#....how am i supposed to do normal things today

[alpaca-clouds]

Why do people struggle so much with understanding pacing?

Okay, let me talk about my pet peeve when it comes to writing in any medium. Pacing.

People, who know me for long, will know that this has been the thing I have been complaining about since I was like 12. And there is a good reason for it.

See, when I learned to write, there was this guy who I greatly admired as an author. And after bugging him for a while (look folks, the internet was a very different place from what it is now) he did give me some recommendations on books on writing. And a lot of them went deeply into his pet peeve, which - you guessed it - was pacing as well.

And thus, I learned early on about story structure, and pacing, and how to pace out a story in a way grips the audience. This material I read went onto different techniques for different mediums, into how different cultures had a different ways of dealing with this, and so on, and so forth.

Some of my main take aways were, that a lot of very long stories struggled massively with pacing, and that a ton of people also very miscalculated their ability to handle characters in terms of pacing - because characters and pacing are two things that are very, very heavily connected.

I also learned something else, though: That a lot of western writing advice did not understand anything about pacing outside of the idea that stories were supposed to have three acts - or maybe five - and ideally from a certain fateful day in the early 2000s on, would follow the "save the cat" formular. (Mind you, I do not hate "Save the Cat", however, this formular has been created for movies. It works at times somewhat well for books, too. But it definitely does not for for pretty much anything serialized, because that is not what it was developed for.)

And I also learned another thing: Most people do not understand pacing either, because pacing is not a thing that is ever taught in normal school (like most things that are about creative writing are not). So, while some people might have a gut feeling that the pacing of something might be off, they rarely can actually say why. And this is only worsened by the fact that today's tiktok addicted society is so used to consuming ultra condensed media, that they will perceive anything less condenses than 1 minute tiktok videos as "too slow and boring".

So, please allow me - the guy who kinda hyperfixated on this specific writing skill - to talk about pacing. And this will be in the following points:

What is pacing actually?

How do characters relate to pacing?

Pacing, Streaming and the supposed "filler episode".

Pacing and Fantasy

Pacing in Action vs anything else

Pacing in books vs visual media

What Is Pacing actually?

Okay, I think one of the main issues when it comes to understanding pacing is, that a lot of people see pacing on a on a spectrum that goes from "I am bored" to "I can't follow the plot anymore". But that actually does not always have to do with the pacing - obviously.

Technically pacing is the speed in which the plot moves. Or, to make it more quantifiable: "How many plot points (beats) are covered per either time (in any timed medium) or per page (in anything you read)". Which makes sense at the first glance - but does actually often not line up with the subjective perception of this. Becau se here is the thing: No, fight scenes are not automatically fast paces. A lot of modern action movies have super slow paced - in terms of story pacing - action scenes. Because yes, during those action sequences a lot of STUFF happens, but nothing of it actually is in any way related to the plot.

Look, I freaking adore the Fast & Furious movies. But you could literally edit those movies down to like 45 minutes each and not lose a single plot beat. But of course, nobody would watch those movies - because yes, me and everyone else who adored those movies, is there to watch them lunch cars into space and see stuff blow up. I don't much care about the characters or the plot.

This is by the way also the kinda point that me and other people talk about, when we are unimpressed by "oh, but sex scenes don't add anything to the plot", while the same people would often not make the same argument about action scenes - even though there is a ton of movies and shows where the action scenes really do not add anything to the plot. A lot of people just do not perceive action sequences as slow pacing, because even if nothing that happens on the screen actually adds anything to the plot or moves it forward, it is undeniable, that STUFF is happening. So basically monkey brain will go: "Hehe, things go boom!"

Don't get me wrong: there absolutely are stories in which the action is moving the plot. Mad Max Fury Road is a great example. The movie is also about 60% action - but the action scenes actually add to the plot.

Meanwhile nothing tells you as much about how unimportant some of the MCU action scenes are, than the fact, that they are often done by a completely different team and will be done apart from the rest of the movie.

But yes, traditionally the idea was, that towards the "finale" of a piece of media, a lot more plot beats would happen over a shorter amount of time. You will see that also in a lot of beat sheets. There are more beats that need to happen in the third act of a story - if we go by three act structure. And often there is actually even more plot developments, as usually in a finale all the "plotlines" will kinda finish up in the end. So even plotlines where not a lot has happened to this point - this shows especially in serialized works both in TV shows and stuff like manga or comics - the important plot points will then often happen close to the finale, because it feels more "right".

In older serialized media - especially TV shows prior to streaming - you also had the same thing hold true towards the finale of a "story arc". In a lot of older shows, you would usually see a structure that looked like this.

The "rise" here technically has less to do with more stuff happening in later arcs or seasons - and more with the threat-level rising, and the convulutedness of a story. lol

But yeah, the take-away from this part should be: No, action does not equal fast pacing. There can be action-heavy shows with super slow narrative pacing - but it will to many not feel this way, because at least action is interesting to watch. Which also might be an explanation to why people are a lot worse in seeing the issue with action-scenes that are not adding anything in visual media, but might actually notice it in written stories. Because in books action scenes do not feel "fast paced" in the same way they feel in movies, where the often faster editing and the amount of motion on screen will create this effect.

Oh, and on the other side: Of course there can be slow paced plots that will leave you having problems following. At times, because they are badly written (aka: the media does not give you all the information you need) - and at times, because a piece of media might expect you to know a certain bit of information that you do not know. I can definitely think of a variety of scifi media, that just expects you to know stuff about computer stuff or space, and will not explain it to you. Which might make you need longer time to take plot developments in, and then leaves you reeling.

Another thing however that is also important is: If the pacing stays actually the same throughout a piece of media - rather than accelarating towards the finale (or finales if there are multiple) - it actually will feel wrong in some way. Often people (even I, who hyperfixates on this specific thing) struggle to point at it at first. But yes, this very much is an issue that also can happen. You want the pacing to accelerate towards certain points in the plot - and then slow down. If you had an important point, you want a few slower scenes/episodes/chapters afterwards, to allow the audience to somewhat absorb all the new things you presented them with.

How do characters relate to pacing?

Alright, now we come to the dicey part - specifically, because a lot of people (which includes narratologists, creative writing professors, and people professionally writing) actually kinda do not fully agree on this. So, fair warning: This is how I think.

A character arc in many cases absolutely is a part of the plot. Most media we consume these days are character driven, so the characters are absolutely centrally connected to the plot and the plot mainly exists to have the character move from point A to point B. Or, to make it more basic: To have a character realize that their WANT is not their NEED.

Sure, those characters will usually also accomplish something plot-related. But them accomplishing them is more often than not heavily connected to them fulfilling their character arc. (Please note: characters having a want but having to realize a need is something that is core of western storytelling. However, given that it makes for interesting character arcs, a lot of Asian media these days also will use this as a central driver for character development.)

In some pieces of media, the character arcs are way more heavily tied into the beats of the main plot, than in other. In adventure, action, and related a lot of fantasy and scifi, there is most of the time a character arc happening parallel to the main plot beats. Meanwhile often enough in more down to earth drama and romance, plot beats and character development beats are heavily interwoven. This is not a hard and fast rule - there absolutely is fantasy where the character arc is the plot arc, just as there is romance where the development does not play as heavily into the main plot - but you can generally observe it.

However, no matter how strongly the character development beats line up with plot beats, you cannot deny one thing: character beats are beats that also add to the pacing - even if they technically do not move the main plot forward. So, for example, if you have an episode in a show or a chapter in a book, where important beats happens in terms of a characters development (for example: they realize something important about themselves), this does not necessarily slow the pacing down - even if no actual plot beats happen.

What the fuck is a plot beat? What is a character beat?

This part of the essay was originally not included, but the people reading over it said I should include this.

If we say, that Pacing is basically the description of "Plot Beats per Time" or rather "Plot Beats and/or Character Beats per Time", then we also need to say, what exactly a Plot Beat is. I will fully admit, that this is one of those things in which I forget that this is not a thing taught in school.

I mentioned "Save the Cat" before. "Save the Cat" is a book about writing movies and specifically about pacing out a movie in a way that it is captivating. It mainly focuses on action, but you can absolutely use it for most other genres. And this comes with a so called "beat sheet", a collection of the main story beats that happen, showing when they are going to happen. It looks like this:

Basically a Beat is a scene, in which the plot (or a character arc) is moved forward by a bit. Basically anything that reveals something to the main characters, anything where the basic assumptions about the plot change, anything like that.

Examples for Plot Beats would be:

Character learns about something going on

Characters find out something important about the plot

Someone (either protagonist or antagonist) gets killed or injured

Characters get a new power or item that is important to the plot

Romance goes forward or a reason for the romance to happen is found

Characters find a hint for something they want to reach

And examples of Character Beats would be:

Character learns something about themselves

Character makes a decision for themselves

Characters realizes feelings about something or someone

Character overcomes trauma

And mind you, because I cannot fit this anywhere else: If you read these you might realize, why Musicals are basically a cheat for very fast pacing. Because you can put an entire character arc into a 4 minute song. This is why musical animated shows like Steven Universe or My Little Pony managed to pull some insanely paced episodes, like the Empire City episodes for SU, and the episode in which the Cutie Mark Crusaders finally got their Cutie Marks. Musicals are insane when it comes to this.

And something that you have to realize: While for movies and books certain Beat Sheets (Save the Cat is not the only one) work rather well, those Beat Sheets usually do not work well for Shows. And currently we are living in a time, where this becomes very noticable - because a lot of modern shows are written and aired as basically 4-8 hour movies, using often just the "Save the Cat" beat sheet (if you have read Save the Cat, you will see it EVERYWHERE, because it is so frequently used in western media), but... obviously, Save the Cat is made for something that has 2 hours, and as such a lot of modern media feels strangely slow and stretched out.

Pacing, Streaming, and the supposed "filler episode"

(Yes, this needed to be the gif for this. Because no filler episode has lodged itself quite as strong into my brain as this one.)

So, let me talk about the issue in modern media. Because oh boy.

As I said: I hyperfixated on this specific writing skill forever - and as such I was annoyed by "filler episodes" in TV shows. To explain for the youngest people (not that I am assuming a lot of those are on this hellsite lol): "Filler" was the name given to material that did not move the plot forward at all. So a "filler episode" was an episode, that was just there to fill the episode slot for the week, while no plot was happening. I am not fully sure whether the term originated with anime - but at least back in the early 2000s, before Shonen-Anime were done as 12-26 seasons that then allowed the manga to get ahead in between, "filler" was also the name used for those story arcs that the anime people made up for shows like Naruto, One Piece or Dragonball, that were not in the manga - and hence obviously also never added to any overarching narrative.

And what can I say: We did not appreciate the filler episode enough. Because this related very much to the last part: While filler episodes did indeed not add to the plot and usually by definition did not the character development, they actually still added something often enough.

They allowed the audience to get to know the characters a bit better and get a better feeling for the character relationships - and those episodes take out a bit of speed, which is actually important.

As said before: The pacing should not be even throughout an entire piece of media. In a TV series after an episode that was especially tense and pushed the plot or characters forward a lot, there should be ideally at least one or two episodes that move forward slower or even not at all. This allows the viewer to sit with the new developments for a bit - and of course the characters to have a moment to breathe and process whatever happened to them.

There is also the fact that those episodes usually give the audience a better understanding for the characters - and if you have an audience who at this point ideally care about some the characters, this will even be more successful.

And as I said. Back in ye olden days, a lot of people - me included - complained so much about Filler. But we were wrong. Fillers are amazing, as long as they do not overtake the whole show.

Pacing and Fantasy

Okay, let's talk about a thing, that is somewhat funny. A lot of fantasy - specifically written fantasy media - often has a pacing problem. And this problem comes from the Worldbuilding. Others forms of fantasy media (other than games - though pacing in games is whole different matter) have this too at times, but it tends to be worst in books.

Basically, when you are a fantasy worldbuilder, you have this whole world. And this leaves you with two problems.

a) You are afraid that people will not be able to follow the plot if you not give them a lot of information about this world and how it differs from ours.

b) Well, you build this entire world. And the people should KNOW.

So, a lot of fantasy media basically regularly will stop to explain to the reader or audience, whatever is happening right now. Some writers manage somewhat naturally put this in. Maybe they have a character that does not know a lot about for example magic or dragons, and they can ask questions and act as an audience stand-in. But even in cases, where the worldbuilding is somewhat brought in naturally (which by far is not all of them - because people usually do not naturally talk about stuff they both know, or think a lot about something they find naturally) those "explanation" pieces will make the plot come to a screeching halt.

So, the more worldbuilding you explain, the slower your pacing is.

And of course, pacing is not a reliable thing to keep people reading, and pacing will not always turn people off. But you know how people complain about how slow Lord of the Rings is? This is because of course, every time that Tolkien describes a piece of landscape over multiple pages, there is no plot happening on those pages. And while I personally think some of those descriptions are darn stunning, it is one of those things many people will not like.

However, this makes it a bit complicated. Because yes, worldbuilding explanations will slow down the pacing to a degree that can be problematic. But if you explain too little worldbuilding, people might struggle to follow the story. Which again is the most common problem if the pacing is "too fast" as well. Basically, people do not properly follow the plot and will struggle to understand what is happening and why.

But the opposite is true as well. I have read way too many fantasy books, where after the first 100 pages, I know a lot about the city the plot is set in, or about the magic system, but sadly have so far not been privy to any information what the plot is about, what the characters try to archive, or even who actually the characters are. And that, yeah... Is probably the most common reason why I put aside a variety of fantasy books in the past.

Pacing in Action-media vs anything else

Okay, let me talk about one other thing. See, the word "pacing" is at times used in some other context: In visual media, pacing will be used for the editing of what we see. Basically the amount of cuts that happen within a scene. Or, in a comic, the distribution of panels is also seen as a pacing element.

And anyone who heard people complain about how at times confusing the editing in action movies is, you know that this at times can get too much.

Still, in visual media action scenes feel usually fast - because the characters are moving around rather fast. In a visual piece of media, action scenes are often thrilling, because the characters are in constant danger of dying, and because a lot of stuff is happening. This often works better in visual media, than in written pieces. While it absolutely is possible to write thrilling action scenes, a lot of writers struggle with this, because they tend to overdescribe and that takes the speed out of the prose. But generally speaking, a couple of punches thrown - something that in a movie takes about 10 seconds - will in book easily end up in 200-500 words, which you will not read quite as fast. A bit more about that later.

And then there is the issue with the action scenes, that even is true for visual medial, is that they often really do not have any important plotbeats. Sure, if the characters have their final battle, that is a plot point. But in a lot of action media - especially TV shows - there are a lot of scenes included that really do not add anything, but just are there because folks love watching action scenes.

This goes so far, that people will think a show or movie with a lot of action scene will just be seen as "good fast pacing", even though if the actual pacing in terms of plot beats being spaced out is rather bad. As a good example I will once more nod at the Fast & Furious and the Mission Impossible movies, that often have horrid pacing and very confusing plots - but they do not feel really like it, because the movies are like 60% action scenes, and hence they do not feel like it when you watch them.

It can work at times. I spoke about my love of the F&F movies. Can I tell you a lot of the characters? Nope, but the action scenes are fun to watch!

But this also tends to mean, that in a badly paced movie or show, that is badly paced because the action scenes not adding any plot beats, everything tends to fall apart when the action scenes do not work. And often enough action scenes will still be prioritized over everything else in many of those pieces of media, making things fall apart easily.

Pacing in books vs visual media

I have hinted at this now multiple times: Written media is generally a bit harder to pace than visual media, because of the things you can and cannot control. While a writer in a book has full control over the scenario, a director of a show or movie had actually influence the timeflow of the things happening on screen. As a writer meanwhile you absolutely have no influence on the speed in which your reader will read.

Sure, you can somewhat influence it. Shorter sentences are easier read. An general lower reading level will allow people to read quicker. So simpler words, shorter words, shorter sentences will make parts appear quicker. You can use this for example in action scenes to have a bit more of this breathless feeling that an action scene on screen might have. Use short sentences. Do not link sentences up. Quick hits. Quick impressions. It can work - but it needs some training. Not to say it is fucking hard.

Generally speaking to my experience when you write a single novel, the "Save the Cat" Beat Sheet actually works rather well, if you are the kind of writer who is fairly good at planning things out. If I actually try, I will usually manage to plan out a story and predict fairly well how many words a chapter will have. So yes, for books I can very much use "Save the Cat" and it will work.

However, some things simply work a lot better when you have visual parts going on - but there are other things you can do better when you do not have the visual stuff. For example: A writer can do much more when it comes to motivation and introspection of characters. Yes, this slows down the pacing - but it is something that writing has basically over any form of media that is not a musical. (In a Musical you can characters do introspection through songs. Musicals are the ultimate way of cheating. I love them!)

Something I feel so many writers struggle with in terms of books is actually putting in a clear goal for the character from the beginning. Again: I have put too many books aside where I reached page 100 and did not yet have any goal for the main character.

That goal you give them does not necessarily need to be their final goal. Again: A lot of western storytelling deals with the incongruent nature of a characters "needs" (aka something that would actually help them) with the character's "wants" (aka what they think they would need). But at the very least the plot needs something that it can head towards from the very beginning - a hook to capture the reader.

There might be readers that are absolutely fine with just reading an exercise in worldbuilding - but you cannot expect them to be.

[sharpsuite]

I always feel terrible asking for thing but...if anyone had some spare time to send in some prompts or soft unprompted things, that would...genuinely very much be appreciated right now.

[barghest-land]

the concept of dating scares me, what do u mean u met somewhere other than in the server of the dinosaur survival game

[james-spooky]

this is a test

[mars-ipan]

GODDD.

[opens-up-4-nobody]

...

[cappurrccino]

google, how do I not be so so so so so scared of taking new medications that I make my whole situation worse before I even pick them up from the pharmacy

[mrfoox]

except that im mentally dead, i’m good

[niuxita21]

When you’re so committed to the bit that you don’t stop holding hands even when focusing on a completely unrelated problem A++ for effort ladies

[lxnarphase]

𓇼 FUCK HER, FLIP HER, BEND HER BACKWARDS !

❤︎₊‧⁺...synopsis : the church always says sex for pleasure is a sin, and nanami kento is a man of the lord. but fuck, if his wife isn't worth sinning for. wc: 4.3k

❤₊‧⁺...cw : n. kento x fem!reader, religious themes, traditionalist views on sex and marriage, loss of virginity, missionary to mating press, breeding kink, overstimulation, unprotected sex, nanami loses himself in your pussy, slight cum play, dirty talk

❤₊‧⁺...lunar's note : am i unintentionally coping with religious trauma? possibly but it is fun :33 anyways based of this! forgive me if my writing is a bit rusty, it's been a while but enjoy !!

the two of you have spoken about eventually having children many times, but knowing the steps it took...it kept you both pushing it back, knowing eventually you'd both be ready.

after speaking with doctors, asking for advice from the church, and having you grumble about the neighbors who welcomed a cute baby girl, the two of you figured it was time.

you did your best to act normal all dayl, trying not to seem to nervous or too excited as you went about your chores for the day.

it may just be an act to procreate, but...it's still your first time with nanami. you want it to at least feel special.

there was nothing in the bible that went against that, right?

well, you have plenty of time to overthink since it seems that your dear husband will be at work late. to pass the time, you wait upstairs in your shared bedroom, the TV on as a distraction.

you're so stuck in your own world that you don't even notice him in the doorway before he clears his throat, leaning in the doorway. "oh! hi, honey, welcome home!" you go to stand up, but he holds up a hand, making you stop before you can get up from the bed.

it's silent, aside from the noise from the TV, and you can feel your stomach flip in anticipation.

has...has he always looked that handsome?

he continues to stand by the door, still not making eye contact. "you said it...starts today, correct," nanami questions, focused on undoing the straps of his watch. it shouldn't be attractive, it's such a simple task...yet it has your stomach doing flips as you nod.

"mhm, my, uh...ovulation starts today." it's such a weird thing to say, it just makes everything feel so...clinical. but that's how it's supposed to be, right? those who use sex for pleasure instead of procreation are sinners, or whatever the reverend at the church says.

"mm."

slowly pulling it off, he sets the watch on the dresser before shutting the bedroom door

"good."

dear god in heaven, you think to yourself, struggling to swallow the saliva pooling inside your mouth as he starts to undress. please forgive me for such inappropriate thoughts about my husband.

he removes his suit jacket—black today, it seems—placing it carefully on his desk chair, followed by his cufflinks and tie. his shirt is next, each button popping to reveal his strong, well-maintained physique.

you have to stop yourself from pumping your fist in the air for getting so lucky with such an attractive man as your husband. too busy ogling him like a horny teenager, you miss him undoing his belt before tugging them down and stepping out of his boxers.

once you do realize he's fully undress, you blush hard once he approaches the end of the bed—it took everything out of you not to stare at that...monster hanging between his legs, dear lord—and climbs onto it, making his way to hover over you.

his eyes roam up and down your body, taking in the pretty silky night dress you had on. It’s a soft blue with lacy white trim with little intricate flower designs.

modest, yet sensual.

"this is new," he comments, voice low and sultry. you can't help but wonder if he meant to sound so...so...

you don't find the correct word for it, but this new tone lights a fire in your stomach that has your r thighs squeezing together just a little bit.

"well, i figured it was an important night...you know, finally popping our cherries a-and starting a family?"

it's a weak attempt at humor, your voice clearly giving away your nervousness. you just pray that he ignores it.

a soft hum leaves him, his fingers playing with the intricately designed lace trim. the idea that you want to make this whole ordeal special, that you want to give yourself to him wholly, and that you want to swell with his child...

it pleases him greatly, a small smile touching his lips.

"well, aren't you sweet, my dearest?"

such simple words, yet they relieve so much tension from your shoulders. you can't help but smile back before a little gasp falls from your lips when his hands start to lift the dress up. his hands, they're so big, so hot on your skin.

It's a struggle to remember that this is for the purpose of producing offspring and nothing else, but you try, you try so hard.

but when you hear the hitch in his breath at the realization you didn't have anything else underneath the dress after he pulls it over your head, it's hard to remember.

the thought just about completely leaves your mind at the way nanami, your usually put-together husband, looks so hungrily down at you, a look you've never seen before in those pretty hazel eyes.

his gaze lingers on your body for a moment, mouth opening before shutting instantly, preventing himself from saying something he'd likely regret.

calm down, kento, he reminds himself, taking a second to clear his mind. this is for the purpose of family, not sinful and carnal desires.

even so, he's drinking in the sight of you, unable to stop his hands from rubbing up and down your sides, the soft skin of you, his wife, warming his palms. all his.

"gorgeous," he mumbles, unaware he even said it.

the moment you feel his leaking cock brush against your leg, a thought occurs to you.

neither one of you has a single idea of how to do this.

sure, you both know enough about putting it inside and moving, but that was about it. is there something else you should do? things you should say, places you should touch to aid in the process?

they never explained the actual process of sex in church, and lord knows your mother and father would've keeled over and died instantly if you were to ask them.

'it comes naturally when god deems it your time' the reverend stated once during a sermon. you fight back a frown, realizing that man probably had even less of an idea of how to do it.

however, the feeling of his tip nudging against your slit rips a gasp out of you, bringing you back into the present.

"are you alright? you left me for a bit there," nanami asks, his brow furrowed in worry. if you weren't ready, he was willing to back off. he may want to fulfill this important aspect of marriage, but...not if you don't want it.

"n-no, i'm okay! just...wondering how all of this is going to work out," you softly reassure, giving a weak giggle.

he can't blame you, he isn't very sure either. but as the man of the house and as your husband, he didn't plan on letting you worry. he would do all the work, you just needed to lay there looking so pretty, so soft, so...he realizes he's doing it again, letting his mind wander to places it shouldn't.

"just...j-just relax, we will figure it out as we go along."

with your silent nod, nanami starts to push his hips forward, hissing silently when he realizes the wetness that greets him.

you were this aroused just from...talking?

the thought of scolding you for letting your mind wander crossed his own, but...it would be hypocritical when his cockhead is dribbling precum all over your soft mound.

you choke out a noise of pain when his cock finally notches onto you and starts to push inside. sure, your wetness helped get the tip and the few inches after it inside, but just that is already too much for you, and you're expected to take all of it?!

you do your best not to move, not really sure what you should be doing. you'd be a good wife and bear with the pain if you had to, your nails digging into the pillow under your head as you braced yourself for the rest of his cock.

but this is absolutely unbearable, how do other women bear with this and have 6 or more children?!

a flicker of concern flashes through nanami's eyes at the sound you made, and he stops moving forward. he may be a bit mean sometimes, but he wasn't cruel.

if you both are going to go through with this, he is not going to make you suffer and nor is he going to force you to endure a painful experience.

no true man of god would do such a thing.

"breathe, don't hold it in," he instructs, his voice somehow calm and collected. one of his hands laces with yours, hoping to provide some sort of comfort as his lips brush against your forehead. "i've got you, darling, the pain will pass, just...tell me to stop if it gets too bad. don't hold it in."

giving a soft nod, you try to match his breathing, your body relaxing and making it easier for nanami to slip the rest of himself inside, a near silent sigh escaping him. the tightness and initial resistance that greeted him nearly made him moan, his cock twitching violently inside of you.

something about the physical feeling and knowledge that you saved yourself for him like you promised years before you both got married sent a surge of possession and pride, knowing he has such a loving and faithful wife who is so willing to give herself up to him like this...he can only hope you feel the same knowing he saved himself for you and only you.

so, as a 'reward'—and totally not because he fears you'll strangle his cock off with how tight you are—he's so gracious to you, not moving to let you get used to the stretch and feel of him inside, the room silent except for your matching breathing.

a few moments go by, and you should feel embarrassed when you feel slick drip out of you and down your ass. the realization that your dearest husband, one of the most faithful men of the church, is letting his cock soak inside of your hot cunt makes you whine a little, slick walls fluttering around him.

he's so fucked.

"a-ah...i'm going to move now," he warns, taking your sudden noise as a good sign. nanami shifts his legs just a bit before giving an experimental thrust, his brow furrowing as he slowly finds a rhythm.

the feeling of your hot and gummy walls is absolutely intoxicating, divine, nothing he's ever felt before.

this is what it felt like?

this is what he waited for?

fuck, it felt...it felt so good.

too good.

for you, the pain completely melts away, and you silently thank god and the angels above for giving you a merciful husband who is so kind as to wait for you to loosen up around him.

little do you know, he would rather kill himself than start moving when you're still adjusting to the pain and stretch.

his gentle movements make you all but melt under him, your eyes fluttering at the unbelievable pleasure coursing through your veins.

no wonder your parents preached about saving yourself until marriage, and thank the heavens you listened.

the very thought of feeling this way with anyone but your kento puts a bad taste in your mouth.

meanwhile, nanami chants prayers in his head over and over again as he tries his best to focus on the 'true' purpose for this.

the sticky, wet, and gooey sensation of your plump cunt sucking him, practically weeping each time he pulls out is just unfair.

the poor man, he's fighting so hard to maintain his composure, to not succumb to the base instincts that those soft moans of yours are beginning to stir within him.

"s-shush, darling," he grits out, hips still following his slow, deep pace. "don't...don't make such noises," he all but pleads, voice tinged with a huskiness that betrayed his growing need for you.

“i-i’m sorry! just, it...feels good, y-you feel good, feels s-so good,” you whisper, hands coming up to cover your mouth and stifle those sickeningly sweet noises.

but of course, that isn’t enough because each push and pull of his cock stirs your drooling cunt, filling the room with wet, filthy squelching sounds.

nothing about this is holy, nanami thinks as he grits his teeth, hands fisting in the sheets next to your head.

look at her.

those soft, muffled noises are truly music to his ears, his pace morphing from the slow, deep grind into a faster pace as your soft body gives into the pleasure.

so wet, so damn tight around my cock., like she never wants to let me pull out.

"k-kento, y-you're goin' too deep, i-i can't be quiet, s'too much!"

messy little pussy, 's beggin' for cum, needs it, needs to feel my tip kissin' her cervix as i pump load after load into her womb.

he knows what that little voice is, and no matter how much he wants to claim that it’s the sound of demons pouring their sinful words into his mind, he knows that it's his thoughts, fueled by those dirty little noises that she can't hold back.

how pitiful, how sinful, doesn't she know she's going against all the teachings they've heard preached every weekend in their church?

doesn't she know she's giving into lust?

doesn't she know her pretty sounds are making his dick throb, painting her insides with his hot, gooey precum?

"hush, 'm not going to t-tell you again, you...you need to be quiet," he growls, the command lacking its earlier authority.

nanami also knows lying is a sin, and he's doing a damned lot of it right now as he tries to convince himself that you need to stay silent. after all, this—this is just a process of giving you both a child, just like you wanted, and nothing else.

but he's lying to himself.

he needs you to be quiet or else he'll lose it.

the poor man is barely holding onto his restraint, and these sweet noises pouring from your mouth aren't helping at all.

"y-you make this so difficult sometimes, my dear..." his voice is rough with need and desire, a stark contrast to his usual composed demeanor. "but, by god, you're...you're. absolutely. exquisite."

he punctuates his words with a particularly hard thrust, grinding his hips into you in a way that has the coarse hair on his crotch to rub against your clit. the pleasure it gives you is electric, your legs coming up to squeeze his hips as you try to grind with him.

his words, his simple praise only makes you hiccup his name, crying out louder as your watery eyes roll back as your needy cunt squeezed down on his fat cock.

you're such a sweet thing, trying oh-so hard to mute your sounds. each snap of his hips is all but driving you insane.

“i-i can’t, ken, y-you don’t understand, i-it feels so good, i-i’m so full! you’re pressing against all the good spots, kentoo, i-i love you s' much, b-but i can't!”

be a good fucking husband and do what you were made to, nanami kento.

his teeth dig into his bottom lip, trying to hard to ignore that temptation purring in the back of his mind.

the voice is so much louder now, echoing throughout his mind and muting any prayers or pleads to be mindful of the sanctity of this whole process.

fuck her. give her what she needs, what she deserves.

but it's too fucking hard, he can't his hips are speeding up, his strong hands moving to grip your thighs, unaware of how they start to anchor behind your knees.

breed your pretty little wife and give her a baby like she deserves.

with a deep groan, nanami finally loses all control, fingers digging into your supple thighs to push them to your chest and practically folding you in half.

this new angle has him openly moaning like a dirty whore, allowing him to plunge even deeper into your tight, gummy walls, the head of his cock kissing your cervix with each and every deep thrust.

"k-ken, kenny, k-ken," you sob, tears catching onto your lashes as your entire being is assaulted by the endless pleasure your husband is giving you. he doesn't even look like your kento anymore, his pupils blown so wide that you can barely see the ring of greens and brown of his iris.

"f-fuck. 's all your fault, you know that," he hisses, eyes narrowing as he weakly glares down at you. but you can see the hearts in his eyes as he gives in to the pleasure.

his dark eyes bore down into yours, the wet plap plap plap plap of his hips slamming into yours almost overpowering his voice. "if y-you just stayed quiet like i asked, w-we wouldn't be here."

a little spurt of wet gushes out of you, making his fall forward into the juncture of your neck with a groan at the dirty noise it makes,

"god, i-i can feel it, y'know? can feel this sticky pussy—such a dirty little pussy—makin' such a mess. saved it jus' for me, didn't you, baby? mmhm—fuckin' hell, 's tight—thank you god f' giving me such an angel of a wife." nanami is huffing nonsense against your neck, pounding into you with a force that has the bed creaking loudly.

if you weren't being fucked stupid, you would be worried he was about to break the bed.

"you can keep that pretty mouth of yours shut, b-but you jus' had to have the noisiest little cunt."

he's so mean, but it only serves to make you gush even more, the way juices pour out of you and only make the already filthy noises even nastier.

"she's talkin' to me, baby, y'hear it? i'm...i-i'm gonna breed you," he manages to whine into your ear, pulling away to press his sweaty forehead against yours.

his tongue, so pink and pretty—you want it in your mouth, want to taste it want to feel it against yours—runs over his top lip as he watches drool drip down the corner of your mouth while you nod brainlessly.

nanami's never felt so dirty, so unhinged, but it feels so right, feels so fucking good. he never wants to leave your pussy, never wants to pull out, this is where he belongs, buried deep inside you as his cock pumps load after load right into your tummy, giving you what you need, what you deserve.

"yeah? you want that? i'll give it to you, baby, promise, 'm gonna be a good husband a-and knock you up, gonna make you a mommy."

that has you keening, tears pouring down your cheeks at the pleasure it shoots up your spine. you know you're close, but it's different.

it feels different, feels too much, there's pressure you've never felt before from the few times you'd cave in and play with your puffy, swollen clit in the shower when you waited for nanami to get home from work to kiss you to sleep.

no, you feel like you are about to fucking explode. "ken, i-i can't, 'm gonna—s-something's coming," you try to warn, your hands fisting in his hair as you tug and tug and tug.

the pull of his hair makes him moan like a slut, it sounds so fucking good. his eyes are rolling back before he rushes to comfort you, pressing soft little open-mouthed kisses against your lips.

you don't need to fight it, you just need to give it to him, give him what he needs.

"shh, shh, don' cry, y' look t'pretty, honey. l-let it happen, cum for me, i've got you, angel, cum for me s-so i can fill you up," he coos, his hips growing erratic as he feels your silky walls starting to fluttering around him, feeling you teeter on the edge of release.

he shifts, just barely, just enough to better position himself to fuck deeper into you. but that slight movement has his cock smushing against something soft and spongy that makes you sob, growing softer and more pliant under him, and you know you are done for as all you can do is wail his name.

"please, pretty girl, cum for me, show me how good 'm making you feel, soak my cock, c'mon, you can do it."

with a loud mewl that nearly has nanami soaking your walls in cum, you dig your nails into his biceps as you finally, finally cum. and you're right, it is different, your cute pussy squirting and creaming all over his dick.

the poor man is choking back a whine, eyes wide in shock as your cunt just gushes slick everywhere, clenching around him like a vice as you cum.

your juices are soaking his cock and balls, splattering against his lower abdomen obscenely. the thought of making you do that again crosses his mind for a split moment before the need to fill you up for being so good overpowers any other thought.

not giving you a break, he continues his unforgiving fucking, ignoring your cries and pleads for him to slow down.

"nonono, shh, shh, shush, you can take it," he coos against your lips, no longer caring if this was sinning or not. all he could think about was the constant squeezing and spasming of your poor overstimulated slit that was milking him toward his orgasm.

you try to squirm away, but the way he has you folded in half has you unable to do anything but accept his stupidly deep thrusts that make you swear you can taste his cock in the back of your throat.

"t-tha's it." he's panting, slurring his words, his fingers digging into the fat of your thighs. it’s so wet, so messy now, but he can't find it in himself to care.

no, all he can think about as he looks down at you is how you'll have that angelic glow as you grow round with his baby, and everyone will know you're his, that he knocked you up, he pumped you full of his cum, that you're his you're his you're all fucking his—

"f-fuck, honey, i-i can't..." his hips stutter as he does his best to maintain his rhythm, but his own release is barreling down on him. his heavy balls are drawing up tight as they slap against your ass, your juices still pouring out and soaking all of him.

"'m gonna fill you up, 'm gonna pump this—this sinful little cunt f-full of m'cum, angel, gonna knock you up, gonna have you drippin' with me, g-gonna give you a fuckin' baby, shit—"

with a deep, guttural groan, nanami hisses your name as he buries himself as deep as possible, his hot tip kissing your cervix as thick, hot ropes of his potent cum pour right into your womb, hips grinding into you and giving little thrusts as you milk his cock weakly despite your overstimulation.

it's—it's so much, he's still cumming, how was all of this inside of him? you can practically feel it sloshing around inside of you, and you whimper when you feel it gush out around his now softening cock, dripping down your ass onto the bed.

a moment or two passes, and he sits up, pushing his sweaty hair out of his face and looking down at you.

oh.

you sweet thing, you're an absolute mess. you have tear streaks down your cheeks, your lips swollen from him unknowingly biting them between the little kisses he was giving you, a pretty sheen of sweat on you, and...

his eyes trail lower to where his dick is still nestled inside of you, and it takes everything in him to not accidentally thrust his hips a little bit.

it's a creamy, sticky mess, a mixture of his and your cum seeping out your poor, abused pussy.

"o-oh. sorry, my love. i'm...not quiet sure what happened there. i apologize for such...foul language," he mumurs, his hand stroking your hip. "'s okay," you softly coo back to him, your eyes fluttering shut as you try to catch your breath. "i-i liked it..."

but you quickly learn you've married both a man of god and a curious, insatiable bastard who can't help but drag his cum all over your pussy, quickly finding your clit. and the reaction you give him is one he decides he likes, your hips canting up as your soft, oversensitive walls squeeze around his cock again.

"k-kento, that's nasty!"

all you get in response is a grumbling noise in his chest as it takes you weakly slapping your hands against his chest to get his eyes to snap away from your gooey, creamy pussy.

clearing his throat, he looks down at you, that heated look slowly creeping back onto his face. "perhaps we...we should try once more. just to ensure it takes," he states, doing his best to show some semblance of dominance.

but it's impossible when his hair is sticking to his sweaty forehead, his pupils blown as he gazes down at your panting form like he's about to devour you whole.

"after all, a...a big family is what god wants from man and woman, right? so we...shouldn't delay and keep trying." his hand trails up your side before finding its way to your breast, squeezing the soft flesh.

his thumb experimentally rolled your nipple, and the way your body reacted, a soft gasp of his name...how is he supposed to explain the feeling he's getting in the confessional booth?

"y-yeah," he gulps, leaning his head down. you can feel his hot breath against your tit, and you swear you feel drool drip onto your breast. "w-we'll keep trying. jus' to make sure w-we do what the scripture asks."

may god forgive him for being such a fucking liar and a damned bad one at that.

all rights reserved © lxnarphase | do not repost, copy, translate, or alter my work

[systlin]

So, to explain my little adventure I just got back from, it is necessary to set the scene by explaining a few things.

My dog is a Great Pyraneese. She weighs 90 Pounds. It is mostly muscle.

My neighbors a quarter mile down the road have chickens. They like to let them free range.

Now, this is not a problem at all, EXCEPT for the fact that whenever Tyr sees them something deep in her little livestock guardian breed brain goes "Oh, I am supposed to be Responsible for this Livestock." She will attempt to plonk her 90 pound furry ass down as far towards their yard as her leash will permit and want to sit there and simply stare at the chickens. She is not aggressive towards them, she simply wants to lie down and Keep An Eye On Things, the way a good livestock guardian dog is supposed to. It is the same reason she would love to fight the foxes that live under the falling down farmhouse down the street to the death and is very upset that I will not let her.

The PROBLEM is, well

3. My neighbors also have a miniature poodle. She is convinced, in every cell of her 15 pound body, that No Other Dogs Should Come Anywhere Near Her Fucking Yard. She has no concept that Tyr outweighs her by 75 pounds and is absolutely convinced that she could win this fight.

Normally if she's outside she is out in the fenced backyard and this isn't a problem. I also don't let Tyr wander into other yards, because it's rude to let your dog pee on the neighbor's grass unless they've said they're fine with it and also I live in Fuckass Nowhere. There's plenty of county owned grass on the roadside for Tyr to pee on. Still, even if I'm coaxing her along past the chickens, she will want to slow down and drift over to that side of the road to look at them.

TODAY, however, the mini poodle was NOT in the backyard. She was in the unfenced front yard, and as soon as we walked past she saw another dog not ON her yard, but heading TOWARDS her yard, and she hurled herself into battle with no thought for her own safety.

Now, Tyr is not aggressive towards other dogs. There is an exception to this, though, and it is 'unless an off leash dog comes running full speed in the general direction of one of Her People while snarling and barking'. If this happens, I suddenly have 90 pounds of Great Pyr ready for mortal combat on the end of the leash.

This brings us to item 4

4. I broke my left arm in April and while it is healing and good for light use now, 'Light Use' does not include 'restraining 90 pounds of furious livestock guardian dog convinced her person is about to be attacked by a reactive dog'

This means that I looped up the leash short and controlled her one armed. I did not think about this twice particularly. I know I can do it and just. Did it. I wouldn't walk her if I couldn't control her, after all. Once she figured out that no, the poodle was NOT going to attack me, she calmed down, but was still growling.

But I did this as a panicked neighbor dude came running out to try and get his dog, convinced that his kids were about to watch their beloved pet get turned into Great Pyr chow.

Oh and

5. I did this while wearing a Wonder Woman tshirt

So, long story short, his 4 year old daughter is convinced now that I actually AM Wonder Woman, because "She's Strong Like Wonder Woman!" and my neighbor learned that his poodle dug out from under the fence, how's everyone else's days going.

(All dogs unhurt)

[bloomzone]

2025 : #1 be disciplined

[ the 2025 glow up serie ? Click here !]

Motivation feels amazing, doesn’t it? It’s like a spark—a burst of energy that pushes you forward. But what happens when the spark fades? That’s where discipline steps in. It’s the routine you build, the habits you cultivate, and the consistency you stick to even on days you don’t feel like it.

So, instead of waiting to feel ready, discipline says, ‘Let’s go, regardless.’ It’s the engine that turns dreams into reality.

"Ask urself right now: What’s one thing I can commit to daily in 2025? Write it down. Small steps lead to giant leaps."

1.Building Your Disciplined

How do u stay disciplined? Start with these three small steps:

✒️.Growth is not supposed to feel good. You’re going to hate it. You’ll feel like quitting more times than you can count. That’s normal. Growth is built in the moments where you want to give up but don’t.

1. Create Clear Goals: Be specific. Instead of saying, ‘I’ll study more,’ say, ‘I’ll study history for 30 minutes every evening.’ BUY A SMALL NOTEBOOK AND WRITE ALL UR GOALS WITH SMALLER ONE TO BE MORE PRODUCTIVE

2. Track Progress: Whether it’s journaling or using an app, tracking helps you stay accountable.

3.Master Your Mindset: Stop waiting to "feel motivated." Understand that motivation is fleeting, but discipline is reliable. Every time your brain tells you to quit, remind yourself: your emotions don’t run the show—your goals do.

2.Excuses Are Lies

Excuses are lies you’ve sold yourself to stay comfortable. 'I’m too tired.' Lie. 'I don’t have time.' Lie. 'I’m just not motivated.' Biggest lie of all.

Here’s the truth: You’re scared. Scared of failure, scared of discomfort, scared of how much effort it takes to change. But let me tell you something: Fear is temporary. Regret is forever. Which one do you want to live with?

No more excuses. You don’t need more time. You need more discipline. You don’t need motivation. You need action. Stop talking about what you want and start doing the work to get it. Right now.

3.look at yourself in the mirror

Look yourself in the mirror tonight and ask: Am I proud of the choices I made today? If the answer is no, fix it tomorrow. And if the answer is still no, fix it the next day. Don’t let yourself off the hook.

2025 isn’t your year unless you make it your year. Stop expecting change to happen to you. You are the change. Get out of your head, get off the couch, and get to work. The only thing standing between you and the life you want is your own laziness. Crush it.

4.Action Plan for a Disciplined Life

Stop acting like you’re doing enough when you know you’re not. If you want that dream college, that perfect GPA, or that career you keep fantasizing about, you need to stop wasting time and follow a real plan. Get up the second your alarm goes off—no snooze, no excuses. Tackle the hardest, most uncomfortable task first thing in the morning because procrastination is for quitters. Create a non-negotiable schedule and stick to it like your life depends on it, because it does. Eliminate every distraction: delete the apps, unfollow the nonsense, and stop treating your phone like your best friend. Hold yourself accountable—write down your progress every day. If you didn’t do anything to move forward, face the fact that you’re the problem. Plan your next day before you sleep, so you wake up ready to win, not wander. And for the love of everything you want in life, stop choosing comfort over progress. Your excuses won’t get you that GPA, that acceptance letter, or that dream job—but discipline will.

breaking this into chunks

1. Kill the Snooze Button: Get out of bed the moment your alarm goes off. No "just 5 more minutes." Those 5 minutes are the difference between starting strong and losing the day.

2. Start With the Hard Stuff: Tackle your most challenging task first thing in the day. Procrastination is your enemy—eat the frog and move on.

3. Create a Non-Negotiable Schedule: Block out specific times for studying, working out, or any critical task. Treat these blocks like appointments with your future self—don’t cancel.

4. Cut Out Time-Wasters: Delete apps you waste time on. Unfollow distractions. If you spend hours scrolling or binge-watching, you’re digging your own grave.

5. Build Accountability: Tell someone your goals and have them call you out when you slack. Better yet, make it public—you’ll hate embarrassing yourself in front of others.

6. Track Progress Daily: Write down everything you’ve done that day to move closer to your goals. If you haven’t done anything, face the hard truth: you’re slacking.

7. Plan Tomorrow Tonight: Before you go to bed, write out your next day’s schedule. If you wake up without a plan, you’ve already lost.

8. Say No to Comfort: Skip the cozy excuses. If it’s not pushing you closer to your goals, it’s holding you back.

Discipline is the foundation of every success story. It’s not about luck, talent, or fleeting motivation—it’s about showing up, doing the hard work, and making the right choices every single day. If you want to achieve your dreams, you need to stop waiting for the perfect moment and start building habits that get you closer to your goals. Cut the excuses, own your failures, and take control of your life. The road to greatness isn’t easy, but every sacrifice, every uncomfortable moment, and every disciplined action will take you one step closer to the future you deserve. You either make it happen, or you watch someone else do it. The choice is yours. The clock is not waiting for u !

@bloomzone ✒️

[teaboot]

I seriously hope you can job hop to something else cause you're not chaotic neutral man.

You're still a white Canadian whose actions and job help more the megacorps keep the status quo.

I really looked up to you but that's on me.

And yeah, I know security, cop shit and military pay good money but at the cost of my people? Fuck no.

Listen. I feel you. But there's a lot of cold, power-tripping bastards in this line of work and if I stick where I am then they don't get to have that.

I'm not a cop. I am not beholden to the justice system. Sometimes I get contracted out to people who say shit like "addicts should be put down, if you see any crackheads drag them out" and I nod and say "yes sir", and then I take their money and use it to buy those people coffee and a sandwich and tell 'em when free lunch days are at the church.

Boss sees me walking with someone and thinks I'm kicking them out, gives my boss great reviews. I'm having a great conversation with Connie, who used to by a stylist and wound up on the street after an accident that left her with chronic pain and a heroin addiction. Connie learns that there's a gap between two property lines nearby where technically nobody can call to have her removed.

There's a really sweet guy in town who's normally very nice, but sometimes flies into paranoid rage and yells slurs at people. Sometimes he forgets he's been banned from places and wanders in looking for a wife he hasn't had for nine years. Owner sends me to kick him out, and I ask "hey Mike, how are you?" And see where we are today.

One time there was a guy whose abusive ex kept following him to work, and I got to walk him to his car at the end of every day to make sure she couldn't get him alone.

Another person had a stalker who kept asking receptionists when she was gonna be there, when she was supposed to leave, if she was in today. I'd keep record of every time he came in, every time someone saw him, every time he violated his restraining order or damaged her things.

And when I wonder if I'm actually helping or not, or if I'm part of the greater problem, I remember that other people who work with me call homeless people wildlife and talk about how bad they wanna get an excuse to fight someone and I remember that I'm the one who knows where the blind spots on the cameras are, and thank God it's not him.

My position is fundamentally different from that of the military or law enforcement. I don't *need* to be buddy-buddy with most of these dickheads- I don't *need* to send people into the justice system.

I do single-person foot patrol. Nobody cares how I get the job done. They say, "Hey, faceless goon number three- make that bastard disappear" and I say "on it, boss" and give him tickets to disney world.

I once asked another guard if he knew that one of our regulars used to be an airplane technician. He said, "No, I don't talk to them". Blanket "Them". "Them" as in street people. "Them" as in addicts, or shoplifters, or ex-cons, or sex workers.

I asked why, and he told me, "it's easier if you don't think of them as people."

Anyhow, now I get calls to "watch that sketchy lady who just came in" and I say, "yes, sir" and leave her the fuck alone, 'cause that's Jolene, and people always think she's on drugs and aggressive but she's just deaf in one ear and slurs cause she has brain damage, you dickhead

so yeah, don't worry, I've spent a lot of time weighing the pros and cons of my vocation, and I still think I'd rather be in charge of my locations than someone like Darryl, who dreams of "cuffing a perp" and drives a car with Punisher decals on the hood

Also it's minimum wage but that's kinda tangential

[nyxvuxoa-writes]

Hello, may I request a #15 with Sergei Kravinoff from the prompts?

Thank you.

You got it hon. I hope this hits the spot for you. ★

𝙈𝙞𝙣𝙚

Sergei Kravinoff x Submissive!F!Reader

◢ Genre: Prompt Request — Suitable For Adults Only. Minors will be blocked.

◢ Warnings: 18+ only, please. AFAB Reader. PWP (maybe slight plotting, mostly smut). Angst. The reader is referred to as a property of sorts. Submissive reader. Reader being defiant. Being dominated by Sergei. Manhandling of the reader. Sexual Choking (don't try unless you know what you are doing). Ripping clothes off reader. P-in-V. Dirty Talk. Orgasm denial. Internal ejaculation.

◢ Word Count: 1.6K

◢ A/N: Gif was made by me, please credit me if you use it. Likes are enjoyed. Reblogs are always greatly appreciated. And I am always down to hear what you think.

2K Follower Prompt List

"I'm not your property." You spit at him, an anger in your voice that continued the argument that was already going on. Sergei turns to look at you. There was confusion on his face. His brow furrows heavily. The tension in his shoulders spreads through his body. He lets out a heavy breath, and you can see the way his muscles move heavily with movements. The Russian was taken aback by your words.

"Since when?" He growls at you. "Since I say so. I'm in charge of me. Not you."

Sergei blinks, his head tilting slightly. He was trying to process your words, and they weren't sinking in. Since the start of your relationship with him, it had been clear where your place was with him. He was in charge. He says jump and you are supposed to say 'yes sir, how high'. But today, he might have struck a nerve with you that sent you into this state. Maybe you just needed a good reminder of how this relationship with him worked. Reaching up, Sergei runs his fingers over his lips, thinking.

"You have one chance to correct yourself." He says.

Those were words you had never heard out of his mouth. But your arms crossed in defiance. You stand your ground, putting your foot down on the matter. He could read the brat in your body language. It would be a lie to say that a part of him wasn't turned on by it. You were normally such a good girl, and here you were with your big girl panties on thinking that you could call the shots simply because you were frustrated with him. Angry even. Eventually, he might realize that he was an asshole, but right now the only thing he could focus on was putting you back into your place. To hear you moaning and pining for him like the simple creature you are.

It's a matter of seconds and his left hand is around your throat. He catches you off guard and you reach up, grabbing at his arm. Your eyes go wide, but you don't feel unsafe. You have never felt unsafe with the man, and truthfully he'd never hurt you. Not in a way you didn't enjoy, anyway. You can feel his fingers pressing into the sides of your neck. He's limiting the blood flow, causing you to feel a weirdly euphoric feeling. You tense and relax at the same time. His eyes meet yours with an intense stare and before you have the chance to respond, Sergei is gripping your shirt with his free hand. You hear the sound of ripping fabric from your body. He shreds it with ease, removing it from your body, and exposing your upper half.

A slight smirk comes to his face. You can see the corner of his mouth twitch slightly at the sight of you like this. He likes it, feeling the authority over you coursing through his veins like a slight adrenaline high. He backs you up against the wall, his hand pinning you by your neck to it. His free hand goes to your panties, ripping the sides of them and removing them from you. You feel as thin fabric slides down the inside of your legs and to the floor at your feet. For that brief moment, you both stare at each other.

It wasn't the first time you had been manhandled by the brute, but it was the first time in this situation. You feel your mind slipping into a state of submission, realizing that he was about to correct the poor choice of words that came from you. The hand against your throat loosens slightly before it tightens again. His free hand moves to his black pants, freeing himself from it. Sergei's hard, already at attention, and aching to remind you exactly where you belong. You can feel your mouth water in anticipation and you're already becoming slick between your legs. You can feel your heart pounding in your chest. The emotions went from angry and frustrated to, utter desire to feel that correction. All it took was the simple actions of a hand around your throat and that piercing gaze to lock with yours.

His movements are quick as you feel the hand go from your throat to your hips. He lifts you up with ease, positioning you quickly so that he can thrust himself up into you. You feel a wave of heat wash over your body as your skin becomes sensitive. He fills you quickly, bringing your hips to his as his entire length presses into you. He slams you against the wall slightly, growling as he feels the way your body flexes around him. You let out a moan that causes Sergei to growl against the crook of your neck. This wasn't about you, but he still wanted to hear those moans. They fueled him to start pumping into with an aggressive nature.

Your hands go to brace themselves, but you feel like you don't know where to put them. They grip his arms, his shoulders. You try and hold on as he starts to pump away. The sound of flesh meeting flesh fills the room. You can't contain the noises coming from your lips as you start to moan louder, and louder with each almost slightly painful thrust between your legs. He was using your hole for his own pleasure, making sure you were aware that it was his. Your body is his. Your mind is his. He was going to do with it as he pleased. You weren't going to stand there and tell him that you weren't his. You brought out that deeply primal dom in his body, he was making sure you felt it and knew it.

The louder you became, the harder he started to thrust. You could feel the base of him meeting at your swollen cunt, that tease of sensation that caused your body to tremble in his strong grip. He noticed it, growling at you slightly. His fingertips pressed into your thighs and lower ass with every intention of leaving little painful bruises for you to remember later.

"Don't you dare cum." He growled into your ear. "You haven't earned that." He added.

"But..." You went to plead with him as your tone whimpers for him. Were you even going to be able to stop yourself from doing that? He growled again, pressing you against the wall a little more. His head shakes with a no.

"Whose hole is that?" He asks deeply, groaning slightly. "Y-yours!" You cry out, feeling a hard thrust up into you. "Say it again." He snaps at you. "It's yours! My hole is yours!" You say, your fingers pressing into his skin as you continue to try and brace yourself.

He growls again, moaning at the end of it, almost as if he was approving of what was said without having to say it. He adjusts himself slightly, moving your weight so that he can stop thrusting. He moves your body for you, bouncing you along his length with such ease, his hand bracing you with your thighs a little more. He was using you, every bit of you for his own satisfaction. You could feel the tension in his shoulders and arms. You can tell there were bruises already starting to form from his fingers.

You do your best to hold off a finish, feeling as sweet spots were hit. Your body can't help but tremble, which adds fuel to his fire. He bounces you faster, harder, using how he moved your body to milk himself into you. Being with him long enough made it easy to read his body language, and he was starting to reach that finish with a goal in mind. You wanted so badly to finish with him, to finish at all, but the idea of him telling you that you weren't allowed sent a need through your mind. Let him use you, let him get that point across and maybe, just maybe you can earn a finish later.

Sergei's growling and moaning become more intense, becoming more frequent as he feels that building pressure. He wasn't holding back. That wasn't the point of any of this. He was going to be clear about where you stood in this relationship with him. He felt that heavy twitch in his cock, and his fingers press even harder into your skin as he braces you against the wall once more and buries himself deeply in between your legs. Your fingers press into his skin, nails digging into him as you fight off the urge to finish with him. You can feel his seed start to fill you, the warmth of it seeping out between the flesh that met his. He pressed as deeply as he could, twitching heavily as he made sure you took every last drop of him.

A hand moves back to your neck as he pulls from you. There is a mess between your legs, you can feel it. He lowers you back to your feet, the hand moving to grip your jaw and he forces you to look deeply into his eyes. At first, there is silence. You both stare at each other as he observes the way you are going to react to him, to all of this. There is no negative reaction, maybe a slight look of shock, but you can feel this deeper connection with him. That frustrated brat mode had faded away, and you're putty in his hands.

"You're mine." He says, making sure that the words are loud and clear. "You're mine in every sense of the term. Don't think I am done correcting you. I'm not."

Extra Tags: @voxmortuus

[hotchfiles]

— help me hold onto you • aaron hotchner

fem!reader, unprotected vaginal sex, a bit of angst.

      He knew he would be in trouble whenever he turned those keys. What he wasn’t expecting was how big the trouble would be. He had no idea he would open the door to three bags full of clothes and other things he left at your place as the months passed, waiting for him.

      “Darling? What–What are these?” He asks even though he knows the answer, hoping you want to at least talk about it before making any harsh decisions. You’ve been in a relationship for almost a year now and it works. It always worked.

      Normally you wouldn’t drink before an argument, still when he gets to the kitchen he sees you calmly sipping on a tall glass of wine, fingers tapping on the table, hair up, face clean but red, you were in your pajamas already, nothing like you probably looked hours before.

      “What’s the only thing I asked of you, Aaron?” You don’t move, don’t glance up at him, eyes focused solely on how the purplish red liquid moved in your glass, taking a big sip right after.

      Aaron sighs in frustration, he didn’t want this to become a fight. He was so tired. “I know, I’m sorry–”

      “Answer the question, please.”

      “Don’t make promises I can’t keep.” He takes his tie off quickly, suddenly feeling suffocated by the fabric surrounding his neck. That’s why your relationship worked, you knew he was busy and his schedule was unpredictable, so very early on you accepted it as it was, saying you wouldn’t be mad at him as long as he didn’t break any promises. If you’re not sure, don’t promise me you will be able to make it.

      First months he wouldn’t promise you anything, too afraid to break it, to disappoint you.

      He watches as you take the wine in a mouthful and refills the glass, the bottle now empty and starts getting frustrated, you’re a loud drunk and you’re surely already getting tipsy.

      This was the first time he slipped up, it didn’t need to be such a big deal, it didn’t avail to having his things right at the door as if he was getting kicked out. All the other times he promised he could take time off, he did it. Just–Teens were getting kidnapped, the team needed him.

      “We saved two girls today.” Low blow. But it was true, he wasn’t back in time because of that, he got on the jet instead of staying back to do that. To save two thirteen year old girls. Not some futile reason. It had to count for something.

      “I’m proud of you for that, Aaron. Are you proud of me? For the promotion we were supposed to celebrate with my boss? Or are our accomplishments only worth it when it’s about saving someone?” You raise your voice only slightly, the alcohol from the sweet wine getting to you slowly and then all at once.

      You always tried your best to keep your voice down when arguing with him, simply because he never raised his, and it could be an endearing feature if it didn’t look like he did it to look like the rational one, the right one.

      “That’s not what i said–”

      “I know what you said. You want to make the fact you let me down okay because you did a wonderful thing someplace else. That’s not how it works.” You open the second bottle of wine of the night, feeling his eyes on your back. “I want you to leave.”

      “You know this is ridiculous, you’re acting like a child.” Sore spot. You were a few years younger and that had never been a problem. But he couldn’t go back now, he could see the anger darkening your eyes, your knuckles turning white by the strength you’re using to grip on the edge of the table.

      “How am I a child?” You begin slowly and keeping your voice down, you get up finally from the chair you had been sitting, facing him directly, his instincts make him try to touch your arms, but you dodge it quickly. “We had an agreement. You broke it. Am I a child for not giving you permission to hurt me again?”

      He knows you’re about to snap, your chest coming up and down in rapid breaths, and he doesn’t feel particularly in the right, he knows he screwed up and he’s sorry, but your reaction is out of proportion to him, an exaggeration made to make him feel more guilty than he already does. “I said you’re acting like a child. The one time things don’t go your way and you’re packing me out?” Aaron almost feels the sharpness of a slap but he’s quick enough to grab your wrist. “See? proving my point.”

      “How many times do I have to accept you screwing up so I can be seen as mature?” You yank your arm out of his grip and go back to your drink, “Same times as Haley? How many times did she forgive you so you could go around and do it all again?”

      Lower blow.

      Hotch feels it right in his core and he’s angry at you for bringing up but more so angry at himself because you were right. Still, it is anger nonetheless that guides his next actions, quickly and firmly walking up to you, caging you against the table in sudden movements.

      Your breath hitches from the surprise, and your attempt to move is stopped by his roughed hands on your chin, firm but never close to hurting. “I’m not leaving.” You wince, not in fear of him, but of how easy he can make your mind go blank when he’s that close.

      His eyes go from your eyes to your lips, he notices your failed attempt to conceal the way you licked your lips, he glances at your chest, heavy breathing under your thin pajama shirt, nipples hardening against the fabric.

      Damn you for choosing wine.

      Hotch reads your mind almost, but his smirk doesn’t last too long displayed on his lips, your hands pulling him by the neck, a low groan followed by a “Fuck this” leaving your wine tasting lips just mere seconds before gluing to his.

      Eager to get your forgiveness, he is quick to follow your lead, both hands sneaking under your clothes, one down the waistband of your shorts, grabbing hard on the flesh of your ass, the other drawing soft circles on your nipple.

      You melt into the kiss, his lips, his hands, his scent, him. And you have no time to feel bad about it, pulled up to sit on the table, legs around his waist, you can feel how hard he is against your wetness.

      A pained whimper leaves his lips when you use the new position to grind onto him, needing something, anything against your clit at this point.

      Aaron sinks his teeth into your bottom lip to get your full attention, earning a loud moan in response, his hands travel your thighs and you pull his shirt out his pants so you can feel his skin under your fingertips, not bothering to unbutton them and working with what you got under it.

      His lips travel your neck and your collarbone, “I love you, so, so much”. His declaration comes in between kisses and the sucking of your skin, “Please don’t make me leave after this.” It comes in a whisper now, but he doesn’t stop, pushing your shorts down and sliding it down till it drops to the floor with your help.

      “Just shut up and take your pants off.”

      “You know I can only do one of those.” It makes you laugh and you sink your nails to the bit of fat on his side, the tiniest bit of annoyance at how easy he had you in the palm of his hand and how he didn’t even seem to know it truly.

      On the edge of the table sliding his hard cock into your folds was an easy feat, pants, shoes and his boxers long gone, his socks stayed on almost making him lose balance as he feels just how wet you are. He drops his head, forehead on your shoulder

      “Fuck—Oh my god, you are so wet, you’re always so wet for me.” It isn’t arrogant, it’s appreciative almost, you move his head so you can look at him, hot, sweaty already, cheeks so red as his eyes were glassy, the mix of lust and love and regret clear in his dark caramel irises.

      You kiss him once more, sweet, forgiving and he takes this as his sign to continue, pushing you down the table, Hotch holds your thighs for support, plunging his cock into your wet cunt with ease, bottoming out at the first thrust. You enjoyed the stretching pain and you never had the patience to wait.

      Lower lips between your teeth, you slide one of your hands to your clit, two fingers working your arousal, quickly replaced by Aaron’s calloused fingers. You arch your back and moan loudly, “Fuck, yes, and move.”

      It feels like an order and for Hotch it is one, he is delighted to oblige, maintaining the same finger moves on your clit and beginning to fuck your pussy, strong, firm and precise at first.

      “Honey, fuck—Please…” His begging is meant to warn you that if you keep clenching around him he won’t be able to control himself, you almost don’t listen, fingers working on your own nipples enjoying the high he is always able to get you in.

      “Aaron—I’m… Fuck, don’t stop, you’re so good.”

      The praising, the guidance, the reassurance, it makes the moans leaving his lips seem like whining, he enjoys it too much.

      “Yeah? Like this?” The way your hands try to grab him is enough answer to him, along with how tight your pussy is throbbing against him, you’re almost there, he can feel it.

      His movements on your clit get sloppier, the sight and sound of your wetness against his digits making him go insane. Your back arches once more and your whole body begin to squirm, the tight coil in your lower belly finally ripping, “Yes, fuck—“ You’re breathless, weak, but you still have it in you to edge him in, “Aaron, baby, cum for me, please.”

      He would be crazy to do anything but, so quickly you ask him and his hands are hoisting both your legs over his shoulders, getting a new, deeper position, it doesn’t take long for you to feel him filling you up, “I can’t live without you, you’re so, so good for me” His lasts broken words before letting himself go.

      You don’t move and neither does he, his dick softening inside you, his hands caging you in the table and his head dropped to his chest, both just trying to recover.

      “Aaron?”

      “Yes, sweetheart?”

      “You can stay.” He looks at you with nothing but love and happiness and gratitude, “But if you screw up again do not try fucking me into forgiving you, I’ll chop your dick off.”

      “You like it too much to do that.” His grin is sincere, feeling finally free to joke around you, he gets out of you and you whine at the loss. “See?”

      “Bite me.”

      “Gladly.”

[peapod20001]

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