#my classes have been killing me

[bumps-in-the-night]

My girlfriend got me Icelandic Dracula, I’m so excited!!!

[polysyndetonaddictsupportgroup]

pez dispenser debris for the fic ask thing? 👀

As much as this is my “kill no darlings you will get EVERY flashback” fic, there’s overarching sociopolitical backstory explaining why Izuku and the rest of class 3A exploded in the public eye that I don’t think I’ll ever fully fit in.

It’s a combination of it being more of a meta analysis than anything and also requiring information from a perspective that I know will never appear in the fic. Like, the fic still gets the different moments that make up this analysis, but there’s no explicit connecting thread to show how they all locked together to create this sort of global cult following of class 3-A. I almost put in a little fake news article opinion piece that was meant to sort of walk the reader through why society is Like This, but I decided it was too heavy handed and deleted it.

Everything that I’m going to reference has already appeared in pez dispenser debris to some degree, and none of it will ever actually materially impact the plot. They may receive a little more detail down the line if they’re mentioned in passing in the fic, so out of an abundance of caution, I’ll stick it below the cut so people can avoid this, but I don’t personally consider any of this spoilers.

Izuku and the rest of the class are famous in pez dispenser debris in a way that’s pretty much unprecedented for students. Canonically, not even all might had a name for himself until after his graduation. Pretty much everyone from class 3A are public figures, with Izuku specifically being considered a major global figure.

In my mind, there was this perfect storm right during their second year that catapulted them into fame. The class personally has varying levels of awareness of why they got so popular, but there was this perfect cross winds of societal unrest and fear that made them household names.

There was an approximately one month span in their second year where they were just hit one after another with a major firestorms of events: The UA Sports Festival, the Sidekick Strike, and the Tartarus Prison Break/Desertion of Yokohama.

The UA Sports Festival is the one that the kids attribute this most to, because so many of the news articles that followed referenced their performance in it. But it probably gave them less mileage than what the other two events did.

What the UA Sports Festival did was showcase their skills to the world in a venue designed to show them off. The public was already on edge. All Might had retired, crime rates kept going up, and people were rapidly losing confidence in existing heroes. Class 2A made such an insane showing of skill in the second Sports Festival that it made the public rave about them for weeks after. It was extremely reassuring to Japan that they had such powerful heroes in the barrel and would soon be on the streets. But that attention probably would have died down had it not been for the Sidekick Strike and Yokohama.

The Sidekick Strike actually had nothing to do with them. But it undermined the public’s faith in heroes at just the right time.

The Sidekick Strike is just one of those things that I have no POV that would even tangentially be involved in it so we’ll get a few passing references in media clips and it’ll never be discussed in depth. Which is a shame because it’s such an interesting conflict to me.

The Sidekick Strike was heavily inspired by the 1919 Boston Police Strike. Effectively, it was the height of the labor rights movement, and police officers got together and went on strike to get the police union recognized. They had tried to negotiate and negotiations failed, and so they all walked off the job. The city descended into lawlessness, the national guard was deployed, it was a whole thing. Famously, Calvin Coolidge fired the entire police force over it on the grounds that there was no striking from public safety.

I thought it would be really interesting if there was something similar that happened with the sidekicks. The thing is that the heroics structure as it stands really incentivizes abuse towards sidekicks. We have a society where there’s a decent amount of heroes who are only in it for the fame. A not insignificant amount of money must come from marketing deals. And it’s a ranked system, so they’re all in competition with each other.

Heroes wouldn’t be incentivized to showcase their sidekicks—they’d be incentivized to take advantage of them and take credit for their work.

Like, think about the work-study experiences. Momo didn’t even officially work for the hero she studied with. She wasn’t getting paid. An adult woman used her for a shampoo ad. Who wants to bet whether Momo saw a dime from it? It’s probably very predatory because the nature of the system incentivizes predation.

I thought the underlying legal issues would be interesting and complex. Who owns a sidekick’s image—the agency or the individual? Who gets the proceeds of their brand deals? This all would be governed by their employment contracts, and sidekicks just starting out have very little leverage compared to big name heroes. And those heroes would want to keep their sidekicks names small and theirs big. The rankings are competitive, after all.

It’s a situation where I do think that like. The sidekicks would have a point in unionizing. The use of their image, appropriate compensation, and proper credit for their busts would all be like, very legitimate concerns in a normal employment context.

I see agencies like Idaten settling immediately with the union and having their sidekicks back on the street before the day is out. In my mind, idaten is considered the gold standard for sidekick jobs already, and their employees mostly did it out of solidarity with the people they worked alongside of. Like, Idaten was already doing most of the union’s demands and signed off very quickly on the remaining ones. If it was just about the Idaten sidekicks, none of them would have gone on strike, but they had a lot of colleagues who they depended on in the field who were in terrible situations. What were they gonna say, sorry, sucks to be you, I got a great gig though so condolences? These were the people keeping them alive. They went on strike because they knew Idaten would publicly settle before the day was out and set an example for the rest of the agencies. Hopefully it would help other agencies follow their lead.

But that didn’t happen. Some agencies, like Endeavor’s, fired everyone immediately. And I think a lot of agencies spent a long time picking over every line item in prolonged negotiations. It dragged out.

And that went over fucking terribly.

All Might just retired. Crime is up. And their sworn defenders are bickering over who gets what cut of the action figure line. Like I think the public would have fucking hated this in a post-All Might world. It would have seemed like the only real hero just medically and irreversibly retired and the rest of them are squabbling about whose turn it is in the spotlight.

I also think that the villains would have taken advantage of it.

The Tartarus Prison Break in pez isn’t the one that happened in canon. Here, the League of Villains attacked Tartarus and set everyone loose. In the process, they made a very clear stance: they are going to leave with All for One, and they are not going to attack any civilians. They won’t fight at all unless attacked first.

All of the horrible and sadistic villains they just let go have not made the same promise.

They chose to do this now because of the Sidekick Strike. All their heroes don’t give a fuck about protecting them, so they’re strapped for staffing. So they’re taking back their leader and going back to ground, and the heroes are free to immediately go after and contain all those bad bad villains who just escaped. And those guys are headed to the heavily populated mainland, so better be quick.

The whole world knew that was their explicit reasoning and promise. Because Himiko fucking lived tweeted the escape.

The Sidekick Strike took the hit for a lot of the blame, but I do see all the sidekicks breaking strike lines to go respond to the crisis. But response times were severely handicapped by the fact that most if not all of them were cut off from their agencies. It was just a complete systemic breakdown.

And then there became the question of what crisis do you respond to: All for One’s escape, or everyone else’s?

I mentioned in one of the little fake tumblr posts that the Tartarus Prison Break was seen as Endeavor’s greatest failure. And part of that is because he chose to sacrifice the nearby area, Yokohama, to contain All for One.

I am one of the biggest haters of Endeavor’s later arc, specifically because it required going back on the nature of the abuse he had subjected his family to that was already established in canon, but that’s a different rant. This is not canon endeavor. I hate what they did with canon endeavor.

That being said, I do think that the self doubt weighed on him once he became number one. And this was the moment of his career where it really crushed him.

All for One had escaped. So had every other villain from Tartarus. He should go after the most immediate threats. He knew this. It was basic triage.

But they would never have a better chance to stop All for One.

Prisoners in Tartarus aren’t exactly hitting all their macros and micros or training daily. They are not adherents to the Bakugou Katsuki Fitness Lifestyle. All for One was coming off spending the last few months drugged up to his eyeballs and strapped to a chair in a straitjacket with at least fifty guns pointed at him at all times. The man has not scratched his own nose in weeks. He’s weaker now than he’ll ever be again.

It was their best chance.

If he escaped, and he went back to ground, he’d have the time and space to get as strong as he wanted, and then he’d come back for real. And he’d be coming back for everything.

Stopping him the first time had cost them All Might.

And Endeavor simply was not All Might. And he still wouldn’t be All Might when the next fight came.

It really was the hardest decision of Endeavor’s life. He had to admit to himself that his own inadequacy was going to cost them countless lives. But he thought it was a hard decision he had to make. He was losing the battle for the barest chance at winning the war.

So he made the call that all heroes were to respond to All for One. They had to hit the league of villains now with their full force if they were to stand a chance. They could not afford to divide their already sparse forces. They’d respond to Yokohama when AfO was contained.

He was also the one who made the call to broadcast the warning message that we hear in the Twitter post. He thought it would give civilians their best chance. He didn’t want them to act with the expectation of the heroes being en route.

Of course, that meant that the entire city got fucking sirens going off and a message telling them that the heroes were not going to save them. Which, as you can expect, did not do a lot for public morale.

In my head, Tartarus is like, the equivalent to Gotham’s Arkham. It’s borderline an institute for the criminally insane. You don’t end up there unless you did something super fucked, are super dangerous, and have extreme violent tendencies. It’s exclusively for the most dangerous and indiscriminately violent criminals in the country.

The entire world was watching in real time while the tragedy unfolded. A lot of people were livestreaming after the emergency broadcast dropped, because they didn’t want the government to be able to handwave away how terrible their death was, or because they didn’t know what else to do, or because they just didn’t want to be alone. The full expectation was that it’d be a massacre.

But it wasn’t. Because Class 2-A responded instead.

The Class 2-A defensive efforts were discussed in one of the silly little fake tumblr posts and in the fake twitter post. In those, we find out that 1) Class 2-A, along with Lemillion, Suneater, and Nejire responded to the scene; 2) the entire class rolled out of Mirio’s fucking mom van and tamaki and nejire’s cars like they were fucking clown cars; 3) the HPSC claimed it was a legitimate operation blessed and coordinated by them; and 4) a lot of people think this was a lie, in part because videos leaked of Aizawa bitching them all out in the street afterwards. We also see Izuku’s green lightning at the end of the twitter video, showing him responding to the scene just as the first villains hit the mainland.

This fight has a lot of names in the backstory that lives in my head. It’s called the Tartarus Prison Break for obvious reasons. It’s also been called in some circles the Desertion of Yokohama, because of the call Endeavor made.

But it’s also called the Battle of Yokohoma. And it’s ranked alongside the Battle of Kamino as one of the finest acts of modern day heroics. And that’s because of Class 2-A. If it hadn’t been for them showing up, it would have gone down in history as the Massacre of Yokohama.

Like. It kills me that I can’t include the full details of what happened, but there’s just too much to make in a flashback. It’s a fic in and of itself. But it really was the fight that made Class 2-A.

It was the first fight where they were really the only heroes that could be counted on. Granted, they’d had to fight for their lives alone, but this wasn’t just their lives. These were thousands of terrified civilians who all thought they were going to die.

It was the first true test of them as heroes in the world. And they actually rose to the occasion. They didn’t just fight the villains—they realized that they needed to get emergency services working throughout the city if everyone was going to make it. Momo and Tsuyu conducted a mildly hostile take over of the emergency call center so they could coordinate relief. They had fucking Tokoyami and Dark Shadow single-handedly holding the line on the hospital while Kaminari, Shoji, Jiro, and Sato all learned to drive for the Very First Time while commandeering the city’s fucking ambulances. They were fighting and containing villains, performing emergency aid, putting out literal fires, everything. It was the hardest fight of their lives.

There was a hot second where Class 2-A was The Moment. Like. The entire world was watching them during this fight, and they had no fucking idea until it was over. People lost their minds when the first footage made it out of Yokohama of a bunch of teenagers showing up and immediately throwing hands with S-Class villains.

It was global news. Think of the kind of media attention that was received by the search for the Titan, the Tham Luang Cave Rescue, the Suez Canal getting blocked by the Ever Given (rip queen you will always be famous to me), that kind of thing. Class 2-A was fighting for their fucking lives and then found out three days later while they were all still in the hospital that there was a prayer vigil going on in Portugal for them during the battle and CNN had 24 hours live coverage of the fight that had so many viewers it outnumbered the population of Finland. Like what do you even do with that information.

The world expected a massacre. They didn’t expect a bunch of footage of high schoolers kicking the shit out of superpowered murders and personally ferrying the injured to the hospitals they were also defending.

The other part about this fight that really made them permanently part of the public consciousness is that it was not lost on everyone that every single person who responded to that fight did so at the risk of their license.

All of them had provisional licenses, save Lemillion, Suneater, and Nejire, all of whom went AWOL from the explicit directives ordering them to respond to the fight against All for One. The operation could not have been less authorized. They had to steal their gear and jimmy the UA fence to even get out. The explicit plan was to steal one of the UA buses and have Bakugou fucking drive them to the fight (he also did not know how to drive but he seemed the most likely of them to break literally every single motor vehicle code to get them there but still be naturally talented at it enough to not kill them) but Izuku told Mirio what bullshit they were up to and Mirio, who was with Tamaki and Nejire when the news broke, immediately decided he would be on that bullshit too and pulled up in his mom van.

In my mind, there were strict rules around provisional licenses and how they could be used, and they broke pretty much all of them to respond to Yokohama. It would have been grounds to revoke their provisionals and permanently bar them from heroics. Lemillion, Suneater, and Nejire could have all lost their licenses for helping them and for going AWOL.

The HPSC fucking fell over themselves to legitimatize the entire operation. They knew they were utterly fucked if they didn’t. These kids already had murals being painted of their faces in other fucking countries. There was a little old lady in Kyoto livestreaming herself working overtime to embroider Iida’s face onto a cushion because that lovely young man saved her darling granddaughter from *checks notes* horrible and painful death directly caused by the failings of the current HPSC administration. There were multiple trending posts online agreeing to fucking riot if those kids got in trouble for this.

Every single actual hero in the immediate vicinity of this disaster had responded to fight a villain who wasn’t actually attacking anyone. And then they fucking lost. They publicly broadcast a message saying Good Luck Champs Because We’re Not Going To Save You. It was an actual PR nightmare that they had a bare chance of salvaging if they just latched onto these kids like an aggressive parasite and that is exactly what they did.

They totally knew. Actually, it was a joint operation coordinated by and between UA and and the HPSC. Why would the kids be in trouble?? They had responded because the HPSC told them to.

UA gave it a week of dead silence and then issued a short statement praising the bravery of their students in a recent HPSC approved mission, and then they never said another word about it. They didn’t have any choice but to go along with the HPSC’s story. If they contradicted them, all of class 2-a would find their licenses pulled by the end of the day, and lord knows they wouldn’t wait for the court of public opinion to work its magic and would just all go out and become fucking vigilantes, because why not. Aizawa has aged 100 years since he got this class. Every single day he thinks of how it was a 50/50 shot between him and Vlad.

No one in the class is fully aware of just how famous they were in the immediate aftermath, because the school bent over backwards to try and shield them from it as much as possible. Like, they have an idea, but none of them saw the full explosion firsthand because of just how hard the school worked to keep it from them. Aizawa confiscated the internet router and told them it was punishment for whatever the fuck they did to the buses (thank god Mirio was just as crazy as them because they were NOT GOOD at hotwiring cars) but really it was to try and insulate them from it a little bit. Like. Japan’s Imperial Family wanted to do an official visit. The White House offered to host them. They received interview requests from every major talk show on the planet. Buzzfeed wanted to do a puppy interview with them.

Right now, Aizawa’s terrified for Midoriya’s graduation, but in the aftermath of that, he was breathing into a paper bag about all of them. Society had sort of latched onto them like they were the last life raft on the titanic. All for One was back, and All Might wasn’t, and the heroes had publicly broadcast a message saying they were useless, but don’t fucking worry, fifteen year old Iida Tenya is on the case. Society will be upheld by Kaminari Denki, currently viral for driving a real life city ambulance one hundred miles per hour down the street while screaming “WEE WOO BITCH.” And don’t forget the pillar that will be Mina Ashido, who rushed over to him earlier that day to show him her extra sparkly pink nails. And if you have a major fight that needs to be won? Don’t fucking worry, just send out bone-breaking boy wonder Midoriya Izuku and his equally reckless brother Toogata Mirio, because their dumbasses managed to take down an S-Class villain team that only All Might could defeat the first time around. Don’t worry about the multi week hospitalization they needed after, because that’s an acceptable burden to put on children.

When Aizawa started this job, he promised himself he would never send a student out to die. Some of them would die. But it would be tragedy, not damnation. He’d have given them their best chance. Part of the reason why he made that promise was because he sort of felt like his teacher sent him out set up to die, and it’s only luck that he made it through his first couple of years.

He has gone to the funeral of every single student he has ever had who did not make it. He goes back to their graves every year.

He was fucking petrified after Yokohama that society would push these kids too far too soon. Every single one of his classes before them had gotten the benefit of being practically unknown their first few years. They didn’t have the world talking about them like they were already the top heroes. He was terrified they wouldn’t have the space to learn and grow when they started.

A lot of teachers would have tried to mine the notoriety of Yokohama to hard launch their students’ careers. Aizawa told Nedzu point blank that he would quit tomorrow if he did not help him quash this thing as much as possible, and nedzu agreed.

This world killed its real heroes. It sucked them dry and left them like All Might, and he just needed fucking time. He needed fucking time to let them be kids and maybe they’d survive.

Izuku ended up being the one who escaped the aftermath of everything the least. His Quirk was too much like All Might’s for the world to let go of him easily.

And then Stain got fucking dogpiled by idaten in the aftermath of the Tartarus prison break and implied he considered Izuku the only true hero in the absence of all might and everyone started asking super inconvenient questions like “how does stain even know you exist” and “no really he called you by your actual legal name how does he even know that” and it just. It didn’t help things. Izuku’s suffering.

So yeah. There was just this absolute collision of a total lack of faith in current heroes combined with a huge swell of public trust in class 2-a that led us to being in the landscape we are now. All of the currently licensed heroes said that they wouldn’t be there to save the public, and then Class 2-A immediately hit back that they would be there. Actually, they’ll risk everything to be there. They’ll die to protect the public and they’ll risk the entire future they had been trying to build and they will fucking be there to save them.

There’s a lot of people that never forgave the heroes for deserting Yokohama. And there’s even more people who have absolute faith in Izuku and his classmates because they didn’t. That’s why the world is watching them so aggressively. These kids are the most trusted heroes in Japan right now.

I wish I could fit in more about what happened, because I love this backstory so much, but 1) some of it absolutely requires POVs like Endeavors, which we won’t get in pez dispenser debris, 2) there’s no one POV that could tell the full story via flashback and 3) it’d just be too long of a divergence. Like. It really is a whole fic of its own. I’d love to write it one day but I probably won’t have the time

[goldensunset]

in my experience i didn’t get interested in kingdom hearts by watching or playing anything first. i got interested by watching people post about cute anime children murdering each other and i was like ‘fascinating. i wonder how this got past the disney censors. let’s find out’

[mrs-nubenueve]

udai and akaashi facetiming over why akaashi thought it was absolutely necessary to strike out an overly-indulgent exposition scene but udai gets distracted bc why tf is akaashi. who drinks caffeinated beverages like water. who pays no heed to how well his meal of choice corresponds to the time of day/night. who he swore was deathly allergic to non-processed convenient store and non-fast food. is so obviously and so carefully meal prepping well-balanced and objectively healthy meals in cutesy matching tupper sets.

[iknowwhereyousnoozeatnight]

this one's for all the yuri enjoyers out there — nsft under cut

meronia event prompt(s): scar

[defiledtomb]

decided to go back to uni

[evvwenthome]

Studied for half an hour be proud of me

[showrunnerihardlyknowher]

too many ideas in my big beautiful fivehead, not enough time to even do one

[cherub014]

i couldn't draw all day OTL

[camellcat]

WTFFF I thought thirteen would be my new girl crush love of my life heart eyes wife you-came-after-twelve-you-must-be-better-than-they're-all-saying bbygirl and then I had to sit down and watch as she told a man who (if he were not a murderer, of course) literally every regeneration before her would've LOVED and FULLY SUPPORTED that "the systems aren't the problem. how people use and exploit the system, that's the problem. people like you" </33333 !?!?

[clawsextended]

on a note to all: my plotting style is something i like to call i have adhd and if i see you on the dash and have an idea chances are i’ll im you about it. i’m an anxious little dude who isn’t always active in a broad scope, and it’s always been my nature to reach out to people. that doesn’t make me even remotely anxious. not even remotely expected to answer me — i totally get it, sometimes you don’t feel the vibe — but a general psa about how i work. i come from the dinosaur era where the only way to communicate with one another on any level was to directly talk to them and frankly i don’t even know how else you’re ever supposed to plot with a person otherwise. like… how do you write if you never talk????

[tortoisesshells]

if you were in control of a dark shadows adaption (or, hypothetically, could alter the original; whichever you find more interesting to think about!) what does your ideal version of 1795 look like? are there things you would change? things you’d want to keep?

Let me preface this by saying I do genuinely like or appreciate a lot of the 1795 arc! When it's at its best, it's a tragedy born out of hubris and the terrible things we'll do for the people we love (or the terrible things we'll do to hold on to love. or the problem of love without respect). I'm up to episode 741, and the confrontation between Joshua and Barnabas over the latter's coffin is still one of the best scenes in the show, for my money. That said; Broadly speaking, most of my problems with 1795 either have to do with characterization, or with historical context: that DS's unwillingness to delve into historical realities undercuts its ability to talk about monsters, and that it completely mishandles Vicki to the point of functionally ruining the nominal main character (who, to be fair, was already being pushed out).

Historical Context: DS loves the past, conceptually, but it really doesn't deal in historical conditions, and that's on full display in 1795 - witchcraft trials? zippers? claiming a house built in the early 20th century, with the attendant architectural style, was actually built in the years leading up to 1795? okay. I forgive that, because we do live, narratively, in a world with witches and vampires and curses and passenger rail service north of Portland, ME after 1965 - and in a make-believe world where the costumes are as good as a budget of a crisp single and a pb&j can make 'em. I say this mostly lovingly: DS simply is not the kind of show that cares about historical plausibility, let alone accuracy. Plus, Reverend Trask was great, and on the basis of giving Jerry Lacy scenery to chew on, the witchcraft trial plotline is excused.

More seriously and damningly, I do think it's a glaring omission on a show being made and aired in the late 1960s to have three characters said to be from the (fictional) wealthiest family of planters and enslavers on Martinique and have that go unexamined and unpacked, especially when commentary on class in Collinsport has been a constant undercurrent (sometimes more of an under-trickle, or under-vague-breeze) since episode one - and because Joshua Collins is very explicit about how beneficial the connection between the two families will be for the Collinses, who always need cargo for their ships. [Since David Ford's here, you'll forgive the reference to 1776: "Molasses to Rum" playing vaguely in the background] But that's the problem with Post-Barnabas DS. Since there's a Collins running around befanged and literally drinking the blood of others, the show's lost interest in discussing how, exactly, the Collinses became wealthy and powerful, beyond the odd occasional reference to the fishing fleet and cannery or, in 1795, the shipyards. We've got a real vampire, what do we need all that metaphorical monstrosity and class/race/gender analysis for?

As a choice the show's made, I think it fundamentally undercuts one of the show's most reliable and interesting points of commentary: how charming and human some monsters are, or that humanity and monstrosity are not entirely mutually exclusive conditions.

also speaking of monstrosity. the show excuses Barnabas for so much outright evil because he preys on sex workers, primarily, and other assorted poor men and women of Collinsport, who the show ... doesn't really see as people. but that's a separate but not unrelated rant.

Characterization: really, this is about Vicki. So much of what I dislike about 1795 has to do with Vicki's characterization changing for the worse (granted, I think this problem starts much earlier, but see digression a below) once she hits the ground in 1795, AND that the 1795 arc continuously insulates her from the important parts of DS's narrative. If the whole point of Vicki landing in the past was to explain how it all began (whether that's Barnabas's vampirism, or the opening of the great house at Collinwood - Sarah's ghostly goals are unclear here), she's party to neither: Vicki spends very little time in Collinwood, and is kept completely apart from even a hint of knowledge that Barnabas is a vampire. In effect: Vicki, as nominal main character, gets sent into the past, but not as a character - she's just a windowpane, or a magic mirror as far as her importance to the narrative goes. Which is unfortunate for her, because as a character taking up space, she's given screen-time without agency, intelligence, or inner life. The only change that being dragged by her puppet strings through 1795 effects in Vicki Winters is a rope-burn from a failed hanging, an infected gunshot wound, and a I-wish-he-were-more-permanently-dead rebound boyfriend whose response to Vicki panicking about being hanged was to slap her for being hysterical.

Forgive me for being unimpressed.

As far as fixing it goes - there's where I've been striking out. She's fatally passive in 1795 as written. Why doesn't Vicki try to figure out how to get back to her present? (and if she doesn't, perhaps ... gesture at why Vicki might feel like there's not a lot to return to in the present? She nearly jumped from Widows' Hill about 10 episodes before 1795 started.) Why does Vicki persist in making herself suspicious, when she was introduced as a character hampered more by inexperience than true ignorance? In the idea 1795 that lives in my head, why wouldn't Vicki try to figure out who the real witch was, because - given her experiences with the supernatural! - surely a witch might be any help in getting her out of the 18th century and back into the present? End of day, she needs a real plot which doesn't end with her in prison unconnected to the Collinses. Whether that's searching for an escape hatch back to the Swinging Sixties, or Sarah's ghost giving her clear instructions - some kind of a goal! - Vicki either shouldn't exist in 1795 (recycle Moltke as another Collins sibling? that would add a wrinkle to the question of Vicki's antecedents) or she has to be given something to do.

&, finally ...

Digression A: In fairness to the 1795 arc, I think the arc was only following a pattern of characterization and plot involvement that started with Barnabas's arrival: first, that Vicki initially wasn't really involved in the Barnabas plot because she was more involved with the Liz & Jason plot, and, unfortunately for Vicki, everyone still talks about Barnabas, where no one (alas for Patrick and Bennett!) talks up the blackmail thing; second, I think, that the one-two punch of the definitive end of the era of metaphorical monsters & the Burke recast meant that a lot of the dramatic tension that Vicki was carrying either got dismissed or dissipated. We're not playing Jane Eyre any more, we're doing Dracula: Vicki's relationship with Roger and David no longer bears any dramatic weight. We've completely sidelined the question of Vicki's origins, so whether or not Liz is her mother doesn't matter (and the revelation and dismissal of Liz's not-actually-monstrous conduct sort of defangs that relationship, too? oh, Liz isn't actually a murderer? so mother or not, there's no strain on her relationship with the conspicuously virtuous Vicki.). Burke's no longer threatening to burn down Collinsport for revenge, and all of his various relationships with the Collinses or Collinsport denizens have gotten abruptly normalized, so there's no tension to his relationship with Vicki any more: he's rich (don't ask where the money came from), he's in love with her, and now he's chummy with all her friends/stand-in family members. He doesn't even have conversations that are totally just about pens or guns with Roger, for god's sake. The show kicked out all the pillars Victoria Winters as a character had been built on, and it only gets worse after 1795. No wonder Moltke left.

[always-a-slut-4-ghouls]

I don’t get why people feel like the Duolingo owl is threatening, if I ever feel like he is I just get mad at him. I could fight an owl. I don’t know if I’d win, but I don’t think I’d lose (two things that can apparently coexist). I think I’d survive at least and that’s not really winning but also not losing.

You wanna be so threatening? Da bør du drepe meg!

[truly-quirkless]

@djsouled asked:

[ sms ] what are the odds you can cover for my english class today, eh? say one of our favorite blonds ('sides you, of course) started coming down with something. :)

[Unprompted. || Accepting!]

Yagi tilted his head. It wasn't often that his phone went off for reasons other than missions- so to see Yamada's contact flash on the screen caused him a small deal of worry. He was quick to unlock the device, heading to the chat in question--- and relaxing slightly, though his concern was not fully abated.

[Present Mic] [what are the odds you can cover for my english class today, eh? say one of our favorite blonds ('sides you, of course) started coming down with something. :)]

A small chuckle escaped him at that.

[Self] [The odds are one in one. Just send me whatever lesson plans you have, and I'll look them over when I have the chance. Do you want me to pick up anything later? I can make a rather nice soup for the funniest blond, if you want.]

He could let Nezu know that he'd be taking over Yamada's English courses for the day. Of course, Yagi had already spent all of his hours...- He couldn't just let villains slide!- But at least he'd be able to teach as his True Form. Another day as 'All Might's personal assistant', it would seem...and slightly, this time, Yamada's.

That caused another soft chuckle.

[Self] [There isn't a quiz today, is there?]

[coronangelic1]

do you know what its something that i hate. teachers that are pieces of shit and take a big part of your grade because the person you had to work with didnt do their part and because of that you said hey. ill do all myself!!! just gotta add that they didnt work!!!! and the teacher says fuck you get a 70 this is what you get for not doing every single possible way of communication with your partner to get them to write one (1) one thing in this paper

[loveforjenae]

i haven’t done any of the work yet either, lmao idk how i’m gonna get through this