i have actually never seen hello kitty BUT!!! i did play some Nintendo ds game of hello kitty where this stupid fuck kept challenging me to a race and i dusted his bitchass everytime until i hit a tree. i think it was a deer or something
silly comic of a conversation in-game i thought was too funny not to make something proper for instead of a doodle ww
(timelapse + wip images (thus silly process commentary in read more if you like artist commentary :3)
i think the sketch looks silly and goofy and funny so i find it important to share with you the mere presence of the faces i drew on it. i drew it on top of the boxes without staying inside its borders because i find my proportions can get wonky if i draw them cropped in a restricted space. and I feel trapped otherwise and i will draw BAD!!! give me spaceeeee to go wild!!!!
the head circles are there for emotional support
very low res speedpaint because truth is the canvas was much bigger than the space where my comic was placed. i didnt account when exporting my timelapse in 720px that that tiny space would look so pixelated ... but it's able to be percieved, so its okay.
(i will now comment on my process and it is not brief sorry)
usually i would try to clean up my sketches and figure out what goes on top before jumping into linework, but since there are multiple panels and drawings i chose to jump into inking right away for the sake of brevity. i just went in with a brush that uses pen pressure and drew what was needed. i added extra line thickness and contrast in areas around the face because it helps direct your eyes there more easily that way.
according to her equipment rei has a chain belt but i only remembered it existed once I was going to color, and i did not like that discovery... I chose to ignore it to maintain my peace. i already have the color palettes for these characters figured out, and i didnt really want to think about a new element at the moment www I tend to overthink those things a lot so i skipped it
the rest is rather straightforward! not that anything else wasn't, but in here i could turn my brain off and sing. linework and sketching require mumbling so i cannot turn my brain off. just block in the characters with a solid color so i can have a mask (something along those lines,) where the color can stay inside. then just color in !!!
Base colors just had slight cell shading on the skin, and for the hair i airbrush a bit of the skincolor in low opacity near the forehead... I'm not sure what it means, but i can look at the faces easier with it somehow. i like the gentle subtlety it adds even if you cant really tell. it makes things look nice.
background was just me blocking in the color of the wall and floor, shade the wall a bit, then slap a noise and free use wood texture on top. work smarter not harder ! yet it took a bit to make it look stylistically fitting with the characters, and even now i think bottom middle panel looks odd. whatever!!!
for the middle panel i thought itd be funny if the background was a solid silly and colorful one to contrast the next panel's sketchy black one. a contrast to how the word widow is seen. on that note my handwritting is not pointy. i gaslighted my hand into thinking that it was indeed pointy in that moment so i could write "not-yet dead person" in letters that didn't seem cute. my hand did not fall for it but it complied anyway
that's basically it! I'm not sure what else i could say that doesn't feel barebones because it really is that straightforward. if you're curious I used clip studio paint for this. only special brush used was for linework (a brush named Lemon Brush), the rest used were just the default. my computer gets the least credit. it was trying to convince me a 20mb file was going to nuke it all the time and hardly let me save multiple times so i do not appreciate it
fuck a baldwin queue i want an arlo queue so bad i hate having to click all that shit again every 10-15 minutes please god let me just queue up like 5 magnifying glasses at a time and forget about it for like an hour please god
2 years ago i fucked up a friendship w a girl (that im pretty sure i was in love with). to this day i think of her and sometimes when i see her on the street i just wanna cry. i understand your plight very much.
yeahhh man im sorry to hear that!!! it genuinely fucking sucks and i would never wish this upon anyone. cuz like it makes you fully think about all the what ifs and i genuilnely dont think ill ever find someone like her again
idk im glad they didn't give us any actual details about caleb and evelyn beyond belos's memories and like. fifty-sixth-hand information from masha's story so audience members not paying attention would at least know who they are.
whatever nitty gritty details the audience comes up with on their own for what happened to these two would be infinitely more satisfying to them than what the show would have been able to depict in a flashback. especially working within what's appropriate for children's television.
caleb the person isn't important to the story anymore. the MEMORY of caleb, which belos has never let himself get over in 400 years, is the important thing. and you don't need to know much about caleb for that to work. and while i loved the parallels between the wittebanes and hunter and luz, as well as the clawthornes being a descendent of evelyn, i'm glad they never confirmed it, and it remains situational irony purely for the audience.
hunter's only connection with caleb is his DNA, which also ties back to belos's feelings. him befriending luz is something they did of their own volition. it's not because hunter is fated to play out every beat of caleb's life by virtue of being his clone. similarly, while i love a good hunter clawthorne, dell taking hunter as an apprentice and eda showing care towards him in s2 are because eda is kind to children and hunter independently had passion for palisman carving. it's not because they found out they were related, because the whole show is about found family.
having flashbacks to the real caleb and evelyn wouldn't have contributed anything to the story aside from fanservice. what matters is how belos feels about them. belos's ego and the desperation to be acknowledged by his puritan community and God aside, the idea of caleb haunts his every action. not the actual ghost of caleb-i've already discussed here why the idea of caleb's ghost literally haunting belos would be a poor writing decision. belos knew the person his brother actually was, killed him, and imagined a perfect version of him that he chased after for the next 350 years.
the tragedy is that the perfect version of caleb is unattainable, and now belos can never get the real caleb back. he refuses to acknowledge that caleb may have been flawed before the influence of evelyn. to phillip, everything he thinks is wrong about caleb is because he was corrupted by the boiling isles, and that's part of the reason he starts on a quest to kill all the witches. it's also why he makes so many grimwalkers. he desperately misses that ideal version of caleb, so he makes copies of caleb and plays family with them.
and belos loathes the grimwalkers. he kills them because he hates the magic they were made with. because he hates being reminded of his brother and what happened to him. and of course, he hates the grimwalkers for not meeting his expectations of what his "ideal" caleb would have been like. it's a fluid expectation that belos, subconsciously or not, changes as he goes, all in order to take out his anger on innocent children. he seems to recognize his enjoyment of harming the grimwalkers, though it's unknown if he understands the reason-which is that the "perfect" caleb will never exist, and likely never did. phillip's brother is gone forever, and it's all his fault.
and idk maybe in the writers minds caleb was a perfect brother and baby phillip was just a possessive little shit. or maybe it's the opposite and caleb messed up a lot in communicating with phillip on his relationship with evelyn. maybe evelyn was a perfectly nice girl who was perfectly supportive of caleb and phillip's choices or maybe she hated phillip and the other humans and did convince caleb to leave it all behind. it's a fascinating piece of backstory and i love seeing fanworks that talk about it! but anything more about caleb and evelyn that the creators add in canon would give actual context to their situation that we don't need! their story has been over for 350 years and dont affect any of the other characters beyond how it affects phillip!
nothing more about these two can be said that will contribute more to belos's character that isn't already conveyed with the barebones material we got in the show. this story isn't about "forbidden love," this is about how phillip was confronted with the fact that his brother found happiness outside of him, and that someone he's been taught since childhood to hate may not be all bad. it's about how he plugged his fingers in his ears in response to this and went on a 350 year long killing spree to prove to himself that he can never be in the wrong.
basically, i wouldn't go so far as to call caleb and evelyn's backstory "purposefully unexplained," but i definitely think the story is a lot stronger as it is than it would be if they did explain it all. not every detail of a story needs to have a word of god answer as to how it all went down. sometimes adding in unnecessary detail for completionism's sake just distracts from the point you're actually trying to convey. while there are a lot of things that i wished the show could have explored in more detail had it not been shortened, caleb and evelyn's story is not one of them.
godspeed - shayfer james // teenagers - mcr // a little life, hanya yanagihara // oyasumi punpun // tokyo ghoul // the comfort we find in our vices - eidola // a little life
im high n fuck it uhh ill stay 2 the left of them as much i can n i get caught i get caught ill b a shitty person n use everything as a cut me slack rn pls n just b so normal for a lil n by normal i mean high enuff i dont feel real emotions or i dont care yk
the secret to working on one project is apparently [checks notes] signing up for other projects that have actual deadlines and working on this one instead