#point one: big womanizer

[allroseshave-their-pricks]

ohmygod

[hishighnesstheprincess]

Guys I'm gonna be so fucking fr with you if this turns out to be real I'm fully giving up on these movies

[inamindfarfaraway]

I love how Spider-Man: Into the Spider-Verse said “Anyone can be Spider-Man”. I love how it inspired everyone to imagine their own Spider-People, saving the day in their own universes, with all kinds of cool, interesting personalities and aesthetics and mutations and life stories and relationships. We all put pieces of our soul into these homemade heroes. We had fun. We found community. And then Spider-Man: Across the Spider-Verse said, “Wow, great job! You’ve really taken our message to heart. Well, get ready for even more of everything you liked from the first movie and a new message to complement the first. Anyone can be Spider-Man… and anyone can be pulled into a cult.”

So now we all have to contemplate whether our lovingly crafted heroes would ever be on Team Mandatory Trauma Because Martyr Complex or not and why.

[formerprincewille]

Something that really sets Wille and Simon apart from other queer ships is that when we say their love language is physical touch, IT REALLY IS PHYSICAL TOUCH. And I’m not speaking of just sex. Over the course of the show, the amount of touching between them is astronomical. And that’s really something rarely seen in queer media. There may be moments here or there, but often times there’s a lack of physical contact unless it’s for “the plot”. Wille and Simon feel like a real couple in the way they’re always physically reaching out for each other.

[idliketobeatree]

Crowley was God's most dramatic creation.

She was also feeling particularly bitchy and gay that day, and thus, Aziraphale was made.

[boarprinceofdelusion]

Recognizing Early Signs of Mental Illness

[samarecharm]

i love makoto so much but fanon does her so much better (the good parts of the fandom) because in the game her character is so lack luster. they butchered her confidant it is so borning and not even about her. they made her a cop. A COP. they pushed this "canon waifu" role onto her (before sumire came along and did it Even Worse). and it SUCKS because SHE IS SO MUCH MORE!!! SHE IS SO MUCH BETTER!!!! SHE COULD'VE BEEN SO MUCH BETTER!!! the way i feel about canon makoto is the same way i feel about the canon ryuji events post komoshida where he's horribly mistreated and used purely as comic relief: i ignore them <3 my game now <3 never happened <3 my ocs <3

You are so right. I generally apply this to all characters in p5 bc the game does such a shit job of staying consistent with character arcs and personalities. Theres a desperate need to throw in perverse jokes at the expense of female characters and a need to show that the police (as a whole) are reliable people who are not influenced by things like money and power; only the BAD cops do that. Not to mention this obvious fatphobia and homophobia but i feel likes thats a given.

But back to Makoto. Shes a victim of bad writing just like everyone else. Ryuji during the kamoshida arc was fighting with self loathing and genuine anxiety, and aside from the like. One comment on Panthers outfit in the metaverse, hes more than well behaved. All of that is shelved as soon as Kamoshida is gone and replaced with him being weird comic relief (and the focus of alot of sexual jokes that were nonexistent in the beginning of the game). Anns arc about self love and empowerment is completely dropped as soon as the nasty bad guy is put away (so that its good to be weird about her w the Good Guys). Makoto loses her a chunk of her personality to be the mature waifu which is INSANE to me bc shes like. Not okay or normal at all 😭😭😭 she THINKS shes responsible and so does everyone else on her team, but its an act! She doesnt know shit! And she doesnt know that she doesnt know shit bc shes respectful and adults dont care about anything as long as u respect them!

Its very telling that for literally every single thief (and goro), you can see the exact moment the writers gave up on adding anything of worth to their characters outside of the social links. Its like they didnt know what to even do w the characters at their disposal after their main arcs were complete. No mention of friends hanging out without you, no mention of having group hangouts. Everyone is treated as a core, important member of the friend group DURING their arc, but outside of it, they are acquaintances at best. Theres nothing in the game that convinces you that these guys are legitimately friends who care for each other and do Friend Things. And i describe it like that bc there IS a game that treats them all as friends, and its strikers! Strikers/Scramble genuinely feels like the game p5 wanted to be; a road trip w your team where they stay up at night talking to each other and hanging out and doing things together that dont necessarily include you, the player. Its refreshing and lovely but it sucks that u get that kind of attention to detail in a ‘spinoff’ title

[fatehbaz]

.

[caputvulpinum]

perhaps this is in bad faith, but don't you think it's plausible that ms appleton was just a government food scientist who was sent to japan as sort of U.S. ambassador and given a generic, americanized name? we know that resources were scarce during the war and that many changes had to be made, or simply were made to cut costs, in the production of lots of things at the time. it just makes sense when you break it down that traditional shoyu is time and labour intensive to make but improves the taste of even outright bad dishes. at a time when people were forced to eat whatever food was available to them demand was likely very high to the point of unreasonably outweighing supply. either officials at kikkoman reached out to american food scientists for a solution or they offered one up themselves, given the fact that food science was undergoing a huge international renaissance led by the americans during the 30s, 40s and 50s. americans have a tendency to synthesize food. they also tend to feel strongly about imposing their culture on other countries. it seems more to me like this is a story about the american government taking extra steps to obfuscate the story of how they semi-successfully tried to be the final nail in the coffin of widespread, traditional shoyu production. less like some kind of yakuza conspiracy somehow centred on one woman. just the perspective of someone who's felt compelled to do their own research. it's my opinion that the way you're presenting your findings leaves massive gaps as well as leaps to get over them. i can't speak for the things you haven't shared publicly, obviously, but it feels a lot like you're dancing around the point. good luck to you in your research, regardless of my own feelings.

I think I agree that you're either arguing in bad faith or simply aren't really paying attention to a wider picture here. It's common knowledge that postwar economics in Japan were heavily influenced and remain to this day connected to organized crime and the Yakuza as an old tool of the imperial/noble order. We also know for a fact that the CIA worked with the yakuza during American occupation in order to manipulate political culture and economic structures.

It's also a common conspiracy in Japanese circles (or at least so it appears, and I want to be clear I am not voicing this as more than preexisting theory/belief, so I will not directly source to give complete credibility; consider this as context for why I might be interested in investigating further, just in case) that Empress Michiko and the Seifun Milling Company had close under-the-table connections with America, which would further influence the traditional shoyu brewing culture.

Like, I feel as though if you seem to be aware enough that America's treatment of Japan was one of extreme hostility and cruelty with little-to-no care about the nation or its people, solely using it as a means to enforce American/Western ideals and principles onto an unwilling populace and using violence and illegal organized crime syndicates to fulfill those goals...then why are you acting as though it's sus of me to look at a single woman in 1947 having this much power/control over Japanese-American relations when you have said yourself that shoyu is the single most important ingredient for Japanese food of all time, and only moreso during war rations/scarcity times?

[moophinz]

A lot of people have shared this information, but there’s still a lot of people who haven’t seen it so I wanted to try to spread it out more. From this article on Amazon’s site

Some have noticed that Kiryu’s dragon is very different than the one in the game. The promotional image features a very edited version of it, but the gold screen to the right shows that it’s practically entirely black. While I haven’t seen anything to explain the differences they made, I can only guess at least part of it must be due to how much it’s being pressed this is something of an “alternate” or kind of redone version of the games. As also displayed by the Japanese title.

The timeline for this series covers 1995 to 2005 which is pretty much the first game. However, there’s been a focus on Kiryu’s childhood friends and telling stories the games didn’t get to. Multiple articles have also stated this is going to be an “original story.”

As of now, it’s almost feeling as though this won’t be a retelling of the first game. Usually, RGG adaptations don’t seek to do that so it’s not too surprising.

In case someone also doesn’t know, yes, it’s going to be a Japanese acted series in the same language and shot in Japan. (I saw some confusion and fears on that)

[hollowwhisperings]

Cassandra Cain being The Most Dangerous member of the BatFam <3

[thesmokinpossum]

I can't believe y'all almost made me pay to go watch po*r th*ngs in theater without telling me that the whole thing revolves around a hardcore born sexy yesterday trope with a side dish of pseudo necrophilia where a woman with the brain of a litteral foetus who don't have periods or body hair (but do have boobs!) find joy and freedom by having a lot of sex with a bunch of men, shoving a apple up her vagina for some reason and joining a brothel (but it's a cool socialist brothel and all the girls looove being there, don't worry guys), all of that written and directed by two men, I'm never gonna trust you guys after this one lmao

[pynkhues]

I'm really sorry you and your sister are dealing with that

(no pressure to publish this, not that there should ever be pressure to publish an ask if you don't want to, of course, but just wanted to say I hope you're doing okay)

Ah, thank you, anon, it's okay. It's been a while now (court moves slooow), but we're getting hopefully close to the end. She filed in Family Court December 2022, and we've had about five interim hearings with final trial (finally) scheduled over four days next month, so fingers crossed! But yeah, it's been A Time. He's financially and emotionally abusive against my sister, and both those things as well as medically negligent against their children (who are only six and eight and both have special needs), so it's been....rough. To say the least.

But on a lighter note, have one of my new favourite photos I took of my nephews at the jellyfish enclosure at the aquarium last month!

[the-eclectic-wonderer]

I always think about how in multiple episodes it's basically canon that Blanche is bi but considers dating women to be more hassle (which is a whole rabbit hole to go down - does she struggle with societal homophobia when she's with women? Has she only been with fellow high maintenance femmes when shes really after a Dorothy type? Has she internalized the idea that her attraction to women isn't 'real'? Her reaction to Clayton adds to these questions). Not to mention how this goes together with her relationships with the girls; making to kiss Rose that one time (and Rose multiple times seeming very aware of Blanche's proclivities), begging Dorothy for 'relief' and being convinced she's attracted to women too.

Yes, anon! It’s really interesting to delve into Blanche’s psyche about all this stuff!

I started writing down my thoughts and ended up with a long ramble -- allow me to place it all under a cut, so I don't clog up anyone's dash, haha.

Personally, I think she has some strong mental blocks when it comes to her sexuality because of the way she was brought up. I mean, she grew up in Atlanta approx in the 1930s/1940s — I’m sure I don’t have to detail the kind of casual bigotry she must have seen around her during her formative years! Just look at the story she recounts in S1E13 A Little Romance:

“Now, you have to understand that in those days in the South a lot of things were still taboo. Certain people were not to mix. So Benjamin and I had to meet in secret. Oh, we knew if any of the bigots in town found out about us, there’d be a terrible scandal.”

And all of this because Benjamin was a yankee… can you imagine what ‘the bigots in town’ thought about homosexuality? Yeah, I’m pretty sure Blanche learned to suppress that part of herself very early on. We know she turns to denial when she’s faced with uncomfortable truths and emotions she can’t deal with, so I think she likely just refuses to acknowledge that part of herself most of the time, and it only comes out (pun intended!) when she’s not paying much attention to things, or when there’s something more important going on. See the two examples you point out: when she tries to kiss Rose she’s concerned with not being kissed at midnight, and when she propositions Dorothy she’s, well… she’s desperate to get some, if we can be frank.

When she’s in a more rational state, her reactions tend to be more measured… but not by much. She does advise Rose not to date women (S3E10 The Audit):

“Oh, no, honey, don’t do that! No job is worth having to date women!”

But she’s also really flattered at receiving lots and lots of phone calls from women, after her appearance as a ‘lesbian’ on TV (S7E15 Goodbye, Mr Gordon):

“By the way, Dorothy, if I were a lesbian, I sure would be a popular one. Look at this, 20 calls.”

And of course we can’t forget her reaction to finding out that Jean has a crush on Rose in S2E5 Isn’t It Romantic?:

“Jean has the hots for Rose? I don’t believe it, I do not believe it! […] To think Jean would prefer Rose over me? That’s ridiculous! […] Now you tell me the truth: if you had to pick between Rose and me, who would you pick? Who?”

All of these are (likely) intended to be jokes about her vanity and her libertine nature (in the same way as Rose’s observations are), but considering a lot of the writers of this show were queer themselves, it wouldn’t seem strange to me if they were intentionally peppered in to suggest that Blanche might be a bisexual in denial. It certainly fits her character!

I haven’t spoken about her reaction to Clayton’s coming out yet, but that’s immensely interesting too, of course. I think Blanche has the same attitude towards homosexuality that I see in a lot of (mostly older) people in my Country nowadays: it’s fine as a general concept, but when it comes to her family (or, God forbid, herself) then the problems come out. See for example what she says about Jean:

“Well, I’ll never understand what Jean doesn’t see in the opposite sex, but if that makes her happy, that’s fine by me!”

Which isn’t a homophobic attitude at all! If anything, if you take her upbringing into account, it’s pretty accepting. But then, when Clayton comes out to her (S4E9 Scared Straight) and tells her he wants to get married (S6E14 Sister Of The Bride), this is what she says:

“Oh, Clayton, please be serious. You're just saying that so I won't set you up with any more women. […] Well, then you're saying it 'cause you're trying to get back at me for something. Clay, I know you too well for this. After all, I know it can't be true. You're my brother. […] Clayton Hollingsworth. You look me in the face and tell me you really are… what you just said you are.”

“I'm having a little trouble putting this all together. Clayton, I just feel like I don't know you anymore.”

“[…] Dorothy, that's different. We're talking about going out in public. Oh, what are people gonna say?”

“Will you tell me why you want to put yourself and Doug through this? You know how people can be.”

“Oh, look, I can accept the fact that he's gay, but why does he have to slip a ring on this guy's finger so the whole world will know?”

Quite the difference from her attitude towards Jean, wouldn’t you say? I think there’s three elements at play here.

1) When Clayton comes out to Blanche, she feels disoriented because this is life-changing information Clayton has never shared with her before. While her reaction as a whole isn’t ideal, personally I think it’s understandable. Clayton is her baby brother; she’s known him as straight all his life, he’s been married to a woman for years before his divorce, and she recounts an episode from their adolescence when he was on a date with a woman and very clearly implicated having a physical encounter with her. He's done everything in his power to pass as straight until this point in time -- I don't find it strange that Blanche would be shocked at his coming out, especially given her upbringing (and the fact that this is set in the 80s! We can't expect modern sensibilities from the characters!). Once again, her reaction isn't the best (she can't even bring herself to say the word 'gay' at first...), but the shock per se isn't that surprising, imho.

2) Blanche is scared because of societal implications above all. She doesn't necessarily see being queer as something wrong, but she's been taught it's not socially acceptable and acts accordingly. Notice how she's worried about what people are going to say, and she struggles to accept that Clayton wants the whole world to know about his relationship with Doug.

Societal expectations in general are a big theme for Blanche's character, and often drive her development; another big example of this is her attitude towards Rebecca's decision to get artificially inseminated, but it's a bit of a baseline issue for her, I feel. She has this whole thing about her beauty and her (supposed) youth and her attractiveness that has some inherent elements, but it's mostly an issue of how other people perceive her, I think, and her response to her brother's coming out is easy to relate to this theme. I mean, she even says it to Rose in S7E15:

"Well, I don't mind being labeled a lesbian, honey, but since I'm not, you just ruined my social life."

So yeah. I think it's safe to say her main concern is societal disapproval of queerness: she wants to be accepted and celebrated by the people around her, and she thinks that being openly queer will destroy her place in her social circle (and she's worried about the same happening to Clayton too, of course).

3) This is sort of related to point 2, but it felt distinct enough to treat it separately. I think she might have reacted so badly to Clayton's coming out (and especially to his showing up with a partner) because he's open about his sexuality, and she's not ready to face what that means for her. My lovely mutual @\hecatesbroom recently published her latest amazing work the odd one(s) out, on the relationship between Dorothy and her brother Phil and how Phil's open queerness might have impacted Dorothy; I think a similar situation might have occurred between Blanche and Clayton after his coming out.

Blanche has a sort of advantage on Dorothy because of her bisexuality, in the sense that she has 'passing privilege' (I really dislike this concept, but allow me to use it to make a point): it's painfully clear that she loved her late husband with all her heart, and she's obviously attracted to men as well, so she can pretend not to like women without too much of a hassle (whereas, if you believe Dorothy to be a repressed lesbian, her situation is much more complicated).

The issue with this is that this 'advantage' is a double-edged sword: she might have the comfort of being socially acceptable, but she's had to suffocate a big part of herself to obtain that comfort. And so, what happens when Clayton -- her baby brother Clayton, the one who's always been just like her, who's grown up with her same environment and influences -- begins openly living as a gay man? I'm sure the situation must have had a strong impact on her, even if just on a subconscious level; I've always found it curious that she seems to have a harder time accepting Clayton in S6E14 than she does in S4E9 (she even calls his sexuality a phase), and while a part of it may be attributed to the higher social exposure Clayton's commitment to Doug brings, I think this may be a result of her inner conflict, provoked by watching her brother live openly while she's been suppressing a part of herself all her life.

Here I'm assuming she's never acted upon her attraction to women before, but there's some space to believe she has done so and has decided it's too much of a hassle, as you say -- likely because she'd for sure do it in secret, given her fear of societal condemnation. If she has been with women before, and decided to give up on it, I still think she'd be greatly impacted by Clayton's coming out: it means her baby brother is a) braver than she is, and b) going to openly face (and likely suffer because of) the same social issues she's run away from. In this lens, I find it interesting that she cautions him about how people can be, almost as if they've both experienced it.

Whew. Wow, this was a lot more than I'd originally meant to write, haha! Seems you sparked a big train of thought, anon! I think all of the Girls (with the possible exception of Sophia) are really fascinating to analyze with a queer lens, and Blanche is always interesting to me, of course. As a final note, I'd like to point out that she does come around to Clayton's sexuality and his relationship, in the end: as often happens, she just needs the Girls' help to put things back in perspective, understand she's hurting someone she loves, and correct her actions. I'd like to think living with the Girls might lead to her becoming more accepting of herself, too.

[walkingbomb]

so what's your take on the bioware layoffs/ dragon age game situation? (asking cause u briefly mentioned in tags on that post)

oof that's a big question, anon.

to put it simply, I don't think there is one singular answer- Bioware/EA treated staff like shit, the very same staff that made this game possible- that is not up for debate.

does that mean the game should be boycotted? I can only assume that some people will believe that, many others won't because honestly trying to dodge products that have come from ethically/morally dubious sources in today's society is almost impossible.

there's also the fact that those same staff members and those that remain put so much time and effort into the game either way- is it the right thing to ignore the game completely, if that's the case?

it's not ideal, no. in my own selfish way I desperately want the game to be good, to experience the thrill of a new game and the fandom madness that goes with it. it most likely won't be a perfect game (is any game?) and we have to look at how the layoffs and treatment of staff may have impacted that.

but... i choose to remain hopeful, i guess. maybe its just the nostalgia goggles. i don't believe there's a clear cut answer- it's for each person to decide for themselves, it's too nuanced.

[novelconcepts]

It’s always so funny to me when someone can’t tell the difference between an actor who’s over the top and an actor who is doing an intentionally over the top performance. The former can be super aggravating, I get it—but the latter can be so goddamn effective. Especially when you know the actor already, know they’re fully capable of giving normal human facial expressions and chill line deliveries. And they’re out here doing The Absolute Most all of a sudden? It’s for a reason, dude. It’s almost always for a reason. And once you can see past the camp on the surface, it’s so much fun digging in to what emotions the character is actually hiding.