#there is so much going on with her and the way the narrative treats her

[dukeofdelirium]

the way that mileven shippers attack byler shippers for simply believing that it has a chance of becoming canon in the final season is crazy to me.

it is NOT delusional to believe that a gay ship could happen. we deserve to enjoy good gay romances in media just like anyone else. calling us names makes you a homophobe, sorry about it. if you think were weird or insane for rooting for a gay ship, you’re just a hateful person idc. and it is NOT crazy to think that a character that has two canonical love interests might end up with the second one as opposed to the one said character started out with.

so many stories have love triangles like this. Mike canonically has issues with his girlfriend and can’t voice that he loves her romantically without being essentially forced to do so. we don’t get to SEE why Mike can’t do this. but in this very same season, his best friend is canonically confirmed to be gay and in love with him (for the entire show)? and the entire season, Mike is then paired up with this second love interest as opposed to his girlfriend????

how does anyone view Byler as “shipper delusion” ?? It’s not delusional to think Mike and Will are going to end up together at all. they’ve had 4 seasons of build up, they have explicitly been shown to have a different bond compared to other male friends in the same show, there is so much gay coding and subtext, Mike has shown time and time again how much he genuinely cares for Will and it has ALWAYS been depicted in a drastically different way compared to how he treats his other male friends, Mike has never shown romantic interest in any female character aside from Eleven (who was literally said to look like a boy and more specifically like Will in season 1), etc.

the whole reason Mike and El still have a relationship at this moment canonically is because Will LIED and pretended his own feelings for Mike were El’s. he lied and then pressured Mike to tell El he loved her, thinking he was doing something good for a friend and because he is self sabotaging. if Will hadn’t done that, would Mike and El even be a thing at all post season 4? I highly doubt it.

and the second that Mike finds out that Will lied, and that his entire “I love you” to El was said on the grounds of a lie, that all of those feelings he thought were El’s are actually Will’s, I have to ask antis… WHAT do you think is actually going to happen? what do y’all genuinely think is going to happen the second Mike finds out about the lie?

because the thing is: he WILL find out. this has been narratively set up and it hasn’t been resolved. it literally has to be resolved to conclude the storyline. and no offense, but I have a very VERY hard time believing said storyline will be concluded with Mike finding out about the lie, and then rejecting Will.

you don’t write rejection storylines like this. you don’t write unrequited love like this.

[mamawasatesttube]

hey! so i just started reading through superboy '94 and idk exactly how to explain this but like. i like the comic itself but it's really hard to enjoy it bc there's so much of older women hitting on kon. i've read issues zero, one, and two for context. i think i want to read through more of it but does it ever stop having so much of that? bc so far it's really uncomfortable watching like 3 people that're way older than kon hit on him and the narrative not really address it in a significant way (so far)

unfortunately, that won't go away for a hot minute (until about halfway through the run). kesel is like... trying to fulfill the "teen boy fantasy" of dating a ~hot older woman~ and unfortunately, it can be really hard to read because he doesn't seem to comprehend that tana grooming kon, is, like, a bad thing.

as for knockout, i will say the culmination of her arc and everything she does to kon is fascinating to analyze in some respects (though still hard to read!). because she is a villain, she does manipulate kon, and the narrative acknowledges that she lies and uses him in a way that is deeply hurtful to him. in some ways this arc reads so intentionally like a story about abuse that i find it hard to believe kesel didn't intend it as exactly that; in other ways i'm like wait no never mind he's an idiot, i don't know. (it's sort of like everything surrounding blockbuster+tarantula in nightwing '96: the guy it happened to reacts realistically like someone who's abused/traumatized would, and it really does read like A Trauma Response, but the rest of the characters in the narrative don't really treat it or the character it happened to like they would if the story was gonna acknowledge that they have any sort of sexual trauma.)

overall i kind of regard this part of sb94 like. almost a horror story? where we're sitting on the outside banging on the glass like NO GET AWAY FROM HIM but he doesn't even realize they're monsters. i also personally kind of interpret it like how kon sees the situations; he doesn't realize anything is wrong, so the narrative doesn't acknowledge anything is wrong. it's unreliable narration. (kesel did not mean this; kesel wanted us to like tana, lmao. but this is kinda how i take it and run with it.)

[solavellan--hell]

I understand your angle on the isolated inquisitor but I keep wondering: Thats only applicable if you don’t engage with any companions, no? I mean, even if we assume them as locked in the romantic solavellan, Inquisitor has to engage with at the very least Dorian in main quests and Dorian immediately displays warmth and understanding

So, I’m curious (gen): what do you think of Inquisitor’s loneliness being kind of a “bad ending” path as contrasted to being close to their friends? Sort of how Solas’ loneliness is juxtaposed to him staying close to his companions (both in DAI and in his own rebellion), the path he failed to choose? I’m also curious on your thoughts regarding how this juxtaposition mirrors his foiling of Rook whose bad ending is only applicable if they try to do everything alone

Thoughts thoughts! Have a nice day!

Thank you for the lovely question!! It was really fun to consider this perspective and I always love Pondering the Inquisitor’s character and narrative existence!

First, yes, the Inquisitor does engage with their companions (in different levels depending on the individual playthrough). However, to me it often felt like, even in their close relationships, they were still often treated as the Inquisitor rather than them as simply a person who happens to be the Inquisitor (which is to be expected, their position is not a thing to be considered lightly, but it still probably feels isolating as hell). There are some instances where people go out of their way to “remind the Inquisitor that they are just a person” such as Sera’s pranks, Varric’s game of Wicked Grace, and probably multiple scenes from romances I have not done yet. But the isolating part in my opinion is having to be reminded that you are a person in the first place. The issue is not necessarily not interacting with people or getting close to them, more so those close to you not entirely knowing how to separate you from the Herald of Andraste. To the point where you probably struggle to do that yourself.

(Obvious exception here being Cole but point still stands)

Anyway, back to your question.

While I was thinking about it, I realized that I really like the idea of the parallels of two people (the Inquisitor and Solas) who had their identity as people overtaken by this duty-oriented persona of themselves, but still being divided by one’s ability to lean on their close ones, and the other’s lack thereof caused by his belief that he must walk the path of duty alone. It is a good metaphor for healthy attachment vs anxious avoidance if you ask me. And, in the Solavellan case, it feels fitting for Lavellan to be the first person he gets to lean on in this comparison. From her, he gets to finally learn the value of healthy dependence for the first time. To be loved is to be changed after all.

If we were to think of it as a “good vs. bad” ending, it could be that the Inquisitor does end up being too much like Solas and lets their duty as Inquisitor keep them from truly connecting with others. We obviously don’t have any major gameplay outcomes for this like we do with Rook, but it is interesting to consider how differently things may have turned out if the Inquisitor ultimately failed to let anyone in. You could even say it is the difference between going after Solas to kill him or trying to redeem him. In the first case, your relationship with him is overshadowed by your duty to protect Thedas. In the other, you have bonded with him enough to presume to know his true heart, enough to know he genuinely does not want to take the path he believes he has to.

I hope this made sense and it answered the question, thanks again for giving me a prompt to ramble!

[transmasc-rose]

I wrote 2000 words about Amy Pond again instead of sleeping which is probably a sign that 1. I should be asleep So Badly and 2. I really need to just write that Amy Pond essay I have been meaning to do since s5.

[ef-1]

If I think about the double standard and the disparity with which the media handled Daniel in comparison to everyone else I may lose my mind.

[camellcat]

it confuses me when people say they like willow or xander and then get all uncomfortable and condemning about, like... major parts about them. you don't like that they're wildly possessive of which often leads them to acting irrational and awful...... which is like one of their biggest traits? oh, and you hate that they're not fantastic friends to buffy............. which is also like. how they are. pretty much the entire time we know them. okay!

wow, you find xander to be annoying bc he's a dumb dude who seriously needs to unlearn some ideals and really outta treat his girlfriends nicer. I'm dismayed at his typical guy-ness. bummer, we don't enjoy that willow is like totally abusive when it comes to exerting whatever power can get over people. that sure is a bad thing she does.

I just. I like them BECAUSE of these things idk how the hell you could possibly separate these things from them and still enjoy these characters it boggles my mind

[bellaaldamas]

Most of it goes back to misogyny: the idea a woman who is self sufficient, self reliant and, most importantly, enjoys what she does as opposed to being motivated by pain and trauma (like Reboot Lara) and is introduced to be that way from the beginning of her story cannot be in an equal and positive relationship with a man because "she just doesn't need one". This reinforces the notion that women can only want partnership with men if they are helpless and weak and that men just "can't handle" a strong and capable woman.

Under the guise of progressiveness, fandoms sell you repackaged patriarchy and an actual man-focused view of women where men's perceived "inability" to treat a woman who respects herself with the same amount of respect and decency is treated as a "norm". If a woman dares to know her self worth she should not dare to have attraction to a man and act on it. Because by doing so she is supposedly "degrading" herself and "asking" to be belittled and forced into submission.

To top it off, those people cannot handle it when a man/male character does not subscribe to the aforementioned patriarchal narrative and has the audacity to recognize woman/female lead's value, like Kurtis did Lara's. He is not only threatening to fragile masculinity of male dudebro gamers who had been sexually objectifying and feeling possessive over Lara and were angry that in AoD she finally became a subject rather than an object and explicitly showed attraction to a man (especially one they knew they'd stand no chance against in real life). But what's all the more alarming is that Kurtis is a threat to fandom "progressives" too. Because the narrative of the game celebrates his interactions with Lara instead of framing them as a cautionary tale, "don't go there/don't fall for pretty face" scenario for "dumb women" a la movie Lara's relationship with Terry Sheridan. The latter is the only scenario in which women are allowed to interact with men romantically as per fandom culture, as it shames and suppresses women's sexual agency and makes them responsible for men's unscrupulous actions.

As much as I enjoy the recognition Kurtis currently (deservedly) gets in the wake of the remaster, this situation is a prime example of how the only event in which uninformed fandom types are willing to accept him is when they separate his more fleshed out gameplay features and fighting abilities (traits traditionally associated with masculinity despite the entire classic TR being based on Lara's equally prominent skills in the same areas) from Lara's canonical attraction to him. To top it off, those people are still reeling and aspiring to erase him because Kurtis had the audacity to reject toxic masculinity imposed by his father and his Order and when the choice was between revenge/justice for Konstantin and Lara's safety he chose the latter, like an actual real man (not a Real Man TM) would do.

Fandom-elder tip: avoid people who refuse to acknowledge reality. I'm all for headcanons, shipping, OCs, fanfiction, etc. but if they can't even admit that canon exist that's a huge red flag.

There's only so much copium people can huff before the mind falls apart and they start lashing out.

[aroaessidhe]

2024 reads / storygraph

The Sword of Kaigen

standalone fantasy set in a rural mountain village at the edge of an empire that still holds traditional values, with families of powerful water/ice magic warriors

follows a powerful young heir who begins to question his beliefs about the empire when a new boy comes to his village from the city

and his mother, a housewife who has tried to forget her youth as a warrior and vigilante in the city since she moved back home to a loveless marriage

when there’s a violent attack on their village that they’re unprepared for, everything changes, and she has to embrace her old skills to protect her family and people

[lostandbackagain]

.

[mekatrio]

oh maya fey...

[valeriehalla]

I am so utterly fascinated by “Saki”, the 18-year-running mahjong manga in which you, the reader, become gradually, frog-boilingly aware (over the course of nearly two decades’ worth of mahjong tournaments) that none of these girls are wearing underwear and most of their boobs are slowly expanding.

I need you to understand that I have, like, an anthropological level fascination with this comic. From the perspective of someone who is also a comic artist and writer, two things delight me about it:

the fact that I understand completely how an artist gets from “the fans can have a little hint of skirted asscheek” to “the pussy is completely out on center page” over the course of 18 years; and

the way in which the pussy being out is treated by the characters and diegesis as being utterly unremarkable.

Okay. Point 1. The frog-boiling.

Let me put this in perspective for you. There was already a meme about how the characters in “Saki” don’t wear underwear when I was in middle school. I am thirty now. Okay? And it’s still going.

In the time since, this has stopped being a joke. It is now indisputable canon. This is not because anyone outright says it at any point. It’s because the underwear ran out of places to hide. I’m obsessed with this thought: somewhere in the over 20 volumes of “Saki”, there is a panel in which underwear was objectively deconfirmed. And it would be so hard to figure out where that panel actually is. Maybe the artist didn’t even realize it when she drew it! The frog? Boiling!!

And of course there is also the breast expansion. I don’t know how to put a spin on this. They are just expanding. Like, this happens a lot with artists: you define a character as being, in your mind, “the one with the big boobs”, and over the years you emphasize that trait further and further so that the signal doesn’t get lost in the noise. It’s just that normally—in like a wildly popular manga series about mahjong published by literally Square Enix, for example—normally there would be a point at which the boobs stopped getting bigger. Like, an editor would step in or something. Or you would get to the point where you cannot draw the character in the same panel as her mahjong tiles without her breasts spilling over the tiles, and you’d go, “Well, this is now untenable.”

That did not happen. There is no ceiling. The frog is soup.

Point 2. The complete and utter mundanity of all of this.

It’s like this, okay: there’s no shortage of trashy ecchi manga out there. There’s a million other comics doing wildly bawdier things with wildly more improbable bishoujos.

The vibe with “Saki” is different.

It’s hard to explain this, but it feels like the world of the comic is fundamentally uninterested in the fanservice happening on the page. I cannot describe it as “leering”, because I cannot conceive of a person in the story from whose point of view one would leer. I think the artist is probably into it—I can’t imagine anyone is making her do this—but “Saki” the comic has no opinion on the matter.

There are essentially no male characters in “Saki”. Like, there was one guy? Kind of? At the very beginning? But he is gone now. They put him back in the toybox. He does not exist. It appears to be some level of canonical that in the world of “Saki”, almost all humans are women. Those women are sometimes romantically into each other. According to comments the artist has made on Twitter (which I cannot source), they have lesbian baby technology, so it’s no problem. It’s so much not a problem that the story is about mahjong, instead of any of that.

So, like, the fiction here appears to be this: this is the, like, meta-narrative of the fanservice of “Saki”, right: it’s just normal that they don’t wear underwear and their boobs are arbitrarily big. It’s been normal. It was normal before the story of the manga began. It’s just how things are. Nobody bats an eye about it, and if they do, it’s in sort of a lesbian kind of way so like what’s the problem, we love lesbians here. This is literally normal for girls.

The fanservice simply diffuses into this all-encompassing aura of disembodied, ambient sluttiness. The framing of the panels demands you acknowledge it, and the story demands you already be over it, because it’s mahjong time now, and we’re playing mahjong.

Do you get??? why I’m so fascinated??? Are you not a little enraptured???

Anyway, I have no idea how to end this weird post. I guess the conclusion is that women stay winning????

[supercool-here]

Ok my sins are keeping me up late at night so of course I'm going to post about ysblf. I am not a fic writer, actually I'm not a writer of any kind other than bad, but I really wish I could come up with a storyline in which Armando and Betty develop a somewhat healthy relationship, or at least one in which they get together without having gone through the ordeal of seducing/getting used. I will love reading your ideas, even fanfic recs if you know any. My own theory will be in the tags

[lilacsandlillies]

I was going through the anti Jason Todd tag because I hate myself and want to understand where people who dislike him are coming from and one thing I kept seeing was annoyance at Jason fans who claim that Jason is female coded and realized that the term “female coded” might not be the best term to describe what we mean.

A female coded character in literature and media typically means a character that has no specified gender or otherwise does not have a gender but is obviously meant to be a stand in for a woman or female. Kind of like how Starfire has no specified race (due to being an alien) but is still obviously black coded based on the way she’s drawn and treated by the narrative.

This is slightly different than what we mean when saying that Jason is female coded. It’s not that Jason is literally supposed to be a stand in for a female character, it’s that the way a lot of characters treat him and a lot of the tropes used on him are things that usually saved for female characters, not big buff men like Jason.

To start with, being Robin is narratively (or at least was) very similar to being a woman in a story. Robin is a role made to complement Batman (who we all know is basically the ultimate male power fantasy). Robin’s role is to be an accessory to Batman. Robin can be smart, but not smarter than Batman. Robin can be strong, but not stronger than Batman. Hell, Robin is often kidnapped and used as a literal damsel in distress, a role often regulated for women as a whole.

What sets Jason apart from the other robins (except for Steph) in this regard is that they were allowed to be characters outside of Batman. Dick might not have been the “man” of the story when he’s with Bruce, but when he’s with the teen titans suddenly he’s the smart one who has all the answers. Jason’s Robin was never really allowed this.

Then we get to the most, controversial, part of Jason’s female coding. The fact the he was effectively fridged. Fridging is usually only referred to as frigding if it’s a female character, but Jason’s death checks pretty much all the other boxes needed. An incredibly brutal death that was more about Bruce’s feelings on it than Jason himself.

This is especially apparent when compared to the other Bat characters. For all the female coding, the only other Robin to actually be fridged was Steph (and we all know about the misogyny surrounding her death). Barbara was also kind of fridged during the killing Joke. The only female character to escape this is Cass (to my knowledge). When you look at it through this lens, the fact that the only other characters to be permanently damaged like this for Bruce’s story are female, it’s not hard to see where the idea that Jason is female coded comes from.

You can even find this in Jason’s origin story. Poor little orphan is saved by benevolent billionaire is a role usually saved for little girls, like in Annie.

Despite what you might think, this even continues after Jason’s revival. Jason is still used less as a character and more as a motivation for Bruce. He’s regularly called emotional and hysterical (terms usually used to refer to women).

Jason is first and foremost a victim. A role performed by women in most media. Men are expected to be stoic and “rise above” the things done to them as to not be victims, as continuously shown by the way characters like Nightwing are not allowed to be effected by the horrific things they go through. The fact that Jason is shown the be angry, and sad, and emotional, constantly, and the fact that he’s punished and vilified for it puts him in a place much more similar to a female character.

There’s a reason that so many Jason fans (that like him for a reason past “antihero with guns”) are female. For most characters, when you swap their genders there would be a pretty clear and big difference in the way their story takes place. If you swap Jason’s gender, the story takes place identically.

A lot of this is best shown in men’s reactions to Arkham Knight’s version of Jason. In that game, Jason is similarly angry and emotional, albeit for slightly different reasons. He is also still unmistakably a victim. You’d think the men playing would like him. After all he’s a big cool angsty guy with a lot of guns and muscles. Instead, a lot of men’s thought that he was whiny. That his feelings were annoying.

There’s also something to be said about how his autonomy is regularly undermined by Bruce (specifically in Gotham war) and how his decisions and feeling are constantly treated as if they’re worth less than Bruce’s, but that’s a discussion for another day.

[hitomisuzuya]

Secret admirer+neighbour reader that allows Scara to stay over in her room whenever shit gets rowdy at his home for whatever reason. She leaves letters of encouragement in his locker and snacks and stuff. He found it stupid at first but gave up 'reluctantly'.

But like, pls, he knows it's her. The way she looks at him, hopefully, every time he scowls a certain way, he gets a more expensive snack (within the budget of a little middle-class lady, of course), and he starts liking her a bit too...

And anyway, they get into a cute little confrontation when she cares about him a little too much, with a bit too much honesty with the cutest outfit and he's turned on and- you get the idea.

Please, praise kink. Praise my hubby🥺🥺 maybe a bit of degrading from him.

scaramouche x fem!reader. smut. porn with some plot. fluff. degradation. praise for scara. cunnilingus. for narrative purposes, college has lockers for people who live off campus.

i grinned when i read this ask. legit scaramouche would fall in love kicking and screaming reluctantly about it the whole time🤣 this is a little long.

if scaramouche had it his way, he would've chosen to live on campus at the dorms. but no, being so close to the college made his bitch mother suggest he might be more comfortable just living at home. incidentally, it was over just that issue that you meant scaramouche officially for the first time.

you swore he slammed the door loud enough to rattle to every window of his house. and yours. naturally, it startled you, being out on the porch looking at the orange and purple painted clouds of the sunset. you'd seen him around campus before, but social anxiety often came into play. and he sort of treated you like a nuisance when you tried to talk to him.

"you okay?" you asked, giving him a soft look of concern.

"huh? do you need something?" scaramouche snapped, glaring at you in a way that would've made anyone instantly fuck off.

anyone wasn't you, though. "no, it just sounds like you were fighting with someone," you replied, his glare making your cheeks flush.

"yeah, bitch mother," it was like he didn't want to dedicate the extra few seconds of time to string together a longer sentence to mention her in.

"you can come hang out with me in my room for awhile until things cool down. no one is home right now but me," you said shyly, playing with your hair in an annoying way he absolutely couldn't miss.

"uh, sure. yeah whatever, gimme a few minutes," scaramouche grumbled, turning to go back inside the house. back inside to tell his mother to fuck off one more time. he was automatically suspicious. why were you offering? what did you stand to gain from it?

he thought about these questions while he unplugged (ripped the cords out of the outlet) his xbox, and slammed the door again. threw the door to your house open, and sort of stomped up the stairs. he promptly hooked his xbox up to your tv like he was automatically entitled to it.

but you didn't mind. scaramouche always made you feel weak in the knees. you even got him to tell you what he wanted for dinner so you could make it for him.

this became almost something of a daily occurrence. an occurrence that scaramouche was startled to find how comfortable he was becoming with.

you sure are a strange one. you even sat and watched him play video games late into the night, monopolizing your tv and not really giving a shit if there was something you wanted to watch. you never said a thing if there was. dvrs exist, after all. you would cheer him on and praise him when he was playing good. you looked stuff up on your phone to help him if he got stuck on a part somewhere.

you would remind him about tests tomorrow. he told you whatever and ended up not studying. he didn't really need to honestly. thing is, though, you started leaving notes of encouragement tucked into his folders or notebooks. or left them in his locker with some sort of disgusting sweet treat. "for you to enjoy now or later. it's up to you. good luck today."

he thought it was incredibly stupid. what could you possibly gain from this nonsense? "i don't like sweets," he said, tossing a baggie of oreos on your desk. "disgusting. absolutely no thanks."

your posture stiffened a little, like you'd just been caught red handed doing something secretive. in a way, you had been. "wh-what are you talking about?" you stammered shyly, "who left you those?" you paused for a moment, twisting lock of hair around your index finger. "incidentally, what would you want for something like that?"

scaramouche almost snorted. god, you are so transparent. he knew it was you, but you are still trying to play it off like it wasn't, fidgeting nervously with your fingers. it was disgustingly adorable so he let you carry on with it in his own way. stop it.

"salted rice balls with sea weed in the middle. i like those, not the toxic waste that is chocolate. or rather horse shit," he replied, rolling his eyes.

sure enough, a few days later, salted white rice balls with seaweed in the middle appeared in his locker the next morning. "please, eat these. sorry about before. you try so hard and deserve a good treat."

fuck, fuck, fuck!

he was starting to tuck your notes into his pockets to keep with him throughout the day. some of the snacks you make him looked expensive. and you were the type to buy the ingredients and hand make them yourself. you had to have been getting up super early in the morning to make them or staying up late the night before.

and every time he called you out on it, you shyly played it off. even joking with him about him having a secret admirer, though he swore you looked a little sad at the thought of someone else liking him like you weren't talking about yourself.

even worse, scaramouche started looking at you and thinking; shit, she looks really cute today. those are thigh highs she's wearing cup her thighs perfectly. it makes me wanna..

he'd had enough when he started jacking himself off after he left your house for the night. thinking of you, the innocent girl next door who doted on him and gave him attention. who is way too sweet for her own good. with this stupid crush on him that you refused to say anything about.

how dare you make him fall in love.

you started wearing thigh highs when he mentioned casually he likes them, tempting him with a garter belt. a garter that his eyes strained to casually get a peek at if the pleats of your skirt bounced in just the right way.

he caught you on your way out the door to go the convenience/grocery store that stayed open all night, a list of ingredients and a recipe in your hand to read on the way.

"why do you do this nonsense?" scaramouche asked, snatching the slip of paper out of your hand. he couldn't help but smirk. just like he thought, there was a recipe for rice balls with eel in them and miso soup. you were even going to stop by the coffee shop and get his favorite coffee.

...

fucking hell, you are way too sweet for your own good but damn it, he enjoyed soaking up every bit of your attention now. his bitch mother even "accused" him of dating someone a few days ago. the nerve!

"i..i." you stammered shyly in a way that made him want to kiss you. really really badly. you knew you were caught. "was i that obvious?"

scaramouche snorted. "you are so obvious that you could've landed plane without waving your arms. it was actually a little pathetic," he sighed seeing your reaction. why did you do that? why did your cheeks flush when he flat out insulted you?

and that was how you ended up on your back on his bed, your legs spread and stripped almost entirely of your clothes as he crawled between your legs. "these stay on," he insisted, hooking his finger under the top of your thigh high, letting it snap back on your thigh. he'd angrily kissed you all the way up to his room, pawing at your clothes and swallowing your moans into his mouth.

you always took care of him in your room. and now he was taking care of you properly in his room. it was a chore to fight his pride, anyways. and he didn't want to fight it anymore.

having his hands holding your thighs apart while he licked slow, hungry stripes up and down your pussy was much more preferable. "desperation is good color on you, slut," he groaned, teasingly kitten licking your clit before sweeping it down to swirl around your hole. youclenched on the tip of his tongue like he imagined that you would.

"i..i can't help it," you moan shakily, squirming as you grind on his mouth, "i'm sorry. i'm so in love you with it hurts. i just..just," you are cut off when scaramouche latched his lips around your clit, letting out a gasp of pleasure. your clit tingled and throbbed as he sucked, prodding and swirling his tongue in a way that made a dizzying warmth spread through your core. "i wanted your attention."

you sound so fucking cute it made his cock ache almost painfully. did you have any idea how unbearable you made it all the fucking time? "i saw right through your pathetic attempts to woe me. praise me more, slut. it's making me hard," he groaned, drunk on the taste on your pussy soaking his tongue.

he held your pussy against his mouth as you grinded on his tongue, your fingers finding his hair and pushing his mouth down. "you are perfect, scara!" you cry out, your clit throbbing twice as hard underneath his tongue. "your tongue feels so good! you are all i ever think about!"

he could edge himself on your words praise, soaking up every word. "go on. keep going while i tongue fuck you," he moaned, focusing his tongue on your clit again.

his tongue working your pussy over like a starved animal was making you start to babble nonsense. "your so smart, and handsome and strong. your fingers are beautiful, so beautiful i want to suck on them. don't stop, please. please," you have the cutest sounding whimpers when the jolts of pleasure rocketing through you were too much for you to process.

your precious babbling spurred scaramouche's tongue on, one hand reluctantly leaving your thigh to palm and rub his cock outside his jeans. you deserve to cum hard on his tongue for sounding so sweet.

you twitch and spasm in bliss, tugging urgently on his hair. your hips bucked up to rub and grind on his mouth. you writhed on the bed, relaxing into his possessive squeeze on your thighs. it wasn't long before you couldn't keep it together anymore. or at least as together as you thought you had it. you'd broken on his tongue a long time ago.

you whimper weakly behind your shameless moans, your thighs shaking as your orgasm washed over you. it was so strong it nearly even made your fingers fall limp in his hair. his tongue lovingly fucked you through your orgasm until you were panting and shaking on the cusps of overstimulation. he lapped at your release.

"i think i found the only sweet i will enjoy," satisfied, he sat up and wiped his mouth. you are practically passed out on his bed, exhausted and overloaded. neither of you were making it to your evening classes. he planned to spend that time further devouring you once he let you sleep a little.

[butchvamp]

i finished Harding's quest... whew... i don't like Harding. or i should say i don't like how nice the game treats her. she gets all of the emotional beats around the lore revelations while the elves are left to go kick rocks.

i pointed this out previously in another post, but the dwarves (and Harding specifically, and thus by extension Andrastians, too) get so much more sympathy from the game than any of the elves. you can clearly see it just in these two screenshots-- compare dialogue choices when comforting Harding after the reveal about the Golden City (and also important to note that the game assumes my elf is Dalish multiple times before this choice, but for some reason i can suddenly make her Andrastian):

versus the first real discussion you get to have with Bellara about the truth of the elven gods:

Bellara implies that everyone is right not to trust the elves, actually, because the elven gods (the same ones that enslaved her people btw) are bad and we should all feel bad about it.

and Davrin is unfortunately distanced from the Dalish, remarking that they're too traditional and stuck in the past (a racist trope that Dragon Age really loves for the elves), and only seems to care about how the elven gods make elves "look bad." we do get to see Davrin reconnect with one of the members of his clan later, which is a sweet moment that shows us a new side of him, but it exists more so to push along the griffon storyline than anything to do with Davrin (a problem i find quite annoying when it comes to Davrin's writing... they care more about Assan and "turlum" than him or his feelings. but that's a different post)

when we finally get to Heart of Stone, Harding has her big, emotional confrontation with a titan, and gets granted the memory of the titan's loss and all of their pain. she says some Choice lines, here.

who is thriving? the elves that were enslaved en masse by the Evanuris? the elves that are still enslaved and live in alienages? that are wholly, systemically oppressed throughout Thedas? then to follow it up with both of these lines, spoken to an elven Rook:

and i understand that this is the titan speaking through Harding, and we can be generous and say that they are addressing the Evanuris, and not elf Rook personally. but. uh. why doesn't my elf get to Say Anything. it's repeatedly insinuated that everything is the elves' fault, that the elves should feel guilty and that they should be held responsible for what happened to the dwarves (and by extension, the blight and everything bad that's ever happened including what's happening right now), and that they deserve to suffer because of what "they" did to the titans.... and there's no option to challenge this line of thinking at all.

and it's really frustrating that none of the elven companions are allowed this kind of emotional catharsis with the Evanuris. up until that one (bad) dialogue with Bellara, all of Bellara's comments/her reactions to the gods are treated as comic relief. none of them get to grieve their gods like Harding is allowed to grieve the titans-- they're not even allowed to be as angry with Solas as Harding is in some scenes. even Andrastians, in that one single dialogue choice, were afforded more sympathy and grief than the elves in this game.

it's a baffling choice, considering the plot, that elves are given so little grace or consideration. and i do think part of it has to do with the way this game has tried to distance itself from previously established lore as well as scrub itself clean of anything morally dubious-- it's all black and white and the game needs someone to blame, so the elves are bad because the Evanuris are bad, nevermind all that other stuff, because see, the elves actually deserved it all along! i don’t even think it’s unreasonable that Harding may have these feelings (even if they’re racist lol) but the fact you just have to accept Blame and the narrative never challenges her or Bellara’s guilt or Davrin’s apathy and instead just agrees with all of them and forces Rook to agree as well is shitty and takes it from “this character feels this way” to “the game is implying that everyone feels this way, and also that they’re right.”

it's really unfortunate because i do think this reveal about the titans and why the dwarves can't dream or use magic is exciting, it could cause some compelling conflict between the companions (but that's not allowed in this game at all unfortunately and you especially Cannot be even slightly rude to Harding, ever). and i do like the idea of her quest and what they're trying to convey here-- confronting this old, repressed trauma, and finding a way to reconcile with it and move forward.... but not at the expense of the elves, who also suffered massively at the hands of the Evanuris (and continue to suffer. right now)

bioware has been criticized repeatedly about their depiction of the Dalish, their indigenous coding, and even the mages, too, and i really do not understand what they were thinking with this, because it's just racist (and exactly what people have repeatedly criticized them for). this is why a lot of "fantasy racism" fails. you can't write a marginalized group as being responsible and deserving of their own oppression, that's not how it works!

[ultravi0lence14]

Primadonna Girl

dean winchester x fem!reader

1.1k | fluff

summary: you and dean couldn’t be anymore different. but that’s why he loves you so much.

*loosely based on the song Primadonna by Marina and the Diamonds

sam couldn’t help but smile anytime he saw you and dean together.

the two of you couldn’t have been anymore different. yet, you two somehow ended up in a relationship. a year and a half long relationship that is.

dean winchester had always been rough around the edges. even as a young boy, people would look at dean and know to not get in his way, to not get him angry or the outcome wouldn’t be pleasant. his wardrobe always consisted of leather jackets, flannels, and big boots. something some people would find intimidating.

that had followed him into his teen years, and most importantly, as an adult. growing up with a berating father who saw you as nothing but a soldier didn’t help, and dean was sometimes jealous of sam for how level headed he was.

the thing was, you couldn’t be anymore opposite. growing up, you were as bubbly as a shaked can of soda. always laughing, smile on your face 24/7, and a knack for anything feminine.

you were a girl after all, and you couldn’t help but love anything that had to do with lace or dangling bows from wherever you could place them.

the narrative that a girl being hyper feminine and — for lack of better words — girly in nature was dumb or didn’t amount to much always made you angry. a girl could do anything a man could do if she was wearing slouchy jeans and a flannel or platform shoes and a skirt. it wasn’t how you presented yourself, it was your integrity, and how hard your drive to help people was.

crossing paths with the winchester brothers was never on your bucket list. you had heard too many stories of how those boys started more than one apocalypse, how they had a way of ending up in hell every other month. with your knowledge, you didn’t want anything to do with that.

if it wasn’t for you running into them on a case, you would have never given them a second thought. but you’d realized how dedicated the two were, how kind and how they were all around sweet boys. so you stayed. bonding with sam over your love for books and how you were both severely lactose intolerant.

dean on the other hand, he was harder to crack than his giant of a brother. the first couple of months the man did nothing but berate you. finding any chance he could to make a jab in your direction. you honestly thought he hated your guts, only for sam to finally admit that this was how his brother acted when he really liked a girl.

that same night, you confronted him. spewing multitudes on how treating a girl like that just because you have feelings for her is something a middle schooler would do. what you were not expecting was for dean to wrap his arms around your waist and press his lips roughly to yours.

since then, you two have been inseparable. sam couldn’t help but snicker when he caught his brother carrying around your purse, or walking behind you like a lost puppy. dean was wrapped around your finger, and anyone with eyes and a brain could notice it.

sam most importantly didn’t hold back in telling dean how whipped he truly was. all the older winchester did was keep on going with a smile on his face. knowing he’d do anything to just be near you.

all of this lead you two to this very moment, a calm night in the bunker as you and dean sat in his so called ‘dean cave’. on the couch and watching some cheesy teen drama on the flat screen tv.

you were sat in dean’s lap, legs moved sideways over his as he played with the lace trimming on your black knee high tights. dean’s grey henley and dark, plaid pyjama pants were in no synchronization with your frilled, white skirt and your big, fleeced, dark pink sweater.

the two of you were sat in a serene silence, eyes averted to the tv while dean’s fingers travelled up your calf and your hands found purchase in the tuffs of his hair.

neither of you had noticed sam’s figure in the doorway until you heard startle of laughter. looking up, you both saw sam leaned on the door frame, shit eating grin forming on his face as he analyzed the scene playing out in front of him.

“wow,” he started, shaking his head and having a strand of hair fall in his eyes. “if someone told me you’d be all domestic like this five years ago dean i would’ve laughed in their face.”

all dean did was roll his eyes, pulling you impossibly closer and nuzzling his face in your neck. promptly ignoring his brothers annoying remarks while also being in close contact to you. what else could he possibly need at the moment?

you just laughed, shooing sam away and watching him turn around a giggle all the way to his room. when the younger winchester was out of sight, dean moved his head so he could plant multiple kisses all over your face.

a squeal tore through your lips as you jokingly attempted to push him away, only spurring dean to hold on tighter to your legs as his mouth placed two sloppy kisses on both of your cheeks.

somehow in the midst of loud laughter and entangled limbs, you had ended up on top of dean. legs straddling his waist as he moved his hands from the top of your stockings to hold on tightly to your waist.

your hair had created a curtain around his face, and all he could see at the moment was your radiating smile and gorgeous coloured eyes. with a slight tug at his lips, he moved his hands under your sweater to soothingly move his hands up and down your skin. “you are the best thing to ever happen to me, sweetheart.”

a smile broke out onto your face, pressing a quick kiss to dean’s forehead before lying down and cuddling up to his chest.

all the winchester could do was hold you tighter, relishing in the fact that he had you. you, the greatest thing to ever come to him. dean sometimes thought he didn’t deserve you, that you were too good for him in so many different ways. but when you let him hold you like this, kiss your face and see you in any way possible, he knew that pushing you away would be the stupidest thing he’s ever done.

“i love you, dean.” you murmured, eyes back on the tv as his deft fingers on your back was calming you down. if possible, dean’s smile got even bigger. moving down to put a soft kiss on your head as he whispered back, “i love you too, Y/N.”