#especially from the creators and in canon itself

[those2fireboys]

I cut out the parts that made it fit the final criteria so this is just me being autistic abt autistic house.

Autism spectrum disorder is a difficult thing to represent in movies, tv shows, and books because it is a spectrum. Every person is going to experience it differently, so it gets into dodgy territory when it's portrayed in media, especially when it's not canon confirmed. Lots of characters have autistic traits, or “coding,” which means they have behaviors or characteristics that might align with how autism is understood, but the creators may not explicitly confirm the character as being on the spectrum. This coding can be intentional or unintentional, but it often reflects a lack of clear representation or a misunderstanding of the diversity of the autism spectrum. I am going to do a deep dive into one of these, widely accepted “autistic coded” characters, and explain how the show could have benefited from a confirmation of this character's autism.

Gregory House is the main character of the 2004 medical drama House MD. He is often implied to be autistic by both fans and the show itself. But this was 2004, and Dr Gregory House is supposed to be a suave, intelligent doctor. He cant have autism spectrum disorder.. Right?

Well, not exactly.

Dr. James Wilson: I'm going to read you something. "Asperger's syndrome is a mild and rare form of autism. It is typically characterized by difficulty establishing friendships and playing with peers, trouble accepting conventional social rules, and they dislike any change in setting or routine"... or broadloom. Don't say that last part but you get my point.

Dr. Lisa Cuddy: House doesn't have Asperger's. The diagnosis is much simpler. He's a jerk.

Dr. James Wilson: Why do you think he took this case? Because he believes these parents? Because he wants to help a young boy? He sees himself in this kid, and he's trying to help himself... He doesn't want this, he needs it.

Symptoms

Social Challenges

1a. Difficulty with empathy

1b. Blunt honesty

1c. Difficulty maintain relationships

2. Desire for Sameness

2a. See The Carpet™ situation

2b. His office (S8)

2c. Struggles when his interns leave

3. Sensory issues and Difficulty with Emotional Regulation

3a. Chronic pain, increasing with emotional issues

3b. Emotional overload

3c. He drives a car into his ex’s living room

4. Fidgeting / Stimming

4a. The Tennis Ball

4b. Twirling the Cane

4c. The vicodin bottle

1a. House has a very hard time with empathy, and while this could be interpreted as him just being a jerk, it could also be a symptom of autism. People with autism often struggle with empathy and understanding others emotions.

For example, in season 3 episode 9, House says, "It's a good thing you failed to become a mom, because you suck at it!" to Cuddy, in a moment of anger. Later in the episode he apologizes but struggles to understand why she is still upset at the comment after.

1b. House is extremely blunt. Again this can be interrupted as him being rude but it's also a common symptom of autism. House can be seen being extremely blunt with patients often leaving them and his coworkers shocked with his bedside manner.

1c. House has difficulty with vulnerability, often insulting his friends and people close to him when he's frustrated, or straight up ignoring them when he's focused on work, making it difficult to maintain relationships. These failings often lead to conflicts, and eventual breakdowns. However, when these breakdowns happen, usually House makes an (albeit stilted) effort to get these relationships back in order.

Dr Wilson: “I only have two things that worked for me: this job and this stupid, screwed-up friendship and neither mattered enough for you to give one lousy speech”

Dr. House: “They matter.”

2a. In season 3 House gets shot in his office and when he comes back to work the carpet in his office has obviously been replaced, as it was covering blood and stained. He has a meltdown and refuses to work in his office until the old carpet is restored. He says, “It's my office. It's where I work, where I think, where I save lives, I want it back the way it was.” He works in various places throughout the hospital but refuses to work in his office. Eventually the carpet is restored and he goes back to his office.

Autistic people often struggle with change, and need routine to function. Dr House struggles with this desire for sameness.

2b. Another example of Dr House’s desire for sameness is in season 8. House goes to prison and when he returns to the hospital he discovers that his office has been repurposed for another department. As in season 3, he refuses to work in his office until he gets his office back to the way it was. He annoys the other workers in his former office until they agree to leave and give his office back.

2c.  Many times throughout the show employees leave the hospital or work in another department. Whenever this happens House struggles to adjust to the change. For example, in season 4 all of House's fellows quit and he has to hire new ones. First he refuses to hire new doctors and tries to get the original team to come back. He then hired 40 fellows at once to avoid having to make a choice right away. House has to take time to adjust to the change before he can create a new routine.

3a. House has chronic pain due to an injury, he takes vicodin to help with this pain. However it's revealed in many instances throughout the show that the pain is connected to emotional issues. His pain increases when he can't deal with his emotions.

He takes vicodin to numb emotional pain. A lot of autistic individuals struggle to identify and deal with their emotions. Addiction is also common within autistic individuals because they struggle with pain and physical regulation.

3b. House often struggles with overly emotional situations, often leading to a meltdown. For example season 7 episode 15 “Bombshells,” in this episode House’s girlfriend is in the hospital and he avoids going to support her at all costs because he knows it will be a high emotion situation that he wants to avoid. Eventually he takes vicodin and goes to see her which ends up causing their breakup. After the break up House basically loses his mind, taking vicodin, drinking, and hiring prostitutes. In the end he ends up jumping off the balcony of a hotel into the pool.

These episodes really exemplify how much he struggles with sensory issues, specifically regarding his emotions. This is one of the most common symptoms of autism, in fact its part of the diagnostic criteria.

3c. In season 7 episode 23 House drives his car into Cuddy’s living room in a moment of anger. He misses her, he's angry that they broke up, and he's angry that she has moved on from him. He makes this decision in a split second and he clearly can't talk himself down. He can't emotionally regulate himself once it gets past a certain point.

4. I’ll group these three together for ease. One of the most common symptoms of autism and neurodiversity in general is fidgeting and stimming. Stimming is defined as “a self stimulating behavior, usually characterized as repetitive movements, actions, or vocalizations.” These actions aid in self regulation for autistic individuals.

House is often seen pacing, twirling his cane, or his vicodin bottle, and repeatedly throwing a tennis ball against the wall. These actions all reflect stimming behaviors. He focuses more heavily on these actions when he is deep in thought or struggling with an emotional situation, this reflects the self regulatory nature of these actions.

why do people hate the idea of house being autistic like guys... Have we forgotten headcanons, do we hate the joy of expressing yourself through a character... Also there are actual people giving evidence to their suspicion of house having autism why am I seeing autistic house haters on my dash....

[theinsanefoxwriter]

Gregory Deserves Better...

I never make actual posts to be honest, but I feel the need to right now, because I’m just so…tired of this. My favorite character in the newer FNAF era has been mistreated by both fans and the creators. So I’m making this in light of the new book coming that, at least from the description we have right now, sounds like it’s just Security Breach, except Gregory is replaced by Cassie.

I’ve said many times elsewhere how I suspected they wanted to boot Gregory for Cassie, and...I had no idea how right I actually was. It angers me, but…mostly, I’m just hurt and very disappointed, because it sucks to see a character I loved get so disrespected then practically replaced. The ending of Ruin felt like a slap in the face, and the sting is only getting worse. (And very quickly, in case anybody takes this from what I'm saying, no I don't hate Cassie. I just don't want her to completely replace Gregory.) I’m not here to talk about that situation, though.

If anyone for some reason leaves a comment arguing the points I make, I’m just going to ignore or even delete it. I’m not here to discuss or argue with people who disagree with me and/or think Gregory is a bad character. I just want to express an opinion that I don’t think is said nearly enough. And that opinion is the fact Gregory is severely misunderstood and mistreated by both the fandom and canon itself. I’m not going to get into everything, but enough that you can hopefully understand the point I’m trying to make.

Most of the Gregory hate at the beginning was due to him destroying the animatronics and then lying about it to Freddy. I don’t see how this makes him hateable or a bad person. “Why’d he have to go out of his way to destroy them?” “He’s a bad person for lying to Freddy and giving him the upgrades of his friends.” “The Glamrocks were so awesome. Why did Gregory have to do that?” What kid in danger would want to help or be nice to the scary robots trying to kill them? Or against the better argument, why would he have sympathy for them in a moment of intense danger? When they were actively trying to kill him? He did what he thought he needed to survive, which was destroying them and using the good parts they had to give him a better chance against them. If they had been nice, he would have liked them, but they weren’t. They were after him. And choosing to do that plus being able to do that doesn’t make him a bad person, and it doesn’t mean he's uncaring towards others or that he’s heartless. What I think people don't take into account is that Gregory did befriend an animatronic, the one who wasn't attacking him. He went to great lengths to help Freddy, and genuinely cared for him; that bear needed to be rescued on more than one occasion lol, and Gregory clearly wasn't just doing it because Freddy gives him a hiding place.

And in regard to the lying, I think Gregory hid that he was getting the upgrades from Freddy's friends, because he didn't want to make Freddy mad or hurt his feelings. That does sound like something a kid would do, and he is a kid. He's not gonna be perfect in this situation, and he doesn't even do anything that bad. I don't think Gregory gets enough credit. Everybody just sees a mouthy kid destroying animatronics they like (despite the fact they're hunting him, and the virus has made them basically mindless. Why wouldn’t he?), and they hate on him for it and other rather stupid reasons. Gregory is more than the “annoying” kid who destroyed your favorite animatronics. He’s a clearly guarded and defensive child who got stuck in a bad and terrifying situation, but…in the end, stayed anyway to prevent this and other bad things from happening to anyone else. Gregory cares. Yes, even if he destroyed some animatronics. The creators calling him the “darkness of the Pizzaplex” or whatever they said doesn’t make sense. On the surface, he might look like some child who destroyed Freddy’s friends, but look any deeper at all, and that’s not the case. There’s so much potential for his character, and I’m upset that he isn’t being given the spotlight or time to further explore his potential properly, especially since Security Breach ended up being a bit lacking in a lot of areas: perhaps another factor in why he’s so misunderstood.

In the end, I’m simply tired of seeing a character that I connected with treated like he was just a writing mistake that now needs to be replaced by a “better” character. I’m not saying his writing was perfect, but he deserves way better than this. I feel very passionate about the characters I like, which is why this has affected me so much, and I hope at least a few people see this.

Anything I missed I’m going to touch on briefly here:

GGY? A cool concept, actually, that I wish was utilized in the games. And Gregory is clearly possessed there, similar to Vanessa, so him being Patient 46 and causing people’s deaths can’t actually be held against him.

Dropping the elevator on Cassie? I firmly believe that was not him, and very clearly the Mimic’s doing. There’s solid evidence behind it, but I’m not going to get into it because it’s exhausting. Just know that no one can convince me otherwise. And even if the writers wanted Gregory to do that, it’s out of character and clearly an act of character assassination.

Thanks for taking the time to read this. Now go hug a misunderstood gremlin!

[serpentface]

Do psychotropic drugs and/or ritual play a role in any of the blightseed cultures? A pretty broad question, lol

Yeah that’s a very broad question, the answer is about as much as it tends to play roles in real history. Alcohol is pretty ubiquitous (outside of cultures that abstain from intoxicants) and used for a variety of purposes, opioids are commonly used in some parts for pain relief or recreational purposes, stimulants (usually in mild, natural forms) are used to provide extra energy, and hallucinogens are most commonly used as part of a larger religious framework (rather than for recreational purposes). Any more elaborate answer kinda has to be case by case in a certain culture or part of the setting.

I'll just take this as an opportunity to talk about the one established sect that pretty much REVOLVES around psychoactive use. This is the Scholarly Order of the Root, which is a sort of mystery religion + elite community of scholars who currently occupy the Ur-Tree and its forest in the far southern Lowlands (southeast of Imperial Wardin, on the same land mass).

The Ur-Tree is the obligatory Huge Fucking Fantasy Tree (and its surrounding forest). It’s a mass of vegetation about a mile tall and almost as old as Plant Life Itself, its upper branches are primeval plants, which become more modern the nearer they get to the ground (and each 'level' holds tiny ecosystems, some containing descendants of LONG-extinct arthropods/other small animals). Its lowest branches and the surrounding forest are contemporary plant life, and all is connected and protected by an incomparably MASSIVE fungal mycelium network (which is itself a living god).

A lot of the Scholars' more secretive practices revolve around experimentation with substance use with the goal of expanding the Mind and transcending the body to fully connect to the Dreamlands, and they have a supply chain of traders and mercenaries called Rootrunners who traffic substances into the Lowlands. Most of their psychoactive use is in a very intentional capacity and not just like, for fun, but a LOT of them are just straight up addicted to cocaine (in the form of alchemically refined bruljenum, which is used for practical purposes of its stimulant effect during long hours of work).

All known psychoactives are desirable for experimentation (particularly hallucinogens), with each having properties that either allow expansion of the Mind, transcendence of the body, or outright divine communion. Their effects are logged in great detail and interpreted to form the basis of the Scholars' understanding of the natural world and reality itself.

The most important substance is Ur-Root, which is root matter from subterranean levels of the Ur-Tree that have both their own intrinsic psychoactive substances and a very, very high concentration of living god mycelium. The tree root contains DMT and the mycelium has its own wholly unique effects (being an actual living god). They alchemically refine it into a purer, more potent form, and use it to expand beyond the body and directly commune with the Giants, a group of entities they have identified as the only true gods.

An Ur-Root trip starts off with minor visual distortion, which turns into shifting fractals that slowly obscure the vision. Eventually the senses are entirely taken over by a 'tunnel' of rapidly shifting fractals and geometries. In a complete trip, the experiencer gets a sense that they have been pushed through a membrane and entered another realm, finding themselves in a distinct experiential Space.

At this point they may encounter entities which communicate to them in a language impossible to describe but wholly understood. These beings are understood to be the Giants, or at least aspects of the Giants that mortals are capable of comprehending (they often take familiar tutelary forms of the Mantis or the Snake, or appear resembling the same type of sophont that the experiencer is, all composed of ever-shifting geometries). The experiencer often feels a sense of unconditional and endless love from these beings, though the Giants may be more hostile and may appear in the form of the Trickster (usually a cultural figure regarded as malicious, be it an animal or otherwise) in a bad trip.

(^Up until this point, this has mostly just been a DMT 'breakthrough' experience ft. 'machine elves' and the like).

They are then removed from this space and returned to something that feels like the real world, but is nearly unrecognizable. They have a sense of rapidly moving through time, and will usually see 'the spires' towards the beginning, which just so happen to look like this:

(source + some context via Implication- the spires are exactly what this art is depicting)

The experiencer continues to move across an unfathomable amount of time, occasionally 'seeing' other such flashes of unfamiliar landscapes and creatures, and yet also being devoid of all their senses, the 'seeing' is pure, unfiltered experience. There is a sense of interconnectedness with all life, and that one has become the forest (or even Life) itself. The sense of time is wildly distorted, the trip lasts only about 5 minutes but feels like an eternity and is understood as literal hundreds of millions of years.

The experiencer has usually lost any remaining sense of Self and individual consciousness during this phase (in which case this time distortion is usually a neutral or even peaceful experience), but some retain a fraction of their identity, and find themselves trapped and conscious while experiencing what feels like eternity (which can be LIFE-CHANGINGLY distressing, even after the fact).

(^This latter part of the trip is the effects of the Ur-Tree fungus).

The trip ends with a sense of rushing through the ground and back up into one's body, at which point they will abruptly return to their senses and consciousness. The details are then immediately retrieved via interview and recorded in immense detail. The whole experience is understood as having been full comprehension of the Dreamlands, communion with the Giants, and then a tour through the act of creation.

This is done as part of the initiatory practice into the inner mystery-religion of the scholars, and as needed for study by high scholar-priests. It is not taken lightly, both as it is absolute communion with the gods and reality, and in that it can be a very, very difficult experience. People who have gone through this often walk away with a permanently shifted perspective, often in a positive and/or comforting way- a sense of interconnectedness with all life, a peace with the concept of death, seeing less of a point in individual ego and the concept of Self, and comfort in the sense of divine love they (may have) experienced. This heavily influences the philosophy of the Scholars and has had effects by proxy in the religious worldviews of the region.

Details of this experience are closely guarded, and initiates are given absolutely no prior knowledge and expectations for their trip. This is seen as a necessity- their naivety will allow for a true, unfiltered experience, and can be used to gauge whether they should or should not be accepted. Those that have a distinctly bad trip upon initiation may be assumed to have been 'rejected' by the giants and thus denied full priesthood, though this largely depends on How they interpret their distressing trip- those who identify this as a test and harsh lesson in a journey to enlightenment may be accepted (as this is how fully initiated scholar-priests interpret and handle their bad trips).

This inner priesthood is only a small fraction of the Scholarly Order, and its greater function is as a hub of education and repository of knowledge, and Scholar-trained doctors can provide some of the best medical care available in the setting ('best medical care in this setting' only means so much but it's pretty solid, relatively speaking). Only a chosen few Scholars ever get to commune with the Ur-Root, and most of the divine secrets revealed in the process are kept hidden (though they indirectly influence the politics and worldview of the entire order).

[hermitcraftx]

just got a dm abt one of my posts and y'all please don't try and show the hermits (or any minecraft youtuber or content creator for that matter) my posts, i'm uncomfortable with it and don't want any of my posts shown to a cc. if they stumble upon it naturally that's unfortunate but i can live with it since i do maintag a lot (something i REALLY need to stop doing tbh i already know i need to make a tagging system just for my blog that wont clog results) but going out of ur way to show a cc is entirely different and something i am not comfortable with.

no hate to the person at all but even if i wasn't a little silly and weird with it sometimes i wouldn't be comfortable with it, i want my blog to be a purely fandom only space with none of the creators involved <3 please respect this

[elizakai]

I like thinking about their more canon adjacent dynamic (character wise)

MINI ANALYSIS TIME

Because while I love the soft interpretations, even WITH those let’s be real; that’s not how they’d act off the bat

Horror would be extremely judgmental (fair) and hate Dust for what he did. He’d despise him and probably be very passive aggressive. Making jabs and making his disdain apparent when they have to interact. I think getting a read on Dust is also difficult and would piss Horror off. Horror is unpredictable and has a sadistic streak, if he was mad or manic and had Dust in a corner he’d have no qualms about manhandling the guy. (And Dust probably wouldn’t do much to stop him.)

Meanwhile, Dusttale’s creator was asked once how Dust may feel if he met Horror, to which they said he feels bad for Horror. He likes him, sees him as someone who went through something horribly undeserved. In my mind Dust is somewhat protective of Horror.

I interpret these clashing of dynamics as Horror’s just utter disdain for this guy, and Dust’s resigned acceptance of Horror’s judgment. He’d agree with him if he were to judge himself, but I think a part of him wants Horror’s approval. He doesn’t EVER expect to get it, but Horror is….

While he’s seen hell, he’s almost a less tormented version of Dust himself. Deep down they are the same. Horror has suffered greatly, but even still hasn’t hit the deep end dust has, and I think he’d want to protect that sort of innocence he’s granted. One could think of it as him protecting a piece of himself he himself has already sacrificed. And wanting APPROVAL from him, wishing to be forgiven, craving that small piece of validation or understanding as he tries to reconcile with himself.

Horror’s formed opinion makes sense, he agrees with it, and simply wishes he disagreed, that he could have proof of himself being a FRACTION worthy of forgiveness or understanding.

The judge in both of them has both formed an opinion of the other, and they happen to differ greatly. Horror sees Dust as an abuser and Dust sees Horror as a victim.

I like to imagine that, while reluctantly thrown into the same general vicinity, Horror would grow to be more understanding (again if we are going with a PROGRESSIVE plot line) and come to understand that, yes, he wasn’t WRONG, but there is nuance to the situation. They both have a very grim understanding of what it’s like to be trapped. I think he has the capacity to understand Dust better if he was given time. His hands aren’t clean after all, and he knows what it’s like to be forced into a situation and to feel backed into a drastic decision. He knows what it’s like to lose your autonomy and to feel your mind break itself under pressure.

I think the simple fact that Dust wouldn’t TRY to change his mind or justify himself would be part of why Horror could come to understand him. He’s devestated by his actions, he is by no means a sadist.

Horror coming to understand Dust and sort of reconcile/forgive him I think would be rather BIG for Horror, especially if you factor in other situations he now has to consider. (For example, his Undyne and her drastic attempt at freeing the undergroud…) reconciling his OWN arguably cruel decisions he has made with pure intentions, when he feels there’s no other choice (like his Papyrus and tricking him into doing something so outside of his beliefs, to protect him)

It would also be healing for Dust to get that reconciliation with Horror because again…Horror’s opinion actually may MATTER.

And in the same way that Dust may see Horror as a sort of person to be protected from further harm, Horror would probably pick up on all of the VERY bad habits Dust has that (in my observation at least) are EXTREMELY similar to his own habits/past habits (isolation, obsession, deprivation, paranoia, bringing harm to self etc) and I could see him being sensitive towards those and trying to prevent it worsening (it’s a sore subject💔) Horror is shown to prioritize taking care of those he cares about, even when he’s a bit mad, and he has the capacity to grow an understanding for someone he doesn’t like initially :))

I think they have potential to be VERY good for one another, Horror (while being fucked up) encourages (and maybe forces) better habits and actually has an opinion that matters to Dust, and Dust is inclined to be VERY loyal (Horror needs someone to show him loyalty.) to anyone who cares to give him the time of day, as it’s far beyond what he’d expect, and he’s got the sympathy/protective streak towards Horror as an actual in character detail.

And from there it would be wonderful to explore their dynamic in whatever way you like to interpret it🤫💥

I could go on but I’ll stop here, if you read this all CONGRATS!!!

Share your thoughts I love it

[kawareo]

Thank you lovely people for giving me a chance to ramble more about something (this is genuine, i mean no shade)

I find it really cool how every character has a parallel with Durge! In general every single romance pairing has reasons for why i think "yeah i could see them being good together", but I love those for Durge especially since I think about Durges way too much

Gale. Prodigy, Chosen of a God(ess) with a relationship that went far past god/Chosen, with him and Mystra being 'lovers' and Durge and Bhaal being 'family'. They were also both groomed to a degree to fulfill a role and have since fallen from grace of their gods.

Lae'zel. Raised in what is essentially a cult, having her entire world fall apart when she learns the truth about Vlaakith and Orpheus (while Durge's world falls apart when they learn about who they are in act 3). Cult has harsh and merciless punishments for those that disappoint, with death and beatings for githyanki and... Well. You know what, for Durge (looking at you, deleted bad ending).

Shadowheart. Having an equivalent of an electric collar on you that her God(ess) can punish her with (for Durge, that punishment isnt so immediate but Bhaal can literally stop their heart if he wants to). Amnesia. Having to choose between leading your cult or leaving everything you thought you knew and being an outcast. Depending on what you do with Shart, they also both kill their parents.

Karlach. Having your body changed without your consent, in drastic ways that you have no control over; the engine for Karlach, lobotomy + Slayer form for Durge (slayer in a more minor way but i will say that even in evil route you dont get a say whether or not you transform the first time). They both hurt people that get close to then without meaning to. They both have someone more powerful who sees them as property. Also, ties to Gortash.

Wyll. Daddy issues! And being rejected and outcast by your Father, wanting to prove yourself that you're still worthy. They were also both given shitty fucking names by their dads. They both at some point chose between power at the cost of freedom and freedom at the cost of literally everything; Wyll when he made a deal with Mizora, Durge at multiple points through the game when it comes to Bhaal. They both struggle with being tied to an evil, manipulative being that wants them isolated and weak and alone. Similar with Karlach, unwilling body modification, but specifically one that turns you into a 'monster'.

Astarion. 'Father'. 'Siblings' that you are in constant and brutal competition with, for momentary approval of your Creator who will never have enough of anything short but the world. Creator who's end goal very much includes you dying for him. Having no bodily autonomy as your Creator can literally violate your mind whenever. Sexual abuse. Struggling with bloodthirst! Your existence itself is violent, you can't live without hurting someone! (Bloodthirst for Ass, Urges for Durge)

Halsin. (Potential) guilt for something you have done, being pushed in a leadership position (Halsin at the grove, Durge with companions) that you may or may not be unsuited for. Being so, so alone, without anyone to care for your feelings. They both also have sides of them that they sometimes can't control, with the Bear and Urges, or more literally, the Slayer.

Minthara. A proud and efficent warrior that got one upped by a person they underestimated. Ties to Orin. Living as someone with the highest social status in a brutal, cruel society. Fanatic worship of an objectively evil god(ess) and then the betrayal that follows, waking up from quite literal brainwashing, seeing how your God(ess) turns against you.

And I could go on! Theyre all so good and interesting and depending on what path you decide to take, there is always something that Durge can relate to on with any companion! I tried to avoid repeating points or talking about my Durge specifically by just talking about what is set in canon for them, and there is still! So! Much!

[madlori]

If the only thing you can lord over buddie is that bucktommy is canon, then you really didn't care at all about the ship.

7 seasons of being a family unit, being there for each other, having each other's back but hey! Here comes another underdeveloped love interest, but since it's a man this time, you don't care about Buck being stuck in the same hamster wheel, again, because he's kissing a man and that's hot ��

Also for all your doom and gloom about buddie not happening, do remember that Tommy/Eddie was an idea in Tim's mind at first, so Eddie can be read as queer, even if it's not in canon yet.

I guess you don't place much value on them being a family unit and always there for each other, and having each other's back...all of which is still true and will continue to BE true. But it's only important to you as a prelude to them kissing, right? It has no value in and of itself. I love their relationship. I love what they are to each other. But YOU are making me not want to see it, because every time they turn to each other, lean on each other, support each other, we have to listen to you shrieking BUDDIE CANON CONFIRMED or whatever, because to a certain genre of shipper (not all buddie shippers, etc) any interaction or feeling they have with each other exists only in service to the ship.

I swear to god, I'm gonna banish the phrase "hamster wheel" from y'all's mouths until I get an actual definition as to what you think it means, because from where I sit, to you it just means "he's with someone who's not Eddie." To me, it means that Buck continually fell bass-ackwards into relationships that weren't right for him, looking for something he wasn't even sure what it was. And heyyyyy, he's currently in a relationship that he actively chose and fought for, having learned something new and important about himself, with someone who makes him giddy and excited in a way we have never seen him be, who the people around him can see gives him contentment. But none of that matters, because it's not Eddie, and that is by definition his only appropriate partner, so he must still be on that hamster wheel. Also if we're going by creator intent here, Tim's said he wrote this relationship specifically to reflect Buck being off of it.

As for underdeveloped love interest? I wrote an entire ass essay about how MUCH we know about Tommy, and it's reams compared to anything we've ever known about Buck's girlfriends OR Eddie's current girlfriend who does not even have a last name. Tommy has been introduced in a way that integrates him with the 118, with multiple interests, a character arc of his own from his first appearance, a set of motivations and emotional arcs that are NOT about Buck, and something to actually offer in a relationship besides existing. Anyone saying he's underdeveloped is determined to read him as such, especially for the limited amount of time we've had him.

And I never said Eddie couldn't be read as queer. He can EASILY be read as queer. I said he WOULDN'T be. Those are two different things. If Tommy and Eddie had gotten together (which I give no more narrative weight to than Maddie and Eddie getting together, which was also a gleam in the eye at one point) I'd equally be saying that Buck would never be queer.

It's hilarious to me that I'm being accused of liking a ship because it's hot (it is, and I do, and that's...fine? there's nothing bad about that?) as if people enjoy Buddie because of the amorphous purity of it all and not at ALL because it's hot (it is and you should say so).

If my thoughts about this are so upsetting to you, just block me, dude. I promise I won't take it personally.

Also, just...learn to enjoy a ship whether it's canon or not. I've done it, we've all done it. It's not that hard, especially THIS ship, which has so much good stuff to it regardless of whether there's romance or not. Those of us who like Buck with Tommy are not taking away from you enjoying Buddie, or anyone doing so. It's not like...the State of Buddie will lose congressional representation if the population falls below a certain level. The existence of another ship does not affect yours.

[dcafanzine]

We’ve been getting a lot of asks about what the application process will look like and what to do, so here are a few tips that should help you out! (This is not required reading if you’re looking to apply, but it might help!)

When you’re applying for a spot on the DCA fanzine, we will be asking to see examples of your existing work. You might be wondering what would be considered a good fit, and which of your existing pieces to choose to show off in your contributor application.

NOTE: PLEASE do NOT create pieces you are intending to submit to be included in the zine itself as part of your application! Zine pieces are to be created by contributors in the three month period following their being selected to be on the zine. We cannot guarantee you a spot, so please don’t burn yourself out trying! There will be other chances!

(Oh, and please ensure viewing permissions are on when you’re sharing any links in your application, so we can see your work!)

Now on to the fine details …

For all applicants:

This zine is a celebration of our beloved celestial jester(s), the daycare attendant(s) - you will need to submit at least one example piece in your application (preferably more) that features these characters, with depictions of them in a canon-adjacent* form being a huge bonus.

Pieces submitted in your application should ideally be safe for work, as this will be a safe for work zine. This zine isn’t playing to a specific mood or genre, so feel free to go wild with depictions of fluff, angst, horror, etc. so long as these fit broadly under the PG-13 rating. Shipping ideally shouldn’t be the focus of every example provided either as this zine will not be specifically focused around romantic ships but more on the character(s) of the daycare attendant(s) themselves.

A limited number of AU spots will be available but in order to accept AU works as final pieces in this zine we request that you must either be the creator of the AU, or have express permission from the AU’s creator.

*Canon-adjacent here doesn’t mean the depiction has to be biblically accurate, just that the design should not differ so substantially from what would typically be recognised as the DCA to essentially be a separate character. This fandom is intensely creative and we love and applaud the originality of the many different variants of the DCA, but this zine aims to focus primarily on canon-adjacent depictions, with a limited number of slots for AU content as well. Having canon-adjacent depictions of the DCA will massively help round out your application for this zine!

For some positions, you will be asked to give 1-3 idea pitches, with at least one idea pitch being required. Pitches should summarise what you might be thinking of creating for the zine, showcasing your creativity and helping you brainstorm ideas for what to make if selected. Your pitch will be especially useful if you are hoping to write or illustrate any AU content, to give us an idea of what sort of thing you expect to contribute. Your pitch may be on the longer or shorter side depending on what you prefer, just as long as it illustrates the idea(s) you are aiming for. If you are selected, you will not be required to create the idea(s) you mentioned in your pitch, and will be able to change your mind on what you wish to create for the zine at a later point.

For writers:

We are looking for around 5 writers to join this zine. Upon being selected to be contributors, writers will write a short self-contained story (around 1.5-2k words) which will be illustrated by the spot artist they pair up with.

What we’ll be looking for in a writer application is readability (how well the example writing submitted for the application flows and how easy to follow it is), pacing, vividness of characters (characterisation of Sun and Moon in this fandom tends to vary a lot, so we’ll be looking more at consistency and imaginativeness here!), and how engaging the example writing is, as well as the ability to wrap up a short story. For this reason, while excerpts reaching around the 2k mark will be happily accepted, at least one of the examples should be a self-contained story or scene that fits within (or close to!) the word limit listed on the application form!

For page artists:

We are looking for around 23 page artists to contribute to this zine. Once selected as contributors, page artists will create a full page illustration featuring the daycare attendant(s) for the zine. A page illustration should fill the space on the page nicely and play to your strengths. This could be a coloured illustration depicting one or multiple characters with a background, a neat photograph of a sculpture or traditional piece you’ve made, or even a nice neat one-page comic! So long as it fits nicely on the page without compromising its quality, it will likely make a great fit for the zine!

What we will be looking for in a page artist application is composition (how elements in the example pictures submitted for the application like the background, props, characters, etc. work together), atmosphere (how the example pictures build a mood), creativity (unique and quirky representations and ideas!), and the level of polish the example pieces have (so overall how neat and nicely finished they look). At least one example provided will need to have a full background (so something containing complex background elements or designs or scenery, like a room or a scene).

For spot artists:

We are aiming to have around 5 spot artists for this zine. Spot artists will be paired up with writers, illustrating smaller scenes written for the zine. The mood of these pieces might vary greatly, but should match the tone and content of the writing.

What we’ll be looking for in a spot artist application is how well their example pieces convey a particular mood and/or feeling, as well as how well they present a scene in a smaller space. The example pieces submitted might not need to be as detailed or polished as those required by full page artists, but should be just as expressive!

For merch artists:

We will be looking for around 2-3 merch artists for this zine. Merch artists will design merch to go with the zine when it potentially hits certain sales targets. Prior experience making merch is greatly preferred for applicants applying for this role.

What we’ll be looking for in a merch artist application is the ability to make neat, simple designs that translate well as physical and digital merchandise.

Hopefully that clears a few things up - and please don’t be too daunted by all the details or feel you have to play perfectly to all of the ideas given above, every single one of us is different and the most unconventional of application pieces might be just the thing we need! This is just to make the application process a little clearer for anyone who’s nervous about what to submit. If anything is still a little unclear, please feel free to send us an ask on our Tumblr or CuriousCat!

[sokkastyles]

I have a question, I know we know that shipping does not equal morality. And I get that, and I really like that. However, on my other blog, that should have been my main blog (yes I am that dumb). I have talked about Aang's non-consensual and criticized how Kataang is written, however, if you ship Kataang I won't come for your throat because that's not my style. I know the few misogynists/antis on here and on Twitter, and I don't want to let a few bad apples be my impression of a fandom, that's not fair, So now I'm side-eyeing myself over my past remarks. Likewise, I know shipping is not equal to morality, but I also want to criticize Kataang because of how flawed it is and how wrong that kiss was (and other things). I have no idea what I'm saying because at this point I'm rambling. What do you think?

Well, there is a difference between criticizing a ship and criticizing canon. I don't honestly care what people ship. I use the antikataang tag because I don't want to argue with people who do ship it, but that doesn't mean I won't be critical of what is in the show. I think expecting people not to engage critically with media is absolute nonsense. But there is a difference between engaging critically with the actual media and criticizing people's fanon or headcanons, which is where you get away from critically engaging with canon and move into the area of criticizing other people's opinions, which is how arguments start.

Like, there isn't really any actual concrete argument you can make to criticize zutara, because zutara does not exist in canon. It's all fanon and headcanons and speculation. And criticizing other people's opinions just makes you look like a dick.

You also have to take into account the intention behind something. The thing about the way Katara's relationship with Aang is presented is that we're supposed to root for Aang to get Katara, and every obstacle towards that end is just there to create dramatic tension for the male point of audience identification. That's the real problem with the noncon kiss, and people who are critical of it are right to point it out.

In contrast, when I say shipping isn't morality, I'm talking about people who write, let's say, dubcon zutara fics. Fanfiction as a genre is largely female-centered fantasy. Yes, even those lurid fics you're thinking of. People write and read these fics for completely different reasons and have completely different expectations than when watching a series like ATLA. Trying to say that someone can't criticize the way the show presents Aang kissing Katara after she said she was confused as a mistake to be glossed over (that is forgotten as soon as it happens) because they also happen to like reading darkfic is nonsense. There's also a long history of women's interests being policed that informs my views here, vs the fact that consent has only fairly recently become a conversation in mainstream media. You have only to look at the way the show itself portrays Katara having interests (especially in boys) outside of Aang as dark and dangerous to see this happening in ATLA itself. Or the way the creators got away with saying that zutara shippers are doomed to end up in abusive relationships while painting Aang as a typical Nice Guy stereotype who expects Katara to magically become his girlfriend (and gets angry when she doesn't) and seeing nothing wrong with it.

The thing is that zutara, if we look at the way it's written in canon as a metaphor for a romantic relationship, follows the same tradition of how fanfiction has historically existed as an exploration of romantic and sexual dynamics. Those conversations about consent are actually happening and being explored in fanfiction, even the dark stuff, whereas relationships that are presented as "wholesome" often push us to NOT have those conversations. So when I say shipping isn't morality, what I actually mean is that noncanon shipping and darkfic actually has more of a moral leg to stand on than uncritically engaging with relationships on the grounds that Aang is the hero so his goodness and worthiness to get the girl should just be assumed. Zuko has to work for his right to be in a relationship with Katara because he didn't start out from a place of goodness, and that, on its own, is very female centered because instead of starting out from the perspective of the male hero deserving a relationship by virtue of being the hero, we see the idea that a man has to work to gain a woman's respect and affection.

So it's not so much that I hate KA, but I hate the idea that we should engage in it uncritically. And that would be true even if it really was the most wholesome relationship in the world. The same thing cannot be true of zutara because even the darkest of darkfic are about women centering themselves in the narrative and engaging with power dynamics in ways that are subverting patriarchal norms about relationships by definition.

[antianakin]

What are your thoughts on this stupid "Jedi train child soldiers" accusation?

The Jedi aren't soldiers, so I feel like by definition, the kids cannot be child soldiers.

I feel like most of the people who make that accusation are talking about Ahsoka, who gets sent out at 14 when a war is happening and the master chosen for her is actively on the front lines as a general. And my best argument for this is just that it the reason behind having a padawan in the show so clearly wasn't as a condemnation against the Jedi using child soldiers. She's there because it was a show for kids and they wanted a main character who would be the age of most of their viewers (or close to it anyway) and they gave her to Anakin because Anakin is a main character of the show (kind of a requirement in order to give her enough air time to make her presence reasonable) who needed development in a specific direction. That's literally it.

There's never any character who questions Ahsoka's right to be on the battlefield aside from Obi-Wan, Anakin, and Rex at the very beginning and it's primarily just there to let Ahsoka look cooler when she proves them wrong and provides a conflict to overcome by the end of the movie's arc. So while I UNDERSTAND that Ahsoka does, in essence, become a child soldier, this falls into the same category for me as the "droids/clones are slaves" accusation where the narrative never actually acknowledges this as being true, so as a viewer, I generally try to analyze it more from a Doylist standpoint than a Watsonian one. Is it technically true? Yes. Is it something the CHARACTERS seem to believe to be true? Maybe, but it's never really discussed, so you can't really claim the narrative itself is intended to be viewed that way, especially as a condemnation of characters who are incapable of acknowledging something that their creator did not.

What's unfortunate is that, while Ahsoka is indicated very clearly to be YOUNG to be a padawan, every single other padawan character we've met and spent time with was taken just as early as Ahsoka if not early (Obi-Wan canonically was taken at 13, Anakin at 9/10, Cal at like 12/13, Caleb at 12/13, even Ezra at 14/15). This ends up lending a LOT of ammunition to the argument that the Jedi often choose padawans around the age of 13 and those padawans then immediately have to go out into dangerous situations when they follow their masters on missions. If we believe Obi-Wan and Anakin's comments about Ahsoka being young to be a padawan, then the implied common age for padawans to be chosen is probably closer to 16-18 (which makes the whole concept of characters being knighted at 18 or less sort-of ludicrous on so many levels). If we assume that it's a LOT more common for padawans to be chosen at 16-18, then it feels a lot less weird to be taking them out on missions because that is generally when a lot of cultures consider children to now be adults. YOUNG adults, for sure, but adults ready to take their first steps out into the world and experience it more for themselves. They're NOT child soldiers, they're apprentices learning a particular trade.

[thevampiremarie]

treehouse chapter 34 (tumblr version)

🔞 Dream of the Endless I Lord Morpheus x reader 🔞

Unplanned pregnancy, SMUT

In the Waking World, Morpheus finds the cure to your recent ailment. Read on AO3 here.

MERRY CHRISTMAS, MALIGAYANG PASKO, HAPPY HOLIDAYS, AND A HAPPY NEW YEAR TO YOU ALL! THANKS FOR READING I LOVE YALL SO MUCH! One of my fav things about fanfiction is that oftentimes it can be a more ethical way to consume certain media, especially when the original creator is exposed for doing fuck shit. So consider this guilt free, cruelty free, organic Sandman! This chapter takes place canonically at a made up lake in the Philippines, which I modeled after Lake Sebu. Lake Sebu is notable for its significance to the local indigenous T'boli tribe, who are known as the Dreamweavers. Traditionally T'boli women weave t'nalak, a sacred textile made up of patterns that come to the T'boli weavers at night in their dreams. Thus Lake Sebu is known as the cradle of the Dreamweavers. Additional note: I had to change my usernames everywhere because I was being cyberstalked. As a result I accidentally broke all of my masterlist links, I fixed them

Reader POV:

Shortly after you lose yourself in the pale ivory maze of halls and doorways that capture you the second you step beyond the confines of your chamber, Morpheus finds you.

These halls are a labyrinth without a single splash of color to relieve the oppressive, endless uniformity. White tiles and black tiles forming a checkerboard pattern, then you turn down a path constructed of ivory and ivory alone, another of deep black granite without a shade of light or a window to relieve the deep shadows drowning you.

You hold your hand to your temple to stop the pressure building in your skull, pain churning through your nerves like white-capped waves. Your fingers come back damp with sweat.

It feels as though you’ve been swept away. Carried around the Dreaming by forces you can hardly comprehend, much less control.

Are you still asleep in your feather bed?

“Wake up,” You whisper to yourself. “Wake up.”

“You’re awake,” A deep voice says. The sound distorts between the skewed, unnaturally-placed walls.

You turn on your heel and find yourself face to face with the source of that displeased, rather put out voice.

Morpheus crosses his arms over his chest as he leans against a pillar with pursed lips. “I’ve been looking for you, darling. I had an interesting conversation with Johanna Constantine.” The blush drains out of your face.

Before you can respond, your stomach contracts and twists into itself. Before you even realize it you’re bent over in two, watching the apple cider splatter out of your mouth and onto the floor.

His cool hands pull your loose hair away from your face and back behind your head. “Hardly my best look,” You mumble as you bat away his helping hands and try to stand on your own. You should know better at this point. Morpheus isn’t easily deterred, especially when it comes to you.

He helps you stand anyway, shrugging off your rejection like water rolling off a duck’s back. “Unfortunately, no. But I’ve seen worse.” In your head, you translate that from Endless to English to mean ‘yeah, you do look like shit.’

Tactful as always. “It’s all your fault,” You mutter. When he offers an arm for you to slide under, you do so gladly, clinging to him like a lifeline. It even feels like one, like a lifesaver for two idiots stuck in deep water of their own making.

Your head hurts so much less when your eyes are closed to the Lovecraftian chaos in your surroundings. It’s second nature to bury your face into his shirt and let the soothing rhythm of Morpheus’s heartbeat distract you. “Come along,” He urges you, taking a few steps to some unknown destination without deigning to inform you where.

Despite the kindness in his voice and the softness of his shirt against your cheek, more comforting than any blanket on your great bed, you push back. “No.” Your feet stay where they are. Morpheus would not drag you somewhere. It would be undignified.

After a few seconds pass, Morpheus seems to come to the conclusion you had already decided; that you will not go. “Wait- stop-“ His arms sweep you up off your feet as if you’re nothing more than a flower to be plucked out of the ground.

You open your eyes to see his stupid smirk oozing with victory. “It’s for your own good, little darling. Or would you prefer I put you over my shoulder like a sack of potatoes?” It would be even less dignified for you to be treated so and Dream knows you’d refuse it.

He continues on with no further resistance. You haven’t lost all your pride just yet. His lengthy stride carries the two of you farther in a minute than your legs could in an hour and your surroundings fade into a blur, like paint dripped into a bowl of water.

Morpheus doesn’t have to say anything for you to feel the stymied laughter moving his chest. “Stop gloating.” You poke him once, twice, three times. No reaction.

“I’m not doing anything.” 

“Yes, you are.” Your legs kick gently in the air to make your point.

Morpheus sighs under his breath and mumbles something that sounds like he’s calling you ‘impossible’. And as you’re very mature, perhaps the most mature person here, you decline to respond. It feels like you’ve won after all.

He pauses for a moment to glance at your surroundings. For all you know, you could be anywhere in the world. But you’re with him and that’s enough to keep you calm. For now. “What you have is called sleepy sickness,” Dream says. When he notices you staring, doe eyed and blushing from being carried in his arms like the queen he calls you, his mouth places the faintest kiss upon your forehead.

A humid breeze brushes your cheeks, warm as a hug and carrying the scent of dew-covered grass and clear running water. “It’s not that bad,” You mutter. You’re lying of course, just to be contrarian. It’s only fair to cause him half the headache he’s caused you.

Morpheus sets you down on a fallen tree trunk covered in soft, jade green moss. His hand lingers on your wrist, as smooth as polished marble, and then he takes a gentle, yet firm hold of your jaw. His fingertips barely skim your cheeks, close enough that you could kiss his hand if you wanted. 

Morpheus kneels in the dirt without a care, peering into your eyes for a long moment.

“I do expect an explanation on why it took that… exorcist for me to know you were suffering,” He tells you in a low timbre. “I cannot take care of my love, my queen, my heart itself, and the beloved child you carry without you… talking to me.” Silver moonlight highlights the deep, shadowed worry lines on his face. 

Morpheus has called you his heart. He’s wrong. You can see his heart still in him, cracked open for you to observe, not quite on his sleeves but beating through his chest.

Even you have to admit his admonishment is more than fair. No complaints. You duck your head. Anything to get away from his gaze. “…I’m sorry.” You are, truly. He stops your chin from dipping with the same soft touch used between lovers, between those who share knowledge of each other’s souls.

Morpheus hums softly. “Don’t apologize, and don’t do it again.” He calls you out as if he’s approaching a frightened deer, coaxing you towards him with sweet words, the hand cradling your face like petting the raised spine of that startled animal. “Now come - we will remedy your illness now. I’ll not have you spend another second in such a state.” His outstretched hand helps you to your feet.

A canopy of branches stretches above both your heads. The long, friendly finger-like branches of old growth trees dance and wave hello in the wind you felt earlier. Between the gaps in the large leaves, stars wink at you. Some of them even move, and you realize those unique flecks of light aren’t stars. They’re planes flying in the night and satellites spinning through space, chattering back and forth with each other and the rest of humanity.

You recognize the faint red glow of Mars and the pale yellow fleck of Venus in the dark firmament. “Where are we?”

It feels… real. It feels right. What binds your feet to the grassy earth, covered in scattered fallen leaves and the new buds of wildflowers is gravity, not magic mimicking it.

Morpheus leads you through the old growth trees without hesitation. “Ordinary mortals cannot spend unnaturally long periods of time in the Dreaming. It happens but rarely, most recently when I was imprisoned and unable to uphold the laws of the universe that separate the Waking World and the Dreaming,” He says without looking at you. His skin gleams like mother-of-pearl under the silvery moonlight. “The soul wants to stay as much as the body yearns to go. They grow sicker and sicker as the connection that keeps their dreaming souls attached to their waking bodies weakens. Eventually that connection snaps, leaving behind a comatose body and a wandering spirit in my kingdom with no name or face.” Such respectful words for a nightmarish fate.

Through the trees, the moonlight finds something else to reflect off of. The shine beckons you closer and closer, until you see a large, tranquil lake. The water is the clearest you’ve ever seen, tinged a naturally bright turquoise. Through the glass pane surface, you see the sandy surface of the lake bed dotted with small, smooth pebbles, at most a few feet deep. Vibrant pink water lilies spread open their great green pads at the lake’s edge and birds sing songs to each other in the trees. A white heron picks its way through the lake with meticulous, stilted elegance. It stops to consider the pair Morpheus and you make, then magnanimously decides to give you your privacy and fly away

Something stirs at your side, breaking the spell. You turn to watch, still dazed from the sweet, clean air, as Dream gathers your fingers and kisses them. “The only cure is to take you back to the Waking and allow your soul and body to rest as one, as they were meant to,” He apologizes. His lips are so pink, and his eyes are so wide.

“I can breathe again,” You murmur as your lungs fill with the scent of fragrant banana leaves and papaya trees brought out by the humidity.

It’s all real. You tell yourself that over and over. You sink to the ground and bury your fingers into the earth. When you rub your fingers together, you can feel the grains of dust separate and stick to the grooves of your fingerprints.

You want to touch everything. The rough bark on the trees, the ribbed surface of the lily pads. You want to smell the blossoms and feel the cool water of the lake wash away the clinging, disorienting remnants of the Dreaming from your mind.

Dream joins you on the banks of the lake. “I know,” He coos, dabbing away the sweat shining on your cheeks. “That’s it, darling. Feel better?”

Your dirt-marked hands meet his, seeking reassurance that he’s just as real as you. That he won’t slip out of your grasp and flee into the night like a stranger, now that he has delivered you home.

His palms only have a few lines compared to the meandering map of creases on yours and Morpheus patiently lets you explore them until you’re satisfied with what you find. You leave smudges on the backs of his hands. You go to wipe them off, about to mumble an apology, but Dream stops you. He wraps his fingers around yours even tighter, even as you protest that you’ll get him dirty.

“Now listen carefully,” He begins. His grip trembles, a single, uncontrolled movement in the edifice of composure. Chaos, barely leashed. “I want you well. I want you to smile and forget any time you were unhappy because of the Dreaming. But if you run, I’ll come after you. You know I will. Decide for yourself if you’ll take the relief and pleasure I’m offering, or if you want another chase and the tears that come with it.”

A dream is nothing without a dreamer. Morpheus has long since decided that you are his dreamer, so like all dreams, he fears your eventual abandonment. He fears you might decide that he adds nothing to your life and discard him, leaving him purposeless, a book abandoned on the shelf unread watching as you move on and never look back. Pick me up, his eyes beg. Read me, need me, keep me by your side. Find me a home in your home.

Later, you’ll blame it on the sweltering tropical heat. You’ll blame it on the silver tongue of the god of dreams, slithering its way into your head.

“Is the water swimmable?” You ask instead of answering. In the periphery of your vision, he nods.

So you rise.

What need is there for running? You’re home. The wind has danced through your hair before. The trees have whispered secrets to you since you were old enough to look up at their leaves and make up fairytales. You can empathize with how Morpheus and the Dreaming are bound together. You’re bound to here, birthed and raised here.

The sand grows damper the closer you walk to the edge of the water. It sticks to your toes in clumps. You shed your clothes as a snake sheds its skin. You leave them behind you, a trail of breadcrumbs followed by the sight of your back, bared to him.

You hear a sharp inhale. “Are you sure you want-“ Morpheus’s voice is strangled as if he’s fighting his own dark urges, extinguishing them so that the flames won’t singe you.

The water is much warmer than you thought it would be. It ripples gently across your skin and you walk further into the lake’s embrace.

Once the water envelopes your hips, barely brushing where your belly naturally folds over your hips, you turn to look at the god watching you on his knees from the shore.

You’re aware of everything- your nipples hardening, his narrowed dragon-like eyes feasting on your breasts, your soft arms and plush thighs, and a warmth stirring in your core that only Dream can awaken.

But there in your thoughts is the cold reminder of Johanna’s warning. There is no doubt that Morpheus has been cruel and capricious, carelessly tearing apart anything in his path like a tornado ripping trees and telephone poles from the ground.

But he’s yours. He’s pursued you, chosen you, fought for you. He loves you enough that he’s risking letting you go, where before he locked you in his realm like a songbird in a cage.

You hold out your hand. “Join me.”

Morpheus doesn’t make you wait a second longer. “As you wish, Basileia.” He practically rips his shirt off, losing a button or two in the sand in his haste to reach you.

The hard, muscled planes of his chest beckon to you. You could never get tired of Dream, of looking at him, of wanting him. He’s already half hard against his thigh and he walks into the lake with the smooth, prowling gait of a leopard stalking some helpless prey.

His arms catch your waist and pull you closer. You melt into Morpheus’s familiar touch, impossibly strong yet cradling you as if you were as fragile as spun glass. It’s not until you’ve tucked your head into the crook of his neck, his salty skin so close to your lips that you can almost taste him in the air, that Dream finally relaxes. The water wraps the both of you in a warm cocoon, heightening your senses. Every move he makes ripples against your skin and you’re so painfully, acutely aware of his hips, his legs, how close they are to your own…

Droplets of water trickle between your breasts. Dream follows their path with reverent, covetous eyes. Those beads of water are more precious than diamonds to him because they have the privilege of touching you.

Your skin is painfully sensitive. His grip tightens, shifts, he palms your ass and his other hand cradles the back of your neck, warm and possessive. The pregnancy hormones are no joke; you’re starved, desperate to take him apart with your teeth and hands, and to be taken apart in return until all you know is his taste.

You trace his arched cheekbones with damp fingertips and run your thumb over his plump, flushed lower lip. Dream’s white teeth glint as they sink into your thumb. Not deep enough to cut, but just enough to sting .

Your fingers slide through his dark hair. You graze his scalp with your nails, you pause to take a fist full and tighten your grip. You tug. Morpheus gasps, then curves his mouth into a lazy, listless smirk.

When he kisses you, you kiss him back furiously, your mouth dancing with his and one arm slung around his neck to draw him into you. You moan into the kiss and he hums at the back of his throat in response. Dream’s lips leave yours, much to your displeasure, only to settle on the top of your nose, then your eyelids, the corner of your mouth…

Water streams around your thighs as Morpheus practically drags you up, easily holding most of your weight with one of his arms. The heat in this place is such that sweating does nothing to cool your body, and the muggy air makes stitching yourself as close as possible to his body even sweeter. You bare your neck to Dream’s kiss-swollen lips and the hickies he sucks into your skin.

Your thighs quiver, each sensation so much stronger and brighter than they were the last time he knew you like this. A sweet, drawn out sigh tears itself from your chest as he bites down like a wolf marking his mate. Morpheus groans in return, mouthing against your skin like he’s starved. He mutters and growls as he makes his way past your collarbones and his hands shake where they cling on to you.

And when his nimble, clever fingers drift from your back to find your nipples, thumbing them firmly, you shriek and pull on his hair so hard his head snaps back. He stares back at you with eyes of inhuman obsidian and a furious snarl on his face at being denied your body. “Gentle, please, Morpheus. Please,” You whimper, trembling in his arms from the too-intense pain and pleasure echoing through your sensitive tits.

Your chest heaves. The air is so heavy that it feels like you can’t get enough of it into your lungs. Dream makes a wordless noise of an apology before lavishing you with kisses, his lips moving with the most careful pressure across your flushed breasts. “The shore,” You plead with him. “Take me to the shore, my love.” The endearment steals out of your mouth like a thief. It’s the only thing that cuts through Dream’s lust-filled haze.

His beautiful eyes lighten from black to deep sapphire and the silvery fangs you felt earlier at your vulnerable throat retract ever so slightly.

Before you can blink, Morpheus deposits you on the shore with your back to the sand. The stars above bear witness as he kneels between your legs spread open to invite him, joy and love practically fucking radiating off of him. What he told you in the aftermath of his forced unmasking was true. He loves you. No matter what you do or say, if you cry or flee, his love only grows.

His luminous beauty is so overwhelming that it eclipses the world around you. All you see is him. You reach up to make his perfect hair messier, to bring his perfect mouth close enough for you to kiss until he’s ruined.

You push on his shoulders until he rolls over. His strong arms take you with him and help you drape yourself in his lap, grinding your dripping folds into the thick, heavy weight of his cock.

Morpheus tries to reach for your hips first but you bat his straying hands away. “My tigress,” He moans as you show him what your teeth and nails feel like digging into his alabaster skin, running over his abs, returning in abundance the bite marks and hickies he left on you. Your tongue lathes over the red and blue bruises scattered down his chest, warm and wet, and Morpheus’s heart beats so furiously that you can taste his pulse.

“Stay,” You pant as you plant one hand into his sweat-covered chest. Your lips move lower and lower, leaving kisses along the deliciously-firm ridges of muscle that jump whenever you touch them.

You give into every possible intrusive desire. Your fingers trace his hip bones, the long, elongated lines of his thighs tensing as you wander closer to his flushed, veiny dick, and up again to that muscled v at the bottom of his stomach…

“It’s yours,” Dream says hoarsely, his eyes glowing in the night. “I’m yours.”

This is your world. Your home. And your Endless. Saliva gathers under your tongue and Morpheus beckons. He’s somehow even more desperate for you to carve yourself into his body and soul than you are to wield the knife.

You hover over him, about to take him in your hand. You’ve done horrible things for Morpheus with your hands. You ended a person’s life and you’d do it again if you had to.

The tenderness in his voice makes you weep. “I love you.” He knows. You don’t have to say anything in response. You just have to be here with him and be loved.

His cock is warm in your palm, so long and thick that you have trouble understanding how Dream makes it all fit inside of you. Your tongue darts out to lick the salty precum dotted on his shaft and your cunt flexes with need. Soon, soon, you promise yourself, you’ll let him fuck you into the ground until you’ve forgotten your name.

You watch him as you start at the base, kissing your way up his cock until you reach the fat, rounded tip. Morpheus inhales sharply and a brilliant red flush colors his cheeks. You slowly envelope the head of his cock between your lips and his fingers dig into the ground, trying anything to keep him anchored.

His eyes roll back in his skull like you’re quite literally sucking the soul out of him. You briefly flirt with the idea of pulling away, of depriving Morpheus of the sweet torture that has rendered him speechless.

But since you’re his queen, you can be benevolent if you wish. You’ll make him come so hard that no other woman or goddess will ever compare. You’ve never wanted to do this with a partner as badly as you want to do it for him.

Your hand works the part of his shaft you can’t shove into your throat. You build a strong rhythm, alternating between sucking his dick and running your tongue along the underside where the taut skin is most sensitive. His cock jumps in your mouth when you flick your tongue over one particular spot. “Fuck,” He hisses. “You’re so good to me, beloved…” His needle-thin fangs erupt again, only to dig into his bottom lip. Dream grinds his hips up, forcing another inch of his cock into your sloppy mouth dripping with saliva.

Your surprised moan is completely stifled by his thick, painfully erect flesh. He laughs wickedly and finally reaches for your hair. “I know your game,” Morpheus taunts. A faint tingle of pain flashes through your scalp when he wraps your tangled tresses in his fist and takes control. Saliva runs from the corners of your stretched, bruised lips with each thrust.

His salty, musky taste is addictive and you want more, more than what he’s giving you right now. You won’t be satisfied until he’s spilling his seed down your throat.

Your nails run down his thighs, leaving angry red furrows, and you bob your head, relaxing your throat so you can take him even deeper. This god, this great and powerful creature, full of magic and fury, groans and shakes underneath you.

“Wicked creature,” Morpheus accuses between gasps for breath. You smile up at him with your mouth full before returning to your feast.

You turn your spare hand to another task. You’ve never done this before, but Morpheus inspires a boldness in you, a mindless lust for moremoremore. He grits his teeth, holding back guttural moans. You reach out to cradle his heavy balls in your palm and carefully massage them while you redouble your mouth’s efforts on his cock. Your jaw aches something fierce and you gag once, and then again.

He cries out. You can read the thoughts painted across his face. You’re his confessor and his executioner. Only you have this power over him - to bring him to the highest ecstasy or to brutally cast him out of Heaven.

Your reward is so sudden that it surprises you. All it takes to send Morpheus over the edge, into the most beautiful orgasm you’ve dragged out of him yet, is that gentle caress. His eyes widen, glistening with tears, his pupils dilate. His silver tongue has fallen silent. His face contorts in exquisite agony.

He drags you forward until your lips touch the base of his cock and comes with a low, pained groan. Salty cum floods your tongue and you pull back in surprise. His cum drips down the column of your throat and between your tits. You cough, smearing more of the mess on your cheeks.

Morpheus doesn’t give you even a moment to recover. It must be unbearable for him to be separated from you, like breathing with only one lung instead of both. You carry half his soul. His heart beats in your chest. He kisses you and clutches your shoulders, your face. He licks his cum off your cheeks and drags his fingers through the remnants on your breasts. He brings his fingers to your swollen lips. You open your mouth even as your jaw protests and let him feed you his cum. Not a single drop is wasted.

You suck his fingers one last time before he withdraws them. Your doe eyes stare into his lidded, pleasure-drunk gaze. Finally, you answer him. “Perhaps I’ll keep you… if you make yourself useful.” A smile blooms on his angular face, more heavenly than an archangel.

Or perhaps he’s an incubus here to enslave you. “I’ll be gentle,” He promises. Moonlight flashes off his sharp teeth. Your nerves prickle at the contrast of his sweet words against the sheer primordial force that emanates off of him. Your animal hind brain wants to flee, but the rest of you wants to give in, to reach for the bright flame of his love and let it burn you.

His palm caresses your cheek, sliding over your skin as if you’re made of the most precious silk. But you’re not silk and this is not a dream. You’re real. Flesh and bone.

You look at him through your lashes as you sink your teeth into his wrist.

Dream responds as you want him to. His pale hand, white as a sword, around your throat, squeezing just enough to restrict blood flow into your brain. Your dark angel looming over you, the Endless simply taking your submission, not just demanding it.

When he guides you to lay on your back once more, you go gladly.

The stars in his irises glow as he takes in the sight of your breasts moving everytime you take a breath and your thighs slowly, slowly parting. “My poor darling, have you been this needy the whole time?” Morpheus asks in that low, raspy voice that makes your stomach twist with desire. His finger trails from your bent knee and down, down towards your inner thighs.

It feels like everything is too hot, too much. You’ve been wet since you took your clothes off, and after making him come so furiously, your pussy is practically crying for him to touch your folds, to fuck you, to remind you who you belong to.

He traces the arousal coating your cunt, playing with the slick but carefully avoiding your pussy. “Morpheus…” You moan, your nipples so hard that every gust of wind feels like the press of his mouth. Playing is a good word for it. Morpheus plays you and your body, teasing you with his hand as he wanders away from your hips and over your chubby belly, always touching, feeling. 

Your back arches in the sand. He’s the only one who can do this to you, you think. The only one you’d let have you in such an open, vulnerable way.

Just when Morpheus reaches the curve of your breast, he leans over you and holds your face with both hands. “You come first.” One of his thumbs hook into your mouth and pull your jaw open. You can feel the pad of the thumb wedged against your teeth.

You feel so delicate and fragile underneath him. So helpless, like a flower he plucked from the ground. Your cunt pulses in time with your rapid heartbeats. “Heed my words. You always come first. For next time,” Morpheus commands softly. He’s dead fucking serious.

Rushing sounds fill your ears. “But-“ You murmur around his fingers. You’re dizzy, drunk on the love painted so boldly on his expression. It’s like a solar eclipse. You can’t look away. You come first. That is what would please Dream more than coming himself. You find yourself nodding along.

When he bends down to kiss your forehead, it feels like a brand. You lean into the warmth and let it soothe you. “Obey me, beloved, and you will be rewarded with anything and everything you desire.” You surge forward to kiss him square on the mouth. His spit-covered thumb rests in the hollow of your throat.

Morpheus’s fangs prick your bottom lip and you whimper. It’s so easy to surrender to him and it feels so good. “Do you… enjoy that? Obeying?” He pulls away to ask with an uncharacteristic frown marring his smooth forehead.

You murmur something wordless and begging, then loop your hands around his neck, urging him to return to you. He raises a single eyebrow until finally, you turn your attention to the question instead of pouting over his reluctance to kiss you. “I do. I really- I think I do,” You whisper.

It’s the truth. It feels right. And for the most part- if you’re honest with yourself, for the most part, Dream has never failed you.

How do you reconcile these puzzle pieces together that just don’t fit? With each day, your rage and feelings of betrayal fade. Something new has been growing inside to replace it. A strange longing to throw your principles away and give in.

Morpheus nods soberly. “If you decide to keep me, Basileia, we should discuss this later, at length. I know that the relationship you expect might be different from what I can give you.”

It’s far too easy to read between the lines. “What can you give me?” You are critically, keenly aware of the implications of you asking. Why else would you want to know the conditions of a long term, most likely life-long relationship if Dream has his way, if not to seriously consider them?

Well. You’re seriously considering it.

He spreads his fingers out slightly off-center from your sternum, right over your heart. “What I’ve always given you.” He kisses the tip of your nose. Can you trust him with your heart?

Dream is trying to tell you with his actions that you can. That he wants to cradle your heart so gently and hide away where no one else can hurt it. He’d breathe fire on anyone who tried, even himself.

“Care, above all else,” He murmurs in your ear. His breath tickles your hair and you gasp. He kisses your soft, delicate skin covered in goosebumps as an apology.

There are spikes of white in his irises like the points of a star. A single black eyelash rests on his cheekbone. You wipe it away with your fingers, utterly fascinated by this strange new intimacy.

It’s so lovely to feel his radiant smile with your fingertips at the same time as seeing it.

You’ve missed it.

“Tending to.” Another kiss, this one on the edge of your jaw. You blush from your scalp all the way down to your toes.

“Possession. Belonging.” His voice drops to a growl and the fingers over your heart curl into claws. Morpheus buries his face into your throat. Some of his hair gets in your mouth and you giggle as you try to pluck it out. He growls again, this time properly, when you try to dislodge him.

His torso presses yours into the sand. He’s like a tall weighted blanket hiding you from the sight of the celestial bodies above.

One of his claws moves to your waist. They open and close rhythmically. Morpheus is kneading you like a cat. “Let me be your compass so you’ll never feel lost again, let me tend to your every scraped knee and anxiety. Trust me to give you commands for your well-being and to fix things when you make mistakes.”

How long have you waited for someone to say these exact words to you? How many years have you spent dreaming about this very moment, where someone grants you your truest wish; to never have to face the world alone? Not just at your side. In front of you, leading you into the future so you have someone to follow.

Finally, he kisses your lips. A chaste, almost innocent kiss, like between a husband and wife on their wedding day. “All I need is your submission to my authority. It’s too much to ask of you at this moment, but you should know these things about me so you can make your decision in the future,” Morpheus says softly.

All he ever had to do was ask.

“We can talk about it later.” You kiss him back firmly, dragging a low moan out of him.

“You’re not opposed?” He says between kisses, between your fingers threading through his hair and his knee nudging between your legs, giving you something to grind against.

Morpheus freezes when you smile at him, as if he’s been hit by lightning. “I’m not,” You promise, your eyes shining more than they ever have before.

He exhales an amused huff. He’s laughing at himself, you realize. “Later then, my queen.” He’s been so silly and wasted so much time. You laugh too, until the two of you are just giggling helplessly in the sand.

He strokes your belly for a moment, then bends and places his cheek over the curve where your baby is growing. Crickets sing and fireflies chase each other through the night sky. Something moist touches your belly. When he lifts his head, he tries to wipe away tears before you notice. You reach for him and dab them away yourself.

“I hope the baby has your eyes,” You whisper.

Morpheus’s hands are as warm as his smile, like a little candle flame in the dark flickering on its own. “I hope the baby looks like you, so the world can see how much I love its mother.”

Maybe his smile will light your way back to each other.

His face is the first thing to shift. His gaze narrows, his mouth flattens into a severe, imperious expression. “Now, where were we?” His muscles coil and tense as he rears up on his knees. His marble skin stretches taught over his prominent bones.

You suddenly remember watching him disintegrate the nightmare that haunted you so, how Morpheus took pleasure when it screamed in pain. This is the god-king, the careless devil, the eater of worlds.

He kisses your knee while massaging the strained muscles in your calf. “You- you were… ah… Morpheus, I can’t focus when you do that.” Your voice is hushed in prayer to the only god you care for. He kisses your thigh again, slightly above your kneecap.

You spread your legs wider, wordlessly begging for more of his attention. “I was instructing you on the importance of obedience, I believe.” He blows a soft puff of air across your heated cunt, and you squirm in the sand. The cold only heightens how sensitive you are.

Morpheus leans in to lick the trail of arousal that has been steadily dripping down your thigh all evening. He laps at your skin over and over in tiny kitten licks.

He waits until you’re looking at him to moan into your skin, his eyes wild with hunger. Another, longer lap of his tongue, still holding eye contact. He can’t get enough of your juices. He wants you to know how much he wants you. Morpheus wants you to witness his devotion. Not want- he commands it.

And still, he won’t touch your pussy. “That feels so good,” You whimper. You draw your legs towards you to try and urge him towards your core. Morpheus teases his fangs along your flesh. You can feel how sharp they are, how easy it would be for him to bite and puncture your skin. He would never, but the suggestion is enough to get your blood running hot.

Morpheus rises up between your legs to grab the long column of your throat. “As much as I love your voice, right now I’d like to hear it only when you’re screaming my name. Understood? Nod for me.” Your mouth waters as you nod. “Good girl.”

You almost feel like crying. This evening has been such a fucking rollercoaster and here you are, getting dicked down for the whole world to see. And Morpheus adores you so much that he wants to possess every part of you, to make you completely beholden to his will.

He releases your throat before grasping one of your heavy tits, palming it greedily. “Your body was made to be adored by me, to be loved and worshiped,” Dream hisses. He swats at your breast, catching your painfully sensitive nipple with the tips of his fingers.

You jerk upright and moan in surprise, making an embarrassing, slutty, needy sound. Pain and pleasure radiate from your swollen nipple and as much as you want to cower away, you want Dream to do it again…

He slaps your neglected other breast and you gasp, tears finally beading in the corner of your eyes. Your cunt drips all the way down to the sand under your ass. You pant, your tits bouncing with the moment. The motion draws an equal groan out of Morpheus and the desire burning in his blue eyes frightens you.

Morpheus leans forward to capture one of your nipples between his lips. He sucks gently, flicking his tongue over the hard, pebbled bud, and you arch your back. He switches to your untouched nipple, sucking and kissing over and over as you shiver and whine beneath him. Maybe he wants to make you come like this, untouched except for the sweet torture he’s subjecting your tits to. You try to grind your hips against his leg, to give your pulsing clit some relief, but he hisses and pushes your hips down with more force than you expect. Message received, though it turns you on even more.

You’re pinned down and there’s nothing you can do but submit. “I am utterly enamored by your breasts, your rich and luscious thighs, and the feel of your soft belly under my fingertips,” Morpheus tells you when he lifts his head. His hand makes good upon his word. His fingers caress your stomach, not just the roundness of your growing baby, but the folds of skin and fat that come with a body like yours, that the rest of the world often finds unattractive.

But he is Endless. The god of dreams himself. Humanity’s mirror cut out of black glass. And your body is so desirable to him that he knocked you up the first time and fucks you like he can somehow get you more pregnant each time. Morpheus kisses the skin below your belly button and you have a feeling that tonight, the whole universe is dreaming of you.

He raises his head and reaches out his fingers to tap against your kiss-swollen lips. “Dampen these for me,” Dream orders. They’re glistening with your saliva by the time he pulls them out of your mouth.

You prop your torso up on your elbows and watch Morpheus inhale quietly as he brushes the pad of his thumb over your clit. You bite back a combined moan of relief and surprise. He does it again, waiting for your hips to jolt and your eyes to flutter. His fingers caress your slick folds, luxuriating in the volume of shiny, sticky arousal that has dripped out of you. He kneels there for a long moment, just playing with you, and your lungs seize when he lingers too long rubbing your clit.

Then Morpheus very unceremoniously shoves one of his palms under your ass, tilting your pelvis up so he can eat you out better. His tongue wanders over your clit and between the folds he was so fascinated by earlier.

You cry out into the night, looking up at the stars while Dream makes you see stars. You moan again and desperately clutch for his hair so you can grind your clit into his mouth. He mutters something to himself, completely lost under your whimpers, before slipping two long fingers into your tight cunt. He sets a fast though gentle rhythm immediately, carefully curling his fingers inside you to stroke your walls as he fucks you with them. Each one of your cries is rewarded with the hot, wet pressure of his tongue or his fingers brushing the sensitive spot deep inside you. It’s almost like Morpheus is trying to make you come faster than you ever have before-

For a single, blindingly bright moment, your lungs stop. You can’t breathe. Your stomach wrenches violently and your walls squeeze his fingers so tight they start to slip out. “Come,” Morpheus demands, his gaze furious and fixated on your slack, pleasure-drunk face. Your pussy opens for his fingers and this time his grip on your thighs is too firm to wriggle out of, forcing you headfirst into the riptide of your orgasm.

Your high-pitched scream rings in your ears and you slump into the ground, boneless and exhausted. Morpheus withdraws his fingers and licks your folds clean, shushing you when you whine from the jolts of overstimulation moving through you. You’re so tired, but it feels so good.

He leans in for one more taste. This time, you tense and push his head away. Your clit is still humming with faint, delicious aftershocks, and even his breath puffing across your swollen folds is painful. Morpheus apologetically kisses your hip. “I could spend eons buried between your legs. Tasting you, touching you, inside of you. Perhaps I should relinquish the Dreaming to some other god so I can spend the rest of eternity serving you, hm? Would my queen enjoy that?”

Pebbles and sand dig into your back but you barely notice. You’re too busy blushing the darkest shade of red possible at the vivid imagery and his unrepentant lust. His smile is wicked. You’re both thinking the exact same thing - you perched on the throne next time, and Morpheus making you come on his fingers and tongue as many times as you can. Knowing him, probably until you black out.

You open your mouth to say something, but his command from earlier holds fast. You want to obey.

Then he nods, releasing you from it.

“Holy shit, I’ve never come that quickly before,” You sigh.

Morpheus straightens up and squares his shoulders. “I know,” He fires back with a lewd smirk, his lips still damp with your juices. Morpheus moans softly as you kiss him. You sweep the rest of your arousal off of his lips with your tongue, your own salty taste filling your senses.

You understand all those little offhand quips now, all the various odd remarks under Dream’s breath about your life and dreams. He knows. Literally. He has stood there in the back of your dreams and watched.

His cock is angrily hard against his pale thigh, flushed red with blood. Morpheus likes to watch. A shiver runs through you. Not a bad one. An eager one. “Fuck you,” You bite back. He’s never looked more beautiful to you, all messy dark hair and your crimson love bites dotting his pale skin.

After too many drawn-out whines and your hands eagerly tugging at his hips, much too far away from yours, Morpheus holds your thighs down. If you were more flexible, you’d have your knees pushed up to your tits.

Starlight shines between strands of his hair, surrounding his face like a dark halo.

Your lips part, wordlessly begging for a kiss. His broad shoulders press you further into the soft sand and he kisses you with fervor. “Be good,” Dream murmurs into your ear.

He eases his cock inside of you slowly. You gasp, your eyelids flutter. He rests his head against your temple, panting as your muscles flutter around his length. His hips cant forward again, nudging your clit. You clutch his shoulders to drag him deeper into your embrace. Your whole world narrows to just Morpheus; the weight of him against your ribs, the whole night sky contained in his eyes, the scent of his skin, his thick cock sinking as deep into your cunt as it can go.

You make a choked, keening noise when he shifts and inadvertently brushes against your g-spot. Maybe not so inadvertently. Morpheus does it again, languidly rolling his hips in a drawn out rhythm. Your stretched cunt milks him, trying to keep him with you, inside of you.

He buries his face in your hair spread out under your head. You feel his moans rumble in the crook of your neck, deep and desperate. It’s too much, too good, like blue flame burning in your veins, and you can practically feel him in your belly.

“Morpheus,” you sob, raking your fingernails down his back, anything to ground you, to keep you from losing your mind as he fucks you, forcing you to feel every inch sliding in and out.

Dream growls, gripping your hips so tightly he’ll leave faint bruises. He rests his forehead on your own and his eyes are screwed shut with pleasure. They shoot open when you scream, your whole body trembling. “Tight, fuck, so tight, feels good- that’s it, darling…” You hear him murmur, voice so low that he’s talking more to himself than to you. It’s like he’s praying to you, worshiping you at the altar of your body.

You spread your legs wider and meet each thrust, moaning in unison with him. The words “Love you-“ steal from your mouth like a thief, fleeing before you register they’re gone.

One of his hands slips between your hips to play with your needy clit. He circles the pads of his fingers over and over across your bundle of nerves, sending shockwaves through your whole body. The full length of his dick thrusts into you at the same exact time and you forget how to breathe; you can feel how tight the fit is, almost painful but not quite, riding that razor-thin edge of pleasure. A rush of slick gushes from your core and smears onto his skin.

Your head lolls back as your vision starts to go hazy around the edges. “Look at me,” Morpheus’s voice orders. You blink once, twice, too overstimulated to focus.

“Morpheus-“ You sigh breathily. “Ah-“ He switches how he plays with your clit, now teasing you with light, gentle touches so you can listen to him instead of being too cockdrunk to think.

Your lips parts, your tongue tastes the hot, tropical air filled with moans and lust. “Look at me.” You do. His eyes are so blue and bright that they almost blind you. His thrusts grow rougher, faster, and you shake in his embrace and wrap one of your legs around his hips to get closer.

The great, deep blue of the night sky, scattered with stars, is pinning you down and kissing your mouth. The wine-dark ocean lies between your thighs and fucks you mindless, pushing and pulling inside you like the tide.

High, keening noises fall from your open mouth. Your cunt sucks him in, pulsing around his length. Pleasure wracks your body, rushing through your nerves like white lightning. And still you stare up at him and the love for you that he wears so raw and undisguised on his godlike, unfathomably beautiful face.

You’re so close that you can almost taste it, you feel your stomach wrench and your thighs tighten around his hips. “Fuck, that’s it, make yourself feel good. Take what you need.” The sound of his low, raspy voice in your ear guiding you, talking you through it, tips you over the delicious, overwhelming edge.

Every muscle in your body holds itself taut as your orgasm shakes you like an earthquake. You bite into his shoulder hard enough to fill your mouth with golden blood. Your lungs fucking ache from screaming into his skin. He holds your hips down, never pausing the furious pace of his thrusts, and your cunt convulses once, twice. Your mind goes foggy and finally, finally, you can breathe again.

Morpheus comes as your body unlocks, the feeling of your pleasure around his cock too much for his self-control. He clutches onto you desperately, even tilts his head to the side to welcome your bite. Sticky warmth floods your body, once more marking you as his. Hardly a single drop of cum trickles from where he’s buried deep inside of you.

You whine as he suddenly pulls away from you, only to arrange himself on the beach next to you so he doesn’t squish your bump further. You rest your head on Morpheus’s arm and the two of you lie there for a while with intertwined hands as his index finger traces the veins on the back of your hand. The breeze feels cool on your skin - the feverish tropical heat has broken its grasp on your mind and your thoughts are no longer clouded and instinct-driven.

Dream speaks softly, almost fearfully quiet. “You said you loved me.” His fingertip stills where it is on your hand, and you keenly feel the loss of that simple affectionate gesture.

“I…” You begin before stopping just as suddenly. White noise echoes in your ears, a strange buzzing that grows and grows and keeps you from turning to see his face. You’re afraid, you realize.

“If you do not truly feel that way, don’t say it. Ever again. Please. I can’t-“ His voice breaks, breaking the static holding your tongue prisoner with it.

What are you afraid of? The truth?

No, you are not.

You pull your hand away from his. “Morpheus.” When you meet his eyes, he looks away.

He’s rambling now, panicked, rushing to get the words out before it’s too late. “I couldn’t bear it. Anything else. Tell me anything else.”

It’s not too late.

Your hand cradles his angular cheek. Pale blue veins stretch under his skin from his eye to his temple. You are the only person he will let close enough to see them, you realize. “I love you,” You say, waiting long enough to see Morpheus actually register it before leaning in to kiss him. You mean it, cross your heart.

YAAAY WE'RE IN THE KISS AND MAKE UP ERA NOW!!! Thanks everyone so much for reading, we're finally making progress. I'm really excited for what's coming next. See y'all next year!

[blastaway2004]

Bryke comparing Aang and Katara’s relationship to a younger brother/babysitter isn’t the “gotcha” ZKs think it is.

So Bryke the nickname of the A:TLA creators once talked about teen romance tropes, to paraphrase “younger boy likes older girl but said girl only sees boy as a younger brother or as themself as their babysitter”. This was coupled with an image of Aang and Katara. There was also an article saying that dynamic is Aang and Katara’s. ZKs seem to think this is a “gotcha”, that Katara canonically thinks of Aang as her younger brother whom she babysits.

HOWEVER!

This was specifically taken from A:TLA’s original pitch bible, which contains INTIAL ideas for a show, its characters and world. Many things in pitch bibles don’t make it into the final show, for example in the original pitch bible for SpongeBob SquarePants (originally SpongeBoy Ahoy!) Sandy Cheeks the squirrel was described as the apple of SpongeBoy’s eye and was suppose to be SpongeBoy’s love interest, but in the actual show the romance was dropped, there was some occasional ship-tease (especially in Sandy’s first two episodes), and tons of people ship the two, but SpongeBob and Sandy’s relationship is platonic.

With Aang and Katara, while Bryke may have originally intended for their relationship to be unrequited with Katara viewing Aang as a lil bro to babysit, this isn’t present at all in the show itself.

I’m gonna make a bold statement and say that Katara objectively DID have feelings for Aang. Even if they weren’t super obvious and spelled out like Aang’s feelings. The Cave of Two Lovers and The Headband are the most obvious examples but there are also other notable more subtler examples, for example, Katara is very physically affectionate towards Aang, something she doesn’t really display with anyone else. 

She has a lot of respect for Aang, she choses Aang over her tribe despite knowing him for one day, she defends him from that old fisherman, suggest he be the leader of the group, asks for his opinion on how she looks, she dismisses Sokka’s idea with finding the Earth King but quickly changes her tune when Aang suggests the same thing, she gets all embarrassed and flustered when Aang comments about her hair. Point being she clearly views Aang as an equal and her peer, not someone she begrudgingly has to babysit.

She herself even straight up says she loves Aang “for the people who love you, watching you be in that much rage and pain is really scary”. And she dismisses the notion that she views Aang as a brother in The Ember Island Players. If anything, actress Katara saying Aang is like a little brother was probably just a mythology gag based on the original pitch like Toph being a dude.

So, all-in-all, the babysitter Kataang comments really don’t mean anything, because they’re about an initial idea that was clearly scrapped in the show itself. Even if it is what inspired Kataang, who cares Aaron Ehasz agreed with a comment comparing Zuko and Katara to siblings and that she was foil to Azula (something I agree with). Bryke even made a joke saying “people who ship Zutara will have doomed relationships”. Given some of the weird takes from these people, I almost feel inclined to agree.

[dukeofdelirium]

https://www.tumblr.com/xabura/752028677741608960/bryke-confirming-that-katara-loves-aang-like-a?source=share

I gotta ask you something? Apparently there was a behind the scenes interview and Bryke compared Katara loving Aang like a babysitter or to a younger brother. This confuses me so much. Especially seeing as this is from the creators who are Pro Kataang as far as I know and the show itself contradicts this as Katara doesn’t view herself as babysitter or Aang as a younger brother despite what the ZKs will say. What does this mean? Are the ZKs right? 😱

Zutarians are so obsessed with trying to find canon “validation” for their fanon ship that they’re digging up shit from almost 20 years ago and then misconstruing what Bryke even said 😂

Bryke didn’t literally say “Katara and Aang are like siblings and her role in the story is to be his babysitter”. They were talking about how they liked teenage drama stuff and always found it fun and engaging, which is why they then began discussing common tropes WITHIN said genre of “teen drama” which is a younger guy liking an older girl and how said girl usually viewed him more platonically at least at first.

They were literally just discussing different things that they found some sort of inspiration in or that they wanted to play on in some manner in their own storytelling. They weren’t literally discussing Kataang itself as it is written when they mentioned genre tropes 🤦🏻‍♂️ they then go on to say they feel that Katara is really the “heart” of the group while Aang is the “spirit”, and that Katara is really the first person Aang feels a deep connection to and that she and Sokka are like his new family. They are also strictly discussing book 1.

Bryke drawing some kind of inspiration from teen drama and its many tropes doesn’t make anything in their show a 1 to 1 replica or iteration of such. Writers know how inspiration fuels their own work, and I say that as a writer myself. Small things can spark ideas of your own, especially if you enjoy the tropes and genres already which bryke literally said they frequently watched happily.

It’s crazy to me that they still try so hard to invalidate kataang by failing to actually listen to anything bryke is saying as they meant it. The whole behind the scenes thing was also not even for ATLA itself but was rather over the M Night movie. Like???? Zutara is never gonna happen, stop trying to make it happen 😂 kataang is canon and endgame. “reeee they’re siblings!!!!!” they had 3 kids 💀

[creativepromptsforwriting]

What is... Canon vs. Fanon?

Canon includes everything that actually happens and is described in the source material. It can also go on to include statements from the creators about their work, but this part is debatable. Especially if these statements happen some time after the work was published.

Fanon is a portmanteau of the words fan and canon. It refers to ideas, theories and interpretations of the original source material that were made by the fans. These ideas fill plot holes in canon, give a character more background info, answers unanswered questions and so on.

Fanon mostly refers to theories that are not only personal headcanons of one fan, but that have the support of a substantial part of the fandom. In some cases fans insist on accepting fanon ideas more than the canon ones, especially when canon actually contradicts itself and the creators seem to forget about parts of their own work.

[buubonita]

I like fell in a collar . canon fell personality and all, he’s so pookie, just, visually. the fanon chonky spiky studded choker is so aesthetically appealing . ESPECIALLY with a dog tag weeps idc it looks so nice

Canon underfell is actually so cool, not only because it stands out from other au in aesthetics and narrative matters (I really like that Fella decided to rename the routes differently to begin with) but because its creator is as cool as his work and lets us take any version of underfell as canon! The realest fella.

Fanon Fell looks pretty cool in terms of appearances, I won't deny that, anon. But also, Fell Sans itself haves one of my favorite designs, he expresses too much through his oufits and I ADORE IT.

[darklinaforever]

I love people who say that we romanticize and pedestal a groomer by talking about Daemon in relation to the fact that we ship Daemyra instead of Rhaenicent or Rhaesaria.

Basically ship Rhaenyra with two of the women who canonically ruined her life in Fire and Blood and who in HOTD, sorry Alicent isn't better and Mysaria... damn where did that shit even come from.

Because apparently it's more moral to ship Rhaenyra with her canonical abuser (Alicent) in HOTD and F&B, or to ship her in a relationship that makes no narrative sense in HOTD, Mysaria therefore, and which in Fire and Blold goes literally taking advantage of Rhaenyra's paranoia to do shit and make a mess of our queen's life.

Rather than with Daemon, her husband whom she loves and who is a healthy relationship in F&B, but somewhat problematic in HOTD, but not because of the character itself of Daemon with Rhaenyra, but because the writers love to write scenes abuse that comes out of nowhere too !

Why am I writing this ? I came across an indecent number of Rhaenicent fanarts and edits, not to mention the related posts which say again and again that Daemon is a groomer (HOTD or F&B) without obviously understanding the definition... My brain is bursting with force.

No hatred towards the artists and content creators for the edits because they have incredible talent. Simply, I need to express my incomprehension in the face of so much success in terms of shipping and especially the comments made on these ships.