#when conflicts rarely work that way in real life

[warblogs17282]

Probably the worst paint.net thing I've ever created but screw it, some of you all are getting way too one-sided between these two following Sinsmas so I just want to post this and dip

[not-neverland06]

conflicted spaces

Arthur Morgan x fem!reader

a/n: He doesn’t get TB in this. Why? Because this is fanfiction and I’m god and fuck canon (I just finished the game, I’m emotionally distraught and needed this)

Warnings: brief attempted SA

Summary: Your father is a gambling man and you’re always the collateral. He refuses to pay the wrong man and now you’re being dragged across country roads to a man you’ve never met. Arthur Morgan, an outlaw down to the bone, is in charge of making sure you get there in one piece. Except, he doesn’t feel right selling a woman off like she’s property.

You’re done being a doormat and letting the men in your life tell you what you’re worth. You’ve got three days to escape him, but you’re not prepared for the reality of the real world.

“Put your hands where I can see ‘em, cowboy.” Arthur’s shoulders tense and he curses under his breath. His hand darts to the revolver on his hip, but the second his fingers twitch towards it he hears a hammer being pulled back. The cool barrel of a gun digs into his neck and he raises his hand in surrender. 

The man behind him lets out a familiar laugh and tugs him around. Arthur rolls his eyes and glares at Dutch. “The hell are you doing?”

Dutch clears his throat, still laughing slightly. “Relax, Arthur, but if I had been an O’Driscoll you’d be dead right now.” Arthur doesn’t point out that the only thing they have to worry about out here are the Lemonye raiders. He’s more focused on why Dutch is even out here. Rarely does he leave Shady Belle to traverse the streets of St. Denis. 

None of them are particularly fond of the place. If he wanted to step in horse shit every other step he’d go to a stable. At least those smell better. Dutch slings an arm around Arthur’s shoulder, tugging him away from the saloon he was heading towards. 

“You’re gonna have to save the cheating for later, Arthur, I need you for something.”

“You know I don’t cheat,” Arthur jokes and Dutch grins at him and it’s nice. This is familiar to him. This feels right. Dutch has been odd lately, the jobs he’s been taking, the risks he’s been imposing, none of them feels like the man he knows. 

Now, Arthur would follow Dutch straight into hell without being asked. But he can’t abide by how he’s putting their people in harm's way. He’s felt like a stranger more often than not and he’s been doubting the people he shouldn’t. Right now, though, he can see the man he knows in the teasing curl of his lips. 

“What’dya need?”

Dutch pauses in front of a tailor and pats Arthur’s chest. “I need you to look prim and proper for a party we’ve got tonight.”

Arthur’s brows furrow cynically and he scoffs. “Someone invited us to a party?”

Dutch hesitates, a stiff smile on his face. “Well, let’s just say someone is interested in our work.” Arthur wants to question him further, he’s hiding something from him. But Dutch is pushing him towards the door of the shop before he can argue. “And get a haircut, we need to look presentable not like a bunch of mountain men.”

Arthur watches as Dutch leaves, something heavy weighing down on him. Dutch doesn’t usually tell people about his plans beforehand. At least not every step of them. But this is odd, he’s definitely hiding something and Arthur isn’t sure he wants to know what. 

With a resigned huff, he heads into the tailor. He has to mentally prepare himself for being stuffed into a starched collar and a stiff suit for the rest of the night. He hates these damn parties, hates having to pretend like he knows what the hell is being said. 

Most of the people that attend are educated or pretend to be. And when he lets it slip that he’s more likely to shoot a gun than read a book they turn on him like jackals. You can’t let them see that you’re different than them or you’ll never get a word in edgewise. 

The only part he enjoys is the booze and robbing them of their money. It’s not like they earned any of it. Most of it was made by breaking the backs of the people they mock for being too poor to afford a fancy suit. 

Arthur takes a deep breath and looks for the cheapest suit he can find in the overpriced shop. 

“Now,” Mr. Crane’s hand tightens around your bicep and he jerks you closer to him. You keep your face impassive, not letting him see just how much he’s hurting you. But you can feel your skin being stretched to its limits by his clammy fingers. “You’re going to behave tonight. I’ve got a few gentlemen I’d like you to meet.”

He looks at you expectantly but you keep your mouth firmly shut. His eyes narrow and he jerks you around roughly. “Understood,” you force the word out through gritted teeth. You’re trying to breathe as little as possible, not wanting to smell his cigar-laced breath any longer. 

Finally, after a tortuously long moment, he releases you. You take ten steps back, smoothing out nonexistent wrinkles from the silk skirt he’d forced you in. You glance out the window of his office, watching as the workers scramble to set up the tables for tonight. You can hear cooks in the kitchen, shouting out orders for the food for tonight. 

Everything must be perfect. Mr. Crane never fails to deliver on his extravagantly indulgent parties. The man himself is the very embodiment of greed. You glance over with a disgusted sneer as he sinks himself into his leather chair and pulls out a wad of cash. 

He catches your eye and sends you a sickly sweet smile. “This,” he waves the money at you and you track the movement boredly. “Is how much you’re worth, sweetheart.” Your brows raise in amusement and you scoff. More than you thought he would put up for you. 

You wonder who he’s going to have transport you. He’ll need you out of the city soon, your father is starting to catch onto what’s happening. It took him long enough. You’ve been missing a month, you’d think he would have put two and two together faster. Then again, he’d never been very interested in you beyond what you were worth to others. 

“When will I be able to meet these gentlemen?” You ask, taking a step towards him. Your eyes dart towards the letter opener on his desk and for a brief moment you picture yourself strabbing it into his fattened jugular. 

But he flicks his wrist and like magic the door opens, his men coming inside and standing resolutely by your side. “Not anytime soon, my dear.” He looks to the men surrounding you and you take in a sharp breath, wishing you’d just taken the chance when you had it. “My associate is feeling quite tired, take her back to her room, please.”

They grab you by the elbows, even though it's entirely unnecessary. You wouldn’t run, and even if you did you wouldn’t get far with the chains he has hidden under your dress. A punishment for the first time you snuck from his home. You’ve been well behaved since then but he doesn’t trust you. 

You’re whisked away without another word. The trek of the stairs is a slow one. They’re forced to help you navigate by lifting your skirts and not tripping on the chains. It no longer brings you any satisfaction to cause a hindrance in any of their days. 

Before, you would think of being an annoyance as a small victory. But it’s not, it never was. It was just a way for them to keep you complacent by allowing you to think you’d done something for yourself. You believe your father used to do the same thing. 

It’s just another way of keeping you quiet. 

When you make it to your rooms, they shove you inside. Like clockwork, you hear the jingle of the keys and then the lock clicks. You sigh and take a step towards your vanity, working on touching up your hair. 

You think the worst part of this must be how well you’re treated. You have meals made by a private chef. Your quarters are decorated more lavishly than they ever were at your father’s house. Yet, you hear the suffocating tick of the clock as it counts down your doom. 

You’re not entirely sure what their plan is with you. You know your father had made a promise to Mr. Crane involving some land. Or perhaps it had been a wager. But as always, you were collateral when your father refused to pay up. 

You know Mr. Crane wants you out of town so that he has more time to negotiate with your father, to call in the interest he owes him. You also know the only reason your father is interested in finding you is because you’re meant to marry the son of a business partner in two months. The money he’ll get from that will be enough to finally pay off his debts. 

Except, now, Mr. Crane tells you that should your father refuse to pay you’ll be married to one of his associates. And the deal he’ll make from that will be enough to cover what your father has refused to pay. 

No matter what, you’re going to be married off to some man you’ve never met and yet again be a quiet trophy on a shelf. It’s a very convoluted situation, one which makes you think leaping from a window might be a better fate. 

None of the men your father or Mr. Crane is in business with are particularly kind. They’ve got more skeletons in the closet than there are in the graveyard. You doubt you’ll live a very happy life with whoever they pick for you. 

You slump forward onto the vanity, trying to fight off the burning feeling in the back of your eyes. You’ve known this would happen for years. Even before Mr. Crane had you kidnapped, you knew that this would be your destiny. You would never get to be one of the free-spirited women who fought for the right to choose. You would always be forced into this role. 

Yet, being so close to it coming to fruition makes you feel choked and suffocated. You can feel the noose around your neck tightening, the hangman’s fingers twitching as he waits to see you drop. 

You dig your nails into your palm, taking in a deep breath and fighting back the wave of despair. Where there is doom, you also see a sliver of hope. Your next journey will be a long one. He’s hiring someone to have you transported to an area further up the map. 

If you play your cards right you might be able to escape while you’re traveling. If you’re incredibly smart about this, thinking with your head and not your heart, you might have a shot at freedom. 

You take in a deep breath, reapplying your makeup and resolving yourself to another night of mindless entertainment. But you hold onto that fleeting feeling of hope. You have a shot, you just have to take it. 

Arthur’s heard of these parties before. Some Mr. Crane fella that likes to blow all his money on food and booze. He indulges his guests and when they’re weakest, gets their secrets from them. He’s a snake and everyone knows it. Yet, missing his party is social suicide. They have no choice but to go and indulge in him. 

Arthur had never had any interest in meeting him or doing any business with him. But Dutch had informed him that’s exactly what’s happening tonight. They’ll mingle for a little while, maybe scout some other jobs, and then Mr. Crane will invite them up to his office for a private discussion. 

Dutch still hasn’t told him what exactly their business with him is. He brought Hosea along tonight so he has to assume it’s not going to be anything violent. But he can’t think of anything else they could be good for. 

“Alright, gentlemen,” Dutch places his hands on Hosea’s and Arthur’s shoulders, a scheming smile on his face. “Try not to embarrass me.” He slips behind them, heading up the stairs of the home. Hosea and Arthur share a brief look before they split up, blending into the background of the garden. 

Arthur lurks near the bar, he knows he should be talking to these assholes, possibly learning something useful. But he can’t be bothered. He orders a whiskey, gaze surveying the partygoers. They’re all loud with painted faces and fake smiles. Not a goddamn person here seems to be genuinely interested in anything they’re doing. 

“First time?” The soft voice beside him catches him off guard. He glances to the side and is surprised to see that you’ve slipped past him. He hadn’t even noticed you slide up next to him. You laugh at the look on his face and it’s the first thing here that seems real. “Sorry, it’s just that look on your face, I recognize the disappointment. You’ve never been to one of Crane’s parties before?”

“No,” he clears his throat, still recovering from the surprise. “Uh, I can’t say I have.”

You suck on your teeth, narrowing your eyes at the people passing by. “They’re not worth the effort. Everyone who leaves here leaves carrying his debt on their back.”

Arthur chuckles a little, lips twitching up into a small smile. He’s surprised by your frankness, most people like to hide behind passive-aggressive digs. He appreciates the straightforward attitude. “Then why are you here?”

You shrug and Arthur finds himself enchanted. He shouldn’t be, he’s never been one for romance. He finds women pretty and he’s been in love before, but he’s never bought into the idea of love at first sight. Or any of that mushy stuff that Mary Beth devours in those books of hers. 

But you are absolutely gorgeous, dressed in a silk dress that’s so expensive he’s sure he could buy two new horses with it. Your fingers and neck are decorated in dainty jewels that you fidget with as you stare down at your drink. When you set your eyes on him again he thinks he might have been struck by Cupid’s arrow. 

“I don’t have a choice,” you finally answer, sending him a stiff smile. “What about you? Why are you here?”

Arthur suddenly remembers himself, remembers why he’s here and what he’s supposed to be doing. The fog in his head dissipates and he’s disappointed in himself. Pretty women have never done anything except get him in trouble. 

“Business,” he answers vaguely. Your eyes narrow and your brows twitch in discontent. Something like realization dawns on your face and you back away from him. The easy attitude you’d carried yourself with is gone, replaced by a vague look of distrust. 

“Right, should’ve known.” You let out a rough sigh and Arthur can’t help but feel like he’s said the wrong thing. “I suppose I’ll be seeing you again soon.” You slip past him before he can ask you what you mean. He hears the faint sound of metal clinking as you walk back up the stairs. 

Something silver flashes under your skirts but he can’t get a good glimpse of it. He feels unsettled as he turns back to the bar. The whole interaction was odd. From how stricken he was with you to how cold you turned. 

He doesn’t know what you saw in him but it was probably for the best that you left when you did. Neither of you needed the trouble the other would bring. He shakes his head, downing his whiskey and muttering nonsense to himself about not thinking with the wrong head. 

It’s not that much later that Dutch is appearing on the balcony and silently motions him forward. Arthur leaves the bar behind and slips up the same stairs you’d disappeared on. Dutch says nothing as he leads Hosea and Arthur through the house. 

The mansion is a maze more than anything. Arthur loses track of all the turns they take and the winding staircases they descend. Finally, Dutch stops them all in front of two large oak doors. He raps once on the door and then lets himself in. 

A large, balding man with a shiny head is perched on top of a leather chair. He looms behind his desk, fingers steepled as he greets them all with a false smile. “Ah, gentlemen, so nice to finally meet you.”

Dutch grins and motions to Arthur, “This is the man who will be doing the transporting, Arthur.” Arthur’s eyes narrow in confusion but he says nothing as Dutch moves to Hosea, “And this is my associate, Hosea. He’s a lot better with money than I am, Mr. Crane. You understand.”

Mr. Crane lets out a boisterous laugh that makes Arthur’s ears hurt and nods his head, his cheeks jiggling with the movement. “That I do! Well,” he waves them forward when they linger in the doorway too long, “come in, come in.”

Arthur closes the doors behind them as Mr. Crane lifts himself from his desk. There are two couches positioned in front of an unlit fire. He takes one of them and Dutch and Hosea take the other. Arthur perches himself on the armrest of their couch, eyes surveying the office like it might reveal the truth of their visit. 

“I trust Mr. Van der Linde has kept this all quiet?” 

“He has,” Arthur grouses. 

At the same time, Dutch says, “Of course, Mr. Crane. I promised confidentiality and Dutch Van der Linde is nothing if not a man who keeps to his promises.” Crane nods, looking satisfied and  Arthur holds back a laugh at how easily he seems to trust Dutch.

“Good, good.” He dips his hand inside his jacket and Arthur’s palm instinctively drops to where his gun should be. Of course, they’d had to give up their weapons before they came into the party, if he does has a gun Arthur can’t do a damn thing. 

But he doesn’t, instead, he pulls out the thickest stack of cash that Arthur has ever laid his eyes on. A loud thud resounds through the room as he slams the bills on top of the table between them. Arthur’s eyes widen and Hosea’s jaw nearly drops at the sight of it all. 

This would be enough to get them out of St. Denis tonight. Shock sours quickly into suspicion. What the hell has Dutch signed up for? “Now, this is the first half. This is simply for accepting the job and,” he gives them all severe looks, “for your silence.”

Arthur shifts uncomfortably on his perch and waits for Mr. Crane to finish. “The other half will be given once the package has been safely delivered.” There’s a certain lilt to his words when he says package that has Arthur’s hackles raising. Whatever is getting delivered is not going to be good. 

Crane turns towards the bookshelves on the wall and calls out, “Darling, won’t you join us?” Arthur figures the man must have lost his mind, they should just take the money and leave. But there’s a loud creak and something like metal gears grinding together. One of the shelves pops open and the panel swings forward. 

You pop your head out, glancing towards Crane and then taking a step forward. Arthur, without even thinking about it, finds himself sitting up, and brushing some of the dirt off his pants from the ride over. 

At first, he’s so confused by seeing you again that he doesn’t realize why exactly he’s seeing you again. Then you glance towards him, a knowing look on your face and it clicks. You’re the package. You’re what he’s meant to be transporting. 

He glares over at Dutch, when exactly did they get into the business of trading women?

Hosea voices his doubts in a much calmer manner. “If I may, sir, why does she need to be delivered so discreetly?”

Mr. Crane laughs and your face twitches unpleasantly. You grimace, glaring at the back of the man’s head with something like murder in your eyes. He doesn’t know what he’s done to cause such a visceral look of hate and he doesn’t want to think about it. This whole situation is bothering him. You’re not here willingly, which means you’re not going to be transported willingly either. 

None of this makes sense. Dutch would never have taken a job like this before, even when they needed the money. And there’s no way in hell a rich man like this one would want to pay a couple of grungy outlaws so much money. There’s got to be some sort of trick in all of this. 

Cran clears his throat, “She’s a daughter of a, well,” he frowns and struggles for the words. “Let’s just say we’re in a hostile competition for a lot of land. This land, boys, could be very beneficial in expanding my business. He’s not interested in selling and, well, desperate times, desperate measures.”

You scoff, laughing slightly at him and rounding the couch. Dutch ignores you, Hosea looks uncomfortable, and Crane continues prattling on without missing a beat. “Should her father not pay me, she will be married to the associate you’re bringing her to. He’s promised me enough land and money to cover what I lost to her father. And if he does pay, she’ll be returned in time for her wedding here.”

Arthur’s eyes dart towards you and you send him a bitter smile. It makes him shift where he sits, hating the way your eyes bore into him. “I just need someone who's not afraid of getting their hands a little dirty to make sure she behaves while she’s delivered to my friend,” Crane glances over at Arthur. He asses him, the bulge of his arms in the suit and the scars on his face, whatever he finds must be satisfactory because he smiles over at Dutch. 

Arthur stands, ready for Dutch to tell Mr. Crane that they’re not in the business of selling women off. But Dutch doesn’t, he smiles at Mr. Crane and reaches for the money, passing it off to Hosea to count. “Well, I do believe my friend Arthur is just the man for the job.” 

“I think you’re right, Dutch.” He stands up now, pot belly nearly bursting the buttons of his shirt, and reaches for Dutch’s hand. “Pleasure doing business with you.”

Dutch smiles and takes his sweaty palm, “You as well, sir.” Dutch walks towards you and holds his arm out. “This way, my dear.” You glance between him and his elbow before rolling your eyes and reluctantly placing your hand on his arm. You follow him silently and obediently, no fight is left in you. Hosea follows after you both, a concerned look on his face. 

Arthur remains in the office, standing dumbfounded and staring at the doorway you’d disappeared through. He’s struggling to process what just happened. Arthur has helped people get home safely before and provided protection. But he’s never been one to traffic a hostage. 

Crane glances up, finally noticing him still standing there. He walks past him, patting his shoulder as he does and giving him an approving smile. “Don’t be afraid to take care of her should she get out of hand.” He’s nearly out the door but he looks back and adds, “Just don’t bruise her too much.”

Arthur’s fingers twitch for his revolver once more and he’s never wanted to shoot a man more. But he knows Dutch is waiting for him and he’d never make it out of here alive if he started a fight right now. Reluctantly, he makes his way out of the manor and towards where you’re all waiting for him. 

He’s fuming by the time he stops in front of Dutch. He’s trying to help you onto his horse and Arthur finally realizes what the metal sound he heard earlier is. There are chains around your ankles and you can’t maneuver yourself on the saddle. 

His eyes narrow and he glares at Dutch, “What the hell are you doing? We’re selling women now?”

Dutch glowers at the tone of Arthur’s voice. You watch them both passively, fiddling with the rings on your fingers and looking unbothered by the entire situation. “Watch yourself, Arthur,” there’s a clear warning in his tone but Arthur’s too upset to care. 

They’ve done a lot of bad things. They weren’t good men. But this was just going too far. “We need this, Arthur. You want to get out of here, you want to keep our people safe?” Arthur let out a deep exhale, gritting his teeth together and nodding reluctantly. Dutch huffs, “That’s what I thought. We’re not selling anyone, Arthur. It’s a simple delivery.”

His jaw clenches as he watches Dutch struggle to help you again. “It’s not going to work,” you inform Dutch. You lift your skirts, flashing him the chains he hadn’t seemed to notice yet. Neither of you gets a chance to say anything as Arthur pulls out his gun and shoots the lock off. 

He feels a little guilty at how startled you look. Your eyes widen until they look like they might bulge out. Your hands fly up to cover your ears as the sound rocks through you. It breaks violently through the silence of the night. 

Dutch turns and gives him a stern look, “Have you forgotten the meaning of subtlety?” Arthur can tell he’s trying not to shout and drag any more attention towards you all. 

Arthur glares at Dutch, something wicked brewing in his stomach. “The lady wouldn’t be able to ride a horse like that.” He mounts his horse and rides off without a look back. He can’t stand to be near you or Dutch any longer. 

The reality of what they’ve turned into hits him like a bag of rocks and it makes him irate. They’ve never been these people. Never traded a person off like they were an object. He’s sure plenty of people in camp would have a problem with this. But he doubts Dutch will let them know the truth until the job is done. 

And by then, everyone will be too happy with the money to complain. Dutch is nothing if not good at saving his ass. He’s hitching his horse as the rest of you ride into camp. He lingers by Diablo, resting a hand on the thick neck of the shire while Dutch helps you off the saddle. 

His eyes narrow in on the way Dutch’s fingers glide along your waist as you jump down. You take a step back the second your legs are steady sending Dutch a dirty look that almost makes Arthur laugh. 

He starts towards Dutch, ready to try and reason with him again. But he holds his hand up and walks away, not even giving him a chance to speak. Arthur lets out a rough sigh as Hosea comes up behind him. 

He pats his shoulder comfortingly, “You should get some sleep, Arthur. You’ll ride with her to Strawberry tomorrow morning.” He almost walks off but he whispers a quiet, “I’m sorry,” before he goes. 

Arthur glances towards you but you’re looking around the camp, eyes lingering on Javier as he sings by the fire. He swears he almost sees you smile but it's gone as quickly as it came. He takes his hat off, running his hand through his hair and letting out a tired sigh. 

“Alright, come with me,” he starts towards the house. It takes a minute to realize you’re not directly behind him. When he looks over your shoulder he sees you with your skirts lifted, tiptoeing through the mud and trying not to get your pretty skirts dirty. 

He rolls his eyes, storming back towards you. Your eyes widen at the look on his face and you stumble back a few steps. Undeterred, he bends over, throwing you over his shoulder and walking towards the house. 

Your hands claw at his back, desperately grasping onto his shirt so you keep your balance. He storms up the stairs, ignoring the alarmed looks he gets from others in camp. He can already hear them whispering, wondering who you are and why he’s dragging you into his room. 

They can make up whatever the hell they want. Arthur’s too pissed off to give a shit about rumors tonight. He drops you unceremoniously onto his bed and storms back out. He heads downstairs, rooting around in one of the chests for some extra clothes. 

You won’t be able to ride to Strawberry in those ridiculous clothes. You’ll need some pants if you’re going to sit on the horse properly. He tucks the outfit under his arm and makes his way back to you. 

When he opens the door your hand immediately darts away from his shaving kit and shoves itself under your butt. His brows furrow as he catches a flash of silver in your hand. He places the clothes down on the end of the bed, eyes drifting towards his shaving kit. Sure enough, his razor seems to be missing. 

He lets out a sigh and you tense up, hand clenching around your prize. He briefly debates taking it from you. But he figures you should be allowed a modicum of comfort. Even if you did try and use it against him it’s dull, he hasn’t sharpened it in a while and you wouldn’t be able to do much damage anyway. 

He lets you keep it, leaving you on your own without another word. He can hear the exhale of relief you let out when he walks away and it makes him feel just a little better about this. At least you’re not completely terrified. 

You change into the clothes Arthur gave you. They’re a little big, but you appreciate the pants. It’s much better than the ridiculous dresses Crane had you in. You collect your dress and toss it out the window of Arthur’s room, watching it sink into the mud pit below. It brings you some satisfaction to see Crane’s pretty silk getting ruined. 

You take off the jewelry you’d been given and stuff it into your boots. If you did manage to escape while you were traveling with Arthur then you were going to need some cash. You could sell off the jewels and hopefully, it would be enough to keep you comfortable. 

It feels nice, to wear real clothes. Not being dressed up like a doll for once. You envy some of the women here, who can wear what they want. There is an appeal to the outlaw life. As long as you’re on the right side of it, which, currently, you’re not. 

You slip out of the house before anyone has a chance to retrieve you. The whole night you were curled up around a dull razor with your eyes wide open. Spending a night surrounded by outlaws isn’t exactly restful. 

You figure you might as well try and walk around before you’re on the back of a horse for the rest of the day. There are more people up than you’d expected. Luckily, you don’t see Dutch around anywhere. You don’t feel like having to deal with any more of his false charm or empty apologies. 

The same man you’d seen strumming his guitar the night before is asleep next to the dying fire. A blonde woman catches your eye, she’s walking past some other women in dresses. They’re still asleep but she looks like she’s been up for hours. 

There’s a bit of blood on her pants and you briefly wonder what she’d been doing. “Who are you?” She asks, surveying you from head to toe with suspicion in her eyes. 

“A package,” you tell her bluntly, walking past her towards the only lit fire of camp. She follows you, a wry grin on her face as she watches you pour yourself some coffee. 

“You’ve got a real attitude, I like it.” 

You huff out a laugh, taking a sip of the burnt coffee and giving her a brief smile. “I’m sure my future husband won’t.” 

She rolls her eyes and scoffs, waving you off. “Husbands, good for nothing. I loved mine but he was useless as a sack o’ flour. You’re better off without them.”

Your smile turns strained and you look down at your feet, at the boots that aren’t your own. You’ll never get to dress like this again. Or speak like this to a woman who isn’t afraid to voice what's on her mind. 

“Yes, well,” you shrug and meet her eyes again, “I don’t seem to have much of a choice.”

Her eyes narrow and she frowns, “What’s that supposed to-”

“Mrs. Adler!” Dutch’s voice booms from across the camp and forces the others awake. Most of them grumble, but they’re quick to get started on morning chores. “I see you’ve met our guest,” he says your name with a flourish that almost makes you laugh. 

He’s a good actor. He’s especially good at covering up his mistakes. “Yeah, what’s going on, Dutch? Who is she? Why don’t you guys ever let me in on this stuff?” She fires off questions rapidly, you almost don’t catch them all. There are clearly underlying issues here other than your unexpected presence. 

“In due time,” he assures her, laying the charm on thick. But even you can tell he’s full of it. He’s not planning on letting her in on anything unless it benefits him. “And this is our guest, her fiancee has paid us handsomely to provide her safe passage back to him.” 

He walks towards you, laying a hand over your arm and squeezing slightly. You give Sadie a stiff smile and let him lead you away. “I do believe it’s best that you just wait for Arthur, dear.” He gives you a look that lets you know it’s an order, not a suggestion. 

Still, you play along, “I think you might be right, Mr. Van der Linde, thank you for the hospitality.” You run a tired hand over your face, sitting down on the stoop of the house and finishing off the rest of your coffee. Dutch watches you for a while, never straying too far from where you are and intercepting anyone who asks about you. 

He spins quite the romantic tale of your lost love and how he desperately wants you back. You wish it were true, that you were living out some wonderful fairytale and were about to be reunited with the love of your life. Instead, it feels like one long walk to the gallows. 

The wood creaks behind you and you don’t need to turn to see who it is. “Ready?” Arthur asks and you figure he means, ready to leave freedom and happiness and the will to live behind? 

No, “Sure,” you toss the rest of the coffee into the grass and leave the mug on the stairs. You get to your feet and let him lead you towards the horses. He shares a brief look with Dutch as you pass by him but it doesn’t look entirely pleasant. 

He makes his way toward a towering black shire and your eyes widen in horror. “What’s this?”

He works on saddling the horse up, not paying much attention to you. “This is Diablo.” You take a step closer and the horse starts huffing, swinging his neck towards you with his lips pulled back. You jump back a step back, eyeing him warily. 

Arthur glances over and lets out a low chuckle, “He won’t bite. He’s just curious.”

“Mhm,” you give him a disbelieving look. “You’ll have to excuse me for being wary, I’ve not met a lot of horses.”

Arthur looks a bit shocked by your admission. “Really?” He questions, sounding doubtful. 

You give him a brief smile and nod. “Hard to believe, I know, but I’ve lived a very sheltered life, Mr. Morgan. Haven’t had many opportunities for exploring on my own.” 

He opens his mouth, looking like he wants to say something. At the last second, he stops himself, instead taking a step closer to you. You flinch away from him when he reaches for you and he lets out a sigh. “You can’t spend the next three days terrified of him, come on.”

He coaxes you forward and you reluctantly step closer to the beast. He chuckles at the scared look on your face. You don’t appreciate how much amusement he’s gaining from this. “Come on,” he mutters, taking your wrist and leading you closer to Diablo. 

The damn thing is named Devil, how could you not be terrified of it? 

“He won’t bite, I promise.” You don’t trust him but he doesn’t give you much of a choice. He presses your open palm to Diablo’s nose and you wince, bracing for him to lash out at you. 

But he doesn’t, he lets out a soft knicker and it seems like he doesn’t even care that you’re there. You let out a relieved laugh, running your hand tentatively over his muzzle. It’s shockingly soft and oddly squishy. 

He doesn’t seem to mind as you awe over him. You smile and glance over at Arthur but it drops when you see the odd look on his face. He seems perplexed by your reaction and you can’t fathom why. “You really never have ridden a horse before, have you?”

You shake your head, “No. I told you.”

He purses his lips and nods. You don’t know what it is about this that’s bothering him and you don’t care to ask. If he doesn’t believe just how strict your upbringing has been then fine. “Alright, come on, we need to get a move on.” 

He leads you around to the saddle and helps you up on the back of the horse. It’s beyond odd, sitting on something in pants. Getting to spread your legs freely is something you are going to greatly enjoy during this journey. 

Arthur takes off without much warning and you yelp, throwing your arms around his waist to steady yourself. He glances over his shoulder at you but says nothing. You turn your head, watching as the camp gets smaller and smaller. 

The people mill about, greet each other, and break bread together. It hits you suddenly, this will be the last time you get to see people being free. If you don’t get out, if you can’t escape, your life will be filled with starched collars and powdered faces. You’ll never have a genuine conversation with someone again. You’ll be turned into pretty jewelry hanging off the arm of a man you never met. 

The ride to Strawberry is three days at least. You have three days to get your plan together and to escape. You almost feel sorry for Arthur and the repercussions he’ll have to face losing you. But not sorry enough that you’re not gonna try. 

Arthur’s speed evens out and you let your arms relax, easing away from him slightly. Your wrist jolts against the gun on his hip and you eye it curiously. If you had a gun there would be no doubt you could escape. You see Arthur’s fingers twitch on the reigns of the horse and you move your arms higher up his torso. 

You doubt you’ll be a quicker draw than he is. He is an outlaw after all. You don’t think he’d have many qualms about delivering you to your fiancee with a few extra holes in your gut. Your mind drifts to the razor in your pocket and you consider it for a moment. 

You’re sure you’d be quick enough to just whip it out and slit his throat. You sigh and dismiss the thought. You were a lot of things but you were not a murderer. There are lines you can’t bring yourself to cross. Besides, as wicked as what he’s doing to you is, you know he’s a good man. 

It was an instinctual feeling. Mr. Crane and your father were both horrible, evil men. They knew nothing but greed and would never be satisfied by all the riches they reaped. They were the type of men you looked at and knew deep down that there was nothing left to save. 

Arthur has undoubtedly bad things. You don’t become an outlaw without spilling some blood. He was weathered and rough from a hard life, but that didn’t mean there was nothing good left in him. You won’t have his blood on your hands, no matter how much you might want to get away from him. 

As grateful as Arthur is for the silence, it is odd. He’s helped a few ladies find their way back home before and for some reason, they seem to think he’s the best listener in the world. It seems everyone who rides with him wants to tell him their life stories. 

You’re completely silent, though. He has to keep looking back just to make sure you haven’t fallen off the back of the horse. You’re pretty complacent, following along with whatever Dutch said and coming along quietly. You seem beaten down, the fight dragged out of you. 

He wonders what Mr. Crane had done to you. A few times, he’s seen just a glimpse of the spark that used to be there. But it was snuffed out before he got a chance to know it. He almost wishes you would talk. It would distract him from what he was doing right now.

It didn’t feel right, bringing you along to marry a man you’ve never even met. He has to keep reminding himself that it would have happened no matter what. Ladies like you are always sold off into a profitable marriage. The only thing he’s doing is switching up who the fiancee might be. 

None of that makes him feel better, though. He should be helping you, not dragging you away to your worst nightmare. But, his people come first. The amount of money Dutch’ll get from this will be enough to get them all out of here. This could finally be the last score. 

You gasp behind him and he whips his head around, immediately expecting someone to be following along beside you both. Maybe your father’s men or just some raiders. But he doesn’t see anything except a herd of deer running through the trees. 

His brows furrow in confusion and he glances back at you. You’re watching them like they’re something spectacular. Arthur’s always been a fan of the quiet beauty of nature. He appreciates them in ways most folks don’t understand. But you’re looking at ‘em like you just found God. 

“Never seen deer before?” He teases, chuckling a little at your reaction. 

You startle, not realizing he had been watching. You clear your throat and look away from them sheepishly. He almost feels bad for ruining the moment for you. “No. No, I haven’t.” 

He knows it's possible, but it’s astounding to him that someone truly lived their whole life in the city. It just doesn’t seem right. Cities are full of shit, smog, and bad people. Not even having a moment out of that your whole life seems like torture. 

“I’ll just enjoy it while it lasts,” you mutter, eyes darting back to the tree line. But the deer are gone and you don’t look very interested anymore. 

“Right,” he shifts forward, the air between you awkward. He’d only meant it in jest. He didn’t mean to remind you of what was about to happen to you. He doesn’t like the silence, not this time, it feels wrong. It makes him stew in his shame and that’s a nasty feeling. 

Selfishly, he prods you for more. “A few days on the road, you’ll be eager for the city again.”

You laugh but there’s no humor to it. “I very much doubt that Mr. Morgan.”

“Arthur,” he corrects, “just call me Arthur.”

“Right,” your tone remains cold, “well if you don’t mind Arthur, I’d like to ride there in silence.”

He's got no other choice but to comply. If you don’t want to talk he won’t make you. He just wishes he could make this a little easier for you both. 

Camping is something. You don’t have a word for it. It’s nice to be out in nature and embrace it for the first time in your life. But you really would not mind the comfort of your bed right now. 

Rocks digging into your spine and head do not make for a good night’s sleep. You’ve been lying in front of the fire for hours, flipping around uselessly. It doesn’t matter how much you shift, the rock stays digging painfully into you. 

You let out a loud huff, flopping onto your back and glaring up at the starry sky in defeat. At least the view is nice. In the city, you can’t see the stars. The smoke’s too thick and you never get a good look at them.

Out here, they almost feel fake. They’re so bright and beautiful, you thought the paintings in the museum had always been exaggerating just how breathtaking a night sky can be. But you were wrong. And you hate that there’s a potential future where you’ll never get to see this again. 

“Would you quit squirming so damn much?”

You shoot up, resting on your elbows and glaring over at Arthur. He’s got his hat over his eyes, arms crossed, and looking like he’s been asleep for the past few hours. You hadn’t realized you’d been keeping him up. 

“Some of us aren’t used to sleeping outside,” you hiss, throwing yourself back down to the ground. He doesn’t say anything for a while and you figure that’s the end of it. You clench your eyes shut, counting sheep in your mind and trying to force yourself asleep. 

You hear boots crunching across leaves and your eyes fly open. Arthur’s standing over you, hands propped on his hips as he glares down at you. “Can I help you?” You snap when you get tired of the staring. 

He scoffs and shakes his head, kneeling to be eye level with you. You’re startled by the proximity, an odd heat creeping up your neck. “Come on, I’m gonna tire you out. Maybe then you’ll get some sleep.”

You gasp, astonished at the audacity of his suggestion. “Excuse me?” You demand, tone incredulous. 

His brows furrow before he shakes his head and rolls his eyes. “Not like that,” he grouses. “Get up,” he doesn’t give you much of a choice. He places his hand under your back, shoving you onto your feet. You stand with a slight stumble, glaring at him as you brush dirt off your shirt and pants. 

You can’t help the snotty tone of your voice as you ask, “What are we doing?” 

“Huntin,’” He answers gruffly, going over to the horse and taking the bow out of his saddle. 

Your brows furrow as you recall the few stories your father told you of hunting bison. “Aren’t you supposed to use a rifle?”

He shakes his head and nods towards the treeline. You glance back at the fire before reluctantly following him into the dark forest. The moon is full enough that it provides just enough light for you not to be terrified of what’s lurking in the underbrush. 

“Got a friend,” he tells you, kneeling and glancing at some tracks on the ground. “Taught me how to hunt properly. Bows are quieter, less disruptive, and they provide quicker, cleaner kills.” He looks back at you and motions towards the arrows, “Less pain for the animal.”

Your face slacks with something like astonishment. All you’d heard from your father was the thrill of the hunt, the satisfaction of the kill. He never mentioned keeping anything from the animal, using it for meat, or about how long it took for them to die. You’d never thought there was anybody who actually cared for the creature’s comfort as it died. 

You suppose there’s going to be a lot about Arthur that’s different from the men you know. 

“Arthur,” a twig snaps behind you, and your eyes widen. You drop your voice to a whisper, not wanting to draw too much attention towards you both. “I don’t want to kill anything,” you hiss.

“Ha!” He barks out a laugh and you purse your lips in irritation. He stands and looks at you, chuckling again before shaking his head. “I wouldn’t be so confident in your huntin’ skill, kid.”

You click your tongue and glare at him, “Don’t call me that,” you snap. It’s the same patronizing nickname your father loved to use on you and you detest it. He raises his hands in surrender and you roll your eyes at the smirk on his face. “Then what’s the point of this?”

He shrugs and heads further into the trees, you have no choice but to follow along behind him. “Figure you should be taught a few skills before I get rid of ya.”

You want to argue with him that there’s no point. If you are given to Crane’s associate, you’ll never set foot in the woods again. However, if you do manage to escape him, learning a few survival skills wouldn’t be a bad idea. 

So, you keep your mouth shut and let him lead you through the forest. “How do you know where to go?” You ask, trying to figure out what it is he keeps looking at in the mud. He waves you forward, moving you so you’re standing directly in front of him. 

“You see that?” You have to squint, relying solely on the light from the moon, to make out what he’s pointing at. There are some tracks in the mud that look vaguely like hooves. “It’s buck tracks, you can tell by the size.” He kneels and when you don’t follow he tugs you down by the sleeve. “You can’t rely on just the tracks, though. You have to look for other signs of ‘em.”

You glance around, noticing some crushed twigs and grass a few feet ahead. “Like that?” You point towards it and he huffs in amusement. 

“Caught on quicker than I thought.”

You feel vaguely offended by that but don’t bother voicing it, just glare at his back as he gets up. You walk silently through the forest, letting Arthur show you which tracks to follow and which to avoid. You’re not comforted by how many cougar prints you find. You stare up into the branches always expecting something to already be looking down at you. 

Miraculously, no wild cat chooses you for dinner as you track the buck down. You find him near a small stream, antlers dipping into the water as he takes a drink. He’s got to be one of the most gorgeous creatures you’ve ever seen. 

You’ve lived your whole life in St. Denis. The most you’ve seen are overworked carriage horses and mangy dogs. No life slips through the cracks of that place. There’s just smoke and misery. This is nature, real beauty. It’s breathtaking, the way the leaves ripple in the wind and the starlight reflects in the water. 

You can’t imagine seeing this and wanting to tear it down to put up an oily machine that contributes nothing to the earth but death. It just makes you hate your father more. It also makes you more resolved to not be forced back into that life. You can’t do it. You can’t have this one taste of freedom and then let it go without a fight. 

Arthur pulls the bow out and nocks an arrow. You glance between him and the buck and rapidly shake your head. “No,” you hiss, “I don’t wanna kill it.”

He rolls his eyes and moves you in front of him. You don’t have much choice as he places your hands on the string and guides you into the right position. “Relax,” he murmurs in your ear as you fight against his grip. “You ain’t gonna kill it.” 

It doesn’t bring you much comfort, but if you’re going to make it on your own, sometimes you’ll have to do something you don’t like. “Now,” his hand drifts down your bicep and you suck in a sharp breath. “Don’t hold it too long, you’ll get tired.” 

It’s dawning on you just how close you both are. You’re kneeling on the ground with him behind you, essentially cradling your body to him. You’ve never been this familiar with a man before, it’s making your brain short-circuit. You can hardly pay attention to what he’s telling you. 

He lifts your elbow slightly and points you towards the left. “You need to keep your arm steady even after you let go or your aim will be off. Take in a deep breath and release on the exhale.” You give him an apprehensive look, still not wanting to hurt the buck. He just nods and there’s something in his gaze that lets you relax slightly. 

You release the string and the arrow flies over the buck’s head, burying itself into the tree behind it. Its head shoots up and it turns towards you both before dashing off. You let out an astonished laugh, glancing down the bow and then back at Arthur. 

“My god, I’ve never shot anything before.”

“Congratulations, you’ve killed your first tree,” he remarks dryly, but you see the glint of humor in his eye. 

He gets to his feet and offers you a hand up. You smile up at him, undeterred by his attitude. “Thank you for this,” you tell him earnestly. He gives you an odd look but nods anyway. He doesn’t understand just how important this is to you. Knowing how to do something like this is the difference between life and death when you’re on your own. Of course, he doesn’t realize you’ll be making an escape attempt soon. 

He retrieves the arrow from the tree and you run your hand over the curve of the bow. You wonder just how much he’d miss this if you took it from him. 

Arthur’s tearing down the camp and you’re standing by Diablo, feeding him some apples. You stroke absentmindedly over the horse's muzzle, watching Arthur intently. He’s too busy pulling the tent apart to be paying attention to you. 

You got better sleep last night than you did at Crane’s. He was right, hunting had tired you out. You were eager enough to sleep that you didn’t even feel the rough ground underneath you. He seems to be a little more lax about his watch over you. 

Something about last night must have eased him into a sense of comfort that you’re not going to run. That’s his own fault, though. You glance over the curve of the hill, noticing a carriage that will be passing by soon enough. 

You look back at Arthur and ease slightly away from Diablo. Arthur is still collecting the blankets and rolling them up. He turns towards the dying fire and tosses the rest of the coffee out. You take another step back and he keeps his back to you. 

Slowly, you release Diablo’s reigns, giving him one last apple before you turn on your heel and run down the hill. Your foot slips out from under you and you let out a loud yelp as you go flying headfirst down the grass. 

You land on your back with enough impact to make the breath rush out of you. But your descent is still going and you’re flipping over headfirst into the road. You slide forward, the dirt scraping up your chin as you cough and try and catch your breath. 

“Look out!” You roll out of the way just before the carriage rolls over you. Someone shouts your name from the top of the hill and you see Arthur glaring down at you. He starts towards you and you scramble to your feet. 

“Stop!” You scream, waving your arms wildly and chasing after the carriage. The man gives you a bewildered look as you throw yourself at him. “Please, sir, I’ve been kidnapped, you must help me get back to my husband.”

The man looks behind you, sees a very angry Arthur bellowing out your name, and moves to the side. “Hurry up,” he urges, giving you a hand on the bench beside him. You let out a relieved breath, taking his hand and throwing yourself the rest of the way up. 

He whips the horses, hurrying them along all the while Arthur is yelling after you. It’s not hard to believe that he would kidnap you. He looks half-crazed as he follows along behind you. You turn over your shoulder, giving him a brief wave and a smile. “Thanks for the help,” you tell the man beside you. You offer your hand and name. 

He glances down at it but doesn’t take it, instead looking forward and ignoring you entirely. Something uneasy settles in your stomach but you push it aside. You blame the feeling on the adrenaline still pumping through you. 

“Where are you headed?” You ask, glancing into the back of the carriage. You notice some moonshine and a crate full of guns but decide not to question it. 

“Said yer husband’s waitin’ for ya?” He demands, completely ignoring your question. You stare at the side of his face but his expression isn’t giving anything away. He comes to an intersection. You see a sign pointing towards a town and figure he’s going to take it, but instead, he pulls onto a smaller trail leading to the woods. 

“Um,” you clear your throat uncertainly, glancing back at the sign. “Yes,” your voice cracks and you know you sound like you’re full of shit. 

He laughs and the sound sends chills down your spine. You rip your eyes off of him, looking down at the horses and suddenly realizing just what you’d gotten yourself into. “You sure about that, little lady?”

Something cold digs into your side and you gasp quietly, looking down to see a gun pressed against your ribs. “You scream, run, or do anythin’ to piss me off and I’ll put a fourth hole in ya.” When you don’t say anything he digs it harder into you. “Understand?” He growls and you can do nothing but nod your head. 

You want to move, want to shove him off the side of the carriage and make a run for it. But you can’t, you’re frozen solid. You’re so petrified with fear you can’t even blink. You think you’re holding your breath, as if taking in air is going to set the gun off. 

He grins, a blackened curl of lips over rotted teeth, at your obedience and comes to a stop in the trees. “What are you doing?” You whisper, staring at the secluded area with a newfound sense of horror. 

“Shut up,” he snaps, his voice echoing through the quiet of the woods. You hear no birds or animals and you feel so alone it makes you want to cry. He gets off the carriage and turns towards you. “Down,” he demands. Your eyes dart towards the reigns of the horses and he pulls the hammer of the gun back. “Don’t even think about it.”

You lift your hands in the air, slowly slipping down the seat. He doesn’t appreciate you taking your time He grabs the front of your shirt, jerking you further into the trees and tossing you to the ground. 

You let out a rough groan at the impact, blood staining your shirt as your elbow slips across a jagged rock. It’s like something is snapped loose in your mind. He comes stomping towards you, kneeling between your spread legs and it finally clicks. 

You lunge forward with a shout and he rears back in surprise. You wonder how often someone’s actually fought against him or just let it happen. You don’t want to die, you don’t want to get shot by this scum, but there are a lot of things worse than dying. 

You grab the arm holding the gun, jerking it around, and knocking it out of his hand. “You bitch!” He hisses, bringing his open palm down across your cheek. The smack rings through the trees and ricochets through the air. Your head whips to the side so hard you think you might have snapped your neck. 

Blood dribbles out from your lips, your teeth having bitten into the fat of your cheeks. You spot the gun nearby, the silver of the barrel glinting from under the leaves. Just as you reach for it, he’s wrapping his hands around your ankles and dragging you back towards him. 

You feel like screaming as your hands desperately grasp at the dirt underneath you. But there’s not enough air to scream. You dig your nails into the mud, feel them split against the rocks, and kick at his chest hard enough to make him lose his breath. 

His grip on you loosens and you throw yourself at the pile of leaves. Hands groping for something solid. Just as he flips you over you wrap your hand around the handle of the gun. You pull the trigger and the bang is deafening. 

Your ears ring and your hands are trembling from the recoil. His jaw goes slack and he tumbles on top of you. You let out a grunt, breath pushed out of you by his weight. You scramble against his chest, something warm making your hands slip as you struggle to roll him off of you. 

You glance over, waiting for him to spring back up. But there’s something dark pooling around him and sinking into the dirt below. There’s a hole in his chest and his eyes are already flattening. You fall back against the earth, staring up at the trees above you. 

The sounds rush back to you all at once. The birds singing, deers prancing somewhere in the distance. You hear a stream rushing nearby and let out a stunned laugh. There’s a smile on your face but there’s nothing to be happy about. 

You think you might be in shock. Mind still trying to catch up to what just happened. You glance down at the gun in your hand and toss it to the side, not wanting it near you anymore. Only a second later do you reach for it again. 

You struggle onto your hands and knees, checking over yourself for any injuries that you might be numb to right now. The only blood on you is from the dead man on the ground. You keel over, hands on your knees, and suck in a deep gasping breath. 

You stumble back, limping towards the carriage. You dig around in the back of the wagon, tugging out a giant hunting knife and walking towards the horses. You cut them loose, keeping the rope on one of them and tugging yourself onto her back. You tuck the knife in your belt and nudge her side, leading her forward gently. 

You don't even have time to process the fact that you’re riding a horse on your own. Your body is moving on autopilot. You can only think about getting ahead, getting away. What just happened will hit you later. You slump against the neck of the horse, adrenaline leaking out of you and exhaustion catching up. 

He’s going to find you and he’s going to kill you. Leaving while he had his back turned. Getting on some carriage with a man you’ve never met before. How dumb do you have to be? You can’t trust people out here. Not when there are gangs, raiders, hell, he’s encountered a few cannibals. 

For all he knows, you’re already dead and he’ll be delivering a body to the train station. The thought makes him curse and urge Diablo forward. It’s not hard to follow the tracks of the carriage, what concerns him is when they lead into the forest instead of the town. 

“Goddammit,” he mutters, “the hell have you done woman?” He leaps off Diablo, figuring it will be easier to track you on foot. He follows the paths of the wheels, finding the wagon abandoned and the horses cut loose. 

His brows furrow in confusion as he wanders around the side and spots a lump in the leaves. All he can see is the bottom of a boot and blood splattered across the orange of the fallen leaves. 

His stomach plummets and he races towards it. But it’s not you buried under the foliage, it’s the man who offered you a ride. “What the hell?” He kneels, brushing the leaves off his chest and frowning when he sees the blood splattered all along his chest. 

He doesn’t need to look long to figure out what killed him. He’s sure the bullet buried in his heart did the job. Arthur curses and stalks away from the man. There are prints where the horses were but there are too many to tell which one you might have taken. 

He’ll have to rely on instinct to find you. You’re becoming a real pain in the ass for what was supposed to be a simple job. Still, he can’t help but be a little relieved that it was a stranger and not you lying dead on the ground. 

He turns back onto the road, taking the turn into town. Someone on horseback rides past him, they look disgusted by something up ahead and it makes alarms go off in his head. He urges Diablo forward, running the rest of the way into town. 

An unsaddled mare lazily eats some grass as the sound of a rushing river meets his ears. Diablo’s hooves sound off against the wood of the bridge. He finally sees what disturbed the other rider so much. 

You’re sitting on the railing of the bridge, legs dangling dangerously over the edge as you stare down into the crashing waters below you. Arthur gets off his horse, approaching you slowly. He doesn’t want to startle you and have you go tumbling over the edge. 

He calls out your name and you glance briefly over at him. Blood is splattered across your neck and the front of your shirt is soaked with it. He knows it isn’t yours but it still puts him on edge. “What’re you doin’ kid?” 

You don’t answer him, “Did you follow me?” He eases up beside you, straddling the railing so he can catch you if you slip. He nods and you let out a rough sigh. “Is he dead?”

He scoffs, “Sure as shit hope so, don’t know how someone would survive that.”

A manic laugh bursts through your lips and you double over your head falling into your hands. Arthur surges forward, steadying you before you dive headfirst into the river. “Alright, let’s go,” he quietly urges you around. You don’t put up a fight, letting him maneuver you how he likes.

He gets you on your feet and leads you back to Diablo. You latch onto the horse's reigns immediately, stroking your hand over his mane. Your silence is concerning. Arthur doesn’t know what your regular behavior is, the most he’s seen of you, you have been quiet. This is different, though. He’s seen this sort of quiet in women before and it never ends pretty. 

“You’re alright, come on,” he tries to keep his voice low so he doesn’t set you off. He keeps his hands light as they land around your waist, giving you help onto Diablo’s saddle. Your gaze is distant and you move like someone else is controlling your body. 

He collects the mare you’d brought along with you and leads both horses into town. He’ll have to get a saddle for her, she already seems attached to you. And maybe taking a horse with you into the city will let you escape a little. 

The town, at least, is on the way to Strawberry so he doesn’t have to worry about being too far off schedule. Though, that’s the least of his concerns right now. His eyes keep darting up to you. Waiting for you to try and bolt again or finally break down. It doesn’t look like anything is going on in your head, you seem completely distanced from the situation. 

It’s a good thing for him. He can’t handle a distraught woman. He’s not a kind enough man for it. 

He hitches the horses in front of the hotel. You turn in the saddle, staring down at him and waiting for a hand down. You slide easily through his hands, landing in the mud with a dull thud and heading up the stairs of the hotel without prompt. 

He huffs and follows after you. He doesn’t know how to explain the blood on your clothes away and hopes he won’t have to. The man running the place, thankfully, doesn’t have many questions. He looks disturbed but keeps his qualms to himself when Arthur slips him a little extra cash. 

Arthur guides you up the stairs with a light hand on your back, opening the door of the bath for you. “Alright, here’s your room key. I’ll be out for a while so, just,” he sighs, taking in the blank look on your face and shaking his head. “Try not to cause any more trouble.” You nod and close the door behind him. 

There’s no worries that you’re going to make a run for it again. He’s sure whatever happened in those woods was scarring enough to make you want to go back to the city and never see country folk again. He wouldn’t blame you, there are some nasty people out here. Himself included, but he could never imagine hurting a woman like that. It just ain’t right. 

He heads to the shop across the street, buying some new clothes for you that actually fight properly. The horses are brought to the stables and he goes ahead and gets a paper for your mare under your name. Diablo will be faster tomorrow if he doesn’t have to carry the weight of two people. You might make it to your handler in time. 

Arthur still doesn’t feel right about this whole thing. Leaving you with a man you’ve never met feels even worse knowing what happened to you today. He doesn’t think you being so calm about it all is a good thing. Shouldn’t women react?

Dutch likes to tell him women are a more sensitive breed. He’s seen some tough ones in his life, but this seems like the time to be in hysterics if there ever was one. He heads back to the hotel, planning on just leaving the change of clothes in your room. 

He passes by the bath and hears an odd sound seeping through the cracks. Frowning, he presses his ear up against the door. A man passes by him, giving him a disgusted look as he goes into his room. Arthur sighs but he stays where he is. 

It’s clearer now, you’re crying and it’s hard to listen to. It's the type that makes it hard to breathe. That sort of crying makes your ribs ache and bruise. It’s wrong to keep listening to such a vulnerable moment. So, he does what he planned, drops the clothes in your room, and then heads to bed himself. 

Sleep comes easier than he thought it would. It’s not as restful as he’d been hoping but it draws over him faster than it normally does. He’s always been a light sleeper, though. It comes from years of having to be on guard in case some O’Driscoll is gonna try and slit his throat while he’s asleep. 

When he hears the door creak his hand is already on the trigger of his revolver as he shoots up in bed. The glow of the lamps outside illuminates what’s clearly a woman’s form. But he can’t see your face until you take a step further into the room and the moonlight provides some light. 

“Arthur?” You whisper his name, peering into his room. “Are you awake?”

“I am now,” he grumbles. With a sigh, he shoves the gun back under his pillow and runs a rough hand over his face. “What'd ya want?”

You let out a low breath and rock back on your heels. “I’m sorry,” you mutter. “I just, I can’t sleep. I keep thinking he’s gonna creep out of my closet or bust through the door, I-”

You cut yourself off but he can hear the emotion thickening your voice. He clenches his eyes shut in irritation, arguing with himself over what he’s about to say. “You wanna sleep in here?” He mumbles reluctantly. 

You close the door immediately, practically running towards his bed. “You don’t mind?”

You’re not really giving him a choice, but he’s not going to say that to you. “No.” He grabs a pillow and blanket off the bed and rounds the end of the mattress. You frown as you watch him toss everything to the ground. 

“Well, what’re you doing?”

“What’s it look like?” He snaps, angrily gesturing towards the floor. “I’m givin’ you the bed.” 

You bite your lip and he feels horrible instantly because you look like you’re about to cry. He’s not trying to be rude but you woke him up in the dead of night. What’d you expect him to say?

“I was sort of hoping we could share the bed.”

His eyes widen and he glares at you in disbelief. “You mean-”

“No!” You cut him off with an aggrieved sigh. “You fool, that’s not what I mean at all. I just don’t want to be alone, alright?” 

“Look,” he scoffs and shakes his head. “I don’t think I’m the man you want to bunk with for company, alright. I’m not that kind of guy.” You glare at him and snatch his pillow and blanket off the floor. 

“Don’t be so damn stubborn.” You aggressively fluff the pillows, throwing the covers back and gesturing towards them, your brow set in anger. 

“Right,” he huffs, “I’m stubborn.” He reluctantly crawls into bed and you follow behind him. It’s not that he minds sharing a bed with a pretty lady. He’s just not the sort of guy you should be coming to for comfort. 

He doesn’t think he can provide whatever it is you need at this moment. But you seem to think otherwise as you inch towards him slowly. He lays on his back, arms under his head as he watches you out of the side of his eye. You think you’re being subtle, slowly moving into his side until you’re flush against him. 

He doesn’t say anything to object and you don’t bring up the proximity. He doesn’t want to admit it but it is nice having someone else beside him. He’s so used to camping out on his own. He hasn’t had anyone beside him in a long while. He lost interest in women of leisure a long while ago. And ever since Mary, he’s given up on any sort of intimacy. 

He hates to admit it, but he finds himself easing towards the warmth you provide. The second you feel him reciprocating you’re inching a tentative hand around his waist, cuddling closer to him. He recognizes it for what it is. 

He’s always been looked at as someone who can protect, at least by the gang. He’s their muscle. To most others, he incites nothing but fear. It should be the same for you. But after what happened today, you just see someone who can keep the monsters in the dark away. 

He doesn’t mind being used like this. He wraps an arm around your shoulders and waits until he feels you settle to ease into sleep again. 

Arthur figures you should both get breakfast in town while you’re here. He reasons you should enjoy a hot meal before you’re on the road again. You don’t point out that you know he’s just trying to ease you into the day. 

You appreciate it, honestly, but yesterday wasn’t your first run-in with men like that. It’s become incomprehensibly normal in day-to-day life, even for a city girl like yourself. You’d cried everything out in the bath once you’d scrubbed your skin raw. 

You don’t think Arthur will ever understand just how much his presence helped you last night. If you’d been on your own, jumping every time you heard the wood creaking outside, you’d have driven yourself over the edge. He protected you, even if there was nothing to be protected from. 

You don’t think he gives himself enough credit. Ignoring the situation you’re both in and what he’s taking you to do, he’s a good man. While the caliber of the men you’ve met is questionable at best, he’s one of the best ones you’ve ever known. At the end of the day, he disagrees with the whole situation, but he’s doing this for his family. That’s admirable in its own way. 

But, god, does he have poor conversational skills. “So, yesterday.” You glance up from your toast, brows raised in question. He clears his throat, eyes darting between you and his food like he can’t choose what to focus on. “That man, did he…”

He trails off and you feel your hackles rise. “Don’t worry,” you hiss, a bite to your words, “I’m still pure for my husband. Your pay won’t be docked, if that’s what you’re worried about.”

His hand clenches around his fork and his eyes bore into yours, “That’s not what I meant,” he growls. “I wasn’t worried about that,” he snaps, “I was worried ‘bout you, woman.”

You take in a deep breath, actively biting your tongue from saying something spiteful. He wasn’t being rude, that’s just what you’re used to. “I’m sorry,” you concede lowly. “Nothing happened,” you repeat without the attitude. 

“Well,” he huffs and goes back to his breakfast, “good,” he settles on dully. 

“Good,” you agree quietly, pushing the rest of your food around. You find your appetite dulled and you push the plate away. You lean back in the booth and stare out the window. The horses seem to be getting on well enough. “Did you name her?”

Arthur gives you an odd look and you nod towards the mare hitched next to Diablo. He swallows the food he’d been chewing and takes a swig of his coffee. “No, figured you’d want to do it.”

Your brows furrow and your lips quirk in confusion. “Why?”

“She’s yours, ain’t she?” He grouses. 

You shake your head, “Nope,” you tell him, popping the p. “I just took her so I’d have something to get me to town.”

“Yeah, well,” he sounds less sure of himself and he’s looking like he made a mistake. “I thought she’d be nice for you to have with you in the city. A way for you to get around without relyin’ on someone else.”

You can’t help but smile, something in your chest easing away at the kind gesture. “I appreciate it,” he lights up a little at your approval, but you crush it in an instant. “But I can’t keep her, I won’t be allowed to. I’ve tried to have my own horse before, hard to control something that can get away from you,” you tell him blankly. There’s no emotion in your voice because it’s something you’re used to. 

He looks slightly horrified at how blunt you are. He can’t comprehend not having that freedom but he fails to recognize that he’s got a leash of his own. You doubt a man like Dutch would ever let his main asset just run off to wherever he wants to. 

A few people walk into the saloon, the women giving you odd looks when they see the pants on your legs. You smile cheekily at them, reveling in what you know will be a short-lived experience. You’ve never been on the receiving end of a judgmental look like that. 

You’ve always blended in. Been the perfect wallflower for the men in your life. You were never something to gawk at or cause trouble. It’s a relief to stick out for once, to break the mould for the first time in your life. 

Arthur clocks the interaction and chuckles. “Missin’ the skirts yet?”

“Not one damn bit,” you tell him, smiling as you take a sip of your coffee. “I’m going to miss being able to run around without having to lug an extra four pounds of fabric behind me.” 

“Ya know, you could just wear some pants, you’ve got a choice.”

You grin patronizingly at him, propping your head on your chin and watching him finish the rest of his breakfast. “You don’t know city men very well, do you?”

“Glad for it,” he grumbles, distaste clear in his tone.

A laugh breaks through your chest, the first real one in a while. “I’m going to be marrying one, Arthur. I won’t have a choice in much of anything anymore.” You can tell he wants to object, tell you there’s always a choice. 

He’ll never truly understand what’s going to happen to you, though. You’re no longer human once you’re married. You’re cattle and property, meant to be bred and shown off. You accepted your fate a long while ago. And after you’re failed escape attempt, you’ve realized this is what you were always meant to be. There’s no point in fighting fate. 

“Don’t apologize or argue,” you tell him, no spite or bitterness in your tone, just the honest truth. “I don’t mind anymore, really. What place is there for me in this world, anyway? I can’t exactly take care of myself.”

“You did a damn good job yesterday,” he snaps back quickly. He doesn’t seem too keen on the way you’re talking about yourself. But you’re not lying. Yesterday was a wake-up call. If you let yourself get screwed over by a hillbilly that quickly then how were you ever going to make it on your own? In your defense, you were raised to be dependent, you never had a chance. 

“Sure, but that was a one-off incident. I’m not going to run again, Arthur. There’s no point. And there’s no point in fighting against the way things are, they’re never going to change for me.” You take in a deep breath, the easy mood ruined by your sincerity. 

“I’m just gonna wait by the horses.”

You slide out of the booth, leaving Arthur to stare pensively at his plate. You’ve nearly slipped through the door when Arthur calls out, “You should name her.” You pause at the doorway, glancing back at him. He’s settling the bill at the front and you walk back out to the horses. 

The mare picks her head up as you walk towards her, ears perked and tail flicking. “Hey, girl,” you run a hand over her muzzle, admiring the sleek silver of her coat. “I guess I should name you.”

You run a hand over her mane and swing yourself onto the saddle. “How ‘bout Bullet, it’s how I got you, anyway.” A dark joke, but it eases the macabre feeling hanging around you. 

Arthur walks out of the saloon, tucking his money away into his bag. He lifts himself onto Diablo, glancing over at you with a knowing glint. 

“Name her?”

You resent how smug he sounds. “Bullet,” you answer reluctantly. 

“Bullet?” He questions, tone incredulous. 

You grin at him, “It’s how I got her.” There’s a slightly stunned expression on his face before it slacks away into something more amused. 

He shakes his head and nudges Diablo forward, Bullet follows alongside him eagerly. “Clever,” he mutters.

“Not really,” you snort, running a hand over her neck lovingly. “But I think it works for her.”

“Your husband’s gonna have his hands full with you,” you know he means it in jest. The lightness of the conversation turns into something heavier. Realization sinks over both of you and the smiles slowly drop away. “I-”

“How much further to Strawberry, anyway?” You effectively cut off whatever train of thought he was going to follow, distracting you both from the truth. 

“Half a day,” he tells you, frowning when you refuse to meet his eye again. Half a day. That’s all you’ve got to enjoy the last bits of freedom you have. You’re gonna take your damn time getting there, that’s for sure. 

You slow down from the steady trot Arthur had led the horses into, easing Bullet into a slow walk. You’re slowly getting the hang of riding a horse. It’s easy when she’s so intuitive. By god, though, your ass is sore. 

Arthur shoots you a questioning glance at the slow pace and you shrug. “Might as well take the time I’ve got left.”

“You’re actin’ like you’re on death row,” he chuckles. 

“Aren’t I?” He falls silent and you don’t know what’s bothering him but you don’t have the energy to inquire. 

He’s slowing you down on purpose, he knows it and you know it. Neither of you says a damn thing about it but it’s bugging him. He shouldn’t be this bothered by a job. He knows how to separate himself from what he does. He just can’t this time. 

There’s something about you that glows. You’re sitting beside him on the peak of a hill, overlooking the roads below you, and laughing as you make up stories for the people that pass by. It’s a far cry from the beaten-down woman he’d seen at Crane’s house. 

Even after what happened yesterday, you somehow manage to seem happier. There’s nothing about it that makes him happy. This feels like the last goodbye of someone who knows they’re going soon. The last bout of happiness before they just give in. 

You’re not gaining your spark back, you’re just giving in to what you think is inevitable. But it doesn’t have to be inevitable. You could fight back you just refuse to. He’s sure growing up the way you have, you don’t think it's possible to stand up for yourself. 

But you don’t have to give in like this. You don’t have to roll over and let someone else dictate your life. Which is rich, coming from him. He’s practically Dutch’s lap dog now. Even when he disagrees he still follows along behind him. 

He shouldn’t even be thinking like this. He can’t criticize you for not standing up for yourself when he’s the one thing standing between you and freedom. “Not hungry?” You nod towards the uneaten meat on his knife. 

He shakes his head, plucking it off the blade and passing it to you. You give him an odd look before popping it in your mouth. “Ya know,” you mutter around a full mouth. You take a moment to swallow it down before smiling over at him. “I’ve grown up with private chefs my whole life, but there’s is something infinitely more satisfying about this.”

He takes his hat off, running a hand through his hair. He snorts at your comment, “I find that hard to believe.”

“No,” you shake your head, insistent, “I mean it. Being out here, hunting the game myself, I don’t know, it’s nice.” You shrug and lean back on your hands, gazing across the way at the trees and river. 

“You can always get a bow and go hunting.” He speaks to you like it's a cut-and-dry truth that you’re just not accepting. Your face screws up and you give him an annoyed glare. 

“No. I can’t,” you tell him again. Where your words were patient before, he can tell you’re growing irritated at how much he’s pushing this.

“Yes, you can,” he snaps. “You don’t have to keep yourself boxed up in some manor in the city. Get out, woman, do something with your life!” His voice echoes through the air and you flinch back from it, lips pulling down into a sneer. 

“You know, that’s really easy for you to say, Arthur. You have a goddamn choice. Sure, I grew up with a silver spoon in my mouth, little miss rich girl crying about being pampered.”

He lets out a rough sigh, “That’s not what I meant-”

You cut him off, getting to your feet and glaring down at him. “You got to grow up with a choice. What to do with your body, your life, your career. You get to have an education if you want it. Every goddamn door is open to you. You don’t get hated for not wanting to have a family. You get to choose. And as much as you insist I can too, you will never understand the position I am in.”

You kick dirt over the fire and head back towards Bullet. “It’s a double-edged sword, Arthur. Sure, my life might be comfortable, but it’s never really gonna be my life.” He stays there on the ground, too stunned to get up. 

You glare down at him, impatiently waiting for him to get a move on. This isn’t how he wants things to end. He doesn’t want you to go off thinking he’s just some ignorant fool. But he is, much as he denies it, he’s always been a fool. 

He should never have thought he could make a difference in your life. Not when he’s the one backing you into this corner. He could have helped you escape the very first night he saw you. But he was too selfish to let you go, now you’re both paying for it. 

He mounts Diablo and you both head back to the roads silently. You’re moving faster now, leaving him behind if he lingers in one area for too long. You’re too pissed off to enjoy the rest of your day and he hates that he ruined it for you. You, at the very least, deserved a slower journey towards your future. 

You’re in Strawberry before he’s ready, he’s sure you aren’t. “Hey, we could-”

“I think that’s him.” You cut him off before he says something stupid like spend another night in town before you go. He’ll miss you, he thinks. Odd, he’s known you such a short time but it’s been so different having someone beside him as he rides. It was nice, what he wished he and Mary could have had. 

Arthur follows your gaze and lets out a tired sigh. Sure enough, some prim and proper ass is standing in front of the ticket station, foot tapping impatiently. He’s got a large bag beside him, gaze wandering around expectantly. He doesn’t doubt the man who looks like he’s got a five-foot stick up his ass is Mr. Crane’s associate. He’s got the same slimy glint.

You slide off Bullet and Arthur follows suit, taking the reigns of both horses and leading them towards the platform. The man’s eyes narrow in on you before lighting up. He calls out your name and it’s like a mask being dropped over your face. 

The spark is gone once more, a subdued and demure smile resting on your face as you wave at him. “I apologize for my dress,” you tell him as you walk up the steps. “Pants were more conducive to such a long ride.”

He takes your hand, pressing a lingering kiss to your knuckles that makes Arthur roll his eyes. “No apologies necessary, I brought you a change of clothes. I figured you would be less than put together after such a journey. I’m only sorry I couldn’t accompany you.”

You scoff and nod along, “Okay,” you mutter, not believing a word of his bullshit. You take the bag from him and move towards the saloon to find a room to change in. They both watch you leave, though the other man with a much more devious glint in his eye. 

Arthur’s hands tighten on the reigns of the horses, anything to keep him from reaching for his revolver. He’s already getting a bad feeling about this. There’s nothing trustworthy about the man in front of him. 

“Mr. Finch,” he holds out his hand and Arthur gives it a distrusting look before reluctantly shaking. Finch attempts to squeeze the life out of his hand but Arthur can barely feel it. He tightens his own grip and revels in the way Finch’s face blanches. 

“Arthur Morgan.”

Mr. Finch looks him up and down in the same way Crane had. He sees a commodity, not a person. “I trust,” he drawls, “nothing unsavory happened.”

Arthur feels rage bubbling in his gut. The only damn thing he cares about is whether or not you’re “pure.” Not if you were okay or injured during the journey. If he told him that he’d punched you out for talking back Finch would just ask if you were bruised. 

“She’s fine,” Arthur grits out. 

“Oh, good, good. Glad everything went smoothly.” Finch has a way of talking he’s found most self-important men do. He draws everything he says out, and forces you to listen to him speak. Makes you pay attention so he can pretend he has power for a moment. 

His gaze darts behind Arthur and he turns just in time to see you slipping out of the saloon. The dress Finch has provided you is ridiculously large. It poofs out at the waist in a way that makes Arthur wonder how you’re going to fit into your seat. 

You look beyond uncomfortable. Grimacing as you join them again. You try and plaster a smile on but it’s a struggle. You look to Arthur, a finality on your face that makes him want to throw you over his shoulder and run. He’s doing this for the others, he reminds himself. They’ll be on a boat to Tahiti in a week. 

“Thank you, Mr. Morgan, for everything.” The smile you leave him with is real, if just barely. Something lurks under your words that Mr. Finch will never understand and Arthur knows it will drive him crazy. 

“Let’s go,” Finch grabs your hand, looping it through his arm and tugging you towards the doors of the station. 

“Wait!” Arthur calls out, feeling foolish when you both look back at him with perplexed expressions. “You’ll be wanting Bullet, won’t you?”

Mr. Finch answers for you with a condescending tone, “She won’t be needing a horse, thank you.” You give him a knowing smile, turning away and slipping through the doors of the station and onto the train. 

Arthur stays rooted where he is, something crawling up in his chest and rooting around restlessly. The whistle blows and the wheels start cranking slowly forward. Arthur just barely catches a glimpse of you through a window as the train chugs past. 

“Shit!” He hisses. He tugs himself up onto Diablo’s saddle and urges him after the train. He was born a fool, he’s always going to be a damn fool. But he’d have to be a complete moron to just let you go. 

Mr. Finch keeps a painfully tight grip on your elbow, jerking you through the passenger cars and practically throwing you into your seat. You land with a thud, your arm bouncing against the window painfully. You keep a stoic expression, trying not to let him break you so soon. 

He takes a seat beside you, straightening out his jacket and tugging on his tie. Something white flashes in his jacket pocket and you lean forward, perplexed when you realize what it is. “What is that?” You question, not quite believing your eyes. Finch glances down at the thick wad of cash in his jacket and grins. 

“Oh, this? Mr. Morgan must have forgotten to collect the rest of his payment.” He sends you a condescending smile and you flinch away in disgust. “He was too enamored with my fiancee to pay much attention, I’m afraid.”

“That’s his money,” you snap, the volume of your voice catching the attention of a few other passengers. Finch sends them apologetic smiles, making you seem like a mad woman. “He earned that!” You object, eyeing the money warily. 

His hand snakes out, gripping you tightly around the arm and dragging you towards him until your noses are nearly touching. You nearly gag at the smell of his cigar-infused breath. It’s not like when Arthur would smoke one, you didn’t mind that. But this was making you sick to your stomach. 

“Let's get a few things clear, I will not be dealing with an obstinate wife. You can either get yourself in order or I’ll do it for you.”

Your lips pull back in disgust and you jerk yourself out of his grip. He’s not as strong as he pretends to be and you’re not going to be scared into submission again. “I’m not your wife yet. My father still has time to pay.”

He laughs at you, spittle flying from your lips and sprinkling across your cheeks. “He has time to pay, but that doesn’t mean he’ll be getting you back, sweetheart.” Your eyes widen with the realization and you want to throw yourself off the side of the train. 

You never had any chance to get out of this situation. Mr. Crane was always in control of it all. To even think of having a hope of getting back home was foolish. To believe for a second that you were going to escape this had been utter idiocy. 

He sees the crestfallen expression and sinks into his seat with a satisfactory look on his face. He thinks you to be subdued. But now you’re nothing more than a cornered animal with no other choice of escape. You’ve got nothing left for you, nothing to hold onto. 

As much as you’d thought you’d bonded with Arthur, you were still nothing more than a job to him. You were nothing more than a commodity to be traded between men. You would never have a say over your life. 

You have nothing, you doubt you ever actually had anything left for you. You glance over at the man beside you and feel a cool dread blanket itself over you. Nothing left to lose. 

There’s a solid weight tucked into the bodice of your dress. Its cool metal has been warmed by your skin. Its handle curves around your ribs and it only has one bullet left. You reach down the front of your dress, fingers curling around the revolver you’d stolen from a dead man. 

Finch glowers at your inappropriate behavior “What are-” You pull the gun out, turning it on him. He jumps back in shock and throws his hands in the air on instinct. “Please-” you revel in his pathetic pleading only for a moment. Pulling the trigger a second time is surprisingly easy. The screams that ring out through the train car are less enjoyable. “Shit!” He cusses, hands coming up to try and staunch the flow of blood pouring from his stomach. 

You slip your hand into his blazer, stealing the money before he can object. You run out of the passenger car, leaping to the flat car with all the cargo. It will take a few minutes for them to catch onto what happened and figure out where you went. 

You don’t know what you’re going to do now. You’re stuck on a moving train, there’s nowhere for you to hide. You hadn’t thought when you’d shot him, you just wanted that smug look on his face to disappear. 

“Where is she?” You hear the guards shouting out your name, flipping over crates to find you. They’re still at the front of the train, but you don’t have long until they start moving back here. 

God, what have you done?

You just know, if you made it to that train station, you were never going to make it out. His men would be waiting there to transport you. You’d be watched every second of your life, you can’t do it again. You can’t be locked in a gilded cage, that’s not a life worth living. 

There’s no escape for you. Nowhere left to run, nowhere to hide. You glance over the left side of the train. There’s a slight dip into a deep ravine. The crashing water looks almost peaceful from up here. 

You don’t know if it would be a quick death but you know it would be merciful compared to what’s waiting for you at your last stop. You keep your eyes on the water, see yourself taking control of your life for the first time, and take a step up on the rail. 

Someone shouts your name from the right side of the train and you gasp, arms circling wildly as you almost go toppling over the edge. They shout your name again, panic laced in the tone. This doesn’t sound like Finch or any of the other guards. You whip around and find Arthur riding his horse beside the train. 

“What the hell are you doing, woman?” 

Your brows furrow in confusion and your eyes dart between him and the ravine. “Jumping! What the hell are you doing?”

His gaze narrows and he shouts to be heard over the rumble of the train tracks. “Stopping you from being a goddamn fool. Get over here!” You hear the guards getting closer as they storm down the rest of the train. 

You don’t have long to make a decision, you can already see his horse struggling to keep up with the speed of the train. There’s a bridge coming up in a moment, he won’t be able to go any further and they won’t be able to come after you. 

It’s a split-second decision, one that has you pushing off the railing of the car and rushing towards him. You don’t have time to doubt yourself or plan this out further, you take a running leap off the train, towards his outstretched arms. 

He barely catches you in time, jerking on the reigns of the horse and bringing him to a sudden stop before all three of you go tumbling into the water. Shots fire off on the train, but they’re gone before they can do any real damage. 

Your chest heaves as you dangle from his arms, fingers digging into his shirt desperately. Your heart is pounding so hard against your chest that you almost can’t hear what he’s saying, but you get the gist of it. 

“The hell were you thinking? Trying to jump off the damn train! You’re a fool, woman.” He tugs you onto the saddle the rest of the way. As much as he tries to sound angry you can feel his relief in the way he squeezes you close to him. 

“Thank you,” you whisper, head sinking into his neck and breathing in the familiar scent. 

He sighs, struggling between yelling at you more and just enjoying the fact that he got to you before you did something neither of you could recover from. “You’re welcome, just,” he pauses, holding you a little closer, “don’t be so damn stupid again.”

You laugh and it’s a little wet as tears start to pool in your eyes. “I’m not planning on it.” You sit up, easing away from him and glancing over your shoulder. You watch as the train grows smaller until you can only see a plume of smoke and nothing more. “What the hell are we going to do?”

He sighs and turns the horse around. You maneuver yourself around, facing forward and pushing back against him.  “I don’t know. Dutch ain’t gonna be happy about you comin’ back with me.” 

You bite your lip, a hundred different possibilities swirling through your head. You’ve never been able to make a choice before, faced with it, you’re overwhelmed with options. You can’t pick one so you blurt out the first coherent thought you have. 

“What if we don’t go back?”

Arthur stills behind you, “What?” His tone is low and filled with something you know means he’s ready to say no. 

“Just for a little while,” you rush the words out quickly, trying to fight for a chance to get him to listen. “We can send this to the camp,” you tug out the wad of cash you’d stolen from Finch and Arthur barks out a laugh. You feel his chest tremble behind you and it makes you grin. 

“Did you steal his money?”

“Your money, technically,” you correct, grinning over your shoulder at him. “Besides, he doesn’t need it anymore.” He gives you a concerned look but you just wave him off. “We can send the camp some money and go off on our own for a while.”

“I don’t know, kid.”

“Don’t call me that,” you interrupt, glaring at him. “It’ll only be for a little while, Arthur. Come on, I’m free for the first time in my life, enjoy it with me.”

He looks uncertain and you know it’s an odd notion to him, putting himself first instead of the camp or Dutch. You’re sure he’s never done it before. Breaking away from them instead of going about like the loyal soldier he is. 

“Just a little while?”

You nod, turning just enough to tuck the money in his pocket. “Just a little while,” you swear.

“John Marston!” You frown, turning away from the oven and glancing out the window. Arthur’s grinning by the gates of the horse pen, leaping over the wood, and walking out to greet someone. You abandon the stew, heading towards the door of your home. 

Outside are two horses, one with a woman and her son, and an abandoned one. The owner is currently bringing Arthur into a brief embrace, John, you presume. Arthur’s told you about him a bit. They weren’t always close but it was getting better before Arthur went away. 

Sometimes you feel bad, having dragged him away from everything he was familiar with. You meant it when you said you only wanted to be gone for a little while. You knew if you went back immediately there would be hell to pay with Dutch and you’d both be put to work. 

You’d be going from one owner to another. All you’d wanted was a few weeks on the road on your own. But a few weeks turned into six months and then a year, and it was Arthur telling you he couldn’t go back. He couldn’t stand what the gang was turning into. What Dutch was turning into. All you’d given him was an excuse to finally get out before it all blew up.

You walk down the steps of the home Arthur built, wiping your hands off on your apron. You give a brief wave to the woman you assume is Abigail. She waves back, slipping off the horse and helping Jack down. 

Arthur pulls away from John, turning towards you and motioning you forward. John gives you an apprehensive look. “Do I know you?”

Arthur gives him your name, throwing an arm over your shoulder and pulling you in closer. “That job Dutch got from Crane.” John’s face lights up with recognition and he smirks. 

“I see,” he shakes his head and gives Arthur a knowing look. “It’s always a woman with you, isn’t it?” You snort at how aggrieved Arthur looks. “Well,” John turns towards you and smiles, “nice to finally meet the woman that got him under control.”

“Nice to meet you too,” you smile lightly at him, pulling away from Arthur. “Are you going to be joining us for dinner?”

“No, he’s not,” Arthur answers at the same time John says, “I would love to.”

Arthur and John share a look you can’t understand. You glance past John and wave Abigail forward, “Come in, please. I’d enjoy the company.”

“Forgive my obstinate husband, he tends to linger where he ain’t wanted.” She brushes past him and you lead her inside your home. Leaving Arthur and John to bicker outside. Jack stays outside, smiling up at Arthur. You know he’s missed the boy, you’re sure he’s okay entertaining them for one night. 

Abigail helps you set the table while Arthur and John catch up over a bottle of whiskey. Arthur tried to pull out a cigar but you’d shut that down quick. He’d had a cough a little while ago and the doctor advised cutting down on tobacco if he wanted it to go away. You know it’s hard but you’re cracking down on how much he smokes. 

“We got the money you sent,” John’s telling Arthur as they come over to join you all at the table. Jack eagerly hops into the seat beside Arthur before you can snag it and you grin. “Dutch blew it all and wouldn’t tell us on what. He kept saying we still needed another score.”

John shakes his head and the distant look in his eyes makes your stomach churn. “You’re a lucky bastard you got out when you did, Arthur, truly.”

“Hosea?” Arthur questions and you grimace at the look on John’s face. You can see Arthur deflate as John shakes his head. 

“There was a bank robbery, Molly told the Pinkertons we were going to be there, he didn’t make it.”

Arthur’s hand clenches around the fork and you wish you could say something that would make him realize it’s not his fault. “I should have been there,” he mutters. 

“Wouldn’t have done anything, man. Hosea had given up in the end. We all had. It was so damn divided, the family was gone.”

“Still.” Arthur insists, glaring down at his plate like it had offended him. 

“No,” to your surprise it’s Abigail that snaps. “Dutch was gone and that bastard Micah just kept pushing him over the edge. The only thing you would have done is get yourself killed. You’re damn lucky Arthur Morgan.”

You’re sure he’ll still blame himself later. Reason a hundred times over that had he been there something would have been different. Even if it was him on the other end of the gun he’d be happier knowing someone else hadn’t died when it could have been him. You couldn’t stand that these self-sacrificing ideals Dutch had drilled into him were still present. 

But you know Abigail and John help ease the guilt slightly. It’s on Arthur to let it go entirely, though you doubt that will happen anytime soon. John picks up on the change in mood, he’s reluctant to let the night sour so soon. 

He turns towards you with a look that makes you feel like you need to prepare for trouble. “So you did all that to escape getting married. And then you marry this moron?” He motions towards Arthur and you can’t help but laugh. 

“John!” Abigail snaps but he only smiles at her. You can see the way she fights the twitch of her lips and it makes you smile in turn. 

You correct him, “We’re not technically married-”

“Might as well be,” Arthur argues, glaring at John. You reach across the table, taking his hand in yours and gently squeezing. You can’t help but laugh at him. 

“Yeah, we might as well be,” you agree. “But it was never about not wanting to be a wife. I just wanted to have a damn choice. That’s what I got out here. I can hunt or cook. Sew or go out and make some money. And it’s a lot nicer being a wife out in the country than it is in the city, I’ll tell you that much.”

“Here’s hoping,” Abigail mutters. She glances towards Arthur, “That’s why we’re out here. We got word from a few people that you might be lurking around here. John’s thinking of getting a house, really settling down.”

Arthur sighs, leaning back in his chair and glaring at John. “That’s why you’re here? You want a handout,” he accuses. 

“No!” John snaps. “Dammit, Arthur, why you always gotta assume the worst of me?”

“Because it’s usually true,” Arthur mutters. “If that’s not what you want then what is it?”

John purses his lips and lets out a spluttering breath. “A loan,” he lands on, struggling to find the right word. 

Arthur barks out a laugh, slapping his hand on the table and poking a knowing finger into John’s chest. “I knew it!”

John swats his hand away and glares. “Look, Morgan, I only need a little. Just to buy some animals, get started on the house.”

“What’d ya want Marston, my whole damn house?”

Abigail lands a gentle hand on your arm and nods to the porch. “They’ll be at it for a while.” You nod and leave the table, following her to the swing out back. She settles down on it with a sigh, gazing out at the trees that line your home. 

“You’ve got a nice life out here.”

You smile fondly, “I like to think so. We’re thinking about getting a few cows, maybe starting a proper ranch.”

Her face lights up at the idea and she laughs. “That’s what John wants. It’s unbelievable how similar they are, they’re too thick-headed to see it.”

You can still vaguely hear them bickering inside the house. You peer inside and see Jack sitting at the table, watching them both with an entranced expression. You can’t help but grin at the look on Arthur’s face. He’s laying into John but he looks happier than you’ve seen him in a while. 

You know he’s missing everybody, has been for a long time. Maybe if Abigail and John are close by he’ll have that sense of familiarity again. “The others,” you start, turning back to Abigail. “Charles and Sadie, what happened to everyone else?”

“A few of them are living good lives, some of them aren’t. Most of them are drifting, not ready to give up the outlaw life just yet.”

“It’s hard to watch the world change while you’re still stuck in the same spot.” You brush some hair out of your eyes and smile at Abigail. “Me and Arthur are gonna help you and John. But I’d like it if you were both close by. It would be nice to have someone familiar near us, we’re pretty lonely up here.”

She gives you a brief smile back, “I think that would be nice.”

John’s voice picks up from inside and you jump, “Oh that’s a load of bull-”

Abigail’s smile drops and she leans over your shoulder to shout, “Watch it!” at John. You laugh when you see the perturbed look on his face. She motions towards his son and Arthur gives John a smug look. 

“You gonna help him?” You ask Arthur as you settle into bed later. He opens his arms, pulling you into his embrace once you’re settled under the covers. 

“John?” You nod, brushing a strand of hair out of his eyes. “Yeah, ‘course I’m gonna help him. But there’s nothing wrong with jerking him around a little bit first.”

You roll your eyes and shake your head, tucking yourself under his chin. You almost think he’s asleep but then he’s speaking up again. “We should really do it.”

You pull back, brows furrowed in confusion. “Do what?”

There’s a certain look in his eyes that causes something to swirl in your stomach. It’s not an unpleasant feeling, just an excited one, “Get married.”

You give him a bewildered look, shaking your head in disbelief. Nearly five years you’ve both been living out here and he’s never once mentioned getting married. You never thought you two actually needed it. You always knew what you were to each other, how much you meant to one another. 

You were each other’s salvation. There’s no telling what graves you would be laying in were it not for Dutch bringing you both together. You hadn’t thought he wanted to be married, he always told you he’d given those dreams up. “You really mean that?”

He shrugs like it’s the easiest decision in the world. “Might as well, right?” 

You shake your head, but there’s no fighting the way your lips curl up. “You’re a fool, Arthur Morgan.”

He nods, dipping his head down to press a gentle kiss on your temple. He treats you so gently, it makes you want to cry. But then he goes and says something ridiculous like, “Yeah, a fool for you,” and he makes you laugh. 

You tug him down, lips nearly touching his. “Yes,” you whisper, “I’ll marry you.” You were always scared of living a life like this. Being tied to one man for the rest of your time on earth. But he’s not some city man looking to make you into a pet. He lets you live, breathe, and be free. He’s a partner not a warden and that’s all you’ve ever wanted. 

end. — I do not own the characters or the game Red Dead Redemption 1/2, but this writing is my own all rights reserved © not-neverland06 2024. do not copy, repost, translate & recommend elsewhere.

[megankoumori]

In defense of a "Wicked Stepmother":

Sarah's Stepmother in "Labyrinth", named Irene in tie-in media, only gets about a minute of screen time before Sarah rushes off to her room in a soaked snit. Fanfic writers usually turn her into an evil bitch and even the manga sequel, "Return to Labyrinth", has her cold and abusive to Toby, her biological child. But here's the thing...

I think Sarah's mother gets a bum rap.

Dressing nicely for an evening out and having mild conflict with a teenager does not a Lady Tremaine make. And as someone who actually lived with a narcissistic, manipulative, emotionally abusive stepfather, I can tell you that Irene doesn't even come close to wicked step parent territory.

Backstory first. It's never spoken of in the film, but clues in Sarah's room tell us that her real mother is a stage actress who abandoned her and her father for another actor. Sarah idolizes her mother and tries to emulate her with play acting. Sarah's father met and married Irene sometime after Linda ran off, and Sarah, who thinks her mom walks on water, resents the hell out of Irene for taking her place. A place that Linda abandoned for another man.

She couldn't help it. He looked like David Bowie.

Let's look at her first alledged transgression. She won't let Merlin into the house. Instead she orders him into the garage. Heartless, we assume because we all love dogs and only the most soulless of monsters don't. But slow down. She didn't leave him out in the rain. She put him in the garage. Furthermore, Merlin is an Old English Sheepdog. Is he a nice dog? Sure, but he's also a breed that's notorious for being high maintenance and hard to keep clean and right now he's soaking wet and filthy. Irene isn't being cruel, she's trying to keep him from ruining the carpet.

So now Sarah and Irene are in the house about to have their confrontation. "Sarah, you're an hour late..."

Sarah lost track of time. Sarah is the one who screwed up. Irene has every right to be frustrated. For all we know, she and Robert were supposed to see a movie or meet someone and Sarah's tardiness wrecks their plans. Note, please, that while she is frustrated, she's not even yelling. My mom would have screamed bloody murder and then held it over my head for weeks.

"Your father and I go out very rarely..."

"You go out every single weekend!"

There is no way to confirm who is right on this. I will say Sarah is the one prone to hysterics and exaggeration, so it's not looking good for her.

"And I ask you to babysit only if it won't interfere with your plans."

I ask. Irene asks. She doesn't demand, and she doesn't expect Sarah to give up her previous plans.

"Well how would you know what my plans are? You don't even ask me anymore!"

Sarah, you were LARPing in a park by yourself. Furthermore, with the storm you would have gone home anyway.

"Well I assume you would tell me if you had a date. I'd like it if you had a date. You should have dates at your age."

Irene doesn't want Sarah to be a Cinderella stuck at home every night. She wants her to go out and have a social life. This is literally the opposite of the bedtime story Sarah tells Toby later.

Also, "I'd assume you tell me..." Irene might not be wording it in the best way here, but she wants Sarah to communicate with her. She wants them to have a relationship.

Then Robert enters the scene. "Sarah, you're home. We were worried about you."

WE were worried. As in both he and Irene. You think that's the reason she was waiting on the porch? Because their sixteen year old daughter is an hour past when she said she'd be home and now it's raining and getting dark?

It's not like she'd ever talk to a stranger.

Sarah runs up the stairs in a snit, not even acknowledging her father and leaving Irene dismayed. "She treats me like a wicked stepmother in a fairy story no matter what I say." Her voice isn't angry, it's hurt. She's making an effort to reach Sarah, but nothings working. She can't break through the tantrums and the anger and the hero worship of Linda.

Sarah is a fantasy junkie. It's all over her room. Her books are all fairy tales. Her dog and her teddy bear are named after figures from Arthurian legend. But she's wrapped herself in a different kind of fantasy, a toxic one. One where Irene, well meaning and kind, is one of the evil stepmothers from her fairytale books, while Linda is good and virtuous like one of the dead moms at the beginning. Except Linda isn't dead. She's shtupping a costar.

Part of Sarah's coming of age and maturity is rejecting Jareth, the stand in for her mother's lover and therefore finally rejecting following her mother's selfish path. We see her finally let go of Linda by putting her picture and clippings in the drawer. Hopefully, the next morning, after she picks the confetti out of her hair, she'll finally be able to start over with Irene.

[sugoi-writes]

Alastor x Reader - First Time, First Deal

A/N: Let me preface this with: yes, I am aware that Alastor is ace (and likely aroace). This is simply a work of fiction and nothing more! I tried keeping things pretty tame for the most part, but there's an opportunity for spice later down the road, should anyone enjoy this.

The reader uses she/her pronouns. The reader is a sinner whose body is essentially a ghost that changes/become corporal at times. Reader is EXTREMELY touch starved. (And let's be honest, aren't we all?) This part is fluffy and sickeningly sweet, with room for angst and smut down the road... so please enjoy my newfound brainrot~

Your time spent with the Hazbin Hotel had been progressing more positively than you hoped. Being a demon with a semi corporal body came with ups and downs... namely, that you had a hard time controlling your body's functions.

During bouts of anger or sadness, your body would change. You'd usually becoming hard, jagged, and brutal, or, one that you feared most: you became completely invisible. The only person who seemed to understand appeared to be Alastor, the infamous Radio Demon. Despite being a reserved, somewhat distant person... he seemed to either understand or take pity on your situation.

You felt confident in his companionship, moreso as your sleepless nights crept upon you. You had all but sobbed in his private quarters, lamenting how touch starved you were. How the only time you've felt the touch of another being was during fits of rage or in conflict. When defending the hotel, you typically get pretty banged up and bruised. The sensations you did experience were never good... and you longed for something that felt right. Something that felt REAL and gentle.

Alastor seemed more than sympathetic, and would listen and even humor you. When your world was crumbling in, he always managed to make you smile and laugh... And the bond between the two of you festered, before erupting to an untamable flame.... at least, you knew it did for you.

When you were close to him, you found your body's hues changing... bright, soft pinks would flood your visage, especially in your face. Angel Dust would tease you especially hard, causing flecks of green and red to appear: annoyance, anger.... No matter your emotions and despite your best attempts, they were always on your sleeve.

One night in particular, you were having a very difficult time. You had thought back to your life in the human realm, to living on Earth... You had shared many things with others. Touch, kisses, and... more intimate gestures. You could imagine the sensations, but never experience them on your own. No, you would need someone that you TRULY trusted to help you... someone whose touch would be as rare as your predicament. Someone who wouldn't taint that touch with ulterior motives. Someone who wouldn't take advantage of your vulnerable state the second your walls caved in.

You had thought to ask Angel initially, but didn't want it to appear that you were using a sex worker only for his body... you had considered other sinners you met along the way, many of which who had left the hotel.

But there was one constant that crossed your mind: Alastor.

And with that, against your better judgment, you rapped quietly against his oak door. You were sheepish, hoping that he would be asleep, or too busy to answer. Hues of purple swirled through your body, as you felt your shape ebb and flow... the parts that felt real, the ones you could sense... they were soft, and just as pliable as your mind.

But you had no time to linger as the door to the Radio Demon's chambers creaked open. You fumbled with your appearance as Alastor's eyes and grin fell upon you, a singular brow raised.

"My Dear, it's quite late in the evening... are you troubled? Struggling to sleep again?" Alastor opened the door entirely, allowing you to enter. You nod, before nervously walking past the threshold. No going back now, you thought.

"I-- I know, Alastor. I hate bugging you so late at night, but-- you're the only person who can help me with my-- issue." Hues of hot pink swirled within you as Alastor gingerly closed his door, his head cocking to the side.

" Would you like to have tea with me, then? Perhaps something warm could help ease your--"

"Warmer than that," you practically yelped, your hands flying to mouth to cover it. You sigh, as your colors fluctuated again, your body acting as a kaleidoscope for Alastor to observe.

"I... i only ask of you because, well-- I feel like you would handle this... respectfully. Delicately." Alastor continues to grow more interested, the light emitting from you dancing about his chambers.

"Well, trying not to assume what you may need me for, I am flattered that you considered me for the task. I can assure you, a gentleman will always take the qualms of the fairer means seriously... Discreetly, if need arises."

Alastor's grin grows, a familiar glow reaching his wide eyes," Now then... what dea--.... arrangement... have you come to propose?"

You turn to face Alastor, your face warm as you spew your feelings at him, deep from your core. Your colors flash, swirling and colliding with each other haphazardly as you speak. At first, Alastor is intrigued, then appalled, and the more that you spill... the more his mind shifts. He can clearly see you weren't here for some petty favor, or a sinner's gambit... You were here for something more earnest than that. He should have known better than that, regarding you... You, the sinner who didn't deserve to be trapped here in Hell.

"I want-- I just want my first time in Hell to be with someone I can trust. In fact, it's only possible IF I can trust that person," you quickly added, advancing a few paces towards him.

For the first time since you've entered, you're silent. You don't make a sound as Alastor struggles to form a response. His eyes seem a little hazy, lost... You've stupefied him into speechlessness.

You sigh, your colors becoming more uniform, softer... you begin to shed the night gown that you managed to keep on this entire time (With your embarrassing predicament? It was RATHER impressive).

As it fell to the floor, Alastor's bewildered eyes were able to take in your full form... how the colors hugged and accentuated your form... how your hair bellowed behind you... how soft your face had become. For a moment, he swore he wasn't standing before his friend, but an angel from on High.

"Please... I know--- i know this is a lot to ask of you. But I can't spend an eternity of torment like this-- not when I have the option of seeing if it's possible. I NEED to know if its possible to be with someone like this."

Your attempts in this endeavor have been fruitless in the past, yet somehow: you were hopeful that this would be different. You were hopeful that Alastor would be different.

Alastor's smile softened, as he adjusted himself. She wasn't coming to him as a desperate harlot, nor some heated lover, he thought... she sought him without any sort of carnal threat. This sinner came to him as a friend.

This emotion made his core swell and seize simultaneously, his emotions conflicted. He had little to no desires of the flesh anymore, nor did he ever desire you past a platonic companionship... but here he was: feeling something. Something that he hadnt felt in such a long time.

He cleared his throat, before loosening his tie. You swallowed shallowly as it was taken off and tossed to the floor. Alastor approached your slowly, his mask still plastered to his face, though shakily.

"Let's make a deal, then...," Alastor speaks softly, the normal filter on his voice all but silenced. He reached out a hand, cautiously approaching your cheek.

"I will agree to see this event to a proper conclusion... whatever you'd like me to do, or try... I will earnestly do so until you're satisfied. In exchange..."

You felt your throat swell shut, as if you were being strangled. You could hardly see straight as Alastor came so close to you. You gasped when Alastor's hand finally made contact with the swell of your cheek, a thumb running over it tenderly. You sighed into the feeling, your face flushing a deep pink as you leaned into it. Yes, yes... this was EXACTLY what you needed!

"In exchange," he repeated," You will never let anyone else touch you like this: ever."

Your eyes shoot open, startled by the forwardness of the deal. You could hardly speak as you felt another hand come to rest on your hip, squeezing earnestly.

Alastor's smile seemed to shine more vividly due to the light you emmited, but it was... soft. It appeared genuine. A smile that was new to you. If Alastor had ulterior motives, you could not sense them at all...

You stammered over your words, perplexed," I-- I hadn't know that you-- that you had--"

Alastor chuckles, pulling you closer," Dear, call me a product of my time... but I don't believe in boughts of one-night passions. I don't believe in swingers or flings... if my mother taught me anything, she taught me that courting takes time. That it should be shared between two people, and two people alone."

You felt his hand reach for yours, before bringing it to his lips. Your eyelids fluttered as he began kissing your knuckles, one by one.

"You are the one I've been wanting to court; the only one that I plan to. And... it seems like it has been successful, thus far." A slight stretch of the truth, but one that Alastor knew you wouldn't be able to see through.

You were still reeling at your revelation as you were gently pushed backwards, landing on the edge of Alastor's bed. Your breathing picked up as Alastor knelt before you between your legs, his eyes level with yours.

"So... will you allow me to continue?"

You practically sighed out your answer, your head feeling hazy as your body practically sung for him to start," O-Of course.... please, make me yours, Alastor."

[tossawary]

One of the more amusing narrative constructions in "Merlin" to me is how explicitly magic is tied to medicine from the very beginning of the show, with the healer Gaius as Merlin's mentor in both medicine and (secretly) in magic.

The third episode deals with a magically created plague in Camelot (which frankly seems like it should have killed WAY more people than they show dying, if it was in the water and as deadly as they suggest) and from the beginning, Merlin is like, "I can use magic to fix this. Let me use magic to help. I can save all of these people's lives." And Gaius stops him because he fears Uther will find out somehow. (You can also suppose that magic usually requires greater training than Merlin has, and fighting/curing a malevolent plague would burn most sorcerers out very quickly, and Gaius has no real concept yet of just how badly Merlin's gifts break the curve.)

Later in the episode, Merlin ignores Gaius in order to secretly cure Gwen's father. This quickly becomes a disaster because Arthur notices this quick recovery and finds the physical charm used, Gwen is blamed, and Uther decides to go straight to an execution about it because he sucks. But Merlin was RIGHT that he could cure the plague! Apparently with relatively little effort on his part! (Possibly because he's a freak of nature among sorcerers, admittedly!) It is a magical plague, potentially more of a curse than a virus, presumably working on different rules, but still!

It really underlines that all of these people are dying JUST because of Uther and Nimueh's conflict. Firstly because Nimueh is trying to get her revenge against Uther in the worst way possible, a plague, and secondly because Uther won't let anyone use magic to fight back.

In the next episode (4), it's all about Arthur getting a (magic?) flower to cure the (magic?) poison that Merlin drank. Episode 6, which I haven't rewatched yet, features another magical healer, come to take revenge against Uther for the death of his healer parents. In many of these cases, it's magical remedy versus magic cause, but it seems not unreasonable to assume that magic could still be very useful when dealing with non-magical ailments.

In fantasy worlds, I personally tend towards the idea that magic would just be another form of technology, and in many cases would be integrated with all other human technology in society. (Cooking! Humans LOVE cooking! Not starving is the #1 societal concern throughout much of history! Magic, if practical, would be used for a LOT of food-related stuff.) Obviously, there are fantasy worlds where magic is new in the world or sourced from evil demons or whatever, or there may be some anti-magic ideology for another reason, so people in those worlds wouldn't use magic casually. Magic, its origins and its cost, is different in every fantasy world, of course!

But in pre-Purge Camelot here, it very much seems that magic was a practical skill that would have been useful during daily life, even just to boil water or have a light in the dark. Maybe the gifts are relatively rare and the training is difficult for most people, but it seems like most people who work in medicine would want to have as much knowledge about magic as possible, even if they themselves can't really do any spells, and do not become druids or priestesses or anything like that. There seem to be a significant amount of magical plants and animals here, which would be crucial to the work.

So, uh, it looks like Uther's Purge would have primarily targeted anyone with medical knowledge. The equivalent of this society's doctors, nurses, and pharmacists. Healers, midwives, alchemists, and anyone else who refused to give up a useful tool that could save lives. Also anyone who made their living selling protective charms or magical herbs or any small thing that could have helped during a plague. Uther's Purge presumably wiped out Camelot's ENTIRE existing medical infrastructure.

Camelot has SEWERS somehow. And why wouldn't magic have been used in the construction and maintenance of a sewer system? If magic is a practical tool, it would have absolutely been used in waste disposal* and water filtration.

*EDIT: Yes, I know that the shown sewers aren't used for waste, obviously. I phrased this poorly. These sewers ARE directly connected to drinking water in the show, however, and the human waste that is generated by a city (which is a lot) getting into this system somehow would be a serious concern. SEPARATELY, I do think magic would have uses in regards to waste disposal. I don't think that these specific sewers are for waste, just that magic could be a tool for their cleanliness.

(Mulling over the potential headcanon that the only reason Nimueh's plague wasn't worse is because Camelot still has hidden layers of various magical protections holding over, even 20 years later. No one has been recasting the old Circles of Protections on the castle lately because very smart CEO Uther Pendragon has also killed most of the custodial and IT departments. "It's fine," he says, "there is no measurable difference," when Camelot is teetering on the edge of catastrophic failure several times a season.)

Like, uh, no wonder Uther can't get a single huzzah even when he announces a festival. It's the anniversary of this shitty king killing nearly all the doctors and outlawing Camelot's equivalent of vaccines and antibiotics. I'd hate his guts. Infant mortality probably skyrocketed. Do you think that people who live near the borders of Camelot regularly sneak one kingdom over to visit the nearest healer? I do. I'm imagining that some noblewoman in Camelot gets pregnant and then immediately goes to stay with her sister for a little while in the neighboring kingdom, because that king over there didn't kill all of the damn midwives. Fucking hell.

[galactic-magick]

Life Changes: Viktor x Reader

Part 3 of my Viktor story, find Part 1 here and Part 2 here.

Summary: Viktor confides in you about his meeting with Jayce, and he contemplates his future with you a lot more seriously.

Words: 1.2k

Author's Notes: This part was a little harder to write for some reason now that the story is directly coinciding with the canon, but hope y'all still enjoy. This AU means a lot to me and I appreciate every single one of my readers :)

-

“It’s intriguing, isn’t it?” Viktor asks, eyes bright from discussing the events of the day with you. “I mean, what if it really is possible?”

Viktor got reacquainted with a fellow Academy student today, a man named Jayce Talis who was caught doing illegal research. Viktor has spent the last hour explaining the whole situation to you—how Jayce was attempting to create magic with science—but the equipment was so dangerous it blew up the lab. Jayce’s trial with the council resulted in him being expelled and banished from Academy grounds, and Heimerdinger believes it best to destroy everything.

Viktor was able to snag Jayce’s notes and journals, furiously reading through them and sharing his findings with you. You’re certainly not as science-brained as he is, but you’ve been with him long enough that you can somewhat follow his train of thought.

“I wish I…” he trails off, flipping back and forth on a particular page.

“What?” you ask, scooching closer to him to see what he’s reading.

“I wish I could help him.”

You shrug, “Who says you can’t?”

“He’s banished from the Academy, remember?”

“So? You’re Heimerdinger’s assistant. If anyone can sneak him in, it’s you. Don’t you have access to everything?”

“I do—but darling—I could lose my job if I’m caught. I can’t afford that, especially not if we want to-”

“Viktor,” you cut him off, knowing exactly what he’s going to say. He’s made it very clear he wants a future with you, saying he wants to marry you and move in together as soon as you’re both more stable in your careers. You’ve told him time and time again you don’t mind waiting, and you wouldn’t mind just a simple wedding, but his ambition often gets the best of him. He’s always insisted on giving you the best, never satisfied with what his current position can provide you. He’s been the Dean’s assistant for a few years now, and you can see how it frustrates him at times that he hasn’t been able to work on his own studies and aspirations. Viktor is a scientist, a brilliant one at that, and his life is lived entirely in someone else’s shadow. He respects Heimerdinger greatly, just as everyone does in this city, but the Professor is set deep in his ways and rarely takes risks. The amount of times Viktor’s had to hold his tongue around him is insurmountable, and their conflicting opinions on Jayce’s Hextech seems to be the last straw.

You take his hand, “We’ll cross that bridge if we come to it, okay?”

He nods, “You’re right.”

You kiss his cheek and smile, “Now go find him.”

-

You don’t see or hear from Viktor the next couple days. You desperately hope he hasn’t gotten caught, and he’s able to get what Jayce needs without much trouble.

Both your hopes and worries are confirmed when you see glowing blue light coming from the Academy building, and a commotion of enforcers chasing towards it. You loosely follow them, managing to sneak in.

You wonder if it was the wrong decision, to encourage him to pursue this. What if he got arrested? What if he got banished as well? You know how much his dreams mean to him, how hard he worked to get where he is now. You couldn’t live with yourself if he lost all his opportunities to be a real scientist.

The worst part is—you know Viktor would never blame you or resent you for anything. He would move on and keep going out of stubbornness, as he always does. He’s too strong willed to truly let anyone ruin him completely. He would continue to believe in himself, finding the next best thing for him to succeed in. But you would know. You would forever live with the idea of what could’ve been.

You need this to work out for him.

The ruckus finally stops, and you peek out of your hiding spot down the hall. You see several council members come out of the lab, closely followed by Jayce and Viktor.

“We stabilized it!” Viktor exclaims, seeing you waiting for him. He stumbles over to you, his cane broken in his grip. He drops it to the ground and grabs your face, kissing you in excitement, hardly able to contain himself.

You run your hands down his body, terrified you’ll find any wounds, “Are you okay? I thought there was another explosion-”

“I’m fine, we’re all fine,” he assures you. “The council is going to reconsider their decision. Jayce wants me to be his partner in the Hextech company if it gets approved. My life is about to change, our lives are about to change…”

“Viktor, this is amazing.” you share in his joy. “I can’t wait to see what you do.”

Jayce approaches the two of you, placing a hand on Viktor’s shoulder.

“You must be Y/N. I’ve heard quite a bit about you the past couple days,” he moves his hand out in front of him. “I’m Jayce.”

You shake it with a smile, “I’ve heard a lot about you too. Try not to kill my boyfriend with all this Hextech stuff, yeah?”

Jayce laughs, “Don’t worry, the first thing we’re going to work on is safety. I’ll meet up with you tomorrow, alright, Vik?”

Viktor nods in response, watching as Jayce walks away. He then turns his attention back to you, his eyes softening.

“Are you ready for this, darling?” he asks.

“I...don’t know,” you say, truthfully. “A lot of things are going to change, but it’ll be good change, right?”

He breaks your gaze, his mind firing at a million miles a minute. The adrenaline rush is finally clearing enough for the reality of it all to set in, and honestly he should be asking the same question to himself. He has grown used to his simple life as the Dean’s assistant, slowly building a relationship with you and focusing his aspirations on a future with you more than his career. He would’ve been happy to just have you, but now he can have both.

All he knows for sure right now is that he wants you by his side no matter what. He’s tired of waiting to make you his—tired of not coming home to you and waking up next to you every day. If his life is really going to flip upside down, he needs you there with him.

“Vik?” you turn his face back to you and giggle. “Zoning out on me?”

He kisses your palm, eyes locked back on yours, “Just thinking.”

“About?”

“You,” he says. “And how badly I want to marry you right now.”

“Right now?” you chuckle, unsure how literal he meant that.

“Mmm mm,” he shakes his head, brushing a hair out of your face. “Tomorrow. I at least want time to make everything special for you. But I can’t wait any longer than that. I refuse to move on to this next phase of my life without being married to you.”

You lips quiver into a smile, joyful tears filing your eyes.

“Oh, Viktor…”

He kisses you desperately, cradling your head in his lanky hands, “Please say yes, sweetheart.”

“Of course the answer’s yes, silly.”

-

More Author's Notes: Next part will be the wedding and some sloppy freshly married smut heehee

[mayumml]

Midori is not a good lover

The REAL Sou Hiyori relationship headcanons <3

first off, you don’t know if he genuinely likes you or not and most likely will never be sure 

Maybe you’re a piece of pawn in his stupid chess game but what can you do?

Midori manipulates and gaslights you just like with anyone else, you’re the primary victim that receives most of it though

He seems like a man that didn’t have a heart, and he literally doesn’t 

Feels like he doesn’t know how to act in a relationship or more like he doesn’t care enough to

You think he’d choose his work over you anytime 

He’s so on and off with his affection

He treats you like everyone else, particularly more strict with you sometimes and scolds you more often than the other participants

This fucker is adamant about “being fair to all participants and not letting a personal relation change that” and yet you feel like he’s being the most unfair to you

Even more passive aggressive when it comes to you, he loves to bring up the past and laugh when you get pissed

But then sometimes, he would appear out of nowhere and gives you a quick peck

You’d expect him to be open to PDA, and yet he only ever initiates (and allows) any affection when it’s just the two of you 

You’re conflicted, though, at certain times he’ll choose a timing where most of everyone is gathered in one place and approach you with the most affection you’ll ever receive from him

He makes sure everyone is looking, maybe it’s his way of showing his twisted sense of superiority?

Midori very quickly reverts back to ignoring you if he is satisfied 

You learn that he is extremely possessive

Yes, you get fed up with his shit many times and he knows it well

Does he ever apologize? Never. 

Like ever. 

You could confront him, but he’ll give you the same saccharine smile and feigns innocence

“What’s wrong with me showing my lover off to everyone? Does that upset you?” 

When you try to explain that’s not why you’re upset, he convinces you that you’re overreacting and somehow makes you seem like the bad guy for “not wanting to be seen with him.” (bitchass) 

Weirdly loves small talk 

Midori would interrogate you whenever he pleases and ask about your favorite color to wear on a rainy day 

You cant tell if he really cares about your responses at all because he just stands there and blinks with his smile and throws follow up questions at you

Kind of feels like he wants to know everything about you but also nothing at the same time 

Remembers small, itty bitty details about you

It’s endearing but also freaks you out because he remembers which angle you prefer to wear your collar

Very touchy when he wants to be, but acts like a jerk when he decides he doesn’t feel like it 

Limited use of pet names because he prefers calling you by your name 

Will call you sweetheart (mockingly most of the time), “my favorite participant,” or a shortened version of your name

Likes to receive but doesn’t give, unless he needs something

You don’t know why you’re still with him 

Midori is very good at making you feel special but also worthless

Will give you overly expensive presents that you don’t need and stare at your reaction as you open them 

(does he think this makes up for his neglect as a partner?)

Very likely to give you jewelry with his initials, he might have one with your initials but won’t wear it 

Sucks at comforting

He actually just doesn’t comfort at all

He makes things worse when you’re upset 

“You’re crying? Humans really are sentimental beings, after all. I guess crying is all that you’re capable of.” 

Let you play and style with his hair in private 

Gets defensive and change the subject when you mention Shin’s history with him

Avoids personal questions like the plague 

Actively tries to poke into every corner of your life. Boundaries? What’s that?

Not a very good partner, he’s just not a good person in general

Midori rarely mentions your relationship in front of the other participants, but when he does, he refers to you as his lover

Will pair you with him with the red light, he knows you don’t have the guts to kill him 

Urges you on to kill him way too often 

He gives you a smug knowing grin and a kiss when you can’t do it

Don’t try to physically hurt him, it turns him on (he won’t hesitate to break your arm)

Remember when I said he’s very possessive? 

Fucker treats you like an object

no one takes what belongs to him

Won’t be the type to defend you and won’t fight if someone hits on you

He would direct the conversation elsewhere and weird out whoever it is somehow (always works) 

Shows up a few days later with news that the attacker mysteriously jumped of a building (willingly?) 

His romantic side is very unconventional

“Would you love me even if I was a worm?” 

“Worms are rather dirty and invasive, are they not? I’d rather not deal with a pest, thanks.” 

[comicaurora]

In your asks and other outside-of-comic statements, you seem to draw on parallels to programming a lot when talking about lacrimas.

And this makes me think as a programmer: the primordial rules that are used in Auroras to do magic and lacrimas are part of the primordial language. You are literally telling the primordial's dead bodies what to do, and they obey.

Yet, the difference that comes to my mind is that Primordial was at one point a language actually spoken. Used to communicate in day-to-day life by normal sentient beings. That's quite different from programming languages, which aren't meant to be talked in at all, and are built from the ground up purely to convey a series of precise instructions. They're very formalised and structured. There are no synonyms, no double meanings, no altering of word order, no redundant information etc. It's extremely rigid, much unlike languages people actually talk in, for which a degree of fluidity and ambiguity is essential.

And in Aurora it would seem the latter is being used as the former.

Have you ever thought about this tension/contradiction/conflict? How it affects the world, how it affects your writing, etc?

Or has this distinction never crossed your mind?

Or was this something you have noticed, but never really had the right knowledge to engage with much?

Or any other thoughts on the subject, really

So! This is an interesting thing I have actually thought about.

When the Elder Races were first created, they were born knowing and speaking a language innovatively called the First Language. Every new Young Race is also initially created speaking this language. The language then drifts over the generations, developing into regional dialects and then into separate linguistic descendants if given enough time.

The Ancients spoke a close descendent of the First Language for most of their time in existence, and made a writing system of their own very early on, which has no innate power. But in the early days of the world, the generally accepted story is that a god granted the three elder races knowledge of the written Runic language, which could command the elements. The Ancients acquired it late and used it very sparingly, only for the programming of lacrimas, but for the Elves and Humans living in the depths of the Caves, this was their first and primary writing system. It's even possible that a rare cave-dweller brave enough to venture to the surface was the one who taught the Ancients these runes in the first place.

It's posed an obvious question, of course. Why does this one specific form of writing manifest as a language of magic? Why can it command the dead Primordials? Why is it so well-suited to the phonemes of the First Language that every child of this world is created speaking?

The predominant theory - and, with two living primordials to check with, one which is potentially on the cusp of being proven - is that the First Language and its runic writing system are the language that the Primordials spoke. Its words, written or spoken, can be understood by the remnants of thought that still linger in the sleeping, dead-but-not-entirely-gone primordials that make up the world.

Primordial magic is different from programming in one key way: real computers are entirely unthinking entities. They are not in any way smart - not even smart enough to be stupid. A computer parsing a program cannot observe a missing parentheses and compensate like a human could do in their sleep - it simply fails to parse, because the mathematics don't work out.

Magic in this world is like what every programmer wishes programming could be. Tell the computer what to do, and it might be a little confused, but it'll get the gist. Tell Fire to burn in this direction - Fire, even if it's just running on an echo of a seven-thousand-year-old memory, knows what that means. Tell the wind to printf this statement to this recipient, it'll try to find them and send the message. Tell Life to make this body do what it's doing faster, it can do that. It's simple executions of simple commands, almost reflexive - things that require no complex higher thought from a being that is no longer alive enough to have them. They're not as unthinking as computers, and that means the nuances of language can actually have an effect on them. Some mages think more poetic and emotionally-charged spell invocations can lead to better, more efficient results - an appeal to a long-dead emotion might be easier for the Primordial to execute than an appeal to a half-forgotten complex thought.

When a mage takes direct control of a magical energy and funnels it into an elemental effect, their own higher thought allows the element to do more complicated things - Fire can't transmute on its own like it could when it was alive, but it can when bent to a mortal will. No need to translate a spell into the language of magic when the mage can simply use their own mind to shape the effect. This is the primary advantage mages have over lacrima-users - flexibility, complexity, and speed.

Another interesting factor. Alinua's dynamic with Life demonstrates what a living Primordial's living thought can do when in the hands of a mortal. A normal, simple healing spell cast by anybody but her just accelerates a body's own healing, but with Alinua's guidance steadying Life's hand, they can do much more complicated things of her own free will - things Life knows how to do that no mage knows how to command her to do.

[humanitys-strongest-bamf]

Unyielding Duty (Part 1) | #LeviMonth2024 Two-Shot

✧ word count ➼ ~2.2k ✧ notes ➼ royal princess!reader x knight!levi, forbidden love, soulmates!au, hurt/comfort, sfw in this part but following-up with n.sfw tomorrow ✧ comments ➼ levi month entry for august 8! like before, this got too long, so i'm splitting it into two parts and combining the respective tropes! ✧ join my levi month taglist here!

{{ August 6 (Love At First Sight + Neighbors Part 1) | August 9 (Royalty + Soulmates Part 2) }} Masterlist

You had been on the run for a few days. It was for no other reason than being forced into a position that you had been fighting against all your life to no avail. Being the royal princess made things complicated. You were expected to be obedient and subservient, while simultaneously carrying yourself in a way worthy of a respectful leader, however the hell that was supposed to work. It was suffocating and you couldn't take another second of it—so you ran.

Having run out of food for the week, you found yourself at the market at one of the local villages that was a bit further out from the capital. Being on the run meant a few things, with the most important things being the fact that you couldn't show your face, and you had no cash to pay the vendors with.

Stealing a few servings of produce from some of the busier vendors was generally an easy task, but fate didn't seem to be on your side today. People turned towards you at the wrong time, and before long, you had been caught red-handed.

What was truly concerning was when you made eye contact with the guard that some of the vendors had summoned to apprehend you. As far as you knew, the royal guard shouldn't have extended out this far, so their presence was already odd.

Your heart dropped as you looked into those familiar gray eyes, immediately realizing who it was—Levi.

Quickly dropping your stolen products onto the ground, you ran into the backalleys as fast as you could. Given the fact that Levi was the one that physically trained you, it was almost a guaranteed that he'd recognize who you were as soon as you started running, if he hadn't already put the pieces together the minute he saw your shoddy disguise.

Levi Ackerman was your knight and royal protector, which made it his duty to ensure your safety and bring you back home. He had responded to some rumors of a thief that vaguely matched your description, without any real hope that this trail would actually turn into anything.

He sighed heavily as he watched you flee, both relieved that you were alright and dreading the conversation that he knew he'd have to have with you. He rarely struggled with maintaining his duties, but it was something entirely different when it came to you. He loved you, but you had your role as the princess, and he had his as your protector. The rules were clear, and yet here he was, conflicted between his duty and his heart. Although he had always maintained those boundaries, even he couldn't deny that the two of you had been rapidly falling for each other throughout the past couple of years.

Finally making the decision to go after you, Levi sprinted towards the direction in which you ran, knowing your patterns. He had taught you everything you knew, so it wasn't a surprise to him when he saw you vaulting over objects and making your way onto the rooftop of a nearby building to try to lose him.

You didn't even have to look back to know that he was catching up to you. Your stamina was nothing when compared to his. If you didn't run now, then there would be no chance of getting away, if that was what you even wanted.

You desperately wanted to see him, and to explain that you still loved him despite running away, yet you kept running, fueled by the fear of what he'd say to you when he looked you in the eye. You had left him behind without a single word.

Looking over your shoulder to see that Levi had already made his way onto the same rooftop, your eyes darted across the scene in front of you to try to find a way to possibly leap onto the roof of another building or find an escape route.

With a swift leap, Levi easily closed the distance between you, catching you by the waist just as you reached the edge of the rooftop. His grip was firm but gentle, preventing you from falling while also making it clear that he wasn't going to let you go without a conversation.

"Stop running, _____," he said, his voice soft yet filled with a sense of urgency.

"Put me down, Levi!" you scolded as you tried to squirm out of his grasp.

Levi held you firmly against him, his grip unyielding despite your squirming. He ignored your demand, instead focusing on maintaining his balance on the rooftop.

"I won't put you down until we've talked. You can't keep running away from your problems."

Levi hadn't gotten any official reasoning as to why you had suddenly disappeared when the King announced that you were missing, but he knew you well enough to know that it was likely due to some type of conflict with the King.

You continued to squirm for a bit longer, scowling at him for appearing to berate you for abandoning your duties, before eventually groaning in defeat and conceding.

"Fine, we'll talk. Can you at least set me down so that you're not carrying me around like a child?"

Once he put you down and got you settled, you patted your shirt to dust yourself off, looking down at the ground and refusing to look back up at him.

You heard him take a step closer, his body only inches away from yours. You could feel the warmth emanating from him, and it brought back memories of your time around him. During your many nights away, you longed to see him again and fall into his arms, but you had run away from the castle so abruptly that you were convinced that he hated you. The fear of seeing that pain reflected in his eyes kept your gaze fixated onto the ground.

You froze as you heard him call out your name, reaching his hand out briefly before pulling it back, as if he was afraid to go through with the gentle act of affection.

"Why did you leave?" he asked softly, his voice filled with a mix of concern and longing. He wanted to understand what could have possibly driven you to abandon your duties and flee from everything you knew without a word.

He knew you well. He knew that you were unsatisfied with your life at the palace, but he never thought it'd drive you to flee the safe haven of the castle walls, and into a world that would only do you harm.

After a moment of silence, you forced yourself to look up into his eyes, feeling a pang in your heart upon seeing the soft look in them—the same one that you had been craving ever since you left.

"...father wanted to marry me off to some noble from the south," you mumbled. "We got into a fight. I got upset, and so...I ran."

You could see the hurt in his eyes. Although he wouldn't vocalize it, knowing that it'd do more harm than good, you knew what was going through his head. You didn't trust him enough to go to him, instead choosing to run and leave everything behind, including him.

"I just," your lips parted again as you spoke, but you found yourself struggling to find your words. "I just felt like I was suffocating in that castle, and that I couldn't spend another second trapped within its walls."

You looked down again, biting on your lip to try to contain the guilt building within you.

"...I'm sorry I left you behind," you whispered.

"Don't apologize," Levi responded softly, but with conviction, refusing to let you continue pouring salt onto your own wounds. "It's not fair, and you shouldn't have to be subjected to that. I know."

"...is it really so wrong of me to just want to be with you?" you muttered quietly, afraid of speaking it out loud, but also unable to keep it buried any longer. "I don't care for the throne—never have—but the idea of being away from you or being with anyone but you just sounded so...agonizing."

Levi remained silent, listening intently as you confessed your true feelings. He couldn't deny the emotions that welled up within him at your words, but he knew that as your protector, he had to maintain a certain level of detachment.

"I care for you deeply," he admitted, his voice soft and comforting, but you knew that there was going to be a follow-up—likely one that was going to fill you with pain and regret for voicing it out loud. "You know this. But my role as your protector comes first. I cannot let my personal feelings interfere with my duty to keep you safe. We need to remain focused on what's best for you and the kingdom."

You clenched your fists in frustration at his words, mostly at the fact that it seemed like he, too, was willing to sacrifice your freedom and autonomy for the sake of a kingdom that you couldn't be bothered to care about.

"No," you said stubbornly, your heart stinging from his rejection. "Fuck the kingdom, fuck the king, fuck the nobles, and also fuck you for siding with them!"

"I am not siding with anyone," Levi sighed in exasperation.

He reached out his hand in an attempt to offer you a gesture of comfort to soothe your rapidly escalating emotions, but you immediately slapped his hand away in hurt and defiance.

"And how the fuck is selling me like an object to some filthy noble what's 'best' for me?"

Your emotions were running high, and it felt like you were drowning in your own thoughts. You buried your head in your hands, your fingers gripping at your hair as you tried to pull yourself together. This was exactly what happened before you ran. You weren't being listened to and you felt like you were trapped. Despite being well into your young adulthood, everyone around you still treated you like a child, trying to make the decisions for you.

You stumbled backwards, struggling to keep yourself oriented, and failing to put together that you were quickly backing up towards the edge of the building.

Levi's instincts immediately kicked in once he realized how close you were to tumbling off the building. Without hesitation, he lunged forward, grabbing you by the waist just as you reached the ledge.

"_____, stop!" he scolded, his voice laced with urgency as he held onto you tightly, doing his best to keep you from slipping off the edge. "You're going to fall!"

"Then let me fall!" you shouted, trying to push yourself out of his grasp, the tears building in your eyes from how emotionally overwhelmed you were.

Levi tightened his grip on you, knowing that letting you go would likely result in you falling to your demise.

"Please, listen to me," he whispered, his voice filled with desperation, unable to bear the thought of losing you in this way. "You have choices, and I'm here to help you make them. Please, just calm down and let me help you."

He immediately pulled you into him, his hand gently holding you against his chest, both to keep a firm grip on you, but also to attempt to quiet down your chaotic thoughts.

"Do you trust me?" he asked softly.

Upon hearing those words, you began sobbing into his chest as he held you close.

"I-I want to-" you choked out between sobs. "I want to trust you...but it just seems like you're intent on bringing me back and forcing me to comply-"

Levi pulled back so that he could see your face better, glancing down at you. His jaw clenched upon seeing the tears streaming down your cheeks—tears he himself caused with his unyielding duties.

Levi Ackerman wasn't an impulsive man. He was well-disciplined and was always able to place his personal preferences in second-place compared to his duties. Yet, seeing you vulnerable and in so much pain brought up something within him that even he struggled to suppress.

Without further hesitation, he leaned in and gently pressed his lips against yours. His hands traveled up to gently cup your cheeks as he poured all of his emotions into that one kiss.

You quickly returned the gesture, grabbing at him, and yearning for his touch that you had been craving for years. You couldn't get yourself to care about the consequences. You just knew that you wanted him.

After a moment, he finally pulled away, resting his forehead gently against yours.

"I'm sorry," he whispered quietly. "You know I hate seeing you in pain."

He didn't want to let you go, knowing that he was going to have to confront the reality of your situation the moment that he did. He had to make the impossible choice of watching you hate him from a distance as he followed his duties, or giving in to what you both desperately desired and needed. It was almost as if there was a string of fate that was insistent on tugging the two of you towards each other.

Neither of you truly believed in the concept of soulmates, but if it was real, then you were fairly certain that this is what it felt like.

"There's an inn I've been staying at nearby," you whispered before either of you could change your minds. "Come with me."

#: @shayewrites @littlerequiem @humanitys-strongest-brat @mostlilo @dustbuniesworld @levisrations @ebechnasheim @moonchild-angel @jayteacups @bipolargatto @samackermaan @deepzombieyouth @pickledpedro @levisfavoriteteashop @ackermanswifee

[lisbeth-kk]

Sherlock fandom.

Warnings: mentionings of torture, injury.

Don’t Tell Him

The pain is greater and more agonising than all the beating he got in that filthy cell in Serbia, because this pain isn’t just physical. Sherlock knows that if he answered John’s insistent questions about who the shooter was, it would break John’s heart, despite what Mycroft says.

“Tell him, brother mine,” Mycroft urges. “John is far more resilient than you give him credit for, and his feelings for you…”

“Don’t!” Sherlock snaps. “The love of his life shot me in the heart. I refuse to add that burden to his confused mind.”

“I agree that he is confused, but not for the reasons you think, Sherlock,” Mycroft says cryptically.

Sherlock closes his eyes and drifts off to sleep. He’s not only in constant pain, but he’s also exhausted with all the emotions that this whole business regarding Mary Watson throws his way. It’s so much harder to stay focused and aloof when the painkillers leave his brain all foggy and relaxed. His pining for John comes to the surface, tugging at his heart.

“Go home to Mary,” Sherlock urged John before Mycroft arrived. “She needs you more…”

“I’m staying,” John interrupted in his stubborn tone. “Just fetching some clothes and stuff before I’m going with you to Baker Street tomorrow. Non-negotiable!”

He had lifted his chin in defiance, daring Sherlock to protest. His last words are a puzzle Sherlock still hadn’t been able to deduce.

“You need me, and I need…to…”

***

John has gone to Aldi to buy milk, bread and eggs, wile Mycroft stays to keep an eye on his brother, with strict instructions from the good doctor to call if anything changes regarding Sherlock’s pulse, heartrate, temperature, and several other unnecessary trifles. (Sherlock’s words)

“John, for Christ’s sake, go!” Sherlock says exasperated. “I’m fine.”

John looks sceptically at him, grabs his wrist and takes Sherlock’s pulse. When he’s satisfied, he hurries out of the bedroom and descends to the front door, probably running all the way to the shops to reduce his absence to a minimum.

“Are you still convinced that he only has friendly feelings for you?” Mycroft asks with a quirked eyebrow.

“Don’t tell him, Mycroft! He can’t know. If he’s ever to realise how much…I…I wish she had finished…”

“Sherlock!”

Mycroft rarely raises his voice but when he does, it speaks volumes.

“I would not survive your demise, brother mine. She can count herself lucky that she didn’t kill you. Even John’s plea for her life would’ve been in vain, her pregnancy notwithstanding.”

Mycroft’s voice trembles with emotions, which is odd to witness.

***

Sherlock has no sense of time anymore, but he thinks it’s been days since his conversation with Mycroft. Something is being delivered, and John’s steps are heavier than usual when he ascends the stairs.

Carrying something. Not groceries. Two bags. One over each shoulder.

When John brings his meds later, Sherlock observes that something is different. John’s face is displaying a variety of conflicting emotions. There’s determination and insecurity, sorrow and relief, anger and hope. The last deduction does something to Sherlock’s shattered heart.

“What’s happened?” Sherlock asks calmly, although he’s terrified of the answer.

John’s voice sounds mechanical, as if he’s rehearsed what he’s about to tell Sherlock.

“Mary left a note. She’s gone. The baby isn’t mine. Her name isn’t hers. She’s apparently an assassin. Worked for Moriarty. She shot you. You knew, and you wanted to shield me. I want you to stop doing that.”

He sheds his clothes down to his pants and tee and climbs carefully into bed. Sherlock’s breath catches in his throat.

Is this real, or a hallucination?

“It’s real, Sherlock,” John tells him, as if he’s the one who’s become a mind-reader.

He lies down beside Sherlock, letting his palm rest over the wound, over his heart. The heart that beats solely for John.

Does he know? If so, how?

“You’re not as subtle as you think, Sherlock. What I saw traces of before this, became clear as day when your brain function was compromised by painkillers. Am I wrong?”

Don’t hide. Tell him.

“No, John. You’re not,” Sherlock says and places his hand over John’s.

@flashfictionfridayofficial @totallysilvergirl @calaisreno @keirgreeneyes @raina-at

@helloliriels @safedistancefrombeingsmart @gregorovitch-adler @a-victorian-girl @peanitbear

@meetinginsamarra @topsyturvy-turtely @phoenix27884 @jolieblack @221beloved

[miraculouslbcnreactions]

So, the Miraculous Ladybug TV Tropes page recently added this under the Broken Aesop section on the YMMV page:

Adrien/Cat Noir had many instances where he could have discovered the identity of Ladybug/Marinette, but always respected the private life of his beloved, despite knowing that learning it would bring them closer (The only time when he learned it accidentally, Adrien was punished with the apocalypse, no less, and a Retcon.) His attitude was presented as the right thing to do. In the meantime, Alya has been akumatized on the fact she wanted to know Ladybug/Marinette's secrets. Both times, she tried to violently force the issue with her powers and the second time was after she tried pressuring her into revealing them. But, as a reward for her pushy behavior, Alya has been entrusted with Ladybug's identity and the secrets of the Miracle Box. And Adrien's reward for respecting her privacy? He's still (and more and more) left in the dark, and will very likely be the last one to know.

Any thoughts?

I don't fully agree, but it's also not exactly wrong.

I love Alya, but I've never been a fan of the fact that she learned Marinette's secret identity, especially because the episode where it happens - Gang of Secrets - really failed to make the confession feel like a wise move. It's one of the many episodes with a wacky moral.

For those who don't remember, the episode has most of Marinette's female friends worrying about her. They know that she's keeping secrets because, for some reason, Marinette didn't tell anyone about her breakup with Luka:

Rose: They were so cute together! Alya: Yeah, except they broke up. Juleka: He was like super sad when they did. Alya: But the real problem here is that Marinette never told us anything. If Luka hadn't told Juleka, who told Rose, who told Mylène, who then told Alix, who finally told me. Then I, her BF in the whole world would still be in the dark! Yesterday I was in the restroom and I heard her crying.

This is... really weird. Why didn't Marinette tell them? The episode never explains and I can't figure out her logic because they'd obviously learn the truth. There's no way that Juleka wouldn't know!

My best guess is that the writers wanted a conflict over secrets, but they didn't want to have Marinette's girl friends pick up on her Ladybug-based lies as that would invite a level of complexity that they really can't resolve. But that's a meta reason. As far as the actual text goes, there's nothing to explain this baffling choice.

What's even more weird is that making it about the Ladybug secrets would have worked if Alya was the only one worried because the episode ends with Alya learning the truth. Having the episode only be about Marinette and Alya would make a lot of sense. Instead, it's about the whole, rarely-seen girl group so we're stuck with the Luka conflict. Yay.

Either way, I'm not wild about the actions Alya and Co take. Their first choice is to call Marinette. When she doesn't pick up, they leave a very sweet message. If things ended there, then we'd be fine, but right after that, we get this:

Alya: Maybe we should go to her house. What do you think? Mylène: We'll give her an eternal friendship bracelet so she never forgets that friends can tell each other anything and that we'll always be there for her.

This isn't a terrible idea. Checking on a friend when you're worried about them is a reasonable thing. The problem is the way that check up goes down. The girls basically invade Marinette's room and start messing with her stuff like this is some fun little hangout session, almost discovering the miracle box in the process:

Marinette: What are you doing here? Alya: We're just checkin' in on you, girl. Rose: Aw, it looks just like a real house, look how the roof comes off to show the inside! Marinette:(frantically) No! No, don't touch that! Move away! (As Rose opens the roof, Marinette gets down, pushing past through her friends and Rose as she hides what is inside of the dollhouse, while Rose accidentally drops the roof, which cracks. The girls gasp in shock.) Rose:(kneels to pick up the cracks) Sorry, Marinette! Marinette:(angrily) Will you please leave my room?! Alya: Chill out Marinette, it's just a doll house. We'll totally help. Marinette: No you won't, please go! Alya: Okay Marinette, there's clearly something wrong and we're not leaving you like this till you tell us what it is.

The scene goes on like this until Marinette lashes out and tells them to get out even if it means ending her friendship with them, which is a response that I find totally justified. Marinette is quite obviously very distressed by her friends' presence and they are refusing to listen to her pleas to leave. They're also giving that refusal in a highly confrontational manner, which is the completely wrong tone for conveying concern. They do not come across as caring. They come across as demanding.

Marinette has every right to be upset by that. It's okay to not want people to invade your room, touch your stuff, and demand to know you're secrets. It's also okay to get upset when people keep ignoring your clearly stated and perfectly reasonable boundaries.

While I fully support wellness checks, this is not how you do them. It's like a variation on the scenes where people confront Gabriel in Adrien's name. They're all impressively terrible examples of how you handle a very complex situation. Worst possible way you could go about it. Children, do not try this at home!

Of course, Marinette's justified reaction leads to the girls getting akumatized, leading to a fight, leading to Ladybug saving the day, leading to everyone being friends again even though the girls never apologize for how they went about their wellness check. Rose's quick sorry for breaking Marinette's doll house is the only one we get in the entire episode. Then we get this:

Alya: You go ahead girls, I just have one last thing to say to Marinette. (closes the door to Marinette's room) You didn't tell us everything, did you? A journalist and a BFF can tell these things. I won't try to figure it out or force it out of you. (sits beside Marinette) If you can't tell me what's in your heart, it's your right. Marinette: Will we still be friends? Alya: Marinette. I'm your best friend, and I'll always be. That's why it kills me that I can't help you with whatever's making you feel so alone. (Alya sighs, and is about to leave Marinette's room when Marinette grabs her hand.) Marinette: Alya, wait! Stay. You're right, I am alone. (grows increasingly emotional) More than ever before. I can barely take it anymore! You know why I broke up with Luka? Not because I don't like him, he's amazing! It's 'cause there's something that I can't tell him. You know why I have to forget Adrien? For the exact same reason! You're right, I keep secrets, I lie all the time! I lie to my friends, to my parents, to everyone and the worst thing is, I can't do it any other way! Alya: There's always another way. Marinette: No, not this time. I have no choice. All this is bigger than us, Alya. Way too big. Alya: If it's too big, two of us can handle it better than one. Marinette: If I tell you, things will never be the same between us again. (shakes her head) It'll mess up everything, maybe even destroy it. Alya:(voice breaking) Marinette, I'm your very best friend. Marinette: And I… I'm Ladybug.

Maybe this is just me, but this doesn't feel like Alya respecting Marinette's boundaries. It's certainly not as bad as the earlier scene. In fact, I like a lot of this in a vacuum, but because of that earlier scene, this one feels uncomfortable. Once again, Alya is so sure that she knows what she's talking about even though she really doesn't.

In the first scene, Marinette was right that they all needed to get out so that she could protect the Kwamis and in this scene she was right that the Ladybug reveal wasn't the kind of thing where sharing was the clear right choice. This would all play so much better if Alya said her first few lines and then actually left, only to be called back by Marinette several hours later. Then we'd really feel like Marinette was making an informed choice instead of revealing her identity in a panic.

Another option would be to have Alya offer comfort without needing to know what is upsetting Marinette, maintaining the secret identities while also giving Marinette some much needed support. Saying she'll support Marinette no matter what and then getting up to leave just doesn't feel super supportive to me. It feels like Alya is (unintentionally) making Marinette panic by saying one thing while technically doing another.

Remember, Marinette just had a really stressful day where she almost lost all of her friends, making this an incredibly charged moment that ends with Alya leaving while clearly disappointed. Of course Marinette would try to salvage that! Her brain isn't focusing on Alya's genuine words. It just sees Alya leaving and panics. It doesn't help that this opening line would put a lot of people on edge:

You didn't tell us everything, did you? A journalist and a BFF can tell these things.

"I know you're still keeping secrets, but I respect that" is not the best way to start a conversation with someone who is clearly struggling.

Because of these issues, I don't feel like Marinette truly decided to make this serious choice. I feel like she blurted it out in the middle of a panic attack, so this scene never gave me a warm fuzzy feeling. This is especially true because we never get to truly see the fallout of Alya processing the reveal and comforting Marinette. The scene just ends and the next episode has them back to their usual dynamic, just with the bonus element of Alya knowing the whole Ladybug thing.

To be fair to Alya, a lot of this comes back to our oft-discussed issue of Miraculous trying to speed run major story lines in 20 minutes because it's a formula show so it can't let things play out properly. That doesn't change the fact that this feels rushed and unsatisfying. It's not the natural conclusion to an episode where Alya learns to respect Marinette's boundaries, but I don't think that's actually the lesson here. The lesson seems to be that Marinette should share her secrets with her friends to lessen her mental burden.

Once again, that's a lovely lesson in a vacuum, but a really weird one for the show that gave us Chat Blanc and Miracle Queen in the previous season and that will include Sentibubbler, Ephemeral, and Nino accidentally outing Alya to Gabriel in the exact same season. Season five will even see Luka leave the country because he knows the secret identities!

Writers, when it comes to secret identities, you really need to pick a lane. Are they good or bad? Is sharing them a No Good Very Bad Thing, an act of trust, or no big deal? The inconsistency around this topic is a major issue for the show as the Alya reveal really undermines everything going on with Ladynoir. While there's solid logic for Ladynoir not sharing, similar logic applies to Alya at this point because Gabriel literally knows her secret identity! Through no fault of her own, Alya is not a safe person and that makes it really hard to watch Alya get the reveal while Adrien stays in the dark. I can justify him not knowing. I can't justify Alya knowing.

I'll wrap this up by saying that I don't agree that Adrien has respected Ladybug's boundaries to the point where it feels like he should have been rewarded (narratively speaking, of course. This is a story after all). He may not be all that pushy about an identity reveal, but he's pretty freaking pushy about Ladynoir becoming a thing, so Ladybug not being ready to trust him does feel earned. Plus, as I said above, it's not like there's no logic behind them keeping their identities a secret. We know that they're dating on the civilian side, but as far as they know, they're total strangers.

If you look at it from that perspective and ask, "what are the benefits of a reveal," you'll find that they're not overwhelming, especially when compared to the risks that come with a mind-controlling super villain on the loose. I totally get why Marinette isn't telling him a thing, I'm just not really sure why she needed to tell Alya. The more logical route here is for Marinette to keep her secrets and look for support on the Ladybug side of things. Ideally that support should be Chat Noir or Su-Han, but it could be Alya, too. I still think that's a bad call since Alya's identity is in the villain's hands, but it would still make more sense than Marinette telling Alya all of her secrets. Another route would be for Alya to learn by accident. She walks in at the wrong time and, ooops, no taking that back. That's the only way I'd personally write Alya learning at this point in the story.

Sorry if this one was a bit of a ramble, the writing around the topic of secret identities is one of the elements I truly don't understand. I have no idea what the writers are doing here. It's not even a "you didn't think this through" thing like the sentimonster stuff. It's a "you spent all of last season telling us that identity reveals are bad and you're about to spend all of this season also telling us that, so why do we randomly get an identity reveal that's magically okay? Rena Furtive doesn't even do anything useful for the plot, why make her a thing?? Are you even trying to tell a coherent story???"

[word-wytch]

Don't Stand So Close To Me — Chapter 11

Eddie x Teacher!Reader

Chapter 11/? 5.2k. Series Masterlist

✏︎ Parent teacher conferences and long forgotten stories uncover worlds beneath.

✏︎ Series Summary: Forced to move back home to Hawkins after your fiancé cheats on you, you begin to fall in love again with an audacious 20 year old metalhead, only there’s one problem — he’s still in high school and you’re his English teacher.

While you struggle starting over in a place you never thought you would return, Eddie struggles feeling stuck in a place he can’t manage to leave — until you offer to help him. Of all the lessons learned, the most important are the ones you teach each other.

✏︎ Series CW: forbidden romance, slow burn, true love, smut (18+ mdni), internal conflict, student-teacher relationship, 10 year age gap, mutual pining, sexual tension, emotions, drama, angst, character development, happy ending :)

Chapter warnings: stories within stories, high fantasy, discussion of childhood hardship, implied spousal abuse, parent death mention, drug use mention, heavy angst

Friday, November 15th 1985

Eddie was lost in another world.

He was floating actually. High above the clouds, not that he could see them. He wished he could but the empty crate he had stolen away in was the only thing shielding him from the suspicious eyes of the merchants aboard the zeppelin. His heart pounded as the wind carried him further than he’d ever been from the only place he’d ever known — the isolated Cloud Kingdom of Myrne. High atop a mountain range. A city of gold, gleaming like a beacon in the sun.

His back ached against the stiff wood rocking him like a cradle. He was lucky to be small enough to fit. Lucky that he had just enough space to shed his silk coat to use as padding. If he laid just right he could even stretch his legs toward the ceiling to relieve the cramps that threatened his claves. 

He would have to ration the dried boar’s meat and meager flask of water that he’d stashed away in his knapsack. There wasn’t space for very much, and he needed the precious real estate for not only clothing, but the jars of herbs and poultices to stave off the illnesses he was so susceptible to. 

That was why he — or, Lady Cybelle rather, ended up here in the first place. See, there was something she needed from the world beneath. Desperately. Her brother did anyway. A rare, translucent plant called a ghostfern found only in the depths of certain caves. It was a known cure for his equally rare illness, or at least that’s what she read during her herbalism studies. Much like Eddie, all she knew of the world beneath was what she read about.

Cybelle begged the high council to send for it. To send scouts to collect it. But they refused, unwilling to risk the safety of the collective for the life of just one. There was always a risk involved in the leaving and returning of Myrnish people. A risk to contract and spread more illness that threatened the lives of them all.

Cybelle was crafty though, and equally determined. She’d fashioned a mask out of moth silk with a pocket for illness-staving herbs. She would need it when the zeppelin finally landed in Torgaard. When she figured her way out of this crate without being spotted. When she set foot, for the first time, on the land she only caught a glimpse of when the clouds beneath her parted.

Eddie had grown rather fond of Cybelle. He’d been spending every evening with her since Wednesday. Ever since you handed him your world in a black three ring binder — Worlds Beneath.

It was intimate, reading your work. As if he could read between the lines and observe the way your mind worked. The way your phrasing flowed. Your choice of words. As if part of you was there within the pages. The hidden part of you.

He didn’t know what he was expecting, but he was as captivated as he was impressed. He supposed after watching you analyze literature on a daily basis that it would be more… literary. More serious. Less fantastical. But this was beyond anything he could have anticipated.

There was a secret world in you. He would catch glimpses of it sometimes when you laughed. It would peek around the mask you wore like a curious child when he talked about elves and magic. He could hear its quiet voice becoming braver. 

He was there now, inside of it. Crammed inside a crate aboard a zeppelin. You had a way of doing that, he noticed. Taking him there. Making him feel the wooden crate against his spine. The stuffy air in the close darkness around him. The fear twinged with excitement. It was a sort of magic you possessed. 

He could feel it outside the pages too. The gentle burning in your fingertips, even when you pulled away. Especially when you pulled away. The quiet wanting of it all.   

He wondered how often you went there, to the secret world in you. Did you drift there as you glided down the hallway? Would you hide there when the real world was too much?

He wondered how many people saw it. How many others you let in. 

He wondered if he stayed there long enough, set up camp and looked around, if he would find himself there too. 

______

You fixed your hair as you checked your reflection in the faculty bathroom mirror. The old light bathed everything in a yellow wash. It made your skin look as tired as you felt. You picked lint off the black blazer you pulled from the back of your closet this morning. The one with the shoulder pads. Professional, right? It made you look bigger than you felt. Perhaps parents would take you seriously if you looked like you belonged behind the desk.

There were some perks to in-service days. No classroom to manage. You got to come in at noon instead of 7:30 am. Got to be the one listening to a lecture instead of giving one. The only downside was having to stay until 7:30 pm. That and trying your best not to cry when a parent inevitably got defensive. You always looked for something nice to say about all of your students. It softened the less savory news, if there was any. More often than not it was just making small talk, telling parents what a pleasure their child was to have in class. 

The heels of your shoes clicked down the empty hallway, past the trophy cases filled with plaques of names you still recognized. You caught the ghost of your reflection in the glass, the angular silhouette of the costume that you wore. You noticed your tight pencil skirt riding up in the back and you corrected it with a downward tug, keeping on the straight and narrow path toward the teachers lounge. 

The wood paneled walls welcomed you in, and you padded across the old carpet toward the open boxes of pizza laid out on one of the three round tables. You grabbed a paper plate and pulled a few slices of pepperoni from the large, square cut sheet, the cheese already hard from sitting out. You rarely complained, and this time was no exception. Your stomach was threatening to eat itself and lukewarm pizza more than fit the bill.

You took a bite to satiate your blood sugar and made your way to the coffee station for the third time that day. Grabbing a mug from the stack, your fingers grazed the faded lettering that vaguely resembled the Chief’s Auto Repairs logo. You glanced at the clock as you filled it with your liquid vice. It was 2:37, which meant you had approximately twenty-three minutes before you had to be posted at your station. Your stomach churned, and not from the pizza. 

 “Boo,” came a gentle whisper from behind you.

Your hand jerked, sloshing coffee all over the wood veneer.

“Oh my god I’m so sorry,” Diane apologized, making haste to grab a generous handful of square napkins from beside the sugar. Her bright red nail polish glinted under the fluorescents as she blotted up the mess.

You put a hand to your chest. “No, no it’s ok,” you sighed, grabbing a napkin to wipe the bottom of your mug. “It’s good to see you, honestly. I didn’t think I would.”

“Yeah, I still have quite a few notes to catch up on. Just because I’m not a teacher doesn’t mean I’m off the hook,” she said with a wink. “What was the seminar about this time?” She tossed the napkins into the trash at the end of the table.

“Oh, just the usual stuff. Classroom management, how to have better boundaries with students, you know, hah.” Knots twisted in your stomach as you leaned against the counter, grabbing a milk carton and tipping it over your mug. 

Diane hummed, eyes fixed on your generous pour threatening to overflow the coffee from the rim. “Sounds riveting.”

“Oh yes, enthralling,” you said, folding the mushy lip of the carton back in on itself, something to do with your hands to keep them from shaking. The coffee probably wasn’t going to help.

Diane’s eyes narrowed, “Are you… ok?”

“Me? Oh, yeah. I’m fine. I’m just uh,” you tapped your finger on the edge of your mug. “Parent teacher conference day nerves, you know.” 

“Ugh, I can only imagine. I hope everyone is nice to you today. I have no idea why they wouldn’t be.” 

You offered a shaky chuckle. “Yeah, me neither. Just getting in my own head I guess.” 

“Love the blazer, by the way. Super sharp.”

“Oh, thanks. Figured I’d dress the part.” Grabbing your plate of pizza in one hand and very full mug in the other, you took a sip off the top, marking the rim with a delicate red blot. You pulled out one of the old chairs and found your place in it, which your feet were thankful for.

Diane leaned against the table, “So, Darren called last night.”

“Oh, you’re still talking to him?” The sauce squeezed out from the corners of your bite as you sunk your teeth into the hard cheese and gummy crust.

“Yeah, a bit. Off and on. He’s a nice guy. Does stuff for his sister and her kids lot, which I feel like is a good sign, right?”

Your brows raised a little. “Yeah, totally a good sign,” you said through a mouthful. 

“He invited me to the Colts game this weekend. I think I’m gonna go.”

You blotted the sauce from your lips. “Really? I thought you said he wasn’t your type.”

“I mean, what is a type anyway? If I keep waiting around for my type I might be waiting forever. I’ve gotta just start putting myself out there, you know? Give guys the benefit of the doubt for once. You never know until you try,” Diane offered as she opened up the large box of sheet pizza and ripped off two slices onto her plate.

You huffed through your nose, “Sometimes you know.”

“I mean, yeah. Sometimes, but with this one, I dunno. I mean we do have some things in common. We both like Saturday Night Live and spending time outside. He’s decently attractive, or he was at Mojo’s anyway,” she chuckled. “We’ll see what he’s like off the phone. At the very least it’s something to do, right?” 

You swallowed your bite. “Right. I mean, hey, free entertainment I guess.”

“That’s the spirit,” said Diane as she settled into the seat beside you. 

______

The phone was ringing. Shrill and deeply annoying as it echoed through the trailer. Eddie sighed and pulled himself away from your world in his lap, his expression blank and perturbed. He thought for a moment about answering it. About putting an end to the intrusive noise, but that would mean getting up from the toasty blanket cocoon he’d wrapped his legs in, like a warm pretzel. November’s creeping chill was doing nothing to help his motivation to leave it.

So he let it ring. And ring. Until finally the answering machine picked up, coloring the voice that came through in static and tin.

“Hey man, it’s Gareth. Um… I’m kinda freaking out about this date tomorrow. I know you’re probably just gonna tell me to stop being a pussy, but uh… yeah. Call me back.”

Eddie smirked and rolled his eyes. His friend knew him so well. There would be plenty of time to tell Gareth exactly what he needed to hear. That he was, in fact, being a total pussy. Later though. Right now he was busy. 

He was a man named Lazarus now. The Amazing Lazarus, formally. And he had a full time job shuffling cards and making purses disappear. 

The small crowd that gathered around him didn’t know that though. Not in this city anyway. He was certain he hadn’t seen any… artistic interpretations of his face plastered on any of the buildings in Torgaard. Yet.

If he could be quick enough with his hands they wouldn’t even notice what was missing until they were blocks away, and by then he would have long since packed up his banner and left. 

“Is this your card?” he flourished to the unfortunate man who had stepped forward from the crescent crowd.

The man squinted. “No I don’t think it is.”

“Ah,” he answered curtly. “Oh, what’s this?” He feigned surprised, reaching forward to dip his fingers into the man’s pocket. He pulled back with another flourish. “Is this your card?”

“Why it is!”

Cheers and claps erupted from the crowd. Lazarus took a bow. “Thank you, thank you.” He took off his weathered top hat and passed it around to collect any loose change that the crowd was eager to get rid of.

The people dispersed as quickly as they came, leaving him alone. He reached into the hidden pocket beneath his leather glove and extracted a small pouch. And now, for the even bigger reveal. 

He dipped his finger into the opening and loosened the draw strings to reveal a few spare coins and…

Another pocket watch. 

It was almost like everyone carried them around in their pockets. Dull and predictable, and practically worthless to him. He sighed, wondering how long it would be before he actually made his trade worth his time today.

That’s when he spotted her — the strangest person he’d seen all day. Maybe all year. Maybe in his entire life, and he’d seen a lot of people.

The first thing he noticed was her shock of white hair, cropped in a bob with bangs like a toddler. She toddled like one too. Petite and girlish. Flat boots with curled toes flapping like duck feet against the dirty cobblestone. Deeply unstable. Crinkled gold coat gleaming like a beacon in the sun. 

But the real clincher was the mask she wore. A big crescent moon that swept across her round face. Strange and alien. Stark against deep copper skin. Eyes like saucers. 

The perfect target. 

He strolled up to her, and her enormous eyes drank him in like they were parched.

“Hey, you look like the type of person who might appreciate a magic trick.”

She looked up at him, chin lowering beneath her mask. “A… a magic trick?” 

He couldn’t place the accent.

“Oh yes,” he said, shuffling his cards in an arch from one hand to the other. “Have you ever seen a magic trick before?”

It was a silly question to be asking someone who looked like they’d never seen a man before.

“Oh, um. I do not think so,” she said, her flat silk boots stumbling across the cobblestone to regain her footing. “Sorry I am a little, uh… it is like the air here is just so… different.”

Lazarus stopped shuffling. “Different? Different how? Different from where?”

She looked around, out past the zeppelin docks toward the horizon. She pointed toward the sky. “Myrne.”

“Really,” he half whispered. In all his travels he had never seen a Myrnish person before. He had only ever heard about them from others and what little they knew secondhand of their isolated culture. 

“The air…it is just… thicker,” she said between breaths. “Sorry. I am quite dizzy.”

He took a step closer. Close enough to assess that there were no pockets to be found on her strange garments, but there was something else that excited him much more. An obelisk of glimmering pale gold that dangled from her neck. Worth a small fortune, at least. 

The gold found in the mines of Mount Myrne was different from any other precious metal in the world. It was found only there, and unlike common gold, was very hard. It sparkled rather than shined, and most importantly possessed an energy that could be harnessed. Like magic.

The gnomes would use it to power their inventions. It didn’t take much of it to make a moderate machine come alive. A piece this size could surely afford him a permanent home, and then some. No more hiding his caravan outside cities. No more paying for stables or worrying about wolves making a meal of his horse.

He could picture it now. A little cottage in Shantiglade by the sea. He would wake up to a full body stretch in a real bed. He would fix himself a goose egg omelet over a real stove with peppers from his garden. He would open his windows and taste the fresh brine in the air. 

He would stroll leisurely to the beach where no one knew his face. Where the tide would kiss his ankles and wash away his footprints. Where his past couldn’t follow him.

The pendant winked in the sunlight. She was so small. He could easily break the chain from around her neck with a single tug and run.

“So, what brings you all the way down here?” He drew closer, unable to tear his eyes from the shimmering treasure.

She stepped back in time with his advance, like a dance, adjusting the mask on her face with hesitant eyes.

“I am looking for ghostfern.”

“You’ve come a long way for a plant, my dear.” Another step forward.

Another step back. “My brother needs it. He will die without it.” 

It was a look he’d seen before. Desperation twinged with hope. He’d seen it in his own reflection more times than he cared to admit. He saw it in his mother too, though the hope faded almost as quickly as she did when the cost of the cure was too great.

She lowered her gaze. “Ghostfern is very rare. None of our merchants carry it, though I hear it can be found in caves outside of Rower’s End, but I do not know how to get there.”

Rare, expensive — what difference did it make when it was out of reach? 

“That’s a long ways off,” he offered solemnly. It was deep into the boglands and nary a merchant dared to venture along the thin, winding path to Rower’s End. The rumors of sinister creatures and  bog crone hexes were enough to keep them away.

The strange young woman seemed unfazed by this. “Have you been there before?”

Lazarus huffed. “No, I but I do know how to get there.” The gold obelisk winked at him again and he stilled his itching hands. “How about I uh… make you a deal?”

“A deal?”

“Yes, a deal. I take you to Rower’s End in exchange for that pendant you’re wearing.”

She sized him up, the gears turning behind her enormous, chestnut spheres. “You will take me back then too? To Torgaard?”

Lazarus nodded firmly, “Of course.”

Her eyes crinkled, sparkled like the obelisk she wore. “Then it is a deal.”

“Excellent,” smirked Lazarus. “Ah, what is your name, by the way?”

“Cybelle.” Certainly one he hadn’t heard before.

“Lazarus, pleasure to be doing business with you.” He extended his hand.

Cybelle cocked her head, studying his open palm hovering in the space between them like a foreign object. 

“Uh, you — you shake it. See? Like this.” He demonstrated awkwardly with his other hand, then presented her with the opportunity again. “Now you try.” 

Cybelle stared at his hand. Her fingers twitched, gaze darting from his palm to his eyes. “Ah… sorry.” She put her hands up sheepishly, waving his away. “Trying not to get sick.”

Lazarus retracted his hand and gave a single, solemn nod. “As you wish.”

______

Your eyes tracked down your list of parent names, then up at the clock. It was 6:45 on the dot. The last name on your list was scheduled at 6:40. 

There was a part of you that hoped he wouldn’t show at all. The churning in your stomach was kicking up with each minute that ticked by, anxious eyes flitting from the paper, to the door, to the clock.

Until suddenly a figure appeared in the doorway. He was tall, weathered, with a short grey beard. Hair even shorter, stark against the ruddy skin that it encircled atop his head. He wore a denim jacket with a corduroy collar and olive green work slacks stained with patches of grease.

He peered around your classroom tentatively, as if looking for a sign that he found the right one. “Hi, Wayne Munson." It sounded like more of a question.

You stood up from behind your desk with a jolt. “Oh, hi! You must be Eddie’s dad.” Knots twisted in your stomach. You extended your hand to him and put on the warmest, brightest mask you could muster. 

“Uncle, actually.” His hand was rough and thickly calloused, fingers stained from nicotine. You could smell the stale scent of his vice on him, a family habit, evidently. “Sorry ’m a little late. Still a bit early for me, I work the graveyard at the plant.”

Uncle. The questions bubbled in your gut but there was no place to air them in the split second between you. “Oh that’s no problem, you’re last on my list today anyway. Here, have a seat.” You gestured to the chair opposite yours at your desk. 

Your desk. The same desk his nephew held your hand under. Your stomach churned again.

As Wayne eased himself into the small, wooden chair, you allowed your timid eyes enough agency to take stock. There was a weight to him, not in his body but in his aura. A heaviness that you could feel. Tired stories you strained to read between the lines on his face, stained into the cracks of his fingers. You would search for the resemblance to the one you saw most often in that chair. You would find very little save for their strong oval faces and the warmth that surprised you in his ice blue eyes.

Wayne sighed, deep and heavy as he creaked back into the chair. “Alright, how’s Ed doing in class?” he asked flatly.

There was something else in his eyes, leaden like defeat. Like bracing steel. Like tired expectation. 

He might as well have said, “Let’s get this over with.” It was the same tune. A tune he memorized. Sung a thousand times. A tune his voice was tired of.

“Eddie is…” a soft smile crept onto your face and you suddenly became captivated with the pen on your desk. You felt him lean forward, hinging on the words you left hanging in the air.

And so you told him the truth.

“…one of the most creative and tenacious people I know.”

There was a breath that he’d been holding in, a sigh that permeated the stunned stillness between you. 

“I know it isn’t easy for him to be here. I know he’d rather be doing a million other things but he’s still here, you know? Despite being denied graduation twice.”

He knew. You could see it as clearly as the lines that softened on his forehead.

“I mean sure, I could tell you that he’s got a B minus in my class right now. We could sit here and talk about grades, and attendance, and behavior, but… he’s trying really hard and I don’t think that you can… quantify that. There aren’t grades for effort. They don’t give marks for how many lonely students you offer a place to sit in the cafeteria. It isn’t something you can measure.”

Wayne leaned closer, the ice in his eyes melting so much that he needed to blink it away. 

The sight stirred a deep part of you. The easing of the bracing steel into something so much softer. Tender like a bruise. You thought about Eddie Munson with pen on his hand and shame in his eyes. Your nose burned.

“You know he’s got a lot of leadership qualities too,” you said, steadying the quiver from your voice. “He’s in a band, he runs a club. He’s involved and engaged. He’s…” your eyes lowered again, thumbing at the pen on your desk. “He’s got an enormous heart,” you said, quieter. “I think he’s just… extraordinary. If you want to know the truth.”

Wayne glanced away, toward the windows, as he swiped a calloused finger at his cheek. “M’sorry,” he muttered, blinking. “Y’know I’ve been goin’ to these for the past, what is it… nine years now? Nobody ever has nothin’ good to say about ‘im. Not a single one.”

An ache sank deep in your chest. It stung, like your eyes did when you imagined the younger versions of the man who took that chair most often, and those of the one in it now. Sitting in front of the big desk. Facing someone who was far less kind than you on the other side.

“You’re the one who’s been tutoring ‘im, aren’t you?”

You swallowed, stomach churning again. You figured he’d mentioned that. It would have been strange for him not to. “Yes. A few times a week after school. It seems to be helping. He showed me his progress report, all passing grades so far. He’s gonna walk that stage this year. He will if I have anything to do about it.”

Wayne cracked a smile at your determination. “Well thank you kindly for all your patience. I mean it. The boy’s always struggled in school. Been an issue even ‘fore I had ‘im.”

“What happened before you had him?” The words tumbled out of your mouth before you even had a moment to process whether they were appropriate or not. Whether it was your place to ask. 

Wayne sighed deep as his weathered hand eased the exhaustion creasing his brow. “My younger bother is… really somethin’ else to put it mildly. Always has been. He’s in county now doin’ time for stealin’ cars and other petty shit— sorry, young lady, pardon my French.” 

You shook your head and waved it off, the humor of his comment overshadowed by the concern twisting in your stomach. “It’s fine, really. Please continue.”

“Ed’s mom on the other hand, well she had ‘er own problems but not like him. Actually, I recon Warren was the biggest problem she ever had. Real young when she had Ed, maybe 19, if even. ’S hard to remember. Younger than Warren was, I know that much. We were all still livin’ in West Virginia at the time. A few years after that Warren got in hot water with the law. Packed up Lorena and the baby and settled in Hawkins with a few gamblin’ buddies he’d met from out this way.”

A twist, deep in your heart. You swallowed, leaning forward.

“Well, Warren managed to find some stable employment fixin’ cars. Stayed out of trouble for a few more years. Then Lorena started gettin’ sick. Always had issues with her heart, see. I don’t think the stress of livin’ out here with Warren helped none. I seen the way he’d talk to her when I would visit, always so suspicious of every damn thing.”

Your chest was so tight all of a sudden. Head filled with flashes of images you’d never seen. Images that you could feel. A woman in a cotton dress looking out a window. A profound loneliness. A longing for a freedom she may never know.  

“When Warren started gettin’ into trouble again I knew I had to do something, for Ed and Lori’s sake. They put ‘im away for a year that time, so I packed it up and moved out here. It was a good year. Gave us all a break from my brother. Sorry to go on a tangent, it’s just been a lot.” Wayne sighed deeply, smoothing his beard with his hand.

 “No, no you’re fine,” you reassured, putting on your best mask for him. Behind it you were breaking.

“He was worse when he came back though. Started gettin’ into drugs. Few years after that, Lori passed due to her heart. Ed was ten at the time. I shouldn’t have let the bastard have him at all, but he was stubborn as hell and he had custody. Had ‘im for a year before he finally messed up bad enough to go away for a long while. Best thing he ever did was go to jail, I’ll tell you what.”

 “I—,” you took a deep breath, the pen on the desk so enthralling again, “I’m sorry, this is… I wasn’t, um, expecting—”

“No I’m… sorry to dump all this on you. Don’t get many people who wanna listen to be honest.”

“No, it’s really ok. I’m the one who asked. It’s just…”

“I know. Kid’s had it rough, to put it mildly.”

You took a slow, shaky inhale to steady yourself and found the courage to meet his eyes again. “He’s incredibly lucky to have you,” you said earnestly.

The ice in his eyes melted again. The steel now soft and pliant. The weight in him less heavy.

“You’ve done such a good job raising him,” you offered gently, swallowing your tears. “Really, he’s a wonderful person. You should be so proud.” 

Wayne sighed, allowing a full, bright smile to wash over him. He blinked quickly, glancing toward the windows again, and you wondered how often he heard that. If he ever did before.

“Thank you,” he said, barely audible. 

It was strange, your sudden fondness for a man you dreaded meeting. 

“I should be thanking you. For sharing. For everything,” you said, stilling the quiver in your chest with a deep breath. “I think that’s all I really have for you today.” Your trembling hands gripped the chair beneath you.

Wayne nodded, “I’m glad I came. For once.”

You smiled, big and bright. “I’m glad you did too.” You extended your hand, your open palm hovering in the space between you. “It’s been an honor to meet you.”

Wayne’s warm, calloused hand bridged the great divide and squeezed yours gently. Lingered for a moment. “You as well,” he said, a fondness you could feel in his touch. He gave a firm shake before letting go.

“Have a great rest of your day,” you said with mustered cheer as he creaked out of the wooden chair.

“You as well,” he said with a wave as he made his way toward the door. His footsteps faded beyond the threshold, into the din of the hallway. 

A deep, ragged sigh escaped you.

You thought about Eddie Munson again. Thought about his oval face and big brown eyes. Thought about them smaller. In a hospital. Filled with unspeakable sadness. Sitting in the emptiness she left behind. At home by himself drawing dragons on his pages. Fighting a monster in his living room.

Eddie Munson. With pen on his hand and shame in his eyes. 

There was hope in them too. Unbreakable. Eager and wild. Restless, and frenetic, and warm. 

All at once.

It surfaced then. The strangled sob that released from your chest. It echoed off the tile floor and concrete walls that would still surround you both.

______

A/N: Apologies for how angsty that was. I sincerely hope you enjoyed it though, lots to explore in these new worlds we're uncovering ;)

As always, I deeply appreciate any and all comments -- keyboard smashes, theories, small novels, all of it. I work very hard on this story and hearing your reactions fuels me in ways that I can only begin to tell you.

Please reblog and help others to find my precious creation! ✨

Taglist: @mermaidsandcats29 @toxicjayhoo @ooo-protean-ooo @jadequeen88 @wroteclassicaly @kissmyacdc @mantorokk-writes @loveshotzz @newlips @kasbite @trashmouth-richie @carolmunson @wordscomehither @munson-blurbs @blue-mossbird @alottanothing @bebe07011 @latenighttalkingwithgrapejuice @bibieddiesgf @idkidknemore @alizztor @godcreatoreli @shotgunhallelujah @ethereal27cereal @munsonsgirl71 @luna-munson83 @eddiemunsonsbitcch @tlclick73 @emxxblog @siriusmuggle @sidthedollface2 @dollalicia @lma1986 @catherinnn @eddiemunson4life420 @readsalot73 @big-ope-vibes @ruby-dragon @ladylilylost @3rriberri @princess-eddie @nightless @eddieswifu @thew0rldsastage @quinnsfineline @chaoticgood-munson @hanahkatexo @eddiemunsonsbedroom @beep-beep-sherlock @emily-roberts

[thethiefandtheairbender]

I think it's really hard to go back to a lot of fanon or even canon ships in fandom spaces in a lot of ways after watching Infinity Train and how it handles relationship conflict, tbh.

The first is that they let characters have real issues with each other — actually unhealthy / toxic individual traits and subsequently unhealthy patterns with each other — even when those characters don't know anything is wrong! They think they're fine, fun, healthy, as a dynamic and as a person, the way most people do. And we see either the characters grow and change to have healthier relationships (Ryan and Min-Gi, Lake and Jesse) or spiral into worse versions of themselves until the point the relationship deteriorates (Grace and Simon).

The second thing is that in letting the characters be wrong, the show lets both characters, every time, be wrong. And how these characters are wrong are rarely on purpose! Grace doesn't mean to be controlling, Simon doesn't mean to be so dependent on her. He feels ultra betrayed when she finds out he lied (because she thought he'd murder a child if she didn't, and honestly she was 100% right) and her wanting to protect said child also doesn't automatically make how Grace handled Simon's responses 1) perfect, 2) well communicated, or 3) make her automatically a 'Good' person.

It would be so easy for Infinity Train to just go "one half has all the problems, the other just has to help them through it". That's what a lot of shippers and shipping can boil down to.

And that exact mindset is what's 'setup' multiple times as Lake thinks all she has to do is help Jesse as a passenger, not realizing that her being domineering and Jesse listening to her pretty constantly at first is because of her own issues with identity and agency and is precisely what got him onto the Train in the first place. Or with Ryan and Min-Gi, where the second Min-Gi thinks it's just Ryan's impatience and impulsivity and that he's better / 'more mature' that their progress entirely halts. Grace tries to reason with Simon repeatedly, but he's such a die hard believer in the cult they mutually formed that he refuses to listen to anything else, and lashes out when she stops acting the way he believes she should (ie. ways that keep her tied to him and their dynamic).

Because it takes two people for communication to live and die, it takes two people for patterns to form.

I feel like Infinity Train really opens up into why certain character relationships where a show tries to paint both of them as being in the wrong (*coughs* C*tradora) despite it very much being 99% all on one person's issues can feel so uneven, lacklustre, or underdeveloped bc they just weren't willing to lean in and commit to a Both Sides relationship arc, or the urge to have characters and their relationships be deeply sanitized to the point where the only conflict they have is because of external conflicts and issues that are 'wrapped up' in 1-2 episodes at all times.

Infinity Train goes "no one is meaning to be malicious most of the time, people are just messy and even someone you love deeply or have known all your life can be people you fall into unhealthy patterns with, and it's on both of you to work to get to a better place" and it's like yeah, because that's how real life works 90% of the time. It's refreshing to say the least

[skyeventide]

taking a stab at the whole valinor trauma rebirth tragedy thing

without getting into the various iterations of mandos throughout its development, the fact that it shares the etymological root with angband (angamando in quenya) or its use as both a prison/punishment place and as the temporary "afterlife" of elves, I think it should be obvious why "mandos cures everything" doesn't work for most people. it's simply narratively unsatisfying. we know that, technically, spirits are solitary in mandos and don't tend to interact with each other, and we know (iirc) that nienna does most of the healing work, when those spirits don't reflect on things by themselves.

healing in complete isolation might work one rare time, but it's otherwise simply not how healing works, how adjusting to a new life works. being way too in your own head is discouraged. healing all your traumas because a goddess did it via magic counseling gives, at best, uncanny vibes, at worst erases the struggle and journey of adjusting, with help, into the life you're actually living. so people either say that spirits can actually meet in mandos and figure things out among themselves, or subvert the narrative and have people come out of mandos either not truly healed or only partially so, and needing the real living feedback of society to exist within it again. a reading which allows mandos to still function as a recovery, but whose achivement is to "prepare" for the journey of spiritual healing, to bring elves back to a stage where they're able to face the circumstances that generated their trauma (aka the living, embodied world, and maybe more precisely even the people involved in it).

this barely touches on the grievances that dead elves might have with the guys who are running this show. this isn't just feanorian followers (or the exiles more at large) who renounced the valar's authority, it can also be the avari, who now either get valinor or they get valinor. it can be the falathrim, who wanted to go to valinor and lost the chance. it can be those sindar who were waiting for a full intervention from valinor, and it didn't come until earendil came around. it's hard to envision healing within a system when the system itself is what you take issue with. it requires a personal compromise, or an acceptance of the system's authority, and that's simply not always possible, nor can fanworks always easily tackle it — which is also why I think fics where living relatives "bully" or like, strongly entreat, the valar into releasing specific elves from death are popular. it's one way of giving that specific problem a solution, though it may in effect be unrealistic. it's less about realism (I for one don't believe the Valar would ever do that) and more about trying to find a way through wanting to see those characters heal without having to bend and accept the system and its authority.

which also brings me to what comes after and the necessary divide, real or perceived, between people who were always in valinor and people who returned to life after conflict.

to put it simply, making sweeping statements about whether amanyar elves can understand the trauma of exiles and other reborn elves is not possible and in itself pretty silly. even the amanyar themselves don't perceive their experiences of trauma and the darkening in the same way! the teleri refuse to set foot in beleriand despite their own kin being there, and despite the fact that noldor and vanyar embark on a valar-sanctioned war. it's pretty obvious that their own internal experiences and cultural understanding of the darkening or of valar authority is still vastly different, that even going by the imprecise and generalising divide of clan, that trauma was processed differently. or not processed at all.

and then, would those who fight the war of wrath understand the trauma of a continent-wide collapse? yeah, surely in a sense they can, they live through it. but can they understand it from the point of view of a sinda who had lived in beleriand all their life and didn't simply come here with the understanding that this was war? who saw their home be destroyed slowly and painfully, and in the end, when the saving arrives, it's a saving with such an immense and heartbreaking price? maybe they can empathise, maybe they can't. the darkening, by the time of the war of wrath, is no viable term of comparison. even among the living, this isn't cookie-cutter.

so what of those who die and return? I think it's obvious, in the text itself, that someone can go through a death, real of metaphorical, return to their old home which has itself gone through some considerable trauma, and realise that no matter if both you and your home have changed, both have bled, you're still unable to readjust to it the way others can. other people who were with you in your journey can integrate, they find old friends and loves who help them in this. you can't. I'm obviously talking about frodo.

it's not the same for everyone and it will never be. and I do feel as though the reading of valinor being in itself unable to take back people who went through trauma is a push-back against the idea that valinor must inherently be blissful, healing, and perfect; but the text presents us many situations where the environment of valinor plants the seeds of dissatisfaction; the fact that it doesn't work as neatly as it seems is at the core of the early conflict in The Silmarillion (even without pointing out stuff like: troubled people, Frodo included, go to the gardens of Lorien in search of that healing and peace of mind that the rest of the land can't actually provide. it's just a land. it's mostly free of toil because there's literal gods providing things, but it's just a land). valinor is not perfect, but its status as blessed realm invites a certain unease in many readers. I believe this unease leads easily to cotradictory and equally extreme positions, ranging from "no one would or should feel out of place after rebirth" to "actually no one would understand the trauma of someone who died and returned".

plus, of course, the obvious: someone's trauma, collective or individual, and how people process it, doesn't somehow erase someone else's and how they process it. the two things can come in conflict with one another, but they're not, like, mutually exclusive.

[steddieunderdogfics]

This week’s writer spotlight feature is:  @alwaysurvalentine! alwaysurvalentine has 11 fics in the Stranger Things fandom on AO3 and all of them are in the Steddie tag!

@dame-zoom-a-lot recommends the following works by @alwaysurvalentine:

bad days were meant to be shared

three strikes and you're out!

aquariums and sweethearts

"If I had to put an image to their fics… I'd say a warm blanket and a piece of cake.

Their slices of life fics get cooked with so much care and thought. A lot of them are my go-to when I'm feeling kind of off or lonely. They approach conflict with so much empathy and realism. No one's just shitty out of the blue with zero reason, and characters talk things out in a way that feels like how real people would talk. There's rarely clear villains or clean-cut forever happy-ending type resolutions in real life, and their fics shine at showing the beauty of that." -- @dame-zoom-a-lot

Below the cut, @alwaysurvalentine answered some questions about their writing process and some of their recommended work!

Why do you write Steddie?

Honestly, I just really vibe with both of them as characters. It’s easy to draw some of my own parallels with how Eddie sees the world and Steve’s fall from grace within my personal life - so it’s nice to play around with characters who I can understand. Plus I love taking the “protectors” from the narrative and forcing them to allow others to care for them.

What’s your favorite trope to READ?

I’m a sucker for any type of soulmate au, the ones with soulmarks are my guilty pleasures. Just something about knowing there’s someone out there destined to care about you makes me feel all warm and fuzzy

What’s your favorite trope to WRITE?

Anything slice of life or found family - I just love getting to give characters all the love and care they deserve. Especially when canon has put them through the ringer!!

What’s your favorite Steddie fic?

With no cross to bear (these words just come out) by hitlikehammers https://archiveofourown.org/works/45052120/chapters/113340064 I come back to this fic again and again. Love their Eddie POV and all of the reactions from the party feel authentic and I just love a fic that really shows how much everyone cares about Steve (even if he doesn’t see it).

Is there a trope you’re excited to explore in a future work but haven’t yet?

I’ve had a big idea about a possession type fic starring Eddie. It’s gonna be a big project though so it may be workshopped and shelved for another time while I work on some other stuff!

What is your writing process like?

Music is my biggest inspiration and I listen to Spotify all of the time (my spotify wrapped is about to be WILD), but usually I’ll get a spark of an idea from a song, scribble down a quick interaction I can see, and then once I get home it’s getting it all out on a doc. It usually takes me a few days to a week for me to get a fic where I want it, especially when the characters take things into their own hands for the narrative (I’m looking at Eddie and Robin here)

Do you have any writing quirks?

I actually write everything in red text until I decide I like the section. I have so many documents that have different colored text based on how I feel about it. Black means it’s ready to be proofread/don’t change, purple or blue for things I want to rewrite, and then red for what I’ve gotten down but isn’t edited/reviewed yet. Besides that I also go in thinking I’m going to keep it short and sweet and then I blink and we’re 2k in - but it’s been fun nonetheless!

Do you prefer posting when you’ve finished writing or on a schedule?

If I’m doing a prompt challenge usually it’s as soon as I’m done (totally not because I finish the day of…totally not that) but other than that I have a personal schedule to have certain things done by, otherwise I’ll nitpick forever.

Which fic are you most proud of?

Three Strikes and You’re Out! It was super fun to play around with connecting baseball terms to DnD in a way that still made sense and wasn’t just a block of info text.

How did you get the idea for aquariums and sweethearts?

It was actually a little followup I did for another fic, where Eddie visited the aquarium with Uncle Wayne but wasn’t able to get the souvenir he wanted. And I wanted Steve to kinda complete that circle, plus I wanted them to have a moment where they could kinda be kids again.

When writing aquariums and sweethearts, what was something you didn’t expect?

I honestly didn’t expect it to be so long, I was just going to write a tiny follow up but got carried away with my own aquarium memories and research so I just kept wanting to add more and more

What inspired three strikes and you're out!?

I feel like I’ve seen a lot of fics where Steve meets Eddie halfway with his interests and I wanted to see the opposite. Like it’s one thing for Eddie to concede that being a jock isn’t so bad, but it’s another for him to go out and learn about a sport/something that doesn’t interest him at all, ya know?

What was your favorite part to write from three strikes and you're out!?

Oooh! Such a hard question, for me it’s a tie between the conversation Eddie has with Lucas and his conversation with Uncle Wayne. I just liked putting Eddie in a situation where he was the one learning, instead of being the one in charge/control.

How do/did you feel writing bad days were meant to be shared?

It was a little hard starting out, I knew a couple things I wanted to happen but besides that I really went in kinda blind. Once I got into the groove though, it felt like it just wrote itself. Steve knew what he was feeling and just guided me along.

What was the most difficult part of writing bad days were meant to be shared?

So fun fact, I actually wrote the first draft completely from Eddie's point of view. I was trying to find his voice (still feel like I’m working on this but progress is progress) but it just wasn’t flowing right and Dame-Zoom-A-Lot actually helped beta for me. They’re the one who suggested the point of view switch and it worked so well!!

Do you have a favorite scene and/or line from any of your fics?

A favorite scene I’ve written has to be in aquariums and sweethearts when Eddie and the Mime gang up on Steve to poke fun at him, it just felt like something Eddie would play along with and enjoy.  These couple of lines from Three Strikes and You’re Out! Make me really happy, like sent my friends a dorky screenshot because I liked them so much: “Eddie’s world narrows to the smell of Steve’s cologne, something that smells like rain on freshly cut grass and a hint of vanilla. Just as soon as Steve leaned in, he leans away, the sun painting orange and pink highlights in his hair when he tilts his head grinning.”

Do you have any upcoming projects or fics you’d like to share/promote?

I’m working on a Steve Harrington ‘character study’ from Hopper’s point of view currently and might be starting on an Anastasia AU starring Chrissy as Anya and Robin as Dimitri - super stoked for both of these!

Outside of these questions, Is there anything YOU would like to add?

Endless thanks to my nominator!! I just started posting for Steddie this August and it’s been unreal. So thankful for all of my new friends and can’t wait to share some more of my little ideas and chat with other people about their art and stories! <3

Thank you to our author, @alwaysurvalentine, and our nominator, @dame-zoom-a-lot ! See more of alwaysurvalentine's works featured on our page throughout the day!

Writer’s Spotlight is every Wednesday! Want to nominate an author? You can nominate them here!

[pagannatural]

2.02 Everybody Loves a Clown

-Dad died so we’re going to a carnival

-MY GOD Dean looks amazing in this episode. He looks most himself in a t shirt covered in car grease. No wonder Sam keeps coming up to bother him.

-Sam is like Do you need anything Dean? Can I help with the car? Will you talk to me? I broke into our dead dad’s voicemail so that we could hang out again

- Dean: “I feel like a friggin soccer mom” well didn’t Sam play soccer and aren’t you his mom

-Dean asks why Sam was so quick to jump on this job and Sam says it’s what dad would’ve wanted. Sam wishes he could’ve truly made amends with John. They mostly fought about Dean last episode, and Sam has probably put it together that actually John traded his soul to the demon to save Dean so Sam probably feels a complicated gratitude toward John for that. He doesn’t know about John asking Dean to save/kill him, so he doesn’t know John has another reason for saving Dean other than just caring about him enough to sacrifice his soul and life’s mission to save him.

The other layer to Sam deciding now that he wants to be a hunter like John always wanted is that it’s so much easier for Sam to do that now that John’s dead. He’s struggling with the grief-that part isn’t easy- but he’s been fighting John his whole life. He doesn’t need to assert his independence from a father who isn’t there. Now his only real conflict hunting with Dean is being in love with him, but he trusts Dean and he’s seen now that he’s Dean’s top priority.

-What I wouldn’t give for Dean to lie to the carnival manager and say their act is him throwing knives at Sam. Can you even imagine the homoerotic tension. He just barely papercuts Sam’s neck, Sam gulps and tilts his head to show Dean the thin line of blood. Where am I

-Sam calls Dean’s behavior his “strong, silent thing.” The way he describes Dean in the rare moments he does is pretty revealing. Dean lies and hides himself frequently and Sam is the one person who sees through his bullshit. One of my favorite things about Sam is that he feels what he feels and he acts on it and the only feelings he can’t act on are those ones. You know the ones.

-Dean is angry that Sam suddenly wants to do what John would have wanted. Dean is pissed off that Sam wants to follow John’s wishes, now of all times. Because meanwhile, Dean is collapsing in on himself like a dying star with the need to not have to follow John’s last order, which was to potentially kill Sam. Dean would rather die. Of course Sam doesn’t understand this and just wants Dean to let him in, and he needs comfort from Dean. I bet usually Dean would give him that.

-Dean makes up with Sam by flirting with him, teasing that he’s a stickler for details about the case, and Sam smiles blushingly. He’s so pleased. Dean glances over at him with this pained longing. Just kiss.

-Sam with his whole body facing Dean, gazing at him:

-Sam looks displeased when he realizes Jo and Dean want him to leave so they can flirt

-Sam tells Dean that he misses John, feels guilty, and isn’t okay, and knows Dean isn’t either. He has tears in his eyes.

Dean looks at Sam like it’s physically painful not to comfort him. He must feel so guilty and horrible knowing John said he might have to kill Sam, like he can’t touch Sam while he’s holding this secret. He also thinks it’s his fault that John is dead instead of him, and therefore that it’s his fault Sam is struggling.

-Sam leaves. Dean just fucking loses it. He’s been working on repairing the Impala, the thing John left him. He grabs a crowbar and smashes the windows, tears a hole in the trunk. He’s so angry with John for putting this on him. Imagine, the same Dean who made John promise he’d keep Sammy safe before he would agree to leave for kindergarten. He stares after Sam, his lips trembling.

I love when Dean is violent. I don’t think his violence has surfaced in contexts other than overwhelming emotions for or related to Sam.

-They need to resolve the issue of why Sam is sticking around now that he’s finally, finally decided to. Sam’s actions show a trust and devotion to Dean as well as a desire for closeness, but Dean’s guilt and fear make him want to push Sam away.