#this is all to say I've started

[dribs-and-drabbles]

Was anyone going to tell me that one of the side dishes from Be Loved in House: I Do is in Stay by My Side or was I supposed to find out myself when I started the series (and binged all four eps) this evening because I needed something to escape into for a while and thus I've added yet another series to my watch list that I don't have time for?

No?

Anyway, lovely to see Liao Wei Po again. And I'm adoring Jin Cheng.(anyone gif'd her yet? Anyone want to? 👉🏽👈🏽)

[lazylittledragon]

can't believe we're all adults being forced into the club penguin level of censorship in 2024

[ripplefields]

that one boss thats just gotta go . rift take him he's ready

[kangals]

have definitely harped on this before but it really does just drive me absoluely insane when you see a dog breeder talking the big talk of "well i dont breed my dogs FOR DOG SHOWS because i dont BELIEVE in showing, dog shows are just BEAUTY PAGEANTS and mean NOTHING, i breed my dogs for WHAT MATTERS which means HEALTH and TEMPERAMENT and GREAT FAMILY PETS!!" and then you go to look at their dog for more info and it's the most poorly-structured off-type albino lilac double merle dog you've ever seen with zero titles and a single Embark panel as proof of health testing.

[seafoamdew]

just a passing au. Dragon Eye is also a time-travelling magical item or something.

[badninken]

Scary Warlord of the Sea - Trafalgar Law

I want to talk about Law's introduction on Punk Hazard, and the fight that follows. Starting with this moment:

It's been an eternity since Law's last appearance in the story when this takes place, and it's the first time he shows up after the time skip. Last time he was seen he was a sleepy-faced dude with a polar bear friend who saved Luffy's life. A bit weird but not very intimidating. This Law though, is first seen skulking in the shadows, offering to help the local villain take care of a notoriously "insane, cruel, and merciless" bunch of marines that's come knocking.

Is Trafalgar Law a villain now? Is he in charge of this very evil-seeming science facility??

Well, he sure looks shady enough to be a villain, and the notoriously merciless marines seem scared out of their fucking minds to see him.

This scene is shorter in the manga but I love the way the anime drags it out by having Tashigi name-drop other Warlords to put his new title and status into perspective. The marines are literally screaming, crying, throwing up over how scary he is, retelling the story of his 100 hearts delivery, all while Law just stands there, smiling.

And that's the thing I wanna talk about. The standing and smiling and how he acts throughout this whole encounter. The way he's leaning against that wall just like he's leaning on his own reputation to do all the work for him. His job in this situation is to scare these people away without letting them know what's going on behind those doors.

If it weren't for Smoker standing his ground, the marines might have simply turned to flee at the sight of him, without Law even having to lift a finger to encourage them. Smoker seems to be having a hard time getting around Law's arguments too. They're both working under the government here and Law doesn't offer any outright hostility or threat for him to act on. Because Law is smart.

Law is handling this navy problem non-violently with minimal effort and it seems to be going according to plan.

But then the Straw hats happen!

And also giant abducted children used for science experiments he had no knowledge of what so ever because he's been minding his own fucking business.

And now he has to deal with taking the blame for horrifying child abuse AND looking like he blatantly lied about the Straw hats and also looking like he's incompetent enough to let all those dirty secrets pop out right behind him in a rain of fucking confetti at the worst possible moment.

(does not deny this)

He looks like he just aged ten years out of pure 'what the actual fuck'-stress. Like, where does he even begin with this situation? He's not responsible for any of that shit. He's just there to destroy some other evils, as discreetly as possible, but now he has to silence an entire unit of marines, just so the mess other people made won't ruin his own plans. Plans that's he's worked on for 13 years. Sounds like a typical Trafalgar Law day.

So he apologizes for saying something that wasn't true and then he handles the problem by causing massive property damage.

While not causing any lasting harm or even pain on a single one of his opponents.

The thing I think is so interesting with looking at Law's behavior in these interactions, is how he plays a role the entire time. He is not a villain, but he deliberately lets people believe that he is capable of great evil and cruel acts for his own gain, because that's his defense. It's a deterrent and a warning. His yellow black patterned coat fits that strategy perfectly, like the message of a wasp or poison dart frog. I can kill you, stay clear.

He keeps the cold, creepy act up the entire battle and makes it known that he could kill everyone there. Easily. He's never even close to trying though, and when he takes Smoker's heart he keeps it safe.

Law has no problem letting people believe horrible things about him if it can get him where he needs to go, but he's famously got a bunch of problems with people thinking he's a good person. I think that plays heavily into why he falls to being Doflamingo-cruel verbally to Tashigi when she goads him to kill her, but there are too many layers and things to say about that particular exchange so I'll save it for another time.

At the end of the day, it's all about this I think:

Law hearing people call him a creepy freak madman vs hearing Luffy say he's lucky to have met him.

[paiigemahoney]

Bobby Nash + smiling in 8a

[tshortik]

I love you messy artstyle i love you visible brush strokes I love you textures and rough edges I love you imperfections I love you roughness and colour blobs I love you scratchy sketches and bold stylisation and dirt and imperfections I love you ugly and raw emotion!!!!! ❤️

[dailymanners]

When entering any place of business, such as a store or restaurant, if a staff member greets you, then acknowledge them and greet them back.

Although for many jobs it's a required part of their job to greet you, especially retail workers, receptionists, and restaurant workers to name a few, that doesn't make it feel any less dehumanizing to say "Hello!" to another human being only for them to ignore you. Acknowledging staff members and greeting them back is important for acknowledging their humanity, they are, after all, a human being, and not an automated machine.

This is also important when going to check out at a store. If you approach the cash register, and the cashier greets you, you should acknowledge them and greet them back. Cashiers already have to deal with being dehumanized enough. The least you can do is help humanize them by acknowledging them when they greet you and speak to you.

[secriden]

Just going to cry again (see: my previous post about the parallels between the storage room scene and the abandoned factory scene) about parallels and juxtapositions in the store room scene vs the one in Styles bedroom:

Both these scenes have such a tone of desperation and are characterised by an overflowing of emotions, but in drastically opposite directions.

(Note, some of what I say in this post directly relates to concepts and themes I talked about here, so it may not wholly make sense without that context.)

The scene in the storeroom is filled with frustrated desire. Fadel kisses Style because he wants Style's body and also wants to take his frustrations at Style out on his body. He doesn't need to look Style in the eye (and in fact very intentionally only does so only in small snatches) because this isn't about a connection as much as it is about a release. Fadel's kisses come fast, hard, and are intended to bruise more than to adore.

But episode 5's scene is filled with much more quiet and tender sort of desire. Style is kissing Fadel so much more slowly and purposefully. He keeps looking back at Fadel, checking in to see how he feels and whether Fadel is enjoying it. Everything Style wanted in Episode 3, he now gives to Fadel here, pours the secrets of his knowing and choosing Fadel anyway into the way he presses his lips onto Fadel's skin. His kisses linger, they carry a weight but are somehow infinitely gentle still; Style's kisses contain a purpose that Fadel's kisses couldn't in Episode 3 because in all honesty they were relative strangers back then.

There's also the way there's such a ferocity and carelessness in the way Fadel starts the encounter in episode 3 that is juxtaposed beautifully by the slow, tender, almost hesitant way Style slides his lips onto Fadel's. Both of them are in such different headspaces, between these episodes and its especially evident in the way they care so much more about the other person's comfort and how intentionally they showed that to the audience.

There's hunger present in both scenes but what this hunger is focused on is so drastically different. In the storeroom, they're both mainly focused on a physical release; its primal and visceral but lacked emotional resonance. Fadel gives Style what he knows Style wants (that hint of danger, with the hand on his neck), but its not because he really cares about what Style wants on anything more than a physical level. In Style's bedroom, however, Fadel is drunk (intentionally and by his own design) and desperate to open himself up to Style on an emotional level. Meanwhile, Style wants that desperately too, but knows that Fadel shouldn't because of his own terrible secret. So this kiss is what they both will allow themselves - an honesty and a hunger for this deeper connection they can only share in act but not in words.

In the storeroom, Style wants Fadel to want more than his body but knows (or thinks) he can't push for it yet, so he remains passive, lets Fadel do whatever he wants, lets him turn and shove and place Style how he wants because at this point, this is all Fadel will give him. Here, Style is passive in spite of what he wants. But in the bedroom, Fadel is passive because it's what he wants; he wants to let Style do whatever he desires to and with Fadel's body. He wants to lay himself as bare as he possibly can, which is only physical, and so he does.

And because the encounter in Episode 3 lacked that emotional connection, the focus is merely their respective releases. There's a sense of two people trying to find pleasure and 'finish' while remaining emotionally disconnected despite actively having sex with each other. Because in some ways, they didn't really need each other in that moment to get there (there's actually a lot of truth in what Fadel says about it being easier to just jerk off alone). In sharp contrast, the scene in Episode 5 isn't focused on the destination but on the journey. Style is taking his time and Fadel is letting him - Style is choosing to worship Fadel's body, with his fingers, with his lips, to respond to his vulnerability with gentleness and tenderness and adoration. The goal has stopped being about finding a release, it's about allowing both these men to revel in the giving and receiving of pleasure.

The point of these scenes is to show to us the ways in which Fadel and Style have grown to care for and, dare I say it, love each other in ways that are so purposefully portrayed by showing the nature of their physical connection. Because the ways in which these scenes are the same and yet so wholly different showcases how their touches are now no longer merely tied to their senses any longer, but also to their hearts as well.

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[steamclouds]

Neverwinter Saga is the best

[bizarrelittlemew]

calling it right now that season 3 starts like this

[front-facing-pokemon]

[sassypotatoe1]

Vocal cats are the best what do you mean kitty can say hello like a human child? She says prrp to let you know where she is because she can't say psst, and the closest thing to psst in cat language is in fact a grievous insult. She goes "hmm?" when you call her. She almost says let's go when she calls you for food. If she could say t or g she would say let's go perfectly. She says I love you. I mean it's closer to maiyowoo but it's close enough for an animal that doesn't have human or bird vocal cords.

Vocal cats man they're so good and perfect and I love them!

[deoidesign]

One of my first digital pieces (2010) versus one of my recent ones (2024)

We all start somewhere!