#its not often i get to draw my culture
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Norwegian Mikus :)
Left is Miku as a russ and right is Miku in a bunad!
#i had so much fun with this#its not often i get to draw my culture#oh ywah and this is digital art if you were wondering#ANYWAYS i could go on for hours about russ and bunads#but i dont wanna bore anyone xd#if anyone is curious i would love to answer in the comments :D#OH YEAH I HAVENT DRAWN MIKU SINCE I WAS LIKE TWELVE LOL#i hope im not too rusty teehee#its nice drawing her again#maybe i should do it more#who knows#okay im done ranting#hatsune miku#miku worldwide#worldwide miku#miku#vocaloid#norwegian#norwegian miku#17th of may#norway#marsipain art
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Golden Hour (+ lineart below cut)
I took a picture of the lines for once and did some basic crappy photo editing on my phone, so you could probably print this out and use it as a coloring page or something if you so wish lol. Do with it what you will.
#honkai star rail#dr ratio#veritas ratio#aventurine#aventurine hsr#cherallart#as you can see i forgor i wanted to draw his glasses til like. last second#i can’t believe it’s been like 2 whole months since I last did a whole like. watercolor illustration#part of that’s been bc I’ve been having a bit of a rough semester bc adhd med issues (which are resolved now)#but I really wanted to draw aventurine and ratio. my boys#i’ve been LOVING penacony so far so I needed to get something nice out#anyway I did this while my s/o and I alternated between reading a 500 pg long history book out lout to each other#it’s called ‘the inheritance of rome’ and kinda covers what happened after the collapse of the western roman empire#and tries to identify and explain all the cultural echoes and reverberations and transformations that rose from its ashes#throughout europe north africa and the middle east. anyway it’s super interesting and I highly recommend it#the late antique period is not something often covered/talked abt in public ed hist classes. at least not when I was goin through em#or the transitory period between it and the early medieval period at least#i still got 150 pages left and a final paper due on it in like 4 days but it’s only a 5 pg minimum and I’m a wordy bitch so#i think i can make it#anyway back to that I go
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hey guys am i allowed to say on main that i dont like metadad . am i gonna get beaten up for saying this.
guys i think we all took the term found family too literally and now everythings flattened into a boring nuclear family. guys can we stop. hello . is anybody there
#text#it was kinda charming at first but it feels like everytime i try to look at the mk tag its always the same shit . guys. guys.#we can do so much more w/ their dynamics than just dad and son ugh its so . ughhh.#every since i realized i was like . really really aroace. ive started to grow a bit of a distaste for shipping culture#this is relavant i swear. iwanna talk about metadede#like ok in fandoms right. theres often#the enforcement of specific roles onto characters for a simplified understanding of them for memes and drawing ideas#we want gay rep but we dont quite have it canonically so we make our queer headcanons seem more legit#by giving a char a same sex partner. ok easy we did it. gay people are real now#and we get awesome art and its wonderful bc people are wonderful#but its like . the relationships themselves feel flat a lot of the times.#metadede never seems to be about dedede. its about mk having a boyfriend. bc we need him to date someone.#and im not like . mad at anyone about this. i participated in it back in the day. but like.#ok so. gay hcs are the most popular in most fandom things bc its easy; hot; and sweet#but things like aro or ace hcs? its just. they. how can you depict that in a single framed drawing of a char?so theres none at all.#its not even that i actively hc chars aroace its jsut this is my world view; how i default to reading chars#maybe this rant in the tags is unrelated after all.#but idk. ive got lots of thoughts about things.#anyways as ceo of meta knigth im right about everything#i can talk more about metadad stuff specifically if people want
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As I said I would, I drew my oc with yours my beloved @clawdouobit
My pretty girl likes to infodump your pretty girl about the smallest things. She's like a reel, talks a lot but most of it is meaningless.
Close ups and more info because I can't shut up ehtier under the cut <3
20 years old and engaged to a half-foot. They're waiting to gain some more money to get married and leave the dungeon. Note: they're best friends but idk if what they have going on is truly romantic love or just a very good friendship.
Quite skilled at upper levels, but wouldn't go to lesser levels. She isn't skilled enough to make her party survive there.
Her race is a mix between gnome and half-foot. Idk if that's possible but I don't think it's not.
If I had to guess, she's 13/14 on half-foot standars. It's unclear whether she's an adult or not, but she's preety mature most of the time. Most.
Flushed cheeks always. Also very pale.
She's 109 cms tall, a lot more than avarage on haflings, but lot less than avarage on gnomes. Since she hangs out mostly with haflings, she's a giant woman. This gives her some problems with traps so her BMI is 18 due to diet.
Fwens with Shahad. Who knows why tho. We gotta figure that out ;}
#dungeon meshi#dunmeshi#delicious in dungeon#dunmeshi oc#dungeon meshi oc#never thought i'd make an oc for a fandom again but here am i#shahad is so cool#she wears pretty jewlery#i love her design so much#but i hate drawing kobolds ooouugh i struggled but did it :')#they're so fwens#the divorced traumatized kobold and the little to-be braid she found while dungeoning#pimpacci can shut up when asked. for about 10 minutes at least.#i have 2 other dunmeshi ocs i made alongside her but i think Shaad would get along better with Pimpacci#because she's really kind and caring. but doesnt realizes her talking can get tyring/annoying.#while making her i noticed all haflings cover their necks on the dungeon. i wonder why. i gave her a scarf to match the thing#shaad#pimpacci lukes#i had so many trouble coming up with her name#i had to make it sound like two names mended together that don't tire the tounge because its too long to say it..#she gets really annoyed when someone calls her “Pim” because of cultural things.#also. she's often infintilized. many hafling don't know she's a mixed race. so she just looks taller and more childish than others her age#it doesn't bother her. she doesn't realizes most of the time. she doesnt infintilizes herself on purpose. she's just younger on perspective#yay#i need shahad and pim to have late night hours talks. it would be so interesting..#i should be asleep lol#my oc#my art#i've made a mistake on shahad eye colour... too late but... grr ...
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I LOVE!!!! C.AMAZOTZ!!!!!
#;ooc#ooc#I LOVE HIMMMMMM#this isnt prompted by anything btw#have not yet read anything about l.b7#it just hits me while i was drawing him and#reading about maya culture#so rich and interesting i love reading about it!#boi i love learning#sometimes its like 'there is no way im gonna be able to understand/know so many things'#but then im grateful for the things i -can- understand#now everyone learns at the same pace and it's something that has always stuck me as i often compared myself with my other peers#but when i get to learn about all these things; it really makes me feel warm#so this isnt just about him but i mean in general#very happy that i can believe in myself at least on small moments like this#*not everyone
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[StarWars AU] [Citizen Din/Master Luke]
Din Djarin of Aq Vetina
So, I let my imagination run wild, and here’s another Din Djarin AU!
What if young Din was still saved by a Mandalorian, but later reunited with his parents, who somehow survived the attack?
Din’s parents helped gather other survivors on Aq Vetina, rebuilt their home, and were chosen as governors. Din grew up learning about his own culture and became a promising young man who assisted with his parents' work. One day, to protect the newborn autonomous region, Master Luke Skywalker was assigned to Aq Vetina to act as their Jedi caretaker, and Din was given the responsibility to help Luke settle down.
Here are other settings for Aq-Din:
———
1. Din didn’t become a Mandalorian
So Din wasn’t trained, which resulted in his gentle and soft personality. He kept the mythosaur necklace given to him by the Mandalorian who saved him, it’s the only beskar Din has.
2. Din wears traditional Aq Vetina clothing
But I made it look more luxurious and ethnic with gold, shiny stones, and beads. I also created a custom where young people must wear a veil until they get married or reach a certain age. (I don’t want that veil to become a symbol of shame for those who don’t want or can’t get married, so they can simply remove it when the time comes. The veil is just for aesthetic purposes, like a peacock spreading its tail for courtship.)
3. Arranged marriage
Another custom I made up is that Aq Vetina people get betrothed at a young age, it’s not mandatory, but some traditional families still follow this rule, including Din’s. Furthermore, as the son of governors, Din was betrothed to another prominent and wealthy family for political reasons. Although Din doesn’t want this, he accepts it for the greater good of his homeland, until a Jedi master shakes his determination.
4. Claustrophobia
I always imagined Din having claustrophobia and a fear of darkness due to the experience of being hidden by his parents in that storage. I know this is a weak assumption because Canon-Din’s spaceship is confined as hell🤣, but my Aq-Din can have claustrophobia, which becomes a hindrance when Luke attempts to take Din away from the planet.
5. Heavy accent
Din is not proficient in standard language, so his communication with Luke is often somewhat clumsy, which may cause trouble at times, and he speaks with a heavy accent! (I have a thing for accents…🫣💕)
———
I will probably continue drawing this series because it was a lot of fun to draw Din in his Aq Vetina outfit, and I also want to have him wear different veils to hide his face. 😝
#dinluke#din djarin#luke skywalker#star wars#the mandalorian#jedi#star wars fanart#alternate universe#aq vetina#koi illust#character redesign#fanart#m/m romance#my otp#space boyfriends#space husbands#boy love#star boys#my artwork#drawing
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I think there is a difference between the comic as a sequence of images with text and the comic as a comic. it's a subtle difference that an untrained eye might not see but the more one as artist draws comics the clearer this difference becomes, because one who first aspires to draw comics will soon find they are merely drawing sequences of images with text.
when people say an artist is clearly inspired by anime they often use "anime" to refer to japanese pop culture in general, but if you look more closely you can often tell it really is specifically anime rather than manga that inspired them, because the paneling and camera angles in their comics will read like a series of anime screenshots rather than a manga page. similarly, when I was a teenager really popular manga that had anime adaptions would sometimes get "animanga" reprints where they replaced the panels with the equivalent anime screenshots of the scene, and they often looked like dogshit because the very premise showed blatant disregard for why the original comic worked in the first place. these two examples are both about anime because i am a weeb but it applies outside that context too. a cartoon storyboard can be read as if it were a comic, but what it really is is a sequence of images with text that has yet to be refined into its actual intended format.
there are many artists who only employ the medium of comic because what they actually want to draw is a video, or a video game cutscene, but the only tool actually at their disposal is the ability to draw a series of images and add text to them so that is what they use. there is no shame or mistake in doing this, you have to make your art with the tools that you have available, and if the sequence of images with text is enough to convey the idea then it was the right tool for the job. but these are different mediums with different visual languages, languages which have a lot of overlap and can occasionally be used in each other's stead to achieve similar results (especially when drawing a fanart comic of a video game for example), but which are still ultimately different. the comic and the video and the cutscene are all different forms that a sequence of images with text can take but they are far from completely interchangeable.
there is a key difference in approach to the comic as a series of images roughly interchangeable with other forms of series of images like the video and the cutscene, and the comic as specifically the comic. this difference in approach is not always necessary to achieve results, an artist who wants to convey a scenario they came up with needs only the sequence of images with text to achieve this. but the difference between a comic with good writing and art, and a comic that is a good comic, is in whether it was treated as a comic rather than a sequence of images with text. I say this as an artist whose nearly every comic has been simply a sequence of images, because I just don't have the patience to refine it into a comic when I merely want to convey my idea rather than draw a comic. it takes a particular skill and insight that have to be developed and practised separately from the ability to draw well and the ability to write well in order to become good at making "the comic" as synthesis of the two.
it's hard to specifically point out the essence of this difference between the sequence of images and the comic because it's kind of a vibes thing honestly, and it depends on where and how the comic was meant to be published too. comics meant to have paper print editions have different constraints and requirements and frameworks to work with than webtoons meant to be read on slim mobile screens in a continuous scrolling format. a good traditional comic will consider not just how each individual panel looks but also the way each page as a whole looks, and how the pages look next to each other in a spread, and how it feels to turn the page towards the next spread. a good webtoon will consider the movement of scrolling down and how this affects the transition from one moment to another in its composition. time is time in videos and cutscenes but space is time in comics, and the space your have available determines how you can divide time across it. when you make a webcomic on your own website you have no constraints but the ones you set for yourself, and sometimes this leads to things like homestuck, which would not work in any other format than the one it created for itself.
the best comics are good because they tell their story and present their images specifically in the form of a comic, in a way that would not be possible if it were not specifically a comic. I think this is true for basically every medium, I'm just thinking about comics specifically lately, because even though I don't really consider myself a comic artist - because I usually draw sequences of images rather than comics - the thing my clients want to pay for is often still "a comic", and they don't know or care to tell the difference. it's a difference that, as established, is often fairly moot anyway, because as long as it successfully conveys your idea it's good enough. but it's precisely because the sequence of images is often good enough that the specific skill of the comic artist is often overlooked.
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Smithereens - Theodore Nott X Reader
Summary: Based on the song "smithereens" by Twenty One Pilots.
"For you, I'd go step to a dude much bigger than me.."
A/N: very theo coded. I'm back bitches. This was another request. I've been sorting through my requests box slowly, making sure everyone is accounted for and they are all good reads. enjoy.
Theodore Nott was an interesting person. you had been in a relationship for a few months, enjoying the new feelings that accompany new relationships and young love. You had come to find he was a lot more than his reputation. At a glance, he was a shallow rich kid like his friends, although you had come to find he was a much more complex person than the rumors you'd always heard. Theodore was a softie, he was romantic at heart. He brought you flowers and passed you notes in class. Contrary to popular belief, He didn't sleep around either, he had a laid back flirty side by nature, but he definitely did not participate in the Toxic Slytherin Culture. He was there because he didn't have any other place to be, perhaps it was just by chance. Nonetheless, the boy loved his friends and was loyal to them. So much so that he'd attend parties with them.
The evening was drawing to a close, you had a few drinks and shared many laughs with some friends. It was the beginning of the school year, so to kick off the quidditch team's luck, Slytherin house held a dungeon party. It was the usual crowd, Draco, Pansy, Blaise... and some others who just wanted something to do that evening. The common room was rather busy, with some unfamiliar faces crowding its space mixing with those who were friends. Music was playing, most student's were mingling.
You sat shoulder to shoulder with Theo on the loveseat, while a somewhat drunk Pansy Parkinson went on and on about something to Draco, you had stopped paying attention. Blaise would inject himself into the conversation every so often.
"I'm going to step outside." Theo told you, after some time enjoying each others company, you'd both been somewhat quiet, not drawing attention to yourselves too much. "Care to join me?" Theo asked.
You didn't really care to listen to Pansy any longer, but you knew Theo was just going to step outside for a smoke, a bad habit of his. "I'm okay, actually. I think I'll stay in and have another drink." you said, Theo squeezed your hand and then headed outside. "I'll come back in in a bit, love."
You could handle yourself alone just fine, however, you didn't appreciate unwanted company... almost ever.
Not long after Theo wandered outside, an exchange student had appeared. His name was Klaus, you remembered. He was new to the quidditch team. He was from Durmstrang in Germany, He towered over you as you had poured yourself a drink, sipping on the bitter alcoholic beverage timidly. "Hello." He said, trying to be sly, but to you it just felt awkward. "Hi." you said, trying to be polite. No wonder he played sports, this guy was huge.
"I saw you sitting with your friends." He said. "oh yeah," you nodded and looked over at draco who was listening to something pansy was saying with exaggerated expressions. "Yeah, they are pretty cool." you said, unsure of what to say to keep the conversation alive, not wanting to be completely rude.
"You are very pretty." He said. "What's your name?" you scoffed, he didn't seem to get the message even after telling him your name. he smelled like liquor. "We could go somewhere more private to talk.." He suggested. you awkwardly played with your hand covering the drink in your hand. "Um, no thanks." you said softly, not wanting an eruption from him. He was starting to get a bit flustered. "Come on. Just to talk," He begged. "no." You said again very sternly.
Klaus however, didn't hear the word no. "Let's just get out of this messy common room, come on now," he said. You were officially uncomfortable. "I said No." You said a bit louder.
In that moment, you were thankful not to be alone. Theo appeared and filled the space between the two of you, You quietly sighed in relief. "Is there a problem?" he asked.
Klaus huffed, frustrated now his advances were turned down and there was someone else. Theodore Nott was somewhat tall, but Klaus was taller by a head or two, and he was huge. Part of you wondered if he was part giant. . . he had huge muscles and a bald head that was flushed from the alcohol.
"You are not my problem." Klaus laughed, towering over Theo. For a slytherin, that was a very brave thing to do, considering it seemed like he was about to get his ass beaten to smithereens for you. "Yeah, then back up." Theo snarled. "Is this your girlfriend?" Klaus asked, turning to you and rolling his eyes.
"We're having a conversation. this doesn't concern you." Klaus hiccuped. You were scared it would escalate. "Let's just go, ted." you said, grabbing Theo by the arm. "Please?" you plead. Theo shook his head. "Fine, come on." he ushered you forward to leave.
As you were walking towards the exit, you heard Klaus mumbling, which angered theo.
"Have fun ladies." he laughed. "Pussy.. won't even stay for another drink." Klaus had mumbled under his breath tirelessly.
Theo had rushed back over to Klaus, Punching him in the face as the snide comment was greatly un appreciated, and Klaus stepped back wiping his nose of the blood. He threw a punch at Theo in return, causing the boy to fall to the floor. This caught the party's attention. Although physically disadvantaged, Theo was clever and quickly pulled his wand out, in a swift movement stunning Klaus so he was unable to fight back.
You rushed over to Theo, helping him up. "Ah fuck." He cursed, his lip was now split and his jaw would likely be bruised black and blue in the morning. "Are you okay?" you asked, Theo brushed you off, "Good as new," He chuckled. Blaise and Draco had appeared, not far behind was pansy. "Sweet Merlin, Nott," Blaise mumbled. "Looks like he won't be bothering anyone else anytime soon," Draco laughed, stepping over Klaus' unresponsive body.
"He was trying to get me to go back to his dorm with him." You admitted. "Well he won't be going anywhere anytime soon, lucky for you." Theodore winked at you, comfortable enough to laugh at himself. He wasn't embarassed for being knocked on his ass, but he was upset he wasn't there to stave off the creepy guy.
By now the party was slowly dying down, everyone trickling back to where they needed to be, eventually the music stopped and the room was clear of anyone that wasn't a part of Slytherin house.
"Shall we?" Theo asked, you nodded and grabbed his arm to head back to his dorm- your usual spot. upon arrival, Theo sat on his bed a bit defeated. You sat on the other side of him, resting your head on his shoulder.
"You didn't have to do that, Y'know." you said softly.
"I know." Theo said. "You know i'd get myself beaten up for you." Theo said. Maybe it was the alcohol and smoking, but it was one of those sweet moments you would later appreciate. "well," you began. "That was pretty brave for a slytherin," you smiled softly.
"Hey!- Slytherins can be brave. Its not exclusively for gryffindorks." Theo chuckled. "Maybe you're in the wrong house then." you said, earning one of those sweet smiles out of him.
"I just can't describe it, Y/N..." Theo sighed gently, after some time, running his fingers through his hair as you pulled away from his shoulder to face him. "I don't like someone talking to you like that, and I Love You, So i'm not planning on anyone getting in my way anytime soon."
There was silence, not for a lack of words, but that was the first time he had said those three words to you. your heart fluttered.
". . . You love me?"
Theo caught himself, being so used to his emotions making him weak. he was a bit stuck. He had never had feelings for someone like that. He wasn't sure what to do with his feelings for you, but he knew that he liked feeling that way. He hadn't exactly had parents or anyone to look up to in regards to relationships.
"Well- Yes. I do." he said. "I've never said that out loud, but I do." you smiled.
"I love you too, Teddy." you said, using his nickname, reserved only for you. Had you been anyone else, he would have argued it.
Theo leaned in, placing a soft kiss on your lips, but regretting it instantly as he winced in pain.
"Theo, your lip is still bleeding." you pointed out, grabbing a tissue from his desk to gently wiping the blood off his lip. "yeah, I can tell," he said. "Sorry."
"Nothing to be sorry about. I love kissing you." you said.
"Oh yeah?" Theo pried, gaining his confidence back.
"Yes, actually I love it."
#reader insert#my writing#x reader#hp x reader#slytherin x reader#hp#theodore nott x reader#theodore nott x y/n#theodore nott
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Bisharp Body Language, Behaviors, & Culture
Pawniard and Bisharp behaviors are some of my favorite pokemon to analyze due to their unique groups and interesting social cues. Their social cues and behaviors extend to when they have trainers and are born in captivity, and I think it's important for trainers to understand their pokemon. So, here are some Bisharp behaviors and cultures explained!
Body Language & Behaviours
Tapping
Many trainers might have noticed that their Pawniard/Bisharp will tap random surfaces. This behavior is just used to get your atention in order to tell you something. Maybe their hungry, maybe there's danger, and they want to warn you, but they are trying to get your attention for a reason.
Thiddling
(Idea from Eve-of-Halloween on Deviantart)
I think this behavior is very cute. It's a courting act where Pawniard/Bisharp tap their blades together or tap their partner/potential partner's blades in a rhythmic order.
Scraping
Sraping is a behavior where Pawniard/Bisharp scrape their blades together in order to threaten another Pawniard/Bisharp. This behaviour is used as a warning that they're about to attack. If a wild Bisharp does this to you, turn the other way because it most likely means that you are in its territory and doesn't want you there.
Bowing
Pawniard and Bisharp bow for 2 main reasons; bowing to their superiors to to invite someone to a friendly battle. Bowing to their superiors often includes keeping their blades behind their back, while bowing to initiate a friendly battle has their arms extended forward and their hands out.
Scouting
A behavior seen more commonly in Pawniard than Bisharp, and certainly not Kinggambit. This includes a group of Pawniard leaving their camp to go check their territory for any danger. With trainers or with humans, this behaviour includes getting up early and walking around the house or yard to check for any unwanted company.
Marking
Marking is when Pawniard/Bisharp mark their territory by carving their clan's symbol on rocks, trees, or other materials around them. This behaviour is more common in Pawniard than it is Bisharp, and Kingambit don't do it unless they're in captivity and their aren't any other Pawniard or Bisharp to do it for them. This behavior makes a lot of sense in the wild, but it can be annoying when your Pawniard ends up carving things on your walls or driveway.
Courting
Bisharp have a few different courting behaviors. This includes displaying their blades, gift giving, cutting up their partner's food, or sharpening their partner's blades. This behaviour can be a bit difficult when their mate isn't a member of thr Pawniard line, but they do pair very well with Gallade bcuz Gallade court in similar ways.
Clapping
The line claps for similar reasons we do; they like something. I'm just putting this here to explain the next part.
Laughing
Bisharp don't laugh the same reasons we do. We laugh when something is funny, but Bisharp will laugh to show power. It's common for Bisharp to laugh after a fight, and the behavior is seen as mocking. If you recently caught one, you should teach them that you're not mocking them when you're laughing. Or, if you want to accommodate your Bisharp, try clapping when you find something funny because clapping is also their version of laughing.
Clanging
Clanging is when Pawniard line members clang their heads together as a form of greeting. It's used as a way to form deeper bonds amongst their pack.
Culture
I just want to say that each Pawniard/Bisharp pack/clan has different cultures and behaviors, and they're not all the same. I go over it a bit in my Pawniard Facts post, and I'll go over it as well in my Bisharp Fact posts, but I am going itno more detail here!
Writing & Symbols
Each Pawniard pack has their own symbols for their clan, which they use to mark their territory. While they don't write as much as Weavile do, there have been recorded cases of them drawing symbols that aren't their or other clan symbols that they use to communicate with one another.
Naming
The Pawniard line does, in fact, name each other! It's usually vocal sounds coming from the mouth, and they may even have symbols for their names. This extends to their trainers. If your Pawniard/Bisharp/Kingambit always refers to you with a specific soundz that means that they have named you. And while it's hard to translate what these names mean, as scientists aren't fully sure if what their symbols mean, they have figured out some, and many Pawniard/Bisharp/Kingambit are named after things that are around them; like different trees or rocks.
Affection
Because of the blades all over their body, the line isn't much for physical affection. Instead, the line will show affection to one's they are close with by doing acts of service or do something I like to call "Allogrooming but without the grooming bcuz idk what it's called," where clans will have dedicated times to just relaxing and communicating eith each other. For trainers, this behavior can translate as your partner following you around or giving you gifts.
Honor
So many Bisharp clans have such a high focus on honor. The most honorable thing a Bisharp can do is become a strong leader, so evolving into a Kingambit is one of the best things you can do. But since only one clan can have a kingambit, other Pawniard and Bisharp just focus on becoming stronger for their clan and Kingambit.
Mourning
Like humans, the Pawniard line buries their dead. They're often buried with different stones or beloved objects. Researchers understand the beloved objects part, but they're still trying to figure out what the stones mean. They will have funerals foe their dead and different clans have different ways for their funerals. Some clans will have moments of silence, some will have battles, and some will celebrate their fallen friends next chapter into the afterlife.
Integration
The Pawniard line prefers to keep to their own clans, with integration of clans not being a very common thing. BUT, it isn't unheard of. It mostly happens when a Kingambit manages to take control over multiple clans, resulting in larger territories and more clan members. Integration can also happen with outer species as well. Members of the line are known to accept other humanoid pokenon into their clans, like Charcadet or Gallade, but they also get along very well with the Aegislash line. Researchers believe it is because Aegislash is attracted to any pokemon that has organized societies and have power, making it easier for the Aegislash to befriend said pokemon. Works for Bisharp's favor, since now they have something to protect them from fighting types.
Hope this helps! It was very fun researching the structures of their socities and their behaviours. If you use any questions, please ask me!
#//Okay bisharp are growing on me now i think i love them#//curse headcanons making me love a pokemon I never thought much about!#pawniard#bisharp#kingambit#rotomblr#pokemon behaviours#pokemon irl#pokeblogging#pokeblog#irl pokemon#pokemon#pokeblr#rotumblr#pkmn irl#pokemon roleplay#irl pkmn#pokemon headcanons
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Five years ago today, She-Ra and the Princesses of Power premiered on Netflix. I had seen a few preview articles about it, and liked what I saw. Those articles mostly focused on She-Ra’s, Adora’s, Glimmer’s, Bow’s, and Catra’s redesigns, and I thought they were fabulous. I loved Adora’s new red jacket and bouffant hair style. Glimmer’s entire redesign was inspired, and I loved that they made Bow black so we could have more diversity in the main cast.
It was She-Ra’s and Catra’s redesigns that caught my eyes the most, though. They made Catra an actual catgirl, and not just in the anime sense where she's just a cute girl with cat ears and maybe a cat tail. She was a full-on furry. It was a brilliant design choice. Honestly it’s no wonder that so many were instantly drawn to her.
And of course, She-Ra herself. I loved her new look, and her huge ass new Sword of Protection. In fact, I loved it so much that I drew this picture of her before the show even came out:
Then the show came out, and needless to say, I fell in love. And honestly, it changed my life.
I know, I know. That sounds very hyperbolic, and to an extent it is, but in a lot of ways, I’m absolutely serious.
Alright, I have to back up a little. Back when I was in college, and for a few years after, a couple of friends and I tried to make a webcomic called The Devil’s Gate. It was minorly successful but eventually floundered. Then I met some people and we tried to make a video game, which also failed. After those few years, I found myself on my own and trying to rework the concept of my webcomic. Making comics, creating stories, those have always been my dream, and I was desperately trying to figure out a story I could make work, something that I believed in. But it never truly got off the ground. By the end of 2015 I had given up on the comic, realizing that after working on it for years in different forms that I needed to step away from it.
I didn’t really know what to do after that. I was still doing my quick daily doodles, but I wasn’t writing, I wasn’t drawing anything of note. I felt emotionally and physically drained of my creativity. I was honestly getting to the point where I thought it might be time for me to give up on trying to be creative or making things all together.
She-Ra and the Princesses of Power came out on November 13, 2018, but despite looking forward to it, I didn’t actually watch it when it came out. It wasn’t until that weekend that I decided to check it out.
I was instantly hooked. I binged through the entire season in two days, and did plenty of crying and cheering. And then rewatched it immediately. I was in love. I was obsessed. It had been a long time since anything grabbed me like SPOP did. I loved the characters. I loved the colorful, sci-fi-fairy tale world of Etheria. I loved how unapologetically feminine it was. And most of all, I loved how queer it was.
I hadn’t done a ton of shipping before SPOP. I’ve been down bad for harlivy for what feels like my whole life, and I was angry when Mika and HG didn’t get together in Warehouse 13, but more often than not I had just been conditioned not to look for queer things in mainstream culture, and even barely in subculture.
That is to say, when I was smashed in the face with Catradora I was surprised how much I glommed onto it immediately. I was absolutely taken with Adora and Catra and their relationship. Both characters were so relatable, and despite not quite being text (although the subtext was so loud and obvious it might as well have been text), it was impossible to not read their feelings for each other as romantic.
It wasn’t just Catradora, even if that was a lot of it. Spinnerella and Netossa being canon from the start was wonderful. How much Glimmer and Bow screamed “BISEXUAL DISASTERS” from the start was adorable. Scorpia’s crush on Catra was as cute as it was sad in its one-sidedness.
I had never really been in a fandom. That is, yeah I’ve liked things, loved things even, but I never found other people to talk about it at length, never found discords just for that thing, never read or wrote fanfic, barely ever drew fanart.
But, I watched SPOP, and then I watched it again. And then I drew Catra. And then I drew Adora. And then I drew them again. And suddenly I was on AO3, a site I never frequented, reading Catradora fics. And then I had an AO3 account. That December I participated in Catradora Week 2018 (I’d never heard of this kind of thing) and drew two pictures for it and wrote my first fanfic.
By the end of February I had drawn more in the three months since the show had premiered than I had in the previous year. I was working furiously on a long, multi-chapter fanfic, and writing more words than I had in the previous couple of years combined.
I was inspired again.
In the 18 months that SPOP ran for, I drew more than I had in years, I wrote hundreds of thousands of words. I felt so rejuvenated and happy about my creativity and free for the first time in years.
It’s hard to put into words exactly how it felt. I was so close to giving up my art and writing, which honestly, would have been giving up a part of myself. An important part of myself. It’s not overstating that SPOP saved me, or at least my creative spirit.
I also learned about the wonders of being in a fandom and fandom things like fan weeks, big bangs, zines. And I made some wonderful friends that I cherish to this day.
Even as I inevitably moved onto other hyperfixations, my love for She-Ra hasn’t diminished. Plushie Catra and Adora sit next to me on my desk every day. Catradora art still hangs on my wall.
The inspiration that SPOP ignited in me hasn’t died either. It’s carried me through a tremendous level of creativity that I’ve been riding since the premiere. It let me create a ton of fan art for SPOP, and then RWBY and then the Witch From Mercury, and I’ve written a ton of fanfics for RWBY and Supergirl. And perhaps the best, that inspiration has helped me create more OC stuff in the last couple years than I had in a long time.
I owe She-Ra and The Princesses of Power so much. I am so happy that it exists and that it happened when it did. I’ll always cherish it.
And for real, Netflix, SPOP spin-off movies WHEN?!
#art#she ra#adora#catra#catradora#sk's art#shera#spop#she ra and the princesses of power#shera and the princesses of power#she-ra and the princesses of power#she-ra#fifth anniversary#netflix#netflix she-ra#wlw#lesbians#sapphic#lesbian love#lgbtq+#lesbian
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Random Astrology Observations
Moon in the 1h is often talked about like 🥺🥺wears their heart on their sleeve🥹🥹uwu softie way but tbh Moon in 1h can make someone incredibly manipulative, they know just what to say and when to say it and know how to work their audience, this is perhaps why this placement is found in the charts of soooo many successful actors. ex: Leonardo DiCaprio, Audrey Hepburn, Henry Cavill, Charlie Chaplin, Priyanka Chopra, Antonio Banderas, Brendan Fraser, Benicio Del Toro, Jared Padelecki, Val Kilmer, Adrien Brody etc
I think this is a very manipulative placement, again manipulation is not in and of itself a bad thing, its what we use it for that matters. Some people completely lack the ability to manipulate at all (they don't have Moon influence)
2. Debilitated placements point to unconventional intelligence & wisdom in that area. I feel like they've cracked the code . They struggle a lot but when they triumph it's magic
3. I've mentioned this in other posts but many notorious sex offenders have Venus influence. Actions of this sort, as well as criticizing others' beauty, not taking care of yourself/surroundings, being shabby or disorderly in general are all things that harm your Venus. Abusing someone is the quickest way to ruin your Venus, you start corroding and that ugliness begins to manifest on the outside.
Ex: Harvey Weinstein looks like a cartoonish villain
4. As I explore the astrology content put out by others across different platforms, I've seen how the nature of the take themselves are so specific and unique to the person making them. Claire Nakti has a tendency imo to focus heavily on romance, sex and women's sexual behaviour and what sort of men they attract.
Going through her website, it's obvious that she's deeply immersed in occult & esoteric philosophy (all of which ties together with vedic astrology, philosophy, Buddhism etc because I truly believe that spiritual truths are universal and different schools of thought/religion/culture/mythology express these same truths in their own way with a LOT of recurring patterns) and Carl Jung as well.
It's studying Jung that helped me understand that what we see or draw from something is a reflection of who we are. As a beginner to vedic astrology, I initially believed Claire's one dimensional portrayal to be the all encompassing truth of a nakshatra until I started doing my own reading and research.
The things I talk about or the patterns I find are a reflection of me and I get a lot of asks about why I don't do xyz nak and honestly it's not as simple as doing research for an essay for uni, you kind of have to have a gnosis or innate knowing of its themes, something to base your search off of. And different naks call to me at different points. I come across content that describes certain naks in lights i could've never imagined which is to say that gnosis or inner knowing is an important aspect of studying anything esoteric, it kind of has to be revealed to you and what you see, what you can discern is a reflection of you.
5. you have to have a strong Rahu to discern patterns and similarities because Rahu is maya/illusion and a well-placed Rahu will allow you to see through those patterns/illusions. it will be very hard for someone without a strong Rahu to find similarities or common tropes, patterns, themes etc. Seeing through the veil or fog is Rahuvian.
6. Claire Nakti made a video about Venusian men where she said they were the ideal type of man and tbh that just confirmed my suspicion that she's Moon dominant because I think Moon dominant people are attracted to Venusians but in my humble opinion both Venusian men and Moon dominant men are some of the most batshit crazy people (manipulative and controlling at the least, psychopathic at worst) basically men who have a lot of Yin tend to be psychotic
7. I've noticed that Revati people tend to speak in a very verbose way. Nigella Lawson, Revati Moon is a really good example. Obviously other placements will also impact speech
8. Moon dominant people hate it when others share sob stories. They're the type to have the least amount of empathy for others and will either react in a neutral way or like they don't understand why you're saying this stuff at all. They're bored by other people's mundane problems and make it known as well. Not people you want to open up to.
My former friend was this way, I once cried in front of her and she showed zero emotion and didn't even try to comfort me lol
9. The way others treat us is the way we treat others. ik this is a basic take but karma is cause and effect. if you're dismissive of others feelings, other people will be dismissive of yours. what you do is what will be done unto you. Its so crazy to see how people who've been treated like shit by their friends will turn around and treat other people like shit. this is sooo basic but genuinely dont do anything to others that you dont want done to you.
#astrology notes#astrology observations#vedic astro notes#nakshatras#astrology#sidereal astrology#astro notes#astro observations#vedic astrology#astroblr
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Do you have any entry level recommendations for someone looking to learn a bit more about Greek mythology? I’d love to read up on it but I’m not sure how to find reputable sources and avoid Americanisation.
I mean, at the risk of sounding crass, you're likely going to run into Americanization no matter what you do because America itself was built on many cultures, especially that of Greek philosophy and storytelling.
Buuut if you mean you wanna read some actual Greek myth content that AREN'T modern American spins on classic tales, Emily Wilson is a popular choice for many people dipping their toes into translated mythology as her translations are both simplistic and concise in their language choices as well as fun in their structure to read both internally and orally (iirc her translations are done in iambic pentameter which is very familiar to anyone who's ever read Shakespeare). I've been working through her translation of The Odyssey, it's been pretty enjoyable :)
I've also heard great things about both Lattimore and Fitzgerald, the latter of whom I will be reading next after I finish Wilson's translation. That said, I haven't read either of their works yet, so take my recommendation of them with grains of salt! (I hope you enjoy them though if you check 'em out! If you beat me to it, let me know how they went!)
OH also, I know it's sorta the opposite of what you're likely looking for as it's VERY influenced by modern contexts, but thanks to another anon I recently got into Destripando la Historia which is a super fun animated Youtube series that retells the stories of various different gods from different mythologies. If you're into stuff of the goofy anime variety, you might enjoy them, it's a Spanish series but you can turn on captions to read the translations! It's super beginner-friendly, it covers a lot of different stories and myths without getting into so much detail that it's overwhelming (but gives you a good kickoff point to start with!) and the songs and animations slap, Afrodita is one of my favorites haha
youtube
Overall the biggest advice I can give you if you're trying to avoid fanfiction-y / "Americanized" retellings is just to cross-reference. If you find a retelling you really like but aren't completely sure of its legitimacy as a functional retelling, keep reading, watching, and learning more. It's a skill like any other, and the more you read, the more you'll be able to pick out what's a legitimate retelling from studied scholars vs. what's fanfiction that you don't need to take too accurately or seriously LMAO
And honestly, nothing wrong with the fanfiction stuff! Mythology, in its very nature, changes over time, it's an inevitability and many of the myths we still draw from today are often derivative in and of themselves from even older versions that pre-existed them (see: Ovid).
it's okay if your introduction to Greek myth is through derivative fanfic, stuff like Disney's Hercules and even Lore Olympus ARE fun to consume for a lot of people and make for a good entry point into learning more about the myths!
What's frustrating - and what I tend to criticize the most here - is when the fanfiction gets advertised / sold as legitimate retellings; when the fanfiction grossly misrepresents the actual mythology and yet tries to claim it as legitimate anyways which results in fanbases that are running around with completely false information claiming it as fact. If you can give the team behind Hercules credit for one thing, their rendition may not be completely accurate, BUT the folks who made it never bragged about how much smarter they were than other people about Greek myth or call themselves "folklorists" when they didn't even have any formal education/training/etc. in it cough like another creator we know cough 💀 If we want to make a comparison between LO and a Disney film in terms of how it grossly misrepresents the themes and cultural contexts of the original stories it was drawing from... Disney's Pocahontas does exactly that 💅
So if you want to avoid any "grossly" Americanized versions of Greek myth that are borderline disrespectful to the stories they're drawing from... yeah, that's usually a pretty indicative red flag LMAO
But outside of those very specific scenarios, just have fun with it, there really is no "right or wrong" way to engage with the mythology if you're simply just wanting to learn more, the beauty of it being mythology is that it's very diverse in its mediums and thus you don't have to be restricted to learning about it exclusively through academic translations or lectures. Of course, there are cultural intersections with these myths that shouldn't be ignored, we always have to treat it with care when engaging with it so that we aren't overwriting another culture's traditions or beliefs - but if you're simply wanting to learn about and entertain yourself with some amazing stories that have quite literally stood the test of time, do so however you see fit :)
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What is a Russian Character and How to write them
As @sarapaprikas-blog and I were working on this post, we noticed a gap of knowledge and public perception that we want to address. Plenty of characters get labelled as Russian in media without necessarily being Russian. On the other hand the Archetypal ”Russian” character often does not mirror the realities of being Russian. We are to talk about that.
What is Russia?
Russia is a country. It is the largest country in the world with over 140 million inhabitants, stretching over 11 time zones. It is often seen as the successor state to the Soviet Union, which in itself was the successor state of the Russian Empire. The Soviet Union and Russia do not have the same borders or government. However, modern Russia draws a lot from its history as the largest and dominant part of the Soviet Union. Before the Soviet Union, the area was governed by the Russian Empire. The Russian Empire, as the name already indicates, was imperialist. The history as an Empire with massive expansion, colonies and conquering different people, is arguably the biggest reason why modern Russia is as big as it is today.
What is Russian?
There is a difference between the language Russian, the ethnicity Russian, and the nationality Russian. In English the difference can be made out only by context.
Who is Russian?
As aforementioned, there is a difference between Russian (Россиянин) meaning citizen of Russia, and ethnically Russian (Русские). The term Russian (Русские) usually refers to ethnicity, indicating a person who has Russian roots. Russian (Россиянин) implies Russian citizenship, regardless of ethnicity. Thus, a Russian can be someone with Russian citizenship, but not all Russian citizens are Russians in the ethnic sense. Also, not all ethnic Russians have Russian citizenship or live within Russia.
Ethnic-Russians are an East Slavic people. Obviously, they mainly live in Russia. But there are also large communities in Ukraine, Kazakhstan, Belarus, Latvia, Lithuania, and other countries. The traditional religion among Russians is Orthodox Christianity. The main language is Russian.
The country Russia is home to more than 190 ethnicities, including indigenous and autochthonous people, leading to a variety of languages, religions and practiced cultures. So, someone who holds a Russian citizenship, has ethnic Russian heritage and / or speaks Russian, can look very different than the cliche Russian bond girl or evil-doer indicates. That also means that those who get labelled Russian can live very different lives. Writing a Russian character gives you a lot of room outside of the prevalent stereotyped depictions.
Who is not Russian?
Simple - those who say they are not Russian, are not Russian.
Who are Slavs? What is Slavic?
The slavic people are a variety of people, ethnically Russian people are part of that group. However, there are a lot of other ethnic groups that are Slavs without being Russian e.g. Poles, Sorbs, Czech, Ukrainians, and many more. Slavic is the corresponding adjective to Slavs. It is often used to describe the indo-Slavic language group. Slavic is also often used to describe the collectively perceived similarities of Slavic peoples' culture. However, that can be misleading and get’s often orientalised as not everything from Eastern-Europe or Russia is slavic.
Russian vocabulary Да - Yes Нет - No Привет - Hi Здравствуйте - Hello Как дела ? - How are you? Хорошо - Good Пожалуйста - Please Не за что - my pleasure До свидания - Goodbye Пока - bye Увидимся - See you later Хорошего дня - Have a nice day Простите - I'm sorry. (Plural or honoured addressee) Помогите, пожалуйста. - Help me please. (Plural or honoured addressee) Доброе утро - Good morning Доброй ночи - Good night. Добрый день - Good day / afternoon.
Pet names in Russian About pet names. They are either masculine of feminine . Please don't use words like darling, kitten, baby, pretty, sweetie, little one, little fox, etc. as they sound really strange in translation to native speakers. Pet names are common for close ones (family, close friends, spouses). Sometimes primary school teachers call students by affectionate names. Also sweet old lady may call you ( Дорогой/ Дорогая). But outside of that nobody calls each other by pet names, only using names because Russians are very reserved and private people in general. Gender neutral pet names: жизнь моя - my life солнце мое - my sun or my sunshine ты мое все - you my everything. лучик - sunray. мое сокровище - my treasure. мое золотце - my gold or sweetheart. моя любовь - my love. ты моя радость - you are my joy. ангелочек - Angel. прелесть моя - my precious.
Queerness and gender-neutral speech in Russian Being queer in Russia is hard as queers face oppression. Because of that, there is limited to no public discourse on how to adapt and diversify the language to include queer and especially non-binary identities. This is a problem as the Russian language is extremely gendered and expresses a gender binary in near default. While gender neutral pronouns in Russian exist, it's harder to use them in real life as the neutral pronoun “оно” is mostly associated with things or animals and not living humans, similar to the English “it”. Often words generally do not have gender neutral alternatives. However, one way we suggest for a more gender neutral speech is to avoid most explicit gendering as the flexible syntax in combination with using plural pronouns in Russian allow for more gender neutral speech. For Example: Я люблю их всем моих сердцем - I love them with all my heart. Расскажи мне о них! - Tell me about them. Дай им время- give them time. Я горжусь ими - I'm proud of them. Они сделает это сами - they do it themselves. Read more about queerness in Russia here: one two three four
Russian swearing In Russia, swearing is considered a sign of rudeness and poor manners. Use accordingly. Also, as mentioned here, Russian syntax and inflection are different from English. Meaning one word can be a whole sentence. We punctuated every swearing that is technically a whole sentence and therefore can stand on its own grammatically. Блять - fuck Пошел нахуй. - fuck you Хуй - dick Пизда - cunt Мы в пизде. - we are fucked / “We are stuck in the cunt.” Ебать - fuck Ахуел. - are you/they crazy?! Это пиздец. - this fucked up Мудак - asshole Завали ебало. - shut the fuck up Сука - bitch Черт - damn Непизди. - stop fucking lying. / Cut your bullshit. Пиздобол - Person who lies a lot/ Don't lie Мамку твою ебал. - i fucked your mom (mostly used by middle schoolers, here in grammatically masculine gender.) Заебись. - holy shit (could be bad or good depend on situation) Похуй! - I don't fucking care. Навешать пиздюлей - to beat up someone. Срать тебе в рот - To crap in your mouth. Ты ебанулся. - Are you batshit crazy. Заебал. - I'm sick of you. Жопа - ass. Иди в баню. - soft version of Иди нахуй.
Explanation of the Russian Naming System & Patronyms
The Russian naming system consists of three main elements: first name, patronymic and last name. Name: This is the first name given to a child at birth. In Russia, the names are chosen by the parents or relatives of the child. Names can be both traditional (Alexander, Anna, Ekaterina) and modern (Sofia, Victoria, Yaroslav). Patronymic: this is the second name, which reflects the child's origin from his father. Some cultures in Russia also use the mothers name. The patronymic name among Russian people arose in the 10th - 11th centuries and was used infrequently at first, but became widespread around the 16th century. It is formed by adding the suffix "-ovich" or "-aries" to the father's name. For example, if the father's name is Ivan, then his child Ivan or Ivanna will be called Ivan Ivanovich or Ivanna Ivanovna. Last name: This is a family surname that is passed down from generation to generation. It is usually assigned at birth and does not change without special circumstances. Surnames can come from various sources, such as profession, place of residence, origin, or personal characteristics. As a result, a person's full name consists of a first name, a patronymic (if applicable) and a last name, for example: Ivan Ivanovich Petrov.
How to respectfully address a person in Russian. In Russian there are two ways to address someone. Using the polite you (Вы) amd using the formal you (Ты). The choice of mode depends on how well you know the other person and whether you are superior or inferior in terms of age and social position. If you know the person's first name you refer to them by first name and patronymic. For examples: Борис Юрьевич, Ваши рабочие отлично справились с ремонтом- Boris Yurievich, your workers did a great job with repairs. Adults never address a person by name, only by surname or patronymic unless the addressee gives permission to address them in an informal manner. Regulations of most military require their members address each other in formal you( Вы ); subordinates address commanders as товарищ (comrade) + rank , while higher ups address subordinates by military rank and surname. Example: [Colonel to Sgt. Sidorov] Сержант Сидоров, ко мне! Sergeant Sidorov, front and center! [sgt. Sidorov to colonel] По вашему приказанию прибыл, товарищ полковник! Reporting for duty [lit. arrived at your (pl.) request], comrade colonel! Military men sometimes use same forms of address, albeit in singular, in friendly conversation. Example: Сержант, дай сигарету. - Give (sing.) me a cigarette, Sarge. Military hierarchy in Russia You can find useful links here. One Two
#könig#sarapaprikasblog#nikto#call of duty 3#call of duty modern warfare 3#creative writing#nik cod#nikolai belinski#cod#cod modern warfare#gromsko#call of duty#gromsko cod#sobiesław kościuszko#grimmwriting#sebastian krueger
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Jenny Odell: I sometimes feel that in an individualistic culture, people get freaked out by the idea of being tied down or responsible for anything. Thinking about a gift economy, they might say, “I want the gift part but not the accountability part.” Lately, I’ve been volunteering in this native plant restoration group, and one of the most surprising parts has been how enlivening it is to help keep something else alive (I’ve never had a garden before). Sometimes I truly can’t tell whether I’m giving or getting. What are some ways that you see participation in a gift economy changing the participant’s sense of herself and her place in a network? In other words, is participation itself part of the gift?
RK: Yes. Exactly. Participation is part of the gift, where giving and getting meld into one another. A garden teaches you that every day. Gifts and responsibilities are always coupled to each other.
Of course, you’re right that given our hyper-individualistic culture, many people are not eager to embrace responsibility. Its often confounded, I think with the notion of “obligation”. Obligation feels to me like an involuntary demand on our time and energy, imposed from outside without the assurance that you’ll benefit in return. I’m sometimes reluctant about that, too. But, responsibility is an invitation to respond to need, an opening to reciprocity in which the benefits flow both ways. The benefits of participation in a gift economy are not only flowing to the gift recipient but the giver as well. Working on your restoration project, or any other gift exchange strengthens your own sense of agency, doesn’t it? It awakens care and compassion, builds relationship and nurtures your own identity as a person of capacity, of having enough abundance in your life that you can share it. I think it contributes to a sense of purpose, which we know is good medicine. It reminds you that you matter, that you’re part of something. That’s a big reward.
I find that some of the times that I feel most fully alive are in experiences of shared physical work in community with others. Like an old-time husking bee or shared planting. We’ve lost so many of the opportunities for that and gift economies provide the opportunity to work in common, to satisfy the need for belonging. And when that work is on the land and the benefits flow into our neighborhood of many species, the benefits are multiplied beyond the boundaries of ourselves.
JO: There is a really beautiful analogy you draw between the economy of nature and the human gift economy. Asking what in the gift economy functions as the “sun”–the constantly replenishing source of energy–you speculate: “Maybe it is love.” Reading this, it occurred to me how love is in essence a surplus, the force that gets things going. Could you speak more to the emotional and practical role that things like love and gratitude play in a gift economy? And how do they change the way we see “resources”?
RK: The fundamental currency of a gift economy, is relationship, not money. I suppose it’s what some people call “social capital”, but I’m not fond of that term. Participation in a gift economy could create a whole continuum of relationships, from the warmth of being cared for or an expanded sense of justice to just plain neighborliness. This can create a sense of security because mutual reliance grows from gift exchange. There is a sense of satisfaction in being able to give, and a sense of kinship in being able to receive, when we share the mutual acknowledgment of human vulnerability. For me, that continuum of relationships includes the possibility of a currency of love and gratitude that motivates the gift exchange, which is the source of the flow, between people and between people and the earth as well.
Gift-giving is a way of saying “I see you.” I see what you need and I see what I have to share. My well-being is tied to yours and yours to mine. It develops a trust that when I am in need, there will be abundance shared with me. The giver and the recipient are honored at the same time. That seems a lot like love to me.
Robin Wall Kimmerer, interviewed by Jenny Odell, Gift Thinking. [emphasis added]
#this is a fantastic interview im so excited for RWK's new book#robin wall kimmerer#jenny odell#ecology#world healing#readings#mine#words
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The thing that annoys me about the received wisdom of "tabletop RPGs are descended from fantasy wargames, and that's why Dungeons & Dragons is Like That" is that most of the time, when people bring it out they're drawing conclusions by comparing D&D to modern fantasy wargames, and consequently getting cause and effect precisely backwards.
The fact of the matter is that tabletop RPGs aren't descended from fantasy wargames – at least, not in the way that this claim is usually meant. When D&D and its contemporaries came on the scene, fantasy and sci-fi elements were a relatively new (and often controversial) entry to the wargaming hobby; the 900-pound gorilla of the tabletop wargaming scene at the time wasn't fantasy wargaming, but historical wargaming; i.e., re-creations of historical campaigns and such.
Fantasy wargaming and tabletop RPGs are less a linear progression, and more two parallel branches of the same evolutionary tree; they both split off from historical wargaming at roughly the same time, and for much of their shared history there wasn't a bright line between them; many early titles that are classified as fantasy wargames due to their publication history would probably be considered tabletop RPGs by modern standards, and vice versa.
Bringing this back around to my grump about getting cause and effect backwards, one of the consequences of this shared history is that many of the features of contemporary tabletop roleplaying culture that are often cited as reactions against the hobby's wargaming roots are actually directly descended from those roots.
The frequent preoccupation with separating player knowledge from character knowledge, for example? That's straight up an historical wargaming thing. When you're gaming out an historical battle, it makes a big difference whether the players' tactics are informed by contemporary knowledge about the situation, or whether they restrict themselves to acting only upon information which the commander of the side they're playing could plausibly have possessed at the time. Whether there existed an obligation to remain "in character" as your side's commander – and exactly what constituted breaching this obligation – is something people literally got into fights over.
Or the whole "rules versus rulings" nonsense? Arguing about whether it's more appropriate to resolve uncertainty with recourse to game mechanics or by deferring to the judgment of subject matter experts is so deeply embedded in the DNA of historical wargaming that it goes all the way back to the Prussian Kriegsspiel.
Like, I'm not saying that these things aren't worth discussing, but I think we've gotta recognise that when we talk about player knowledge versus character knowledge or rulings versus rules, we're not "evolving beyond" the hobby's wargaming roots; we're rehashing arguments that tabletop wargame designers were having two hundred years ago, in some cases practically verbatim.
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well you guys really called my bluff on this one, haha. I have a lot to say on the topic so this will probably turn into a long post but the answer really depends on this: what interests you about astro boy, pluto, and the franchise/tezuka's body of work as a whole? what do you want out of this experience?
if you're just looking for places to read/watch these things and that's it, I'll put some links here at the top so you don't have to dig through this whole mess.
you can read astro boy (original manga) here (there are occasionally missing pages on this website, if/when you run into those you can switch to this one which is harder to navigate but complete)
you can watch/download the 2003 anime (english sub) here
you can read naoki urasawa's pluto here
so you're interested in astro boy but aren't sure where to start: my opinion as someone whose point of view you respect for some reason
it didn't occur to me until recently that for a lot of people who follow me, your cultural touchstone for the concept of astro boy is most likely to be the 2009 american movie. I didn't watch that as a kid, I was 14 when it came out and fully into my "anime is superior to western animation" phase, but I've watched it now and well.... if you like it that's great! I did not. I'm not going to dwell on that, but I think it's worth noting that whatever your opinion on it as a movie is I don't really think it's a good representation of astro boy and its themes. moving on.
the manga
if you want the pure, unfiltered astro boy experience, this is as close as you're gonna get. it's gonna be a little haphazard though because the dark horse publication, which is probably the only way you're gonna find to read it in english, does not order the stories chronologically. I don't think that really matters because there's not a lot of continuity so as long as you understand the basic premise you can read in whatever order you want, and this puts a lot of really good stories first anyway so it's nice too. personally as far as all versions of astro boy proper go, the manga is my favorite. it's not always an easy read, for reasons I'll get into in a moment, and it's not always good either. some stories are phenomenal, some are just plain silly, and some are downright terrible. but given how long it ran for and how consistently and without breaks tezuka worked on not just it but all his other manga too I think that's too be expected. but even the bad ones I think are worth a look! this is the history of manga as a medium right here! and I love the manga, it's fun, funny, wonderfully drawn, compelling, shockingly dark at times, and just a fascinating read for those with an interest in classic comics.
all that said, I think it would be irresponsible of me to recommend it without also including a big fat disclaimer, which dark horse was kind enough to put at the front of the book.
if you have an interest or familiarity with classic/vintage manga, anime, comics, and cartoons, you probably saw this coming, but some of this shit gets REAL racist, most often in terms of how people are drawn. some of tezuka's biggest inspirations were the rubberhose american cartoons of the 20s and 30s, and all that implies. for whatever the opinion of a white american is worth, based on his writing I really do believe he had good intentions- he consistently speaks out against racism and bigotry in general, in astro boy especially. you can tell he was very passionate about it. but I'm not gonna defend the guy either, you can't be drawing people like that, even if it was the 40s-80s. a lot of the experience of getting into tezuka is reading a story where the moral is "racism is evil! end discrimination!" accompanied by straight up racial caricatures in the art. it's baffling and infuriating. if I could I would travel back in time and hire the man a sensitivity reader, but I can't, and he's been dead for 35 years so we'll never know what he would've done about it today. all we can do is take it as an opportunity to learn and do better. but, if all that puts you off getting into the manga or the series at large, I don't blame you!
with that out of the way, the size of the manga might intimidate you. there's a lot of it. lucky for you you don't have to read all of it if you don't want to! I've read the entire thing because I'm a completionist at heart, but I've had several friends come to me for a smaller and more manageable reading list, which is as follows:
(stars for my personal favorites, grimaces for "I did enjoy this one and I think it's worth reading but I don't feel good about recommending it". I also think "the artificial sun" and "atlas" are important reads if you're interested in the history of the franchise because they get referenced a lot, but they are VERY racist and I don't think theyre good enough overall to make them worth putting on the list despite that.)
that was long. next up:
the 2003 anime
I am not quite done watching this one but I'm pretty close so I feel confident in saying: on the whole, it's great! it looks absolutely fantastic for a tv anime from that era, the character and world design is top-notch, and overall it does a really good job adapting the best and most important parts of the manga into a continuous story, although it softens the blow of the darker moments quite a bit (which might be a good thing for you, depending on your tastes). it's pretty beloved by western fans, and for good reason.
I do have my issues with it, for one this might not be a popular opinion but I think they majorly screwed up on adapting the "greatest robot on earth" arc (my favorite arc btw, yes I might be salty), for another they really sand the edges off of uran's character compared to the manga and make her a lot more meek and girly. but that's just my opinion and if this show is the only one you've watched you wouldnt know that anyway. so don't let that deter you if you're interested, you'll be missing out on a pretty fantastic kids show.
so, if you're looking to really dive chest-first into astro boy as a franchise and understand all there is to know: maybe don't start with this one. it changes a lot from the source material and kind of does its own thing. but if you're just looking for a good story thats fun to watch and total eye candy, go nuts!
pluto
pluto by naoki urasawa is an adaptation/reimagining of astro boy's most famous and beloved arc, "the greatest robot on earth". it's also what got me into the franchise and one of my favorite manga ever! pluto reinvents the story as a detective thriller set in the aftermath of what is effectively, and obviously, the iraq war. it's brutal and harrowing, and beautiful and cathartic and hopeful. to me it is the gold standard for "dark and gritty reboot of a children's story" because urasawa adores tezuka and respects the original version, which was always a dark tragedy anyway, just presented differently. you might have seen pluto got an anime adaptation last year as well. I've watched it, it's pretty good! it doesn't change all that much (I don't like the few things they DID change but whatever) but I just think urasawa's artwork, paneling, and pacing are completely unmatched so I'd recommend the manga first. I'm not gonna be that asshole who insists you gotta read the manga over the anime though, if anime is easier for you you're better off having experienced pluto that way than not at all.
(if you ARE interested in both astro boy and pluto and are considering which to get into first, it's important to know that reading the arc pluto is based on will spoil a loooooot of things about the story. so weigh the pros and cons of that before making a decision!)
so, that's basically what I have to say. I haven't watched the 60s or 80s anime adaptations so I can't give insight on those, and I'm by no means an expert on any of this. I only started reading the original manga like three months ago and before that my memories of the other stuff was pretty faded, before I revisited it. if you're interested though I hope this helps, and I hope you enjoy yourself if you decide to take the leap! it's kind of a rabbit hole. I did not know what I was getting into when I decided to reread pluto, but I'm sure glad I did.
if you have any other questions about my personal opinions, feel free to shoot me an ask as well!
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