#what is s2 even gonna b about

[freshmincedbeef]

one thing fionna and cake season 2 can do that will fix some problems i had with season 1 while also making the story more compelling is making gumball and marshall lee bitter exes that fucking hate each others guts

[marypsue]

I'd love to hear your thoughts on S1 of ST being a tragedy! No main character dies, so I never thought of it that way before

I mean, nobody has to die for a story to be a tragedy (at least, in the modern definition. I'm pretty sure '(almost) everybody dies' is a requirement of Greek tragedies and Renaissance revenge tragedies). But also, no main character dies in season one...if you take season one as part of a series. Which it wasn't originally conceived as.

I am not going looking for copies of the original pitch bible, because I am lazy, and also I only saw them floating around this webbed site. But the show changed a lot from the initial pitch (Joyce had a Long Island accent! Lucas' parents were divorcing! Murray was there and named Terry Ives! Most of what ended up in Hopper's character originally belonged to Mr. Clarke! The original pitch bible is fascinating). And part of the original pitch was a proposal for possible sequels.

The Duffers' proposal for a possible sequel was "It's ten years later, and Eleven is dead".

So that's the setup. Everything that came after season one was made up wholecloth after season one was a hit and people wanted more, but also people loved the adorable little psychic murder child (cue the Duffers shockedpikachu.jpg) and Netflix obviously recognised it would be a bad call to make a new season without her in it. So it makes sense to take season one as a unit, as a self-contained story on its own. You can also take it as part of a whole, but it makes sense to read it first as a complete story. Especially given the thematic drift of later seasons and the way they are...I'm just going to say it, each new season is very much added-on to what came before rather than being built on foundation that the earlier season(s) laid. It is very clear there was never a planned five-season story arc from the beginning. (This isn't necessarily always a bad thing, when it comes to sequels, but it does mean it makes sense to 'read' each season as its own thing.)

Okay, now that we've established all of that. Season one has one very clear goal, one very clear stake for the characters: save Will Byers from the Upside Down. (I like this. It makes the stakes both extremely high and extremely personal, it makes it very easy to understand each character's motivation, it also keeps the stakes grounded in reality. I like this a lot.) And by the end of the season, that goal is accomplished. So at first blush, you're right, season one doesn't look like a tragedy.

But when you start to unpack it a little, you start to see just how many important things were lost along the way. It's most glaringly obvious with Mike and El, with Nancy and Barb. The whole Wheeler family is fractured down the middle, with Mike and Nancy on one side and Ted, Karen, and Holly on the other, and Karen, who's been trying so hard the whole time to be part of her children's lives and understand what's going on with them, is aware of the ever-expanding gulf between them but will never be able to cross it, and will never fully know why. Hopper's finally managed to snatch a kid out of the jaws of death, save a woman he obviously cares about from the pain of losing a child, and Joyce has finally had someone believe her, support her, trust her. But it became blindingly obvious to me on my fourth rewatch that Hopper's plan, from the moment he went to leave the middle school gym, was always to trade El for Will. And that decision (and the fact that Joyce obviously understands that he did something to get the lab to let them go after Will, but she obviously doesn't dare press him on what) has broken her trust in him, and left him with what looks like an equally heavy burden of guilt as what he was carrying before. The lab stays open. The government gets away with everything. No one will ever know the true extent of the hurt they've caused.

And in the end, none of it even saved Will. He's back. He's alive. But he's spitting slugs in the sink. He's permanently marked by the Upside Down, and by trying to hide it from his family, he's putting a crack down the centre of them, as well. They're losing Will, just as surely as they had when they thought he was dead, just without him going anywhere.

And there's still a hole in the world.

The fragile bonds of community, the things that people share in common, the way catastrophe can bring people together and bring out the very best in them, are the major thematic threads woven through season one. Human connection is the only thing that can change what seems inevitable, the only thing that can bring back what's seemingly lost forever.

And it's still not enough to protect anyone from the random tragedy of the world.

The love was there. The love mattered. The love bent the entire course of the world around itself.

And it still wasn't quite enough.

If that's not a tragedy, then I don't know what is.

[deus-ex-mona]

[seddair]

‘

[still-a-morosexual-help]

i agree with the whole thing about mc not needing anymore love interests. tbh i feel like diavolo should’ve been the only datable side character (and also solomon but that’s me being biased bc he charmed his way into my heart) since he’s so interested in humans so he would naturally spend more and more time w mc. simeon and barbatos had the same aura as your older brothers best friend. yes they’re charming and it’s nice to imagine a relationship w them but they’re also emotionally unavailable and just don’t seem that interested in you anyway romantically.

Honestly I don't see Diavolo as a dateable either

When they first announced the side characters becoming dateables I was so visibly excited about Diavolo being dateable that I got a couple asks about whether this meant I'd be ditching Mammon

But I don't like the way they executed it?

They kinda just sprang it at the end of s2 with 0 build up?

I mean Solomon's being showing interest in MC since S1 (though I don't really interpret that as romantic interest) that it's believable when he starts liking them?

But even mid way through S2 Diavolo had no real interest in MC other than the 'they're human gotta keep 'em safe to make sure my millenia old dream suceeds' and 'if they die lucifer is going to be big sad' kind

Okay maybe my bitterness at the execution is making me exagerate. I'm sure he cared about MC as a person and/or a friend in S2 but it's never enough to justify the sudden romantic twist at the end of s2

The focus when it came to Diavolo or Lucifer in S2 was all about their relationship with each other and MC acting as the therapist. To the point that:

a.) Lucifer (with amnesia) asked MC what he was doing talking about other men (Diavolo) the last time they were together in a romantic spot (the top of a ferris wheel)

b.) MC's gonna fucking explode and take all three worlds with them and Diavolo refuses to tell the brothers till the very end because:

I mean look, you can't suddenly claim he's in love with MC when a few lessons ago he was willing to keep the fact that MC was a ticking time bomb from people who could have helped just because he wanted to not upset Lucifer for as long as possible

Also not Diavolo fighting for his life trying to deflect Simeon's questions and Simeon basically going

Even now each time Diavolo says something romantic to MC it's like getting hit in the face because it feels like it came outta nowhere

[grace-williams-xo]

RAMBLING THOUGHTS AFTER FINISHING PART TWO. GONNA ADDRESS MY P1 THOUGHTS FIRST. SPOILER WARNING.

1 & 2: I think Debling could’ve worked in the second half, and I’m kinda sad Cressida didn’t get a happy ending. The Creloise fell of a CLIFF after ep 5 but I think it could still be saved

5: no cishet man has ever loved his wife more than Anthony Bridgerton I’m gonna be ill

6 & 12: kanthony’s absence was felt BAD in the finale, I think their reactions to LW were sorely needed. Also Jonny and Simone have both said they’ll be at every sibling’s wedding and stick around for years but they missed Francesca’s??? Also felt their absence too much then. They’re both booked and busy I think we’ll continue to only get a couple episodes a season from them

8: Francesca did get to thrive happy in pt 2 my baby I love her

9: I think they managed to disconnect the mondrich plot even further like 😭 once again, I don’t mind them their plot just feels very empty

10: Pen and Delacroix CONTINUE to be my fave duo I love them so freaking much and they can never get rid of it

13: Portia’s growth this season continued to be 10/10 I loved her and Penelope’s relationship it really showed what it’s like to be closely related to people you oppose and the process of needing to forgive and understand them for your own peace of mind

14: that was not how I was expecting Colin to find out about Whistledown

15: Marcus felt a little rushed in part two but I think I need to watch the whole season together to fully decide

17: this was indeed the longest 27 days of my life I got Covid day after it dropped lmfao

MY ~NEW~ THOUGHTS:

We finally got character development from Cressida and if they write her out I’ll be inconsolable (as will Jessica Madsen)

I hope they paid Golda Rosheuvel good for her feet exposure. Worth more than titties in this economy

I feel the need to tell everyone that £5000 in 1815 is in the realm of £500,000 today and we cannot brush over the fact Penelope has made herself the equivalent of a literal millionaire

Anthony has two moods ‘I’m obsessed with my wife’ ‘I want to win this game’ like it is comical how drastically different his facial expression is in the game of charades compared to pretty much every other scene

Anthony saying the marriage is perfect and not hard work and Kate being like BOY I will humble you,,,, doing the lord’s work I love her so much

At some points I felt like Francesca was fighting Anthony for ‘Violet’s least favourite child’ award lmao

John saying he’s off to look at the wainscotting was unfairly funny

Cressida in the red dress is even better than I imagined fuck even if she’s not gay then I am

Peneloise back together the universe is healing I love my babies all we need now is creloise lovers and peneloise friendship simultaneously I don’t like it being one or the other sue me

However much Brimsley is getting paid isn’t enough,,,, Hugh Sachs the man that you are

I adored Penelope’s wedding dress so much and as bitter as I am still about no kanthony wedding in s2, it felt kind of right somehow for Polin to be the first wedding we properly see in this show

Most of the costumes and makeup feel like they got worse,,,,, big ‘I hired a 14 year old’ energy. I don’t need historical accuracy but I would like a modicum of care and the costume/hair/makeup dept looking at a single historical reference from before 1850,,,, please

We all got the bi Benedict we’ve been asking for and I appreciate it, and recognise that he needed Tilley to explore that, but I still would’ve preferred if they first main queer experience was not a threesome

If they go straight into benophie in s4 (which idk, I’m so torn bc I feel like F, E and B all could work well next season) then I also feel like bi Benedict was just them throwing a bone for 5 mins but meant nothing

The CONTENTIOUS Michaela Stirling,,,,, I was undecided until I saw it but that was the definition of gay panic from Francesca and it worked so well I am so excited.

As your resident peerage expert, it is much easier for women to inherit titles in Scotland than England so I wonder (not that anyone on this show knows anything) if that was a reason they chose Francesca to be sapphic [general peerage info and female inheritance info if you care]

On the above, if they can canonically end racism with one marriage then they can end homophobia with one marriage as well

We all know Eloise was the easy and obvious choice to be the queer love story but part of me does kind of like them not taking the easy route, and them going something more unexpected, but that doesn’t mean I don’t want Creloise/Sapphic El like they had eight children let’s be honest

Finch’s sneeze and Phillips’s “now Varely! The bugs!” were unfairly funny

Everything Lady Danbury said to Penelope about suspecting her and what not felt very in character and you can fight with the wall idc

Did they tell us the name of Polin’s baby boy???

Hyacinth saying she thinks of Gregory as the family pet,,,,, girl you an icon walking amongst mere mortals

Predictions I got right:

Anthony didn’t kill Colin, but “are you gonna duel your own brother” lmao I was on the right track

I knew Polin would win the Featherington baby race and I love that for them (but why were Prudence and Phillipa pregnant most of the season, barely showing, Kate was showing almost immediately, and then in the epilogue the sisters all had baby’s similar-ish ages???? Give the writers room a calendar please)

I SAID FROM DAY DOT THAT THE FURNITURE THEY BROKE FROM SEX WAS A CHAISE I CANT FIND THE POST BUT I KNEW IT I FUCKING KNEW IT WHERE DO I COLLECT MY PRIZE SOME OF YOUR GUESSES WERE TRULY FUCKING COOKED

Okay that was too long if you made it this far I’ll make you cookie ily

[murfpersonalblog]

IWTV S2 Tentative Timeline (Pt2c) - Unreliable Narrators, Armand & the Trial

Thanks for the response to Pt2b, @usuallydeepalpaca-blog! I really want people to talk to me about the IWTV timelines, cuz this show is SO confusing! 😩😭

"I think if you create the timeline with info the show doesn't provide, i.e. Armand was involved from the start, then you're bound to get it wrong."

Absolutely. I fully expect that I got some stuff wrong, which is why I said it's a TENTATIVE Timeline.

I've in no way said it's THEE CORRECT™ timeline, cuz chile IDKWTF is going on. 😅 I openly say what confuses me, questions I have, and how I come to the conclusions that I draw. I'm being as transparent as possible to let y'all know that I DON'T know. 🤷 The show doesn't provide EVERYthing, so I'm just piecing things together in a way that makes an iota of sense to me, following the logic of what the show HAS provided. The only solid details we have are diehard IRL dates, that gave us a time range when certain events can/can't happen. AFAIK I'm working with the same set of details everyone else has, until AMC gives us more info in S3+. And unfortunately, the 2 biggest unknown variables are Lestat & Armand, and to what extent they were/weren't involved in the Trial that got Claudia killed & Louis buried alive.

"saying Armand messed with Louis' memories re: the trial is also something not supported by the show."

The show obvs. wants us to assume that Armand made Louis hallucinate Sam guarding him in the theatre box (thus painting Armand as a "captive" along with Louis & Claudeleine).

Even if Armand didn't use the Mind Gift on Louis, he lied at least twice:

lies by omission: letting Louis think a hallucination of Sam was real

lies to Louis' (& Daniel's) face: going along with the premise that he was Sam's "captive" & Armand sat there the whole time thinking of a way to rescue Louis

And we KNOW this is a lie, cuz Daniel calls it out explicitly, asking how Sam can be "in two places at once," allegedly "guarding" Armand, but ALSO helping to torture Louis in the Wet Room.

Armand never denied or contradicted Louis saying Sam was in either place. Maybe Louis really did misremember Sam being in the wet room--the ONLY one who can corroborate all this is SAM--whom Armand ALSO lies on, throwing Sam, Daniel & the Talamasca all under the bus by saying the script with his handwriting all over it was forged! No honor amongst thieves I guess! 🤣

(Eff Lestat's POV in S3--when is SAM gonna give HIS POV of the Trial?!)

So I'm operating on patterns of behavior, and the logic that if he's deliberately lying about one thing (a VERY BIG THING, actually), then what else is he lying about? How are you "atoning" for anything, when you're just heaping lies on top of gaslighting on top of manipulation?

Armand has used Louis' obvious confusion to his advantage, just going along with whatever will make him look better & more sympathetic. Which ofc, is the exact same thing he does with the "Banishment" lie. "They gave me a choice...I could not prevent it" is the truth and a lie all rolled into one incredibly manipulative cocktail, cuz if it was just a simple matter of Armand selling Claudia out to save Louis, that would be one thing--but Armand KNEW the script planned LOUIS' death the whole time. The "seismic lie" about "Banishment" effs up Armand's whole defense.

Cuz Sam already wrote the script in April 1949 (and I said this is confusing, cuz if it's the WHOLE script, then this implies Lestat's half was written by then, too, and NOT in September after the Eiffel Tower crime--which means he was ALREADY in Paris & working with the coven; inc. Armand (which would also explain WHY Armand took Louis to the library so much--perhaps anticipating that Loustat would feel e/o's presence if Louis was around the theatre too much? But that doesn't explain Claudia)--omfg I'm confused). Wtvr--we KNOW that at some point b/t April & September 1949, Armand made his edits & directed the entire production--from Santiago to Lestat to Tuan's projections--ALL of it. And we know Tuan's projections started being made in June/July 1949.

Armand KNEW Daniel had been given the OLD script from the archives, WITHOUT Armand's edits & directions, and LET Daniel AND Louis think that was the truth--

--same way he went behind Louis' back and removed extra pages from Claudia's diaries that would reveal MORE of his shenanigans--

--and the same way he lied about Nicki (& Gabrielle) in 2x3.

The show ALSO provides us with quotes like this:

And this:

And this:

Which in retrospect make Armand look even more insidious, esp. when we wonder to what extend Louis' been "driven to form new conclusions about myself" when he doesn't even KNOW himself; let alone WHAT memories he has that are real or false.

It's so effed up, and it makes me side-eye all the insistence that LOUIS is the one mostly at fault, when he's got literal double-hypnosis Brain Scramblies from WWDITS. 😭🤦

Ofc there are unknown-unknowns when dealing with unreliable narration. But there are also known-unknowns, too, that also make Armand sus.

Sure, Loumand was away at the library in July (IF that memory's even real, Mr. "I Had A Hunch")--but how on earth would Armand have NOT known that the coven was working on the Trial right under his nose for MONTHS prior & after July--Luchenbaum sewing new barrister costumes & wigs; Tuan painting projections & testing new lens/film tech; and Sam writing a new script (when we already KNOW Sam can't multitask when his "head's in a hat")?

July is only ONE month in over HALF A YEAR of Trial prep. Louis was never around the coven to know what was going on--but ARMAND was; it's where HE lives.

Whose POV was it that showed the whole coven passing around Claudia's diaries? Whose POV was it that revealed Santiago being called Maitre in every scene that ARMAND was also in?

Armand was in the park with Tuan when Tuan called Santiago Maitre; and Armand was in the theatre with Sam when Sam called Santiago Maitre--so this is clearly either Armand's POV telling on himself; or it's AMC screwing with us.

It's TRUE that Turning Madeleine was the straw that broke the camel's back, as Armand was like I can't keep THAT a secret from the coven, too (and ofc he couldn't--they're VAMPIRES; they'd FEEL a new vamp in their territory). But Loumand's problems PREDATE Madeleine; the same way Loustat's problems predate Claudia. I blame Les for not dealing with Lou's BS, just like I blame Armand, cuz THEY are the Coven Masters, NOT Lou--esp. cuz Armand had 14 other vamps in his coven he SHOULD be prioritizing over Lou. The same way Loustat's guilty of being bad fathers (which they BOTH admitted to), Armand's guilty of being a bad coven leader (which HE admitted to).

IMO, all this makes any & all discussion about Armand's trustworthiness difficult, when his "seismic lie" throws EVERYTHING else he's done into question. Esp. since the show ALSO provides us with the FACT that Armand knew from DAY ONE that Claudia lied about "Bruce"/Lestat; and that Louis was a terrible liar & terrible with the Mind Gift; and that he'd ALREADY planned on killing Louis in 2x3! Armand knew from the get-go that he couldn't do EFF ALL to keep Louis & Claudia out of danger, and TOLD Louis so.

"It also ignores that Louis softens his participation in certain things because he can't live with the guilt of his full participation, e.g. Claudia's turning, which he continued to lie to Claudia about even during the trial and only accepted the extent of his involvement in Dubai"

The Trial Timeline's purpose is to pinpoint when the preparations took place, NOT to hash out how bad of a father Louis was to Claudia. 🤨

And it certainly isn't meant to provide a timeline for the events in S1 wrt Claudia's Turning--we already know the dates for all of that, that she was made in 1917. I focus on the 1940s in S2, and the European dates, NOT the NOLA dates. LOUIS did not participate in the Trial's preparations, ARMAND & LESTAT did. My timeline has ZERO bearings on Louis' guilt for not warning her, etc.

But on the subject of Louis & Claudia, I've cussed Louis out for not telling Claudia about Armand b4 (x x), I don't ignore it at all. I fully understand & even agree with Armand being fed up with dealing with Louis' BS. But HE CHOSE not to kill Louis when he had the chance, and it's obvs that whatever arrangement they made when they had sex in 2x3/2x4 allowed Louis to TRUST that Armand would keep "the secret" & keep Louis & Claudia SAFE from the coven. (Which is a BOGUS claim for him to make, when Santiago'd ALREADY peeped that they were lying about Lestat & being from NOLA, but wtvr). I've called Louis a naive idiot 1000x for overestimating Armand, putting his life in Armand's incapable hands--just like he would AGAIN by trusting him about "Banishment;" and AGAIN by asking Armand to wipe his memories in SanFran (and LIE by omission about Les saying "I love you, Louis").

"Louis remembers the trial, he remembers what was said and what Lestat showed him."

HOW can Lestat have showed Louis ANY memories during the Trial (inc. the Ep4 revisit), when Makers/Fledglings CANNOT read each other's minds???????

I love this show so much, but I effing hate this show--they don't even give us an answer, Daniel just moves right past it, like wtf are we supposed to do with that, AMC? There's plot threads, vs plot HOLES. Louis' TOO unreliable, Armand's a shysty liar, white savior Lestat to the rescue~~~! "BANishMEnT~!" As if Lestat's any less impartial?

Esp. when at least SOME parts of the Ep4 Revisit were OBVIOUSLY Scripted lines written by the coven to implicate Louis in breaking the Great Laws that Lestat allegedly taught him AND Claudia to follow?

Like, Louis HATES himself, and is quick to blame himself for things beyond his control (a la Paul, a la the Ordinances; "Can we be forgiven if we do not forgive others ourselves?"); so if one is determined to see him bad faith then of course one can easily pounce on him Florence DPDL style / Santiago style, and blame him.

(Esp. since in 1x4 we literally SEE Louis admit to begging & emotionally baby-trapping Lestat into turning Claudia--the revisit in 2x7 is more (melo)dramatic & extended, sure, but it does NOT contradict Louis' account in S1. So I get REAL confused when people say he lied about 1x4 or wtvr.)

Louis invalidates his perspective cuz he KNOWS he's an unreliable narrator--he spends 2x1 sobbing about wanting to remember & "get every detail right"--and ARMAND is there constantly tryna STOP the interview; having directly contributed to his already deteriorated (& inherited?) mental illness, by bending Lou's trauma into "a Lestat shaped-effigy" with all that "I will not harm you" bullcrap.

TL;DR: We won't know for sure what the Trial timeline actually looks like, unless S3+ revisits it with more context.

But as things stand at the end of S2, NO, I don't trust Armand as far as I can throw him, cuz there are waaaay too many instances where he's deliberately lied & obfuscated & omitted in ways to deliberately confuse the narrative surrounding the Trial--that go beyond Louis' already confirmed trauma, PTSD, mental illness, repressed/faulty memory, and guilty conscious.

If y'all want a timeline of S1 events, those have already been made by other people in the fandom (this one is goated).

I wanted to know what was going on in S2; so I used every single date and IRL reference possible, and put them in chronological order in a way that makes sense based on how I TENTATIVELY understand things currently; NOT how AMC has confirmed yet--if they ever will.

If anyone has more relevant in-show references & IRL sources we can cite, to help make better sense of S2 than I did, let us all know!

[tackykachowch]

AU Silco is an abomination and here's why

Disclaimer: I'm not going to touch on his forgiveness line in the context of its implications about the meta, this post will be exclusively focused on how the AU (with the help of the flashback from s2) ruined his character at its core.

Alright. So the thing we're gonna start with is a bit unexpected, but this is a key element that led me to this thought in the first place.

S2 redesigned young Silco and in the flashback he looks like this

Pretty normal stuff, all things considered. It may not be to everyone's taste (meeeee), but in the grand scheme of things it's not that important. Or is it?

Now we come to Exhibit B, Silco's design in the AU.

Oh. That's um. Interesting. Silco in the AU, where he forgave Vander and became a good boy, looks almost exactly like his younger version in s2. Same jacket, vest with a v-cut underneath, even collar of his shirt is positioned exactly the same.

But what is exactly the problem here? Well. Let's go back to Silco's monologue at the opening scene in s1 ep3.

There is a very important part here. "It's funny. You could pass a lifetime without ever facing a choice like that. But it changes you forever".

That is the core element of Silco as a character - Change. Once change has happened, there is no going back. And this point is supported by the show itself throughout season 1. Vi and Jinx changed, so their relationship can never go back to what it was before. Vander changed, so he's not going to fight alongside Silco like before. Hextec and shimmer changed the world, so it can never be the same as before. Mel changed, so she no longer wants to be a part of her family (and its legacy) like before. You get the point.

So why Silco, after such a worldbreaking change that has happened to him, looks exactly the same as his younger self when he never faced the "Have you had enough?" question? When he hasn't yet made a choice that no, he hasn't had enough? It's like all his experiences, all his beliefs and convictions were wiped completely clean, as if saying "what happened to you doesn't matter, actually". You can always change back to the person you were, all that's needed for that is a half-baked "apology" letter, or something else. But it doesn't even matter what was needed for that, the main problem that it happened in the first place. This design right here, and Silco's line about forgiveness, is a spit in the face of everything he stands for. Everything that his character is about.

[warblogs17282]

I want to present another idea on how the scene where Blitz talks to his mother could go, and a bit on Blitz's self hatred.

But first, a little background.

It's very clear that Blitz still hates himself immensely for accidentally starting the fire that severely damaged Fizzarolli, and (very heavily implied) that also killed his own mother.

And I have three pieces of evidence that shows just how much Blitz hates himself, with it all tying back to the circus fire.

1: You're already aware of the fact that Blitz blacks out his face in pictures he's in with others, but it goes a bit further than that, he also did that to a picture of him when he was a child, interacting with the animals within the circus.

2. The fact that three out of the four memories we see in the trailer are of Fizzarolli, with the one exception also taking place in Ozzie's. Which shows us that Fizzarolli has always been on Blitz's mind a lot, even more so after the fire, and every time Blitz sees Fizzarolli in his mind, it just takes him right back to that circus fire, the source of most of Blitz's self-hatred.

There's another thing I'd like to add onto my point of 'Fizzarolli has always been on Blitz's mind a lot', that being, the fact that Blitz also clearly takes whatever Fizzarolli says to heart.

Which is clearly shown to us by,

Fizzarolli being one of the characters in Blitz's drug trip, and with him also saying, "You're gonna die alone, Blitzo!"

The real Fizzarolli at Ozzie's, saying "Last I checked, your love life is a pile of shit!"

And with Blitz very explicitly confirming that he took what Fizzarolli said to him during his drug trip and during Ozzie's to heart.

Sure you could argue Blitz only came out with that because he was drunk at the time, but I still believe that it shows just how much Blitz at least subconsciously cares about Fizzarolli and his opinions.

"Fuck, Fizz was right. I'm gonna die alone, aren't I? Just a wrinkly, old, withered, waste. Will you be there, Loonie?"

Fizzarolli used to resent Blitz, because he thought Blitz caused the fire on purpose, and seemingly just abandoned him. Which is why this memory comes back up again for Blitz, the sheer malice on Fizzarolli's face, the fact that the person Blitz cares about this much hated him just hurts so badly, and just because they made up in s2 e6 doesn't make that pain of the malice filled stare at Ozzie's go away, so while Blitz has indeed come a long way since that circus fire, he still hasn't forgiven himself for accidentally causing it, and all of those memories that we see in the trailer are just a reminder of that fact to Blitz, with them continuing to fuel Blitz's own self-hatred, even to this day.

Considering all of this, it's very clear that Blitz also hasn't forgiven himself for accidentally causing the fire that killed his own mother.

Finally, we can get onto my idea with all of that out of the way.

Pay attention to the floor in the next two pictures.

Notice the eye looking symbol in both of them? What that shows to me is that the scene with Blitz's mother also most likely takes place within the hotel, which also makes me suspect that the scene is a hallucination, not a flashback, and even if it's a hallucination of sorts, I feel like it'd still make sense that we see Blitz's before the fire self in this scene.

So, a potential idea I have that could go down in this scene is that the shapeshifter dude takes advantage of all of Blitz's self-hatred relating to the circus fire, by using a hallucination or something of the likes of Blitz's mother, playing into the fact that Blitz very clearly hasn't forgiven himself for accidentally causing the circus fire, and using that to crush Blitz further, by making the hallucination of Blitz's mother say or do something to make Blitz think that she'd hate him as well if she was still alive.

Which would tie into the scene where Blitz doesn't have his mother's necklace.

Obviously there's a bit of guesswork in this idea I came up with, but it still could very well happen in some way/form, which I'm really interested and scared to see how everything in this scene plays out.

[genericpuff]

Was the Hera×Echo thing for real?! Was it like planned??? It doesn't feel like it was planned! It feels like Rachel just wanted to queerbait to gather more new readers wtf

yeah it's exactly that tbh

FASTPASS SPOILERS AHEAD !!!

like what more realistically happened is she saw people headcanon'ing Echo and Hera and went "yeah sure I'll do that!" without actually writing the fucking relationship.

This was even a problem back in S2 with Echo's character as a whole, she's introduced as this mysterious 'double agent' character who's almost definitely working for Zeus-

-but then aside from two scenes involving Echo accompanying Hera to the motel to retrieve Persephone's things and Echo warning Daphne that Apollo clearly isn't 'over Persephone' (because he had, y'know, barged into Hera's office demanding Hera's blessing) the whole "Echo is a double agent for Zeus" thing was only confirmed after Daphne was turned into a tree and Echo said "FUCK YOU ZEUS, I'M NOT GONNA DO YOUR DIRTY WORK ANYMORE!" which ... huh? Where's the plot? It feels like there was an entire story there that just got dumped entirely so that Hades and Persephone could play golf with diamonds.

Like this was presumably where Echo ditched her obligation to Zeus, but it had nothing to do with Hera, it was because she heard (I'm assuming from Thanatos) what happened to Daphne.

After that we only ever see Echo again when it's implied that her and Hera had some kind of falling out. No idea what over, maybe it was Hera finding out that Echo was a double agent, maybe Hera called her a slur, we have no clue what. But it's sorta just tacked on during an ongoing monologue about how Kronos has affected her.

The only other 'hint' we got towards it was Ares calling Echo Hera's 'girlfriend' but that doesn't mean a whole lot when we've literally never seen these two have more than two scenes together.

So now Rachel making them kiss feels more like her taking credit for writing a plotline that doesn't exist and was fabricated entirely in the audience's headcanon. And this is something Rachel does a lot, she basically relies entirely on her audience filling in the blanks for her nothingburger plot and then of course gets to take all the credit for being a "smart and inclusive writer". Where? Literally where the fuck is the actual writing?

Imagine if we had gotten a proper B-plot showcasing the relationship between Echo and Hera. Echo is working for Hera as a double agent and doesn't want to blow her cover, while Hera is suspicious because she worries her husband is up to something. Over time they work together, grow closer, Hera realizes that Echo makes her feel a kind of happiness that Zeus hasn't made her feel in a long time, Echo realizes that she can't keep lying to Hera about why she was hired and decides she values Hera's loyalty and respect over Zeus' because she has feelings for Hera now. Maybe Hera finds out about Echo being a double agent, either by overhearing a conversation between Echo and Zeus or because Echo outright tells her, and eventually it resolves with them finally admitting their feelings towards one another and Hera realizing that she's felt trapped in a loveless marriage that's essentially serving the same purpose as her union with Kronos, sacrificing her well-being for the good of a King. They kiss and Hera confronts the original perpetrator of her trauma, Kronos, ready to end the cycle of her abuse once and for all.

Like, the plot is right fucking there but Rachel keeps dumping it in favor of focusing on the boring ass heterocis nightmares that are Hades and Persephone, who get SO MUCH FUCKING SCREENTIME of just telling each other how amazing they are and how much they're in love (meanwhile we didn't even actually get to see or hear what Hera wrote in the letter to Echo, we have to just assume) but still tries to take credit for writing queer stories by just vaguely hinting at a queer relationship that has had zero development or actual screentime. It's Hestia and Athena all fucking over again.

It also doesn't bode well for LO passing the whole "bury your gays" test because Hera is literally marching to what she's expecting to be her death. So she's established as a bisexual character, just for her to be sent to her death, while Echo will undoubtedly get shoved out of the plot again.

And, I shouldn't even have to remind y'all of this, but Hera has been racist to nymphs in the past and Echo was her direct subordinate, her personal assistant.

It just makes zero sense to me why Rachel would suddenly force in a queer relationship between two characters who weren't traditionally gay in the original myths (once again removing the queer aspects of CANONICALLY LGBTQ+ GODS AND GIVING THEM TO THE STRAIGHTS INSTEAD) when Hera's story had more than enough to work with through her trauma from both Kronos and Zeus and her loyalty as the goddess of marriage that's kept her trapped in a loveless and abusive relationship. So now instead of having a subplot that could have been about the goddess of marriage realizing that no one should have to stay in a marriage that's robbing them of joy and the "sanctity of marriage" isn't worth being miserable for life, we have a subplot where the goddess of marriage who is racist to nymphs routinely cheats on her husband and now confesses her love to a nymph who we never even saw her interact with outside of two instances where it was simply a working relationship.

[chronicsyd]

"oh you can't say 'Vi doesn't love Jinx like she does Powder' cause with that logic Jinx doesn't love Vi either"

okay, I'll bite. Jinx and Vi Both don't "love" who the other's grown into. Because after being separated for seven years they Both had misconceptions on how the other would turn out like. Vi thought Jinx would be still Powder who was simply being Forced to work with Silco, not that she was Willingly working for him and took the insecurities both Vi and Mylo bestowed upon her and made it her new name/self. Jinx, on the other hand thought that Vi would continue to love her unconditionally no matter How she turned out.

But they were both Wrong.

Despite Sevika telling Vi that Jinx calls herself "Jinx" now, she calls out "Powder" when the two first meet up again, most likely being overwhelmed by seeing her for the first time in seven years, but she continues to treat Jinx like the 11-12 year old that Vi Used to know, much to Jinx's dismay. But you can see the cracks start to form for Vi when she A) talks about her regret in even calling her "Jinx" in the first place and B) when the two are fighting the Firelights and she sees the glee in Jinx's expression in killing them, and it just gets worse from there on out for her. Because that's not the girl that Vi knew, she's changed. And despite everything Vi can't bring herself to love who this new girl is now. Yes, Vi has sat in denial saying she can "get her back", which is part of the problem, Vi's too stuck on trying to get "Powder" back and having things go back to the way they used to be (so yes, Vi doesn't "love" Jinx in the way that she does Powder, people aren't wrong for saying that). And the way Jinx deems that Vi Can "get Powder back" is too much for her, and Vi can't agree with what her sister Wants. She tries to compromise with her sister by "leaving everything behind" but Jinx's own demons don't trust her, and Vi can't see how much distress she's putting her sister in when she tells her to remember Mylo, Claggor and Vander (cause Vi's still set in her ways of "getting Powder back" during this moment).

But on Jinx's side, she claims that Vi "changed to". And it doesn't solely have to do with Caitlyn. She thought that Vi could bring herself to love who Jinx's turned into, despite all her flaws ("I thought, maybe you could love me like you used to. even though I'm... different."), Vi would always be there for her, because that's how Vi's been in the past. Vi's voice from Jinx's past were the thing that kept Jinx going all these years, she said so herself. Despite everything (Mylo's bullying, Powder's insecurities, etc.), the two always had each others backs growing up. The old Vi probably wouldn't've thought twice about hurting an Enforcer, but This Vi can't bring herself to shoot Caitlyn, she simply couldn't do it. And that's too much for Jinx to comprehend. I don't think Jinx can comprehend how or why Vi has let herself grow so attached to this enforcer that she's met merely a couple of days ago but can't show the same for Jinx herself.

Honestly, it's an issue for the both of them, they're both remembering how the other Used to be. And expecting them to still behave in that same way, and grasping with the changes that the other have made has been hard for the both of them.

So, keeping all that in mind; let's talk about "being opposite of what they were in S1" for the both of them shall we? (I'm also gonna add Christian Linke's (co-creator) thoughts from a few days ago as well. I have a lot more to say on Vi than Jinx)

Vi: The main change for S2 compared to S1 is her relationship with Jinx. She probably loses that last remaining hope/denial that she'll ever get Powder back, and with that grows a newfound determination to put an end to the suffering that Jinx has caused. And probably harbors anger and resentment towards Jinx due to her actions. Now deep down would I say there's still love for her sister? hard to say (she probably does in her heart, but her head is going to be leading her this season more than ever) but what I Can say with certainty is that outright forgiveness is off the table. Vi joins the enforcers because she feels what she's doing is right; whether or not you agree is irrelevant. Vi believes she's responsible in the "creation" of Jinx and that what Jinx has done is her responsibility, harboring Vander's words from her past (Christian goes on to ask "can you forgive a monster?" and I think that's what Vi's head sees Jinx as right now, the monster that she created). There's also a discussion of Vi's amnesia from League lore but I don't have certainty if that's going to be put into play this season or not, so something to keep in the back of your mind (for now at least).

Jinx: In S1, Jinx had an unhealthy codependent relationship with Silco due to being tormented by the demons of her past. But with Silco being dead and Vi being committed to taking her down she'll have no one to turn to in the way that she did with Silco. Sure, Sevika's there but their relationship will look nothing like it did with Jinx and Silco. Jinx will have to live for herself and discover her own identity and her own wants for her future; whatever that future holds for her.

[melrosing]

poor gurm. hotd has it problems but I do believe the showrunners are trying to make a good product. unlike d&d who gurm should rightfully resent...no way there's not a bit of projecting in any hotd criticism from him.

i think it’s probably complicated, like I get the impression that the HOTD showrunners have gotten carried away with the changes they made in S1 and now it’s demonstrable that they just don’t really have the raw talent to spin this story into something new, try as they might. I don’t think they were ever wrong for changing things up in adaptation, F&B practically requires that - but they are to blame for the shoddy execution

but apart from that I’m starting to get the impression that for GRRM it’s more complicated than that. if I had to guess, I’d say that after GOT, he was clear with HBO that he wants more faithful adaptations going forward, and he wants his opinion to count for something, and that’s why he signed. like if he’s this mad about Maelor the Missing, how mad was he when a whole host of characters and subplots were missing from GOT and the rest were butchered?? I’m gonna guess pretty mad. but he had to surrender on that count because he hadn’t finished his books and D&D + everyone involved wanted the show to end.

HOTD was supposed to be different, and it sounds like it hasn’t been. Condal suggested that removing Maelor was only temporary, only now it looks like it wasn’t, and GRRM is annoyed about that - I think he feels lied to or left out of the loop, when that was exactly what he didn’t want this time. I wouldn’t be surprised if there was initially a plan to leave Daeron out similarly, because he was conspicuously unmentioned in S1 and the Daeron references in S2 were really shoehorned in seemingly at the last minute.

and GRRM has been saying he feels like perhaps he ought to stop caring and get on with the books (I would love it if he did) but he’s still so obviously annoyed about how his work has consistently been adapted poorly and that despite all promises he can’t do anything to stop it. especially as he’s apparently mentioned all this in connection with a growing consciousness of his age and his legacy, im gonna speculate that seeing adaptations like this is really grieving him. so i feel a little bad for team hotd because i think they’re really trying, but imo they aren’t doing a good job and even if GRRM’s expectations are too high sometimes, i think it’s been plain since the fall out from GOT that he is well worth listening to.

[moonyardz]

OBX S4 SPOILERS BELOW THE CUT

no bc what the hell was that

jj dying right as he was about to be happy??? all bc of actor drama???

making a 19 year old girl who's homeless / always getting shot at / starving for days at a time / under severe stress PREGNANT???? WHEN A FEW EPS AGO SHE WAS LIKE WHAT THE HELL JOHN B IM 19 WE'RE NOT HAVING KIDS YET??????

ik people care about rafe more than i do & wanted a redemption and whatever i could cope but that was the most rushed redemption arc ive ever seen. and it also looks like they're gonna try and make rafe x kiara a thing ugh

also what even was the point to the whole jj family history thing

anyway show should've ended at s2 or s3 at the MAX even though it sucked but at least it had an actual ending. s4 was so unnecessary for what it amounted to

[gingergofastboatsmojito]

Carmy had an anxiety attack and Sydney stopped it

The Bear | 3x3 | Hands

Let us not overlook the fact that this season Miss Adamu ALSO reverted another one of his attacks, just because we focus on her girlboss speech. OK? The girl bossing is great, sure, but that's not the point.

The point is that Carmy was having a stress-induced anxiety attack in the middle of service, which given S2 eps 9 and 10, was bound to happen this season, of course. And Syd stopped it. Very Sydcarmy material, IK. THAT IS THE POINT. But the B side of that point is that so far I saw NO ONE on Tumblr focusing on that part of this scene, unfortunately. Please make my day and correct me if I'm wrong. Show me a post where this guy is showed some compassion when analyzing this scene, and not a post just cheering up on her girlboss one-liner and butch-femme energy. It's like no one cares. Don't get me wrong, I'm ALL ABOUT that girlboss vibe too, one thing doesn't cancel the other one out in my book. But go ahead, show me that post that highlights his anxiety attack too when meta-analyzing that scene, I haven't found it yet. I'm not gonna lie, because of course I prefer to be right than popular: It pains me and infuriates me in equal measure that just because we all love Syd, some people seem to think that's some sort of license to completely disregard Carmy's mental health deprecating by the minute throughout the entire season, in a rather painfully obvious way, since he got out of that walk-in.

Anyway... Moving on. There's more.

Her words or even energy were not what calmed him down and prompted him to get out of the anxiety attack zone and collect himself, it was looking at her eyes. They locked eyes, held their gazes, and only then he was finally able to get it together. In that order, as can be clearly seen in the vid above. It’s the order what matters, he calmed down AFTER locking eyes for a moment, you can see the shift in his energy not as she was telling him she couldn’t babysitter him but AFTER looking at her with piercing eyes for a sec.

Anxiety attacks and panic attacks are not the same. I encourage you to do the research because if you really care you will and this post is not supposed to be educational, I'm not in the mood for that today, this post is cathartic for me. What I will say though is that patients with panic attacks also suffer from anxiety and can also have anxiety attacks. Some even find it hard to differentiate one from the other. Professionals don't. The difference is quite clear: The build-up, the symptoms, the intensity, the duration, etc. Carmy is a C-PTSD textbook case.

The stressor that triggered his anxiety attack this time around was the lack of HANDS, which can also be a metaphor for the lack of help Carmy gets. Syd is pretty much the only one who really helps him. Ever. He's surrounded by people, yet very alone. Granted, he's not the best at asking for help, and he's not the best leader either, and there's only so much Nat can do being in her 3rd trimester and all, etc, so like I said, it was bound to happen to him, and it did, and when it did, Syd put out the fire with her presence and her calm.

She didn't patronize him, he's not a victim around her, he's just himself. He's certainly not cool-relaxed Logan either, she's not his babysitter, and she's just as stressed out as he is, but she compensated his lack of temperance with her peace firmness, and he responded to it. Because even in the middle of an anxiety attack, Carmy never gets his eyes off the prize. HE HAS TO WIN THAT STAR FOR HER, NO MATTER THE COST → She's his star.

Let us please also notice the fact that the C person MADE YET ANOTHER APPEARANCE IN THE MIST OF HIS ATTACK. That's the guilt I mentioned HERE, eating him away inside and causing him apprehension in the least convenient moment because once an anxiety attack strikes, your defenses are down and whatever you are trying to bury deep down your psyche comes up full force. So she keeps contributing to his anxiety even when they're not even together anymore. Classic.

He also thought about the other source of guilt that is eating him away, his fallout with Richie and how his Cousin didn't forgive him yet, even when he apologized to him and told him he loved him.

Another stressor: GUILT.

OK. Thanks for coming to my TED talk about how Syd calms Carmy the fuck down every single time and I need him to do the same for her in the hallway in 04x01 and return the favor, or I will set FX on fire. Because in case you didn't notice, this post was actually about THAT.

Bonus track: To calm down he willingly tried to think of things and people that bring him peace, and not only he definitely didn't think of C at that moment, he thought of Nat, of his time in CA and in Copenhagen, and this time around HE DID NOT ALLOW HIMSELF TO THINK ABOUT SYD, WHO HE KNEW WOULD HAVE ENDED THE EPISODE ON THE SPOT. He deliberately didn't. But she showed up and did the trick anyway:

Remember to follow my tag #Gingerpovs 💋

[hollow-lime-green]

Fanfic Writer Interview

This looks fun!

How many works do you have on AO3?

55!

Which is not what is listed lol. This is maybe a good time to mention that I actually have a side PWP AO3 although I haven't used it in a while, and haven't written any PWP for JJK. So only go check it out if you like FE3H rarepairs or Hades, I guess.

And if you do the math between my two accounts, you still won't get up to 55 because a few of those are actually posted anon. I did some kinkmeme fills for the FE3H fandom and while I'm not ashamed of the content lol, I did those as more of a writing reset thing and they're not as edited/polished as I would like? So I just don't want them under my real accounts.

Your top 5 stories by kudos/likes:

So first, just, full disclaimer - kudos is not a good stats metric to judge your fics. Kudos amount is not sensitive to quality, it is sensitive to fandom size, fic type (pwp vs plot-driven, oneshot vs multichapter, au vs canon), rating, and length. Please god do not ever judge based on flat kudos.

A better metric (which by the way you should still not care about metric when you do Enjoyable Hobbies) is hit:kudos ratio, which I find is almost always around 10:1. If I want to see how well a oneshot does, that's a good metric. Repeat readers can't give repeat kudos, so that metric is useless for multichapters.

Anyway this is why it's good to comment on the fics that you like - the nice words people say to you are infinitely more valuable and better than numbers. Thank you for coming to my Ted Talk.

A Real Breakthrough - Arcane Jayvik, PWP, 4.3k Set in S1 Act 1 (so no spoilers for S2)

Yeah so this is my most kudosed fic and it is not even close. I love this fic, I snapped with this fic, however it is also the only thing I have ever written for Arcane so it's like this one massive outlier on my AO3.

2. it's not gay unless the domains touch - JJK Stsg 40k

It's a little surprising to me that this one has so many more kudos than 2sorcs, but that has more to do with a.) if you like 2sorcs you'll go back and read domains, whereas you may read domains and not go on to 2sorcs and b.) fandom life cycle and when domains was coming out vs 2sorcs coming out after JJK ended

3. Bend the Knee - Hades Thesterius PWP 3.6k

Ahahahaha i forgot about this fic, I did snap with it though. I will play Hades 2 when it actually full releases and then I'll probably be insufferable. Hades fandom was very very fun and friendly, especially the Thesterius subsection. It may have been the nicest and most accepting fandom I've been in.

4. two sorcerers chillin' in a hot tub (five feet apart cause they're not gay) - JJK Stsg 115k

she's up there! she's on the board!

5. The Torment of Stillness - Hades Charmes PWP 4.4k

good for her, I didn't realize this fic had done so well

Do you respond to comments? Why or why not?

i really try to respond to all my comments, or if someone writes a bunch I'll respond to them as a group. I struggle to write comments myself, even when I absolutely love a fic, so to me it's no small thing when people take the time to comment, and responding is a way I can say 'thank you' and 'hi yes i am a real person and your effort has made me tangibly happy'. plus like, we're all doing this for community, and community only happens when we actually talk to each other. interaction is the life blood of fandom, and it's how you make friends :)

What’s the fic you’ve written with the angstiest ending?

weelllll I don't really write sad endings tbh. and maybe that's giving away the game a little bit with FIYM but I promise it's gonna be a tough road to the happy ending there. so if i had to pick one, it would be a Satoru POV piece but it almost doesn't count to me because those aren't exactly 'endings'. for that, I'd probably say the uncertainty principle (JJK STSG 1.4k) is the angstiest. it's also not really a plot story, so not really an ending, but I think 'angstiest character study' still counts.

by my definitions though, I am going to nominate Swan Song (FE3H Balthuri, 9.4k) This one is more full bore angst, although I think the ending is... optimistic? I really like this fic, although it is for a tiny tiny niche ship.

What’s the fic you’ve written with the happiest ending?

uuuuuuuhhhhhhhh. how do you even measure happy? also i don't have a lot of longfics with 'endings' because i'm a piece of shit with abandoned wips (i am so sorry FE3H)

I'm going to say Limitless (Hades Patrochilles, 1.1k)? It's not a lot of plot to be ending but I think it's probably the most feel good? Second nomination to Condemned (Hades Thesterius, 7.5k) which has a little more plot.

Do you write crossovers?

not exactly. I write AUs, but I don't generally cross characters over, which I feel like is more of what 'crossover' entails. No hate, just not something I feel particularly compelled to do.

Have you ever received hate on a fic?

nope. literally never. it is extremely rare on AO3 (in my experience) unless you are dealing a Really Big Ship and you run into people with extreme T/B or characterization preferences. I have seen friends get hate, esp in Big Ships in the FE3H community, so I know it is a real thing that exists, but I have fully dodged it.

the closest thing I've ever gotten is someone being like "ew, you wrote Ares/Dionysus?? that's incest!"

but all you can do with that is laugh, because... my brother in christ, do you know Greek canon?

Do you write smut? If so, what kind?

yep. lots. I don't know what 'what kind' means, but I write all kinds. with and without plots, with and without inhuman genitalia, with and without consent.

i currently only have mlm and mlmonster posted, but i have written (and not been happy enough to post) wlw and het. hopefully that eventually changes, because I do feel bad that I don't have more equal opportunity smut out there. women are great we love women. i just don't feel like I write wl well enough yet.

Have you ever had a fic stolen?

i don't think so!

Have you ever had a fic translated?

i have had someone ask, i don't know if they ever posted, it is still an extremely high compliment and it makes me smile that someone even wanted to do it.

i have had a fic recorded, which is definitely my peak (The Prince of Roses, FE3H Ashedue Sleeping Beauty AU 1k/6min). that was so cool. podficcers are very cool, they are doing god's work, and I would totally do it if I didn't hate my voice.

Have you ever co-written a fic before?

no, and I think I would be a nightmare to work with, because I am very particular about everything.

however, i love love love collabing with artists and I have done that several times. and I would love to do more!

What’s your all-time favorite ship?

FE3H Balthuri. It's so niche but it's so good. Balthus has a lot of depth to him if you look past the surface. And Yuri's backstory is an incoherent, impossible spaghetti bowl caused by the creative team not being able to say no to any single idea. love them.

What’s a WIP that you want to finish but don’t think you ever will?

The Lion of Kupala - Balthuri Canon Divergent AU 30k Political Intrigue

i think my plot ideas for this fic were very interesting, but the amount of effort I put into the atmosphere building and stuff was burning me out compared to the size of the community. and I would expect the fandom for this ship is basically dead these days so if I did go back to it, it would be a pretty solitary labor of love. I am unlikely to finish my Ashedue fics either, but I am significantly more likely to finish those because there's more potential that people might cheer me on and help me get to the finish line for that ship.

What are your writing strengths?

comedy, apparently! i didn't really write comedy until JJK, so that was kind of a surprise.

i would probably say characterization too. different reads on characters are (or, can be) equally valid because you're working with limited text. I think the key is staying consistent.

i'm very good at dialogue matching if there is a good enough sample size to draw from, which I don't think there is for lots of manga. i don't think my dialogue matching is good for JJK, especially with the translation from JP making some of the ENG sound unnatural in the actual manga. but I think for my other fandoms, I did pretty good

What are your writing weaknesses?

action for sure. and people are very nice to me about my action scenes, but they are for sure the hardest pieces for me to write and they take a long time for me to conceptualize and wrangle into coherent words.

these days, atmosphere has been a weakness too, I think. i used to really focus on that in my writing, but it has been more fun to be a little more dialogue and plot driven vs super rich moments. that's part of why I burned out on some of my FE3H fics. it takes a lot of mental energy for me in the writing process to constantly check in on scene setting/atmosphere.

What are your thoughts on writing dialogue in other languages in a fic?

clarity is the most important thing - your reader should understand what you are saying and be drawn into the context of the world. sometimes writing dialogue in other languages adds, sometimes it subtracts. does the character understand that language? if so, they should hear it in the reader's language so that is understood. if they don't, then it should be given outside of the reader's language. and in that case, you should always have your specific translation in the end notes (if you want the reader (not the character) to know what was said), or you lose some clarity/intent.

What’s a fandom/ship you haven’t written for yet but want to?

Chainsaw Man.

when i started FIYM, the other Big Project I was looking at was a multipart 'X Lives and Here's Exactly How it Could Work in Canon". but i didn't find the ship very compelling and it takes a lot for me to write gen because I find the community is better/more active for ship fics. so we went with FIYM even though my idea was less fleshed out (narrator: that would soon change).

What’s your favorite fic you’ve written?

string theory (JJK, stsg, E, 17.4k)

which is funny because it's the only piece of FIYM that was totally unscreened by betas, it took the least time to write (proportionally), and I wrote it when I was probably at my lowest with anxiety, sleep deprivation, and stress.

actually right before I started therapy lol.

'tortured artists' or something like that

Ty for the tag @marichild <3 Tagging: @detta-pica @fireflywitch @ anyone else who wants to do it :))

[chaifootsteps]

Lightweights podcast interview: Viv says the rest of the story is about the ‘Goetic’ society (not even a word btw) with kings, other princes explored and stolas perspective in all of that, amongst ‘all these new characters’ Dear god stop adding characters woman. She also said if stolas died there would be no show.

jeez, Viv isn't even trying to pretend Blitz or IMP are the main characters anymore

this is the biggest criticism people have of the show and she just admits it's totally the case and she's doubling down on it?

and thing is, how the nobles work and what the stakes are for this stupid divorce is something the show should flesh out. but it should have done it long before now and just in the background of its B plot

it boggles my mind Viv thinks she's improved as a writer when she keeps doing everything backwards and her stans insist it's good writing when she fixes problems she shouldn't have caused in the first place

I'm so out after s2. I'm never bothering to watch an episode in full again, I'll just read summaries to see how bad it gets. I could care less about Stolas' family drama if it takes over the whole show

also 'there's no show without Stolas'. besides him usurping Blitz, way to kill the tension completely whenever he's in danger. he's obviously never gonna die, the audience is just with him forever

"I've improved as a writer. Also, there's no show without my favorite character that my audience is increasingly saying they hate."

Oh, Viv. Don't ever change...just kidding, it's obvious you never will.