#tashi by making it so he can retire with a career to be proud of
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the-woman-upstairs Ā· 7 months ago
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Really fucked up that, when theyā€™re young, Patrick and Art are SO tactile with each other, so comfortable sharing the same space. Art lets Patrick touch him and move him and physically overwhelm him and easily acquiesces to it, if not outright enjoys it.
Then in the present, theyā€™ve been so far out of each otherā€™s orbit for so long, held such animosity that when they have their moment alone in the sauna, Art physically recoils from Patrickā€™s close proximity! Itā€™s so painful to watch because even as Patrickā€™s goading him, itā€™s so obvious he wants to be able to get back into Artā€™s space. But Art has erected all these walls around himself, he refuses to give Patrick an inch or even admit to missing how close they used to be!
AND THEN we see Art and Tashi later and he wants her to hold him, to be gentle with him, and just TOUCH him. Like, he does miss that kind of close physical contact! He either doesnā€™t know how to ask for it or is uncomfortable being that openly vulnerable. Worth noting that he pretty much always defers to Tashi in regard to initiating physical intimacy (with their first kiss, though he does state his desire, SHE has to be the one to make the first move). And it seems pretty obvious that Tashi herself isnā€™t comfortable providing that intimacy, whereas Patrick actively seeks to provide it (the hug/forehead kiss after their win together in the early years, dragging the stool closer to him).
Art has tried very hard to act like he doesnā€™t need physical affection and even though his discipline and devotion to Tashi has made him a stronger tennis player, itā€™s made him a hollow person, which, in turn, has kept him from becoming a GREAT tennis player.
All of this, of course, is why the ending hits so damn hard.
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