#we've all been saying it since her first episode!

[genericpuff]

hi! this is my first time reading lore rekindled, and I am amazed with the remake you have done for it

in a way that's lore accurate and still going with the flow of the storyline from Lore Olympus (that I stopped reading, tbh midway. the plot lost me. looking back, the characterization [and example is apollo on what he had done to kore, felt off and not him that that's how he's written in perse's life. glad you changed it up)

---

Anyway, I wanted to start it off with I'm glad to have seen that yt recommended video of LR. Secondly, now that I have catched up to the latest episode, I was wondering why Hades is in the wrong here rather than Dio?

I've read it and felt that Dio was being an ass to Hades along the way.

Again, as the notes have written themselves, lovely episode, artisty, and visuals! looking forward to the future episodes 🤗

Ahh thank you so much!

I have gotten a few comments and questions about Dionysus and his behavior in Episode 68. It's sort of a perfect storm of conflicts that Dionysus took into his own hands to solve.

Biggest reason he was there at all was to personally confront Hades not for that specific instance of talking about Kore, but for past incidents, and with his newfound knowledge of Kore interning in the Underworld-

Dionysus may often speak in riddles and broken speech, but underneath he's essentially asked Demeter for permission to take matters into his own hands, permission which Demeter gives in a very hands-off way - she doesn't ask him to specifically confront and beat up Hades in the middle of The Olive Branch, but she's willing to let nature take its course in whatever direction it must take, and that was the direction Dionysus chose.

And really, he was just planning to beat Hades up. It was when Hades talked back that Dionysus decided to play even dirtier. It wasn't just out of spite, Hades was also technically overstepping the ruling that Zeus had given. Though he had a point that Dionysus was already playing dirty by ambushing him without warning, in this context where Zeus had given a ruling to Dionysus (even though it was played up for comedy) Hades was basically being a sore loser LMAO

(was Dionysus allowed to do this? Probably not, but considering we spent the majority of the episode trapped within Hades' mind, we've yet to see the consequences of Dionysus' own choices here.)

Aside from that, we also have to bear in mind that unlike Kore, Dionysus is an Olympian who already has his own constructed opinion of Hades from past lived experiences. He's not a complete stranger swooping in to protect Kore with zero context, he's been a part of Kore's life since she was born and has basically taken on the role of her honorary uncle; meanwhile, if blood-related DNA were at play, Dionysus is essentially Hades' nephew, and he's had more than his own fair share of run-ins with Hades over the years even before Kore was in the picture.

Of course, that's a lot of stuff we've yet to fully get into, but I mention it anyways as a reminder that, while Hades is clueless to Dionysus' affiliations with Kore, Dionysus isn't clueless when it comes to Hades' own patterns of behavior from the past, and so it automatically became a priority for him when he sensed those patterns repeating themselves.

All that said, none of that's to say that you have to even see Hades in the wrong! It's definitely a complicated matter that's also not being helped by Zeus, who's instigating a lot of the drunk gossip talk around the table, but like Dionysus, Zeus also knows Hades well enough to recognize his own behavior and faults, and he's doing what he's always done, albeit poorly - prodding people for the truth.

And then, of course, the fact that both Zeus and Hades were treating the wait staff poorly was just the icing on top of the shit cake. While Chloe is a denizen of Olympus - Zeus' domain - she was also acting the role of cupbearer, serving alcoholic beverages, which enters the grey area of Dionysus' domain as the god of wine. I get to have a lot of fun with those sorts of grey areas when writing out these scenarios LOL

TL ; DR: I think two things can be true. I think Hades absolutely deserves an ass-whooping for all the things he's done (so far) but I also think Dionysus is overstepping his own jurisdiction with Kore, especially when both she and Demeter will undoubtedly catch wind of his actions. As for how those consequences play out, well, we'll get to it eventually ;3 In the meantime, it makes for fun drama and I hope you continue to enjoy it! <3

[soup-or-who-lock]

Cyrus Goodwin: I see in your eyes the love you will not, or cannot, muster for me. Your husband.

The writers, about Susanna:

[archangeldyke-all]

Hi so uh, what the flying fuck did I just watch? I've been sobbing for the past hour so I wanted to ask for some fluff with Isha, Jinx, Sev and reader. Cause nothing bad happened right? Everyone's alive and well and act III is going to be three episodes of everyone playing happy family :)

everything is fine! it's all fine!

men and minors dni

"quit worrying, sevika." you chuckle, elbowing your wife.

the two of you are walking home from a date-- the first you have been on in months. you've been busy adjusting to the sudden appearance of jinx and isha in your lives, and as much as both of you love it, your love life's been put on the side lines for the time being.

jinx noticed. and she decided the two of you needed a date night. and after a few hours of convincing on both you and jinx's part, several promises to call if something wrong happens, and a pinky swear that she wouldn't play with explosives in the house-- sevika finally relented and agreed to go out with you.

you've had a wonderful evening. drinks and grub at one of your favorite little restaurants, then a nice walk up on the promenade, you and sevika stopping occasionally to stop in shops and buy little trinkets for the house.

now, you're headed home, and the closer you get the more nervous sevika looks.

"i'm just... looking for any pillars of smoke, or something." she mumbles. you giggle and pull sevika to a halt. she turns around, raising her eyebrow at you. "why'd you stop? if there's a fire we need to get hom--" you cut sevika off with your lips pressed to hers, and she sighs against you, her worries evaporating in an instant.

for just a moment, you let yourself lose track of where you are and what time it is, just enjoying the feeling of sevika against you. then, a horn honks down the street, and you both pull apart with nervous giggles.

"'m sorry." sevika sighs, hanging her head and bumping her forehead against yours. "did i ruin our date by worrying all night?" she asks.

you giggle and shake your head. "no, baby. 's really cute, actually. my mama bear."

sevika groans and rolls her eyes, pulling you to continue walking down the street. "c'mon. let's go see how much damage the girls dealt to our poor fuckin' house."

when you get home, you're surprised to find the house... relatively clean.

the lights are off, and a few candles are scattered around the living room. jinx is lounging on the couch, reading a book and kicking her feet. "oh hey. you're home." she greets. you blink confusedly at her. she just chuckles. "i figured since we've started crashing here your sex lives are probably in the shitter. so, y'know. i set the mood. put some flower petals on your bedspread. just-- make sure you turn the radio on loud please. i don't wanna explain to isha what all the... noises are." jinx shudders.

you grin, then leap forward to wrap jinx up in a hug. she groans against you but doesn't push you off-- letting you coo over her. "you're such a nice kid, aren't you?" you ask, kissing her bangs.

"where's isha?" sevika asks.

"sleepin' in our room." jinx says. "i'll go join her so i don't overhear anything." she mutters.

you let her go, giggling a bit as she ducks out of sevika's attempted noogie.

when you turn around to face your wife, she's wearing a shocked expression.

"i told you we have nothing to worry about." you say.

sevika huffs and wraps her arms around your waist. "c'mon. when's the next time the kids are gonna be avoiding our room? we only got a few hours before one of the girls wakes up and comes to cuddle... gotta take advantage..." sevika purrs in your ear.

you giggle, dragging her toward your bedroom, only for her to stop in the hall right outside your door. "sev c'mon--"

"what the fuck?" she asks, pushing open the door to the bathroom.

you glance over, your heart dropping when you do.

the entire bathroom, sink, bath, and somehow even toilet, are stained bright blue.

"what the fuck!?" sevika squawks again.

"what's wrong?" jinx asks, popping out of her room with concerned eyes.

"what the fuck happened to the fucking bathroom, jinx?!" you scream.

jinx slouches and chuckles awkwardly. "oh, that. i was hoping you wouldn't notice that until... later..." she says.

"did you paint our fucking bathroom?" sevika growls. jinx chuckles and waves her hand.

"it's not paint, relax!"

"well what the fuck--"

the door to jinx's room creaks open just a bit, and isha appears by her side, rubbing her sleepy eyes, her hair dyed blue. she smiles brightly at you and sevika when she realizes you're who jinx was talking to, and she darts forward to give you both hugs as a 'welcome home' greeting.

"you dyed her hair blue!?" sevika squeals.

"doesn't she look great?" jinx asks excitedly.

isha nods enthusiastically, giggling and doing a little twirl for you and sevika, her hands coming up to shake her hair. you

you look over at your wife.

sevika's mouth is still open in shock, her eyes darting back and forth between your stained bathroom and isha's new hairdo.

when her eyes finally meet yours, you both burst into exhausted laughter.

"y'look amazing, kid." sevika sighs, ruffling isha's hair. isha grins big and wide, and you pull jinx in for another hug.

"you're helping me scrub the bathroom tomorrow, missy." you whisper in her ear.

"yeah yeah, whatever." she sighs.

taglist!

@fyeahnix @lavendersgirl @half-of-a-gay @thesevi0lentdelights @sexysapphicshopowner

@kissyslut @chuucanchuucan @badbye666 @femme-historian @lia-winther

@sevikaspillowprincess @emiliabby @sevikasbeloved @hellorai @my-taintedheart

@glass-apothecary @macaroni676 @artinvain @k3n-dyll @sevsdollette

@ellieslob @xayn-xd @keikuahh @maneskinwh0re @raphaellearp

@iamastar @sevikitty @mascdom @nhaaauyen @annesunshiner

@mirconreadzztuff22 @veoomvroom @lushh-s3vik4s @katyawooga @lesbodietcoke

@lavandasz @strawberrykidneystone

[seven-oh-four]

okay i NEED to talk about something that's been driving me INSANE since the very first episode of the amazing digital circus.

okay so. in the first episode, when caine snaps his fingers to bring Ragatha back to normal, the scene places a strange amount of emphasis on the fact that this action also causes pomni's hand to go back to normal even though caine didn't know anything was wrong with her.

why?

well, y'know the gloink queen? she never actually... dies. kaufmo falls on her, causing her to spit out zooble, beats her up, glitches her out, but she's never destroyed. even as the gang leaves the gloink caves, you can hear her screaming.

she glitches out, but she's never destroyed.

and when caine snapped his fingers, everything stopped glitching, and they wanted to make sure you'd notice that.

but like. she's the gloink queen. she's just a tutorial boss. she's obviously not gonna come back, right? how would that even work? twist reveal that she was the mastermind all along?

then episode two came out, and my suspicions grew. episode two has a whole scene introducing a new character, The Fudge. The Fudge then dies via a truck from the sky, something that tragically happens all too often. The Fudge is never relevant again.

at the end of the episode, it's revealed that Jax left the gate open anyway, the Fudge survived, and he is now terrorizing the kingdom...

but... this is of absolutely no consequence. it's completely irrelevant. the gang just leaves.

okay so that's TWO big gloopy monsters that have a strange amount of emphasis placed on the fact they survived despite the fact that this never winds up addressed in the episode.

okay. so how about episoOh My God.

AGAIN. they have two whole shots dedicated to showing you that the creature survived, with scare chords and everything, and yet this STILL never comes up again!!!!!! what!! the hell!!! and fuck!!!!!

we've also had an entire episode focused on the concept of NPCs, and NPCs becoming self-aware.

so these monsters are obviously going to come back at some point. they HAVE TO. it'd be utterly ridiculous for them not to!

i just needed to get this off my chest. i need SOMEONE to know this.!!!! okay, bye!

bonus note: Gloink Queen says "GOD will be gloinks!" at the end of her evil monologue. we didn't know this at the time, but all of the NPCs refer to Caine as God.

[lecsainz]

OMGGGG!!!! 🩷🩵 Love your work! Can you do a Percy X (halfblood of your choice) reader and maybe affection headcannons? Like how he stares at you 24/7 and maybe him falling asleep on our shoulder and all that!!!!

BEAUTIFUL GIRL

parings: percy jackson x fem!reader

an: two weeks without a new episode, I can't take it anymore 😭😭😭

summary: the one where you and percy met at yancy academy, and what your relationship would be like.

( my last work for riodanverse || go to my main masterlist )

You met Percy at Yancy Academy, and well, you quickly became friends – best friends, to be precise, since your room was conveniently next to his.

When Grover arrived at the school, he became more than worried about finding two demigod kids together.

As you excelled in your studies – you LOVED studying – you decided to help Percy out. However, Percy always seemed too distracted, often catching him staring at you.

Percy looks at the notebook where you were scribbling math problems and realizes he hasn't paid attention to anything you were explaining for the past twenty minutes.

"So, um, how do you solve this math problem again?" He asks.

You point the pen at him with a stern expression. "Percy, we've been through this like ten times!"

Percy gazes at you with a mischievous smile on his lips because, by the gods, he finds you incredibly beautiful with the braid you decided to wear today.

"Sorry, got distracted. You look really nice today." Percy says, shrugging.

"Focus, Percy! We need to get through this." You roll your eyes, but your cheeks are flushed, and Percy still finds it adorable.

You throw the pen cap at Percy, lightly hitting him on the head when you realize he wasn't paying attention again.

"Ow! What was that for?" He puts his hand where the cap hit him and pretends to be in pain.

"For not paying attention! Now, let's get back to work." You stick out your tongue.

Laughing, Percy tries to throw the pen cap back at you, but you quickly dodge, and poor Grover ends up being the target.

You two became an inseparable duo, like shadows to each other, and constantly causing Grover massive headaches.

Percy would talk about you to his mom.

Percy hesitated for a moment before dialing the number. As his mother picked up on the other end, he launched into a torrent of words about you.

"Hey, Mom, you won't believe what happened today. So, there's this new girl, Y/N, and she's amazing. Seriously, she's the smartest person I know, and she's always helping me out with my studies. And she's got this incredible sense of humor. We're like a team, Mom, inseparable. I don't know how I'd get through the day without her."

Sally listened with a gentle smile on her face, recognizing the familiar signs of her son being captivated. She knew Percy well enough to notice the subtle shifts in his tone and enthusiasm.

"Percy, it sounds like you really enjoy spending time with this Y/N," Sally said, her voice warm and knowing.

"Yeah, Mom, it's like... I don't know. She's just different, you know? Everything feels better when she's around. I can't explain it."

Sally chuckled softly, recognizing the telltale signs of young love. "Percy, sweetheart, sounds like you might be developing feelings for this girl."

Percy stammered for a moment, realizing that his mother had caught on. "I, uh, Mom, we're just friends. Really good friends."

Sally's laughter echoed through the phone. "Alright, Percy. But remember, love has a way of sneaking up on you when you least expect it.”

When you first heard about blue food, you didn't believe Percy's words, leading to a heated argument. It all ended when Percy pulled out a pack of blue cookies from his backpack. To your surprise, they turned out to be the best cookies you'd ever tasted.

During one of your study sessions, Percy calling you a beautiful girl, and the nickname sticking because you blushed every time he called you that.

Percy only realized he liked you when they arrived at the camp and you wanted to help Percy defeat the Minotaur, but he wouldn't allow it because he had already lost his mother and couldn't bear to lose his girl.

He told Grover not to let you follow him and instructed him to take you safely to camp.

The air in the forest was thick with tension as Percy and you faced off against the looming figure of the Minotaur. Determination burned in your veins as you gripped your weapon tightly, ready to fight alongside Percy.

But before you could make a move, Percy's voice cut through the silence, firm and commanding. "Grover, take Y/N back to camp. Keep her safe," he ordered, his tone leaving no room for argument.

Your heart sank as you realized what he was saying. "Percy, I can help. We can fight this thing together," you protested, your voice trembling with emotion.

"I need you to stay safe, Y/N," Percy said, his tone unusually severe. "Grover will take you to camp. I can't lose you."

Tears welled up in your eyes, the raw emotion of the situation hitting you like a tidal wave. "I can't just stand by and do nothing while you face that monster alone."

Percy shook his head, a mixture of frustration and fear in his gaze. "Y/N. I can't risk losing you. Not after what happened to my mom."

A heavy silence settled between you two, the gravity of the situation sinking in. Percy cupped your face gently, his eyes searching yours. "I need you to trust me, okay? Grover will take care of you."

Tears welled up in your eyes, and you nodded reluctantly. "Just promise me you'll be safe, Percy."

He gave you a solemn look before pressing a soft kiss to your cheek. "I promise. Now go with Grover. I'll find you after this is over."

Grover approached, his expression mirroring the somber mood. "We should go, Y/N."

After that, you swore to yourself that the next time you saw Percy, you would tell him you liked him. That seemed like the smartest thing to do.

As Percy stirred awake, his eyes met yours, and a small smile played on his lips. "Hey, beautiful girl," he greeted, a newfound warmth in his tone.

You blushed at the endearing nickname he had given you, but concern soon took over. "I thought I was going to lose you," you admitted, holding a small cup of ambrosia-infused nectar.

His expression softened, his hand reaching for yours. "You're not getting rid of me that easily."

Relief washed over you, and you laughed, playfully nudging his shoulder. "Good. Because there's something I need to tell you."

Percy raised an eyebrow, curious. "What's that?"

He looked at you with curiosity, encouraging you to continue. With a deep breath, you confessed, "I... I really like you."

Percy's eyes lit up, a genuine smile spreading across his face. "You do?" he asked, as if surprised by the revelation.

You nodded, a shy smile gracing your lips. "Yeah, Percy, I really do."

"Well, beautiful girl, I think you're stuck with me now," he declared, a playful glint in his eyes. As you leaned in closer, he gently pulled you to lie beside him on the bed. When you rested your head against his chest, Percy winced in pain.

"Careful," he joked, "I just survived a Minotaur. Your head might be more dangerous than that."

You chuckled softly, and Percy couldn't help but smile despite the discomfort. "You know," he mused, "your laughter is my favorite sound in the whole world."

[lesbianmarrow]

augh. rewatched btvs 5x22 scene where spike & buffy go to buffy's house to get weapons before the big showdown. them having to retrieve weapons is such an amusingly flimsy excuse to have them go to her house so we can have the scene where she invites him in + he promises to protect dawn + "i know you'll never love me" speech. i love a paper-thin excuse to put 2 characters in a room together. especially when those characters are buffy and spike!!!!!!!!!!!!

it really is so striking the way spike refrains from asking buffy to let him in even though he would be perfectly justified in doing so as it's obvious that buffy has forgotten he's not allowed in. i think part of it is that he wants to make it clear that he will respect the boundaries she has set with him. but i also think part of it is that he doesn't wanna feel the pain of being rejected again, because that fucking hurt. if he doesn't ask then he doesn't have to hear her say no again. it shows how head over heels he is for her and how much he has changed since the beginning of the season, when he was challenging her boundaries so much.

spike's expression when he's walking thru the doorway......it's so endearing and some really great acting from james marsters. first surprise and disbelief, then glee which spike is trying very hard to restrain because these are grave times. and yet he can't help feeling so joyous that buffy trusts him. he glances as the doorway like he's thinking "ah yes what a nice house" which makes me laugh because it's so stupid but also sweet. i think it's him trying to play it cool and doing a not so good job of it. there's such a lightness to him - it reminds me of the feeling when you think you did something to upset your friend a few days ago and you're anxious that they've been angry with you all this time and you finally gain the courage to ask them about you and it turns out they were never angry or upset at all. the giddy relief you feel.

and then there's that little moment of tension where they're standing so close together and you think something might happen but then spike breaks off and goes to the weapons chest and starts rambling about what they should take. it's so notable that it's him who gets nervous and moves away. so different from the way he behaved with her in fool for love, getting up in her space and trying to make her admit she had feelings for him. he's accepted that she'll never love him back, and moments like this where it feels like maybe there could be something between them are too painful, so he disrupts the moment. moves away.

jumping to the end of the scene - i love that buffy is on the stairs when spike does his little speech. she's physically above him. "you're beneath me." not only that, she's ascending, just as she ascends at the end of the episode, accessing a level of heroism that spike will never be able to meet. rewatching this part, spike's expression really surprised me. when he says "i know you'll never love me," he doesn't look at all bitter or resentful. his face is open, understanding, compassionate, and thankful. because that's what this speech is - he's thanking her for treating him better than he deserves. he's so grateful for the respect and trust she has given him. it has been truly transformative, as we've seen. only he doesn't get to the actual thanking part, because he cuts himself off, saying he'll wait for her down here. i think he cuts himself off because he realizes that this isn't what buffy needs to hear right now. she's got an enormous battle to prepare for, and a sister to save, and spike's feelings simply aren't important. so he stops mid-sentence for her sake. i think we're meant to understand that the only reason he started to say this at all is that he really thinks he might die tonight and it could be his last chance to let her know what it has meant to him to be treated like a person capable of doing good.

i've focused on what's going thru spike's head in this post bc i think buffy is a lot harder to read here. which is interesting bc sarah michelle gellar as buffy is so expressive that usually you can always tell exactly what buffy is thinking. but when she's with spike in these episodes toward the end of season 5 it's difficult to tell how she regards him. i think a lot of the time even she doesn't really understand how she feels about him. their relationship is so paradoxical. she relies on him but she reviles him. she wants him around but she finds him intolerable. i might rewatch the scene again and make another post about what might be going thru buffy's head, but for now i'll leave it at saying that i kind of love how spike's feelings for buffy are crystal clear to us and buffy's feelings for spike are much murkier. spike started out as this cool mysterious antagonist, whereas buffy has always been the protagonist and we're constantly seeing things from her point of view and being made to understand how she feels. so it's kind of fun to see that flipped a little bit. and it also rings really true for me how buffy in this moment is like, i have 5 billion things to be worrying about right now, i cannot even begin to process whatever feelings i may or may not have regarding spike. and with all of that said........there really is a softness to the way she treats him in this scene. and it's nice.

anyway. these two ✌️ gonna go jump off a tall tall tower

[educatedsimps]

Hi! Saw your requests were open and I just had to stop by! Could I request a (not exactly angst bc the idea is funny but definitely in character for him) Bokuto x reader where he's ranting to a friend about how he loves to hug the reader and his friend just makes an offhand comment about how he'll probably crush her since he's a pretty big guy and he goes all emo mode about it. He doesn't want to hurt anyone :( Obviously we gotta add some comfort at the end for the silly guy

≪ back to fics masterlist

bokuto kōtarō  x f!reader

a/n: omg of course!! i haven't had the chance to write for bokuto and yes i agree this is literally perfect for him 🥰

cw: timeskip spoilers, atsumu being stupid, some hurt/comfort, msby crack

"I can’t wait to go home after this. I’m exhausted," Sakusa sighed.

"It’s not useful practice if it’s not exhausting, Omi-Omi. Be glad you’ve got teammates like us," Atsumu drawled, winking at his teammate and earning a disgusted glare from across the table.

"I thought today’s practice was fun! We got to try the new unorthodox version of our quick attack, and we've almost got it!" Hinata chirped next to Atsumu, with bits of his food flying from his mouth.

"I'm fine with it as long as you guys don't overexert yourselves during training," Lisa, Atsumu's girlfriend and the team's physiotherapist, chimed in from Atsumu's other side.

"What are you guys planning to do when you get home?" Meian asked, stuffing a rice ball in his mouth.

"Shower," was Sakusa's immediate answer.

"Probably do a little bit of meditation," Hinata mused.

"Call my brother to ask for more meal prep bentos," Atsumu said. An amused scoff came from his girlfriend.

"What about you, Bokuto?"

Having been focused on his food the whole time, Bokuto nearly choked on his rice when called upon by his captain. With tempura crumbs coating his lips, he smiled widely and announced, "I'm going home to give y/n a big hug!"

"You sure love hugging y/n, Bokuto-san!" Hinata chuckled, popping a salmon nigiri in his mouth.

"Of course I do! I love hugging her! She's so huggable and I just wanna squeeze her so tight all the time and transfer all of my love for her," Bokuto said, with with his fists in the air. "You guys should all hug your girlfriends tight! The tighter you hug her the more she'll know you love her!"

Shooting Lisa a lovesick smile, Atsumu stated, "We all love hugging our girlfriends, but I won't accidentally crush 'er to bits like someone." He nodded towards Bokuto.

Bokuto stilled, staring at Atsumu with confusion.

"Miya..." Meian warned under his breath.

"What? I mean, have ya seen the guy? He's huge! Could prob'ly flatten 'er if he wanted to," Atsumu continued, chortling at the thought. He stopped short as he noticed the glares from Meian and Sakusa. "What? What'd I say?"

By then, Bokuto was already in a completely different headspace. He had a blank expression on his face and a faraway look in his eyes. His shoulders were slightly hunched and his usually spiky hair seemed to droop at the edges.

Sakusa sighed what was probably the heaviest sigh in the history of mankind as Hinata stage-whispered to his teammate, "Atsumu-san, I think you hurt Bokuto's feelings."

Wide eyed, the blonde setter started to defend himself. "WHA-?! no, i- I DIDN'T EVEN-"

Sensing Bokuto's incoming emotinal shut down (or emotional episode, in this case), Lisa quickly tried to divert their attention. "Please, 'Tsumu. You wish you were as strong as Bokuto-san. Your spikes are weak as shit-"

" 'Cause I'm literally a setter!"

"-and not an all-rounder, which is why Kageyama-kun is ranked first in the country and you're second."

"BABE-"

"Maybe I shouldn't hug her anymore. I don't wanna hurt her. What if I really crush her one day? Then she'll really be flattened like a piece of bread. I don't wanna hurt her. So this means I can't hug her anymore. But I like hugging her. But does she even like my hugs?" Came Bokuto's voice. His brows were now furrowed and his face was etched with worry.

"Of course she does, Bokuto-san! I'm sure she loves your hugs, and you love her too much to ever hurt her, right?" Hinata and Lisa attempted to cheer up the saddened spiker.

Finishing the last of his food, Sakusa stood up, muttering, "I'm exhausted, I can't deal with this right now. My partner's here to pick me up anyway," As he walked past the other side of the table, he spoke to Atsumu in a low voice. "Only a jerk like you would say something like that to Bokuto, of all people."

"SHUT UP, OMI.”

"I’m home…"

Your ears perked up at the sound of Bokuto’s voice and you immediately noticed his dejected tone. Closing your laptop, you got up from your desk and bounced over to the front door to greet him.

Sticking your head round the corner, you saw him place his stuff down by the counter before staring into space. His face was blank and devoid of emotion but his eyes were filled with inexplicable sadness. Seeing him like this tugged on your heartstrings and you knew he was going through one of his emotional episodes. You just didn’t know why.

"Hey, Kō! How was your day?" Slowly walking towards him, you reached out your arms to give him a hug but stopped short when he cried out.

"NO, DON’T HUG ME. I’LL CRUSH YOU."

You froze with your arms mid-air before you dropped them back to your side. He had one hand held out to stop you from coming closer and his face was tucked into his other arm. You could hear quiet sniffles coming from him and your heart broke seeing how upset he was.

"But you already have a crush on me, baby. And I have a crush on you too! I thought we’ve already established that?" You joked, trying to lighten the mood.

It didn’t work. It was like he didn’t even hear you, so you decided to give him some space (like Akaashi had advised). You guided him to sit on the couch while you went about the house finishing up your chores. After several minutes, he seemed to feel a little better and you decided to talk to him (also like Akaashi had advised).

Sitting by his side on the couch, you reached out and held his hands in your own. His eyes were downcast and he was avoiding your gaze as if his life depended on it.

"Kō? What's wrong?"

"Nothin'."

"Look at me, baby. Please? I wanna see your cute face," you cooed. He pouted for a while more (which was adorable, by the way) before he finally caved.

"Tsum-Tsum said I'll crush you if I hug you too tight 'cause I'm so much bigger and stronger than you. And I don't wanna crush you, I promise! It just made me sacred to think I might not know my own strength and end up hurting you in the process. That's why I'm scared of accidentally hurting you when I’m excited and I know that if I did, you wouldn't say anything which is why I don't wanna accidentally hurt you with my hugs in the first place-" He swallowed the rest of his words as you pressed your lips to his.

"Kō, I love your hugs. They're the warmest hugs anyone has ever given me. Don't tell my mom, but sometimes your hugs are even better than hers," You giggled softly. A small smile appeared on his face as he looked at you. "And it's not a bad thing that you're so strong. It makes your arms really nice to hug! I promise you'll never be able to crush me. I'm stronger than you think, you know?"

"Really? You really like my hugs?" He asked, hope in his eyes.

"Really. A hundred per cent. A thousand per cent. I wouldn't like it any other way, Kō," You reassured him, kissing him sweetly once more. Within seconds, his entire mood had shifted and he was now beaming.

"Okay! I can hug you now!" He cheered. Before you could process anything, you were held in your favourite set of arms and wrapped up in the warmest hug on earth. You hugged him back tightly and felt his soft lips press against the crown of your head. Snuggling into his warmth, you felt so lucky to have him.

"Oh my god, anyone who says your hugs aren't perfect are clearly stupid," You sighed happily.

"Tsum-Tsum is pretty stupid sometimes," Kotaro hummed.

You pulled away, gasping in faux shock. "Really?"

"Pfft, yeah. Even Lisa says so!" He guffawed.

Before you could reply, your phone buzzed with an incoming message.

Lisa: “hey girl! hope everything’s ok with bokuto. my boyfriend’s kinda stupid sometimes so he doesn’t think before he says stuff. hope bokuto’s not feeling too down!”

Y/n: “it’s all good! managed to cheer him up pretty quickly today, haha”

Lisa: “that’s good to hear. you’re the only one who can cheer him up like that, y/n! anyway, rest well, you two. see ya next week!”

Reacting to her message with a heart, you put your phone down and turned back to your boyfriend.

"So, you gonna hug me or not?"

a/n: UM I HOPE THIS WAS OKAY??? pls lmk what u think 😭

© educatedsimps 2024. do not repost, copy, translate or plagiarize any work from this blog on tumblr or any other platforms. if you do, the simps will hunt you down. likes and reblogs are appreciated!

[rootspiral]

Agatha All Along deep dive: episode 5 part 4

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7][+1] ep5 [1][2][3][4][5] ep6 [1][2][3] ep6 [1][2][3] ep7 [1][2][3][4][5][6] ep8 [1][2][3][4][5][6][7][8][9] ep9 [1][2][3][4][5][6])

(this is a sad one, apologies in advance)

agatha just had the unimaginably traumatic experience of her mother's evil ghost possessing her body, so of course she cracks jokes. she's shaking like a leaf, but hey, coping mechanism gotta cope!

when evanora tried to execute agatha, stealing secrets or whatever was only an excuse, she was punishing her daughter for the sin of being born. whatever she says, her so called worry for these other witches is also an excuse. she's simply furious that someone has begun to think of agatha as a person rather than a monster. it's once again a selfless VS selfish paradox, evanora is always framing her actions as selfless and for the greater good, but her hatred for agatha is undeniably raw and personal. I would love to learn what evanora's life was like, who were her parents? what turned her into such a hateful mother?

(look at how angry rio already is. and alice always protecting the person closest to her by default.)

this is the ultimate humiliation for agatha, someone who has always kept her past and struggles so close to the chest. now one of her deepest traumas is laid bare for everyone to see and judge. she's always trying to come off as strong and unfeeling and formidable, but here she is, a sad little girl abused by her own mother.

btw I see you all have strong feelings about ghosts and billy's powers! lol I got so many comments. I see you, I see you! Granted I'm not actually super invested in my ghost theories, this being a made up marvel show and all, but here's what I think:

agatha says to wanda, "you have no idea how dangerous you are, you're supposed to be a myth, a being capable of spontaneous creation, and here you are, using it to make breakfast for dinner!" agatha, one of the most powerful witches ever existed, could not create food for nicky. like, the scope of wanda's powers (and billy's by extension) is the kind of scary that can reshape reality itself and truly and properly fuck up the Sacred Balance or whatever rio calls it.

when I say billy created a ghost evanora, yes it's a copy but in the same way a Star Trek transporter makes a copy, you know what I mean? whether the orignal stays behind or not, billy's evanora is the real evanora. and if you believe in souls, that gets even more complicated! did billy take evanora's soul from the afterlife and plopped her in here, or did it copy it too? and was wanda actually able to create billy's and tommy's or did she catch the wandering soul of stillborn twins?

see I don't think evanora was a ghost prior to this (again, I might be proven wrong in the future, but this is where I'm at right now). if that were the case, you know she'd been haunting agatha's ass, wouldn't have given her a moment of peace. maybe rio took extra care to send her to the afterlife, idk. now rio looks shocked and angry to see evanora, like this is a new development.

rio's voice is literally roaring with anger

like i cannot overstate how much rio hates and despises evanora for what she did to agatha

evanora zeroes in on rio, approaches. rio takes a whole step back and makes herself smaller. she's nervous. she says that ghosts are cheaters, but it goes beyond that, doesn't it? rio understands life and death, but a ghost is neither, or both. it goes beyond all her control and expertise, and for the first time since we've known her, she's at a disadvantage. ironic, isn't it, considering what happens to agatha in the finale?

agatha, who's been cowering in a corner, chooses this moment to approach. does she want to protect rio and billy and the others? or is she so desperate for an ounce of love and affection from her mother that she, coward as she is, actually wants to put herself in arm's way?

while everyone is focused on agatha, alice looks at rio. she is putting together evanora's words, agatha's terror and rio's hatred. jen is being selfish. alice, generous alice, could never be selfish

the last time agatha saw her mother she was still a kid. now she is a mother herself and the mere thought of not loving, not wanting to protect your child, of actually going out of your way to harm them? it's simply inconceivable to her.

the shock. the tears forming in her eyes. the same heartbreak she felt when she realized her mom was about to kill her at the stake. she's feeling small and wretched and unloved like only a parent can make you feel

it's the matter-of-fact tone she uses. it's worse than hatred. she despises agatha beyond hatred

there is a moment in a child's life when they see a parent clearly for the first time, their weakness and their flaws. this is especially true for an abused child, it comes a day when you realize that despite being called bad and evil and blamed for the pain happening, it was never really your fault. agatha knows what a parent's love should look like now. and this is not it.

rio visibly deflates. she is the only person in the room agatha opened up with about her mother. there is nothing she can do to spare her pain now. she has no power against evanora

alice has a blinding moment of shock, realization, pity. she knows only too well what generational pain and trauma can do to a person. but she still had a mother who loved her. agatha didn't.

jen, who used to be a healer, can no longer feel compassion. jen has had to learn to protect herself above all others. because evanora hurt agatha, and agatha hurt jen in return.

and when it's all said and done, agatha will always beg. all her power, her brains, her experiences are nothing. she regress to that girl at the stake. I can be good. please.

alice, who's always been the first to jump to everyone's defense, who always puts others before herself. she has seen agatha bare and helpless, she has seen that raw core that agatha has always hidden and, in her final moments, she's accepted agatha in her coven. it's more instinct than rationality, but alice has always been a heart over head kinda girl. if she can see the harpy, if she can see the pain, by GOD she'll do something about it.

“The Knight of Wands.” full of fire, fights bravely.

lilia's gut-wrenching scream. she knows what is happening. agatha already told her.

a succubus who hasn't fed in so long. I keep thinking, there was never anybody who loved her enough to teach her control, to seek alternative solutions to satiate her hunger. rio never could, rio cannot interfere with who lives and who dies. but could a coven together have fed her? could a big coven have donated power little by little, and kept her safe and valued and protected? nurtured her in every way? or was she always doomed from the start? was evanora right, did alice sign her death warrant the moment she chose to love agatha? I know what my answer is to all that, but what do you guys think?

and another question for you: billy casts around desperately for help, nicky answers. was nicky, or rather a shadow of nicky, created by billy too? or was the son of Death powerful enough and scared enough to reach out on his own, maybe with just a little push on billy's part?

a name was all it took for agatha to pass her trial, and look how much was needed to get it out of her. only billy's chaos could do the impossible: drag agatha's ravaged and wrecked heart to the surface. billy only wanted to help her heal, but he's a just a boy with the power to shape the universe. it took evoking ghosts and dredging up horrible trauma to make all of agatha's defenses crumble and raw-beat her into admitting her pain, into maybe, if we're lucky, starting on the road to recovery. oh, billy. you don't know how to handle things gently yet, with your big man's hands and your young, too young soul.

she stops IMMEDIATELY. she didn't know how to control her hunger, until now. the monster was human all along

by. as in, by billy, because he did it all. and also, good-bye. good-bye, mama.

oh, alice. there are no words.

and now they're no longer just numbers, just fools she conned and killed and abandoned on the road. now it's the girl with the big luminous heart, who sang the Ballad with her, who shared her same pain, the first human being in agatha's life who wanted to selflessly help her.

there is a moment, in a child's life, when they see a parent clearly for the first time.

go to episode 5 part 5

[trash-sonamy]

Sonic and Amy's relationship through the years: why did it change?

From games to shows, comics to official publications, it's evident that the dynamics of Sonic and Amy's relationship have changed through the years, with Amy toning down her fangirling and Sonic often being the driving force of their ship with his flirting, teasing and subtle jealousy (as user @essycogany pointed out in this analysis). But why are we witnessing this change? Let's dive into some key moments and reasons.

Disclaimer: I'm going to disregard the "canon" factor because it's not relevant to the general public perception of their relationship.

Sonic X

Any good sonamy fan will remember the fateful episode 52 of Sonic X. I interpret this episode of the series as the key moment that shifted their dynamic.

From the beginning of the series, we see an Amy that is very vocal about her crush and chases Sonic around, with Sonic having a few not-so-nice moments of pushing her and trying to run away from her. Their relationship shifts through the series though, and we begin seeing more of Amy's side as a determined fighter (that scares even Eggman!).

I won't over analyse episode 52 as it has been done countless times before, but Sonic going back to his world and seeking Amy in the first place means she's a valuable friend (or something else) to him. This moment alone brought popularity to the ship and to Amy as a character, which brings us to the next point.

Character development

I'm gonna risk saying that Sonic and Amy are the characters that have suffered the most development throughout the years. There are other characters who had development and even met different versions of themselves, but Sonic and Amy stand out in my opinion for different reasons.

Let's analyse Sonic: from the beginning, Sonic was always supposed to be cool, a beacon of positivity and the embodiment of the hero that always saves the day. The first Sonic games are pretty straightforward about that. However, in more recent games and shows, we've been seeing different sides of him: he has made mistakes (and recognized it), he has been impulsive, he has felt grief, sadness and anger and he hasn't been shy about it. Sonic Prime showed us probably the most emotional version of Sonic we've seen, and guess what? That pleases the public because everyone enjoys a flawed hero.

Moving on to Amy. Amy has a somewhat controversial birth, given that she was (apparently) created to be "Sonic's girlfriend" / romantic interest. Her crush on Sonic was, for some time, her only personality trait. With new games and media, she gradually gained her space and we started seeing more of her. Her kindness, her strength, her empathy, her leadership skills — all of which exist despite her crush on Sonic. She became more appealing as we got to learn more about her, and solidified her position as a valuable member of Sonic's team.

The development of these two characters as explained above made it possible for the dynamic we have today to grow naturally: Sonic openly teasing and (very often) showing signs that Amy means a lot to him, which is a result of Amy being her own self and showing her strength and independency — traits that we know Sonic appreciates.

Progression of values in society

I don't want to make this sound more deep than it actually is, but it's true that certain dynamics wouldn't be acceptable today simply because we as a society have progressed. The trope of the fangirl chasing her idol everywhere might have been a fun gag in the 90s, but it's just not it for today's standards. It has been made very clear that Sega wants to stir away from that image since that, for Sonic Generations, they edited the scene from Sonic 06 where Sonic shoves his hand in Amy's face to push her away. This kind of behavior doesn't align with Sonic's current values either.

Teasing is just fun!

Honestly, teasing sonamy is just too much fun without the commitment. One of the writers for Sonic Boom once said it:

And isn't that true? It's refreshing seeing the cool, composed Sonic blushing or showing jealousy, as it is to see how Amy reacts to her crush behaving this way. As a longtime sonamy fan, I just love searching for all the small hints and teases and over analysing them (like I'm doing now). It's endless material for gags too — check this compilation of sonamy moments in Twitter takeovers.

In conclusion, Sonic and Amy's relationship changed as they progressed as characters and Sega aimed to please a wider audience, giving space for fans to interpret their relationship as they please.

I also want to state that the points are my personal opinions and obviously open to be discussed. If you think I missed any point, please do let me know. Hope you like this!

[carto0ncritter]

Abusive fictional fathers - Robotnik vs. Stolas

I won't be talking about Coconuts here since he's not on screen that much, but know that I feel sorry for the stuff he's been through, poor guy

Robotnik ⮕ Scratch & Grounder

Like... he literally only created these two to use and abuse them and that's crystal clear

When I say Robotnik is an abusive pos, this is what I mean (and this is just some of the physical abuse, don't even get me started on the emotional):

...Okay, that last picture was the last straw. Robotnik's thrist for power has officially outweighted Scratch and Grounder's "value." He felt 0 remorse for throwing them into the lava. Keep in mind, he THOUGHT HE HAD KILLED THEM and DIDN'T CARE AT ALL. Thankfully they were fine. And no the fact that they're robots doesn't make it any less wrong

If you're willing to sacrifice your children for a powerful artefact, then I'm (NOT) sorry to say this, but you're a heartless pos and deserve to be held accountable for your actions. If I were in Scratch and Grounder's shoes, I would have ran the hell away right then and there and found home elsewhere

However, unlike with Stolas and Octavia, at least the narrative doesn't try to convince us that Robotnik loves his sons. Because if he did, he would have tried to change his behavior. Or better, he wouldn't have abused them IN THE FIRST PLACE! AT ALL! No matter what he had gone through! I'm not denying that his mom was a pos to him just like he's a pos to scratch and grounder, but i refuse to see this as an excuse. he should have tried his best to break the cycle of abuse

*sigh* Now I've gotta talk about that stupid bird man... let's just get this over with.

Stolas ⮕ Octavia

Stolas is shown to have been there for Via in her childhood. although we never see them bond over anything, connect emotionally with each other or spend quality time together, we've only got this one nightmare scene. this was the only time stolas was shown to care about octavia

He did his best to calm her down and make her feel safe, then proceeded to break his promise for a booty call. For a childhood "friend" that his father bought for him 25 years ago.

And you're telling me how Stolas didn't realize that bringing Blitzø along in Loo Loo Land is uh... a bad idea that will make his daughter feel even worse?

I HATE the excuse that Stolas was "just clueless." Because anyone with the tiniest bit of common sense would come to the same conclusion: flirting with your booty call in front of your daughter who is a minor and going through emotional hell that happened because you cheated on her mother makes you a horrible and selfish father.

Even worse is that Stolas doesn't learn his lesson and once again neglects Octavia. Stolas is too busy hating his ex wife and gushing over his abuse victim that he can't even be bothered to look for his daughter himself, and instead Loona has to be the one to go find her. And then she literally tells Via how her dad's trying his best and how she should cut him some slack. No. No she shouldn't. Octavia was right to think that Stolas hates Stella more than he loves her because that's what his actions show.

He can hug her all he wants and promise to do better but he has done nothing to even TRY to be better for this poor girl.

Not to mention that Loona is a hypocrite. Blitzø has always been doing his best to be a good dad to her, and she thanks him for saving her life by being a complete bitch. It's been five. Fucking. Years. Of unconditional love and support from Blitzø's side. And what does he get in return? A kick in the balls. Blitzø also got beat up by her and hit with the "if I'm so terrible why don't you replace me" after he rightfully called her out and you're trying to tell me Blitzø was the one in the wrong and how this isn't abusive huh ok then whatever ya say

I won't talk about the upcoming episode much. I honestly just don't have the strength anymore. But to make it as short as possible, Stolas is gonna be treated like an uwu poor sad gay boi and once again choose Blitzø, the guy he r*ped, over his own child.

If you check out the leaked story boards for s2 ep12, you'll see how disgusting it is that Via is spitting nothing but facts and yet she'll be demonized by the writers, Stolas lovers and Stolitz shippers. Just...

Please stop lying, dude. Just stop. You shattered her entire life and neglected her for a guy you abused and never got to know on a level that's deeper than sex. No wonder Via thinks he doesn’t love her anymore. The line above gives me the same vibe as THIS line also they made Stolas not only ACT like a guy who victimizes himself but LOOK that way too

STOP LYING. JUST SHUT UP.

I hate this self-pitying hypocrite sm.

And yeah, I get it: he was put in an arranged marriage (this was clearly a retcon, but whatever floats viv's boat) despite being gay and was sheltered and never had friends, but those are explanations for his behavior, not excuses.

Oh and, to anyone who thinks otherwise: Emotional neglect is a form of abuse.

Closing Thoughts

One important thing that I noticed with both Scratch and Grounder and Octavia, is how none of them feel at home with their fathers. A reliable way to know whether you've failed as a parent or not is to see how your behavior affects your kid(s). How does your behavior make them feel?

Let's see here... *checks notes*

Octavia says how Stolas ruined their family, not Stella and in ep12 she's finally gonna call him out on his bullshit thank god. but unfortunately the toxic gay ship will once again be a priority because it's gay

Scratch and Grounder are terrified of Robotnik's wrath, he constantly makes them feel useless and unwanted, but at the same time, they have no problem betraying him both of them always come back to him, just like how Blitzø doesn't leave his abuser because he wants to feel "loved" and "needed" for once even though Stolas treats him like shit

So yeah, if you made your kid(s) feel this way, you've officially failed as a father.

[edelweissko]

Hetalia Ukraine Headcanon #2 – or, rather, my take on Ukraine in Hetalia canon.

This is something that has to be clarified before I proceed, and even before I answer to any further asks.

I think of Ukraine in „canon Hetalia" as Russia's perspective, what he tells others about Ukraine and what he wants them to think of her, for his own purposes.

Because, if you recall, the episode where she is introduced (Axis Powers, ep 42), it is Russia telling England about her. Just like episode 43, it's Russia's memories and perspective. I hate that this fact is often overlooked, as it makes total sense for Russia to want others to see Ukraine as a weak crybaby that is dependant on him. In fact, this no shit is the attitude russians have to ukrainians. Almost inferior, (quote) unable to fend for themselves. It is not cute. It is very much toxic. The scarf moment is extremely fucking funny. Because, (and again, this is Russia's memories), Ukraine gives him her favorite scarf. But what people overlook, is that in return she asks (in dub) FOR CONTROL FROM BLACK SEA TO POLAND. HER TERRITORIES. THIS- THIS IS NOT A CUTE MOMENT. SHE IS TRYING TO GET AWAY. AS SHE ALWAYS HAS. FOR CENTURIES. Or, in sub, she asks for „inheritance rights to Kyivan Rus", so again, reclaiming a part of her identity. After which, russia concludes that maybe they've never been close at all. srsl I wish russia realised that in real life and fucked off already

To me, this is the first moment that shows that there is much more to Ukraine than what we see, and that Russia must in no way be trusted on his word when it comes to her.

Especially since In her next appearence, Gakuen Hetalian Newspaper Club part 1, Ukraine is nothing like that. She wants to join the choir club, where the baltic trio and others are, and we find out that the choir is targeted by the so-called „soviet club". Lmao. Nor she is in any of the Halloween episodes she appears in subsequently. Moreover, in the 2013 haloween series, Ukraine is shown dressed up as a reference to a Ukrainian(!!!) urban legend about a ghost train. So, she is not afraid to express her identity even at that point. Yes, she is emotional, but not a complete mess of a crybaby whose every 1 in 2 words is „Russia". Which further backs my theory.

The latest appearence, where in Chapter 389 of Hetalia world stars, Ukraine asks Lithuania to „sent spare paper Russias" to her if he ever gets any, because, quote „THIS RUSSIA IS OBEDIENT, QUIET, AND LISTENS TO WHAT I SAY".

Does this sound like a weak crybaby Ukraine whom Russia was describing to you?

No. That's the point.

Btw the only point in history I can think of where she could be referring to when she says it's „like we've gone back in time", is 7th - 10th century; when the principality of Suzdal (later: Muscovy→Russia) was just freshly colonized by Kyiv and Polatsk (later Ukraine and Belarus) and was paying fiefs to them. Which is like, literally 40 years before Suzdal’s prince plundered and burnt Kyiv down in 1169. A first russo-ukrainian war for you.

So, even from "canon hetalia", the idea of Ukraine's character that this fandom often percieves her as derives mostly from Russia's POV. Which is sad, ironic (represents the influence of russian propaganda irl), but also thanks fuck, this means we see so little of her that her personality can be easily interpreted in a multitude of ways that reflect history and reality way better

[veloursdor]

the thing about larys strong is that i think he's been lonely his entire life, lonelier than even he realised/admitted to himself. he craves connection, someone to see him for who he is. and that's what's been guiding most of his actions throught the entire time we've known him.

when he saw alicent being unheard and unseen, he tried to form a connection with her as he saw himself in her (through manipulations of course, but his intention there when saying "i could be your ally" were sincere). but she rejected him (by refusing to see him as a man, by being horrified at his true self (the harrenhal fire), etc) and thus he grew to resent her and want to control her/humiliate her like she "humiliated him", probably thinking it was enough because of the power she gave him.

but then viserys died and alicent's power died with him.

spoilers for season 2 of house of the dragon below the cut

i think his "love" for her... changed or was put on the back of his mind after 2x04, especially after he sees the moon tea and she's in pain. when he asks her about criston, his reaction to her words is as if he is confused, as if he's recalculating what he thought of her because he's seeing her in a whole new light.

and maybe he is seeing her truly for the first time ever.

he said "you and i are the same", was always listening in on her conversations to gather information, maybe even convincing himself by doing so that she truly was like him. but, i think that, when larys says "you have not been yourself" is his way of saying "who are you? are you who i've always thought you were or someone i do not know?" and has to change his view of her, of what he convienced himself he saw in her.

maybe he sees that he's been living in a lie made of his own words.

so, when the council scene happens, he pities her and rejects her idea, because it has no ground and she's grasping at straws. (i do think he does feel sorry for rejecting her but he also doesn't have enough solid ground with aemond as regent (his position in the small council is fairly new) and slighting aemond would cost him the power he has, so he stays quiet and looks away).

however, he also manages to drive a nail to alicole's coffin but he walks away without looking back at the mess it left.

they then don't share a scene at all for the rest of the season.

from then on all his scenes are with aegon, and we see a side of larys we haven't seen before.

ageon gave him power (of course larys manipulated aegon with the Hand comment) because of his "loyalty" following blood and cheese (i still believe larys "let it happen") and made him his master of whispers. he placed larys in the small council (when alicent never did in the 6 years she acted as regent) and gave him status outside of the dungeons. he "brought him [larys] out of the shadows" in a way.

the show has made a point to tell us, since episode one of season two, that larys has been looking at aegon the same way he used to look at alicent in season one, staring him down as if he could see what he's made of, constantly analysing and calculating how to best approach him.

he made small attempts at conversations and funny lines ("that castle is more crippled than me") as the whole alicent thing is going on.

and then the battle of rook's rest happened.

with aegon barely holding on, we have a scene where larys is honest, vulnerable, sincere maybe for the first time ever (yes there's manipulation, but also genuine compassion). he sees the struggles aegon will have to face because he lived them himself.

like with alicent in the weirdwood, he tried to form a connection with aegon. but where alicent "rejected" his true self, aegon instead listened to what larys was saying, saw the truth in it and raged, which made larys feel seen and heard, beyond manipulation and twisted words, probably for the first time in his life

larys, for all his talk that love is a downfall, craves connection, the desire to not be alone in the world. he does feel love.

and whereas alicent rejected his love and was disgusted by his true self, aegon welcomed his help, invited his advice, and embraced his aid to become stronger

i think larys will be loyal to him as long as aegon allows his love and it does not fester into resentment, like his love for alicent did

[mortal-song]

the problem with tua's ending is that it was IMPOSSIBLE to do without retconning and defacing the themes and characterizations that have been central to the story since the very first episode. if you had to end it that way, if it really was "the plan all along," then fine. there ARE good ways to do that -- so the execution should have been much different here if that was the case. take a look at "the good place," for example. everyone ceased to exist at the end of that story as well, but it was beautifully done because it ADDED to the show's core themes rather than take away from them. tua's ending was hollow and unavailing. at some point i have to commend the precision with which someone can desecrate an entire series and certain characters (looking at five, diego and lila especially) like this.

it made no sense. diego and lila formed a beautiful (albeit chaotic) relationship built upon mutual trust and authentic love that neither of them had ever experienced before. it was something they were teaching each other and learning together. that was a new beginning to them, and it was painted as such by the narrative. at no point were there hints that things would go sideways, no build up. every time they stumbled in the past it was still right back into each other's arms. at no point did their chaos look like an ending until it was shoved in our faces for... shock value? to shake things up? i fail to understand where it came from. they were relentlessly devoted to each other and the only two people who could stand each other for long. and so what became of them was very jarring. very messy.

five's ENTIRE character has been focused on and motivated by one thing: saving the people he loves. to the point that he was willing to let his own humanity become a forgone ideal, a renounced concept, as many times as it took. to the point that he essentially INVENTED TIME TRAVEL and INVENTED THE COMMISSION TO REGULATE IT. five's stoic exterior only barely concealed the claw-grip he had on every single family member, so why forget it now? why choose to go back on that? and in what world would five hargreeves willingly wait MONTHS to return to his family? because he was SUDDENLY in love with lila, no less? forgetting the very apparent fact that his age and body are not in alignment, five had never shown any interest in romance. especially not towards lila. but they do have very similar backgrounds, and so this was a chance to enrich the mutual understanding five and lila have with each other, expand the familial connections they have, especially seeing as how both of them -- in their own ways -- spent most of their life without that sort of connection.

ben's entire arc felt so, so out of place. completely and very ironically isolated from the entire rest of the series. nothing about it was fulfilling, nothing about it offered any sense of closure or even development. jennifer made no sense even as a plot device, much less as her own character. these two brought out nothing in each other.

klaus had the foundations of a good arc, but too much was introduced in too small an amount of time and none of it really went anywhere. i can say roughly the same for allison and viktor. THAT being said, of most of the scenes i did find myself genuinely enjoying this season, THOSE three were usually at the center! in fact, i really did love the scenes with klaus, allison, and claire. so that's cool. i guess. luther? he was just kind of... there?

and ray just fucked off with no explanation? okay. and reginald? until this point he had all the qualities of a potentially VERY GOOD and nuanced villain. his arc fell flat. and let's not forget all the other loose ends, but, you know, we've been here long enough. so. onto the next point.

none of these characters got to heal. none of them ever got to revel in anything meaningful, or, rather, the things that WERE meaningful across the whole series were rendered worthless because... none of it exists anymore! none of it ever existed! this is like an "it was all a dream" ending but much worse. and these characters are so, so incredible. i can only name a few other stories that have had characters i've connected to this deeply. and despite everything i could never really stop loving them. that makes it hurt more though tbh

anyways. i know i'm about to sound incredibly dramatic but the ending made me sob my lungs out. this show was really important to me. it led me to incredible people, other incredible stories, helped me live, etc. but i honestly found myself wishing i'd just never watched this series at all. the ending was eviscerating and Just Fucking Pointless. i don't think i'm ever going to be able to rewatch it. it's still hard for me to conceptualize that it was even real, that this is all we get. there's a lot more i could say about everything, but again, i've said a lot already and i'm not trying to write a fucking novel. i'll say more of what i want to in sporadic bursts i guess.

[armageddon-generation]

Empire of Death was bad and cemented several fundemental flaws in this season.

I watched this in the theatre, and the contrast between everyone's excitement before Empire, and their universal disappointment leaving the theatre was super disheartening. I'm gonna try to articulate my problems with episode, and how they're linked to fundenental structural issues of this season.

SPOILERS BELOW:

Sutekh

The moment the UNIT characters died the story was robbed of any stakes. (Also? Kate and Ibrahim?? During Pride month?? Disgusting)

Sutekh was pointless, big CGI spectacle who was barely there. Saying he's been latched onto the TARDIS since Pyramids of Mars was such an asspull. Why couldn't he have latched on during Wild Blue Yonder? wouldn't that make much more sense??

You're telling me the guy who holds all life in contempt is invested enough in learning the identity of Ruby's mum he willingly reveals himself??

And then they defeat him by dragging him through the Vortex just like before, which it's been explicitly stated *didn't work* last time? He just *lets* Ruby leash him??

The 'death of death is life' bit, and the idea of the Doctor representing life as a Ying to Sutekh's Yang, is a cool concept just jammed in there with no real buildup or depth.

The issue is bringing Sutekh back takes so much effort- a literal, clunky clipshow of Pyramids of Mars, a whole episode spent building up to the reveal of a silly anagram entirely unrekated to Sutekh's previous appearance. And it just... amounts to nothing. What a silly way to cap off a season meant to be jumping-on point for brand-new viewers.

Mel was just takingup space. Pointless.

Ruby's Mother

I don't have a problem with the *concept* of Ruby's mum being normal. I really like the idea thematically. The execution was terrible.

First of all it leaves so many unanswered questions (why the snow? Why was time changing? Why was she shadowed? Literally just for the sake of the mystery-box?) and represents the worst thing about this new era- RTD using fantasy logic to handwave any logic at all, and just do whatever he wants without properly justifying it.

Second, I *hate* how easy and simple and neat the reunion is. Ruby seems incapable of getting angry with anyone. She has never once argued with 15, or Carla, or anyone besides that one moment in 73 Yards. She has never expressed any kind of negative feeling towards her mother for abandoning her. And it's fine for her to reach that conclusion! It's just bizzare we never see Ruby struggle with her feelings beyond the shallow goal of wanting to find her.

(Also Carla? Has nothing to say?? Just welcomes that woman in with basically no comment? Carla is a 2D cutout of a person, used as a plot device and otherwise relegated to the single character trait of I Love My Daughter. The children yearn for the ilk of Jackie Tyler, Sylvia Noble, even Francine Jones.)

15 & Ruby

The emotion behind 15 & Ruby's split felt entirely unearned because we've never seen their bond develop. They never argue, never disagree, Ruby hasn't learned anything about herself or grown or changed. The closest we got to that is 73 Yards, which was undone. She was already brave and kind and musical and sure she loved her adoptive family when we met her in Church on Ruby Road.

Similarly, 15 tells us Ruby encouraged him to talk about family in a way he never has, but that was in what, two moments across the season? And they seemed random, unrelated to Ruby being with him. New viewers will assume 15 is just that open anyway- he was discussing fatherhood with a dead man's hologram- and old viewers assumed trauma-dumping was just a new trait of 15's personality, not Ruby-specific.

The problem is we're told Ruby & 15 are best friends but it isn't earned. I liked 15 crying initially but both he and Ruby do it so much (15 cries about 5 times in this one episode) it loses its impact and I'm becoming numb to it. There is no contrast, no downtime.

Season Structural Issues

I think the biggest problem is Season 1's storytelling priorities. It's much more interested in selling *the show* (look at our big budget! And guest stars! And how flexible our format is! Musical episode! The Beatles as props! Bottle episode! Indie folk-horror! Black Mirror! Gay Bridgerton!) it forgot to put effort into developing and investing us in its characters. I liked a lot of the individual stories this year but in retrospect a lot of them feel like they're wasting space that needed to go to essential character and theme setup.

These skewed priorities, combined with the cut down episode count, really impact the pacing of the season. Ruby and 15 were barely together! Even in Rogue they were seperated for most of the story!! We only loop back to a flashback of 15 meeting Carla in Rogue!

This is made worse by the baffling insistence on a 45-minute runtime. We know key sequences were cut from almost every episode, with highlights including:

The Gobin King invading Ruby's flat and her banishing him with scratchcards in The Church on Ruby Road: Her missing 'companion saves the day' moment!

Refrence to the Toymaker in The Church on Ruby Road, which was itself referenced in The Devil's Chord. 'I told you about the Toymaker when we first met' sir, objectively you did not.

The TARDIS jukebox playing the Sugarbabes' Push The Button in the opening scene of Space Babies, hastily cut around in the final edit. This is the setup of a running joke still in the episode, and part of the story's climax. The first encounter with the Bogeyman was also longer, with 15 taking particular interest in its skin

Extended scenes in Abbey Road from The Devil's Chord, including an apparently significant speaking role for Cilla Black, according to her annoyed actress.

Cut dialogue from The Devil's Chord explaining the musoical number was caused by Maestro's power lingering, and that banishing them undid everything they'd done. Fans inferred thos based on the rules established in The Giggle, but again, new fans haven't seen The Giggle and were left clueless.

An opening sequence for The Legend of Ruby Sunday where 15 & Ruby meet Susan as a nanny in 1947 America, a blue-skinned waitress, and an astronaut meeting a colony of giant, sentient ants. At the end of this we actually see 15 decide to go to UNIT for help. In the broadcast version he just sorta shows up.

Really what Empire of Death exposed to me is how emotionally hollow the season was. I enjoy the exoperimentalism, but not at the cost of character. And then in the finale Russell reverts to almost a parody of his RTD1 finales, with the nonsense logic and lack of consequences. All the worst bits of Last of the Time Lords and The Giggle put in a blender.

[mirai-e-jump]

TV Guide, 9/6/2024 Issue ft. Kamen Rider Gavv Cast Members (translation below)

Publication: August 28, 2024

Chinen Hidekazu x Hino Yusuke x Miyabe Nozomi

Chinen: Shouma, who I play, is a young man who loves eating. He actually comes from another world, and while he's friendly, there's an elusive side to him, so if you take your eyes off him, he might end up someplace else.

Hino: Karakida Hanto, who I play, is a freelance writer who's not afraid of taking risks. During the audition, they never gave me a detailed setup for the motifs or roles we'd be playing. The only thing I knew was that one character was a glutton, and that the other was a cool character. How was the audition for the female character?

Miyabe: I play Amane Sachika, a gyaru, but that wasn't disclosed to me during the audition…..

Chinen: Really?!

Miyabe: The impression I had was that she was a reliable person. Then, during the final audition, the Director told me, "Act alittle more like an aunt from Osaka."

Chinen & Hino: Ahahaha!

Miyabe: I wondered what kind of character she'd be, but I was surprised to find out that she was a gyaru.

Hino: I was together with Hide (Chinen) during the final part of the audition, and he was really interesting. We've got so many stories. Which one was your favorite?

Chinen: There's none in particular I like (laughs).

Miyabe: I wanna hear them! (laughs).

Hino: For example…there was "A," the gluttonous character, and "B," the cool character, and the Director would assign us by saying, "Alright, next, you play role A, and this guy will play role B," but when Hide was told, "Alright, you're next," he took role A without asking.

Miyabe: Eh! (laughs).

Hino: I couldn't help but say, "This kid's a genius."

Chinen: I cringe thinking about it now (laughs).

Hino: (laughs). Still, I thought, "These are the kind of kids who get chosen." I really felt that he was different from the other kids. I guess I've been drawn towards Shouma since then. That's why when I found out at costume fitting that Hide had been chosen to play the main character I thought, "Wow! That's great! I knew it'd be him."

Chinen: "I knew it" is what I also thought about Yusuke-kun. When I actually did a face to face performance with Yusuke-kun at the audition, I thought, "It'd be very easy to perform with this person"……

Hino: (said happily) Really?

Chinen: Yeah. That's why I wasn't surprised at all when we met at costume fitting. There were countless people left, but I knew that if I was chosen, the other person would likely be "him."

Hino: (totally embarrassed) Damn. No, that makes me happy! I think that the relationship between Shouma and Hanto will gradually deepen as the story progresses, so I hope you'll look forward to that part as well.

Miyabe: What I liked about the script was that even people who seemed cheerful were complex, and they grew as they struggled with themselves. I personally found these aspects encouraging, and I hope that it'll be conveyed to the viewers as well.

Chinen: When I saw the completed first episode, I thought it was really interesting, and I felt that I presented it with my whole heart. I hope that lots of people will watch it! _

Q: What sweets would you compare each other to?

Chinen: Miyabecchi is a marshmallow. She gives off the feeling of an older sister who watches out for us and embraces us with her softness. As for Yusuke-kun, he's fugashi.

Hino: Isn't that old fashioned?! Wait, there's only a two year gap between us! (laughs).

Chinen: He's well informed, and since he talks alot with his superiors, I chose fugashi since it's a veteran of the sweets world.

Miyabe: I think Hide's definitely a marshmallow.

Hino: Right, it's so him.

Miyabe: Isn't it? He's very soft, and I feel like he could absorb an impact (laughs). As for Yusuke-kun, he's dagashi.

Hino: I guess I'm that type after all (laughs).

Miyabe: It's because there's a familiarity to him (laughs).

Chinen: Ah~ I see.

Hino: I also think Hide's a marshmallow. He's fluffy, pure, and positive. His skin is also like a marshmallow (he pokes his cheeks). As for Miyabecchi…she's both girly and not girly at all, and is also quite mature. I wonder what she'd be.

Chinen: A high quality confection?

Hino: Right. Like a millefeuille! It feels like there are many sides to her, as it also has lots of layers.

Miyabe: Ah, I'm glad~ (laughs).

[ineffable-suffering]

Why Aziraphale is an unreliable narrator

Part 1: The Story of Job

I'm absolutely not the first one to talk about this on here and I probably shan't be the last either. Alas, here's my take on why all of the minisodes in Season 2 should be enjoyed with great care – and taken with a grain of angelic salt.

I'm gonna split this into 3 parts, aka the three minisodes we are shown, since I tend to get a bit waffley in my posts and want to still be able to include all the little details. Once I've written them, I'll link Part 2 & Part 3 here as well!

Alright, let's get into it under the cut of doom.

Episode 2 opens with the Story of Job. Right off the bat, I noticed that it sort of looks like an old film playing. At first I didn't read that much into it, but once we see the cut-away to Aziraphale at the bookshop, currently reading that part of the Bible (presumably), I immediately thought: "Oh! It's because it's his memory. He's remembering how it went down and therefore it plays like a figurative film in his head."

This, I then came to realize, is a very crucial difference to all the flashbacks of S1, which were exclusively told and narrated by God. May her intensions be as ineffable as they are: She did tell us all of these stories from an objective outsider's point of view. Now, however, it's Aziraphale who's re-telling those stories to us from memory.

And if there's one thing that's for certain, it's that a memory is something entirely different to an objective narration of a story. Just think about how you yourself remember things. Especially things that happened years, maybe even decades (or, in an angel's case, millenia) ago. What is it, that you really remember? Can you know for sure, that a conversation was held with those exact words? Are you 100% certain that the clothes someone wore weren't different? Had it really been snowing or would that make very little sense given what you're remembering happened in May? And did it even happen in May? Or does that just happen to be your favourite month, the current weather, your preferred style of clothing and what it was that you would imagine someone would have said to you?

What I'm trying to say is: The further away it is that something happened, the more your brain has to fill in the gaps. This is why, for example, your parents will remember the family summer holiday entirely different when you ask them about it 20 years later.

"No, it was Sarah who puked on the car ride home!" "Nonsense, Sarah never puked as a child. Bobby had that gone-off pizza, he's the one that was sick the whole ride long!"

We've all been there. Bobby made it out alive. Don't buy gas station pizza.

Alright, back to the plot: Naturally, Aziraphale is not actually human, so it is a pure assumption on my part that the way his memory works is similar to ours. However, the whole topic of "memory" is actually quite a recurring one on Good Omens.

Crowley seems to have lost his in the Fall, yet somehow managed to get most of it back. Not all of it, though, he clearly has some major gaps ("You used to jump on me back, little monkey in the waistcoat!"). Beelzebub helps Gabriel store all his memories in their little fly container before they get wiped entirely too, by the Metatron and/or Saraqael. Crowley and Aziraphale (and possibly Jimbriel) perform a miracle together that makes everyone in Heaven and Hell forget who Garbiel is or what he looks like. And we know that the Book of Life apparently has the ability to completely erase someone from existence – ergo also erasing them from everyone's memory and making it is as though the person had never been in them at all.

So, clearly, angels and demons being able to remember, forget, reconstruct and, if you're the Metadork, wipe memories, is very much canon. Apart from that very last one, it does make them quite human-like in a way. We too can forget or (wrongfully and incompletely) reconstruct memories, due to things like trauma, illness or simply a lot of time having passed.

So, just like Crowley remembers going into battle but doesn't remember Furfur being there, or just like Jimbriel has entierly forgotten who he is but still remembers the tune and lyrics to Buddy Holly's song Everyday, and just like archangel Michael was miraculously made to forget Gabriel and yet says "Don't I know you?" when seeing him again – just like that, Aziraphale's memories of the story of Job, the story of wee Morag and the story of the magic show in 1941, might not actually be the whole truth.

So, time to look at where the furniture isn't.

Now, it could very well be that the costume designers of S2 thought: "Fuck it, let's go crazy" – but given that this show has a track record of meticulously making sure to stick to accurate and cohesive character design, doesn't it strike you as odd that Crowley would go from this look at the Flood in Mesopotamia, 3004 BC:

... to the (very iconic, don't get me wrong) Bildad the Shuhuite drip in 2500 BC:

... back to this at the crucifixion of Jesus Christ in 33 AD:

I mean ... I mean– come on, that seems like a bit of a far stretch, even for someone as enthusiastically experimental with fashion as Crowley.

And it's not just that: Where did the sunglasses come from, all of a sudden? And why do they look like some sort of obscure, ancient optometrist's device? It's a known historical fact that the Romans were the ones to have invented sunglasses, somewhere around 50-ish AD. Which actually matches perfectly with when Crowley and Aziraphale meet again in Rome 8 years after the crucifixion (51 AD).

So, where do the weird spectacles come from, over 2000 years too early? Maybe from Aziraphale's brain filling in some gaps? Hasn't Crowley always worn those ridiculous sunglasses? Was it Rome? Or Golgotha? Wessex? Oh, blimey, what does it matter!

And it's not just Crowley: Aziraphale's own clothes, as well as the other angels', seem to be very different from the rather plain linen we see him wear before and after the story of Job.

They're laced with golden embroidery along the neckline and sleeves. The remind almost of the clothes angels are depicted wearing in biblical and historical drawings. Ornate and decadent. Not at all like we see Aziraphale in the other flashbacks of S1.

Even Bildad the Shuhite's hair within the minisode keeps changing, going from all pouffy and voluminous to rather deflated and straight-looking:

The costume department either had to fix up two seperate wigs or manually straighten out the volume of the one again to give it a more sleek look. I'm not a professional in this field, but if there's anything I've learned from watching hours of behind-the-scenes material of movies and shows, it's that very little about costume, character, prop and set design is purely coincidental.

You know what it could be, though? An accurate representation of how memories aren't linear, historically correct and objective representations of a certain event, but rather an ever-changing, jumbled mess of impressions, emotions and exaggerations.

More specifically: Aziraphale's impression, emotions and exaggerations.

Like "remembering" Crowley with sunglasses because he's been wearing them for so long.

Like "remembering" himself wearing more luxurious, angelic clothes because that's how he thinks of the difference between Heaven and Hell.

Like "remembering" the permit as a ridiculously long scroll that folded out over an entire valley.

Like "remembering" Job's children to be weirdly sassy in an almost Aziraphale-esque way (Enon: "Don't be silly!") for the fact that Job would have probably taught them to be more humble and obedient in the presence of a literal angel.

Like "remembering" eating an entire fucking Ox after having just one bite of it while Crowley watched him lustfully, sipping on his wine.

Like "remembering" Crowley calling him 'angel', despite them having barely known each other back then.

There's a reason why the flashbacks in S2 seem so much more alive, quirky and, at many points, confusing and all over the place. Because they're not objective stories being told by a third party. They're Aziraphale's. So much of his own thoughts and feelings at the time get projected onto them because that's simply how memory works!

It's subjective. It's unrealiable.

It's not that I'm calling Aziraphale a liar. He's no more a liar than your parents are, mixing up Sarah and Bobby. Or you, remembering snow instead of sunshine. Memories aren't lies. They can simply be faulty, focus on things that you thought were more important and leaving out or changing things that weren't, to you.

The real challenge in all of this, is trying to filter through Aziraphale's stories to see what it actually is they're telling us. Where it is that the furniture isn't. And I think in this case, that's 6 main things (eff you, God, I know you like sevens, but I don't care):

God and Satan (still) talk to each other We see that Aziraphale is quite surprised when Muriel mentions that the whole Job thing is God's bet with Satan. But clearly, despite having made him and the rest fall, God still converses with Her number one traitor about whether or not the humans simply love Her because she gives them nice things or because they truly believe in Her.

God and Satan (and Heaven and Hell) can and do collaborate with each other when they feel like it So much for choosing sides, huh? Truthfully, this is not the first time this is shown to us, but still. It's another piece of evidence on the growing pile.

Aziraphale understands the World and humans way better than any of the other angels "Well, you see ... Citis is 58 ..."

Aziraphale, despite having troubles voicing it, absolutely disagrees and even condemns God's plan of destroying Job's children (and goats and camels and––)

Aziraphale is willing to lie and thwart the will of God Also not the first time we're being shown this but again, piiiile of evidence.

Angels don't automatically Fall simply by doing the above To me, this is one of the most important take aways. It's already hinted in S1 as well that 'Falling' seems to have been a one time even back when the first war broke out in Heaven. And I actually believe that ever since then, no other angels have Fallen again. Aziraphale is the best example for this. He has gone against God's plan numerous times and even lied to her very face (voice?) about it. And yet, nothing ever happened to him. Why exactly that is the case remains a topic for another meta (that I might or might not be working on already, teehee).

Alright, that concludes this first look at the Job minisode! If there's anything I missed, feel free to share it with me. I'll try and add Part 2 (the story of wee Morag) and Part 3 (the magic show of 1941) soon.

Update: Part 2 and Part 3 have officially been written, you can find it them right here:

Part 2: The Story of wee Morag

Part 3: The Story of the Magic Show in 1941

Hugs and kisses, (God)!