much time for tumblr meant lots of time for theories #my non-fandom friends watched s8 over the holidays and i got swarmed with questions #which was a little validating because it's one thing for fandom to be nitpicky but if casual viewers are also watching and going 'uhhhh what #was THAT?' then maybe something really is off #i've been thinking a lot about cultural differences while writing this #obviously funerals are the biggest event but the first year usually has a memorial of some kind whether with a religious service or just as #a gathering of family/friends... if it's a family member the first few years usually involve doing something #just because it's hard to be alone #PSA: the i.t. crowd is a good show #long meta is long thank you for reading??

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wardencommanderrodimiss · 6 years ago

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Dying @ the Borderlands AU post to be honest. (At work. 8') ) GIVE US THE BORDERLANDS ACE ATTORNEY CONTENT WE DESERVE. (Did you ever actually post that fic with the train push-off though??) ... I should look into playing that game. (Those games? Heck if I know. I like the artstyle though.)

I posted the first chapter of the fic, though at some point as I massaged out details, I did start trying to rewrite that chapter. So plot-location-wise, that’s a bit of a mess, but the general vibe of it is the same.

I think I had some other completed excerpts I never posted, and so if I get to writing up a huge big summary of the thing, which I want to do now, I can intersperse it with a few written bits. There was a thing with Ema, and then later with Kay.

(Those games, yeah, there’s three shooters and then one….idk how to describe Tales from, I own it and haven’t played it. But yeah, there’s Borderlands, Borderlands 2, and Borderlands the Pre-Sequel for the shoot-em-up main entries of the series that I’ve played. I love all of them, but I love the Pre-Sequel a little less because low-grav combat made me want to die.)

To summarize the AU, or the start of it, for everyone who doesn’t remember/wasn’t here, the main cast, and what their class names would tentatively be in-game, include:

APOLLO, the Sharpshooter, a sniper with an eyepatch who never misses a shot

(The eye patch is significant, I’ll come back to Apollo’s powers in another post.) He lived on Elpis for most of his life – Elpis is the moon of Pandora, which is the planet that most of the games take place on – and until the start of the story, works for the corporation Hyperion with his best friend Clay, an engineer. They’ve both come to be pretty important in Hyperion’s ranks, pretty quick – Apollo for his sniping skills is the personal bodyguard/assistant to Hyperion’s CEO, Kristoph, while Clay is one of the top engineers and most valuable people except for periodically when they’re forced to pay out the ass to run some antivirus/debug software on his brain, because Clay has a USB port in his head and sometimes he tries to download every cat video ever and gets a virus. Kristoph puts up with this, barely. (It is not the worst financial crime being committed in Hyperion’s ranks. Klavier is embezzling millions into pointless endeavors and Kristoph can’t lock him out of the system no matter what he tries. But that is, again, something to come back to later.)

Apollo and Clay start to suspect that there is a lot amiss about Hyperion and the kinds of experiments they do and what they want from Pandora, and together they start investigating into what, exactly, Kristoph is doing. In the midst of this, Clay is (apparently) killed, and Apollo not allowed to investigate anything about his death. This is the final straw, so Apollo takes what he knows, destroys what he can on the way out, and flees the Hyperion moonbase and Elpis, stowing away on a freighter shipment down to Pandora, intending to disappear into the wilds of Pandora.

CLAY, however, isn’t dead – just in a coma, with his brain wired into Hyperion’s mainframe. He hacks the ECHOnet to get into Apollo’s communicator and serves as a “voice from above” font of “advice” and “wisdom”. (He’s taking the role of, to quickly spoiler-free summarize from the games, the Guardian AI called Angel, who throughout Borderlands and 2 offers advice and points you in the direction you need to go on your quest. Clay is an infinitely shittier at his job version.) Because of some limitations hacked into his brain, he can’t tell Apollo that he’s Clay, that he’s alive, and that he’s sort of being forced into trying to manipulate Apollo and friends into doing Hyperion’s bidding, but he can be very inefficient at it and sabotage from within as best he can. Also, sometimes he accidentally sabotages, like when he’s like “I’ve made the calculations and your vehicle can definitely make this jump” and they try it and crash because he was using the gravitational constant of Elpis, which has much less gravity than Pandora.

On landing on Pandora, Apollo is waiting for one of the Hyperion trains that still runs to take him west and get as far away from this landing site as he can. There, he meets three other travelers and apparent fugitives:

ATHENA, the Berserker, who takes on robots with her fists and a sword and maybe sometimes she’ll use a shotgun;

KLAVIER, the Doppelganger, the spitting image of Hyperion’s CEO;

and TRUCY, the Siren, one of six women throughout the galaxy marked with strong magical powers and glowing tattoos that make her a target for everyone who knows the legend.

Hyperion robots stop the train and begin a search for the fugitive Apollo – the four of them take down the robots and jump off the train, and that’s where their adventures really begin.

ATHENA and TRUCY have a mind to go to the city of Sanctuary, the only free city on Pandora that isn’t corporate-owned or a bandit shithole. Trucy’s father and all her friends live in Sanctuary; Athena, too, lived there for a few years. Before that, they both lived in the city of New Haven, which was razed by Hyperion in their search for the man who screwed Kristoph out of getting his hands on a piece of the Vault Key and a Siren.

-inhales- quick more Borderlands plot context. Vaults are ancient alien caches of powerful weapons, treasure, or monsters scattered throughout the galaxy. These can only be opened by special keys, which are ancient artifacts that tend to be broken and scattered in pieces. In Borderlands, a corporation called Atlas and their military arm, the Crimson Lance, are trying to acquire all the pieces of the key scattered across Pandora to open a Vault to get the loot inside of it. You play as a Vault Hunter, who are not-quite-bandits who for whatever reason are interested in the lore of the Vault, or just kinda ended up on Pandora and fell into it accidentally. In Borderlands 2, about five years later, Hyperion is going after a different Vault, also on Pandora, also with the key in pieces, but the opening of the first Vault in the first game has done some funky stuff to the planet in the form of a mineral called Eridium. Both times, you are trying to stop the corporations from getting to the Vault, with help from some allies, such as the AI Angel and an independent resistance group, based first in New Haven, then in Sanctuary and called the Crimson Raiders, headed up by some of the player characters from the first game. In 2, the Vault Key can only be used naturally once every 100 years; otherwise, it has to be artificially charged with an Eridium-powered Siren. Thus, Hyperion needs a Siren.

phew okay back to the AU, context thus set for Trucy.

TRUCY has spent a few years traveling Pandora on her own, trying to learn more about Eridium and its connection to her Siren-powers. At this point, however, she’s had enough being on her own, and wants to go back home to Sanctuary. She knows she’s a Hyperion target, and that’s partially why she’s been out on her own. She wanted to protect her friends and family. But she’s been reasonably undetected thus far, so she thinks she’s safe. Safe enough as anyone can be on Pandora. She wasn’t born on Pandora, actually, though her mother was from here. She spent the first years of her life living with the Troupe Gramarye, a gang of notorious con-artists who traveled the galaxy scamming people and looking for Vaults. How’d she fall in with Phoenix? Maybe that’s for next time.

ATHENA was not actually born on Pandora, either. She was born with strange, non-Siren powers, probably from her mother’s exposure to weird alien elements; Metis tried to keep this secret and devise ways to help Athena, but eventually people found out, wanted to turn Athena into a lab rat, and so Metis fled to Pandora, knowing its reputation for lawlessness because one of her former coworkers, a woman named Aura, fled there after she vaporized three people for stealing and copyrighting her own personal work. Aura’s brother followed her, after stabbing the people who showed up on his door looking for Aura. Metis knows she can rely on them, and so she takes Athena and goes.

Athena just acclimated really, really well to Pandora. In the course of fighting against Hyperion, however, some time after the attack on New Haven, Metis is murdered by an unknown infiltrator. Simon and Aura agree that they can’t raise and protect Athena the way she deserves, not when they are both dead-set on avenging Metis, and so Simon takes Athena off-world and settles her down somewhere safe. She has a normal teenager-hood in a normal part of the galaxy, goes to college, gets a degree in psychology – all the while chafing at the normalcy of it all. When she’s confronted with her massive amount of college debt, she says her final “fuck it” and abandons her responsibilities to run home to Pandora and find Simon again.

She hilariously has zero secrets that she’s keeping from the others.

And KLAVIER was born and lived most of his life on Elpis – not that he says it, or much of anything, about himself to the others. He has obvious affiliation with Hyperion, but since Hyperion’s ‘bots are out to kill him as much as they are Athena and Trucy, they both accept that he’s on their side. Apollo isn’t quite so sure, because Apollo knew Kristoph and knows that Klavier looks just like him, thus knowing that Klavier was probably someone very important in Hyperion.

Except Apollo can’t say that, because Kristoph (unlike Handsome Jack, Hyperion’s egomaniacal CEO in the games) doesn’t plaster his face everywhere and make himself well-known, so the fact that Apollo recognizes Klavier’s face to be shocked at him means that Apollo was also someone important in Hyperion to know Kristoph and so Apollo and Klavier are just the Spider-Man Pointing meme at each other over their Hyperion involvement. Except Hyperion has bounties on both their heads, so they’re like, okay, okay, cool, I guess I will tolerate you.

After some horrible misadventures involving Pandoran wildlife, which Klavier and Apollo are not prepared for even though Elpis also has horrible wildlife, they reach Sanctuary. Sanctuary is home to the resistance against Hyperion, called the Crimson Raiders, made up of random people and some of the remains of Atlas Corporation’s Crimson Lance who were hunting the Vault years earlier. There in Sanctuary, they catch up with former colonel EDGEWORTH formerly of the Lance, and former commandant VON KARMA also formerly of the Lance. They were once sent to Pandora to acquire the key and quash the Vault Hunters who were chasing it; however, a certain persistent Vault Hunter and his Vault-researcher friends won them over to his side, and so they turned on Atlas and the Lance. The two of them run Sanctuary and the Raiders, Von Karma handling a little more of the military matters, and Edgeworth with the mayoral matters, but mostly, they’re an apparently seamless team.

Aaaand….I think that’s enough for one post. I could probably do, like, four more posts? One for the rest of the people of Sanctuary, one for Apollo and Klavier’s various fucked-up backstory secrets, one for Gramarye Bullshit, and one mapping out the very loose plot points moving forward.

But I’ve spent like all day writing this, so I guess I’ll do this in installments if I’m reminded.

#Anonymous #<- 'anonymous' it auto-tags like i don't always know it's bucket #aa borderlands au #ace attorney bullshit tag

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