#there’s so many characters im not going to tag them all

[starburstminibot]

Hey, anon who asked bout the "how things were before Breakcheck was born"

First of all: I read the tags, don't ever apologise for info dumping, I love the dump and will eat it all. I am thoroughly enjoying this au and would love to read/see more of it

Secondly: It's quite alright for not doing art, as much as I do enjoy your art very much and love to see how you draw these characters, I also very much enjoy reading about it

Thridly: You are so right, the writers dont know shit and you get it alot mlre, and i LOVE how you are writing the issues between the 'Cons and 'Bots. Like there is sooo much they just, didn't explain. Megs being the one to become good and the other cons are left to be the bad guys??? PUH-LEASE

And even if they were to no longer be the bad guys, there is SO MUCH to their relationship that is skimmed over, like, c'mon

Anyhow, eating up your au OP. Breakcheck is best boy and I love seeing this goober and his story on my feed, writen or drawn out

Do not give me permission to yap bc i will not stop and you will regret it I promise /lh

IM SO FERAL??!>{£|! OUGHH IM SO GLAD YOU LIKE IT SO MUCJ BC IM GOING INSANE THINKING ABOUT IT

Also… I’m going to give possibly a hot take and it’s that Earthspark genuinely pisses me off sometimes. Because how dare they introduce such an interesting concept of a post-war setting with a redeemed Megatron and complex Decepticon/Autobot relationships and expect me to care about the Terrans.

I still like the Terrans, i think they are so silly goofy, and I like the idea of new characters to explore. But THE BACKGROUND PLOT IS SO MUCH MORE INTERESTING TO ME. The human alliance that turned out to be anti-cybertron??? Mandroid literally killing bots and experimenting on them?? grimlock getting mind controlled and having ptsd??? The rest of the Decepticons fighting for power and seething in rage of their leader’s betrayal??? Megatron trying to navigate his new life while being repentful of his past actions while also not crumbling under the guilt of his mistakes??? The fact that they are stranded on an alien planet and can’t go home?????? STARCREAM’S ABUSE GETTING RECOGNIZED????

they keep introducing these really interesting plots and then abandoning them for the sake of the Terrans getting more screentime.

I think these things would be easier to juggle if there weren’t so many of them tbh. I would rather just have Twitch and Thrash be these new Cybertronians that can guide the viewer through these complex plots because like us, they weren’t around for the war. They have a fresh untainted perspective on life.

(Dont get me wrong, I love Hashtag, JB, and Nightshade, but sometimes it feels like there isn’t enough screentime to flesh them all out and they end up getting characterized to one singular trait) (if all of them are around, I would rather them have their own focus show without the background plots of Optimus, Megatron, Bumblebee, ect.)

Also they are REALLY trying to hit the family theme over our heads. They keep saying “family this family that” but deadass they talk about being a healthy family more than they actually act like it. Show me how much they love each other instead of putting it in every other line of dialogue.

Ok that is all, I didn’t mean to go on such a rant LMAO. I still like Earthspark, just sometimes it feels like they are trying to be two different shows and they are stuffing more into the plot than they have time to flesh out. (Breakdown, Starscream, and pretty much all the Decepticons deserved better)

[moonlightcycle571]

Marvel making familiars for his loved ones

So I was thinking about Tawky Tawny (again). The thing about him is that he got so many different backstories or explanations on what he might be, but a common enough theme that we see is that he is a stuffed toy when he wants to be.

So here me out.

Tawky Tawny is Billy’s familiar and helps him adjust to his magic when he wants to use it in his small form. He was originally a toy given to Billy by his parents and later given life by The Wizard.

It came with more benefits. Tawny would eat his nightmares, be able to teleport to Billy’s location so that he could never get stolen or lost, protect Billy by going into his tiger form and all around be a constant warmth on his life.

So imagine Billy doing the same as The Wizard.

A lot of his friends aren’t magic users and don’t have the same magical protection he does, so maybe he gives them some enchanted clothing or pendants. A semi familiar (because without magic you can’t make a magical familiar pact with a living animal) where he just makes them familiars.

He would create stuffed animals, and weave in some magic to make them sentient. Maybe it would start with younger heroes, but when he realises his coworkers in the JL need the help as well, he absolutely would make some for them. They, like Tawny prefer to stay in stuffed toy mode, but will sometimes would want to stretch their paws and go into animal form once they feel like they are in a suitable environment.

Just picture it.

It all started with Raven, and the constant stress she might feel with having to constantly guard over Trigon. She can’t have a familiar because most creatures would suffer if give a link to her because her magic is not compatible like that. Captain Marvel decided to make her a companion. He makes her a little leopard wearing an elegant pink suit with a little top hat.

Raven: Is that a plush?

Cap: I heard you have trouble sleeping, so I got you a friend. I haven’t given them a name or pronouns, so that’s up to you.

Raven: … why

Cap: Trust me, they are for nightmares! Tawny *holds up his tiger plush* tells me they are fun to hunt and makes quite the sweet treat.

Raven: *holding the handmade gift* thank you 🥺

Cue shenanigans where she thinks he’s just trying to be a great den mother, and is a tad naive thinking stuffed animals actually work. Not that she isn’t holding little Ebony Darkness every night and is getting the best sleep she has in years.

Another thing to add is that insomnia and PTSD is a common sight within the caped community. And of course Billy notices that. So, after seeing more and more positive results of his plushies, he makes more and more. It becomes a trend. Younger heroes receive a small teddy of an animal and proceed to get attached to it almost immediately.

Nightwing almost cried when he got an elephant wearing a bow tie . Cap said that he seemed like the type to like them. Now Dick has given Zitka a little sibling to sleep at night with. But then that plush becomes fond of Zitka and gave the og elephant plush sentience.

Starfire absolutely adores her shrimp plush. Said something about being able to see colours together. Wally doesn’t know what to think about getting a turtle, but quickly gets attached, even putting little designs in the shell.

Jason also likes to put in patterns in his sting-ray, which Roy doesn’t get cause he thinks his jelly fish is perfect just the way she is. Lian gets a smaller jellyfish, which makes her happy because all the Outlaws get a sea animal.

All the members of YJ, even the retired ones, get a reindeer. They suspect he knows.

It gets back to the JL that Caps giving stuffed toys to their protoges.

Flash: Hey, Cap, how come we don’t get any stuffed animals?

Captain, exited his work is wanted: You want one!!!

Flash, can’t say no to that face: … yes I do

He gets all exited and makes plushies for all of his coworkers, that he pours a bit of extra magic in his work.

CM, fidgeting infringe if the door:

Batman: what is it Captain

CM: I made you something but then I realised that you wouldn’t really want it but then it could be cool if you did and I didn’t want to overthink-

Batman, stopping Billy’s rant: go ahead

CM, hands him a plush snake wearing spectacles: I thought you would like them. I haven’t named them so that’s up to you

Batman, not knowing where to go from here: … is the name important

CM, offended: It’s the MOST important

Batman sighs and keeps the snake. Naturally he does a billion different tests but finds it’s a snake plush. One that’s handmade. That must have taken a lot of time and effort. Batman keeps George Snaking. No he will not admit that having the snake wrapped around his shoulders is soothing.

And it just spirals from there. Hal gets a Sparrow in a poncho, Plastic man gets a kangaroo wearing the nicest boots, Wonder Woman gets a duck in a fancy dress, Aquaman gets a penguin in swim shorts, J’onn gets a lion in a toga … Guy gets a clown fish.

It has no rhyme or reason. The only common thread is that it’s an animal with some sort of clothing. Cap just says that of course they have clothing, they are distinguished and perfectly civilised individuals.

It all come to a head when the League faces some threat, and they are weakened, only for their plushies to fucking teleport and turn into massive version of their respective animals and saves the day.

Hawkwoman, starring at her bear: I- Mrs Snuggles?

Mrs Snuggles: *shrugs*

Shayera: … I could have been getting bear hugs this whole time

Guy: *looks down* Flippers?

Flippers: *flops on the floor*

Guy: ….

Guy: how come the others get bigger version of their animals

The League of Superpets aren’t that worried about competition. They tried to recruit the plush’s, but turns out they are just lazy. Like, they will beat a butch if necessary, but won’t actively go looking for crime to solve. They act more of a home défense.

The only ones who knew about the sentient plushies where Ma and Pa Kent (their Octopus is extent helpful around the farm), Alfred Pennyworth (he’s the one who actually requested hamsters to help keep the manor clean and keep an eye on his family) and Damian who’s instinct immediacy told him his fennec fox is alive.

Oracle got a capybara. The Capybara is the most powerful one Billy has made, second to Tawny. I don’t make the rules.

Constantine is the only one who never got one. Billy is still salty about him trying to steal his powers. Plus he would prolly sell it.

[stiffyck]

I WISH ARO HEADCANONS WERE MORE POPULAR IN FANDOMS

[lovesickeros]

☆ even the gods bleed [ pt 2 ]

{☆} characters furina, neuvillette {☆} notes cult au, imposter au, multi-chapter, gender neutral reader {☆} warnings none {☆} word count 1.9k {☆} previous [ 1 ]

This had to be a punishment of some sort – some kind of divine punishment.

She was bored out of her mind just watching the sleeping body – she hadn't blinked once in the past five hours, her eyes were really starting to hurt. Yet they still hadn't moved so much as an inch since she sequestered them away to the only place she had known to be safe.

But it'd been almost a week since then.

The only solace she found was that Teyvat had seemed much less hellbent on collapsing in on itself like a dying star.

That counted for something.

Not much, but something!

..Even if their position was no better then it was a week ago.

There was, after all, still the issue of what to do about the false Creator – the actual imposter – and the Archons following them like blind lambs. The other Archons wouldn't listen if she tried to reason with them, and it would only risk the life of Divine One if she spoke of their location to anyone else.

She also was pretty fond of having her head still attached to her shoulders.

So she avoided them all together. Partially because she wasn't sure she wouldn't have a breakdown at the sight of them..she'd never been a fighter, and fighting an Archon? Easy pass.

Instead she was forced to babysit the sleeping Divine until they woke up while Neuvillette handled taking care of the nation and dealing with the other Archons – and by extension the false Creator.

Really though, she would almost think them dead if not for the subtle rise and fall of their chest.

Though..this also left her with a lot of time to herself. A lot of time to think.

She really didn't like it.

There wasn't a lot to occupy her mind and what little there was only distracted her for a scant few moments before her eyes drifted back to the Divine like she was locked in their orbit, unable to escape.

She closed the same book for the twelfth time – she kept count – and returned it to it's meticulously designed place within her bookcase. A low, barely audible huff of frustration escaped her lips before she could bite it down, her stare boring a hole into the body of the Divine One with a sharp intensity she rarely showed.

She was tired, bored and constantly on edge, fearing that at any moment someone would find out about their presence here.

That, at the drop of a hat, she would be powerless to stop the greatest tragedy of her time play out before her eyes.

Neuvillette would have scolded her for being so petulant, especially around the Divine One, if he were here.

But he wasn't.

He was out running her nation, instead.

And what was she doing? Nothing!

She grit her teeth, nails digging harshly into the palm of her hands as she took a deep breath – now was not the time to think about that. She had..much more pressing matters. Sulking and letting her thoughts spiral helped no one, least of all herself.

Yet her attention was caught by a harsh inhale, the rustle of fabric – were they finally waking up? She was exhausted, but it all vanished at the sudden drop of life within the otherwise deathly still body of the Divine.

Her eyes followed the subtle twitch of their fingers, watching as their brow furrowed and their features twisted in something almost like..pain.

..She wasn't ready.

What was she supposed to say?

Should she even say anything? Would that be considered impolite? Does she wait for them to speak first? Should she kneel? Bow?

She doesn't get much time to find her own answer before their lashes flutter, chest heaving with every strangled breath. Every single thought vanishes from her mind the moment she meets their eyes.

For a long, silent moment she thinks that her heart must have stopped.

Their eyes glow like the cresting of the sun over the horizon, painting the world in hues of gold – yet it also reminded her of the dipping of the moon below the waves, casting the briefest, most gentle of lights upon the world engulfed in darkness. In the depths of their eyes was the birth and death of stars in the infinite cosmos – glittering stars in a sea of empty, blank space that left her feeling lightheaded and breathless.

Beneath the splendor is a spark of recognition in their eyes so vibrant it was like a shooting star piercing through the dark night sky, leaving nothing but the wonder in the eyes of the observer as the only proof it ever existed – brilliant in it's beauty, however brief.

It is the most beautiful thing she has ever seen.

"Focalors?"

The lilt of their voice nearly made her knees buckle beneath her – euphoria so consuming it left her feeling she was starving swallowed her whole, her mind blanking in a moment of utter bliss. It was..an indescribable feeling that she doubted she could ever hope to put into words – not in a way that could properly express it, try as she might.

She swallowed the words that threatened to spill from her lips – she couldn't make a fool of herself. Not in front of them of all people. She'd never forgive herself.

"Divine One," She rasps, clearing her throat and covering her mouth with a hand to mask both her nervousness and the small smile that creeps across her face. She quickly regains her composure, hand resting on her hip as she puffs out her chest with every bit of pride she can manage. "I am sure you must be confused, but worry not– your most loyal acolyte has seen the truth!"

The silence is deafening.

She opens one eye, peaking at the bewildered and almost distraught expression of the Divine.

"What the hell are you talking about?"

That..she was not prepared for. Surely they knew who they were! Surely they knew. They had to– she's been praying to them for as long as she's breathed, she's dedicated every hour of her life to living up to their ideals, they can't just–!

"Lady Furina?"

Neuvillette, thankfully, spares her the embarrassment of having a meltdown in front of the Divine, the gentle rap of his knuckles against the door making her and the Divine pause, the soft lull of his voice soothing her nerves and yet setting her on edge at the same time.

"Neuvillette." She clears her throat again, her steps hurried as she marches to the door and pries it open none too gently, a forced smile pulling at her lips. She wastes no time tugging the man into the room, shutting the door behind him with a short huff. The silence is, somehow, even worse then before as the three of them stare at each other in absolute exasperation.

Neuvillette, for his part, manages to get his act together with a sharp clearing of his throat, bowing so low even she looks unnerved. She steals a brief glance at the Divine, and she's taken aback by the uncomfortability twisting their features into a grimace.

Their expression is schooled back into one of empty apathy when he stands back to his full height, but she saw it – she knows she did! Did they not like their worship? Were they not respectful enough? For a moment, she feared the Divine would smite Neuvillette down on the spot..but they just stared at him like he was a ghost.

"Why aren't you killing me?"

The defeated, resigned tone combined with the way their voice cracks makes her heart ache in her chest – it feels as though her entire world is crumbling down at her feet, and she cannot explain why she feels such emotions so strongly, but it is suffocating. It is almost as if Teyvat itself is weeping, bearing down upon her shoulders like a heavy weight.

She feels the urge to weep herself, but she powers through, gritting her teeth long enough for Neuvillette to take his place at the side of her – though it feels more like their – bed, kneeling like he was going to pray.

"Divine One," He offers a hand with a quiet rumble of his voice, the words slipping off his tongue like honey. It's like trying to soothe a stray cat..though she'd never voice such comparisons of the most Divine out loud. "I..we mean you no harm. I swear on my authority as the Iudex of Fontaine and Chief Justice that you are safe with us."

The skepticism she expected, but the reverence in which Neuvillette must convince them – or perhaps they are simply so tired that they simply did not care any longer if it was all some ploy to drive a knife between their ribs. She didn't expect them to actually place their hand in Neuvillette's.

He didn't either, judging by the way he visibly brightened – not that they'd notice, but she did.

..Not that she could really blame him, her heels clicking against the floorboards as she shifted her weight to the other foot with a nervous energy that was practically bursting at the seams, more then a little jealous of the attention he was receiving. She was the one who found them, she was the one who stayed with them the entire time..but he gets all the attention?

How unfair.

"O-of course! We would never lay a hand on our creator," She adds, her voice a little higher pitched then she would have liked as she placed her hands on her hips, puffing out her chest and brushing off the sting of jealousy. "Least of all I– your most loyal, most devout acolyte!"

She felt baffled when she heard the sound of their laughter, her shoulders hunching and her cheeks flushing on mere instinct – she was expecting mockery, but the look in their eyes, still dulled by a pain she cannot even begin to imagine, made her hesitate.

..It was, perhaps, the most genuine thing she'd heard from them ever since before the hunt began.

She wasn't sure why her heart hurt at such an idea, but it was enthralling to see the beginnings of a half hearted smile on their lips.

For a moment, her mask of theatrics was forgotten as she stared at them in a mixture of awe and adoration– and though she didn't look at Neuvillette, she could imagine he must've shared such an expression.

Had she any doubts that they were her Creator, that they alone were the most Divine..they would wiped clean now. There was no mistaking the way the world itself seemed to grow clearer as they glanced up at her like she was worth something.

For a moment, she realized how cold the false Creators gaze had been now that she has felt warmth so gentle it almost made her knees buckle beneath her. It felt like a pale imitation, now.

Nothing could compare to the warmth that spread through her body at the mere semblance of a smile upon their lips. She didn't even mind if it was her they were laughing at anymore, she just wanted to hear them laugh again.

She'd make a fool of herself, if she had to.

She'd never felt so..ravenous for such a thing, but just the briefest glimpse was addictive.

She simply couldn't help herself from striding across the room and clasping their free hand in her own, her smile wide enough to unnerve as she leaned her weight onto the bed. For a moment, she considered pulling away at the way they startled, but her mind was made up by then – there was no going back.

"Again."

[dizzybizz]

some doodles

[sluckythewizard]

'I wont cry for you, I wont crucify the things you do. I wont cry for you, see, when you're gone, I'll still be BLOODY MARY'

[luck-of-the-drawings]

OH ARTHUR BENNETT.. such a gorgeous and intriguing character. terribly burdened by a GRUESOME set of crimes, his light suffocated by a HEAVY century of GUILT. so tragic, so dark and broody, and yet PAINFULLY awkward in any social setting ever

[narsh-poptarts]

Do people like wips? idk, i like my wips. have some wips <3

they're all for class but it's an excuse to work on my oc stories <333

[moeblob]

Rice. From my plot that's literally just a game of chess. (he's a rook)

[lucabyte]

🐮

[high-quality-assorted-chaos]

having. thoughts 😄😄

[st4rstudent]

For any toontown tierlist fans out there. I made a tierlist for toons (mainly from ttcc, some rewritten is included) since I couldn't find any. I'll attach and image below of all the ones I included, but if anyone has any suggestions I'm all ears.

Link if you want it

[startistdoodles]

Drawing Box Submissions Part 1

I'm having SO much fun going through all the submissions, here are the first 30! Some of them inspired me to do some doodles too, so I will put them at the end in a reblog :)

[thatstroubling]

Poll: What is, on average, the best Danganronpa chapter across the 3 mainline games?

AKA all Danganronpa murders are the same <3.

Parallels among the murders of the same chapter are listed below:

Chapter 1, AKA: "In a murder committed out of fear and panic, after dusk, in a location where the protagonist appeared shortly before, a strongly motivated individual, after taking initiative on their own, is murdered as a result of a betrayal by the protagonist's best ally, after which the corpse of the victim is found slumped on the floor and during the trial for which the blame is for a prolonged time placed on the protagonist or their ally (who was indeed involved, but ultimately is not the blackened)."

Chapter 2, AKA: "In an attempt to maintain allegiance to an important individual and to uphold a sense of honor for their Ultimate title, a capable classmate bludgeons to death the mentally strong yet physically weak (or mentally weak and physically strong) fan favorite (who therefore ends up dying too early) in a hands-on-hands physical confrontation, after which the placement of the corpse as well as the "perceived" crime scene is messed with to pin the blame on another person."

Chapter 3, AKA: "A-not-mentally-well-adjusted individual commits an immaculate and complicated double murder for a unthinkably irrational or amoral cause, which includes a body appearing at the crime scene out of nowhere in a seemingly impossible fashion, and in which one of the victims is the one who was lured out by the killer and willfully takes part in the action (but unknowing that it will result in their own murder) and in which the other victim ends up being the socially ostracized individual, simply because they happen to be at a wrong place at the wrong time."

Chapter 4, AKA: "Within a set-up for a locked room murder mystery, the good-hearted fan favorite becomes a part of a two-person life-and-death allegiance to perform a heroic act of self-sacrificial killing using an unknown murder method with the intention of getting themself killed so that everyone else may live, while one person is revealed to have had a deeper insight into the killing game for some time."

Chapter 5, AKA: "In an unsuccessful attempt to bring the killing game to its conclusion, the most malicious student of the class orchestrates an almost perfect, convoluted and seemingly unnecessarily but indeed intentionally violent murder (which serves as a way of mangling the corpse to a point where the murder method is concealed), whose solving hinges on the protagonist's new but trusted ally's confession about their not-really-consenting involvement."

Chapter 6, AKA: "After a retrospective investigation that brings to light new circumstances about the game's setting as well as its previous events, an existential crisis consumes the remaining survivors as the identity of the class and the killing game itself is revealed, during which Junko Enoshima appears (of course), and which ends with the true protagonist killing the mastermind in order to seek redemption, freedom and hope for their classmates.

P.S. This whole thing was primarily inspired to by my desire to prove Nagito's assumptions from chapter 4 wrong:

Most of these are fortunatelly not true when we also take V3 into account: while Rantaro was important, he wasn't stabbed; a serial killer was revealed in the third chapter, not the in the second; and I wouldn't exactly classify chapter 4 murder as a suicide in either sdr2 or v3 (though we DID have two people playing Russian roulette in the Funhouse, yikes). All in all, the murders wouldn't have been nearly as shocking if they correlated with what had been already pointed out in the second game before, so I'm not really surprised that there ended up being other similarities among the murders.

That's all, thank you for reading <3

[rxttenfish]

Asking because I’m extremely curious about this, how did MonProm’s writing get different over time? I remember you saying that the lore and characters feel different, and that it's missing sincere character interactions, too. I know almost nothing about the lore and I’ve only seen a few people mention the characters, so I’d be interested in a rundown of what aspects you think got worse in the series

I wouldn’t mind a very long response since I’m not that active in the fandom, I need to catch up on what happened

sorry for taking so long to answer this! i kinda waffled on it for a long bit, mainly because i started doubting myself again, and whether or not this was me simply overreacting or being tinted by nostalgia or simply being extremely picky and choosy in what i like (the last of which is true, i seldom get into fandoms at all for this reason and stay away from most popular media, but i wasn't sure if it applied here). i've posted about it already, but i'm in the middle of a psychotic episode where i can't feel a lot of pleasure to begin with + most things i do experience ending up solidly in the "very bad" category, so as you can imagine, i really didn't want to mislead and check that i was actually in objective reality.

as it is, this is also when a lot more screenshots started to be posted in the monster prom tag, and that helped me bridge the gap back into returning to the games themselves and feel like i was making a more accurate judgement. if you're one of those people who have been posting screenshots, i sincerely thank you, and i appreciated seeing you in the tag greatly.

for those not in the know — i've been in the monster prom fandom since it first released, prior to even the first additional ending to be added (the "Punch the sun" ending, and i recall the minor fandom drama that happened at that time due to it). my impression of monster prom is very much influenced by this, as what got me into the first game was the fact that the characters genuinely seemed to care for each other and were friends with each other (not merely tolerating each other's presences nor dressing it up, they sincerely thought of each other as friends and were open about that fact), on top of the wide variety of small details and statements that, if taken at face value, could create compounding complexity in the lives of each and every character and had wider implications for their lives.

no, they were not necessarily explored nor even necessarily "real", with so many conflicting events and statements, but i liked this too, because it meant a wider flexibility in what you could imagine, helping to create a more tailored experience for everyone who thought about these characters. this was what i liked about the early fandom too. what was baseline "canon" was so vague and minimal that you could have wildly different interpretations of the same characters' histories and relationships with each other. you would have radically different perspectives on what the world itself looked like, what it was like, that there wasn't really any wrong answers so long as their personalities remained the same. this is where you got the old headcanon of polly and liam being childhood friends who knew each other as humans, or that the world of monster prom was post-apocalypse where humanity itself had gone extinct or only existed in tiny pockets, or my personal headcanon that both monster and human society existed right next to each other and had minimal crossover for petty cultural reasons. this was also prior zoe-as-ro, and there were wildly different interpretations of zoe's personality, with most going for a far more disquieting creepy-cute than the deep nerd we got.

this is why you get stuff like the timeloop theory, where everyone is repeating the same weeks leading up to prom over and over, and are perhaps vaguely aware of it but broadly unconcerned. this is also why it felt like the joke that, the characters were still in high school but were all fully legal adults with most in their 20's, best landed, because it was absurd and strange and didn't quite make sense, but the world itself was inherently absurd and semi-malleable to begin with. realistically, i felt like everyone understood it was making fun of the trope of having adults play teenagers in american sitcoms and wildly casting outside the age range, but for more in-universe explanations it wasn't any different from the way that you would have a large, dramatic ending in which everything changed, but then you'd restart and everyone would be right back at the beginning with nothing different, or even having conflicting events in the same run. it was a dream-logic that fit with the tropes and, thus, diagetically made sense.

to be clear, i don't mind canon having a set, well, canon on which it refers back to itself. i don't mind expanding that or including more things which are set in stone. but there was a perceivable shift in how the games handled this over time, becoming a lot more... bitter, it felt, towards all of these different branching ideas and concepts that, yeah, the people making them knew wouldn't necessarily be "canon" because "canon" already liked to contradict itself so much. most people weren't even sold on any one idea, and there was a much greater sense of enjoying and appreciating all the varying ideas people would come up with even if you personally didn't share them. making the characters be out of character was the real crime, because then it didn't diagetically make sense in the same way, didn't wholly fit.

(again, this is not to say fanon didn't happen and characters weren't smoothed down into a simplified personality that fit these varying fan-interpretations instead of the game itself. certainly damien love/lust was just as bad as it had ever been, and everyone loved to mangle his character into a more stereotypical "bad boy with a heart of hold" all the time. but it certainly felt less set-in-stone about it than it does now, with any deviation from the norm being considered strange and odd and even broadly shunned from the wider fandom.)

all of this is setup for establishing what the writing, lore, and characters felt like in the earlier days. the characters were the strongest part, with their relationships to each other being equally as important. the lore played it fast and loose and was far less interested in setting anything in concrete because that wasn't the important part. the lore wasn't the important part, which was what made it all the more intoxicating to think about, all the more fun to play with.

montrip is easily the biggest offender when it comes to setting everything in all-or-nothing terms and demanding absolutism from the world. broadly i blame the hitchhiker conversations for the worst of it, but i think ultimately the way they handled the entire premise of the game is where this problem stems from. it's not really an exploration in the same sense that you might explore the first game, discovering different perspectives and different people with different relationships to each other. it's an exploration in the sense of a sequel that over-explains the monster, that takes the most boring option out of all those that were possible and floating around and settles on something that was blatant, obvious, typically rejected not because of how novel it is but how trite and par for the course it is in the rest of the genre.

yeah, okay. humans know nothing about monsters and there's a "monster dimension" that exists separately from the human dimension. there's no crossover between the two of them. of course there's a big grand-scale fight between the eldritch powers that zoe used to be a part of, from which not only are slayers the main organization against them, but also the merkingdom has some horse in this race too. it's an urge to make things so universal in explaining them, in revealing connecting threads which unite everything that's ever happened in here, that makes the worldbuilding and lore immediately much more boring than it ever was before.

and it didn't have to be this way! nothing in the first game contradicts any of this too explicitly (see the above, the first game loves to contradict itself), and i would even be happy if this was basically canon but never stated or confirmed to be the big overarching everything going on underneath it all. i believe you should probably know these things about any world that you create and have them in the back of your mind. the difference is that you can know these things and keep them in mind, even focusing on things where its very relevant, and still not reveal them. this is why you have lore bibles, after all. every horror writer knows exactly how their monster works and the full underlying reason for everything that happens, but that doesn't mean the audience will see it or possess this same information too, and leaving it intentionally obscure will make far better stories.

which, this is bad enough, but it wouldn't be the breaking point for me if this was all there was.

but the worst thing of all has to be the slow decay of the very same characters that sold me on this world, this lore, this game in the first place. monster prom is nothing without the characters in it. it's a dating sim, it has nothing but characters to get you to play, and liking these characters are the entire reason anyone would pick up monster prom in the first place.

and the first game pulls this off extremely well. it's all in the tagline: be your worst self. they are, indeed, all terrible people. yes, even that character that you just thought of right now. they all have points in the game where they commit atrocities, where they kill or hurt people, where they do inexcusable things that could not be ignored in a more serious setting.

but that's the point. i think there's something very powerful in creating a character who not only do you love and love their personality and the way they interact with the world, but who also are inapologetically terrible, and to have the humor and the charisma be so good that you don't get bogged down in the "this is awful". likewise, it never feels the urge to really go out of its way to justify what's going on. this is not to say theres no discussion of if someone "deserved it", but usually there's still the sense that the joke is on them, that this is still an extreme reaction specifically for comedy and not necessarily something that can be justified. you can have damien set leonard on fire and have it feel earned, without prompting the needed reaction of what it's actually like to watch someone burn to death.

this is what sets the prank masterz ending apart from the rest of the game, and really establishes it as the first real "bad ending". because nothing that you do or happens in the prank masterz ending is any different from anything else that happens in any other run. you summon evil beings from other dimensions as a throwaway gag on how visiting one location raises your stats. you kill other people and damn them to terrible fates. you watch as body horror happens. the only difference is that, in the prank masterz ending, the laugh track doesn't play.

the rest of the game and the writing echoes this philosophy, this careful interplay of tropes that keeps everything tongue in cheek and yet sincere enough to make sure emotional beats still land when they're needed. the characters feel true to themselves and their own emotions, even when the world is extreme and excessive, when everything else runs on comedy logic.

this is also what i noticed failing first as time went on.

like i said, fanon has always existed and there's always been very specific ideas as to what characters are like in the same way fanon always flattens down characters into the same tropes over and over. scott is stupid and innocent and doesn't know what sex is. damien is violent and hot and too cool for anyone else. miranda is the idiot girl character. repeat over and over and over until you get sick of it.

but it's been an issue as time has crept on that canon has started to approach fanon and began to merge with it. now, scott is so innocent that he can't even curse. polly starts being mean to her friends and saying things that would be very hurtful to hear. the merkingdom isn't really super evil and fucked up, it's just miranda that's like that. they become simpler, easier to digest, streamlined for social media posts and mass-sharing. they become less and less subversions of existing tropes and moreso just another example of them, something else to add to the collection, not their own individual stories.

even further from this, what more complex traits they had are now stated and not shown. polly is stated to be smart and clever in a way that her party girl persona doesn't imply and to be sincerely rather down to earth with the people she cares about, but we seldom ever see this anymore unless its the game specifically trying to make a point about it, in which case it won't let her do anything that implies cleverness and moreso will just outline it in the narration. vera is stated to care for people in a very genuine and heartfelt way, but seldom will get a chance to do so, and every opportunity for her to do so to their faces is missed while she will just outright state it later. it does not feel consistent, it does not feel like any of these are intended reads of their actions. it feels like the devs have something they want to do but no idea on how to actually do so. and forget it if you want these traits to manifest in small ways that show up in unrelated moments and scenes.

the dialogue becomes harder and harder to tell between each speaker, if you are just looking at what's said and not at the pictures attached to it. the characters' distinct voices have been eroded away, so that they speak more and more like each other, relaying the same terms and ideas in the same words. perspective becomes a suggestion, instead of a must.

this is something that started back in monster camp too, as all of the endings in that game felt ultimately the same as every other ending. it's very hard to place or define the full reason why, why there feels like there's no emotional stakes nor investment, why everything feels moreso like selecting different coats of paint and trying to find all the different ending pictures rather than being interested in exploring the characters as characters.

stranger yet, the series that started with the tagline of "be your worst self" has experienced a kind of... softening, for lack of a better word? what i mentioned about being able to handle the balance between terrible people who do terrible things and the light tone of the game starts to change, as abruptly the same characters who were down with violent murder in the first game start to lose their nerve, acting more and more on more typical morality. it's one of those things that feels like it's starting to damage the tone, as abruptly it's not as absurd as it used to be, demands less suspension of disbelief which could buffer and support the rest of the setting on it. there's even a part in one of the endings in montrip which involves current-polly and current-scott looking back on their monprom selves and reacting in horror at how violent and careless their pranks are, in a way that fundamentally felt like it was undercutting and disparaging all the things that felt fun and made monprom what it was.

which is odd, really, because more and more i feel like the characters in these games like each other less and less. the friendships and genuine enjoyment of each others company that brought me to this game in the first place has gone. now they don't mention each other as much, don't care for each other's feelings and reactions as much, aren't as willing to support each other. they are more and more found on their own, relied on their own, seem to seek out contact and interaction with their own friends less and less. it feels like they're all separating out into their own worlds, but also feels like they wouldn't willingly want to interact with each other if they weren't already forced together by some other outside contrivance.

if anything, i'd compare it to every other dating sim out there, where you, the player, are the most important person in these characters' lives, and they only feel ambivalent or antagonistic towards every other character. which, again, is not why i picked up monster prom or why i liked it so much in the first place.

and it's because of this that it feels like the current state of the series has to focus on its increasingly weak worldbuilding and lore, trying to form a more serious foundation without character relationships being so tightly bound together, without the characters themselves being more developed and rich, without an aspect of absurd humor to rely on.

more and more i've noticed monprom has to rely on referencing other series to make itself funny and create humor, which, again, it's always done. it was just easier to ignore back then, if you didn't know what was being referenced, because there was always more going on in the exact same scene to bolster it and give context clues as to the setup and punchline at play. it feels like the current games are much more dependent on you knowing pop culture references in order to have any fun with it, and i'm someone who, again, is very picky in what i like or what i'll seek out. i'm not interested in a stream of references about other things that i would much rather be doing than playing through a game that feels like it hates that i like it at all, when i could, again, just be engaging with the thing that takes itself seriously and knows what it wants.

[5hrignold]

oh my go i just watched the virus sbemail for the first time and oh my goddude i feel like i just had a like 8 course feast put together to feed hundreds oh my gosshness. IT HAD SO MANY THINGSI LOVE…… the way sb sounded so actually distraught and truly scared from the moment the error screen appeared and the way he tried to get to cheat for some form of help or comfort and also at the end he didn’t even hit or insult or do ANYTHING to bubs that was how messed up he was he just ran off and cried.. ive noticed that’s just what sb does when he’s truly upset and has no idea what to do. just run run run . and also more of?????? Homestar seeming to know more and be more aware of where they are than any other character!?????? bubs took the direct approach of destroying the compy itself - which can we talk about how cool that in itself is. the way, since the in-universe hsr world from what im seeing is a digital world, the way it can all be affected by a computer inside of it rather than a computer outside of it or rather hosting it, the same way an irl virus would spread from a physical thing… that is So fucking cool to me. oh my god dude. but yeah bubs had a more direct approach like a more hands-on solution for it but homestar…. ive noticed other instances of this too where he seems to know stuff the others don’t. and obviously they all know they have a website they all bring it up sometimes but like. homestar seems to know it isn’t THEIR website they’re in. as in they didn’t make it themselves. idk just the way he was calmly plucking the menu buttons while sb was SO disturbed by the mere sight of him doing that, and the way the popups were of him out of anything. idk its very cool to me. to imagine homestar beinf the only self aware one.