#my brain is thinking about my favorite character

[writers-potion]

How to foreshadow? Like a big thing is going to be revelation after few chapters so how can I drop subtle hints about it? Lots of love 💗

Foreshadowing Creatively

If you are trying to build up towards the 'big moment' throughout a few prior chapters,

Let's assume that we want to reveal the the fact that Character A's husband is cheating on her. The big moment here would be when she witnesses them kissing in the parking lot.

To drop subtle hints about it, we could:

Have the husband doing things that are just slightly out of the ordinary, but not enough to attract serious suspicion: taking call outside the bedroom, being more tired after work than usual

Insert direct evidence that Character A could've picked up on, but she doesn't because she thinks it's ridiculous to start having doubts.

Use symbolic motifs. The husband informs her that he lost is wedding ring - a complete accident. But this indicates a 'break' of their marriage vows.

Similarly, you can use color/animal/location that subtly hints at secrecy, infidelity and dishonesty.

It may even be enough to have seemingly unrelated bad things happen to her. Maybe she cuts her finger while prepping dinner for her husband, or suddenly starts feeling that their bed is uncomforatble to sleep in. There's no logical link between these details and the eventual realization, but the mood gets established.

Think about the big moment from two different points of view: someone who knows about it all along, and someone who doesn't. How would it look from an outsider's POV?

I find it helpful to think about howI tried to justify the bad events that has happened to me.

For example, I messed up on a math test. The logical reason for this was that I didn't study enough. But my brain would: - blame it on the weather: it was raining! And I hate rain! - the supervising teacher, Mrs. G, was my least favorite and that had affected my mood. - I always eat an even number of chocolate before tests, but I could only eat 3 that morning because that's all that I had left. - the bus came late

Drive your character's mood slowly towards the revelation. If it's an emotional one, I'd say the atmospheric/symbolic elements would be more important; if it's puzzle pieces finally clicking in place, you could provide a brief overview of how past events are finally put together by your main character at the end.

─── ･ ｡ﾟ☆: *.☽ .* . ───

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💎Before you ask, check out my masterpost part 1 and part 2 

[v88sy]

There are some blogs optimistic about Tommy back at some point, what are your thoughts about it?

I don't want to get too optimistic, because that's how we got ourselves here in the first place. Let's be honest. This was always a possibility and was even laid out as a possibility in the articles/interviews, we just chose to get too high on the hope. We were treating it as a sure thing and that was never the case. We duped ourselves a little on this one, and yes, I'm absolutely including myself.

Now, as many have pointed out (which I absolutely agree with) if you were to be completely oblivious about the articles and/or what they said, the breakup very much looks like it's open ended. It looks like something that's unresolved or meant to be resolved at a later date. They made it something that could be resolved. Something like moving away or wanting completely different things in life is a lot harder to work through and more definative. They clearly both want to be with each other. Tommy said he wanted to be Buck's last. He said he wouldn't be able to deal with the (what he thought was inevitable) heartbreak. You only get hurt that deep when you lose something you wanted that bad.

This is honestly the first time we ever heard Buck even utter the words "engaged" or "married" to any of his SOs. I do think it's something he wanted down the road, I just don't think he was there yet, and that's absolutely fine. The relationship was still very new. There was clearly a lot they didn't know about each other yet.

It was far too soon to make the commitment of moving in, and Tommy was just trying to stop things from getting any further before he got too deep (too late, me thinks.)

If you remove the clear bias of the journalists writing these "exit interviews" (is that even a thing in television?) they start to sound much like your run of the mill interview they do with every main after they have a major storyline play out on screen. Look at the direct quotes, not what the journalists are inferring for themselves.

All that being said, I'm not getting my hopes up, and I'm not planning on watching live again until I have a definite as to where the storyline is going, and if that takes until the final episode ever, so be it. I will get back to it eventually. Until then, I'll be keeping tabs on what's going on through Tumblr.

Now, this is just a little thought in my brain that has absolutely nothing to back it up whatsoever. I think maybe either Lou needed this break to get away from the bs and finish his role on SWAT, or they gave it to him and he's taking it.

We know he was surprised, but what he was surprised about was how soon it happened. Tells me that at least a temporary break was planned, just not until further down. Or maybe he only meant the disagreement.

We very much know Tim likes to plan out his story about 5 seconds in advance, there could be a tentative plan to maybe bring Tommy back down the road, say, after the midseason hiatus. Could even be the "project that may or may not be happening" that Lou had mentioned.

Buck is my favorite character, but I'm not interested in seeing him regress or go through the same storyline for the millionth time. If he doesn't at least try and fight for Tommy or talk things out with him, it's just more of the same season 5 Buck. I love 99% of the other characters too, but they also suffer from the Groundhog's Day writing and I'm just old and tired.

[nile-the-empathy-cleric]

I'm a huge fan of your work, your writing is so beautiful, and the way you add your own personal love of art is just; it's genuinely amazing. I was wondering if you have any paintings that you think each of your favorite characters would represent or maybe even what u see when u look at them. ❤️🖼🎨🖌

Oh boy do I love this ask! Firstly, than you 🥺 you're too kind 💕

Second I have so many paintings that spring to mind for various characters! Immediately off the bat my brain went right to Lestat and how his presence and aesthetic (especially in 1920s New Orleans) gave gigantic J.C. Leyendecker vibes.

(left) The Sleuth J.C. Leyendecker, ca. 1906 and (right) Arrow Shirt Collar Ad, 1916. By J.C. Leyendecker For Arrow Shirt Collars, 1916

The way Leyendecker plays with shadow, light, and color to project an air of seduction and power is just *chef's kiss.* He is a master at depicting an idealized masculinity that still has a level of vulnerability. I don't think it's just the styling/ fashion of the men in Leyendecker's illustrations that remind me of Lestat, but the features as well. J.C. gives them this attitude of nonchalance but there's something deeply concerned with appearances underneath. Is that not Lestat?

For Claudia there are a couple. First (not a painting but a sculpture) is Degas' The Little Dancer Aged Fourteen. I look at this piece and think of the history of ballet and the connotations of ballet at the time Degas was working. In France at the time ballerinas were highly taken advantage of and exploited. The exploitation was sexual in nature and simultaneously adultified and infantilized. They were highly fetishized. It's very sad and tragic and it reminds me of Claudia. The Little Dancer has an almost defiant energy to her, like there is a sense of pride and restraint, something dignified despite her lesser social standing.

I also see something of Claudia in this piece: Girl in Pink Dress, ca. 1927 by Laura Wheeler Waring. I also think this girl embodies the qualities of both Bailey and Delainey's Claudias–– there's simultaneously an innocence and maturity. I see something similar in Isabella, (aka Young Woman with a Fan), 1906 by Simon Maris and I just think it's neat to see art of Black people done by a white person from the early 1900s that isn't fetishizing or racist (don't look at J.C. Leyendecker's art of Black people, yikes!)

For Louis, my first thought was Derek Fordjour's STRWMN, 2020. It gives NOLA Louis to me in terms of style, but also the colorful and fun energy has the vibes of his little journey of gay self-discovery in Paris. I also see Louis in Lois Mailou Jones' Negro Youth, 1929. It mirrors depressed Louis for me. There is something very fragile in his expression, but you can tell he's trying to be strong, much like Louis.

As for Armand? Well, the number one is Botticelli's Saint Sebastian (it just has an uncanny resemblance to Assad) and the metaphor is too apt to not point out. The other that immediately make me think of Armand is The Abduction of Ganymede by Correggio. It's less the painting and more the myth it's based on, but out of all the Ganymede paintings, Correggio's is my favorite.

And Daniel is just like... any Nan Goldin photo, but I'll pick Heart-shaped bruise, 1980. I don't think I need to give my thoughts here 😂

Thank you again for such a fun ask! I appreciate every message I get from anons and mutuals alike 🥰

[*Edit: Being transparent––I went back and corrected a mistake I made in the original because I don't want an inaccurate/ racist post going around, even after a correction in the reblogs if people aren't seeing the original. I accidentally implied that Laura Wheeler Waring was white. I meant the statement about Simon Maris, who was a Dutch portrait artist. Laura Wheeler Waring was a prominent Black artist. Lesson to self: do not write deeply thoughtful posts at 1 am while you have a fever.]

[uniquethingtastemaker]

Ok, now that I’ve mentioned how I think both Vil and Riddle’s overblots could’ve been prevented, I also think Jamil’s could’ve as well.

If someone realized a little earlier in the chapter that Jamil had a problem with Kalim and he was up to something, then there was a real chance to prevent this situation from getting so out of hand.

If you told him, “hey, you know Kalim is dumb. If you don’t tell him you have a problem with him, he’s not gonna know. You got all the brain power out of the two of you. That being said, Kalim is a very empathetic and generous person. He cares about you. He think you’re his best friend. If you just told him how you feel and how you have a problem with some of his behaviors, then he would do everything to make your relationship work. He knows that he’s not the best dorm leader, but you’ve never told him that you felt that it was taken away from you. It might seem really obvious to you, but clearly nobody else has noticed, so there’s a problem. If you just told him, he would give you the seat. It’s not even like a possibility situation, he straight up would. He doesn’t care much about it, so if you do, he would give it to you in a heartbeat. He values your relationship above all else. It’s not that hard. I don’t know why you’re trying to do this in such convoluted way. It’s not efficient and really risky.”

I can’t imagine he wouldn’t take this advice. He’s not my favorite character, so I’m not sure, but he seems to value efficiency. It would make sense cause he’s always babysitting Kalim and having to run around.

He would bring up the whole family expectation problem, but there’s a counter to that too. “While it’s true that nobody in our vicinity knows the answer, somebody does. Kalim has the resources to get you that help and is more than willing. Get a professional. Go to a therapist. They’ll tell you how to navigate this situation. Why aren’t you taking advantage of Kalim’s resources? If you feel that you’re taking an unfair advantage of him, then make your relationship work with him. That’s something that’s going to be a challenge for you, but that’s what he wants. He has all the physical needs he could ever wish for, but the most important thing to him is his relationship with you.”

You would also have to bring up how to solve his feelings and problems with Kalim, because that was what has really been getting in the way and fostering his feelings of condescension. “You need to put boundaries on your relationship. He wouldn’t be offended and would understand. If you don’t want to be stuck in a servant role, you’re gonna have to set boundaries. Kalim is under the impression that you would tell him if something’s wrong even if that’s not how you feel. He doesn’t mind changing if it will help you. That’s enough of a motivation for him to push through hard times and overcome some of his weaknesses. Besides, the reason why he doesn’t know anything is cause you do everything for him. You’re enabling him. If you want to get out of this role, you’ll have to tell him some of the things you’re really worried about if you leave him. He would listen to you. He would do what you ask even if he doesn’t understand everything. That’s how much he trusts you. So, you might have teach him things you would have to watch out for like poisoning and assassination attempts, but he can learn. It would be a good idea to find someone who meets your standards in terms of a replacement to your job. Kalim isn’t that self sufficient, but you’ll be able to find somebody and would’ve already created a fail safe so that if something happens Kalim knows what to do.”

You would also have to address Jamil’s fear that if he becomes his own persona and drifts away from Kalim that he wouldn’t help and support him. Just tell him “Kalim thinks of you as family. You’re gonna always be important to him no matter how close or far apart you are. Kalim cares about you and loves you unconditionally. If you need his help, you’re gonna be his first priority. That’s never going to change. He’ll give you anything you ask for.”

I’ve stated my case and I’m sticking to it. Tell me what you think

[sundogsandrainbows]

Hi, I'm sorry to write to you out of the blue, but Of Elves and Humans was the first DA longfic that got me hooked back in 2011 when I, as a dumb teen, happened to pick up DAO. Ever since then, the DA universe has been a constant fixation of mine and my admiration for you as a writer as well as someone who isn’t afraid to call out the franchise's flaws has never wavered. Now that Bioware decided to take a massive shit on everything pre-DAV and their oldest fans specifically, I'm really devastated and feel like a fool for having been so invested in DA and its lore for those past 13 years. It’s incredibly encouraging, however, to see you keep on keeping on. "So since they spat in my face like this I ignore this atrocity of a game even exists" is where I hope to be at soon, too. Thank you.

(First of all apologies for the late reply, I put it in my drafts when i was too tired to complete it, and then my adhd brain forgot it existed due to being distracted by new shinies 😂☠)

But aww omg i cannot believe i was the gateway drug into dragon age, or rather the old version of my story on FFN was. I am so very honored <3 And nonnie, I feel you. I am invested in DA as a series since DA:O's release in 2009, like I bought it on a whim for XBox because I liked Mass Effect 1 sm. So that is 15 yrs of my life i spent loving and discussing a thing while still being critical of the thing, but now i feel so very protective of the world, lore and its characters that "New Bioware" has decided to take a massive dump of shit on, and not only the games but the old fans I feel are treated with disdain too and do not matter to them any longer.

Long, subjective rant about current bioware aka the shambling corpse of its former self and talent incoming. Spoilers for Veilguard bc i don't give a fuck to avoid them :D You (general you, not you in particular dearest nonny <3) should use your time better than to play this shit anyhow 😂

It feels like calculated malice of new Bioware to apply the scorched earth tactics to offscreen destroy everything that old fans and fans of the other games in general held dear, and was supposed to suck out the enjoyment of DAO, DA2 and DAI. Like it is obvious they plan to create a sequel on DA's scorched bones, but jfc, you can do so story-wise without spitting everyone loving what old bioware has built in the face after dropkicking them. But to me that is part of the problem, since if i remember correctly and i wish i could find the bit... they praised Veilguard as "The best Dragon Age game ever", with the most interesting companions and best most improved combat system, comparing it to the other three games in a near smug fashion. There is marketing and there is putting the other games down to prop up your most favorite and only child mattering and they were definitely doing the latter. And don't get me started on the whole "Who is Zevran" debacle or we are gonna here all day.

Bottom line is new/current devs and writer do not give a shit about and very possibly have never played any other game than Inquisition, and you cannot tell me otherwise. And since a lot of devs/writer have left since the start of this project that would become this abysmal game, I also have the impression that there is a lot of underlying resentment toward what these former colleagues have created and so they piss on it in order to make it fully theirs now. Like dogs marking their territory, and well that did not work out, imo. At all.

Ever since they announced respecting our past choices by ignoring them (????) it was clear to me that I would not play Veilguard but just watch a playthrough and all spoilers and then move on. And everything i saw before release was shocking... like i was flabbergasted at how baaaad the dialogue was, which as a writer myself is super important to me in my story. There was no subtext, characters just blurt out everything they think and feel, like a lifeless doll you squeeze and words tumbling out and just as natural. It is stilted, awkward and 80% of it exists for info dump or info dumb rather as they keep repeating the same shit they just told you a few seconds ago as if you as the player are braindead. Here is a good example of what i mean.

Jfc, who edited this crap? There is so much superfluous dialogue that adds nothing to a scene but annoyance for the player and says nothing at all. Just pure senseless yapping in the most cringy way. Why was no one there to trim this nonsense as you should as a writer/editor? Hell, they really disregarded every simple and basic writing rule (everything is told never SHOWN for example especially in dialogue) which really made me question their competence in what they were doing and thus the quality of the upcoming game but i still held out hope for it to not be that bad.

Well shit, it was even worse. In all regards. Especially the writing that cringed this writer into a new dimension with its incoherent incompetence. Jfc. they got paid for that? I'm convinced the majority of fandom writer can do much better, even unpaid. Hell my cat just by walking over the keyboard can manage a better draft and script...💀

But I digress. That is a rant for another time. Point is, nonny, despite my defiant words, I struggled too for days after i got to know the full extent of Bioware's spiteful fuckery to even look at anything da related, in my case my Alistair/Mahariel longfic. I was really down for a few days, ngl. Then again, there is nothing better than spite fueling my creativity to prove "i can write better" soooo in the end and with the help of the much better first version of DA4 in the artbook, I was able to exorcise the demons and feverdream-mindfuck of mediocrity sold to me as a turd with gold-glitter that is this game.

I have successfully now rejected its existence, filled the void with the version that should have been from the artbook and vowed to give no fucks what bioware is doing or saying and infinitely more fucks when writing my own version of thedas and the version of DA4 that should be. REWRITES BBY hell yeah. So OEAH:R is just the beginning of a verse-wise rewrite. But if you need a pick me up, nonny, you are very much welcome to take a trip down memory lane to Dragon 9:30 and see how much this iteration of the story differs from my first one back in the days. Because in this house of mine, we grow and learn as writers, unlike bioware where writer ego reigns surpreme (oh boy and does it ever show in VG) aka eating their own turds and tell themselves it is the finest chocolate 💀

There is still a lot of good about DA out there, but we have to accept it does not come from Bioware any longer. Instead it came, comes and will come from the fans and creators of art and texts and words defying their bullshit with their love and respect for the world, its lore and characters. Also very unlike Bioware.

As we should <3

[yanmuffins]

asks 3.

more asks i'm answering in a bulk about p&f! reader! there's two for vampire! reader at the end of the post, though.

@amethystjellyfish

jon better keep an eye out for selener.

ok, to be fair, damian knows the family's gotten pretty overbearing at this point. father was not at all pleased to discover the stunts they (damian included) pulled over the course of the summer. and he, too, knows that his sibling is feeling cooped up with all the excessive supervision. but.

but.

just who does jon think he is to try and take their sibling away from their home? he was supposed to be damian's friend, and it is for the sake of their friendship he'll overlook such an absurd suggestion and not tell his family on the condition jon never says anything like that again. let's just hope tim wasn't listening, else he would rat them all out since he (and everyone else in the family) has zero issues with kicking jon out the manor if he keeps putting those ideas in p&f! reader's mind. poor jon (╥ ω ╥)

@akatsukki677

the referenced scene!

one of my favorite candace moments.

also, why is this so in-character for them? i am begging someone please draw this.

NOT DAMIAN SECRETLY LIKING DUCKY MOMO!!! you are all so big-brained. you know, dick would ask p&f! reader about it next time they bumped into each other. and he will find out about damian's love for ducky momo one way or another (not that reader would snitch, but dick is dick. he would notice).

i don't much to add, but here are some more gems (jason being cute with perry, though, i love it sm):

i have a sinking feeling that if jason somehow came to know of perry's secret identity as agent p before everyone else he would have so much fun gaslighting tim. yeah. he's a platypus. just a platypus, tim. chill. go to sleep.

... then he fistbumps perry when tim's not looking.

p&f! reader and damian bringing in cryptids and magical creatures into the manor like it's another ordinary day seems like something that would absolutely happen, yes.

the horse with fins is just what they salvaged from their very succesful trip to atlantis, they'll find horsie a good home eventually. and for every unlikely creature and plant they stumble upon, they just blame it on damian. they're his thing, after all! i don't think it would happen often, but damian still wouldn't enjoy getting scolded for animals that aren't his. nevermind that he may or may not be connivent in finding those animals, sneaking them into the house and finding them proper homes. that's not relevant.

trying to blame it on reader will just get him incredulous looks from his family. no, reader did not find a dodo bird, that's impossible. there's no way they could do that.

@amethystjellyfish

not only is he trying to convince p&f! reader that their pet platypus is secretly evil and plotting tim's demise specifically, he's trying to convince the entire manor. he has a powerpoint presentation. he has flashcards. he has become damian 2.0 but instead of reader's, he's trying to bust the platypus. obviously, p&f! reader thinks it's silly. damian straight up laughs at tim. bruce is too tired to even sigh.

"it's just a platypus, tim, they don't do much", they say. fools, the lot of them. there's something off about that semiaquatic egg-laying mammal and HE'S GOING TO PROVE IT.

yup, he's p&f reader's isabella! and yes, i think besides damian and jon, they very much have a group of friends from metropolis. damian wouldn't get along with them too well, at least at first, but jon integrates fine into the friend group.

@randomlyappearingartist

good question! i guess we'll just have to chalk it up to p&f! reader's cartoonish luck that they haven't come across any actual evil villains who want to user their genius for their own nefarious purposes.

it would be interesting to just see a bunch of villains arguing and fighting between each other to offer p&f! reader an internship or kidnap them so they can build evil contraptions. but, in the end, reader never gets kidnapped, never becomes aware there are villains out there wanting to scout them, because the villains keep thwarting each other before they even reach p&f! reader. so something like this:

evil goon: hey kid, kid! i gotta talk...

evil goon from another villain: immediately tackles him to the ground and they start fighting. reader is none the wiser.

one of my favorite gags is people who shouldn't have guns pulling out guns at dramatically appropriate times. and it makes sense! i mean, p&f! reader is bruce's kid, so them being prepared for every possible situation just feels natural.

although... i reckon they'd be more creative than just straight up having a gun. probably a more creative non-lethal item of their own making that was meant as a weapon but could absolutely be used as such, which would also be so, so funny.

like this:

vampire! reader try to hide her vampirism (impossible)

the asks i've gotten about reader being terrible at hiding that she's a vampire in the manor (and the implications that her family is kinda brushing it off and accepting her excuses) are so great. yeah, sure, reader fell and that's why she's covered in copious amount of blood, stephen king's carrie-style. it does make them very suspicious but like.... what else would it be?

and honestly, tim and steph have no idea how relieved they should be that reader is staring at crime scene photos when there's two human beings full of blood right there with her. i'm surprised no one has sent in a bruce scenario where she's being completely erratic and he's just sitting there, perplexed, unsure on how to proceed

[dseerie]

My Thoughts On Why Astarion Acts The Way He Does

While I'm waiting for Baldur's Gate 3's cloud status to upload, I've been thinking. I've seen a lot on social media about people questioning why Astarion disapproves when your character wants to save the gnomes (since they are also under an abusive master) or assisting the refugees and how he is always wanting a reward instead of just doing something nice for the sake of it. And I've talked with people who have helped me put this into better words. At least I hope. So I wanted to explain my perspective as someone who was abused when a kid/teen/even early adult.

I fought my abusers whenever I could, figuring if it was going to happen, I'd piss them off, which was satisfying. I liked seeing them hurt when bad things happened to them. I enjoyed making them suffer as I was, even if it wasn't the same as how they abused me. Then when anyone else made me angry, I wanted them to hurt (I never physically fought because I didn't want the pain, but I wished suffering upon them.) If someone started issues with a different authority figure, it annoyed me quite a bit because then I have another problem. And what if my abusers found out I was involved when I wasn't because someone I was with was upsetting the authority figure? It would become just one more issue I had to deal with. Too many details and nuances to keep track of when my mind needed to focus on the first problem. It made sense to stay on the good side of authority figures to keep myself safe and avoid trouble.

For me, something had to be worth doing or my mind just went back to worrying about sh*t, back to the fight or flight survival response. I needed that reward dopamine. Getting praises wasn't doing it for me, since I would forget the good because of the bad. Trauma brain is funny like that. I needed something physical and worthwhile to make me happy.

It's the reason why Astarion is my favorite character that I connected with the most. Not because of his beauty (not that he isn't an elegant elven man. Just that it wasn't what got me to like him. I'd lean more toward Gale or Wyll if it was by appearance for the male companions, though seeing Astarion half-naked with abs was a real shocker. I seriously thought he was a skinny elf 😳), but because he reminds me so much of how I was and how my thought-process worked. How I kept people away by being rude just enough without them wondering if they should say something to my abusers. Because no matter how many times I told people outright I was being abused early on, no one helped, only tattle-told on me.

And I haven't even completed a playthrough yet. I only just got to the Elfsong before starting a Durge playthrough. First playthrough was an asexual Tav to get to know the characters and storyline (I kid you not, I made my Tav a Charlatan rogue then discovered Astarion was also a Charlatan rogue when I was in the forge 😂). As I got to know them a bit more, Astarion intrigued me the most and when Patch 7 came out, I decided to play a Durge Romance. The first Durge both traumatized me up to Act 2 and made me adore and respect Astarion even more. So yeah, I'm romancing him on this Modded Durge Romance playthrough despite Gale having an interest in me, who is the male companion I would connect with if Astarion wasn't a companion (I'm literally just starting the Underdark area and Gale is already at 100 approval while Astarion is at 79 approval. I wish I had a library, I do have a cat, and I love me some white or pink wine 😋).

This is what my perspective of why Astarion acts the way he does. He's not bad, per say. What happened to him for 200 years has made him what he is. Nobody can fix someone else, but they can be guided to help fix themselves. I've been working to fix myself since I got out of the situation. And I want to be the one to guide Astarion toward fixing himself.

If I think of more, I'll see about adding. For now, thank you for reading. I hope you have a great day. 😊

[halfdeadwallfly]

but how am i meant to focus on my work when there are so many things and feelings happening at the same time

[juniemunie]

[Abandoned by the Lightners, his heart became cracked with hatred.]

Hitting a lil' too close to home?

[the-woman-upstairs]

Really fucked up that, when they’re young, Patrick and Art are SO tactile with each other, so comfortable sharing the same space. Art lets Patrick touch him and move him and physically overwhelm him and easily acquiesces to it, if not outright enjoys it.

Then in the present, they’ve been so far out of each other’s orbit for so long, held such animosity that when they have their moment alone in the sauna, Art physically recoils from Patrick’s close proximity! It’s so painful to watch because even as Patrick’s goading him, it’s so obvious he wants to be able to get back into Art’s space. But Art has erected all these walls around himself, he refuses to give Patrick an inch or even admit to missing how close they used to be!

AND THEN we see Art and Tashi later and he wants her to hold him, to be gentle with him, and just TOUCH him. Like, he does miss that kind of close physical contact! He either doesn’t know how to ask for it or is uncomfortable being that openly vulnerable. Worth noting that he pretty much always defers to Tashi in regard to initiating physical intimacy (with their first kiss, though he does state his desire, SHE has to be the one to make the first move). And it seems pretty obvious that Tashi herself isn’t comfortable providing that intimacy, whereas Patrick actively seeks to provide it (the hug/forehead kiss after their win together in the early years, dragging the stool closer to him).

Art has tried very hard to act like he doesn’t need physical affection and even though his discipline and devotion to Tashi has made him a stronger tennis player, it’s made him a hollow person, which, in turn, has kept him from becoming a GREAT tennis player.

All of this, of course, is why the ending hits so damn hard.

[800db-cloud]

something about christmas i think?

[raindropsyndrome]

Various doodles

Warning for some angst and a bit of gore!!

Ok continue

[jeeliebeeliegoomiebear]

On Isolde and Many Doors (and One Key)

Thinking about Isolde and how she feels like she is constantly trapped in a small cramped room full of 1 million doors. Each door represents a presence that haunts her, an identity that lives inside her that calls to her from beyond the grave, a new mask to dawn.

If every person in the world were to have a room, most would have just one door, their own. But not Isolde.

Isolde feels like an empty vessel who is only there to serve as a point of entry for other people and their spirits. She has been forced to become so repressed by her environment, upbringing, and her nature as a medium that she finds it easy to forget herself. Her “self” is not someone she has ever been allowed to know.

The room grows increasingly smaller, claustrophobic and strangling her with pressure as the amount of doorways in it only increase, every new person she meets a new doorway she is plagued with, a new voyeur who has granted themselves full access to her life and her body. Something she is now willing to let them do. It is easier that way. Easier to let someone else command her vessel, something that never solely belonged to her to begin with. An escape from all the pressure, the expectations, the perfection demanded from her. It is something she should do. The duty of someone like her. Something to hide her wretched face from view, to give the people what they want, to uphold her family’s legacy. A performance that was never allowed to end. Each new door lead right back to that.

The only exception is Kakania. The only person Isolde believes has ever really seen her as more than a host for other identities or something to mold into shape, prop up as a set piece. A perfect lady. The star of Vienna. A tragic heroine. A dangerous hysteric witch. A curse manifested. The only one who was ever interested in finding Isolde’s door and that door alone. When she is with Kakania, a new door does not appear in that ever shrinking empty room, although at first she expects it to. For the first time she meets someone and is not greeted with a new ghost to haunt her. Not a door. But a key. A key that Isolde knows can unlock her own door, even when she herself cannot find it.

[shepscapades]

shep I was talking to my brother about dbhc xisuma as one does and mentioned that ask about not being able to puzzle xisuma's face together mentally and my brother joked that the reason you put the spoiler bars and such on his face is cause you cant draw his whole face yet 😂

anyway I might have talked his ear off about dbhc idk tho lmao

LMAOO NOOOO!!! MY SECRET FINALLY IS OUT!!! /silly

[nomoretumbler]

hello wordgirl fandom :3

closeups

[cairavende]

Worm Arc 21 thoughts:

Well that was sure a turn around from last arc's "I'm going to rally the students so I don't get captured."

I know my daughter has made some . . . mistakes, but I'm not a fan of her turning herself into the openly corrupted and also bad at their job parahuman cops.

(Parahuman cops as in "cops who police parahumans" not "cops who are parahumans")

Like look, I get it. A precog told her to cut ties. I can't say it's wrong to follow that advice. But she could do that in a lot of ways that don't involve the PRT.

The second not from Dinah just being "I'm sorry" is brutal.

But before she can turn herself in she has to absolutely fucking crush the PRT/Protectorate for outing her civilian identity.

I love how fucking simple taking out the entire PRT headquarters was for Skitter and her girlfriends!

Who needs anyone else? Bitch brings muscle, Tattletale brings information, Skitter brings battlefield control. Lesbian polycule power activate!

Was it an overboard response? Maybe. Was it badass how she just took out so many heroes and PRT troops with ease? Yes.

Poor Dovetail has one of the most embarrassing introductions ever. First time we see her and Skitter is wiping the floor with her and thinking about her "crummy power".

God I hate Tagg so much that he makes me miss Piggot. Like she was absolutely terrible, but he's worse! And making me miss Piggot makes me hate Tagg even more!

Kindly old cemetery groundskeeper who doesn't pay much attention to the news! Never a bad trope.

They gave Butcher 15 to Cherish???!? Like sure they give all the reasoning for it but like ... it just seems like a really high risk situation. If she ever gets out it's going to suck. A lot.

THE SCENE AT RACHEL'S PLACE OH MY GOD!

SHE IS BUILDING A COMMUNITY! I LOVE HER SO MUCH!

Rachel just over here finding everyone like her and giving them a place. Legit crying. Look at that fucking growth!

(Also shout-out to my wife for having basically done the same thing. It's how I met her. It's how I met one of my girlfriends. And so many other important people. So ya. I fucking love this.)

Also you ever like a girl so much you try to give her an entire planet? Cause Taylor sure has.

"Rachel I don't want you to be sad when I'm gone so you can basically have this whole other planet we found."

GGGGGGGGGGAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY!!!!!!!!!

Imp let Regent take control of her . . . welp. Like, I'm not really surprised by this. And in a different situation I wouldn't even really find it that weird. I'd do it with the right person. But combination of age and the situation they are in and Regent being Regent annnnnd ya. Welp.

I did love how much of the interactions between Skitter and Regent/Imp really was just her struggling with parenting two teenage supervillains.

IT'S NOT SO EASY, IS IT CHILD?!? MAYBE YOU'LL CUT ME SOME SLACK AND LISTEN TO MY ADVICE IN THE FUTURE!

(She won't)

I fucking LOVE that she made the bible themed hero kneel. Absolutely fucking amazing.

Oh shiiit, Skitter just flat dropped that guy multiple stories. Is she going to far?

. . . wellll, these guys do literally worship the Endbringers so I guess a little aggression is ok.

Damn, Valefor sure has some fucked up powers, I wonder what they're gonna do abou-

. . .

. . .

. . . . . .

. . . wellll, these guys do literally worship the Endbringers so I guess a little aggression is ok.

. . .

Yep.

. . .

. . . I think I preferred when she just used a knife.

So anyway

Not a fan of Taylor having more alone time with Brian (not because I have any issue with the idea, but because I think she needs to be focusing on her girlfriends), but I am a fan of her using bugs to clean her dress and fix her hair afterwords while Brian just kinda sits there and has to contemplate what he has gotten himself into. Queen shit.

Flechette was SO mad that Parian wasn't "cute" anymore, I couldn't stop laughing. Sure, she said "You had to take the playfulness away? The joy?" but we all know what she meant. Of course, it's won't take very long for the new costume to get Flechette's attention. (I have to mention that this is basically exactly what I said when reading the scene, and the interlude a few chapters later just proved me right.)

Flechette is just so hopelessly gay

Miss Militia is actually getting very mild respect from me right now. Like, she's still working for the cops but she is actually agreeing to silently push against some things. Now, she says she doesn't have more power then that but she is a very well known hero and if she would publicly speak out about certain things there is a decent chance she could do more. That would of course be putting her position at risk though. Which is why she only gets very mild respect right now.

OH MY GOD I DIDN'T JUST GET TO SEE TATTLETALE'S MURDER WALL, I GOT TO SEE HER ENTIRE MURDER ROOM!

Fucking multiple bulletin boards with threads connecting them. Everything color coded. Reference numbers to files with more details. Multiple TV screens, computer with constant information dump. God. It's like a literal representation of the inside of my mind while I read Worm. SO MANY THINGS TO FIGURE OUT!

I love a lot of characters, but Tattletale always stays near the top. She gets me.

And from the fucking joy of getting to see that setup I come crashing the fuck down.

Like, I have completely figured out at this point that Skitter is turning herself in. I know what is coming. She's had her moment with everyone else and Tattletale is the last one.

And then. Then just . .

No goodbyes.

😭😭😭😭😭

HOW DARE THIS BOOK MAKE ME FEEL MY OWN FEELINGS!! I'M TOO GAY FOR THIS!

I do find it hysterical that the PRT officers working the front lobby don't all recognize Skitter on sight. Fucking gas station employees will manage to keep track of people with pictures on the "bad check" board, you'd think the PRT could manage to have their officers keep track of the face of one of the most well know villains in the country, if not the world, who also controls their city. PRT is forever bad at their job.

That one guy did notice her eventually though, so I guess he gets to be employee of the month.

The Number Man interlude thoughts:

The inside of this mans mind is one of the sexiest things I have ever seen and the constant reminder of the horrible things he is helping Cauldron do to all their prisoners was very helpful because it was the only thing keeping me from deciding that The Number Man is a perfect soul that can do no wrong.

I have no illusions here. I am weak. This man is a monster and I should not have any trouble remembering that.

But fuck shit fuck oh god fuck I don't even need him to touch me. I just need him to TALK to me. I just need him to get high with me and let me pick apart how his mind works!

He understood numbers, and through them, he understood everything.

That line. Absolute killer. Fucking take me.

. . . anyway yes it's a very interesting interlude!

Loved seeing more of the inner workings of Cauldron

I very much want to see the final level of their basement that only the Doctor goes into because I said that I thought Cauldron had a dead (for values of dead that are non-definable) higher dimensional being in their basement back during arc 15 and now I know for sure that there is something down there. I wanna know if I was right!

Oh my god he was friends with Jack

"Friends"

Look I make everything gay ok? It's not my choice! Sure it means I get to enjoy every tiny bit of Wolfspider and Chatterbug cause I see all of it. But it also means I see the ships I don't want to think about!

I men what was I supposed to think when Jack said “We can live this. Together. Every waking second…”?

Gay

Parian interlude thoughts:

And speaking of gay!

Fucking Flechette just full blown "Fuck all of this I want you to tell me what to do for the rest of my life!"

Full U-Haul lesbian.

GAAAAAAAAAAAAAAAAAAAAAAYYYYYYYYYYYYYYYY!

This is Parian's new costume having an effect.

Just so gay. I love it.

Also Bitch just so fucking ready to break Skitter out. So fucking gay.

And the incredible loyalty, which is gonna hurt if she ends up feeling betrayed by Skitter.

Still gay though.

Tattletale, basically without powers, just completely giving Accord the "fuck off, we're in charge" was amazing. All she had to do was promise to consider his binders and he was all in. This poor man just wants somebody to read his ideas! He's like a aspiring screenwriter just begging people to read his script.