#my reviews

[writingtraumaforever]

SONIC 3 MOVIE REVIEW (SPOILER FREE ABOVE LINE, SPOILERS BELOW IT):

I am so mixed feeling’d about this movie right now. On one hand, I loved it. It had such a good telling of Sonic and Shadow’s dynamics and stories and how they view one another, and I loved that and will be elaborating more on this in the spoiler section. The changes they made from the video game were 50/50 to me. Some I get, others I just was really disappointed in. The action scenes are AMAZING. Battles are SICK, and I have admittedly been on the fence about Keanu voicing Shadow, but he won me over completely after watching the film.

Team Sonic’s dynamic is top tier in this movie. Knuckles, Sonic and Tails are the lights of my life, I love these brothers so much.

But if you are going into this film expecting a SHADOW movie???? You’re gonna be disappointed. This is, do not be mistaken, absolutely a Jim Carrey movie. This is a Robotnik movie 110%. Idk if they just couldn’t afford too many lines from Keanu or what, but Jim stole most the screen time. Which was hilarious and all, but it definitely stole from the deeper/darker story that was suppose to be at play. They went the insane/funny mad scientist route with Gerald rather than the vengeful and broken man he was, and this kinda falls flat and makes the whole thing feel less dangerous and life-threatening than it actually is.

I will say that what little we ARE given of Shadow is amazing. Thankfully us die-hard Shadow fans are use to picking up whatever scraps SEGA throws at us with this hedgehog and absolutely running with them. And in terms of that, we were given a MEAL. But Shadow’s story was definitely rushed rather than fleshed out. It’s like they gave us about 4 minutes of background for him and were like “Alright. That’s it. That’s him”. And then we just roll with it from then on. My hopes on the reason they did this is because we’ll perhaps get a Shadow the Hedgehog show or movie in the future where they elaborate on all this even more. But as for this movie??? Just be ready for a LOT of Robotnik.

I still think Gerald should’ve just been dead so Shadow could have more screen time instead of them cashing in on Jim Carrey. The movie as a whole was so unserious because of him.

That’s really my biggest letdown.

The whole plot felt VERY rushed. Like they were too worried about getting to the next action scene to really flesh out the story properly. Sadly this happens a lot when writers just ASSUME we know the story already so not all of it needs to be told when we just REALLY want all of it to be told. It’s also obvious they cut back on some plot points so it could stay kid friendly.

But don’t let this discourage you too much! Like I said, it really was a good movie. And it’s probably still up there as my fav simply because Shadow IS in it and Team Sonic’s moments save it for me. Not to mention Sonic and Shadow’s interactions, though few, are absolute perfection and capture them both so dang well like—

I will cherish those scenes forever. Sonadow fans have a FEAST with the scenes they were given, okay???

I give it a solid 7.5/10. Maybe 8 if they add more deleted scenes later or announce a Shadow show. :)))))

10/10 if you’re only there for Jim Carrey (whom I personally don’t care for).

Now for Spoilers:

Pros:

LIVE AND LEARN WAS USED AND WAS THE ABSOLUTE BEST.

The moon is successfully pissed on.

They very much did their best to make it apparent that Sonic and Shadow are the same but were simply given different fates and it’s SO GOOD BUT SO SAD. Like. Two sides to the same coin very much came across.

Them punching each other across continents was SICK.

Shadow pinning Sonic by his head was GAY.

Sonic pinning Shadow by his chest fur was GAY.

Sonic and Shadow’s talk on the moon is easily my favorite thing in the movie. Followed closely by their Super battle against each other and then their Super battle in space. I’ve recently written in my stories about how being super together creates this special bond between them, and these scenes 100% confirm/reinforce that!

Maria and Shadow scenes are PRECIOUS! Her playing guitar for him, him dragging her around the compound with her in skates, them watching the stars together- it was all beautiful!

I’m really glad they allowed a brief moment of clarity that Gerald did in fact love Shadow and care about him at one point because he’s literally the biggest butt the rest of the movie and just uses him.

StoneXRobotnik shippers will be both elated and heartbroken.

So many perfect Sonic and Tails and Knuckles bro moments omggggg their dynamic in this movie was so dang good I died. From Tails saving Sonic’s butt multiple times to Knuckles putting his angry and fiery disposition aside for his brother and handing over the master emerald— it was perfect. Knuckles is big lovable idiot energy, absolutely, but it’s not overdone. He’s serious when he needs to be and is SUCH an oldest brother. I loved his conflict with Sonic AND how he was the one who saved both Tails and Sonic at the end.

WADE IS THE GUARDIAN OF THE MASTER EMERALD.

Shadow being a feminist with his latinas.

“Vengeful guac.”

Shadow and Sonic fighting together in space and constantly checking in on the other! Shadow asking Sonic where he is and using chaos spear to absolutely annihilate every robot after Sonic ahsjdkglg boyfriends protecting each other vibes.

Tbh, the entire scene where Shadow and Sonic are fighting side by side gives such huge soulmate vibes like oh my god they were VERY MUCH CONNECTED.

Their banter is EVERYTHING.

Shadow quoting Maria “even when the star is gone, its light remains” and then looking at Sonic?! GAAY.

Tom and Maria both poking Sonic and Shadow in the chest and telling them who they are in their hearts and who they choose to be is what counts. THIS being what brings them together?? PERFECTION.

Despite my annoyance at the amount of Robotnik in the movie, Eggman’s sacrifice and message to Stone was very touching.

Tails and Stone are the dream team.

Knuckles is forever scared of ghosts.

Shadow going after Tom ONLY because he thought it was the General and then immediately regretting it and feeling guilty when he sees it’s not and then having to watch Sonic cry over his body while Shadow sees himself crying over Maria is PEAK. BROKE MY HEART.

Sonic revisiting his cave. Shadow HAS to find and live in that at some point.

THE DID THE POSE THEY DID THE POSE

“HOT TOPIC”.

AMY ROSE AMY ROSE AMY ROSE AND SHES SO PRETTY AND STRONG OMG SHES SO SICK I LOVE HER SO MUCH ALREADY it looks like they’re trying to make her appear older than she is in the games, so I’m pretty sure they’re gonna be putting her with Sonic at some point. Which is fine by me cus I ship Sonamy too and to me, movie Sonic would be the one of all the versions of Sonic to want to settle down with some girl one day. I mean. His whole story is LITERALLY based around him finally getting to settle somewhere and have a family instead of continuing to run. Makes sense.

METAL SONIC METAL SONIC METAL SONIC

SHADOW PICKING UP HIS INHIBITOR RING AT THE END

Cons:

Um. The words “Faker” and “Ultimate Lifeform” are not ONCE uttered in this movie, and to me?? That’s absolute slander. That alone brought this movie down a whole point in my 1-10 scale, okay??? Negative 5,000 aura. Disgusting. Maybe the Commander possibly mentioned him being the Ultimate Lifeform, but Shadow never did and that’s just WRONG. This is a whole plot point in the game and in their characters from then on in the franchise, and it’s just glossed over!

Maria isn’t sick. The ARK isn’t in space. She isn’t shot. It’s all kinda dull in comparison to the game, tbh. They’re definitely still after her and shooting to kill because the soldier says “we have our orders” when Walters tries to stop him, but he still don’t shoot her so like— again. Dimmed down.

No Prison Island scenes other than the beginning when Shadow breaks out. Which was. Super disappointing.

It’s all just so unserious. Especially the Robotniks.

Chaos are just Japanese mascots. Which is big sad for Cream and Cheese fans.

No creation of Shadow = no Biolizard

No “Sayonara, Shadow the Hedgehog”. They tried to reference this with a joke from Jim Carrey, but it fell flat imo.

Indifferent/Open to:

Shadow came from a meteor. He wasn’t created. While I hate Gerald didn’t inherently create him, I am also glad this leaves room for the Black Arms to become a thing. It’s also very possible GUN and Gerald were both just lying about this. Because it very meticulously did NOT show Shadow actually coming from the meteor in any scenes. It just showed the meteor crash site and how it had Shadow/Balck Arms coloring. So maybe Gerald still did experiment on a hedgehog and stuff and it’s just lied about because that’s like— not okay??? But also, I noticed it never showed any like. Major accident that would’ve caused GUN to suddenly invade like that?? They just suddenly decided Shadow was too powerful and they needed to kill everyone while in the games, there were multiple incidents where people were hurt or compromised by the artificial chaos experiments before GUN invaded. PLUS Towers had seen and reported Gerald making a deal with the devil (Black Doom). So like— why would GUN just suddenly decide to annihilate everyone in Project Shadow like that??? It would be one thing if they just decided to shut them down, but they were actively going in there to KILL! So like— I feel like we’re missing pieces and being mislead.

Rouge isn’t there. Which I GET because how/why would she be?? By the end of the movie, there’s definitely ways for more mobians to start appearing (Amy is a prime example). So it makes sense that Rouge isn’t there yet because it’s EARTH so how WOULD she be??? And Shadow using chaos control at the end could open ways to other worlds (like in Sonic X when Sonic went super the first time and more Mobians started arriving on earth). But there were SO MANY MOMENTS SHE WOULDVE BEEN PERFECT. So it’s a shame, but understandable. Plus, how could they have made room for Rouge when they barely had room for Shadow with all the JIM CARREY.

I’ll probably continue to add to this as I process this movie over the next few days.

[fictionalmenmistress]

I haven't seen anyone else talk about it, so I wanted to share that Logan's rant monologue insulting Wade in the Honda Odyssey, before Wade decides to beat him up and they ~fight~ all night... that so clearly to me, was Logan projecting. It started as a tempered rant to cope with how annoyed and pent up he was, with the heat of everything and with Wade's muchness that makes him, him, but the longer he went on, the more he started ranting and exposing himself in the process.

"THE XMEN REJECTED YOU, AND THEY'LL TAKE FUCKING ANYONE!!!" That was my first hit, that he was referring to himself. He sees himself so lowly, so failed, that's canonical to the film. And canonically, he didn't even quite originally feel worthy or want to be with the XMEN. Didn't feel like there was a place for him there, a place for him anywhere. One of his biggest healings was Professor X not giving up on helping him believe that he deserved to be there, was wanted, was worthy, was a good guy. That's canon to his character. So we know he was speaking about himself. He was chewing Wade out, but he was also talking and focusing moreso on what upset him about himself. (He sees himself as just any jo shmo, when he IS literally THE X MAN ㅠㅠ)

He was seeing himself in Wade, how he "can't even save a relationship with a gd stripper", (he sees himself as not able to save anything either, and he's angry for that more than anything else he's angry or annoyed at) projecting SO HARD as he pieced together saying it out loud, that Wade was exactly like him. Logan hated himself for not saving anything. For being a "loser", a "failure", for all of the same reasons he was lashing out at Wade for. He was so angry and annoyed by Wade reminding him of himself, because he related to him. Wade was his reflection, in his eyes, calling him out so loudly with his own behaviors. And he hated himself. He deeply was suffering with that hatred for himself, and as a result, he lashed out on Wade when really he was chewing out himself, inside, admitting it.

"God's CRUELEST JOKE, IS THAT YOU *WONT* DIE ALONE. BECAUSE YOU! CANT! DIE! SO THE REST OF US HAVE TO SUFFER YOU THE REST OF OUR EXISTENCE!" (something along that.)

He didn't know for sure that Wade can't die. He picked up on that Wade can't be killed. Logan is the one who can't die. They are two flipped sides of the same immortal power coin. When he finished his screaming at him, and everyone was silent at how cruel and shocking the confrontation and his words were, I was sinking with a very empathetically whispered "oh, Logan..." Because I felt his misery. I immediately picked up on him really talking about himself, and I think that was genius and layered. I was upset for how awful that was to say to Wade, heartbroken for Wade taking that to heart, and I was heartbroken that Logan was saying that because he believes that about himself. Because they are, oddly, a lot alike. Very compatible.

This scene here:

I read that Hugh said that Ryan wrote that. He's brilliant with these films. It was so genius. I really needed to share this and bring this thought, meta, analysis to light. For all of us to have.

Is Logan mad at God's "cruel joke" of his immortality, yet ability to feel so much pain through it still? Yes. He punched the roof in rage, because it's not fair. Venting his own pain. He sees his powers, his own and Wade's too, empathetically, as their curse. The curse of being the one who lives, and the guilt with that. The one who can't die. The one who lives, who is forced to live, while everyone who "deserves to live" dies. And WILL die, around them.

"And You can't die. That's on all of US!" Logan says, clearly referring to himself living forever... And "us" being the people HE loved. He saw himself as a burden for existing with them, for them. He deflected that onto Wade, as if the people in Wade's life must feel that way too, but didn't really mean that. He meant it about himself. Logan believes he was a burden on the people he loves, the people he lost. That's probably why he left too, and didn't come back when they called out for him to. He distanced himself to protect them, and protect himself from that fear of rejection that he feels is so imminent, and them not having him, is the one element that led to none of them surviving without him. He was always the key. He was always wanted, and he was always important and needed. He just couldn't ever believe that.

Man, that's why it became so personal for Logan too, when he was shown Wade's photograph of his family. Because HE had a family, and he would do anything now to save them. Just like Wade. He held that photograph all night, he went and got it when it fell out of the car, he kept looking at it. It became personal for him, when he identified with it. That Honda scene really was their turning point of everything. That's when Logan cared with everything. He got it. Wade is the him he couldn't be. But now he can.

I dropped some heat with this one.

Extra little personal context/thought notes: Maybe I just spotted it because I have a natural knack for psychology, I'm hyperobservant, highly empathetic and deeply feeling, and I'm also years experienced of my parents and whole family treating me the same exact toxic lashout way almost every other day. That's a workweek for me to see through toxic lashout anger BS. These are not my gifs!!! They were created by another amazing account. I will refind their @ and tag them!! >>> It's @landoslastnerve ! Thank you friend! 🤍

Also wanted to include someone's tags from those gifs:

.

[californiannostalgia]

the inexorable corruption of power and the question of: was it fate? or was it the individual choices of ten people, twenty--a thousand people's individual choices crushed into sediment over multiple centuries?

is that what we call fate? just stories.

beginnings are such delicate times.

[gotstabbedbyapen]

I have very complicated feelings for the Vengeance Saga (after the first listen)

Disclaimer: I will only criticize Epic the Vengeance Saga as a work on its own, not for its inaccuracy or deviation from mythology and The Odyssey. There are more knowledgable people who can point out and analyze the changes in Epic the Musical, but that is not what I'll be tackling here.

To put it bluntly, I'm not being angsty about it as I should. The whole saga just... didn't feel right with me.

Now, first off all, I'm a big fan of Epic and had been following it since the Cyclops saga (first version). I've been in love with many songs and hyperfixed it for months on end. But when the Vengeance saga came along, I didn't feel that same bubbling love rise in me.

Even as a fan, this isn't my first time having peeves with Epic. I didn't jam with the re-release sagas for a while, I'm underwhelmed with the Circe VS Odysseus fight and other issues, very unpopular opinion but "Monster" wasn't too impactful to me, and also the God Games (especially Zeus' attack).

The Vengeance Saga though? Well, they say we gotta do the Bun-Meat-Bun (or whatever the hell its name really is) technique when giving criticism, so I'll start with the good parts.

I love that Odysseus looked so done with Calypso in "Not Sorry For Loving You". They're basically this meme:

Like sorry you're a sad but you're still an abuser 😒

Then Odysseus starts singing the reprise for "Full Speed Ahead" but there's no one to back him up. That one hits me hard. To whoever on Tumblr said that after the Thunder Saga we will never hear the crew's back-up again and Odysseus' singing will be answered with silence, Apollo really blessed you with the red ball.

Hermes and the Winions' part was really cool too! I really like them being mischievous helper! The warning about the wind bag and the changing scene of Odysseus fighting off sea monsters while Hermes just vibing with the beats is 👌👌👌

But after that the hype started to sizzle out for me. You might want to skip this part if you're not comfortable with harsh criticism because I WON'T hold back.

It's really backward but I like the Odysseus VS Charybdis draft more than the final production. Charybdis' roars and music are somehow less intimidating, which is a shame because I thought this would be one of the biggest struggles Odysseus will face. Even with awesome illustrative animatics, the scene wasn't as thrilling as I've expected.

The other songs got massive improvement from its draft version (on top of my mind I can think of "Thunder Bringer", "There Are Other Ways", "Little Wolf"), but I don't get why "Charybdis" didn't get up-graded as much like them. It's like a cake that was throughly baked but half decorated and it just didn't taste as good as I've hoped.

Then we have the Odysseus VS Poseidon part in "Get In The Water" and "Six Hundred Strikes". The first thought I had for GITW is this song sounds like all the draft snippets were mashed together without a smooth transition/connection between them. Jorge and Steven's performance is great, but there's not enough tension for me to dread for Odysseus. When Poseidon first met Odysseus in "Ruthlessness", the whole opening was terrifyingly good! And we didn't even have any illustration animatic back then! (that's not to say the GITW animatics were bad, they just can't salvage much when the song itself was already weak)

I wasn't impressed with Poseidon's Shatter The Ocean move either. It's supposed to be the Strongest AttackTM but it's less scary than when he and the Laestrygonians destroyed Odysseus' eleven ships with probably 1% of their power. It didn't even help when Poseidon looked like he's having a seizure with lights pouring out of his eyes and mouth during the transformation.

Odysseus being literally on the brink of death with the souls of his loved ones pulling him into the abyss is a gem in the rough, but because we've seen Odysseus almost drowning before in the end of the Thunder Saga, it's not as shocking as it should be. Furthermore, Poseidon could have instant-killed Odysseus right then and there but didn't really annoyed me. But I guess he just wanted Odysseus to slowly suffer while dying.

Right when I thought the progress will get better, it... gets down. I can go with Odysseus using wind to escape the water, but him wearing it like a jetpack is so comical it ruined the drastic of the situation. And I'm officially let down when Odysseus FUCKING ATTACKED Poseidon in "Six Hundred Strike".

What? Just... why with that choice?

Look, I'm not gonna fault Epic for making creative liberties from the source material (as said in the disclaimer), but I will criticize if that change contradict itself in the transformative work. And this is one of them.

Poseidon and the gods have been proven time and time again in the musical just how powerful they are. Their ominous and grandiose entrances, them striking fear and inferiority in our hearts just by singing. Even Circe, a low-level goddess, poses a constant threat to the crew and Odysseus had to get help from Hermes just to get a chance to corner her (and Hermes even joked that he can still die!)

Poseidon easily destroyed almost all of Odysseus' fleet. Odysseus was very avoidant of him, opting to go to the literal Underworld to find instruction on how to dodge him and sailing through Scylla's lair + willing to sacrifice six men for safe passage. And when Poseidon said he can drown all of Ithaca, it's not just bluffing, he would and could have done that. Yeah, the King of the Sea is THAT BIG of a threat.

So no, Odysseus isn't cool to attack Poseidon, he's being stupid. I'm not even cheering for him the whole time he fight, just groaning at how ridiculous the whole thing is. If Epic is more believable and sticks to WHAT IT HAD ESTABLISHED BEFORE, having a sudden burst of anger and choosing ruthlessness won't save Odysseus from one swipe of Poseidon's trident. Odysseus stood no chance against one of the most powerful deity, even if he's the protagonist and love his family.

Not only that, Poseidon didn't even defend himself and was wounded by a mere human! And he just sat there and took all the blows and insults from Odysseus??? And he actually begged Odysseus to stop and agree to quell the storm to let him get home??? I'm not buy that bullshit. I'm more upset that a literal Olympian god was nerfed down than Odysseus having a Gary Stu moment. Give me a break, that try-hard moment to be cool and edgy just show how badly written the scene is.

What's the fucking point of hyping up how dangerous the gods are if a human can take one down? Tell me this isn't some Wattpad-y Greek myth retelling fanfic where the teenage Y/N sass her way to defeat an entire pantheon. Epic really traded its opportunity to be better for some cheap and out-of-the-blue dramas in this saga, dare I say it's even worse than Zeus' OOC attack on Athena. I'm very disappointed with that decision.

On an end note, the saga did have one saving point with the "After everything you've done, how will you sleep at night?" - "Next to my wife" lines. Odysseus knew he could be the most horrendous man ever and Penelope would still choose his side, that just show how powerful their love and faith in each other are.

But not enough to excuse all the terrible cinematic choices.

[ladyloveandjustice]

Summer 2024 Anime Overview: DEAD DEAD DEMONS DEDEDEDE DESTRUCTION

A giant mothership is hovering over Tokyo. The aliens haven’t done anything or even made themselves known yet, but Japan and America are already trying to blow that UFO up, and show off who has the best weapons, causing many civilian casualties along the way. While all this happens, two girls are just casually living their lives. But are they as normal as they appear?

One thing I want to say is if you watch this anime and care about being intensely spoiled, do not watch "episode 0" until you've finished episode 16. It actually slots chronologically between episode 16 and 17, and that's where the episode took place in the manga, so I have no idea why they did that. Fortunately I had someone to warn me about that, so I will be that someone for you.

Dead Dead Demons DeDeDeDe Destruction or De x 8 as I will be calling it, can be really tough show to watch—not because it’s bad, it’s very good, but because of how depressing and visceral it is at times, and how devastatingly accurate it is to the shitshow of our world. This tends to be balanced a bit by the touching friendships (and possibly? More?) of the very likeable cast of teenagers…but you also feel a huge sense of dread about their safety as things ramp up and their stories deepen.

The anime goes hard on criticizing the military industrial complex, Japan’s government, America’s government, xenophobia, treatment of immigrants, rich people, and conspiracy theorists. All things I also hate, so that’s great. What hurts is how you could easily see the events happening—waging war on the aliens despite no provocation, people using an app to to hunt down and slaughter them...

It shows how even some of the protestors of the genocide use their movement to cover their own selfish motivations, meanwhile countries taking the situation as an opportunity to vie for power and dominance, rich government officials lie to their people and abandon them…obviously there's a lot of commentary here on how we dehumanize immigrants and minorities and enable genocides for capitalism and political power.

It's very bleak, and there were a lot of episode that had me just feeling sad, especially comparing it to current events. But there's also this interesting focus on normal people trying to live their lives during this alien "invasion", and the kids who still go through the dramas and upsets of everyday life. And especially the “I’d burn down the world for you” intense emotional relationship between Kadode and Ouran, the two teen girl leads.

Ouran is the main lead, and she’s a chuuni beyond chuuni, acting wacky and cheerful and spouting nonsense-- except if you pay attention, she's saying some pretty valid things—critiques of capitalism, war, government surveillance—but then following it up with something wild like “and that’s why I should rule the world”. You get the sense she’s cloaking an awareness of how shit the world is in humor, and as the show goes on and as her surprisingly intense and weird backstory unfolds, it becomes clear why that is.

The relationship between Ouran and Kadode is the center of everything--their bond IS the show. It's that kind of ride-or-die, I'd-kill-for-you, I'll-be-by-your-side-even-if-the-whole-world-is-against-you, in-every-life-i'd-find-you-and-love-you, soul-bonded, fiery devotion and love. They are the most important person in each other's lives, full stop. It's those kind of relationships that are so transcendent it goes beyond simple definitions of romantic and platonic. In other words, my kind of shit exactly.

But, as far as romance goes, Ouran, at least, is definitely queer and the depths of her determination to keep Kadode safe in a world that wants to destroy her girl that would make Homura Madoka Magica blush. (Kadode is more ambiguous, but she’s definitely soul bonded with Ouran. And honestly should just date Ouran because god she needs to be rescued).

There’s also a gentle empathy for marginalized people underneath all the horror—the girls befriend an alien trying to survive in the guise of a human, and it doesn’t seem like a coincidence that the first person our alien tells absolutely everything to is the gnc/potentially trans person of the group, Makoto (To be specific, they seem to still be figuring out their identity, but they definitely present feminine and specifically came to Tokyo because their small town wouldn’t be okay with how they like to dress). The way Makoto immediately shields their alien friend from others when they make the reveal that they saying “Don’t let them see, it’s not safe” and how it’s followed up by the alien reassuring Makoto that their friends will be okay with it if they take their wig off to swim...it makes the metaphor extremely clear, and it’s always nice when a series can explore marginalized characters both textually and metaphorically.

Through the kids, we get kernels of hope in this story, a reassurance there are kinder people in this world, and a hope that kindness will endure.

As depressing as the story can be, what it has to say is important and it doesn’t hold back in making you see what it’s going for—from the “Cool Japan” logo flashing right before the  Japanese government gives a weapons demonstration that will later kill citizens and destroy innocents...

...to the Trump-alike American President (and let me tell you it’s startling to be watching a show in Japanese and suddenly Donald Trump impression in perfect English) *(had to use the manga here because Crunchyroll didn't close-caption this part :/)

Then there's the American tourists, who were clearly va’d by someone really good at English, potentially a native speaker, and it’s incredibly funny how much of their dialogue has “fuck” in it and seeing the subtitles skip over that. Also much of their dialogue is treating the devastated Japan as a tourist attraction and saying how funny it all is to them. Logan Paul has entered the chat.

De x 8 very clearly hates America and recognizes it as a blood thirsty colonial power, which is correct, but the show is just as hard on it’s own country, saying the Japanese government would happily get back on the colonizing horse if they had an excuse, and many citizwns would mindlessly support them.

A small thing I appreciate is far from the usual anime aesthetic where everyone is blandly cute, the anime gives a ton of people ridiculously cartoony features that make everyone distinct—and being goofy looking is not meant to indicate a character is stupid or ugly—Makoto’s a super sympathetic character with giant cartoon buck teeth and one character that’s even pointed out as pretty has like, a pig snout nose. (It also makes it so the character noted as being drop dead gorgeous...actually is, instead of coming off as just as conventionally attractive as the rest)

Soooo a lot of good stuff going into this story. Let’s talk about some caveats.

There’s a continuing storyline between Kadode and her adult teacher, who takes her to his place to have sex with her. When he does, she ends up ditching him because of her feels for Ouran (gay) and I thought that would be the end of it, but nooope he’s a groomer, they pick up dating again when she’s in college, literally months after the previous encounter. The dude is presented as a scumbag, he cheats on his girlfriend, he seems generally apathetic, his clear discomfort with Kadode calling him “sensei” shows that he knows what he’s doing is wrong …and ultimately the relationship is shown to be unfulfilling, with Kadode directly stating so and acknowledging he’s just advantage. That doesn’t stop it from being uncomfortable though, especially since it’s confirmed he and Kadode have sex eventually (offscreen, thank god) and honestly, I felt it dragged on way too long. The first encounter pretty much demonstrated everything we needed to know about the whole thing in my view.

And of course there’s a ton of potentially triggering content in a story like this—from genocide to suicide to child murder to almost anything you can think of. Also like, one character has a sister complex, but on the milder side for anime. One where it’s conceivably platonic, and it’s not like he goes after her boyfriend Yuri Forger style, so it doesn’t bother me too much. There's also a good dose of fatphobia. And finally moment where a woman reveals she has ADHD (which I've never actually heard anyone say in anime so I actually got a little excited the more fool me) and then is almost immediately shown to be faking it.

The ending…is another big sticking point for me. It feels disconnected from the rest of the series, mainly focusing on a character we barely know and likely don’t care about and spending very little time with the characters we do, presenting an interesting status quo and immediately abandoning it, and while earlier episodes of the series presented "actions have consequences and we gotta live with them" as a major theme, it was suddenly like, actually they don’t!

The ultimate ending, again, hinges on a decision from a character we don’t care about and honestly feels like a deus ex machina. It felt almost like the author really wanted a happier ending but knew that wasn’t in line with the story he’s told so far, so he just tacked it on. Or maybe it was an editorial mandate, who knows. I think the most satisfying way to see watch episode 1-16 as its own pretty satisfying complete story (which works really well), and then treat episodes 0 and 17 as their own separate thing, a potential additional ending but not the definitive one. At least that’s what I did.

Overall, De x 8 is a show with a lot to say and it gives you plenty to chew on. While it is often depressing, it is very rewarding. The unbreakable bond between two messy girls, as well as the moments of ordinary joy and small human/alien journeys are the core of the show, and what makes it shine. I definitely encourage you to give it a watch. It's being really slept on, and it shouldn't be.

[burningvelvet]

I finished Moby Dick. So, to continue my former post(s) documenting my thoughts, here we are (spoilers ahead):

captain ahab: i am once again asking hast thou seen the white whale

Narrator, for the 5 millionth time describing captain ahab: "MONOMANIACAL. MONOMANIAC. MONOMANIA."

I was thinking "the homosexual themes everyone talks about are really exaggerated apparently…" and then I got to the chapter about sperm squeezing

Stubb meeting with the French in chap 91 had the exact vibe of a filler episode on a comedy sitcom

there are a lot of moments that reminded me of The Office ngl like i could just imagine stubb in the little interview chair just talking. so much meme material. he's seriously just doing his own thing. the little random characters like the blacksmith and carpenter just talking shit and side-eyeing ahab in the background lmaoooo

Saint George didn't kill a dragon, it was a whale #THETRUTHREVEALED #WHALETRUTHERS

It would have been hilarious if the British people told Ahab that they already killed Moby Dick already before he could get to it. I was so hoping that would happen. Bonus points if it was the Rachel after he'd turned them away.

Ahab discusses the topic of madness a lot. It's almost like he's… mad...

I vote Ahab for the most Byronic hero to ever Byronic… Heathcliff and Rochester have nothing on him… The origin of the Byronic hero, Byron's titular character from the narrative poem Childe Harold, is literally mentioned by name in the novel and had to be a blatant inspiration - it could not be more obvious! (I have yet to encounter the famed Byronic heroes of Russian literature, most notably Eugene Onegin, a work where Byron is also blatantly name-dropped).

Everyone thinking Queequeg was dying and having a coffin made to his measurements and filled with grave goods at his direction and then him literally climbing into the coffin to test it out and then waiting silently to die…. then all of a sudden getting better and saying he chose to recover bc he remembered he had something on his to-do list….. iconic

Ishmael referring to Queequeg as "my Queequeg…" omg. Queerqueg

Queequeg drawing figures like the ones on his tattoos omg… au story where Queequeg is an artist/tattoo artist when???

I was literally saying "AWWWWW" out loud when Ahab and Pip were having their little moments

The irony of Ahab abandoning the Rachel then it coming back for Ishmael… the coffin lifeboat… etc… good stuff…

okay ahab is my man but yeah he was an asshole to the captain of rachel.

also feel bad for tashtego. he wanted that gold doubloon so bad and ahab was like SIKE, MOTHERFUCKER! umm tashtego did not get cut out of a whale by queequeg to deal with ur shit ahab!

Once again wanting a Black Sails/Moby Dick AU… I found this essay about the similarities between Flint/Ahab https://ijms.nmdl.org/article/view/22389/14361

They only have like 2-3 little moments together but like… Starbuck/Ahab kind of outdoing Ishmael/Queequeg there for a moment… chaps 132/134… oh my godddddddddddddd whyyyyyyy

Captain Ahab's moments in chapters 36/37 AAAAAHHHHH you will see me being normal about this

I noted some of my favorite Ahab moments/chapters and they are 36/37/41/70/99/108/109/113/115/116/119/125/129/132/134/135. Like I may seriously just re-read those chapters (no offense to Melville's whale facts, Stubb's jokes, & Pip's insanity)

the end is kind of similar to the great gatsby in the sense that you finally realize the entire novel was actually written for him to cope with his grief-related trauma & then suddenly it all makes sense. the lingering, the sentimentality regarding seemingly insignificant details or people, the meandering/digressing/procrastinating getting to the end, etc.

there are actually several moments -- i don't know if he actually referred to ahab or the others in past-tense specifically, but there were several moments where i felt like i kind of thought he was giving away the end before he did (it wasn't a shock to me bc i read about the end prior, but still)

[crow-caller]

What if your parents could legally murder YOU? Would that be like, messed up, or what? That’s the approximate premise of Unwind, but there’s a lot more going on with this series than trying to scare teens. Unwind has haunted me since middle school, a common book series that never interested me despite my love of unethical lab experimentation. Picking it up for the first time has been mind-blowing. I should have been reading this series. Is it good? Is it bad? Well, it’s bizarre and messed up, and that’s enrichment for me! Readmore

[mezzy303]

So I've been rereading skip beat from the beginning for the first time in uhhhhh almost 10 years and I'm going inSaNE over characterizations and development that I have to write it down

At this point I'm only at the Heel siblings arc so I haven't gotten to the Guam or Saena arcs which are very big for Kyoko and Ren's character development and healing which I haven't reread since those chapters came out

Can we just take a moment to appreciate Nakamura for basing Kyoko and Ren's childhood struggles and trauma on very real things that aren't often, if at all, dealt with in anime/manga and also writing them with utmost care (Not only do the traumas inform their personalities, but their healing arcs aren't just a one and done thing!! It's a very slow process) Like starting with Kyoko, her single mother neglected her so much that she was raised by a family friend. On top of that, nothing Kyoko did was ever good enough for her mother, and both of these things are so apparent in Kyoko's character. She attaches herself to fairytales and magic as an escapism and because she relates to stories like Cinderella. She literally cannot function if she messes up and no one criticizes her. She can't properly acknowledge her own talents and beauty without it being attached somehow to fairytales; she never quite believes shes good enough. Similarly, she didn't want to bother anyone with her troubles, so she always dealt with them alone/in private spaces. Pretty sure she also has lowkey abandonment issues. And this is all parental trauma!! Things she already has before the series starts and she gets so utterly heartbroken she swears off romantic love entirely so she can never get hurt the same way again.

(I don't think I'll ever get over how Kyoko told all this to Kuu and he was literally like I'm adopting you. Your mine now. Sorry I don't make the rules ¯\_(ツ)_/¯ And Kuu going home to his wife like hey we got a new kid 😂 Like Kyoko freezing up when she made mistakes and then Kuu showing her love instead of reprimanding her makes me go 🥹😩💖✨😭💝 Kyoko getting all fluffy from head pats🥹🥹 But on the downside she literally can't bring herself to call him dad unless she's in acting mode sjdfhsf)

When I really consider it, I wonder if Kyoko really loved Sho as a person or like.... the idea of him. Like he was just a convenient guy via proximity bc Kyoko needed someone to be her "prince". We haven't been shown exactly why she fell in love, but it would explain why she stuck with dedicating herself to him despite his terrible personality and knowing he never saw her the same way. It's portrayed like the concept of hatsukoi in anime where its ✨pure✨and innocent✨It seems very idealistic. Whereas Kyoko's love for Ren is more mature. She sees every aspect of Ren and doesn't sugarcoat it, she sees him as he is (she does him up on a pedestal but partially bc she admires him but also as an extreme measure to protect her heart and hide her feelings imo)

And REN. trauma to the max. He had to deal with the hardships of making a name for himself when his parents are already famous, extreme racism from being biracial, his friend/mentor dying from an accident he unintentionally caused???? Like boy hates himself so much he's literally disassociating 24/7 he needs a fucking therapist. I get how being Ren has helped him in some capacity but he needs a professional asap. Though deep diving into this is so interesting because Ren/Kuon compartmentalized his issues and the parts that he hates about himself so much he created its own persona ("Dark Kuon"), to the point he's rarely ever just himself. And he buried it so deep that as soon as he cracked the lid open, those emotions just spilled out. He can't even allow himself to be happy, and when he does feel truly happy, his automatic response is acting nonchalant,,,,,,,,,,,, he didn't even realize he was doing it at first 😢

Also the symbolism with Ren's watch makes me go a little feral. I don't remember if it's originally his or Rick's but it obviously stopped when the latter died and Ren keeps it as a reminder of what happened and why he went to Japan. It's a weird item since it grounds him but also represents his heavy trauma, and I think having those two things in one kinda showcases Ren's unhealthy coping mechanisms (like grounding himself to something traumatic isn't... great...). But that scene where he realizes he took it off and he has a moment of whether it to keep it on as Cain Heel or not??? *clenches fist* it was so good. (To recap it, he had his watch so he wouldn't lose himself in the role of BJ and then forgot it in the bathroom after an unexpected trauma response) Ren narrates his thoughts as choosing between Rick or Kyoko but interpreting this, he's choosing whether to keep himself stuck in his past trauma or move forward and let himself be happy AKA stick with unhealthy coping mechanisms vs try something healthy and rely on people he trusts. Kyoko essentially becomes someone Ren grounds himself to 🥺 He still needs therapy though lmao. He's so mentally unstable in this arc,,,

As I'm writing this I'm seeing a parallel between Kyoko and Ren and how they both had an experience that completely and utterly broke them, and it was this that pushed them onto their current paths in showbiz. And they likely would never have met each other again if those things never happened (they had to lose themselves to find each other?? 😭). It's so funny to me that Ren is all like ThEiR fAtEs ArE iNtErTwInEd with Kyoko and Sho when you have to consider the fact that him and Kyoko meeting again was like. a chance in a billion. It was fate 😂

KyoRen is such a poetic ship to me. The fact that they're different people when they meet and don't recognize the other. How Ren starts falling in love AS SOON AS HE REALIZES KYOKO IS THE SAME GIRL HE MET (Ren being gray/demiromantic.... more at 5). Kyoko lowkey starting to crush on Ren when she witnesses a bit of his real personality. These two things happening around the same time??????? And Ren being SO afraid of being Kuon, his true self, because of his bad qualities, but Kyoko pulling out the good qualities without him fully realizing it?? (I'm 100% referring to Kuon being a mischievous little shit and I live for how he teases Kyoko) tbh they treat each other differently from other people without even realizing it lol. And Kyoko being surrounded by toxic and possessive men pursuing her, and Ren being anything BUT. Like my man is a gigantic green flag. He recognizes that he can't seriously pursue Kyoko bc she's a minor and he really tries his best to only be a friend and mentor in her life and keeping her trust and never crossing her boundaries despite the stereotypes of men being "unable to control themselves." Y'all take point this should be the standard at minimum☝️

I have to talk about Sho bc this boy is so fucking toxic but he makes such a fascinating character. As much as I hate how Kyoko got heartbroken in the way she did, I think it was necessary so that she could leave Sho's sorry ass and cut him out of her life. Seriously,,,, he took advantage of her and used her as a servant. she literally dropped out of school, moved to a different city, and took on two jobs for the sole purpose of helping his career and then he threw her away like a used rag (JUST THROW THE WHOLE MAN AWAY). And then he has the audacity to fall in love with her smh. Anyway the fascinating part about him to analyze is how he's so possessive of Kyoko. Like she was a mere fly in his life, but she was always his. Until she wasn't. And I think those twisted thoughts kinda morphed into feelings for Kyoko. Ig in a way he still cares about her, but it could never hide how toxic he is. Anyone who's like I don't care how this person thinks of me as long as I take up the biggest space in their heart is egotistical and narcissistic. BUT he and Kyoko bickering like siblings will always be funny. Like epitome of two people who've lived with each other for way too long so they know how the other ticks and also get on each other's nerves 😂😂Sho does makes a good foil for Ren though. Like he's basically everything Ren is not: immature, temperamental, possessive, vain, the list goes on. His only redeeming qualities as a character is providing good drama and humor and being an example of what Ren isn't.

Skip Beat is really a story about healing and learning to love yourself and letting others love you and Nakamura is such a good story teller 🥺

[e-vay]

Hi! If you have the time, could tell me a little about Love and Deep Space? I originally played a ton of Dress Up! Time Princess, as obsessed, and even occasionally threw a little money at it, but ditched it once the UI became too cluttered, they added a ton of things that used up massive resources, and almost all events were P2W. I keep eying LaDS but am worried it might have the same issue? Also, does it have a lot of customization/personalization options? That'd be a big selling point for me.

Oh my gosh, where do I even start! Listen I'm not a saleswoman but I'll do my best to explain. I'll put it below the cut so that people who aren't interested don't have to read. Oh and also (not that you are, but I just want to make this clear for everyone) Love and Deepspace is NOT a game for children. So don't download it for your kids lol

I haven't played any other game like LADS before so I don't know what to compare it to. It is just this very rare game that happens to check every single box of all my niches! It's a romance, it's a sci-fi/fantasy, it's got action and fighting as well as really cute mini games, its got steamy audio stories that'll make ya go WOOF, the writing is superb and the animations are STUNNING!!!! I am not kidding when I tell you the story is so well written; it makes me cry, it makes me laugh, it makes me sweat 🥵 (in a good way haha), the writers really know what they’re doing! Here are just some samples of the different things you can do in the game:

RPG Battles - Multiple fighting styles, including your choice between guns, sword, wand/staff and claymore.

Main Story - This includes written stories, animated cutscenes, character interactions and battles.

Special Events - Variations of the above ^ But limited to a small window of time so you can only participate and get rare items during that window

Lottery ("Wishes") - This is how you obtain 'memories' which you use for battling. Think of them like Pokemon cards. Some of them are extra special and will unlock dates/stories/animations for you to enjoy.

"Date Minigames" - These are cutesy things to do with your love interest like playing cards or claw machine. You can even choose whether you play the claw machine or your date does (hint: some of the guys are good at some of the machines, while others are not)

Photobooth - You can take cutesy snapshots with stock poses or you use the studio mode and make a lot of adjustments to capture the scene you want. They also have an AR mode where YOU can take a photo with him, haha!

Interact with your love interest(s) - The stronger your affinity with him, the more you can do together. This ranges from cute, animated interactions to having "conversations" with him. He'll also text and call you. You can romance all of the love interests if you want and it doesn't negatively impact your affinity with the others.

Audio stories - These are steamy vignettes starring you and your love interest. This one is for all the “Booktok girlies”!!! 🥵 Listen with headphones! ����

Anecdotes and other Side stories - The lore in this game is ENDLESS! If you enjoy reading, there are plenty of written stories within the game. If you don't like it, you can just skip through it to gain your reward and move on.

Dress up (limited) - As you play you'll earn different outfits, but there are also outfits you can buy. You can use real currency or in-game currency, it just depends on the outfit. You can't completely create your own ensemble but you can pair different outfits with different accessories to use in the photobooth. You can also decide what your love interest(s) wear or have him decide what he wants to wear.

LADS is free to play and doesn't have any ads. However, if you're prone to FOMO, you'll have better luck receiving items during their special events if you do make purchases. But again, you absolutely do not have to spend any money on it to play.

There is a little bit of a learning curve when it comes to the navigation of the game because there is so much to do within it, but you get the hang of it really fast. I feel like the UI is actually quite clean and organized. I’ve put a screenshot below:

The most confusing thing is the story mode; it kind of jumps around out of order because characters were added after the game's story had already started. But I personally didn't find that a dealbreaker and you can go back into the story and replay it in order any time.

The amount of storage the game will take up on your phone/tablet is a lot, but that's because the game is GORGEOUS. All the characters are fully rendered in 3D and the animations will blow your mind. I can't tell you how many times I'm playing it and I can't believe it's a mobile game. I play on "medium" resolution so my phone doesn't explode on me, but even then the quality is so good.

Customization is where the game unfortunately falls short. Though you do get to customize your protagonist, there are limitations. You can change her face, makeup, hair and voice, but during in-game fighting, dialog and cutscenes, MC will always default to a woman with long dark hair. Some players have found ways to glitch the game so that your customizations like hair style and color will appear in the “kindled” animations (you’ll know what that means when you play it), but it's not a long-term solution. We're all crossing our fingers that they'll update the game one day so the animations reflect our choices better!

There are other customizations in-game that are fun. You have a banner that you can change the appearance of and change your title. As you build a stronger connection with each of the guys, you can have them call you by unique nicknames and they'll refer to you as that moving forward (though you can change it every day). There are also elements of the game that involve you sending and receiving text messages, phone calls, and social media posts and you can customize how those look to an extent as well.

As far as the unique experience you have as a protagonist, when it comes to dialog/action choices there are only so many options you can choose from. The writers have an overall plan for MC so sometimes she'll say things that I would never want her to say, but I didn't write her so 🤷‍♀️ We still get more control than some games offer so I can't complain!

Personally, I do wish it was a little more inclusive than some other games out there. Right now you can only play as a woman and you can only romance the male characters. But that's what other games are for, I guess.

I don't know if this game will be your cup of tea and I know for a fact it's not for everyone, but DANG if this game wasn't made for me in every way! If you do end up playing it, I hope you enjoy it! And you can add me! My hunter’s number is: 82001322820

[ninja-muse]

The Dollmakers by Lynn Buchanan is the most original fantasy novel I've read in a good while. It doesn't follow a familiar plot structure. It's peopled by characters rarely seen but true to life. It tackles its issues, themes, and conundrums without turning them into morals or even necessarily reaching conclusions. The magic has been done before, but also not this way. The world, while familiar in some aspects, also feels fresh and different.

Did I like it? I'm not sure. But I definitely think it's worth picking up.

Because this book is so different, it's hard to encapsulate. The premise of a young woman determined to prove herself and gain the job and status she deserves sounds like it should launch a novel of revenge, of conquest, or of an underdog—but this doesn't. A story about magical dolls designed to fight ravening monsters sounds like it should be about great battles and increasing odds—but this isn't. This also isn't a story about a stranger upending a small town, or mentorship, or political conflicts, or even a mystery. Instead, there are elements of all those things, but this novel is too character-driven to fall neatly into boxes. Shean of Pearl is simply going to do what she thinks best and we're along for the journey.

The complexity of the plot is mirrored in its characters. Shean is capable of kindness and delicacy and righteous anger, but she's also tactless and self-absorbed and unwilling to listen to reason. There are brave characters too afraid to interact with society, kind mentors who fail in their mentorship, sour but welcoming villagers, wandering scholars who hold themselves apart until they don't, rule-abiding citizens who can't value originality, thoughtful people who come to snap judgements, and a host of other people who are flawed and complicated as anyone of us might be in their place. There's nobody I can point to and say, "Here, she relied entirely on a trope."* Buchanan's character work is arguably where this book shines most.

As for the themes and issues, I've grown used to fantasy and science fiction with clear morals, clear good guys, and clear political points. Again, this isn't that sort of book. You have to get well into it before you see what Buchanan's talking about on that level and she's more interested about raising questions and pointing out problems than she is in solving anything. We and her characters are left with things to think about, and with introspection. And no, I won't say more than that. Spoilers!

This isn't to say that this book is without flaw. Mostly, on that front, I found Shean's emotional journey a little sudden and jerky at points, with greater or quicker character growth than her personality led me to expect, and there's one particular moment near the beginning that felt exaggerated for the sake of demonstration rather than being true to character. The rest of my problems, and what's holding me back from saying, "This book was amazing!", I think stem from how different this book is. Is my grumble at that minor character's reaction due to weak writing or because they're so perfectly poised within their world that of course they don't act like a "normal" character? Is this plot line wrapping up too neatly or are we being set up for a sequel? That sort of thing. I should point out this is a debut novel and these are issues I've run into with debut novels before—but at the same time, this is much, much more polished and subtle than a lot of debuts are.

As for the magic and the world, I've run on too long to cover them much, but the doll magic is lovely, the monsters are fascinating, the idea that every nation has its own entirely separate culture and magic is familiar while the details are not, and in general, it's all very strong. Buchanan has a lot to play with and I'd happily read more in this world whether or not there's a direct sequel.

To sum up: this is a very strong, very interesting, very unique debut fantasy. It's a novel to mull over and one I'll be sorting through my feelings for. If you're interested in smaller fantasy stories, fantasies that take their time, or are tired of current fantasy trends and plot types, you should absolutely give this one a look. Buchanan's going to be an author to watch, I think.

* apart from third-tier non-speaking characters, like waiters or shopkeepers

[fabuloustrash05]

So the DBZ Abridged Buu Saga clips are out, here are my thoughts:

Android 18 knowing about Maron and her and Krillin messing with people about their daughter being named Marron is genius (cause I always found it weird that Krillin named his daughter after his ex girlfriend)

It's kind of insinuated that both Vegeta AND Bulma see the Capsule Corp interns as slaves, just shows they are perfect for each other, but also shows Dr Breifs' evil side peeking through his daughter

Trunks and Goten's voices were so damn cute!! Shout out to their VAs!

Everyone making fun of Gohan's durag XD

KAISER VOICING SHARPNER!! "He knows I love him. You know I love you" Me: AND I LOVE YOU!! A character I did not like in DBZ is now one of my favs in just a minute!

I loved the detail of Trunks referring to Goku as Kakarot (makes more sense since this Trunks grew up with and spends a lot of time with his father Vegeta)

The baby shark bit XD

"Gohan, you taught him how to dodge, that's great!" "TRUNKS PULL UP!!" LMFAO

Dabura's voice! HOLY SHIT!! it was hot

Buu's voice was also good, similar to the dub but way less irritating.

Goku, Shin and Gohan's discussion on shopping carts and tipping, as someone who worked in both fields, I FELT THAT! THERES A SPECIAL PLACE IN HELL FOR THOSE PEOPLE

Goku's "oh no" and a little giggle when Shin asked if Vegeta has evil in his heart. Goku KNOWS what's gonna happen and he's gonna let it happen XD

Vegeta's "I know you're playing me..." line to Babidi being a parallel line to Perfect Cell

Lani once again NAILING THOSE SCREAMS as Vegeta!

Vegeta killing thousands of innocent people, Goku's okay with, but bringing potato salad to a BBQ, HES CROSSED A LINE!

"God I missed you..." that made me chuckle.

Vegeta going to BBQs and movie nights with Krillin, they are friends now and I love it (underrated dynamic in DBZ tbh), also Vegeta acknowledging that he's now referring to Krillin by his actual name instead of "the bald monk". I always felt that Vegeta referring to people by their names is his way of showing respect, so him calling Krillin by his name, he hates that he now respects Krillin.

"Too bad we couldn't finish our fight. I didn't get a chance to wip out my new form-" *Vegeta knocks Goku out* PFFP- HAHAHAHA if he only knew

"I'm going to hug you now" "Hug complete" *knocks Trunks out* "I'm a way better dad than Kakarot" ASDFGHJK LOLOL

Vegeta referring to Goten as KAKATOT lol <3

The "Vegeta no" "Vegeta yes" bit having a conclusion with an emotional impact tied to Vegeta's death.

Even as a joke, I still got emotional during the abridged version of Vegeta's sacrifice.

BEST BUDDY!! HE SAID IT! HE FINALLY SAID IT! WE ALL KNEW HE WOULD BUT GOD DAMN THAT FELT GOOD!!

[orionsangel86]

Mary & George

So we finally have the show we have been asking for since 2016 (I went back and checked my old posts to make sure and it was indeed 2016 where the "British King Can't Stop Promoting His Boyfriend" post did the rounds).

How did it fair in reality? Well, its hardly Tumblr friendly fanfiction - though it was certainly raunchy - at least at the start. This show was scandalous, sexy, rather filthy at times (in a good way), and absolutely stunning in terms of its production and costume design for sure. It falls very much in line with the expectations of modern period dramas in a post Game of Thrones world where we have shows like The Great, and movies like The Favourite gracing our screens far more regularly than endless fucking retellings of Henry the Eighth which are so fucking common I have even been in one of them myself (sorry - my bitter hatred for stories about Henry VIII and his bloody wives is difficult to restrain).

So FINALLY getting a show set during the reign of James I and VI of England and Scotland and his love affair with the Duke of Buckingham is definitely a breath of fresh air.

But its definitely not the beautiful queer love story tumblr might have hoped for when we all first saw that post.

Nope. If you're looking for a happy tale of queer love overcoming adversity, stick with Red, White, and Royal Blue. Mary & George is not a love story. Its a story of scheming manipulative people who will do anything to get money and power. It's a story that uses sex as a weapon and a tool for personal gain. There is no fluffy romance to be found here, no sweet queer love story and no happy ever after.

I mean, this IS the British monarchy we're talking about, during an extremely dark and horrific period of our history only a short time before the country was plunged into Civil War and a King lost his head. But you've been warned anyway. All you'll find here is brutality, betrayal and eventual death.

Regardless of that, this show was fucking brilliant. The first three episodes in particular are quick witted and hilarious and refuse to shy away from treating queer sex scenes any differently to straight ones. The full frontal male nudity that crops up was also a pleasant surprise - I'm happy that cinema has generally accepted a more balanced approach to nudity nowadays - also a surprise was the lesbian romance which was probably the only genuine romance in the entire show. It leaves you wondering throughout but by the final few episodes its clear that if any love is "true" in this show, its the love between Mary and Sandie.

I absolutely adored Julianne Moore in this as Mary Villiers, who ruthlessly claws her way into power and money through schemes, seductions, betrayals, murders, and anything else you can think of. But even with all of this, I can't help but root for her. Who doesn't want to root for a scheming lesbian and her lover as they manipulate everyone around them and ensure they always get the better of the horrible men that make up King James' court? In this house we support Womens Wrongs.

As far as George goes, Nicholas Galitzine is brilliant as a beautiful but dim mummy's boy in the first few episodes, throwing tantrums and pouting with perfection. He shines in the later episodes as the arrogant and powerful Duke who believes he is practically untouchable due to his hold over the King, whilst still showing through the vulnerability underneath where that relationship remains precarious. The underlying joke of the show is that everyone wants George, and George wants everyone. He's a slutty slutty man.

You know how tumblr has a tendency to split queer stories into one of two camps - either pure sweet romantic love stories or very bad evil messy queer stories? (a gross simplification but you get what I mean) Well Mary and George falls firmly in the second camp. I enjoyed it for what it was, but I was a bit dissapointed that the general approach and belief of the storytellers here is that George used the King for personal gain, that the King was nothing more than a hedonistic fool who let his favourites manipulate him, and that any actual love between them was shallow and fleeting. Its all extremely cynical.

Especially since we know its not true. the surviving letters we have between King James and George paint a much more romantic picture, one where love was definitely a significant factor in their affair. Yes, historians love to play down queer history as best they can, but I don't believe that George Villiers was quite the manipulative little slut this show makes him out to be.

And yeah, sure, we can laugh and dismiss any true history involved. Its just a story after all? It was a bloody good story and one I enjoyed, but was it a fair portrayal of the actual men involved? Probably not - then again, the actual men involved weren't very nice anyway, and the show glossed over a lot of King James' more infamous sins. His obsession with witches and demons leading to the horrifying witch trials throughout the country were completely left out. There was also no mention of the famous King James Bible - the one that heavily emphasised any passages alluding to homosexuality being a sin which is used so frequently even today by religious zealots to persecute gay men. The Sodomy laws during King James' reign were enforced with such brutality that they brought us the slur "f*gg*t" (which I'm not explaining here). Yet the show displays acts of sodomy as such a normal part of court life that you'd almost think it wasn't totally punishable by death.

I shouldn't complain. Especially not about the lack of homophobia. Its a great show. You should watch it. But take it with a pinch of salt. The true story of James and George was probably one with a lot more secrecy involved, a lot more sneaking about in the night (after all, why build a secret passage between their bedrooms if they weren't trying to hide it?) and therefore a lot more hypocrisy on the part of the King.

There are some very touching scenes between King James and George, and I feel the show attempted to portray the relationship between them as complex and multilayered, but I'm not sure it succeeds as well as I would have hoped. But perhaps I am just a silly tumblr romantic who likes her queer love stories to actually include genuine love within them, and I always hoped that any story about King James and George would focus on how that love grew over time. Because whilst George obviously went along with things initially for personal gain, I think the evidence we have at least gives an indication that he did love the King, and the King clearly loved George, and I am interested in a story about how they navigated that love at a period of time where it did need to be kept secret, even if it was a fairly open secret, where things such as the King James Bible and the Witch Trials would have affected them, and where George's rise to power would have caused so much conflict and anger within the court.

But regardless of all that, I still loved the show. Its still worth the watch. The gays deserve more messy sexy dramas where they get to be ruthless and powerful and slutty and murderous. Its excellent viewing for all.

Ultimately though, I may have came for the gay duke and his love affair with the King, but I stayed for the lesbians. The lesbians were awesome.

#JusticeForSandie

[fictionalmenmistress]

The crazy thing is, if they would have let Wade join the Avengers then, 6 years ago when they rejected him (before everything went crazy in the world), he would have found a way to kill Thanos so easily, and so many others would still be alive.

[californiannostalgia]

saw this tweet and thought about how before the spiderverse movies, comic!miles storylines were largely inspired by different spiderpeople/superheroes

and spiderverse fully embraced this as a miles morales signature: he's the one most fit for the position of main character in a multiverse trilogy precisely because he was originally created as an amalgamation of the characters that came before him

and now this animated movie series is going to propel miles morales as the incomparable, irreplaceable spiderman in our cultural canon by giving him his unique spiderman narrative within the context of his character having been created as a parallel to other spideys

he learns things from the people he meets and he makes them his own! he puts his own twist into it! he does what no one else can! he is exactly like the others and absolutely nothing like them!

the glowup of a spiderman achieving full individuality in a Multiverse Trilogy featuring a hundred other spideys is just absolutely incredible, who is doing it like him

[the-gayest-show]

The Haunting of Wells House/Best of Luck Review/Analysis

NEW EPISODES AGAIN YIPPEE YIPPEE YIPPEE

The Haunting of Wells House:

I love a fun episode to get my mind off the angst of Operation Birthday Take back!

The gag of this being a paranormal TV show were so great! So many minor things I loved like the "Paranormal Pursuit" show title they keep saying. Literally cracked me up the way they were saying it.

I also adore the interview gags, you cannot tell me this ain't so fitting for both of them!

"My local paper called my performance of Ebenezer Scrooge 'Not as bad as it could've been'" 😭

Her expression is golden.

Also the reference to that one painting from Cosmo and Wanda was a nice touch (I mean they already had The Scream up there before this)

(The original is called American Gothic, I had no idea! I knew the art piece generally but didn't know the name till I googled and it and suddenly boom that's the name. AND it's from the 1930s! Ain't that cool stuff!)

Jorgan reappearance! We haven't seen you in like. A bit. I'm pretty sure not since the fairy testing thing but I could be wrong. "Father Jorgan" I love how Wanda and Cosmo literally summon him for the sole purpose of "exorcising" a ghost fairy. Funniest shit on Earth fr. Bro was NOT built for the "Father" role. HE LITERALLY GETS "DA RULES" OUT INSTEAD OF A BIBLE IM CRYINNGGGGGGGGGGGGGG

Also why does bro just have like so many cassette tapes? Are they all cursed? Are more fairies trapped in tapes or something? And it's a LARGE collection. WHY DO YOU HAVE THAT MANY TAPES JORGAN WH-

Overall, this episode was fun as hell and I ADORED Hazel and her dad's dynamic together. Tbh it's so cute! Hazel is so enthusiastic about hunting for the apartment ghost with her dad it's so wholesome 🥺 I honestly love the father/daughter duo sm an episodic adventure episode is so nice. Also the TV segment thing was awesome af, enjoyed that a lot. I feel like it's probably in reference to Buzzfeed Unsolved or something.

Best of Luck:

Ohhhhh boy, Dev is back again! And it is NOT looking good! I found this episode to be kinda heartbreaking for many reasons. This entire episode essentially revolves around Dev wanting to make "rule breaking" wishes (eg. win the tournament and that t-shirt) but Peri (being normal about Da Rules) tells him he can't (because he can't) and Dev and Peri have a little fight in which Peri seems to quit. I find that looking back, he might've been crying?

Bro's got tears rolling down his face and everything!

And then he gets replaced with Minecraft Steve Foop Irep, who retains the cube shape he was born in (is this a glimpse into a potential timeline where Peri would've been a sphere?), and really hates his name change unlike his normal fairy counterpart.

HE SAYS HE'S MORE ATTRACTIVE 😭 If only he knew that Peri was a Tumblr sexy man and he.... isn't.

Anyway, Dev literally uses the anti-fairy powers of not giving a fuck about the rules to essentially wish his way into winning the stupid prize, while giving Hazel bad luck (which she manages to get past using good luck charms) and making her lose the tournament.

-

Important thing, let's talk about that scene after Dev wins. He's expecting Hazel to be upset about losing, like... really upset. When she's not that upset and takes losing normally, he lashes out at her.

He WANTS her to react like how he's been reacting to the thought of losing the competition. I think this is still a reaction to his dad being neglectful at the party (and he very likely hasn't stopped being absentee since then). He's projecting his own emotions, and rejecting Hazel's attempts to be nice.

"I don't need your caring and understanding, Hinkle!" (This is also a sign of Dev's detachment from Hazel, since he reverts back to the "everything but calling her Hazel" bit)

He's more happier with physical things rather than emotional. He seems to avoid the emotional wishes, likely a coping mechanism for the neglect, opting to use the rule free wishes of Irep to wish for money, love from some classmate (who he's never been shown to love back in any way before this), to be the King of America (bro really invented monarchy for a monarchy-less country. Crazy.).

And then he literally wishes for Cosmo and Wanda to be nothing! To kill them essentially! I think that's driven by Dev's idea that having two fairies is better than one (a concept I remember being battled on with Remy Buxaplenty and his one fairy), even if it isn't and they're all still bound to the same rules, and by some motivation to get back at Hazel, likely another projection of his feelings.

Just before the mini battle ends, Dev exclaims that he's "finally going to get everything [he's] ever wanted" and that they're ruining it for him. I think, deep down, Dev really wants his dad's affection. I've mentioned this before in the review I did for the Take back episode, but he seemed so devastated about the lack of attention from his father then and even way back from scavenger hunt episode when Dev and Hazel first bonded with each other. Personally, I think Dev was likely going to use Irep (and his ability to basically with whatever, in Dev's eyes) to wish his father could be different. I think that was the real goal, and all the physical stuff was for show and very surface level wishing.

Dev's rejection of Hazel eventually gets to Hazel herself, where she chucks the shirt at him and says "Fine! Take the dumb shirt! I hope it was worth it." Hazel is probably very much done with Dev for the time being, because she tried to reach out to him but she could see he doesn't want any of it.

Let's spawn in the question of Peri. Peri technically should act as a father figure or some kind of parental figure in this case, but he's defo been screwed over by the council for giving him this boy with issues and seems to resent him for constantly not listening when Peri says that some things are against the rules, which is why he temporarily takes a break. I know someone on a discord server pointed out that Peri isn't really bonded with Dev yet, and that really rings true.

You can see this when Peri pretty much ignores his godkid in favour of his parents (which I guess contextually could be described as just being wrapped up in convo, but knowing his track record it's likely the former). THE KID WAS SITTING RIGHT THERE! SAD! Peri, to me at least, doesn't seem like he's emotionally equipped for the job of truly being there for Dev. Cosmo and Wanda seemed way better at this in OG FOP, where they constantly looked out for Timmy, even if he was a bit of a brat at times. But Peri really does care, even a little, as evidenced by the fact that he was jealously watching over Dev while he was gone. He wanted him to call Peri back. I wonder if Peri will figure out how to adjust to being a more parental figures than he hoped, because for now it seems he's thinking about this more as a job than an actual child he has to take care of. I hope he'll improve that aspect of himself, especially concerning the finale.

-

NOW ON TO THINGS I NOTICED!

AYOOOOOO FLIPPED GENDER ROLES OF THE KNITTING AND READING NEWSPAPER LETS GOOOOOOOOO

It's also kinda weird to me that they sorta fly up and come out of the box at Hazel's school after this. It gave me the vibes of "we're living inside the box" but they aren't? Wasn't that their home? Anyways.

I said it once and will say it again: Irep is built like Minecraft Steve. You can't change my mind.

Mr Guzman is so happy at the new nickname lol. He's got that 😎 expression.

JORGAN YOU ARE BACK AGAIN. DOUBLE WHAMMY RETURN. TWO EPISODES IN ROW, KEEP UP THAT STREAK DAWG!

I guess there's a fairy HR too? And I thought the DMV was bad enough. Placing my bets on a fairy godparent union now.

Overall this episode had a lot for me to ponder on and now I wonder what Dev's gonna do with the information about anti-fairies he's gonna collect (how the fuck are the o-pears gonna know shit about this anyway). One of the episodes is Irep and Dev taking over fairy world, so I guess minecraft Steve is gonna make a reappearance, plus Dev will likely try to take over Fairy World with the same vulnerable-ish state he's in. I LOVE the plot thickening! FUCK YEAH BITCHES WE GETTING LORE

[ladyloveandjustice]

My Favorite Continuing Manga I Read in 2023

I went into the brand new manga I read in this post, but here's an update on some great continuing series!

Shout out to She Loves to Cook and She Loves to Eat for having phenomenal storyline about find the courage to cut toxic family members off, which is pretty rare to see (in manga especially)! The story explores how your family can impose a relationship with food that harms you in many different ways, and how finding acceptance of your food habits helps you heal. It also continues to be a lovely exploration of queer adults finding themselves that makes the point that your experiences don't have to fit in a box.  And I appreciate that they included a character who doesn't like eating that much for me to relate to! See my first review here, 

Now for a quick word about the other great continuing manga I read:

- I Want to be a Wall really upped it's game and included a nuanced discussion about asexuality that I loved seeing. See first review here.

- Yuri is My Job is still the best lesbian drama manga around and hits hard. See previous discussion here,

- A Man and His Cat is still the sweetest and Yona of the Dawn is as action packed and intriguing as ever...I feel a climax slowly coming!

- A Bride’s Story is still wonderfully done historical fiction with lush art while How Do We Relationship continues to develop its web of queer relationships nicely.

- Witch Hat Atelier is still a wondrous story of magic, creativity, accessibility, and struggling under unfair systems, all told in a fascinating fantasy setting with loveable, complex characters and incredible art.

A lot of manga I like concluded this year too, so let's take a slightly longer look at the conclusions!

Dungeon Meshi- The conclusion to one of my favorite fantasy manga ever was fittingly bombastically weird and fully satisfying. It filled you up like good food should. Live well instead of being consumed by fear of death and loss. Eat well instead of working yourself to the bone and neglecting your needs. Follow your own path, but cherish your connections and get together for a good meal. This series and its intricate world and wonderful characters will stay with me for a long time.

Catch These Hands- See my first review here. I enjoyed the cute conclusion to this series, and it was nice to see a little ace rep and a message about not conforming to society's expectations of "adulthood". It's an ode to delinquent girls that a sukeban stan like me can get behind! A lot of the stuff that annoyed me in the second volume was mostly dropped for the third and fourth, so that's also nice.

Run Away With Me Girl- See my first review here. I wish this had been a little longer, but the conclusion worked well and was cathartic.

Doughnuts Under a Crescent Moon- See my first review here. A nice conclusion to a cute, slow-paced little romance series, with yet more ace rep!

The Two of Them are Pretty Much Like This- see my first review here. This conclusion felt a bit rushed, with plot lines still dangling, like it was cancelled early or something. But the series is still good overall, and I'll miss it.

My Love Mix Up -This sweet-as-pie series about cute gay misunderstandings leading to romance comes to a fittingly sweet conclusion. It's sad waving goodbye to these silly, good-hearted kids, but I'm satisfied with where they ended up.