#rant XD

[fitzrove]

Society has moved past the need for "together in the afterlife<33" endings to Elisabeth. Like, if that's your takeaway, why would you produce the show oabfösbgödlf

It's not a story about love, it's a twisted mockery of a love story. Lucheni's narration - because it was always supposed to be that and only that!!!! He is not an objective source of information and that is 900% the point!! - uses the conventions of a love story to make a point. Seeing what happens should horrify the audience, and if it doesnt horrify the audience, the audience should think about it a bit and be horrified upon realising that they've been made to root for something horrible (a relationship that kills and destroys) and possibly even find it sweet or comforting. Goes for Elisatod and Todolf both. Lucheni makes a big old romance or seduction narrative - something we're societally wired to enjoy and root for - stand for a lifelong fascination with death. He's the OG romanticiser. But, at the end, it doesn't work if the audience isn't shown the tangible effects and end results of that narrative, which to me are

Elisabeth's cruelty, bitterness and brokenness throughout act 2 and how she TANGIBLY harms other people in the course of her pursuit of freedom (this could also start in act 1 already, with Milch). In this we can root for her, but the audience should never forget the price paid. It's not that she's evil - far from it - we should almost see her selfishness as the only coping mechanism she has in her situation and be drawn to deeply understand and care for her and hope against hope that she'll reach happiness somehow. Which makes it even more tragic that it does still harm others, and EVEN MORE tragic, awful and uncomfortable that happiness slips from her grasp and she's literally joyful that she's DYING

Elisabeth's death as a "ruined" ending to the show. There's a kiss and the music swells triumphantly, still in keeping with Lucheni's pretense that this is a grand love story, but the audience should be left feeling empty and horrified after it ends. I don't care if it's bad for marketing ajfkdkkf. Tod should PUT HER ON THE FLOOR or otherwise show that after the charade is over, she's dead and her imaginary boyfriend can't save her or accompany her because he's an empty husk that doesn't exist unless she's there to imagine him - or, if Tod is a more real figure, that he doesn't care, or can't care. He cares during her life because she pertains to his fate-assigned task, but afterwards, there's literally no way for him to and no reason to. She's gone to a place he can never know about or follow her to. Or he's just done. I think it's a very grave mistake when the show is directed to have a genuinely triumphant-seeming ending. Death is not REALLY happiness, death is not really freedom, even though Lucheni spends the entire show gaslighting us to think that. If Elisabeth has a happy ending, it becomes a show that legit encourages suicide in a way that no amount of todolf flirting or Mayerling kissing can. (I see people wonder about whether todolf romanticises suicide, but in staged productions, it literally never does. It can't, because Tod never is outright tender with Rudolf, or is implied to stay with Rudolf after Mayerling. At least in European prods - idk if this happens in some of the Asian prods, I don't watch them because I don't like what I've seen of the way zuka, toho or koreabeth are directed ajdkkdkf. I can't believe homophobia is protecting todolf from the romanticisation treatment but I think it is 💀).

Overall.......... like, vbw please, less KKOG and more alle fragen sind gestellt. If you want a sparkly elegant princess love story with lots of drama, banger music and don't mind if there's no actual criticism or metacommentary, just go watch Anastasia 💀 (i mean that one does also have historical criticism, but it's just COMMUNISM BAD, aristocracy GOOD lol. Ajdkkdfb if Elisabeth was written by Lucheni, Anastasia was written by dowager empress Maria Feodorovna lmao)

[marsipain]

Norwegian Mikus :)

Left is Miku as a russ and right is Miku in a bunad!

[glitchgh0sty]

asking on anon because i’m scared, but i’m genuinely obsessed with your con!prowl stuff.. do you have like, a definitive static reference of him for fanart purposes.. RAAAAAH

Do not be afraid little anon! Come’ere! 😭🫶

This is the main design I’ll probably be sticking to,, but for real? As long as the eye colors match up feel free to draw inspo from whichever continuity soup you like <333

So,, now’s the time to discuss this techy nonsense Prowler’s hooked himself up to <33

All over his body he’s got attachments that help him transfer over to the “hive mind” of databases and simulative scenarios. They help further immerse him into the soldiers surroundings so he can better quantify what can and can’t work for each specific division,,

Because in each important task unit, there might be one or two special soldiers,, hooked with extra sensors, Prowl can slide into their perspectives and feed their generals data through his live observations [capturing these soldiers has only fed into the ghost stories around Autobot camps 🤫]

ALSO Yes,, he can take these extensions off by himself [albeit not easily], think of it like wearing headphones all day, but like all over [and inside-ish] your body,, so taking them off is just like a pressure release and lets you know how hot you’ve been running [not really nice on his processor so they’ve got him hooked up to coolant almost 24-7]

ALSO ALSO Extra,, the setup he’s got in his lil office has a simulatory area specifically for his wings, [more techy nonsense ✨] but he’s basically able to feel the surroundings of the units better, helping with reaction time,, and no, his wings are not supposed to be extended that far for that long, like ever, so they get cold and sore frequently [like when you hold your fingers apart for too long 👀]

All in all, he’s having a positively lovely time following the rules and fighting for the heroic Decepticon cause,, ^u^7

[cartoonjessie]

[xx-sketchy-xx]

*grumble grumble* my photos are being annoying

LOOK AT THE COOL DUDES, I feel like Jax would try and make Wally commit as many crimes as possible with his eye eating powers

[momentomori24]

I may just be insane about this but does this feel like foreshadowing to anyone else. In this scene we see her trying to replicate the skill of someone else (her mother) and failing to achieve the same results that they would. That feels really specific and it's driving me insane.

Like, we see this come back again in the aftermath of the trial. Diana has repeatedly voiced her admiration for Wolfgang's ability to speak and inspire those around him in the darkest of times, saying she wished she could do the same. We see her pour her heart out and give her own speech to inspire the others-- except the reaction that she receives is cold and miserable, far from the newly kindled warmth and hope Wolfgang was able to create every time.

Diana is a chameleon. Her whole thing is to reflect, to replicate and to adapt. Do you think that this small scene where she tries to make a butterfly out of her hairclips-- a butterfly, an animal associated with transformation and change-- and the end result looking nothing like what she wanted it to be is a metaphor for her future character arc? She has declared that she wants to follow in Wolfgang's footsteps, wants to become something new, but do you think that by the end she ends up being the furthest thing from him? Do you think that by the end she will be left distorted, fundamentally wrong? Do you think that if she could see what she will become in the future, the only emotion that she can muster is horror as she gazes at a stranger that's supposed to be herself? That by the end, she won't be able to recognise herself, because there's no "her" left anymore?

[loupy-mongoose]

I prepped up a whole post to share this art all censored and timid, before realizing... I don't have to be. I wish to be bold. (Prepare for a ramble about partial nudity, lol)

So, I got a very generous impromptu color theory lesson a couple days ago, and after testing out some things, I felt like doing a full painting. But I for some reason decided that not only should it be a passionate kiss, but one in which Cody is shirtless (g a s p!)

And I went to grab a recent quote from the lovely @ann-chovi (“Having the time of my life drawing these blorbos. Smooshing them together and making them kiss like Barbies”--Never have I ever felt so understood as an artist and creator ❤️ Go follow her her art is so GOOD)

Looking at the post she said that, I realized that she drew a scantily clad man AND woman, with nary a censor or warning in sight. Which is NOT a jab at her by any means, it's the opposite... I want to be able to do that myself. I want to feel brave and comfortable enough to draw and post my blorbos like that. I've always been a modest sort--overly so, I'm realizing--and have a hard time with drawing partial nudity. Barbie doll anatomy, shirtless dudes, bikinis, crop-tops, anything. It's the main reason I had a phobia of drawing people at all for many years. I felt like I was doing something immoral by just trying to know their bodies so I could fit their clothes properly on them.

And I don't want to be like that. So I'm putting my foot down. XD

Anyway, back to the art, lol. I feel like I actually took something worthwhile in for once (color theory has been an elusive subject for me lol), and was able to make my art pop in a way I've never been able to achieve before. I'm extremely happy with the result! ^-^ I guess another reason I want to be bold--I'm proud of my work, and want to share it unashamedly. ❤️

It's a decade in the making anyway, they deserve to be a little scandalous ❤️

[saltynsassy31]

*drags myself through the floor and slams this down*

I present to you

FULLMETAL BARTENDERS AVIAN AU

Divine Nugget Au

(Rant as to why I chose the White-throated Needletail as Blurr's bird and some minor AU lore under the cut)

And that's not all! It comes with a FULL FLEDGED COMIC!!!!!

I spent a whole fucking week on this

I haven't done a comic in 4 years now, I can't believe this is my come-back XD. Though, on that note, know that I probably won't be pumping out any more comics - not any time soon, at least. But I do got more stuff planned for this au! If you ask about it, I'll 100% rant about it LOL

Tw// ⚠️mild gore in the 3rd panel⚠️

While exploring the woods with his team, Swerve had an unfortunate encounter with a crazed hunter. In an attempt to escape, he got injured, but it seems he wasn't the only one caught in the crossfire...

.

.

Okay

So when you look up what the fastest bird in the world is, Google with show the Peregrin Falcom

But there's a catch

The Peregrine is only fast when diving

When it dives to catch its prey, it can go up to 389km/h

Which yeah, pretty fast

But when casually flying, it only goes up to 120 iirc

The Needle Tail?

It can go up to 170km/h

Some have even recorded going over 300! (Close to the Falcon's dive, I believe)

Additionally, these birds only fly. Their habitat is literally listed as "the air," and some even believe they sleep while flying! They only ever land to brood and mate, and then they're off again. Their legs are so short that, if they ground, they can't fly again because it doesn't give enough room to flap their wings.

It fits Blurr perfectly!

It also has a blue-ish colour pattern I can work with lol (it's green, but it looks blue, lol)

Though, also, he isn't 100% like the Needle Tail, just based off of it. I still want avians to be sorta their own species and doesn't have to be exactly like their bird counterparts cuz they aren't them, they're their own thing.

That said, Blurr is one of the shortest from Avians population, still.

They're pretty big.

Another trivial detail of the design!

I was stuck between having his arms be his wings or have them be separate

Until I saw a drawing where they had both, and I realised, "Wait, why isn't that done more often! That's so cool!"

So that's sorta what I did

It's mainly to catch small prey when grounded and to stay better perched up on trees since they're much bigger and having extra fingers helps a lot. Or when they're climbing against a tree to pick up fruits, it gives them an extra boost and can better hang from it

But they're pretty much useless besides that lol

Just neat lil design choice

Other lore stuff. The time in which the au takes place is vaguely modern? But with fantasy aspects? I still haven't decided lol

Technology exists, but not in the way we have it sort of deal, idk, this au is pretty bare bones right now, so go wild with it XD I don't mind it, I love brainstorming it with people. I know this au isn't as big or complex as some others out there, but it's fun, and I hope yall like it too fjsjajaj

[dreamweave01]

Another question about Raph! Since Kraang blood is empyrean, is it mixed in with Raph's blood or is it still normal?

Okay, I've actually done quite a bit of research on empyrean since I found out about it.

I thought it was Kraang blood or something at first too, but I'm actually starting to think that it's a little more complex than that.

Cuz I mean this guy looks like he's been long dead for decades, possibly even centuries. Skin taut and mummified-looking almost, old bones all but exposed, he's down for the count.

I've done some research on how human blood works as a comparison. Without a beating heart to keep blood flow up and running, the blood inside of a human body will start to clot and pool.

In your average person, it takes anywhere between several hours to days for blood to completely clot and become solid, starting with capillaries and progressing to larger vessels. This doesn't happen all at once, but still.

Now obviously, the Kraang species is very alien to us. Who's to say that their blood works completely different than ours?

However, every other living organism we've ever come across shares many incredible similarities to human kind, and I'm betting the same thing would apply to the Kraang.

And if my guess is correct, that would mean that this corpse we get a sneak peak of in the series couldn't be the source of Empyrean after all, (which only starts up a whole new tangent of mine concerning Kraang biology) Since its blood probably wouldn't be a liquid anymore at this point.

We know that Empyrean was what first mutated the Yokai thousands of years ago (I assume at the time of the original Kraang invasion.)

We also know that in past iterations of TMNT, the Kraang have had this icky substance with mutation abilities that they've brought from their home, good old Dimension X; though Empyrean went by other names like Ooze or Mutagen.

My leading theory is that Empyrean is a power source of some kind, the thing that runs all of their tech and machinery, similar in use to a battery or gasoline. To foreign organisms like those found on Earth, under the right conditions, Empyrean leads to a drastic rearranging of DNA; for Kraang, it's completely fine.

So if Empyrean originates from the Crying Titan, and if Empyrean is a fuel, that has to mean that Kraang technology is still on Earth.

Assuming the original invasion was anything like it was in the movie, lingering, ancient remnants of the Kraang would make a lot of sense, at least in my mind.

Which gives me a lot of ideas to put into my au :]

Now, concerning your question: Empyrean is still persistent in Raph's blood and DNA, thanks to Baron Draxum's mutation experiments. It would be persistent in all the turtles (as well as Splinter, technically.)

You could probably even find it in Yokai blood and DNA, though I would think it would be muted after so many years of their species changing and adapting over time.

And with the nature of. . . everything Kraang related really, Raph's had a lot of changes physically, including on a molecular level.

His blood? DNA? It's definitely had some modifications with how long he's been Kraangified.

If treated quickly enough, a Kraangified person can expel the Kraangy bits from their body and be just fine.

But Raphael's been with the Kraang roughly 4 years. Chances are, those parts of him are there to stay for good.

[mimorobo]

I’m curious, what are some other games/pieces of media you like besides from undertale (and its fangames and mods)

Oh, ohhoho, haha!!

Deltaru-

Ok I'll be serious... there's quite a lot of stuff I'm into really, so get ready!!

Minecraft - LIKE WHO ISN'T??? I've got mixed feelings about the upcoming movie... I love music discs!!

Pokémon - I'm not TOO into it, like card collector catch em all type, I just played Heart Gold and thought it was neat! My fav Pokémon is Chikorita (specifically the second evolution) cuz it was my starter Pokémon, his name was Chip and we were best buddies and we were going to rule the world together!!

In regard to games I'm also getting into Omori and Outer Wilds!! Haven't finished either yet! I also really like Darkside Detective, Kingdom 2 Crowns and Starbound!! (All very different not so well known pixelated games!!)

Ninjago - I LOVE Ninjago!!! The movie is AWESOME, the series is AWESOME!! I don't really like the new stuff now, the first seasons were definitely the best!

HTTYD - I love dragons!! And these films are awesome!!! (Number 1 will always be special tho) And have you SEEN THE LIVE ACTED TEASER??? THE DRAGONS LOOK SO COOL-

Star Wars - Specifically Clone Wars and THE MANDALORIAN!! Such awesome series!! IG-11 is the COOLEST ROBOT EVER!!

Gravity Falls - recently watched it and loved it. And yes, of course I cried at the end!!

The Amazing Digital Circus - I mean... Everyone's into it! I think it's cool!!

Animation vs Minecraft - I LOVE THOSE STICK MEN SO MUCH!!! The whole series, everything it's so amazing!!! The animation, the story, the music too :'D

And last but DEFINITELY not least:

STOP MOTION!!!

Absolutely anything to do with stop motion I'm not kidding. Walice and Gromit?? MY BOIS!!! Aardman I love you, and every film you've made!!! That not so recent Guillermo del Toro's Pinocchio?? ABSOLUTELY AMAZING!!! IT'S BEAUTIFUL!!! KUBO!??!! NIGHTMARE BEFORE CHRISTMAS??!? FANTASTIC MR FOX!!? THE MISSING LINK!!? SHAUN THE SHEEP, MY CHILDHOOD!!!! It's all so SO GOOD!!! I get so hyped seeing stop motion, I love it so much!! I've watched TONS of LEGO stop motion on YouTube, mostly Minecraft related, and the LEGO sans fight THE PEAKEST OF PEAKDOM I HOPE TO GET TO THAT LEVEL OF AWESOMENESS ONE DAY!!! GO WATCH ITS INSANE!!!

Ahem, ok....uh... Hopefully that wasn't too much, I really REALLY like stop motion.... if you've made it this far then.... Uh... Thanks!!

🍪 - for you!

[theinsanefoxwriter]

Gregory Deserves Better...

I never make actual posts to be honest, but I feel the need to right now, because I’m just so…tired of this. My favorite character in the newer FNAF era has been mistreated by both fans and the creators. So I’m making this in light of the new book coming that, at least from the description we have right now, sounds like it’s just Security Breach, except Gregory is replaced by Cassie.

I’ve said many times elsewhere how I suspected they wanted to boot Gregory for Cassie, and...I had no idea how right I actually was. It angers me, but…mostly, I’m just hurt and very disappointed, because it sucks to see a character I loved get so disrespected then practically replaced. The ending of Ruin felt like a slap in the face, and the sting is only getting worse. (And very quickly, in case anybody takes this from what I'm saying, no I don't hate Cassie. I just don't want her to completely replace Gregory.) I’m not here to talk about that situation, though.

If anyone for some reason leaves a comment arguing the points I make, I’m just going to ignore or even delete it. I’m not here to discuss or argue with people who disagree with me and/or think Gregory is a bad character. I just want to express an opinion that I don’t think is said nearly enough. And that opinion is the fact Gregory is severely misunderstood and mistreated by both the fandom and canon itself. I’m not going to get into everything, but enough that you can hopefully understand the point I’m trying to make.

Most of the Gregory hate at the beginning was due to him destroying the animatronics and then lying about it to Freddy. I don’t see how this makes him hateable or a bad person. “Why’d he have to go out of his way to destroy them?” “He’s a bad person for lying to Freddy and giving him the upgrades of his friends.” “The Glamrocks were so awesome. Why did Gregory have to do that?” What kid in danger would want to help or be nice to the scary robots trying to kill them? Or against the better argument, why would he have sympathy for them in a moment of intense danger? When they were actively trying to kill him? He did what he thought he needed to survive, which was destroying them and using the good parts they had to give him a better chance against them. If they had been nice, he would have liked them, but they weren’t. They were after him. And choosing to do that plus being able to do that doesn’t make him a bad person, and it doesn’t mean he's uncaring towards others or that he’s heartless. What I think people don't take into account is that Gregory did befriend an animatronic, the one who wasn't attacking him. He went to great lengths to help Freddy, and genuinely cared for him; that bear needed to be rescued on more than one occasion lol, and Gregory clearly wasn't just doing it because Freddy gives him a hiding place.

And in regard to the lying, I think Gregory hid that he was getting the upgrades from Freddy's friends, because he didn't want to make Freddy mad or hurt his feelings. That does sound like something a kid would do, and he is a kid. He's not gonna be perfect in this situation, and he doesn't even do anything that bad. I don't think Gregory gets enough credit. Everybody just sees a mouthy kid destroying animatronics they like (despite the fact they're hunting him, and the virus has made them basically mindless. Why wouldn’t he?), and they hate on him for it and other rather stupid reasons. Gregory is more than the “annoying” kid who destroyed your favorite animatronics. He’s a clearly guarded and defensive child who got stuck in a bad and terrifying situation, but…in the end, stayed anyway to prevent this and other bad things from happening to anyone else. Gregory cares. Yes, even if he destroyed some animatronics. The creators calling him the “darkness of the Pizzaplex” or whatever they said doesn’t make sense. On the surface, he might look like some child who destroyed Freddy’s friends, but look any deeper at all, and that’s not the case. There’s so much potential for his character, and I’m upset that he isn’t being given the spotlight or time to further explore his potential properly, especially since Security Breach ended up being a bit lacking in a lot of areas: perhaps another factor in why he’s so misunderstood.

In the end, I’m simply tired of seeing a character that I connected with treated like he was just a writing mistake that now needs to be replaced by a “better” character. I’m not saying his writing was perfect, but he deserves way better than this. I feel very passionate about the characters I like, which is why this has affected me so much, and I hope at least a few people see this.

Anything I missed I’m going to touch on briefly here:

GGY? A cool concept, actually, that I wish was utilized in the games. And Gregory is clearly possessed there, similar to Vanessa, so him being Patient 46 and causing people’s deaths can’t actually be held against him.

Dropping the elevator on Cassie? I firmly believe that was not him, and very clearly the Mimic’s doing. There’s solid evidence behind it, but I’m not going to get into it because it’s exhausting. Just know that no one can convince me otherwise. And even if the writers wanted Gregory to do that, it’s out of character and clearly an act of character assassination.

Thanks for taking the time to read this. Now go hug a misunderstood gremlin!

[mizaruwu]

I love your necromancy Hyrule au so much!! It brings me joy and makes my brain think about how and why and all this stuff about it. Do you know how Hyrule ended up going to necromancy? Or if he has any thoughts or doubts, he's doing what he has been running from for a long time in order to keep legend somewhat alive, why? Loneliness? Was it that unbearable knowing that what he had was gone? Sorry I'm ranting...it just makes me think.

It was unbearable. Of experiencing something so sweet and comforting only to lose it– It's cruel even, to form these connections and bonds only for the force (the goddess) that brought them together separated them in the same way.

Perhaps grief is a better word than loneliness, four of the people he considers his family are dead, gone for a long time already, two of them dont exist yet and the other two dont exist at all (in his timeline) The realization hits him after a week of avoiding thinking about the topic.

at first, Hyrule didnt consider necromancy at all– he spent almost a year desparately looking for items with time travelling abilities but none of them worked anymore. He was on the brink of giving up when he stumbled on the book with the revival ritual.

"Maybe I can use this to bring them back instead" He thought as a joke. But that thought got fuled by his desparation and grief– he couldnt stop thinking about it. Why not? Its not a garuntee that he can actually raise the dead right?

Then it did work. Legend is there, looking at him�� and who cares about anything else he got his brother back, its one step closer to returning how it was.

Hyrule did have doubts if what's he's doing is right but when Legend woke up and talked to him, that doubt was clouded over by relief, by the first taste of happiness he's felt in a while– he's far too broken to see past his actions now.

[chibigingi]

My Issue with Solas

(To which I'm going to be berated, blocked, loathed, dismissed by his fans, and that's okay because it's their right, but I gotta get this out.)

First and foremost I will openly admit that I've played most of the Dragon Age games and their DLC (exception being one of the DLCs from Dragon Age 2 involving Corphyeus and the deets on Malcom Hawke, and any DLC in Inquisition), and my enjoyment of the series, up until Veilguard, is casual. I preferred the Mass Effect series and even then I can't say that I know all the lore to consider myself a super fan.

That being said, my issue with Solas (besides some of his crazier fans who genuinely can't acknowledge any flaws or unironically say that the Veil should've came down) is the fact that they wrote him to be too powerful, too clever, and thus wrote themselves (or the ones that ended up taking over as I'm told that the development for Dread Wolf and then eventually Veilguard was... uh... a mess xD) into a corner in regards to how they can realistically combat him by making him the antagonist of the fourth game.

Much of the criticism I see from the hardcore Solas/Dragon Age lore fans usually boil down to the fact that they (the writers) nerfed him so that the heroes of the Veilguard could have a fighting chance.

"Remember when he could turn people into stone without even looking at them?"

"He could've easily subdued Varric without killing him." (Something Neve points out as well if you take her with you to the final showdown in Minrathous)

"I can't believe he'd fall for a fake dagger, they had to BS some excuse that he's concussed or say it's his arrogance that blinded him, whatever, they made him look dumb!"

All reasonable criticisms, but I think the problem lies in the fact that the writers, either his original ones or the new ones, just did themselves an oopsie and powerscaled him to the point that ANY effort to overcome him will be dismissed as 'contrived', 'unrealistic', or that they had to nerf him in order to overcome him.

Which... not really?

Think of it like this. Rook is portrayed as the anti-Solas, regardless if you play them as Blue, Red, or Purple. Whereas Solas schemes, plots ahead, plays chess with others as pawns, willing to sacrifice said pawns when necessary, Rook is literally riding by the seat of their pants and making it up as they go. When your opponent is someone who thinks he has everything figured out, the best way to combat that is to be so wild, so unpredictable, that it throws them off balance, long enough to get a few licks in.

Solas's greatest weakness in regards to Rook is that he always, always, always underestimates Rook and that Rook always does the unexpected.

Whereas Solas knew Varric would try and talk him down, he could never predict that the wild card that Varric hired was stupid enough to drop a freakin' statue on him to stop a ritual (instead of doing something conventional, like, you know... shoot at him from afar or charge boldly at him, like an idiot). ((Though, if Solas had taken the time to know Rook, especially Warden Rook, he's have probably been a little less surprised... or not, because who'd drop a large construction ontop of someone else TWICE in the span of a few months? Seriously, who even does that once, much less twice?))

Whereas Solas expects Rook to be belligerent and distrustful throughout their shared sessions in the Meditation rooms, Rook surprises him by actually listening to his advice, despite their dislike/distrust of him.

Whereas Solas expects Rook to be trapped in the Fade prison, because if someone as smart and clever and powerful as he, the Elven god of lies, deception, rebellion, blah blah blah, then an idiot like Rook who Solas clearly thinks lacks insight and introspection (a far assumption, Rook dropping a statue on him and interrupting a Ritual was literally plan A) couldn't figure it out.

Even the three (technically Five I guess) endings, Rook defeats him by doing the unexpected.

Sacrifice, he never expects Rook to have what it takes to make the sacrifice. Sure, everyone SAYS they'll do whatever it takes to save the world, but how many are actually willing to do it when the gauntlet is thrown? How many have tried to stop Solas with the good ol' 'Whatever it takes' mentality and hadn't either been defeated or chickened out when the time came?

Fight, he expects that Rook would be stupid and fight him on their own, never expecting that his companions would be willing to risk life and limb to fight for Rook (hell, even Emmrich, Mr-Always-Suggests-The-Non-Violent-Option is ready to throw hands the moment Rook says it's Clobbering time).

Trick, this is self-explanatory in that he never expects Emmrich or anyone to have made a fake dagger, nor does he expect Rook to be brazen enough to even try pulling such a trick on him. This is a guy that thought dropping a statue on him was a good idea, after all, and Rook hadn't shown signs of such deviousness before, at least not against him. Who would dare try and outDread Wolf the Dread Wolf? Rook, that's who.

Both Redemption endings, he never expects Rook to actually talk to him in the final confrontation, especially after all that he put Rook through. He's expecting Rook to be so out for blood, so determined to see him as his enemy, so determined to stop him, that the idea that he'd go through the hassle of learning about all of his regrets or finding Mythal's fragment wouldn't have crossed Rook's mind. That Rook actually believed that he was worthy of redemption, after everything he's done, to Rook, to the Inquisitor, to Mythal, to literally all of Thedas... is unexpected.

Look, I get that the writing in Veilguard, especially compared to previous games, isn't all that great. Sometimes it's just bad. I think fans had expected Solas to continue to be this all-powerful being that was always being eluded to through in-game journals and codex entries (or these feats maybe were seen in Trespasser, I don't know because I haven't played it and at this point, I kind of don't want to). I think a lot of the issues arise with expectations, whether they're reasonable expectations or not.

People expected Solas to be bested by a character that could match his wit, but instead, they get a chaotic DnD player that is literally making shit up as they go. Which... if you're a fan of Solas and wanted to maybe see him have a better outcome even though you knew he'd have to lose at the end, I can get the disappointment. Or maybe you hate Solas but are still disappointed that you couldn't really do all the terrible things you wanted to do to him (like, me... sorry, but my Inquisitor would NOT have called him 'Friend'... don't give me the option to say 'I want to stop him' if you're just going to be lazy and have it the same as the 'I want to help him' but just a little less nice). Sorry y'all didn't get the game you wanted or the game you feel the series deserves... fate conspired against us players and the developers who tried despite being given an impossible task.

Maybe I'm pessimistic, and I'll admit I have some bias against Solas anyways as I never cared for him even BEFORE the reveal in Inquisition, but I just had a feeling that the decision to have the entire series revolve around him was going to eventually bite Bioware in the butt, because once the expectations was there, the chances of them living up to said expectations was slimmer than Emmrich's waistline. Maybe with more time and resources and not having EA constantly trying to make Dragon Age something it could never be, y'all have gotten the game y'all feel the series deserve.

Or maybe y'all be bitching because there'll be something else that y'all didn't like in how he was handled. I don't know, I'm like Rook in that I don't have time for that kind of insight. I enjoyed the game, for all of its many flaws... only other Dragon Age game I played more than once was 2, and that was because I screwed up with Isabela and I hate finishing a game without a full party available to me (if it is possible and not because of the developers forcing the players to make a choice to kill, or have a character leave no matter what you do).

Anyways, TL;DR version: Rook is my precious baby and we were never going to get a version of Veilguard that would've satisfied the fans nor EA's ridiculous expectations...

[tonguetiedraven]

Rin was wrong about the Kyoto arc and most of you are too

But like Rin, you don't have to hold onto your assumptions.

With the slight resurgence in aoex popularity, I'm seeing a new rise in some fundamental misunderstandings about the characters and plot. I've been asked a lot of questions about a few certain characters over the years, and I've noticed that the base of the misunderstandings people tend to have with everyone originates in the Kyoto Arc.

What am I calling the Kyoto arc? Everything that happens in the second season of the anime and everything that happens after chapter 13 in the manga . (The point when the anime said let's go off and do our own wild thing and forget about the story and characters Kato is making! It'll be fun and totally not still be causing long lasting chaos over a decade later) and up to chapter 35. It's a 20 chapter arc, roughly. And honestly I think most of the manga exclusive Kraken arc should be included in the Kyoto arc because it is a direct continuation of Rin and Yukio's story line there, but I digress and we will get to that!

I am going to assume that you, the reader of this lengthy essay (I'm wordy and won't apologize for it, lol), are aware enough of the manga and Blue Exorcist to know that every episode in the first season of the anime after episode 16 is NOT CANON and does a poor job of depicting all the characters involved from Angel to Yukio. (There is no character with a Z, lol. So Yukio wins that role.) No one comes out looking correct in that. I know some people will argue that Rin is fine, but no. He is not similar to his canon hot headed, impulsive, loud, often violent/aggressive, and past avoiding self who would never have let his twin pull a gun on Kuro and would never have let Yukio leave after that without a fight. Sorry guys, they nuked him too. Just in a more pathetic victim way so people let it slide because he obviously needs to be protected from all the other meanies.

I am also going to assume you know character names. You can google them if you get confused  ദ്ദി ( ᵔ ᗜ ᵔ )

Anyway, back on topic. I'm going to go heavily into the start of this arc and more broad as it goes on. The initial area is where most of the misconceptions start and they kind of carry through from then on meaning the entire rest of the arc and arcs there are a few flaws in the understanding of character motivations and reasons and some just basic plot stuff.

In chapter 13 of the manga, we get this tremendous clip

Just before this moment the exwires have found out that their classmate is not a human and is powerful.

You'll notice Shima leaning against the railing there. That's because he has a cracked rib and probably a concussion. Konekomaru is now sporting a broken arm, and Ryuuji got strangled out enough to be choking on blood. Shiemi was hypnotized and controlled and carried around like a possession by a demon king who tried to eat her eyes and kept taunting about making her his bride all while she was unable to move or do anything. There is not enough written about the truly terrifying kind of assault that is for the youngest member of their group, and that's without the tangle of a relationship Amaimon and Shiemi have in it.

It is vital that everyone take a second to think about that. Izumo and Takara were not there. They stayed in the camp. They didn't pursue Amaimon, Shiemi, or Rin. They chose not to fight or try to help. The Kyoto Trio did (because Ryuuji/Bon is impulsive and ran after Rin and Shiemi to help and the others followed him) and it took all of thirty seconds for the Demon King Amaimon to knock them all out without even really putting any effort into his attack.

They manage to get out of the forest and back to the pictured bridge with Yukio leading them out while the forest catches dramatically on blue fire. (Remember that the Kyoto trio grew up hearing about how much the blue flames of Satan destroyed their home and killed their family members. Their entire life was irrevocably changed because of blue flames.) And Rin and Amaimon are wildly fucking shit up. They even yeeted Mephisto who is a much higher ranking king.

All that leads to the Paladin appearing, Arthur Angel, who orders the exwires to be interrogated and checked by medics. (Honestly a step up for True Cross. They almost never remember medics.)

The Paladin appears and then Mephisto appears, and he has Rin in tow. Rin who is entirely feral and tries to lunge for the exwires. The traumatized exwires see Rin try and attack them with an entirely demonic face. They do not know anything about his story or Shirou or even ow he got here, but they can easily see that he's tied to Satan because of the flames and now he clearly wants to hurt. Hurt them.

Now in Rin's defense, he's not in his right mind. Mephisto sheaths the sword and the demonic part is forced to retreat and Rin passes out until he's slapped awake. At that point he's the Rin we know again (the exwires still have no idea what the hell is going on) and Angel takes him into custody. Rin looks over and sees his friends bloodied and bruised and sees Ryuuji with blood on his mouth staring with an unreadable expression.

It leads to this shot:

Question for the group: Who is Ryuuji asking this to?

Not Rin, that's for sure. It's Mephisto, in my opinion. Ryuuji is asking, quite understandably, why the hell the child of Satan was put in a class of ordinary students and why none of them were told about it. They just had a Demon King attack their class of exwires all of which were struggling against a simple moth and had to reseal it instead of exorcising it. A Demon King that attacked them because he wanted to do something to the son of Satan and they had no extra protection against that. Enough so that four of them are injured or traumatized.

(Also, if you get strangled do not yell and IMMEDIATELY seek medical help. There are a lot of terrible conditions and long lasting effects that can occur with strangulation.)

So at this point everyone is made to split ways. The exwires will get a small update from Yukio, and Rin will get put on trial for his life. Neither party knows what the other is aware of, and as far as we can tell, Rin does not remember that he tried very hard to lunge at and attack the exwires.

That does not mean that Rin did not lunge for and try to attack them. Not remembering trauma you caused someone else does not erase that trauma.

There is also this moment, and you best believe I am also here to defend Shiemi because she deserves it.

Go girl. You're so right. There's nothing funny about any of this. Not your abduction, not how assaulting that entire thing was, and not the fact that he was feral and that you're feeling like a lot of this is your fault. (And it was not her fault.)

Rin's defense in most bad situations is laughter and ignoring whatever the uncomfortable thing is. This rubs everyone around him the wrong way almost every time. And that's their right. I also truly think he doesn't know what he just did and doesn't remember much past drawing the sword and he's scared, and he's able to tell the vibes are bad and he's in trouble, but doesn't really get why/how. He is a bit (a lot) of an idiot and we love him for that.

Another vital thing to understand about Rin is that he sees the demonic and violent parts of himself as someone else. He is not that demon. He is not the guy that tore apart the forest, everyone is wrong. He didn't lunge after his friends, someone else did that. He isn't out of control of his flames, that isn't him. That demon with the flames and frightening strength and burning anger isn't him. They've got it all wrong. He's just Rin.

That is a big part of Rin's story. Rin accepting that he is all those things. He is the human and he is the demon and he is all the things that comes with both of those things. He is right and wrong and kind and cruel and caring and callous and gentle and dangerous. He is Yuri and Satan and Shirou's son, and he is complicated and trying his best and slowly learning to accept what he is and isn't.

Anyway, they split ways for a shitty night. Rin's is unquestionably shittier, but again, the rest of the exwires don't get told what the hell happened.

Anime only fans will already be noticing differences, but wait, there's a lot more that was missed/ skipped over.

The Kyoto trio are all at the hospital for the next few days and get a call about the temple having been attacked. Shima's dad and Ryuuji's dad were said to have been hurt in it.

This is the second hint we get that Ryuuji is not on good terms with his dad, and the mere mention of Kyoto visibly upsets him. That'll be important a little later.

Rin goes back to class with the girls but is pulled out by Yukio for his own individual classes with Shura before anyone can say anything. The cram teacher then explains the following:

The entirety of their school is giving them instructions on what to do if Rin goes wild because the exorcist and teachers all think he will go feral again.

Rin does not know they're getting this instruction.

We then see what Yukio told them is basically: Yeah, my twin has flames. I don't because I was too weak. I get tested daily for it. The koma (a nickname for Kurikara because you can't exactly go around calling a stolen sword by its name or people will catch on) sword sealed him. I don't know why we were allowed to live when True Cross has a very loud 'no Satan or Satan offspring allowed' policy. Kay, thanks, byyyeeeeee.

So no one is happy and no one really knows anything. Just Yukio who has always known everything and had the biggest emotional, responsible, and mental burden of everything about his brother. He was left holding the bag again. Responsible for a class he's the same age as, mourning his father whose death he doesn't know the full story of, responsible for killing his own brother if he goes feral, now ostracized even more by a community of exorcist he already didn't blend in with, and now made to bear all this. Yukio is a king for holding out for so damn many arcs without showing how bad his mental health was getting with all that stress.

At this point we see Ryuuji is placing the guilt for Konekomaru and Shima being injured on his own shoulders (Konekomaru tells him it was his fault that they were injured) and Shiemi is realizing that Rin became her friend as he was revealed and that she was never as much of a support or friend to either of them as she thought.

Meanwhile Izumo who, and I cannot stress this enough, did NOTHING in the fight and was not part of most of this and has at this point made NO effort to be friends with anyone past cleaning a shirt Rin loaned her, is judging all of them visibly.

A brief interlude of Toudou being a creep and Rin showing he cannot follow orders from absolutely anyone and making Yukio and Shura frustrated at how unpredictable and manageable he is, and we're now given the mission to go to Kyoto and help there.

Ryuuji is just so blatantly shocked and not okay with the assignment to his home. Like I genuinely don't think we have a shot of Ryuuji looking more shook and shit gets wild in this manga.

Ryuuji does not want to go back to Kyoto. He left on terrible terms with his parents and swore he would not return until he had his meisters and rank. He defied his parents in even going to the cram school and now he's being forced to return a bit busted up and long before he was ready. If you do not have a bad family dynamic, you can't really get how devastating this is, but try and imagine it. It's a tremendous source of stress and frustration for Ryuuji, and the main thing he's dealing with through this arc. He has a lot of history with his father ignoring and denying him and trying to control him, and it is not a healthy dynamic. THAT is what drives Ryuuji in this arc. Kyoto, the temple, and his father. It is NOT Rin. Rin is at the bottom of his list of things to be thinking about right now.

This is essentially Ryuuji's arc, and it is, quite simply, not about Rin for him. Rin becomes a part of it, but not until later. At the moment, it is Kyoto and the shame and frustration and resentment about that which is driving him forward.

Shiemi is melting under her own self loathing at this point. She is hating herself and has never been confident and always been prone to thinking poorly of herself, and shown she is unaware of when relationships are abusive with how severely Izumo bullied her and continues to bully her.

(And I could write another essay on how fucking misogynistic it is that everyone flocks to team Izumo when she's slightly nice to Rin and blatantly ignores the Shiemi abuse because well Shiemi is annoying anyway. Check yourself and ask why you feel that way if you do. Why is violence and cruelty okay against Shiemi? Why is it forgivable in her case but not in others?)

We all board a train to Kyoto and see each other for the first time. Rin has zero ability to ever read a room (we love him for it even if he will occasionally kill us with second hand embarrassment) and is acting like he didn't try to kill them on their last interaction and like everything is normal and there isn't a big and awkward elephant in the room taking up most of the train space.

THIS GOES DOWN DIFFERENTLY IN THE MANGA THAN THE ANIME. The manga stretches this scene out to give three characters very important breathing room while the anime cuts this far shorter and mixes up the dialogue some, muddying the motives.

Rin, not reading the room, sees Shiemi and calls out happily to her. Shiemi utterly freezes and can't decide how she should respond or what she should say. She has, as far as we know, never had a friend outside of her family and the twins. She doesn't know how to interact with them and she is drowning in guilt of failing them as a friend. A lot of that is because Rin said she wasn't his friend to the Kyoto Trio and because Izumo is always telling her she's failing as a friend and saying she doesn't like her. Izumo is a bully at this point. I will not back down on that point and will continue to reiterate it. You do her incredible arc a disservice to pretend otherwise.

That leads us to the confrontation:

Ryuuji does not show any sign of anger until Rin talks about Kyoto. Then it's instant grouchy face Grouchy face and grouchy boy until one of the other two interject and then he swallows all that Kyoto frustration right back down and stomps off to sit behind Rin with Konekomaru -- who has been given a talk by their superiors on what to do if their classmates loses his shit and goes feral on them and who lost his entire temple and family to the Blue Night -- voicing his worry about Rin losing control of his flames on a tiny train where there is no where to go.

Rin visibly deflates and sinks back on his chair Izumo, the drama queen who would deny being one, enters and sees. Now Izumo has conflicting reasons for her next act. She has been ostracized and bully quite a lot in her younger life, and that is part of why she is now an ice queen. She sees Rin and wants to help him feel better and is no more in the know of what the others are actually dealing with than Rin, and I dare say that was her first and primary motive.

However Izumo cannot allow herself to do something solely out of kindness to help someone. That is a weakness she will not allow herself and dangerous. Kindness and helping gets you hurt or killed by stronger parties and she has sworn off that in all cases but Paku. (No one quite knows what magic Noriko Paku possesses, but man does she, lol.)

So Izumo sits next to Rin and waits until after the debriefing about why they're here (meaning Ryuuji is now even more upset because yep, it's absolutely his temple and their miasma and their secrets and their weaknesses being discusses and revealed and flaunted) and they chat a little about the fact that lots of people have demon blood (*cough* FORESHADOWING *cough*) and then, after getting flustered about Rin complementing her and thanking her and getting buddy-buddy enough to use a nickname, she goes cruel and decisive and makes a pointed jab at Ryuuji, who takes it in stride for a moment, and then Shiemi, who visibly deflates thinking even less of herself and that Ryuuji does not take in stride.

Izumo did a kind thing in sitting with Rin, however, the others did not do a cruel thing by not sitting with him. They simply chose to give themselves a little space from a situation they were still struggling with. The cruelest one in the moment before she spoke was probably Konekomaru, and even he wasn't talking to Rin. He was nervous and scared and talking to his friends about Rin. None of them owed Rin anything. They did not owe him their time or space or attention. They are allowed to recover from their trauma and physical injuries while not having him constantly shove his over-excited puppy-energy self in their faces constantly and make everything all the more difficult for them while they try and reconcile that guy with the feral monster that wanted to take a chunk out of them and who was not in control of the flames they've grown up terrified of.

We see the story mainly through Rin's perspective, all the more so if you're an anime only, but that does not mean Rin is always an honest and reliable narrator. He is unaware he tried to hurt them and unaware of their own trauma. He can't imagine any of their actions and reactions aren't centering around him at this moment because Rin too is going through a lot of trauma and stress of his own that they don't know about.

What I find over and over again in this story is that people excuse any poor or selfish or cruel act of Rin's because of trauma and not being perfect, but they will not excuse it in any one else. This makes for a frustrating unfairness in expectations, and frankly, turns the story boring. If no one but Rin can make mistakes, or you choose only to see other's mistakes and not Rin's, you are robbing the characters and Rin of their complexity and growth.

Izumo was kind in sitting next to Rin, and she was purposefully cruel at the exact same time. This is who Izumo is. Kind and cruel for quite a long time. Brave and selfish. Confident and self conscious. Guarded while slowly falling in love and denying it every step of the way.

So the train ride immediately goes to shit and they get loud with Ryuuji calling her out (reminder, she can call them coward all day long but she did not leave the circle and didn't fight and has not stepped forward once in any of their missions to work as a group or fight until she had to)

And Shure (in the manga) wakes up and makes them sit in a different car of the train with bariyons on their laps as punishment. Konekomaru continues to stress, Ryuuji tells him to chill, Shiemi continues to hate herself, and Izumo continues to be purposefully cruel.

The bariyons get aggressive and one pins Shiemi to the ground. Rin does Rin and burns it without warning, freaking everyone out because wow! Blue flames are just suddenly everywhere. Ryuuji interferes because again, his temple was devastated by Blue flames and he has no reason to think they can behave differently and he is nothing if not determined to protect and help his team at all times.

Shiemi realizes Rin still has control of them and tells everyone to relax, and they do.

The flames are put out and Rin immediately attacks Ryuuji.

Rin demands trust and honestly, I could understand if he was unaware that he'd caused mayhem in the forest and tried to lunge for them, but if he was aware then he has to be smoking those flames of his because there is no reason to trust him at this point. He's lied (he didn't have a choice but they don't know that and reasons do not negate that a lie happened and we are now in the lies arc) and he has shown he is dangerous and that Demon Kings kind of follow him and will attack indiscriminatingly. (It's not like they know Amaimon is not allowed to kill them.)

Rin knows he won't hurt them and thinks that should be enough. No one else knows that they can believe this at this point. Ryuuji explains that Blue Flames have killed a lot of his people and that he can't trust someone who endanger his family. It is once again Kyoto he is thinking about and Kyoto he is worried about. They are on a train to Kyoto where Blue Flames destroyed a lot and now they're bringing the one guy with Blue Flames there and he keeps flaming up so it seems like what little he still has there is going to be devoured by flames.

Rin says basically, sorry that happened but it has NOTHING to do with me. This is a naïve thing to say and while technically right, is missing the point of what Ryuuji said. I can't trust you because you haven't shown me I can trust those deadly flames with you and they have absolutely devastated my home before.

The fight amps up more -- and again, Rin was the aggressor. They're both hot headed but he's the one that grabbed Ryuuji, not the other way around, and in a fairly close way to how Amaimon had grabbed Ryuuji and that can't be helping things. The fight gets louder and Konekomaru bravely intervenes and grabs both of their arms and tells them to stop. A bariyon choses that moment to cause chaos and try to kill Ryuuji and Shura has had enough and kills it but kindly doesn't kill the exwires for interrupting her nap twice over and the conversation is left entirely unresolved.

And for the next long stretch, they will not have that conversation resolved. They get back, Ryuuji is immediately accosted by his powerhouse of a mom, Torako Suguro who is pissed, and finds out that his dad has been absent and that things are going south fast in Kyoto.

From this moment on, Ryuuji will have one goal and that is to find his dad and save what few temple members he can. He wants to reunite his temple--that has always been his goal--and his dad's failure to lead and potential at being the traitor in their midst is causing what few of his sect are left to fracture even more. He is around Rin a few times in the next chapter, but his mind is never on Rin or their drama. He is wholly focused on Kyoto and the drama here.

This is where a lot of people misunderstand him. He is not avoiding Rin, he simply has a much bigger priority, as he should. This is his family and this temple is everything to him. We find out that Tatsuma has thrown their reputation in the mud and that he has caused a lot of their sect to abandon the temple, and that he has fought Ryuuji's hopes and goals every step of the way, and that he was the first to laugh at Ryuuji (which we know is an immensely traumatic memory for him) and that Tatsuma is actively working to avoid Ryuuji, and that he was at the Keep during the break in, and that several members of the Sect absolutely think Tatsuma is the traitor.

And if he isn't the traitor, then he is still failing them and running away from his duties. What's worse, we see a few of the sect (Mamushi specifically) even place some of the blame of the failure on Ryuuji.

Rin is seen working with the Kyoto trio on some kind of chore after they arrive, and actively being ignored and mistreated by the teachers. They absolutely deserve ire for the way they treat Rin like he's already gone feral and refuse to let him help.

Rin is being ostracized and thinks everything happening here is about him. He thinks the others are ignoring him and that they're upset about him. They're largely just... Not. Izumo and Shiemi are put on helping the large volume of patients and from what we see, Izumo doesn't chat with Rin again after the bus.

Shiemi sees this as a way to not let people down (she thinks she let everyone down in the forest. That it was her fault and she isn't good enough or strong enough or just enough to be their friends. Probably partly because the one friend she thinks she has is a bully.) and dives hard into work. She still doesn't know what to say to Rin and freezes up a lot.

That leads to a fantastic scene in chapter 18 with Izumo and Shiemi in the garden and Shiemi positively sobbing about being a useless friend and not being strong enough to help like she wants and Izumo telling her she's really strong and able to talk about friends and her emotions without getting embarrassed and that she's stubborn and strong as a weed and Shiemi, who has clearly not gotten enough praise in her life just glows and determines to be as strong and stubborn as a weed.

It's a vitally important moment for both these girls. Izumo is kind and doesn't turn it cruel and sees how strong Shiemi is and helps Shiemi see herself as strong too. Izumo has done a lot to break Shiemi down but she is also, arguably, the one that did the most to build her back up too.

She dives back into her work to the point she inspires Rin to try harder on his own training because he is lazy and she isn't, and he admires that.

At this point Shima has decided that to keep going on his own path in the laziest way he can manage that ignoring Rin was too much work so they're just going back to before and acting like nothing ever happened. Rin is drunk and insults him in this with the list.

Rin confronts Konekomaru later and finds out what happened to Konekomaru's family and Konekomaru begs Rin to leave Ryuuji alone because he is dealing with a lot of stress. Rin (correctly for once) realizes that Konekomaru will absolutely be his friend if he can show that his flames aren't a danger. If he puts in the work to get control of those, he can be friends. Rin goes off determined to do that.

Ryuuji and Shiemi are now the only two who haven't had their Rin moment, and they firmly busy in their own stuff. Rin still thinks they're avoiding him because they're mad at him and blaming him for the Blue Night stuff and they're simply not. At no point does he ever really seem to get that he's assuming stuff incorrectly about all this either.

Ryuuji does some not at all stealthy spying and follows Juuzou to the Keep to find most of the staff unconscious and gets himself in the middle of the theft of the Impure King's last eye. Mamushi betrays them to Toudou and states that it is because of Tatsuma that she is. That he has failed them as a leader and conspired with Mephisto by giving away the sacred relic of their temple (Kurikara) and letting the son of Satan have it.

She is not entirely wrong, and she is not entirely right. She is very wrong about Toudou, but they both escape to cause more havoc elsewhere and leave Ryuuji to finally catch up to Tatsuma.

We have been building for several chapters at this point that Ryuuji and Tatsuma do not have a great relationship. There is a lot of frustration and confusion and hurt in it. A lot of history and pain and Ryuuji is trying to get his dad to tell him anything. To deny the allegations if they're not true and do something to help with the fact that one of their members just left.

Tatsuma refuses to. We later learn why and it sucks, but it doesn't lesson the hurt in this moment. Being unable to explain something does not mean that your actions, justified or not, did not and do not hurt someone.

Ryuuji, seeing his dad turn his back on him without even a hint of an explanation to all the terrible accusations and all the pain and trauma around them, pleading for some kind of explanation to anything, plays the only card he has left.

His father has already all but disowned him for the cram school, so he returns that. He warns that if Tatsuma leaves now and like this, he might as well not bother to come back because Ryuuji will no longer (can no longer) consider him his father.

Rin, who has kind of snuck into this dramatic meeting, overhears this and has a violent trauma induced reaction.

Now, Rin has trauma and it is entirely understandable why hearing those words would make him react dramatically. That does not excuse the violence he reacts with. You enduring trauma and having triggers and painful emotions does not give you the right to inflict violence on someone else.

And inflict violence Rin very much does. Once again flaming up some too, not at all in control.

This was not Rin's fight to get in the middle of. I will die on the hill that others do not get to determine what a child can and cannot do in their own parent and child relationship. Others can offer opinions and advice, but they do not get to order or dictate the relationship. They are not part of it and cannot possibly know what it is actually like. This is the same sort of mentality that tells people who have had to make the immensely difficult choice to go no contact with a parent that they should try and make up because it's hard to be a parent like it's easy to be a child and under the parent's control and guidance. Ryuuji has a lot of reasons to have made that ultimatum, and while we will learn a lot more about why Tatsuma has failed as a parent and leader, the reason does not absolve or eliminate the failures. He has failed Ryuuji multiple times and at this moment, tied by a cruel fate, he has to fail and hurt him again.

He did not have to choose to do it this way though, and do not forget that.

And Rin knows nothing about their relationship. He is putting his own reactions and motivations on Ryuuji who does not have them.

Rin is in the wrong in this moment. I will not back down from that either. Rin hurt his friend and revealed himself, and in the next panels defied Shura and continued to try and fight Ryuuji and make him understand that you can't disown your father because you can't take that back--

And it is in this fight that Ryuuji is first made aware that when Rin talks about his dad, he has not been talking about Satan. Rin was raised by someone else. They still don't learn the real story yet, we're not really told when or if they do get the full story about Shirou, but you can see him realize something happened to whoever raised the twins, and it was bad.

Rin gets knocked out and arrested and Ryuuji is sent to ice his swollen face and he will have the injuries Rin inflicted on him here through the entire rest of the arc.

And I am now over 5k words so I'll try and wrap this up some. I'm going to have to post the Yukio half on another post xD

Rin gets a letter that tells him that Tatsuma and Shirou were in cahoots about the sword (look, Mamushi was partially correct) but that the sword did not have Karura in it like it was supposed to. He also finds out that Tatsuma wants him to kill the Impure King. Mephisto then shows up and locks him away giving him a death sentence. Yukio has to leave with that knowledge to try and stop the rising Impure King before he infects and kills all of Japan.

Tatsuma goes and shows that he had made a pact with Karura and that the Suguro line has always guarded the secret that the Impure King was kept sealed under the temple by Karura. That were he to be reunited with his eyes, he would rise again. Toudou wants to get Karura so he did all of this to get Tatsuma to reveal Karura.

Tatsuma is stabbed through the back of the throat and Karura mostly devoured, and the Impure King is rising and reforming and going to poison everyone.

Shura gives the letter to Ryuuji and Kurikara and offers the camouflage ponchos to go break Rin out if they want, and Ryuuji and Shiemi are the only two who do not hesitate for even a moment to go and rescue him.

The jail freezes them and gives nonviolent Shiemi a moment to shine. She confronts her own self doubts and goes to find Rin and coaxes him back out, showing she knows he won't be a danger to her by embracing him and his flames. She realizes that her fears and self loathing caused her to only think about her own emotions, and not how he was feeling (something Rin could also very much stand to do) and she immediately switches to comforting and encouraging him.

Rin busts the prison with style, Konekomaru says he's ready to be friends, Shima and Izumo state they're only here on Shura's orders, and

Rin still doesn't get it. He still has no idea what Ryuuji is dealing with or why he's upset about any of it. He has spent this entire arc trying to find his dad and trying to help the sect, and failing every step of the way. He has tried to help everyone around him in any way he can and show that he can be depended upon and trusted.

Rin has never opened up to any of them. Rin demands that they lean on him and listen to his advice and accept him entirely, and gives them nothing in return for that vulnerability and openness. He doesn't talk about his own life or emotions or thoughts. He keeps conversations light and easy and doesn't even tell them that he was raised by a guy that's now dead. He shoves himself in conversations and dynamics that don't concern him all the while demanding trust, and then will not let them in in return.

Ryuuji is seeing that so clearly now and it is hurting. How can you trust a guy who won't trust you back? How can you trust someone you thought was one thing who never showed you who they really are and still won't be open and real with you? Who has enough power at every moment to level half the world and is emotional and stupid and impulsive and won't be real with you?

Rin has been under a death sentence and told he had to keep his heritage a secret, but even outside of that, he really doesn't talk about himself. He doesn't open up to his friends like he expects them to open up to him. Neither brother is good at expressing themselves (and a lot of that is because they weren't raised to be that way. Shirou did his best but had a lot of limitations too.)

He demands they trust him wholeheartedly but will not trust them in return. Or he hasn't shown in any way that he does trust them.

This arc, at its core, is about lies and how those and trauma can and do make relationships messy. How even ancestral drama can go down the line and get us caught in cycles of it. But it also shows that we can do the work to get past them, and that it's messy and painful and loud and not always easy to see what's right and wrong while we do it, but we can get past it and move on together. We can make terrible mistakes and seek forgiveness and understanding and sympathy or empathy and try to do better. We can laugh in a field of disease and trust entirely on someone because we know we can even if the world is falling down around us and it doesn't make sense.

Neither Rin nor any of the exwires or Yukio are a villain in this arc. Even Mamushi and her cruel words and betrayal are not a villain in this arc. Everyone acts kindly and selfishly or in fright or confusion or in motives that are entirely misunderstood. They're all dragging their own emotional baggage with them and they're all getting tangled up and not listening, but they still strive on and strive to understand and talk it out when they can, because they care about each other and getting it right.

To act like it's as simple as "The exwires bullied Rin!" is naïve and robs Kato's story of so much richness and deprives the later arcs of so much character value she built starting here. Kato does a beautiful job of building all of her characters and giving them rich personalities and motivations and flaws and she shows us them through Rin sometimes, but she also gives them a lot of time without him at the forefront. She gives him flaws too, and a lot of wrongs, and that's why he's such a powerful and alive protagonist for our series.

You're free to dislike who you like and love who you like, but I do so encourage anyone who thinks the exwires were villains in this arc to really dive into the manga. Read through all the scenes and ask yourself why did Kato show that? Why is this character thinking that? Why did the character react that way? Kato gives us so much richness to dive into and to see so many people not do that and to take such quick and often incorrect or fragmented interpretations of the events is heart breaking and honestly robbing those people of a really good story.

Rin was wrong in assuming that everyone hated him and assuming that it was as simple as trust. He was wrong to try and force things and to try and force his own interpretations on others. It was only once he started to listen and hear what they themselves were saying that things got better. Now some of this is just the mess of the anime between season one and the start of season two, but a lot is just misinterpretation by the fandom. It can happen to anyone, but that does not mean it suddenly becomes factual because of that.

It's been at least six thousand words and I don't know if this came across as clearly as I wanted it to, but I hope it encourages those who haven't to dive in deeper. It's a rich arc with so many fascinating moving parts in it. I've barely brushed on Tatsuma, Juuzou, Mamushi, and Mephisto in this and their plots are all entirely interesting and add so much! Expect a Yukio and Izumo and possibly Shiemi follow up at some point, lol. Probably just as long though I'll try to be more concise.

If you read this far, thank you! You deserve to crash with the rest of the exwires in Toraya on a nice futon.

As always, look up my tag '#raven rambles' for more of my aoex meta and analysis.

[candy8448]

Thoughts on age of Imprisonment

Really long rant ahead:

These are me talking to my friend who very cassually plays zelda and knows generally the zelda lore and the older games

More thoughts:

Nooooooo i dont like thiss!!! I thought ppl were just speculation with a fourth wild era game but i thought it wouldnt happen, i REALLY DIIDNT WANT it to happen, im so tired of it. Nintendo is just milking it so painfully

This game has no character to it!

In botw, the great calamity was mentioned EVERYWHERE in the game, tied in at every moment, the world was affected and newly recovering from the great calamity, it was the biggest part of the game! The champions were super well fleshed out characters, their relationships with the new champions, as well as their relationships and impact on bith link and zelda were important, the game made you fall in love with the champion's characters, the champions ballad dlc made me cry. Each champion had a completely different and compelling personality and character development making you really care about them... the ancient sages in totk have no character to them at all. They are wise calm reagle people who apear in a single curscene each for like two mins. They have no personality, they all look the exact same with the same outfits which look boring, they have no connections to the characters apart for being the same races and the new sages, they all have basically the exact same script!! and we dont even know their names!!!

Totk's weakest point i think are the memories they were executed in the worst way possible that they felt completely detached to the actual game. The imprisoning war had no effect on the world, we learn nothing of it (the deapths and sky islands doesnt even connect to the story well, they are kinda just there "as a result of ganon" but it sucks! We know nothing of the imprisoning war! It happened IN ONE SINGLE MEMORY CUTSCENE AND THAT ALL WE GET OF IT

Botw had the great calamity so fleshed out, we knew so much of what happened down to akala citadel and the routes the champions took back to their divine beasts!

The themes of all the characters in botw are so good! The champio s had their entirely different styles and characteristics, totk has the same monotonous boring zonai rocks and patterns on everything its so boring

This is totk criticism but i never liked or cared abiut the zonai even in botw, it was cool seeing the ancient mystery civilisation, but thatw as all that the theorists were hyperfixationg like MAD on, like every channel and i couldnt care less. But totk came and cashed in on that and just made the zonai the most boring and least creative thing ever. All that mystery traded for meaningless who cares about them, no fleshed out, nothing. All we know is that they were the civilisation that founded hyrule but we dint actually know anything abiut them or their culture, the yiga who were new to botw had lore that tied in well with existing lore and tribes and had such fun personality, the bananas and ego, which the zonai completely lack anything. Also the style is completely different. The zonai ruins in botw have completely and utterly different architecture to the totk zonai that they may as well be different tribes, i dont like them, so playing them in aoi will be so boring cuz i dont care about them at all

We also dont know anything about the ganon's allies, they are all namelss gerudo warriors which is so boring. At least with astor, he was probably the person who provided the prophecy that we know so much about, at least the yiga were interesting characters, at leadt there were the corrupt divine beasts and blight ganons, there were so many interesting villians on that side. Totk/aoi will have what? Ganon... he doesnt even have any character or personality or goals other than main villian like that is so insanely boring, i dont have any motive to want to fight in the imprisoning war

And thats where i think the outlier between age of calamity being great and age of imprisonment going to be bad. AoC fed off of the knowledge, the adoration for the characters and things and lore we were given in botw, crafting it into a love letter of a game to botw, we were hyped to see the champions and to play as them, there was a reason to want to play it to see all these things we know of the lore play out before out eyes

Whearas AoI we know nothing about the imprisoning war. It had no effect on the world, we have barely 3 mins worth of lore on it, we have zero conection to it at all. The ancient sages dont have anything to them and we dont care about them, so why would we want to play as them? I bet they will all have the exact same fighting style as the champions in botw, and we've already seen the new sages and their fighting style in aoc. Sure it will be slightly different due to their sage powers but it wont be anything that special. There is no lore we will be excited to see unfolding in front of us, we have no emotions or connection to these events other than diconnected cutscenes that dont have any impact. Even raru and sonya are so painfully boring, just the kind and fair and powerful founders on hyrule who talk the same calm way as their sages, its so incredibly boring. The zonai have no culture, lore or personality thay is in any way interesting, and they will be so boring to play cuz every character will end up being a zonai character probably most likely. Also link wont be there, so they will have to find some arbitrary way for him to be here, maybe aoc link, which just does not work at all with the lore of totk that we know it just wont work!!

The roster im guessig will be: raru, sonia, zelda, ancient sages, new sages, link, terrako, ganon

If botw was meant to be courage, aoc meant to be power and totk meant to be wisdom, then what is aoi? The lil middle bit? The nothing?

Idk im sad about this game existing, it only exist so that nintendo can milk the crazy amounts of money botw and totk made. I miss when each zelda game was a passion project from the developer, even botw was that but then totk and aoi...

I was actively not wanting a new wild era game, the art style has now gotten so boring im so tired of it even if it is good, im tired of the grand scale game in the same hyrule for THE FOURTH TIME! Let me remind you, A ZELDA GAME HAS NEVER REVISITED THE SAME HYRULE BEFORE TIL THE WILD ERA

Even eow im tired of the style because its the same iversaturated artstyle and plastic toy look of every other nintendo game and series and it doesnt have that much if its own personality like every single zelda game does, it just reuses (while a really good design and really fitting for the game) the links awakening style and doesnt have its own identity like every zelda game does its so sad

Also we've been here for so long, botw released in 2017, was announced years before that, we've been mingling in this era for 8+ years meanwhile no hero has done that before! Oot and mm released one year apart then that hero was retired, the hero of legend had four games but didnt run anywhere this long even with oot and mm releasing in the middle of his games, im so tired of the wild era and i so so so want to move on

[hualian]

"Do it scared this, do it stupid that" do it out of SPITE. Do it out of vengeance. Do it out of love. Want to prove others wrong? Do it to prove a point and be victorious. You're your own biggest enemy? Do it to prove YOURSELF wrong. In the end, you're the one to do it, so choose one motivator (or none!), and get out there and DO IT