#especially from the creators and in canon itself

[buubonita]

I like fell in a collar . canon fell personality and all, he’s so pookie, just, visually. the fanon chonky spiky studded choker is so aesthetically appealing . ESPECIALLY with a dog tag weeps idc it looks so nice

Canon underfell is actually so cool, not only because it stands out from other au in aesthetics and narrative matters (I really like that Fella decided to rename the routes differently to begin with) but because its creator is as cool as his work and lets us take any version of underfell as canon! The realest fella.

Fanon Fell looks pretty cool in terms of appearances, I won't deny that, anon. But also, Fell Sans itself haves one of my favorite designs, he expresses too much through his oufits and I ADORE IT.

[theinsanefoxwriter]

Gregory Deserves Better...

I never make actual posts to be honest, but I feel the need to right now, because I’m just so…tired of this. My favorite character in the newer FNAF era has been mistreated by both fans and the creators. So I’m making this in light of the new book coming that, at least from the description we have right now, sounds like it’s just Security Breach, except Gregory is replaced by Cassie.

I’ve said many times elsewhere how I suspected they wanted to boot Gregory for Cassie, and...I had no idea how right I actually was. It angers me, but…mostly, I’m just hurt and very disappointed, because it sucks to see a character I loved get so disrespected then practically replaced. The ending of Ruin felt like a slap in the face, and the sting is only getting worse. (And very quickly, in case anybody takes this from what I'm saying, no I don't hate Cassie. I just don't want her to completely replace Gregory.) I’m not here to talk about that situation, though.

If anyone for some reason leaves a comment arguing the points I make, I’m just going to ignore or even delete it. I’m not here to discuss or argue with people who disagree with me and/or think Gregory is a bad character. I just want to express an opinion that I don’t think is said nearly enough. And that opinion is the fact Gregory is severely misunderstood and mistreated by both the fandom and canon itself. I’m not going to get into everything, but enough that you can hopefully understand the point I’m trying to make.

Most of the Gregory hate at the beginning was due to him destroying the animatronics and then lying about it to Freddy. I don’t see how this makes him hateable or a bad person. “Why’d he have to go out of his way to destroy them?” “He’s a bad person for lying to Freddy and giving him the upgrades of his friends.” “The Glamrocks were so awesome. Why did Gregory have to do that?” What kid in danger would want to help or be nice to the scary robots trying to kill them? Or against the better argument, why would he have sympathy for them in a moment of intense danger? When they were actively trying to kill him? He did what he thought he needed to survive, which was destroying them and using the good parts they had to give him a better chance against them. If they had been nice, he would have liked them, but they weren’t. They were after him. And choosing to do that plus being able to do that doesn’t make him a bad person, and it doesn’t mean he's uncaring towards others or that he’s heartless. What I think people don't take into account is that Gregory did befriend an animatronic, the one who wasn't attacking him. He went to great lengths to help Freddy, and genuinely cared for him; that bear needed to be rescued on more than one occasion lol, and Gregory clearly wasn't just doing it because Freddy gives him a hiding place.

And in regard to the lying, I think Gregory hid that he was getting the upgrades from Freddy's friends, because he didn't want to make Freddy mad or hurt his feelings. That does sound like something a kid would do, and he is a kid. He's not gonna be perfect in this situation, and he doesn't even do anything that bad. I don't think Gregory gets enough credit. Everybody just sees a mouthy kid destroying animatronics they like (despite the fact they're hunting him, and the virus has made them basically mindless. Why wouldn’t he?), and they hate on him for it and other rather stupid reasons. Gregory is more than the “annoying” kid who destroyed your favorite animatronics. He’s a clearly guarded and defensive child who got stuck in a bad and terrifying situation, but…in the end, stayed anyway to prevent this and other bad things from happening to anyone else. Gregory cares. Yes, even if he destroyed some animatronics. The creators calling him the “darkness of the Pizzaplex” or whatever they said doesn’t make sense. On the surface, he might look like some child who destroyed Freddy’s friends, but look any deeper at all, and that’s not the case. There’s so much potential for his character, and I’m upset that he isn’t being given the spotlight or time to further explore his potential properly, especially since Security Breach ended up being a bit lacking in a lot of areas: perhaps another factor in why he’s so misunderstood.

In the end, I’m simply tired of seeing a character that I connected with treated like he was just a writing mistake that now needs to be replaced by a “better” character. I’m not saying his writing was perfect, but he deserves way better than this. I feel very passionate about the characters I like, which is why this has affected me so much, and I hope at least a few people see this.

Anything I missed I’m going to touch on briefly here:

GGY? A cool concept, actually, that I wish was utilized in the games. And Gregory is clearly possessed there, similar to Vanessa, so him being Patient 46 and causing people’s deaths can’t actually be held against him.

Dropping the elevator on Cassie? I firmly believe that was not him, and very clearly the Mimic’s doing. There’s solid evidence behind it, but I’m not going to get into it because it’s exhausting. Just know that no one can convince me otherwise. And even if the writers wanted Gregory to do that, it’s out of character and clearly an act of character assassination.

Thanks for taking the time to read this. Now go hug a misunderstood gremlin!

[serpentface]

Do psychotropic drugs and/or ritual play a role in any of the blightseed cultures? A pretty broad question, lol

Yeah that’s a very broad question, the answer is about as much as it tends to play roles in real history. Alcohol is pretty ubiquitous (outside of cultures that abstain from intoxicants) and used for a variety of purposes, opioids are commonly used in some parts for pain relief or recreational purposes, stimulants (usually in mild, natural forms) are used to provide extra energy, and hallucinogens are most commonly used as part of a larger religious framework (rather than for recreational purposes). Any more elaborate answer kinda has to be case by case in a certain culture or part of the setting.

I'll just take this as an opportunity to talk about the one established sect that pretty much REVOLVES around psychoactive use. This is the Scholarly Order of the Root, which is a sort of mystery religion + elite community of scholars who currently occupy the Ur-Tree and its forest in the far southern Lowlands (southeast of Imperial Wardin, on the same land mass).

The Ur-Tree is the obligatory Huge Fucking Fantasy Tree (and its surrounding forest). It’s a mass of vegetation about a mile tall and almost as old as Plant Life Itself, its upper branches are primeval plants, which become more modern the nearer they get to the ground (and each 'level' holds tiny ecosystems, some containing descendants of LONG-extinct arthropods/other small animals). Its lowest branches and the surrounding forest are contemporary plant life, and all is connected and protected by an incomparably MASSIVE fungal mycelium network (which is itself a living god).

A lot of the Scholars' more secretive practices revolve around experimentation with substance use with the goal of expanding the Mind and transcending the body to fully connect to the Dreamlands, and they have a supply chain of traders and mercenaries called Rootrunners who traffic substances into the Lowlands. Most of their psychoactive use is in a very intentional capacity and not just like, for fun, but a LOT of them are just straight up addicted to cocaine (in the form of alchemically refined bruljenum, which is used for practical purposes of its stimulant effect during long hours of work).

All known psychoactives are desirable for experimentation (particularly hallucinogens), with each having properties that either allow expansion of the Mind, transcendence of the body, or outright divine communion. Their effects are logged in great detail and interpreted to form the basis of the Scholars' understanding of the natural world and reality itself.

The most important substance is Ur-Root, which is root matter from subterranean levels of the Ur-Tree that have both their own intrinsic psychoactive substances and a very, very high concentration of living god mycelium. The tree root contains DMT and the mycelium has its own wholly unique effects (being an actual living god). They alchemically refine it into a purer, more potent form, and use it to expand beyond the body and directly commune with the Giants, a group of entities they have identified as the only true gods.

An Ur-Root trip starts off with minor visual distortion, which turns into shifting fractals that slowly obscure the vision. Eventually the senses are entirely taken over by a 'tunnel' of rapidly shifting fractals and geometries. In a complete trip, the experiencer gets a sense that they have been pushed through a membrane and entered another realm, finding themselves in a distinct experiential Space.

At this point they may encounter entities which communicate to them in a language impossible to describe but wholly understood. These beings are understood to be the Giants, or at least aspects of the Giants that mortals are capable of comprehending (they often take familiar tutelary forms of the Mantis or the Snake, or appear resembling the same type of sophont that the experiencer is, all composed of ever-shifting geometries). The experiencer often feels a sense of unconditional and endless love from these beings, though the Giants may be more hostile and may appear in the form of the Trickster (usually a cultural figure regarded as malicious, be it an animal or otherwise) in a bad trip.

(^Up until this point, this has mostly just been a DMT 'breakthrough' experience ft. 'machine elves' and the like).

They are then removed from this space and returned to something that feels like the real world, but is nearly unrecognizable. They have a sense of rapidly moving through time, and will usually see 'the spires' towards the beginning, which just so happen to look like this:

(source + some context via Implication- the spires are exactly what this art is depicting)

The experiencer continues to move across an unfathomable amount of time, occasionally 'seeing' other such flashes of unfamiliar landscapes and creatures, and yet also being devoid of all their senses, the 'seeing' is pure, unfiltered experience. There is a sense of interconnectedness with all life, and that one has become the forest (or even Life) itself. The sense of time is wildly distorted, the trip lasts only about 5 minutes but feels like an eternity and is understood as literal hundreds of millions of years.

The experiencer has usually lost any remaining sense of Self and individual consciousness during this phase (in which case this time distortion is usually a neutral or even peaceful experience), but some retain a fraction of their identity, and find themselves trapped and conscious while experiencing what feels like eternity (which can be LIFE-CHANGINGLY distressing, even after the fact).

(^This latter part of the trip is the effects of the Ur-Tree fungus).

The trip ends with a sense of rushing through the ground and back up into one's body, at which point they will abruptly return to their senses and consciousness. The details are then immediately retrieved via interview and recorded in immense detail. The whole experience is understood as having been full comprehension of the Dreamlands, communion with the Giants, and then a tour through the act of creation.

This is done as part of the initiatory practice into the inner mystery-religion of the scholars, and as needed for study by high scholar-priests. It is not taken lightly, both as it is absolute communion with the gods and reality, and in that it can be a very, very difficult experience. People who have gone through this often walk away with a permanently shifted perspective, often in a positive and/or comforting way- a sense of interconnectedness with all life, a peace with the concept of death, seeing less of a point in individual ego and the concept of Self, and comfort in the sense of divine love they (may have) experienced. This heavily influences the philosophy of the Scholars and has had effects by proxy in the religious worldviews of the region.

Details of this experience are closely guarded, and initiates are given absolutely no prior knowledge and expectations for their trip. This is seen as a necessity- their naivety will allow for a true, unfiltered experience, and can be used to gauge whether they should or should not be accepted. Those that have a distinctly bad trip upon initiation may be assumed to have been 'rejected' by the giants and thus denied full priesthood, though this largely depends on How they interpret their distressing trip- those who identify this as a test and harsh lesson in a journey to enlightenment may be accepted (as this is how fully initiated scholar-priests interpret and handle their bad trips).

This inner priesthood is only a small fraction of the Scholarly Order, and its greater function is as a hub of education and repository of knowledge, and Scholar-trained doctors can provide some of the best medical care available in the setting ('best medical care in this setting' only means so much but it's pretty solid, relatively speaking). Only a chosen few Scholars ever get to commune with the Ur-Root, and most of the divine secrets revealed in the process are kept hidden (though they indirectly influence the politics and worldview of the entire order).

[hermitcraftx]

just got a dm abt one of my posts and y'all please don't try and show the hermits (or any minecraft youtuber or content creator for that matter) my posts, i'm uncomfortable with it and don't want any of my posts shown to a cc. if they stumble upon it naturally that's unfortunate but i can live with it since i do maintag a lot (something i REALLY need to stop doing tbh i already know i need to make a tagging system just for my blog that wont clog results) but going out of ur way to show a cc is entirely different and something i am not comfortable with.

no hate to the person at all but even if i wasn't a little silly and weird with it sometimes i wouldn't be comfortable with it, i want my blog to be a purely fandom only space with none of the creators involved <3 please respect this

[elizakai]

I like thinking about their more canon adjacent dynamic (character wise)

MINI ANALYSIS TIME

Because while I love the soft interpretations, even WITH those let’s be real; that’s not how they’d act off the bat

Horror would be extremely judgmental (fair) and hate Dust for what he did. He’d despise him and probably be very passive aggressive. Making jabs and making his disdain apparent when they have to interact. I think getting a read on Dust is also difficult and would piss Horror off. Horror is unpredictable and has a sadistic streak, if he was mad or manic and had Dust in a corner he’d have no qualms about manhandling the guy. (And Dust probably wouldn’t do much to stop him.)

Meanwhile, Dusttale’s creator was asked once how Dust may feel if he met Horror, to which they said he feels bad for Horror. He likes him, sees him as someone who went through something horribly undeserved. In my mind Dust is somewhat protective of Horror.

I interpret these clashing of dynamics as Horror’s just utter disdain for this guy, and Dust’s resigned acceptance of Horror’s judgment. He’d agree with him if he were to judge himself, but I think a part of him wants Horror’s approval. He doesn’t EVER expect to get it, but Horror is….

While he’s seen hell, he’s almost a less tormented version of Dust himself. Deep down they are the same. Horror has suffered greatly, but even still hasn’t hit the deep end dust has, and I think he’d want to protect that sort of innocence he’s granted. One could think of it as him protecting a piece of himself he himself has already sacrificed. And wanting APPROVAL from him, wishing to be forgiven, craving that small piece of validation or understanding as he tries to reconcile with himself.

Horror’s formed opinion makes sense, he agrees with it, and simply wishes he disagreed, that he could have proof of himself being a FRACTION worthy of forgiveness or understanding.

The judge in both of them has both formed an opinion of the other, and they happen to differ greatly. Horror sees Dust as an abuser and Dust sees Horror as a victim.

I like to imagine that, while reluctantly thrown into the same general vicinity, Horror would grow to be more understanding (again if we are going with a PROGRESSIVE plot line) and come to understand that, yes, he wasn’t WRONG, but there is nuance to the situation. They both have a very grim understanding of what it’s like to be trapped. I think he has the capacity to understand Dust better if he was given time. His hands aren’t clean after all, and he knows what it’s like to be forced into a situation and to feel backed into a drastic decision. He knows what it’s like to lose your autonomy and to feel your mind break itself under pressure.

I think the simple fact that Dust wouldn’t TRY to change his mind or justify himself would be part of why Horror could come to understand him. He’s devestated by his actions, he is by no means a sadist.

Horror coming to understand Dust and sort of reconcile/forgive him I think would be rather BIG for Horror, especially if you factor in other situations he now has to consider. (For example, his Undyne and her drastic attempt at freeing the undergroud…) reconciling his OWN arguably cruel decisions he has made with pure intentions, when he feels there’s no other choice (like his Papyrus and tricking him into doing something so outside of his beliefs, to protect him)

It would also be healing for Dust to get that reconciliation with Horror because again…Horror’s opinion actually may MATTER.

And in the same way that Dust may see Horror as a sort of person to be protected from further harm, Horror would probably pick up on all of the VERY bad habits Dust has that (in my observation at least) are EXTREMELY similar to his own habits/past habits (isolation, obsession, deprivation, paranoia, bringing harm to self etc) and I could see him being sensitive towards those and trying to prevent it worsening (it’s a sore subject💔) Horror is shown to prioritize taking care of those he cares about, even when he’s a bit mad, and he has the capacity to grow an understanding for someone he doesn’t like initially :))

I think they have potential to be VERY good for one another, Horror (while being fucked up) encourages (and maybe forces) better habits and actually has an opinion that matters to Dust, and Dust is inclined to be VERY loyal (Horror needs someone to show him loyalty.) to anyone who cares to give him the time of day, as it’s far beyond what he’d expect, and he’s got the sympathy/protective streak towards Horror as an actual in character detail.

And from there it would be wonderful to explore their dynamic in whatever way you like to interpret it🤫💥

I could go on but I’ll stop here, if you read this all CONGRATS!!!

Share your thoughts I love it

[kawareo]

Thank you lovely people for giving me a chance to ramble more about something (this is genuine, i mean no shade)

I find it really cool how every character has a parallel with Durge! In general every single romance pairing has reasons for why i think "yeah i could see them being good together", but I love those for Durge especially since I think about Durges way too much

Gale. Prodigy, Chosen of a God(ess) with a relationship that went far past god/Chosen, with him and Mystra being 'lovers' and Durge and Bhaal being 'family'. They were also both groomed to a degree to fulfill a role and have since fallen from grace of their gods.

Lae'zel. Raised in what is essentially a cult, having her entire world fall apart when she learns the truth about Vlaakith and Orpheus (while Durge's world falls apart when they learn about who they are in act 3). Cult has harsh and merciless punishments for those that disappoint, with death and beatings for githyanki and... Well. You know what, for Durge (looking at you, deleted bad ending).

Shadowheart. Having an equivalent of an electric collar on you that her God(ess) can punish her with (for Durge, that punishment isnt so immediate but Bhaal can literally stop their heart if he wants to). Amnesia. Having to choose between leading your cult or leaving everything you thought you knew and being an outcast. Depending on what you do with Shart, they also both kill their parents.

Karlach. Having your body changed without your consent, in drastic ways that you have no control over; the engine for Karlach, lobotomy + Slayer form for Durge (slayer in a more minor way but i will say that even in evil route you dont get a say whether or not you transform the first time). They both hurt people that get close to then without meaning to. They both have someone more powerful who sees them as property. Also, ties to Gortash.

Wyll. Daddy issues! And being rejected and outcast by your Father, wanting to prove yourself that you're still worthy. They were also both given shitty fucking names by their dads. They both at some point chose between power at the cost of freedom and freedom at the cost of literally everything; Wyll when he made a deal with Mizora, Durge at multiple points through the game when it comes to Bhaal. They both struggle with being tied to an evil, manipulative being that wants them isolated and weak and alone. Similar with Karlach, unwilling body modification, but specifically one that turns you into a 'monster'.

Astarion. 'Father'. 'Siblings' that you are in constant and brutal competition with, for momentary approval of your Creator who will never have enough of anything short but the world. Creator who's end goal very much includes you dying for him. Having no bodily autonomy as your Creator can literally violate your mind whenever. Sexual abuse. Struggling with bloodthirst! Your existence itself is violent, you can't live without hurting someone! (Bloodthirst for Ass, Urges for Durge)

Halsin. (Potential) guilt for something you have done, being pushed in a leadership position (Halsin at the grove, Durge with companions) that you may or may not be unsuited for. Being so, so alone, without anyone to care for your feelings. They both also have sides of them that they sometimes can't control, with the Bear and Urges, or more literally, the Slayer.

Minthara. A proud and efficent warrior that got one upped by a person they underestimated. Ties to Orin. Living as someone with the highest social status in a brutal, cruel society. Fanatic worship of an objectively evil god(ess) and then the betrayal that follows, waking up from quite literal brainwashing, seeing how your God(ess) turns against you.

And I could go on! Theyre all so good and interesting and depending on what path you decide to take, there is always something that Durge can relate to on with any companion! I tried to avoid repeating points or talking about my Durge specifically by just talking about what is set in canon for them, and there is still! So! Much!

[madlori]

If the only thing you can lord over buddie is that bucktommy is canon, then you really didn't care at all about the ship.

7 seasons of being a family unit, being there for each other, having each other's back but hey! Here comes another underdeveloped love interest, but since it's a man this time, you don't care about Buck being stuck in the same hamster wheel, again, because he's kissing a man and that's hot 🙄

Also for all your doom and gloom about buddie not happening, do remember that Tommy/Eddie was an idea in Tim's mind at first, so Eddie can be read as queer, even if it's not in canon yet.

I guess you don't place much value on them being a family unit and always there for each other, and having each other's back...all of which is still true and will continue to BE true. But it's only important to you as a prelude to them kissing, right? It has no value in and of itself. I love their relationship. I love what they are to each other. But YOU are making me not want to see it, because every time they turn to each other, lean on each other, support each other, we have to listen to you shrieking BUDDIE CANON CONFIRMED or whatever, because to a certain genre of shipper (not all buddie shippers, etc) any interaction or feeling they have with each other exists only in service to the ship.

I swear to god, I'm gonna banish the phrase "hamster wheel" from y'all's mouths until I get an actual definition as to what you think it means, because from where I sit, to you it just means "he's with someone who's not Eddie." To me, it means that Buck continually fell bass-ackwards into relationships that weren't right for him, looking for something he wasn't even sure what it was. And heyyyyy, he's currently in a relationship that he actively chose and fought for, having learned something new and important about himself, with someone who makes him giddy and excited in a way we have never seen him be, who the people around him can see gives him contentment. But none of that matters, because it's not Eddie, and that is by definition his only appropriate partner, so he must still be on that hamster wheel. Also if we're going by creator intent here, Tim's said he wrote this relationship specifically to reflect Buck being off of it.

As for underdeveloped love interest? I wrote an entire ass essay about how MUCH we know about Tommy, and it's reams compared to anything we've ever known about Buck's girlfriends OR Eddie's current girlfriend who does not even have a last name. Tommy has been introduced in a way that integrates him with the 118, with multiple interests, a character arc of his own from his first appearance, a set of motivations and emotional arcs that are NOT about Buck, and something to actually offer in a relationship besides existing. Anyone saying he's underdeveloped is determined to read him as such, especially for the limited amount of time we've had him.

And I never said Eddie couldn't be read as queer. He can EASILY be read as queer. I said he WOULDN'T be. Those are two different things. If Tommy and Eddie had gotten together (which I give no more narrative weight to than Maddie and Eddie getting together, which was also a gleam in the eye at one point) I'd equally be saying that Buck would never be queer.

It's hilarious to me that I'm being accused of liking a ship because it's hot (it is, and I do, and that's...fine? there's nothing bad about that?) as if people enjoy Buddie because of the amorphous purity of it all and not at ALL because it's hot (it is and you should say so).

If my thoughts about this are so upsetting to you, just block me, dude. I promise I won't take it personally.

Also, just...learn to enjoy a ship whether it's canon or not. I've done it, we've all done it. It's not that hard, especially THIS ship, which has so much good stuff to it regardless of whether there's romance or not. Those of us who like Buck with Tommy are not taking away from you enjoying Buddie, or anyone doing so. It's not like...the State of Buddie will lose congressional representation if the population falls below a certain level. The existence of another ship does not affect yours.

[dcafanzine]

We’ve been getting a lot of asks about what the application process will look like and what to do, so here are a few tips that should help you out! (This is not required reading if you’re looking to apply, but it might help!)

When you’re applying for a spot on the DCA fanzine, we will be asking to see examples of your existing work. You might be wondering what would be considered a good fit, and which of your existing pieces to choose to show off in your contributor application.

NOTE: PLEASE do NOT create pieces you are intending to submit to be included in the zine itself as part of your application! Zine pieces are to be created by contributors in the three month period following their being selected to be on the zine. We cannot guarantee you a spot, so please don’t burn yourself out trying! There will be other chances!

(Oh, and please ensure viewing permissions are on when you’re sharing any links in your application, so we can see your work!)

Now on to the fine details …

For all applicants:

This zine is a celebration of our beloved celestial jester(s), the daycare attendant(s) - you will need to submit at least one example piece in your application (preferably more) that features these characters, with depictions of them in a canon-adjacent* form being a huge bonus.

Pieces submitted in your application should ideally be safe for work, as this will be a safe for work zine. This zine isn’t playing to a specific mood or genre, so feel free to go wild with depictions of fluff, angst, horror, etc. so long as these fit broadly under the PG-13 rating. Shipping ideally shouldn’t be the focus of every example provided either as this zine will not be specifically focused around romantic ships but more on the character(s) of the daycare attendant(s) themselves.

A limited number of AU spots will be available but in order to accept AU works as final pieces in this zine we request that you must either be the creator of the AU, or have express permission from the AU’s creator.

*Canon-adjacent here doesn’t mean the depiction has to be biblically accurate, just that the design should not differ so substantially from what would typically be recognised as the DCA to essentially be a separate character. This fandom is intensely creative and we love and applaud the originality of the many different variants of the DCA, but this zine aims to focus primarily on canon-adjacent depictions, with a limited number of slots for AU content as well. Having canon-adjacent depictions of the DCA will massively help round out your application for this zine!

For some positions, you will be asked to give 1-3 idea pitches, with at least one idea pitch being required. Pitches should summarise what you might be thinking of creating for the zine, showcasing your creativity and helping you brainstorm ideas for what to make if selected. Your pitch will be especially useful if you are hoping to write or illustrate any AU content, to give us an idea of what sort of thing you expect to contribute. Your pitch may be on the longer or shorter side depending on what you prefer, just as long as it illustrates the idea(s) you are aiming for. If you are selected, you will not be required to create the idea(s) you mentioned in your pitch, and will be able to change your mind on what you wish to create for the zine at a later point.

For writers:

We are looking for around 5 writers to join this zine. Upon being selected to be contributors, writers will write a short self-contained story (around 1.5-2k words) which will be illustrated by the spot artist they pair up with.

What we’ll be looking for in a writer application is readability (how well the example writing submitted for the application flows and how easy to follow it is), pacing, vividness of characters (characterisation of Sun and Moon in this fandom tends to vary a lot, so we’ll be looking more at consistency and imaginativeness here!), and how engaging the example writing is, as well as the ability to wrap up a short story. For this reason, while excerpts reaching around the 2k mark will be happily accepted, at least one of the examples should be a self-contained story or scene that fits within (or close to!) the word limit listed on the application form!

For page artists:

We are looking for around 23 page artists to contribute to this zine. Once selected as contributors, page artists will create a full page illustration featuring the daycare attendant(s) for the zine. A page illustration should fill the space on the page nicely and play to your strengths. This could be a coloured illustration depicting one or multiple characters with a background, a neat photograph of a sculpture or traditional piece you’ve made, or even a nice neat one-page comic! So long as it fits nicely on the page without compromising its quality, it will likely make a great fit for the zine!

What we will be looking for in a page artist application is composition (how elements in the example pictures submitted for the application like the background, props, characters, etc. work together), atmosphere (how the example pictures build a mood), creativity (unique and quirky representations and ideas!), and the level of polish the example pieces have (so overall how neat and nicely finished they look). At least one example provided will need to have a full background (so something containing complex background elements or designs or scenery, like a room or a scene).

For spot artists:

We are aiming to have around 5 spot artists for this zine. Spot artists will be paired up with writers, illustrating smaller scenes written for the zine. The mood of these pieces might vary greatly, but should match the tone and content of the writing.

What we’ll be looking for in a spot artist application is how well their example pieces convey a particular mood and/or feeling, as well as how well they present a scene in a smaller space. The example pieces submitted might not need to be as detailed or polished as those required by full page artists, but should be just as expressive!

For merch artists:

We will be looking for around 2-3 merch artists for this zine. Merch artists will design merch to go with the zine when it potentially hits certain sales targets. Prior experience making merch is greatly preferred for applicants applying for this role.

What we’ll be looking for in a merch artist application is the ability to make neat, simple designs that translate well as physical and digital merchandise.

Hopefully that clears a few things up - and please don’t be too daunted by all the details or feel you have to play perfectly to all of the ideas given above, every single one of us is different and the most unconventional of application pieces might be just the thing we need! This is just to make the application process a little clearer for anyone who’s nervous about what to submit. If anything is still a little unclear, please feel free to send us an ask on our Tumblr or CuriousCat!

[sokkastyles]

I have a question, I know we know that shipping does not equal morality. And I get that, and I really like that. However, on my other blog, that should have been my main blog (yes I am that dumb). I have talked about Aang's non-consensual and criticized how Kataang is written, however, if you ship Kataang I won't come for your throat because that's not my style. I know the few misogynists/antis on here and on Twitter, and I don't want to let a few bad apples be my impression of a fandom, that's not fair, So now I'm side-eyeing myself over my past remarks. Likewise, I know shipping is not equal to morality, but I also want to criticize Kataang because of how flawed it is and how wrong that kiss was (and other things). I have no idea what I'm saying because at this point I'm rambling. What do you think?

Well, there is a difference between criticizing a ship and criticizing canon. I don't honestly care what people ship. I use the antikataang tag because I don't want to argue with people who do ship it, but that doesn't mean I won't be critical of what is in the show. I think expecting people not to engage critically with media is absolute nonsense. But there is a difference between engaging critically with the actual media and criticizing people's fanon or headcanons, which is where you get away from critically engaging with canon and move into the area of criticizing other people's opinions, which is how arguments start.

Like, there isn't really any actual concrete argument you can make to criticize zutara, because zutara does not exist in canon. It's all fanon and headcanons and speculation. And criticizing other people's opinions just makes you look like a dick.

You also have to take into account the intention behind something. The thing about the way Katara's relationship with Aang is presented is that we're supposed to root for Aang to get Katara, and every obstacle towards that end is just there to create dramatic tension for the male point of audience identification. That's the real problem with the noncon kiss, and people who are critical of it are right to point it out.

In contrast, when I say shipping isn't morality, I'm talking about people who write, let's say, dubcon zutara fics. Fanfiction as a genre is largely female-centered fantasy. Yes, even those lurid fics you're thinking of. People write and read these fics for completely different reasons and have completely different expectations than when watching a series like ATLA. Trying to say that someone can't criticize the way the show presents Aang kissing Katara after she said she was confused as a mistake to be glossed over (that is forgotten as soon as it happens) because they also happen to like reading darkfic is nonsense. There's also a long history of women's interests being policed that informs my views here, vs the fact that consent has only fairly recently become a conversation in mainstream media. You have only to look at the way the show itself portrays Katara having interests (especially in boys) outside of Aang as dark and dangerous to see this happening in ATLA itself. Or the way the creators got away with saying that zutara shippers are doomed to end up in abusive relationships while painting Aang as a typical Nice Guy stereotype who expects Katara to magically become his girlfriend (and gets angry when she doesn't) and seeing nothing wrong with it.

The thing is that zutara, if we look at the way it's written in canon as a metaphor for a romantic relationship, follows the same tradition of how fanfiction has historically existed as an exploration of romantic and sexual dynamics. Those conversations about consent are actually happening and being explored in fanfiction, even the dark stuff, whereas relationships that are presented as "wholesome" often push us to NOT have those conversations. So when I say shipping isn't morality, what I actually mean is that noncanon shipping and darkfic actually has more of a moral leg to stand on than uncritically engaging with relationships on the grounds that Aang is the hero so his goodness and worthiness to get the girl should just be assumed. Zuko has to work for his right to be in a relationship with Katara because he didn't start out from a place of goodness, and that, on its own, is very female centered because instead of starting out from the perspective of the male hero deserving a relationship by virtue of being the hero, we see the idea that a man has to work to gain a woman's respect and affection.

So it's not so much that I hate KA, but I hate the idea that we should engage in it uncritically. And that would be true even if it really was the most wholesome relationship in the world. The same thing cannot be true of zutara because even the darkest of darkfic are about women centering themselves in the narrative and engaging with power dynamics in ways that are subverting patriarchal norms about relationships by definition.

[antianakin]

What are your thoughts on this stupid "Jedi train child soldiers" accusation?

The Jedi aren't soldiers, so I feel like by definition, the kids cannot be child soldiers.

I feel like most of the people who make that accusation are talking about Ahsoka, who gets sent out at 14 when a war is happening and the master chosen for her is actively on the front lines as a general. And my best argument for this is just that it the reason behind having a padawan in the show so clearly wasn't as a condemnation against the Jedi using child soldiers. She's there because it was a show for kids and they wanted a main character who would be the age of most of their viewers (or close to it anyway) and they gave her to Anakin because Anakin is a main character of the show (kind of a requirement in order to give her enough air time to make her presence reasonable) who needed development in a specific direction. That's literally it.

There's never any character who questions Ahsoka's right to be on the battlefield aside from Obi-Wan, Anakin, and Rex at the very beginning and it's primarily just there to let Ahsoka look cooler when she proves them wrong and provides a conflict to overcome by the end of the movie's arc. So while I UNDERSTAND that Ahsoka does, in essence, become a child soldier, this falls into the same category for me as the "droids/clones are slaves" accusation where the narrative never actually acknowledges this as being true, so as a viewer, I generally try to analyze it more from a Doylist standpoint than a Watsonian one. Is it technically true? Yes. Is it something the CHARACTERS seem to believe to be true? Maybe, but it's never really discussed, so you can't really claim the narrative itself is intended to be viewed that way, especially as a condemnation of characters who are incapable of acknowledging something that their creator did not.

What's unfortunate is that, while Ahsoka is indicated very clearly to be YOUNG to be a padawan, every single other padawan character we've met and spent time with was taken just as early as Ahsoka if not early (Obi-Wan canonically was taken at 13, Anakin at 9/10, Cal at like 12/13, Caleb at 12/13, even Ezra at 14/15). This ends up lending a LOT of ammunition to the argument that the Jedi often choose padawans around the age of 13 and those padawans then immediately have to go out into dangerous situations when they follow their masters on missions. If we believe Obi-Wan and Anakin's comments about Ahsoka being young to be a padawan, then the implied common age for padawans to be chosen is probably closer to 16-18 (which makes the whole concept of characters being knighted at 18 or less sort-of ludicrous on so many levels). If we assume that it's a LOT more common for padawans to be chosen at 16-18, then it feels a lot less weird to be taking them out on missions because that is generally when a lot of cultures consider children to now be adults. YOUNG adults, for sure, but adults ready to take their first steps out into the world and experience it more for themselves. They're NOT child soldiers, they're apprentices learning a particular trade.

[blastaway2004]

Bryke comparing Aang and Katara’s relationship to a younger brother/babysitter isn’t the “gotcha” ZKs think it is.

So Bryke the nickname of the A:TLA creators once talked about teen romance tropes, to paraphrase “younger boy likes older girl but said girl only sees boy as a younger brother or as themself as their babysitter”. This was coupled with an image of Aang and Katara. There was also an article saying that dynamic is Aang and Katara’s. ZKs seem to think this is a “gotcha”, that Katara canonically thinks of Aang as her younger brother whom she babysits.

HOWEVER!

This was specifically taken from A:TLA’s original pitch bible, which contains INTIAL ideas for a show, its characters and world. Many things in pitch bibles don’t make it into the final show, for example in the original pitch bible for SpongeBob SquarePants (originally SpongeBoy Ahoy!) Sandy Cheeks the squirrel was described as the apple of SpongeBoy’s eye and was suppose to be SpongeBoy’s love interest, but in the actual show the romance was dropped, there was some occasional ship-tease (especially in Sandy’s first two episodes), and tons of people ship the two, but SpongeBob and Sandy’s relationship is platonic.

With Aang and Katara, while Bryke may have originally intended for their relationship to be unrequited with Katara viewing Aang as a lil bro to babysit, this isn’t present at all in the show itself.

I’m gonna make a bold statement and say that Katara objectively DID have feelings for Aang. Even if they weren’t super obvious and spelled out like Aang’s feelings. The Cave of Two Lovers and The Headband are the most obvious examples but there are also other notable more subtler examples, for example, Katara is very physically affectionate towards Aang, something she doesn’t really display with anyone else. 

She has a lot of respect for Aang, she choses Aang over her tribe despite knowing him for one day, she defends him from that old fisherman, suggest he be the leader of the group, asks for his opinion on how she looks, she dismisses Sokka’s idea with finding the Earth King but quickly changes her tune when Aang suggests the same thing, she gets all embarrassed and flustered when Aang comments about her hair. Point being she clearly views Aang as an equal and her peer, not someone she begrudgingly has to babysit.

She herself even straight up says she loves Aang “for the people who love you, watching you be in that much rage and pain is really scary”. And she dismisses the notion that she views Aang as a brother in The Ember Island Players. If anything, actress Katara saying Aang is like a little brother was probably just a mythology gag based on the original pitch like Toph being a dude.

So, all-in-all, the babysitter Kataang comments really don’t mean anything, because they’re about an initial idea that was clearly scrapped in the show itself. Even if it is what inspired Kataang, who cares Aaron Ehasz agreed with a comment comparing Zuko and Katara to siblings and that she was foil to Azula (something I agree with). Bryke even made a joke saying “people who ship Zutara will have doomed relationships”. Given some of the weird takes from these people, I almost feel inclined to agree.

[dukeofdelirium]

https://www.tumblr.com/xabura/752028677741608960/bryke-confirming-that-katara-loves-aang-like-a?source=share

I gotta ask you something? Apparently there was a behind the scenes interview and Bryke compared Katara loving Aang like a babysitter or to a younger brother. This confuses me so much. Especially seeing as this is from the creators who are Pro Kataang as far as I know and the show itself contradicts this as Katara doesn’t view herself as babysitter or Aang as a younger brother despite what the ZKs will say. What does this mean? Are the ZKs right? 😱

Zutarians are so obsessed with trying to find canon “validation” for their fanon ship that they’re digging up shit from almost 20 years ago and then misconstruing what Bryke even said 😂

Bryke didn’t literally say “Katara and Aang are like siblings and her role in the story is to be his babysitter”. They were talking about how they liked teenage drama stuff and always found it fun and engaging, which is why they then began discussing common tropes WITHIN said genre of “teen drama” which is a younger guy liking an older girl and how said girl usually viewed him more platonically at least at first.

They were literally just discussing different things that they found some sort of inspiration in or that they wanted to play on in some manner in their own storytelling. They weren’t literally discussing Kataang itself as it is written when they mentioned genre tropes 🤦🏻‍♂️ they then go on to say they feel that Katara is really the “heart” of the group while Aang is the “spirit”, and that Katara is really the first person Aang feels a deep connection to and that she and Sokka are like his new family. They are also strictly discussing book 1.

Bryke drawing some kind of inspiration from teen drama and its many tropes doesn’t make anything in their show a 1 to 1 replica or iteration of such. Writers know how inspiration fuels their own work, and I say that as a writer myself. Small things can spark ideas of your own, especially if you enjoy the tropes and genres already which bryke literally said they frequently watched happily.

It’s crazy to me that they still try so hard to invalidate kataang by failing to actually listen to anything bryke is saying as they meant it. The whole behind the scenes thing was also not even for ATLA itself but was rather over the M Night movie. Like???? Zutara is never gonna happen, stop trying to make it happen 😂 kataang is canon and endgame. “reeee they’re siblings!!!!!” they had 3 kids 💀

[creativepromptsforwriting]

What is... Canon vs. Fanon?

Canon includes everything that actually happens and is described in the source material. It can also go on to include statements from the creators about their work, but this part is debatable. Especially if these statements happen some time after the work was published.

Fanon is a portmanteau of the words fan and canon. It refers to ideas, theories and interpretations of the original source material that were made by the fans. These ideas fill plot holes in canon, give a character more background info, answers unanswered questions and so on.

Fanon mostly refers to theories that are not only personal headcanons of one fan, but that have the support of a substantial part of the fandom. In some cases fans insist on accepting fanon ideas more than the canon ones, especially when canon actually contradicts itself and the creators seem to forget about parts of their own work.

[darklinaforever]

I love people who say that we romanticize and pedestal a groomer by talking about Daemon in relation to the fact that we ship Daemyra instead of Rhaenicent or Rhaesaria.

Basically ship Rhaenyra with two of the women who canonically ruined her life in Fire and Blood and who in HOTD, sorry Alicent isn't better and Mysaria... damn where did that shit even come from.

Because apparently it's more moral to ship Rhaenyra with her canonical abuser (Alicent) in HOTD and F&B, or to ship her in a relationship that makes no narrative sense in HOTD, Mysaria therefore, and which in Fire and Blold goes literally taking advantage of Rhaenyra's paranoia to do shit and make a mess of our queen's life.

Rather than with Daemon, her husband whom she loves and who is a healthy relationship in F&B, but somewhat problematic in HOTD, but not because of the character itself of Daemon with Rhaenyra, but because the writers love to write scenes abuse that comes out of nowhere too !

Why am I writing this ? I came across an indecent number of Rhaenicent fanarts and edits, not to mention the related posts which say again and again that Daemon is a groomer (HOTD or F&B) without obviously understanding the definition... My brain is bursting with force.

No hatred towards the artists and content creators for the edits because they have incredible talent. Simply, I need to express my incomprehension in the face of so much success in terms of shipping and especially the comments made on these ships.

[louisjude]

im a multishipper. i ship buddie and bucktommy. but if im being honest one side is being incredibly more hateful and toxic than the other side. (aka the one thats been around longer) maybe i’ve taken off my rose-colored shipping glasses, but seeing ppl make hate posts abt tommy/lou gives me the ick. it makes me actually realize why oliver left twt. bitterness will get you nowhere. if buddie is meant to happen then it’ll happen. you cannot force it to happen. everything i’ve seen and read tells me buddie was more of a consideration pre-s5 than it is currently. and that fucking sucks but just because things aren’t going your way doesn’t mean you need to get on the internet and be a bully. it’s truly mind-boggling to see people so intense in their hate for a character that has righted his wrongs, who is now friends with the people he wronged, is well-liked among said characters and is now being a positive influence on buck’s newfound sexuality. their dynamic is also nothing new, pessimist/optimist ship dynamics have been around forever and it’s only a problem because it’s not eddie.

i would be happy for buddie to go canon as much as the next guy. getting buck canonically bisexual is mind-blowing enough in itself, i’m glad we’re witnessing it at all. if ryan doesn’t want to do buddie because he feels its important they stay friends then so be it. platonic friendships between a queer man and straight man are important, especially one that runs so deep like buck and eddie’s. sure, their friendship could be read as romantic throughout the show, but partly because oliver and ryan truly share a great chemistry on screen which helps lean into it but also because these shows are not written with an endgame in mind. 9-1-1 is very much a go with the flow show, and if bucktommy is where the show is flowing then that’s what is meant to be. invisible string theory isn’t because ppl think it was always planned from the beginning, it’s because it’s amazing how well buck and tommy becoming a couple comes together so perfectly out of pure coincidence.

we know buck was supposed to be made queer long ago. we also know maddie originally was brought in for eddie but was put with chimney instead. if tim minear hadn’t left after s4 i truly think buddie could have been already established by now, but unfortunately that isn’t how things work. perhaps the idea of tommy and eddie was pitched but ultimately ryan didn’t agree it would work for these character nor the story being told at the time. buck was already supposed to be queer, so turning it to tommy and buck instead makes total sense.

no one is saying you aren’t allowed to continue to ship buddie. most ships in the world are ships that have never gone canon. buddie is valid even if it’s non-canon. god knows i will continue to read and write for them and enjoy them whilst also enjoying buck and tommy together. the behavior i’ve been seeing though is just weird, especially from larger creators who i understand are very passionate for buddie, but it’s weird when you flip it into tommy/lou hate instead of just talking about buddie itself.

perhaps the theories will be true. we don’t know! maybe buck and tommy won’t last and buddie will be endgame. i’m happy either way because buck’s sexuality is so important for him and at the current state of the show eddie is absolutely not ready for anything romantic because he’s still grieving shannon to a point where he is not ready to move on romantically just yet and we’re literally shown this. even if buddie is happening, it is not happening by the season finale nor is it probably happening by the beginning of s8 considering the current storylines and where they’ll be at by the end of this season. lou probably isn’t going anywhere and from the looks of it, we’ll probably be bumped up into a semi-regular character in s8 like karen. he’s easy to write into the plot, he’s got connections to people and emergencies outside of buck that would integrate him well into the plot. their romance is supposed to be “romcom” esque, they’re taking things slow but they’re obviously happy together at the moment.

im just really tired of the nasty attitudes ive been seeing. sure theres are som toxic people on both sides, but to me its obvious which side is being the bigger bully. reality checks needs to be put in place for some people, go outside and realize you are getting way too worked up over a tv show where plotlines are out of your control. if the show is ruined for you over one relationship then stop watching it.

[sepublic]

Seeing creators discuss the problems of production and executives, it’s made me come to a bitter realization;

Anyone could write the greatest, most satisfying, most compelling story in the world with just a word document, infinite pages, and infinite time.

Anyone could create the greatest show or film in existence with all of the budget and time they need to iron out the details and revise, or to get a certain thing done.

But that’s not what happens at all. Every creator’s going to have to deal with time constraints. They have to worry about the budget. They’ll have executives. They don’t have all the time in the world to go through every draft needed at their luxury, they have to settle for their first idea and work with it. They’ll be stressed, it’s a job for them and they need a break rather than to use that time to think about their work more. You’ll have a plan for five episodes only to have to do it in one.

It takes an actually good writer to work with limitations, to adapt to new changes, to keep themselves open. Planning is good but it really is necessary to be able to write on the fly. You’ll have to leave things out, you’ll have to go with second instead of fifth drafts. The ability to make the right sacrifices is key. But as much as you agonize over what could’ve been, if you play it right, the viewer won’t notice a thing.

(Sometimes they will. It really boils down to the artist’s skill and the extenuating circumstances. Sometimes even the best writer can’t pull off a feat in such a short amount of time.)

You’ll be surprised by what happy accidents occur all the time, often as a result of compromises. Sometimes you’ll have to do X not because it’s great for the narrative but for a more banal logistical reason, such as in the writing or the filming. The B-plot is half-baked because you had to trim it down for time, so you might just cut it out and so the A-plot has more time to breathe.

The writing has to make sense when going from Point A to B, you can’t just throw in a bunch of disparate scenes and information, they need to flow and connect together. Is this a Binge format show where it’s one huge continuous episode, or is it episodic and they’re all separate, with some overarching stuff? You’ll have to let the audience draw their own conclusions, hope they can make connections and fill in the gaps as you focus on what’s strictly necessary.

This is why Keep Your Hands Off Eizouken! is a great show. This is why I quote Dana Terrace, “Limitation breeds innovation.” It’s never going to turn out the way you want it to, even if you could easily do it by yourself. Because you won’t have the space or budget to do it. Or because you’re just so tired after a long day’s work that you don’t have the fresh mind to look at the story from another perspective and ask this simple question, especially after answering ten other simple questions. The script has already been submitted to be animated/filmed when you realize so it’s too late.

This isn’t to say that media criticism isn’t warranted. Some people couldn’t get stuff done even with all the time and budget in the world. But again I think it helps to better appreciate the process behind creation instead of taking it for granted, how creators have to wrangle a million different factors, and leave some to others in the process to interpret.

It’s easy to be the audience who has the luxury and no pressure to imagine it in their head or make a million small adjustments, to poke at little details. But imagine having to build that from scratch, instead of just standing on the shoulders of others! And isn’t established canon itself a limitation to work with, rather than the freedom of empty space? Perhaps canon does breed innovation in the fan, who otherwise would not be inspired without it.