#more like critical i suppose but still

[ultravioart]

I seriously wonder what Juno's lore will bring to Overwatch. Mars is Overwatch's first step into the greater cosmos. For context: Project Titan and early Overwatch ideation had an alien invasion angle! I wonder if Overwatch will take on a Martian invasion plotline? Does Sombra's eye conspiracy have anything to do with Mars?

--

iirc the Genesis shorts showed Aurora's ascendance shooting a beam into space, and twinkling stars.

Not that it would make great sense for omnics to be in space at that time during the omnic crisis, but it does make me wonder if there were any omnics capable of being awakened out there?

--

Furthermore, Juno's kit + hair has these spacey cosmic patterns. Is this a technology or energy type unique to Mars? I am really interested in that. Is this energy something harvested only on Mars, or was this tech invented on Mars?

Lastly, a Juno voice line confirmed the Mars station lost contact with Lucheng for an unknown reason. This implies Juno came to earth as a scout, probably to reconnect Mars with Earth again. It makes me wonder what Mars is like, considering Lucheng was involved (Winston and Wrecking Ball were tortured on the Lucheng Lunar station). Is Mars filled with Lucheng propaganda as an eery 'utopian' mission? Or is Mars a rejection of Lucheng and actually is moral? Did Lucheng cut contact? Did Mars cut contact? Did the remaining space-apes on the Lunar colony cut the contact between Mars and Lucheng? (the apes were building some new structure, after all...)

So many questions!

Critical stuff below:

I was a bit sad that Juno had an American accent though. Irl there are unique accents astronauts develop due to the required languages on the stations. And since Lucheng is a Chinese company, it would have been cool to see an English + Chinese creole or accent for Mars. I did notice Juno does not use contractions though! That might be a Martian dialect trait. There is also something to be said about Juno's design represent a Chinese and Vietnamese character (her rig is too similar to certain characters imo).

Based on her design, I expected a more serious scientist ('Space Ranger' with muted colors and punk hair made me think this) but I will have to wait to see Juno's concept art to see if she was always meant to be bubbly or not.

I also think her final design is a downgrade. The white armor on the arms and hips helped balance the design, without them it looks unbalanced. Her current suit leg design is overly detailed/busy. Plus she slow mo walks, and with the armor removes + the animation + skin tight suit it puts focus on her ass LOL. I don't mind fanservice characters (Tracer is well done imo), but I hope Juno wasn't "poster girl"-ified in place of a more layered character that fit the lore better. Again, I will have to see concept art to see if Juno was changed in such a way before placing my final judgment.

Regardless, I hope Juno gets some cool skins on launch. And I seriously hope we get an origin short story (Venture got an animation instead of the staple shorts that connected all the overwatch heroes together) because a bio doesn't do the character justice. I think a Juno skin with pink hair would be super cute!

[pocketgalaxies]

C1E60 || C3E88

[celtrist]

I really want to see a more fucked up version of Charlie in canon. Like, okay, I am a die-hard for sweet bubbly girls in media. But I always see how some people make Charlie actually, oh I dunno... demonic? And it's so refreshing for her type of character. I could honestly see her having low empathy (and we kinda see this with how she handled Angel's situation or even Vaggie's nervousness about taking control on an activity). An exploration of that trait (if it was intended) would be interesting to see for a protagonist, especially when her main goal is about helping others. I would love to see her actually have a level of difficulty in understanding others' feelings from the other residents, sinners, and even her father.

But give her a fucked up side. Not a "she gets more power when she's angey uwu", but a "oh, she's a little fucked in the head". It would give so much to her character that she just doesn't have.

@/murmurmurena (don't wanna bother them so slash there we go) has some fun ideas with Charlie. I highly encourage people to check their stuff out! So many fun dark ideas with her character while also still keeping to her canon personality pretty well! Personally, I think Charlie being a bit more naive to her own messed up traits would work best but her also being aware of these traits can make for some interesting character for her.

THIS FIC, "A Game Between You and I". RIGHT HERE WITH THE FIRST CHAPTER. A bit of spoil for the fic here: but I love how they handled Charlie’s absolute ignorance as to why the idea of Russian roulette is horrifying to Angel Dust. It doesn't feel like her being intentionally malicious or aware that she's the odd man out here. This is also a pretty old fic going by only the pilot, but the point still stands that it was such a fun take for her character!

Charlie is one of my favorite characters in the show in part of the POTENTIAL she could have as being the most bubbly sweetheart character while also being the most messed up character in the show. I can't say I have strong confidence with the show's writing and fully expect them to stick with Charlie being the "nice girl but oh no, don't get her angry or she gets scarwy". Which isn't bad for a character mind you, there's just so much more potential to Charlie outside of that trope, especially when you get into the theories of her either being a doll, Roo's biological daughter, or what have you. And for the MAIN CHARACTER of the show, it would be not only interesting but also bring the spotlight back to her.

There's really no question that the side characters steal the show, particularly all the male characters. If I'm honest, Charlie does not feel like she gets a lot of love from the show itself when she's supposed to be the main character. She feels far more flat compared to the rest of the characters (again, the male cast in this "female-lead" show has more depth than most of the female cast currently. I wouldn't be pointing this tidbit concerning the genders of characters if it weren't for the fact Viv defended Helluva's lack of development with their female cast by saying "Hazbin is a female-lead show and Helluva is a male-lead" and Hazbin ended up with it not feeling female lead (to me) and the male cast just completely stealing the show. I don't normally care about gender stuff, especially since I do personally lean interest towards male characters. But using one show as a defense for poor development of the female characters, and then that show not really holding up with no very interesting well-developed feeling female characters irritates me. It's just very clear that these shows don't seem to care much about the female cast :/)

If you like how Charlie is written that's totally fine. PERSONALLY, I just think they're missing so much opportunity with her character by just making her the standard female character type. I honestly don't have a lot of faith they'll actually do something with Charlie's character though. She's a pretty static character in S1 being the same from start to end. Not changing or learning anything to create any development. What does the end of season Charlie do that start of season Charlie wouldn't do? Fight back? Because we see with the pilot (which is the “first episode”) that Charlie does fight people if pushed like with Katie Killjoy and even Valentino. Static characters can work in media depending on the show or their role. But Charlie is the MC of a show about “bettering one's self”. So to have her as a static with not a lot of strong dilemmas for herself (like we see with Angel Husk Al and even Vox) seems silly. Plus, considering Hazbin is telling a whole story and it's not a fun episodic thing, characters are expected to grow on some level. Or else, what was the point of their hero's journey?

[autisticrosewilson]

So do you guys actually think that Jason's entire story, relationship to the others, and philosophy amounts to him being a rebellious teen who wants his dad's attention? Like are you 100% serious? I thought you were joking about that but too many of you are saying it with your whole chest.

And what the fuck is this "Bruce antagonizing Jason is fanon!" Shit I've been seeing? You guys are aware that a parent can love their kid and still be a shit parent right? I know you guys don't want to fathom the thought that maybe your blorbo might also occasionally have to face responsibility for consistently endangering children but let's not start being delusional now.

Bruce does love his kids, that doesn't mean that he hasn't hurt them. And I'd also argue that for the most part he feels in the right for it, and he's said multiple times that he believes it's for their own good, so you can't even argue that he's sorry about it. It's okay for you guys to admit that your PERSONAL INTERPRETATION of the character wouldn't do that but don't sit here and pretend that it's not a facet of the source.

[skibasyndrome]

why do fics get harder to write the longer I give myself time to write them 😭

[yourebeingsilly]

it's been more than a month yet thinking about how Neil said season 2 is a bridge to what was supposed to be in the book sequel still keeps me awake at night 'cause the math isn't mathing for me

you see, i can’t see how it was supposed to work, taking into consideration Aziraphale's book personality. i mean, Aziraphale's final s2 decision, in my humble opinion, wouldn’t at all work for his book!version (and radio!version, obviously. I'm still not really sure if it works for me even in terms of his show!version), since book!Aziraphale, how do i put it? yeah, i doubt he’d give a single fuck about the idea of reforming heaven and making it better and stuff. like under no circumstances whatsoever

because — though I might be wrong — I always thought the point of Aziraphale's character is that he doesn’t believe in heaven being right. it's evident from this part of the book when he interferes in a TV program while on a search for a body. he calls heaven propagandistic here and says it doesn't matter who wins, hell or heaven, because humanity loses either way

and it's not, in fact, the first time Aziraphale shows disapproval of heaven and its methods. he has already said himself that hell and heaven are practically the same before here, while discussing their head offices with Crowley

so he knows for a fact that heaven is just as thirsty for blood and cruel as hell. they are not the side of the light. he knows it from the start, and the fact that heaven wants war just as much as hell does is not an insight for him. it just reassures him of what he's known before. and he's quite strong in his beliefs, too

and i just keep trying to figure out how we were supposed to get to book!Aziraphale not only going back there but also taking up an archangel position — and if we ever were, really

i honestly can’t find an answer to this in my head, so i thought i might share it here. i can’t be the only one thinking about this on repeat, and maybe someone else has found an answer or a loophole they’ll want to share so i can find peace again

[angellic-critique]

Oh yeah, Angel Dust has a sister, her name's Molly, there are a bunch of speed drawings with her.

Anon I think you are the only fan of Molly as I have not sent her be mentioned outside of 2017.

Genuinely thought that Molly was like Niffty/Vaggie situationship because I had NO fucking clue what stance Molly even was outside of just looking at a distant glance over definitely not realizing that was what happened to the past 'Angel Dust Drag'..... The fact that it personifies into a woman that is barely mentioned [much like angel representing or doing drag in the first place], turned into fucking THIS????

I cant even begin to comprehend.... She speaks for herself honestly. You can tell that viv genuinely did not give a fuck about the implications here or the lazy design that is 'Hmm angel dust but pink girly'

I feel like she just became cut content considering there hasn't ever been a mention about angels' family besides his Arackniss

Kinda weird how angel is more focused and put down upon in the spotlight more with Valentino and less with his 1930s mobster Italian spider persona :/ Even attempting to make a different womanly character known as the sister of angel dust, she is still tied down to him and has nothing besides this rainbow vomit old design.

How could I not be confused over angels' stance on dragging while VIV can't even fucking make characters up for him without retconning over herself!

You want this mess of a character design to be made but not Baxter???? I'm baffled. Thanks for bringing this horrid 'writing' decision to my notice. Since viv doesn't give a single lick of sense about Molly I too did not realize that Molly was supposed to be the hyper feminized pink eyesore that was SUPPOSED to be Angel's DRAG PERFORMING CARICATURE???

Your ask has the exact same amount of punch as telling me that Blitz has a sister, they are underwritten to be one of the same since they're women obviously Viv just doesn't like writing women ! :/

[talaofthevalley]

I have no clue why they didn't make Amity more akin to a rival character instead of a bully. Because it would have solved A Lot of problems in regards to Amity and Willow, and Lumity becoming a thing.

The thing is that Lumity feels Super Weird at the start when Luz is trying to befriend Amity long before the girl shows any remorse for bullying Willow and making up for it. And it's not something easily brushed off when Amity is introduced being condescending and a dick to Willow. The bullying isn't something of the past, it's still going on.

Willow comes off as an afterthought in this dynamic, when she's the one who's been wronged by Amity the most. Their arc never feels like it resolves itself either, it just kinda peeters out.

If you've watched Little Witch Academia, Diana is who I think Amity should have emulated more. Diana is the top student at the school, she's stern and no-nonsense, a bit stuck-up, she comes from a prestigious family, she gets in conflict with the protagnoist, Akko, not because of bullying but because they have very different personalities and butt heads because of it. Akko considers Diana her rival, but this is one-sided on her part.

Willow and Amity could still have been friends in the past, but Amity instead pointedly ignores Willow's existence after their friendship has ended. She doesn't call out her friends for bullying Willow(that would make it seem like she cares) but she doesn't participate or encourage it. She's still not a good person, she still has to apologise to Willow, but changing their relationship from 'active bullying' to 'pretending Willow doesn't exist' would do a lot going forward for them I think. Still terrible, but more palatable in my eyes.

[good-beanswrites]

If it's okay with you, could you write a drabble about the hypothetical aftermath of Amane getting attacked by Kotoko?

Welp thank you pal for making me absolutely insane with this request 👍 I ran through a few hypotheticals and realized I had to shift some things around since there were so many absolutely tragic outcomes. I worked something out but damn if it didn’t make me emotional to think about how uniquely rough Amane has it. Even making sure she's in a good place at the end, this got pretty serious, so warnings for child abuse and cult references. 

(So in canon, Kotoko goes in order and attacks Fuuta, but Kazui steps in. Then she attacks Mahiru while he’s distracted with his injuries. She’s about to attack Amane, but Mikoto gets in the way (my hc that he did it on purpose survives!). By the time they reach a draw, Kazui is back, and the two of them can prevent Kotoko from any further action against Amane. Sticking to this apparent system of three attacks and one rescue, I’m just shuffling around the injuries for this story. Fuuta’s attack went unnoticed, and he’s in the same state as canon Mahiru. Mikoto steps in before Kotoko can fight Mahiru, so Mappi’s the one who get out physically unscathed. While Mikoto checks on Mahiru, recovers himself, or discovers Fuuta, Kotoko is able to attack Amane next. Kazui comes to help, but not before she leaves Amane looking like canon Fuuta.)

Mahiru could practically feel her heart shatter into a million pieces when Amane finally cried in front of her. She hadn’t shed a single tear yesterday – it was the shock, Shidou said. Mahiru was skeptical. After all, she had been shocked, too, and cried plenty.

Amane woke as she came in with breakfast. She took a moment to survey herself, bandages peeking out from beneath her pajamas and an eyepatch securely over her right eye. As calmly as one might say “good morning,” she started to cry. Mahiru might have missed it, if Amane hadn’t wiped at her good eye with her sleeve.

“Oh, sweetheart…!” Mahiru rushed over to her. “It’s okay, I’m here.” She wanted nothing more than to wrap the girl in a secure embrace, but she remembered the mass of bandages that were around her chest. Shidou had mentioned broken ribs and bruises. It took everything in her not to cry along with Amane, at the thought.

“I can get you another ice pack, if you need. Or more medicine.” Her mind spun with ways to help with pain. Many of the first aid supplies had been used to keep Fuuta from the brink of death, but surely there were extras to spare for Amane. 

The girl just shook her head. 

She muttered, “I can’t… I…I’m going to be punished, I’m going to be punished…”

“No! You’re safe now.” Mahiru placed her hands gently on Amane’s arms. “Kotoko’s not coming back. We’re all watching over you. You’re safe. She’s not going to hurt you anymore.” 

“That’s not…” Amane pulled away. Her voice stayed level, despite hiccups interrupting her. A hand reached up to her eyepatch. “It’s this. It’s all of this. It’s sinful. I took it off last night, but he must have…” She started unwrapping it. “They’re going to punish me...” 

With a careful motion, Mahiru held it in place and took Amane’s hands into her own. She’d been picking up on the signs ever since they arrived here together, and a final wave of understanding washed over her. 

“I can’t let you do that.”

Amane’s expression twisted, though words came out far more frantic than fiery. “Let me go.” 

Mahiru didn’t. “I’m sorry. Amane, you need this treatment.”

“That is not your decision to make. That is not any human’s decision to make.”

Mahiru pressed her lips together. “I know. But I can’t watch as you… I can’t sit by again while someone���” She was careful not to apply any pressure, but she could no longer fight the urge to gather Amane up in her arms. “You don’t need to be afraid of those people, anymore.”

“I’m not afraid.” Amane hiccuped. “They love me, and I love them. I need to be good for them.”

“I love you, and I don’t want to see you in pain.”

“You just pity me because I’m young.”

“Why does your age matter? You are a lovely young woman – you are my friend – and I can’t bear to see you in pain.”

The two sat in silence for a moment. Mahiru doubted she would take that as an answer; Amane had refused to call any of the others her friend. At least she didn’t argue. In fact, it seemed she was leaning into the embrace a bit more. She sighed a shaky breath into Mahiru’s uniform.

“Listen, Amane. Can you do me a favor? I’m trying to be a good girl, too. To make up for something awful, I need to make sure you’re alright. Can you help me? Can we be good together?”

A long pause followed. Amane’s voice spoke up, ever so gently.

“I suppose I can consider it.” She added quickly, “for the sake of your redemption. Of course.”

“Of course.”

[storywestistrash]

i am actually so tired of the way westerners treat eastern europeans

[genspiel]

me, with hair down to my waist: maybe i should cut my hair short...?

me, after seeing level 20 caduceus with hair down to his waist: maybe i should not cut my hair short

[rexcaliburechoes]

does anyone else find it fucked up that moon's friends protect themselves from her with the skyfire at the end of moon rising?

[wizardofarles]

unpopular capri opinion of mine no one asked for:

i don’t give a fuck about erasmus and kallias. nothing on this earth could make me give a fuck about erasmus and kallias. in fact i actively dislike erasmus and the way he’s written :/

[demigodofhoolemere]

Me through most of Boom: Wow, this is a really solid dramatic episode.

Me when Moffat needlessly sprinkles in anti-faith sentiments without specifying that it’s blind faith in bad things that the Doctor doesn’t like, which makes it come off like the Doctor is just against religion generally:

[utilitycaster]

My unpopular opinion is that Im0dna is a great example of "just because someone knows you the longest, doesn't mean they know you the best". They don't really underwater each other like other people in the party already do

Hi anon,

So the ask meme is done but I don't actually know if this was intended as part of that, as I also have the sort of personality that solicits unpopular opinions into my inbox anyway. (Also I am guessing underwater is a very funny autocorrect mishap for understand; I have been there).

Anyway, yeah. I think my favorite meta I've seen is that what Imogen and Laudna actually ask of each other is just to be there - because it is true that they have both lived incredibly lonely lives. For what it's worth I think loneliness/missing someone is perhaps the most common thread among Bells Hells, with a secondary theme being victims of circumstance/irrevocably altered by events beyond their control, and it frustrates me that a lot of framing of the ship ignores that Imogen and Laudna are not uniquely suited to understand this about each other. But it is true they have experienced loneliness that, in my opinion, is at least partially self-inflicted (also not unique) and that their response has been to be there for each other.

But it also means there's little room for change, because change threatens that status quo, and there's therefore no space to delve deeper. It's a little bit of the classic problem of if you start a romantic relationship with a friend and then break up, you might lose both the romantic relationship and the friendship. But it's more than that - Chetney and Imogen have zero romantic interest in each other and aren't even terribly close within the party, but when Chetney asks Imogen if she's okay Imogen is actually able to answer with some amount of honesty without pretending everything will work out, as she's not worried about making sure he feels comfortable. Deanna, who's known Imogen for less than a week, is able to address Imogen's constant use of psychic powers in a way that's not unkind but is in fact the honest sort of thing a best friend should be able to tell you. Or for another example, FCG's tendency to strongly urge people, including Imogen, to confront their pasts isn't always the most skilled, but it usually comes from a place of good intentions, whereas Imogen and Laudna's relationship feels...unconsciously transactional? I think we saw in the gnarlrock fight that they're just absolutely terrified of being in a fight and don't really know how to resolve conflict in a way that actually moves forward rather than smoothing things over. Like, it's not an unfair relationship - they're both getting the same companionship out of it - but there's not really space for one person to be angry at the other or to feel wronged. There's no room to breathe.

Anyway - I think the party split is really illuminating this! Imogen is benefiting immensely from this arc, as it both spotlights her relationships with other party members and gives her some time to process after being the central focus for so long. While I have to admit that Team Wildemount is the one I'm far more interested in for a number of reasons (fantastic guests, all the main PCs have cool plot hooks to explore, I love Uthodurn and Molaesmyr) I do hope that we get to see Laudna similarly have a chance to branch out (pun kind of intended).

[rawliverandgoronspice]

for no fucking reason: real life dictatorships in the 20th and 21th centuries are almost always allowed to thrive because of some empire's interests. If not, they get heavily demonized then dismantled by said empire over a relatively short period of time (unless exceptional circumstances, tho it's almost always applicable). the examples are countless; please read declassified reports and interviews from the CIA/KGB/other intelligence agencies across the world to lose your mind about it, especially those involving what happened during the Cold War and what happened in the Middle East (and still does).

characters like ganondorf are the epitomy of the fantasy that colonized/"exotic" countries naturally spawn evil incarnate and must be controlled/stumped/imprisoned/destroyed by the "responsible ones" while the perfect good place is perfect and utterly blameless about what went down and how the local population suffered (which, in real life, the empires of the world are most definitively not that --the amount of dictators that were ushered into power by western interests is staggering and we fucking love to see it don't we). And also, a blameless victim to whichever retribution eventually comes back their way.

It is a rethoric that denies interconnectivity and historical responsibility.

this is what I criticize about the narrative choices of a fictional conflict that *does not exist in real life* and has been entirely made up by human beings: the cowardice of blamelessness, and what little this kind of narrative brings to the table --especially today when we should be looking at the root cause of broken systems of violence instead of endlessly scapegoating minorities.

and well, especially given how effective this narrative apparently seems to be.