#nosferatu 2024
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batmanisagatewaydrug · 4 months ago
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funniest part of nosferatu 2024 is when the boys are trying to roll out for boys night but one dude is a no show so they go to find him and he's like. it turns out he's awol from boys night because he went mad with grief and died of the The Plague while he was defiling the corpse of his beloved wife. and the other lads just have to go wow sad and leave it at that because they're on a CRAZY time crunch trying to kill this fucking feratu. you know how it is with boys night.
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tuserlivia · 4 months ago
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NOSFERATU (2024), dir. Robert Eggers
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mxgicdave · 19 hours ago
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despite all of my maladies
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descendinight · 4 months ago
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‘‘ I am unclean ’’ from Nosferatu 草图
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bitterbareface · 5 months ago
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People not comprehending Nosferatu correctly might kill me. Yes it's erotic and about pleasure but yes it's devastating and about child sexual abuse. It's a movie about victimhood, about being already dead, about longing for the great beyond, about never feeling safe from your abuser, about always expecting one more rape must be endured. It is about being an ugly victim, a neurotic victim. About your supposed allies tying you down for fear you will rip their world to ribbons. It is about facing the abuser, facing the pleasure the abuser brought. It is about men seeking to silence a plague in the quiet of the night when grooming and abuse can only be destroyed by pulling it into the light of morning.
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etherealily · 1 day ago
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ɴᴏᴠᴇʟ // ꜰʀɪᴇᴅʀɪᴄʜ ʜᴀʀᴅɪɴɢ
Friedrich Harding + fem!reader. Based on this ask <3
My other fics, if you have the time.
Note : Haven't done physics since high school, don't be smart alecks in the comments. Also, I somehow wrote pure love? No angst? Ew.
You do NOT have permission to repost and/or translate any of my fics.
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Desc. : You're a modern marvel, and he's a futuristic businessman looking to invest.
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"Women are not common in this line of work."
His tongue's close to the mouth of his cigar, and he wonders for a moment if that may accidentally send off the wrong message. Entice you, perhaps. Seduce you. Inadvertently offend you.
"But not unwelcome?" A tilt to your lips. A sip of your wine, and his eyes reluctantly follow the drops down your throat as you gulp.
"Not at all." He's not sure how to do business with a woman, truly. He's trying to be respectful, but he's lost. Did that smirk mean you wanted his business or wanted him? Or both? Or neither?
"You are... a feminist, then, I take it?"
"A feminist? What a novel word. Is it French?"
"It is, indeed. Fourier penned it down first. Means someone who believed women and men can belong in the same opportunities, if I am not mistaken."
"But they do not."
"Come again?"
"You would not be able to imagine a man in the art of child-rearing and a woman sweating in a factory, now could you? Well, unless there is something gone terribly wrong in their lives. A loss of their spouses, perhaps, leading to him to raise or her to provide."
"And this is your segue into saying something has gone terribly wrong with the deal?"
He smirks. Beautiful. "Precisely. Your father and my father had been in business decades ago, and had a fixed deal. Which was expertly designed to benefit both sides back then, but times have changed, wouldn't you agree?"
"The deal is outdated?"
"Very much so. Aged like... milk, perhaps, though I suspect our fathers hoped for wine.", he replies, licking his lips before he leans back to rest his arm on the back of the exquisitely crafted chair you have allowed him to seat himself in.
"I can give you this...", you say, punctuated with a tap of your finger on the topmost layer of the collection of photos (expensive to procure, he notes. You must have fit into your inheritance of the business perfectly) "And throw in its newer model, as well, and lower it to the same price as the original, but that's all I can do."
"But it appears the original has increased in price.", he observes, one knee over the other.
"I assure you, Herr Harding, no price increase is without reason. Tough times, wouldn't you agree?"
His tongue rolls around to the back of his molars, before he shakes his head. "What else can you offer me?"
You lean forward. "This, this, and perhaps an anchor or two."
"For?"
"Twenty-five."
He snorts. "And if I walk out right now?"
"I will close the door behind you. I do not wish to let in a draft."
Audacious.
"You need to help me out here, I'm afraid.", he smiles, courteous and professional. It doesn't matter how breathtaking you were, this was a business meeting.
"Trust me, Herr Harding, this is me helping you out."
"There has to be something you can do. I cannot, in good conscience, you see, unjustly increase my procurement costs while our profits stay stagnant."
You point. "Ah. Stagnant, but never bad."
"No one would say no to more money, would they, madam?"
You laugh at that, though hushed and polite. "Alright. Three of the new models, then. Three anchors. No originals."
"The new models at the price of the originals?"
"Yes."
He stands, his hand out. "You have a deal, madam."
"Thank you, sir."
Your handshake's firm, he notes. You've either been rigorously trained, or you're made for this.
"I do, however, have a condition, Herr Harding, one that I know my father set, but not rigidly enough, not even nearly, and all our customers skirt around it."
He nods, his brows furrowing for a moment, before he sighs. "The weaponry."
"The weaponry.", you affirm. "Herr Harding, we provide solely for cruise ships and merchant ships, not military ships, not ones which create havoc in the oceans."
"You refer to the HMS Medusa.", he mutters, attempting to fix his hat on just perfect so that you are not privy to the bulging vein on his forehead. He recalled the horror stories his father told him about sea-wars, and conversely, the horror stories he'd been told of his business partner who refused to take part in naval ship-building.
"It is said to be huge, stacked with carronades, and it is already the talk of the town, despite having just been ordered this year.", you explain, your hand gesturing to the door of the study so that you may walk him out.
The clicking of heels overlap, just as your voices do.
"But madam, military ships are the new—"
"I am aware, but it was my late father's wish—"
"I understand that, however, you must think of how it looks for me to refuse my customers - the Navy, essentially - simply because you do not wish your accessories part of a military effort.", he reasons, his fingers skirting around the rim of his hat.
"These are my conditions, Herr Harding. I will have my people draw out the deal, and if you are not interested, simply do not sign. I bid you a good evening."
His first time dealing with a woman was proving to be the last time he'd ever want to.
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Friedrich had grown up watching his Papa at the factory, his little feet straining to keep up with Herr Harding's purposeful strides as he moved with his hands behind his back, his workers earning warnings, instructions, and approval alike from their boss.
Now, he is the Herr Harding, and he, too, strode with his hands pinned behind him, moustache twitching every time that he sees something he approves of. "Good job, Johann.", he mutters offhandedly, before his eyes fixate on something approaching him.
The annoying "businesswoman" who could not even lower her price for one of her oldest, most trustworthy business partners. You.
Yet, he remains civil, cordial, even, as he walks to you. Although, it's hard to remain himself when the sunset on the horizon strategically behind you blazes the edge of your hair just so. It's as though your hair's dripping Sun.
"You might have written, I could have sent a rider to bring you on horseback."
"Ah, that's no trouble. I quite like walking by the port. The sea breeze calms me."
"So, this is a random visit, then?"
Your brows furrow. "No, it is mentioned in the drawn-up agreement that you signed. We come and ensure our materials are not being used on a war ship, or anything to do with the military."
He fights a scoff and suppresses an eye roll. "Right. I must've missed that. It is the first time this has ever happened. Do you mean to say, all these decades, you have had spies?"
You chuckle at that, shaking your head. "No, no, this is a new condition that we added. We— Herr Harding."
You've noticed, it seems.
"Those are cannons."
"That will be covered. They will be tucked in safely to the—"
"Herr Harding, it was my father's wish not to inadvertently induce violence, because his father, my grandfather, said to him—"
"Military ships are the new necessity.", he grits out, patient and firm.
"My father believed—"
"Your father believed that he could bring popularity to such an imbecilic concept as "cruise ships", madam! They have never, and will never exist ; there is no one with such an interest in the sea besides pirates and dolphins, and your father, god rest him!"
Your scoff (and what would have been a very biting retort, he's sure) is cut off when the foghorn sounds. It seems to give you enough of a jolt not to say something you do not mean, although Friedrich knows that what he's just said had crossed a line.
"You are a liar, then, Herr Harding."
His arms open, almost like a hug, although you know it is not. "I am a businessman, madam."
"A liar. We should not like to do business with you again."
"You cannot afford to lose us as customers!", he calls to your retreating figure. "You know this!"
"My father used to tell your father everything, but those times have changed! You and I are not best mates, Herr Harding! I have gained a lot more customers than you know of!"
That gives him pause.
Truth of the matter was that he could not afford to lose your business.
He sighs. God. Doing business with a woman? Hell. No wonder "feminism" was such a novel phrase. Hopefully it stays in France.
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His hat presses against his chest as your maid opens the door.
"Is the Madam in?"
He's not sure what they call you, but he's sure they won't take it kindly if he used their Lady's first name so casually.
"Sir, it has nearly gone midnight."
"It is alright, Frieda.", a voice is heard, and his brows bunch together, paired with a squint of his eyes, and he can almost make you out in the bluey dark of the night, your beauty highlighted by the vague orange tint of the maid's candlelight. What a challenge you were proving to be. "Let him in."
His gaze is fixed on the floor when you excuse yourself to tighten your robe's knot, and then, he dutifully follows you into your study, which is surprisingly already sparkling with gentle glows of burning candles throughout, a gold sheet over the dull browns he'd been privy to not a month before.
"This is wildly improper, Herr Harding."
"Yes, yes. I am aware. I simply wished to convey my apology. I... spoke out of line, and I hurt you. I, of all people, know how tender the name of a father is in a child's head, how precious, and it was a line I did not wish to cross."
"Is that it?"
He huffs. He could leave while he's in the safe zone, having apologised for both the rudeness and the late-night visit. But when has Friedrich ever been able to resist a tiny peek past someone's walls, especially someone as exquisite as you, in your nightrobe, repeatedly running your hands through your hair to ensure the results of sleep (or tossing and turning) left it?
"No. If you have time, I'd like to go over the next order."
You raise a brow for a moment, before you scoff. "Unbelievable."
He, for one, did not expect this. "Come again?"
"Midnight, on a Sunday, and you expect—"
"I'm sorry, I'm confused, how does the day matter?"
"No one reads the contracts!", you whine, shouldering past him and causing him to lurch forward to hold onto the table for balance. You return rather huffily, dropping a tiny stack of papers identical to the one delivered to his house nearly a month ago for him to sign, onto the table with a flutter. "We've adopted Industrial Britain's idea of a "week-end", though they have only Saturday afternoons off. We have a five day workweek. It's novel, but I've found it highly increases my employees' spirits, and they work better."
His finger slides across the page as he reads, his lips mouthing the words before his striking blue eyes move up to yours, brimming with incredulity. "You're telling me that two days of the week, neither you, nor your employees work? And you've somehow managed to gain customers in this... this... chaotic new system of yours?", he splutters, his hands running through his hair.
"It intrigues people that my company's services are not available every day of the week, it makes it seem scarce and exclusive and—"
"Mad! I'm in business with a madwoman, a child, as well, as I've found out from due research on my part."
"I am twenty, I am no child!", you retort, stacking up the papers with aggressive taps onto the table, before you move past him to place them back.
"Two decades you've lived on this planet, then, and more than half that time, you were a child, a non-conscious entity that merely did as told!", he spits, his arms folded so as to not clench and reveal just how vexed he was.
"And, what, you've got a couple decades on me, have you?", you scoff, mirroring his stance. "You're twenty-five, Friedrich, you are considered young in this world, as well!"
The use of his first name is what sets him off. How dense of him to expect the same courtesy of professionalism from a twenty-year-old, a girl at that, that he so kindly provided? It's almost like your very presence disturbs the air around him, tugs at the very ends of his self-restraint, offends his sense of propriety.
His hand is on you in an instant, the soft curve of the side of his palm aligning with your jawline, his index and thumb digging into your cheeks on either side, so hard he could feel your pulse. "Yes. That's half a decade wiser, little girl.", he hisses, ignoring the rage in your eyes in favour of glancing down at your lips.
It's almost as if you're aware of every silly, sinful, wrong thought that's just permeated through his brain that instant, because you slap him away, the impact echoing through the room.
He knows what's coming. It's what any self-respecting woman would do. But before you shriek 'get out', he's going to attempt to salvage this wreckage of a business relationship.
"If you are so against ships on the offensive side, enlighten me with your plans for how ships — even merchant ones — may be able to defend themselves from being seized by pirates or enemies of the Crown.", he challenges, breathily, because he's just come this close to heaven, and hadn't even made his presence known at the gates.
Your demeanour shifts, a split second frown on your brows. "Come again?"
"You have any ideas for a ship that runs solely on defence? Because I'll tell you something, if you manage, that, you'll be a pioneer."
You suck on your teeth, eyes dancing around the room. "Do I have your word to maintain secrecy?"
"Of course."
"Herr Harding.", you warn.
"Yes, you have my word."
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"Welcome, Herr Harding, to the future."
It's good there's a lack of light in this room, because it'd have been over for his dignity had you seen his jaw slacken.
"Now, believe it or not, growing up, I was quite the patriot. Quite the skeptic, too, although those often go hand-in-hand.", you begin, gesturing for him to duck as he nearly collides with a hanging model of a ship.
"And I, too, asked my grandfather and father how they hoped to engage solely in non-violence. I thought, should our enemy attack, we must be properly armed to strike back."
He follows you through the expanse of what most houseowners would use as a wine cellar, traipsing past tiny models of ships with labels he can't read, because you refuse to linger long enough with the lamp.
"Then, I realised, a good offence is worth nothing if your ship has already acquired a heavy amount of damage."
"So... you have come up with a preventative measure? Some form of device that can detect offensive intention?"
The glint in your eyes travels to your mouth as you grin. "Not quite, Herr Harding."
He loves this, he decides. There's something about the excited, almost manic way you move around, floaty, dreamlike, angelic, as you speak about what he assumes is the only thing that brings you joy and solace alike, since your father's passing.
"What if you could detect the approach of another ship, as well as its speed and direction?"
Friedrich tilts his head. "Surely you don't mean to suggest—"
"This contraption, Herr Harding, can do two calculations at once. First, the speed of the waves in general will move this knob any which way.", you demonstrate, tapping your nails on the glass. "However, this knob is for any irregularity, any... ripples, I would say, that disturb this regular pattern. Ripples big enough not to be a whale or dolphin, that is."
Remarkable. He must remember not to gasp. "Seems there are plenty variables."
You seem genuinely pleased by that. "A man of science. Good. Yes, this is a prototype. I'm working on it. However, this...", you declare, moving around the unnaturally long table to another model. "A propeller that minimises cavitation—"
"Propellers? For big ships?"
"Why not? David Bushnell did it in 1776. Why can we not?", you ask, a glimmer of mischief in your tone. "Now, these minimise cavitation, which will minimise noise. And less noise means..."
"They won't see us coming."
"That's on the offense-side, Herr Harding. I mean to say that we can creep past them, most likely. I also have a method of creating safe fog that envelops around the ship but not the crew."
He's in absolute awe.
He settles in the study armchair upstairs with a huff after you two climb the arduous stairs, without invitation, though he has a nagging feeling that the two of you had gone far past that.
"You do not mean to tell me you come up with these alone?", he muses, the question a scream in the tranquil of your study at one in the morning.
"You do not mean to tell me you run your business alone?", you retort.
"You are fascinating.", he murmurs, and you pretend you didn't hear it.
"Am I allowed to include these in my ships? Or will it take a while to perfect?"
"It will take a while."
He nods. "Fair enough. I feel honoured to have seen these."
You seem quite pleased at that, a form of childlike validation, it seems.
He points at you with a single ringed finger, with playfully narrowed eyes to boot. "You tell me the moment it's ready, alright? The propeller and the... the fog... contraption. Yes?"
You nod, and he stands, his fingers drumming at his waist. "Anything else?"
You shake your head. "I will give you the regular order by...", you mumble, flicking through pages and pages of a rough yet new book, presumably a ledger. "The fourth?"
The corners of his lips curl down in acknowledgement. "Alright."
He reaches over to the table behind you, nearly desperate for a taste of heaven once more. But he is nothing if not a gentleman, so he clutches onto the hat he'd been pretending to reach for. "I shall take my leave. Thank you for bearing with me tonight."
Doing business with a woman was tiresome, but a business with an inventor? Fantastic, magic, even.
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Friedrich isn't sure when his nails had become this blunt. Surely he had a lot more left to chew? He flexes his hands before him. No, he has not got anything left but skin to chew. It's tempting, but he wouldn't want blood to stain his legal documents as he signs them.
Perhaps one day, there will be an invention where a message once sent can receive a reply immediately, without the sender having to anxiously await it. Hell, perhaps you'll invent it.
For now, however, he has to wait the stipulated three days. You live too far, he thinks. Unnecessary.
Today, ideally, is when the return letter should have arrived.
Nine words is all he'd written.
Nine words and that had taken, possibly seventy-two hours to reach you, and another seventy-two for a letter back to reach him.
He wishes it would reach, but he sits, wringing his hands together, a bit too close to his candle.
He contemplates attempting the trick many a friend of his has shown him, swiping a finger through the flame, but recalls that this is possibly the hand he will have to use to place a ring on your finger.
If you accept.
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The fog of the early morning, and the fog from trying out your fog-contraption amalgamate into what can only be known as the eeriest blanket Friedrich has ever found himself cloaked in.
But he finds himself cloaked in anticipation a moment later, because something nearly angelic, a silhouette of sorts that seems equal parts ominous and ethereal. He knows it's you.
As you get closer, however, his mind begins to play tricks on him. You're either holding the letter he sent you, or some sort of cleaver meant to mutilate him, and in this fog, he's sure he'd be left unprotected. He's rooted to the spot.
"'I have a proposal. A real one this time.'? What is that supposed to mean?"
It is the former. The letter.
He cocks his head, a fond smile playing on his lips. The daftest, most dexterous girl he's ever loved. "You do not understand? I thought I was the epitome of clarity."
"No, by all means, be vaguer.", you hiss, waving the letter around in front of his face. "Perhaps I'll understand in about a century."
Shaking his head, Friedrich moves closer. "Did you see what came with it?"
"Yes.", you mutter, handing him the necklace. He folds your fingers around it, gently pushing it back to you.
"The ring in it, acting like a pendant? It is for you. Clear now?"
You remind him of a statue, the way you're looking at him, the only indication that you are alive being the way your eyes dart between his.
"Clear now?", he repeats, fingers reaching for your earring. "Lovely is the woman that wears diamonds."
No one has ever said that in his life. He's sure you're smart enough to figure that out, but you say nothing.
"These are pearls.", you scoff, grateful for one bit of banter, one subject change, at the very least.
He nods, biting his lip. "True. But this is not.", he murmurs, tapping on the ring resting on your palm, along with the chain around it.
"I—"
"I do not wish to be unprofessional, and I definitely do not wish to embarrass you, in any way, shape or form, because I have given you more than a tiny peek— no, an endless view behind my walls, and as a businessman... well, you know more than most how that is a suicide in the business world. I— I am afraid I am rambling, and taking up far too much of your time."
Shaking your head offhandedly, you rub the delicate chain between your fingers, your mind clearly elsewhere.
"You do not have to give me an answer that you do not want to give. You do not, in fact, have to give me an answer at all. But you did come onto this pier, to my port, because you wanted... at the very least, to know more."
You don't respond, so he pushes. "Am I right in assuming that?"
"I don't know why I came."
"I don't know why I wrote. We are in the same b— well, ship."
That earns a pity-laugh out of you.
Sighing, Friedrich is forced to shake his head for the thousandth time in your presence, and he's prepared to do it for the rest of his life, if you'll have him. "Here."
"What?"
"May I?", he asks, his palms hovering over your shoulder until you nod with permission. He places them on your shoulders, gently steering you to face the ship. "That's your fog-contraption."
He sees you smiling.
"The propellers are, of course, not visible, but I can show you the plans later."
You're still smiling.
"Look at the ship. Our ship. Your ship."
You do, and he swears he just saw a spark fly in your eyes. God.
"And now, look at me. The only question you need to answer is whether you can look at both the ship and me the same way."
Your lips part, and he's not sure if you're simply amused that he's compared himself to a ship, to your life's work, or if you're about to say something.
It seems to be neither.
You just keep looking at him, and it's throwing him off, frankly.
"What is it?" Perhaps you cannot see him in this fog.
"I'm not—"
Not in love with you.
Not interested.
Not an idiot.
Not ever going to reciprocate.
"Not what?"
"Not sure that's fixed right.", you say, and he looks over his shoulder. The fucking contraption. Teach him to love an inventor. "It's getting caught in the— hold on."
You make for the ship, but he grabs your arm, close enough that it seems like you're in the glistening study again, illuminated solely by candlelight and love. However, his fingers do not jab into your cheeks this time, no, this time, they flow against your features, jaw clenching, throat bobbing as the words he wishes to say are somehow adhered right there.
"I will not hold on.", he says, sternly. "Either kiss me, or give me an explanation, but I will not be made to wait."
He's sure he's inches away from throwing himself into the murky waters beside him.
"My affections may be seen as offensive, or seen as repulsive, or even, unfortunately, disrespectful, but I find comfort in the fact that they are at least seen.", he murmurs, his forehead against yours, tiny little kisses blooming on each of your knuckles.
He's really, desperately hoping your little fog machine works, because the last thing he needs are his employees seeing a younger woman reject him, especially with the bluntness you seem to possess and wield.
"Are they seen? Tell me they are seen. They are seen, aren't they?"
"Yes."
"Are they reciprocated?"
"I'm not sure."
A tilt of his lips. "But there is a chance."
Nodding, you shrug. "Yes."
"You're a scientific mind. Tell me the chances. Not in percentages, I can never comprehend them."
A small laugh escapes you. He wants it to ring through his ears until he's driven further into insanity. "A good one."
"Air-travel-being-invented-by-tomorrow-good, or I-can-kiss-you-now-good?"
It's cheeky, he knows, and he knows you're amused, if your scoff is any indication. "Well, you know, I think it may take a few decades, but air travel may be—"
"Teach me percentages so I can tell you which feature of yours occupies which percentage of my heart.", he murmurs, shaking his head with a breathless "Shh-shh-shh." at your imminent snarky retort.
Friedrich will let you talk later. For now, as his lips move with yours and the fog acts like the veil you will wear when he weds you, he'll do the talking.
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fascinationstreetmp3 · 4 months ago
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Keep your heart to yourself, give your soul to the night… Come to me when you're lonely… Come to me when you need something new… — Fright Night (1985), Come to Me
BRAM STOKER'S DRACULA (1992) INTERVIEW WITH THE VAMPIRE (2022—) NOSFERATU (2024)
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deathtown · 3 days ago
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Nosferatu (2024)
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uncleasriel · 23 hours ago
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via @heraldofcrow
#with this and the literal dark souls boss in the northman…i’m still not convinced eggers hasn’t played soulsborne games#and used them for inspo#like yeah the ghostly carriage is an ancient vampire lore trope BUT THE VIBE HERE IS SO BLOODBORNE#even the sound design#nosferatu 2024#bloodborne#robert eggers#nosferatu#CrowNotes
For those of you not familiar with Bloodborne here's the Castle Cainhurst Cutscene that introduces the Most Gothic area in this most Gothic of games.
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And for those who never saw The Northman
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IMO Eggers is just cinematically literate and knows how to use the camera andblocking to stage an uncanny scene, but sure, IU'll buy that he's a closet FromSoft fan!
Live action Bloodborne/Leaving for Cainhurst sequence in case anyone needed it
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georgeharris0n · 6 months ago
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PRACTICAL EFFECTS AND WILLEM DEFOE?? Letterboxd is going to devour this
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dioptre-hertz · 3 months ago
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nosferatu (2024) is so fucking funny. they did this joke twice
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tuserlivia · 3 months ago
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COUNT ORLOK + tags
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yellenabelova · 4 months ago
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Greta? She has no master or mistress
Nosferatu (2024) dir. Robert Eggers
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snazzycicada · 5 months ago
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lobsterflaws · 5 months ago
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whencartoonsruletheworld · 4 months ago
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nosferatu is so funny. german guy in 1922 wanted to make an adaptation of dracula. couldn't get the rights so he just changed all the character names and killed off the mina at the end in hopes nobody would notice. they noticed and bram stoker's widow sued them and demanded all copies of the film be destroyed. but just like count orlok himself, the movie refused to die and then he showed up in spongebob
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