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feralforfrank · 1 month ago

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simon riley x fem!reader

simon gets hit by an umbrella like three times, sorry for not knowing proper british and scottish slang, i'm greek and trying my best 👍🏻 implied age gap (reader is in uni)

holidays in Edinburgh, part 1/?

the 141 is home for the holidays. home being all over the uk, with gaz and price spending their time somwhere in the country with their partners and simon accompanying johnny and his partner in Edinburgh. johnny insisted he come along, Edinburgh is full of bonnie birds, you never know, you might meet your match, lt.

you're miserable. spending yet another holiday in a foreign country, isolated in your flat with only your cat, warm tea, and a book to pass the time. you couldn't go back home due to finals starting soon, and your parents decided to spend Christmas in warm weather down under (Australia).

it's not half as bad, you try to convince yourself. your flat is quiet, as are the neighboring ones and the building in general. your bedroom window overlooks a busy street, and you envy those who flood them with shopping bags and smiles. you haven't made that many friends, and the ones you have are already visiting their hometowns. the upside is that you're in a warm, comfortable space while others are freezing their pinkies off.

even johnny is gone. the loud scot from next door, a guy you had disliked at first without having officially met him - thin walls was the only bad thing this building has, and you were forced to listen to him do everything, from weight lifting, to watching tv, to having sex - but when you bumped into each other your opinion changed drastically. a gentleman, funny and light-hearted. he hadn't taken to heart your complaints about the noise, only promising to take it down a notch.

without the muffled sounds of his tv to annoy you - his partner had apologised for the volume, saying he's partially deaf in one ear from having been too close to explosions way too many times - you were left reading your book in silence. maybe you'd go to the grocery store later, stock up so you won't need to leave your house - the weatherman said it's going to get colder, heavy snow expected.

johnny hands simon the keys to his flat. him and his bird are going to the supermarket, there's nothing in the fridge or the cupboards for the next few days. the scot told him to take a shower, relax and make himself at home until they come back, and he didn't have to be told twice with the biting cold making his nose stuffy.

johnny's building is freshly painted to look new on the outside but old on the inside. he's been here before, and he remembers mactavish struggling to open his front door sometimes, for the lock got stuck.

he tries to reenact the technique his best friend uses to get in, trying his hardest to open the door gently instead of pushing with his shoulder like he does back at his own flat. he turns the key one, two, three times and pulls forward softly, trying to turn the key for the fourth and final time.

fuck. you gotta be fucking joking.

"fuckin' hell."

he tries again. and again, this time throwing his bag on the floor. the door rattles as he uses a bit more force, frustration building steadily and quickly.

you press play on spotify, the familiar voices of joe and frank from the basement yard podcast filling your ears. your headphones are pushing the hair out of your face and also act as ear muffs. you check your coat pockets for your phone and keys, nodding to yourself before kissing your cat goodbye. you promise her treats from the grocery store.

at first, you don't notice the hunk of a man at the door next to yours. the podcast is on full volume and your securing your scarf around your shoulder. it's when you turn to shut your door that you freeze mid-step.

in front of you, with is back turned to you, there's a giant guy pressing all his weight to johnny's door. he's wearing all black, hood drawn up, which makes this situation much much scarier.

fuck fuck fuck fuck. what the fuck. he's tryinf to break in the flat. oh fuck fuck fuck, what do i do? has he noticed me? he hasn't turned around yet. what the fuck. shit fuck. FUCK. what the fuck?!

your body reacts a few seconds later. with wide eyes and pursed lips, you hold your breath, and take a step inside your home. half your body is outside, facing him incase he decides to turn around and your arm is blindly reaching for your big umbrella.

once you have a stready hold on it, you don't hesitate to take two big steps forward and hurl it on the intruder's neck. your headphones for on your shoulders, and you hit him again, and this time he physically recoils.

you hit him another time, not quite as hard, and flinch at the sound the plastic makes against his jacket but you're gaining confidence as he grunts in pain. you shout something at him, something about this being karma for trying to break into somebody else's house, and he yelps something in response, but the blood rushing in your ears is louder than your voices.

you swing the umbrella back to hit him again, gathering all the courage you can muster for a final blow. you take a millisecond more to do so and he has time to move before it can connect with his back. unfortunately for the guy, the umbrella hits the side of his face.

he yelps and you drop it with a gasp, hands covering your mouth in shock.

his face is still hidden under his hood, but his ungloved fingers reach for his cheek, where the tip of the umbrella connected.

there's a moment of silence. your eyes are wider than before, as wide as saucers, and you're breathing heavily like him. you're scared beyond your mind, the fear having paralysed you once again. you stand there watching him rub his face witha grunt.

"you fuckin' crazy or wha', lady?!" he finally speaks with gritted teeth. his accent is hot. "'m not a fucking intruder."

oh shit.

"...you're not?"

"no, the fuck 'm not," he says calmly, and your heart rate picks up. "would an intruder have keys to the bloody flat?" he shows you the keys and you gasp softly, recognising johnny's scottish flag keychain.

"i'm—oh," your hands reach out as you try to approach him. "i'm so terribly sorry, i just—mactavish isn't home and you're huge and you were throwing yourself at the door and you have your hood up and you're so. fucking. big, i thought you were trying to rob the place—" you take a deep breath, trying to calm your racing thoughts - you just beat a guy with an umbrella for no fucking reason!!!!!! ‐ "here, let me help you." you signal for him to enter your flat.

simon watches you for a moment. flushed cheeks, eyes glassy and overflowing emotions, hands waving frantically as you open your own door wider for him to walk in.

he should refuse. flat out say no. you just attacked him with an umbrella for fucks sake. it's still in your trembling hands. he should refuse. but you said mactavish. you know johnny. and he knows himself. he must've looked terrifying to you, back hunched over the lock, shoulder pushing on the old wooden door.

you look genuinely sorry and worried, very willing to let him into your home, even though he hasn't given you any information about himself. for all you know, he could've stolen the keys from johnny or his bird, he could be a proper burglar.

he should shake his head and turn your back on you. it doesn't even hurt. he's had worse. he thinks his cheekbone might have a scratch, but he's fine. ghost has been through torture before - your hits are nothing compared to that.

but you're pretty. extremely so.

so, he nods slowly, removing his hand from his cheek and grabbing his duffel bag from the ground. you wait by the door, watching his every move as he walks in.

you point to your kitchen chair, he sits - he's so imposing, your kitchen seems smaller with him in it - and you immediately rush for a pack of beans from the freezer and a towel.

"put this on your cherk," you instruct and disappear somwhere further inside the flat. he watches you.

when you come back you have rubbing alcohol, cotton pads and a packet of band-aids. simon begins to stand.

"'s not necessary. 's barely a scratch, ma'am."

you don't even look at him as you set the stuff down. he stares at you. "no, no, i feel terrible - the least i can do is fix your face."

"you sayin' my mug is ugly?"

you pause, head snapping to the side to meet the stranger's eyes. you frown, another apology ready to escape your lips.

he's smirking. right corner of his lips tilted up. he's joking. your shoulders sag and you exhale with a smile.

"no, your face is quite nice, stranger."

it is. strong features, long nose - looks to have been broken a hundred times - some scars here and there, long eyelashes and pretty brown eyes.

"simon. simon riley."

simon. nice name - suits him. friend of johnny's, you remember. probably military, judging by the width of his back. and the unintenional scrutinising and intimidating gaze.

you introduce yourself, breath hitching when he repeats your first name slowly.

"pretty name." you shrug, grabbing a wet cotton pad and slowly moving it towards him. he doesn't pull away, and you press it against the small scratch on his cheek as he speaks. "suppose a pretty girl deserves a pretty name."

you chuckle, heat rising up your neck and spreading to your cheeks as you move on to the pack of band-aids.

"so, you know johnny?" you ask.

"saved his ugly mug a coupl'a times. we're spending christmas here."

your smile falters as you stick the small band-aid on his cheek (only now realising it has anakin skywalker printed on it). you're once again reminded of how lonely you'll be during christmas. simon notices it, but hesitates asking if you're okay.

"sorry for the uh, band-aid. uh, i don't have any normal ones." he brushes it off with a shake of his head. "you're good to go, now. i'm sure you have things to do."

simon silently gets up and grabs his things, all while watching you put your coat and scarf back on. whatever light you had on your face moments before is gone, and he's trying to figure out what he said wrong to cause this.

he follows you out of the flat, mind forming different ways to ask if something's wrong. he can't help but ask when he hears you sigh heavily, almost defeated.

"you okay, love?"

"huh—what?" you look at him once and then continue locking your door.

"you alright? did i say something that upset you?"

your smile returns with his words, but it doesn't quite reach your eyes.

"no, i'm all good, don't worry. just don't want to go for groceries in the freezing cold, ya know?" he nods, jiggling johnny's keys in his hands. "anyway, it was nice meeting you, simon. and i'm really sorry for thinking you're an intruder and hitting you with my umbrella and whatnot. i hope to see you around - have fun!"

and before he can ask where you're spending your christmas, or why you're going to the supermarket instead of packing to go back to wherever your home is - your accent clearly indicates you're not from edinburgh, as if the books, pens, and scattered notebooks at your home were not enough - you're walking down the stairs and dissappear from his eyesight.

simon stands for a moment before turning to the door again. you're interesting, to say the least, and you said his face was...nice - he doesn't get that often. and you have band-aids with Star Wars characters, and you laughed at his joke. and you were brave enough to attack him when you thought he was a burglar.

yeah, he hopes to see you around too.

#ehhhhhh idk if people like it i'll finish and post part two 😊#simon riley #simon riley x reader #simon ghost riley #simon ghost riley x reader #simon riley x you #simon ghost riley x you #cod #cod x reader #cod mwiii #cod mwii #ghost cod #fluff #friends to lovers #holiday series i guess #johnny mactavish #naewrites #holidays in Edinburgh

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secriden · 2 months ago

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*cracks knuckles* Okay lets talk about the elephant in the room: Style going to the support group for those who've suffered loss and telling what appears to be a fake story about losing his pet dog.

I'm going to point out a few things that I think provide a framework for Style's actions here. Not because I think it excuses what he did, but because I think a nuanced read is what the character deserves.

Point 1: An irresistible opportunity

The subs put the "Support Group for Loss" on the image in the notebook, but I'm not sure there's anything to suggest that Style would've known that was what this image represents until he showed up and saw the sign on top of the door.

In episode 2, Bison says, "He plans everything down from years, months, weeks to days" and then tells Kant:

So Style is literally just going to addresses/locations at given days and times, potentially not knowing what to expect. And as much as Fadel is certainly attending this meeting as a response to having that heartbreaking flashback (😭), this is also something he attends regularly and has planned to attend way in advance. So Style has no reason to think Fadel is attending this meeting because of a recent resurfacing of his pain.

What we, the audience, and what the characters know are very different things.

Now, should Style have turned his cute ass right around once he realised what this meeting was? Of course he should. But that wouldn't have been true to Style's character. We've been told by his best friend that he is "crazy" and been shown repeatedly that he lives right up to that description.

Style is impulsive. He's all base instinct and he acts on his desires without thought or contemplation. And by this point he is desperate for a deeper connection with Fadel. He's fascinated, captivated by the mystery that is Fadel and this is an excellent opportunity to finally see behind the wall Fadel so carefully maintains.

When Style sees the sign above the door, Style looks at the notebook (which, again, shows nothing but people sitting in a circle with the words RISE UP) like he's just realising what it means. He then gets this amused, almost rueful look on his face (like he's thinking "am I really going to do this?") before it shifts to determination and he walks through the door.

(My soul for the ability to once again gif something because FUCK Dunk is doing SO MUCH in this show!!)

To Style, this is just too good of an opportunity to give up.

Because let's be real, Fadel is so clearly lying and hiding something:

Fadel is shady as FUCK. He is simultaneously actually a really good cook (Style finally tries his burger so he knows, now), and also has the skills to work at a strip host club, and also can take on 3 guys in a fight, and also can break a man's arm with his thighs. Can you honestly blame Style for losing his mind just a little bit about wanting to get his hands on something, anything, to figure this man out?

Style is being absolutely consistent in his persistence to understand Fadel. This isn't about the car or about finally 'winning' the fight (thank you @airenyah for giving such a detailed framework to understand what Style's been doing until this point) anymore. This is about Style wanting to know Fadel himself.

Point 2: The potential implications of the setting

Now, what might give us a bit of insight as to why Style is this way? I have a theory (albeit one that could prove to be very wrong, but hear me out). I think this whole entire show is set in what could potentially be quite a small town/suburb.

There's a few things that make this theory plausible:

(1) Fadel and Bison are in hiding after Bison blew their previous cover. They're probably on the run from some section of the authorities and so it makes sense to settle in a quiet/out of the way place.

(2) Style seems to be really familiar with the people in the area. Like he grew up there and its the kind of small town where everyone knows everyone and everyone is in everyone else's business.

(3) Style is clearly the darling of the market aunties and uncles.

Style just lost her a sale and potentially a loyal customer, and she's still rooting for him? In episode 2, when Style asks the uncle to let him borrow his cart, it takes nothing but his word for the uncle to give Style his entire cart of produce for his ridiculous scheme.

Style is so clearly someone they all know well and have great affection for, and a very plausible explanation for this is that they all watched him grow up and the entire market (town/village) is fond of him.

And honestly?? Yeah, we see the way Style is actually quite sweet in that careless, guileless, thoughtless way. He goes the extra mile to fix his mistake with Fadel by replacing his car parts for free in episode 1. He helps out by taking orders in episode 2 without being asked and takes it seriously. In episode 3, he tries to drive more business to Fadel's store (bless him, he so clearly does NOT understand how restaurants work, but he MEANS well!!), and can we all acknowledge that it works?? He understands how to appeal to potential customers in the area because he knows the people there. It's not (entirely) his fault that Fadel wasn't remotely prepared for an actual rush crowd and Bison was off getting kinky with Kant and not doing his (fake) job. He is so clear about not judging Fadel's host job and tries his hardest to help him (to absolutely NO effect, but still) when the 3 guys gang up on Fadel.

Style is so loved and more importantly so very loveable.

Point 3: What this could mean for Style's character

So, potentially, Style is someone who grew up in a small town, who has been well loved, potentially spoiled and coddled, but also very much kept within the confines of the narrow viewpoint that a quiet, country town places on you.

It's in the way his dad scolds him as if he was still a child when he's at least in his mid to late 20s. It's in the way Style was so mad at Fadel for scolding him ("thanks for the lecture, dad"), like that hit a sore point for Style. It's in the way no one in the market takes him seriously; they're fond, but he's still a kid in their eyes. It's in the way he has an abundance of free time like he doesn't REALLY need to work at his dad's shop. It's in the way he sees Fadel beat 3 guys up with ease, starts wondering if Fadel is an assassin or a hitman, and is completely unfazed like he doesn't quite have a handle on reality.

It's in the way his best friend is a man who has no qualms about lying to him and putting his life in danger, and how Style seems to have no other friends or people (aside from his dad) in his life.

@wuxian-vs-wangji made a comment to me about Style being desperate for a meaningful connection, and I think she hit the nail on the head. Because along comes Fadel, a mysterious stranger with a suspiciously versatile set of skills who is also very hot and keeps giving Style these wonderfully complex reactions? Who sometimes wants nothing to do with Style, but at other times seems to be at war within himself about desperately wanting him? Who treats Style with anything but apathy?

This is catnip to Style; he never had any hope of resisting this.

Breaking news: Style is a complex and imperfect character...

Here's the thing, though: he was never going to try. The show has been incredibly upfront about who Style is as a person. Regardless of whether I'm correct about why he is this way (ie. that he is very much the product of the environment that didn't know how to handle a kid with Style's personality), episode 3 shouldn't have surprised anyone about Style. He's been incredibly consistent and true to himself.

He wants Fadel and he's "crazy" enough to go all in, no holds barred about it, and the Support Group was the biggest doorway to finally discovering something REAL about Fadel.

And its not just about sex or to prove his superiority anymore. Because if it was just that, then Style would have reacted very differently to their first time.

In this scene, Style is pleased and evidently enjoying himself, but he isn't exuberant. He isn't overcome with joy. If anything, he was more happy and excited when Fadel let him help out in the diner (I mentioned this in the tags in this post too) than he was when Fadel is literally fucking him. He lets Fadel set the pace; barely moves to touch Fadel except to hold him close. Almost like he doesn't want to accidentally mess this up, like he's worried he'll take too much, so he'll take what Fadel gives him and no more (please appreciate @braceletofteeth's amazing tags on this post). For a character that has been so aggressively on the offensive, this is shocking until you realise that sleeping with Fadel - while it's a step in the right direction - isn't Style's end goal anymore.

And he makes that abundantly clear in this episode:

Does Style even fully realise the weight of this desire? I doubt it. But I do believe that Style is in earnest. He doesn't fully understand his own feelings, but he also doesn't really care to either. All he knows is that he wants Fadel, wants his attention and his passion and his focus and his heart.

...but Style is also kind of, sort of, perfect.

Because he's exactly, precisely, breathtakingly exactly what Fadel needs.

Because Fadel is hurt and broken and bleeding inside. Because Fadel is barely holding it all together for Bison's sake, but has already given up hope for any true happiness for himself. Because Fadel can't trust anyone or anything in his life, when he's been used and used and used by the family who should've loved and cared and protected him.

Because it's going to take nothing short of this kind of unwavering, unshakable, uncomplicated determination to give Fadel even a chance of healing and opening his heart to love again.