#sarah williams

[littleststarfighter]

Labyrinth is one of my favourite films ever. I never get bored of it. I love that one of its message's is never let go of childish things or friendships. Never be ashamed of what they meant to you as you get older.

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[justdecadentcollectiondestiny]

I got the wonderful opportunity to see Labyrinth on the big screen last week (thank you Fathom Events) and I think this time around really helped me nail down one of the things that makes this movie so special to me: the ending message.

A story with a somewhat childish sixteen-year-old girl who immerses herself in magic and fantasy worlds who goes through a journey and a transformation and comes out the other side more mature could very easily have ended with the message of "Now that the adventure in the fantasy world is over, our heroine has grown and matured enough to leave magic and fantasy behind and become an Adult."

But Labyrinth doesn't do that.

Labyrinth says: "You might grow up a little. You might put away your costumes and your music box and your crown. You might give your teddy bear to your little brother. But that doesn't mean you have to leave it all behind. Every so often in your life, for no reason at all, you might need a little magic back in your life. And your friends in the fantasy world will always be there for you."

"Should you need them."

[creulsummer]

Through dangers untold and hardships unnumbered, I have fought my way here to the castle beyond the Goblin City, to take back the child you have stolen. For my will is as strong as yours- and my kingdom is as great. You have no power over me.

[periodcostumefantasylover]

Sarahs ballgown in The Labyrinth in 4k

[lilianade-comics]

Fan art of my absolute favorite sparkly 1980s teen girl fantasy movie ✨

[ranminfan]

I can't stop watching Bowie in the behind the scene of Labyrinth

[farosdaughter]

THE RINGS OF POWER SEASON 2 EPISODE 8 (2022-) | LABYRINTH (1986)

[megankoumori]

In defense of a "Wicked Stepmother":

Sarah's Stepmother in "Labyrinth", named Irene in tie-in media, only gets about a minute of screen time before Sarah rushes off to her room in a soaked snit. Fanfic writers usually turn her into an evil bitch and even the manga sequel, "Return to Labyrinth", has her cold and abusive to Toby, her biological child. But here's the thing...

I think Sarah's mother gets a bum rap.

Dressing nicely for an evening out and having mild conflict with a teenager does not a Lady Tremaine make. And as someone who actually lived with a narcissistic, manipulative, emotionally abusive stepfather, I can tell you that Irene doesn't even come close to wicked step parent territory.

Backstory first. It's never spoken of in the film, but clues in Sarah's room tell us that her real mother is a stage actress who abandoned her and her father for another actor. Sarah idolizes her mother and tries to emulate her with play acting. Sarah's father met and married Irene sometime after Linda ran off, and Sarah, who thinks her mom walks on water, resents the hell out of Irene for taking her place. A place that Linda abandoned for another man.

She couldn't help it. He looked like David Bowie.

Let's look at her first alledged transgression. She won't let Merlin into the house. Instead she orders him into the garage. Heartless, we assume because we all love dogs and only the most soulless of monsters don't. But slow down. She didn't leave him out in the rain. She put him in the garage. Furthermore, Merlin is an Old English Sheepdog. Is he a nice dog? Sure, but he's also a breed that's notorious for being high maintenance and hard to keep clean and right now he's soaking wet and filthy. Irene isn't being cruel, she's trying to keep him from ruining the carpet.

So now Sarah and Irene are in the house about to have their confrontation. "Sarah, you're an hour late..."

Sarah lost track of time. Sarah is the one who screwed up. Irene has every right to be frustrated. For all we know, she and Robert were supposed to see a movie or meet someone and Sarah's tardiness wrecks their plans. Note, please, that while she is frustrated, she's not even yelling. My mom would have screamed bloody murder and then held it over my head for weeks.

"Your father and I go out very rarely..."

"You go out every single weekend!"

There is no way to confirm who is right on this. I will say Sarah is the one prone to hysterics and exaggeration, so it's not looking good for her.

"And I ask you to babysit only if it won't interfere with your plans."

I ask. Irene asks. She doesn't demand, and she doesn't expect Sarah to give up her previous plans.

"Well how would you know what my plans are? You don't even ask me anymore!"

Sarah, you were LARPing in a park by yourself. Furthermore, with the storm you would have gone home anyway.

"Well I assume you would tell me if you had a date. I'd like it if you had a date. You should have dates at your age."

Irene doesn't want Sarah to be a Cinderella stuck at home every night. She wants her to go out and have a social life. This is literally the opposite of the bedtime story Sarah tells Toby later.

Also, "I'd assume you tell me..." Irene might not be wording it in the best way here, but she wants Sarah to communicate with her. She wants them to have a relationship.

Then Robert enters the scene. "Sarah, you're home. We were worried about you."

WE were worried. As in both he and Irene. You think that's the reason she was waiting on the porch? Because their sixteen year old daughter is an hour past when she said she'd be home and now it's raining and getting dark?

It's not like she'd ever talk to a stranger.

Sarah runs up the stairs in a snit, not even acknowledging her father and leaving Irene dismayed. "She treats me like a wicked stepmother in a fairy story no matter what I say." Her voice isn't angry, it's hurt. She's making an effort to reach Sarah, but nothings working. She can't break through the tantrums and the anger and the hero worship of Linda.

Sarah is a fantasy junkie. It's all over her room. Her books are all fairy tales. Her dog and her teddy bear are named after figures from Arthurian legend. But she's wrapped herself in a different kind of fantasy, a toxic one. One where Irene, well meaning and kind, is one of the evil stepmothers from her fairytale books, while Linda is good and virtuous like one of the dead moms at the beginning. Except Linda isn't dead. She's shtupping a costar.

Part of Sarah's coming of age and maturity is rejecting Jareth, the stand in for her mother's lover and therefore finally rejecting following her mother's selfish path. We see her finally let go of Linda by putting her picture and clippings in the drawer. Hopefully, the next morning, after she picks the confetti out of her hair, she'll finally be able to start over with Irene.

[the-force-awakens]

LABYRINTH dir. Jim Henson

[ssavaart]

Sarah from Labyrinth watercolor and ink sketch done back in 2020

[layrasomething02]

thats how the movie went , i guess

[ladyaldhelm]

The Labyrinth (1986)

[ic-napology]

Some Labyrinth sketches I'm working on to blow off some stress

[moonlithourstudio]

sarah williams from the Labyrinth (1986) 🕊

[queer-cosette]

I think the appeal of the male protagonists in things like Heathers and Labyrinth and Lisa Frankenstein is partly because... they take the female characters' emotions seriously. Like I'm not saying that they always make the best decisions about helping, but they take their girls seriously. Veronica is stuck with her image as a vapid party girl when she's slowly beginning to deeply loathe herself and those surrounding her; Sarah has her privacy dismissed by her stepmother simply because she's older than her toddler half-brother and shouldn't want to be selfish for once; Lisa is expected to just stop grieving the deeply traumatic loss of her mother because it's time for her to start playing happy families as a normal sister and daughter. And JD and Jareth and the Creature all listen. JD encourages Veronica to break free from what's expected of her and stands with her when no one else will. Jareth appears and offers to fulfill Sarah's unrealistic fantasies with magic. The Creature devotedly listens to every word Lisa says and protects her from anyone who has hurt her. Yeah, JD kills three people and has Veronica forge fake suicide notes to cover it up, and Jareth kidnaps Toby with the intention of turning him into a goblin, and the Creature goes straight to murder as his method of protection (in particular using methods that might even retraumatise Lisa), but that's all for plot reasons. There wouldn't be a story if there was no conflict. The fantasy is found in the way they listen when no one else will, and how the female protagonists have their negative emotions taken seriously when everyone else dismisses them.

[mastergeckotattoo]

🦉Everything I've done, I've done for you I move the stars for no one