#maybe in context it’s better but idk

[sesamestreep]

last line challenge

tagged by @firstelevens and @philtstone (thanks, pals!)

rules: in a new post, share the last line you wrote and tag as many people as there are words (or as many as you feel like).

“[…] I’m with you because I love you and I take care of you because I love you and I’m not planning on leaving you for someone else because I love you and what’s more, I plan to keep on doing it for a long time, possibly forever. Okay?”

no pressure tagging my pal @flythesail since I guess that last line is really only one word… 😬

[stemmmm]

ok a third one. i've got a third one

context: 1 2 3

[trans-leek-cookie]

yknow what. I wanna say: CSA and COCSA survivors are all incredible, but I also wanna give a shout out to ppl who were exposed to sexual stuff or had any kind of sexual experience as a kid that they either aren't comfortable labelling as or don't consider abuse, but they know it still fucking sucked and shouldnt have happened. Even if that changes later in life and you identify as a victim/surivor, it can be messy to have to imagine those labels applying to the ppl in ur life and that can take time.

The most important thing is to prioritize your recovery + health, and to support other victims + survivors.

[boar-cry]

January – ¿Cómo te va?

(context for this under the cut)

Yay! This is another project I've been planning since last October, where I draw a piece based on a song that I associate with the twins! Tones and genres will vary (I promise not every piece will be sad 😭), and it'll be tagged as Twins, Tunes & Tonics.

I'm going for at least one song a month until December, but we'll see if I can actually keep up with this ^^;

[why-the-heck-not]

finished a book in the morning and that was a mistake like what am I supposed to do with the rest of the day? Starting a new book would feel like a blasphemy towards this one but also so would just moving on & doing other things

[celluzu]

Pac

[gameboyhamazing]

thinking abt the inherent tragedy of being in timeloops in a setting (game, franchise, etc.) where half the value is getting attached and sharing experiences with ppl but bc of the timeloops they never remember the experiences you had and may in fact never meet you again because it hurts you too much to try and relate to them again

[losver07]

was working on my wip and realised this scene is so wolfstar coded so ummm here ya go (sorry in advance for the awful translation lol)

also this is veeery long so i'm putting most of it under the cut

tw: mention of death, harsh(ish) lenguage

★

"Then came the ambulance and the police,” he murmurs, his eyes fixed somewhere in the room, mind showing him once again the image of Sirius' tired smile. "They gave me a blanket. I felt stupid in it."

John, observing him with deep eyes, full of compassion, nods. Remus figures he can't show it, the pity. That it's part of his job not being able to say Oh, you poor thing and that, instead, he must be professional. And it's not that John is bad at it, at hiding what he thinks; it's just the eyes.

It's impossible to lie with one's eyes. Sirius' always shine, even if he insists on wearing the blackest clothes.

Shined. Not anymore. And he doesn't dress in black anymore, it's Remus who has to mourn now, instead of him. And for him.

"How are you feeling?" the psychologist asks, and Remus makes an effort not to cry.

"I don't know," he answers, honest. He doesn't know what words to use. "Bad."

Not enough. John gestures at him to keep talking, to elaborate. He always does that. It's cruel.

Remus looks down at a ring he takes off his finger, and proceeds to watch it turn in his hands as he fidgets with it. It was Sirius'. Everything he owns was either his or reminds him of him in some way. Even the smallest of things, the silliest of details.

If only he could get rid of it all. If only he knew that'd make him forget.

"It's like I don't really believe this is real,” he says, without lifting his gaze from the steel ring. It's carved in a checkered pattern, a chess board that extends and hugs the owner's finger like a ribbon. It's not excessively visible but, if you brush your finger against the metal, you can feel the shapes against your skin, kissing your fingertips like he once did. That feels like so long ago, though. “I... I'm sad, obviously, but also angry. I think it was selfish of him."

Before it had been his, Sirius', the ring had belonged to Regulus. It had been silver then. Sirius turned it into steel when he'd received it from his brother, who got it from their father, whose father had gifted him it, and so on. It must be hundreds of years old.

"Selfish?"

He'll probably ask to be buried with it. If it's not worn on his left hand, it will be trapped on a chain around his neck.

"Yeah, I dunno," he shrugs. He doesn't know how to explain himself. He knows how he feels, he just finds it difficult to believe that anyone could understand it. He tries anyway. "He's gone and he's left us all here as if we didn't have enough problems of our own," he says. "Like, now I have to be myself, which is already tough enough, and also be him for James and Peter and Harry and... Oh, God, Harry..." He shuts his eyes. He needs to breathe. He closes his hand over the ring, and looks at John. "But I need him too. And I don't have him. I don't have anyone to treat me like he did. So, I don't know."

The therapist nods again. When he started the sessions, Remus thought it was weird that John didn't take any notes, like in the movies. It might sound stupid, but he imagined someone constantly writing on a notepad, making a record of every word that came out of his mouth.

It turns out John only uses his notebook to write dates and appointments down; that he actually listens to what he says, instead of analysing every sentence as if it were a mathematical problem.

He's been lucky, and he knows it. At least in this, he's been lucky.

"Do you feel responsible for what happened?" He asks, and Remus thinks about it for a second. Now that the unease has lessened, he's left with just the cold on the tip of his nose and the metal on his fingers. He misses hugging Sirius on cold days like this one.

"Yes," he answers. No point in lying.

John stares at him. Elaborate, he's probably thinking. He always looks at him like that when he wants to make Remus talk.

"I'm the one who was supposed to take care of him," he says then. "And, instead of that, what I did was use him to make him help me with my shit. And even after he's gone I'm still whining about him not being here to give me cuddles. I don't know. Maybe I'm the one who's being selfish.

The psychologist, whose diploma is Remus now observing, makes a face.

"Wanting love is not selfish, Remus," he says, so soft and kind it almost makes Remus feel small, vulnerable and about to break. Or already broken.

"But taking the love away from someone and keeping it to yourself is," he objects.

"You think that's what you did? Taking the love from him?"

"I don't know," he says, and before John can ask him to explain, he continues: "I think maybe if I'd made things right he'd still be here."

The air is still for a few seconds, both in the room and in the street across the window, as well as inside of Remus' lungs, who holds his breath in an attempt to make the ache on his chest go away. It doesn't work.

"It wasn't your fault that he suffered," Josh tells him, but he's been told so many lies he doesn't need to think to detect the lie.

"But it was that he didn’t stop suffering," he tells Mr Too Good For Taking Notes. He should've had that noted. "I should've done something. It's what I'd to have done."

John, wanting to understand but being apparently incapable of it, furrows his brows a bit. The expressions only last a second, and is not even that exaggerated, but Remus sees it anyway. The doubt.

"You think it was your purpose?" He asks. He acts interested. Sometimes he almost even makes Remus forget that he's paid for what he does. That he wouldn't be there if it weren't for the money. That he's got better things to do than...

"Helping him?" Remus asks, trying not to sound too aggressive, but probably failing. "Yes."

"And do you think you were, say, destined to save him?"

"Yes," he agrees. A bit cheesy his personal taste, but, yes, that's what he believes. Why lie, if he's not going to write it down, even.

"But, if it was destiny, how could you have avoided it?"

That feels like a boot to the stomach. He doesn't quite know wether it confuses him or it makes him angry but, either way, he doesn't know what to answer. Perhaps not having thought of it earlier is what irritates him and puts him, once again, in front of a mirror in which a disappointment shines.

He thinks for a bit. Then speaks.

"Trying harder," he says. "Being better."

"No, Remus; is not about trying," his confidant tells him, with a smile that could either indicate complicity or compassion. "You did all that you could, and more. And, still, you couldn't change it, nor can you now."

For some reason, that hurts. Rather, it stings. Both in his open wounds and his sore eyes.

"And what do I do?" He asks. His voice doesn't seem to want to know the answer, as it doesn't cooperate in making itself heard. He swallows and takes a deep breath, letting Sirius' ring slide back into his finger, where it should always have stayed.

"Think about what you did achieve," John offers, so careful it seems almost meticulous. "You made him happy for a time, you gave him peace. You made him feel safe, too. Confident. You helped each other. That's good."

"But he's dead," Remus says. He's not sure he's used that word since it happened. It's not likely, seeing how much it hurts pronouncing it. He's spent over a month circling around and avoiding one of those damned words, the ones that feel like mines in an already ruined field. He presses his lips and looks at John, cheeks wet with rivers of salty water. "That's bad."

"Yes," the therapist agrees. "That is bad."

[autisticlee]

sometimes people who struggle like to make jokes or find positives about their condition that causes them to struggle so they can escape the constant negative and struggle. sometimes autistic people will say things like "the 'tism" or use the "autism creature" or say their autism helped them have a *positive trait* to feel better about their struggles. because living your life only focusing on the struggles and negatives is depressing and makes it hard to want to live, even if those struggle take up 100% of your life and you can't actually escape them. sometimes any little seemingly positive thing can help a lot.

but there's so many other autistic people that hate when we do that and call it "reducing autism to a cute trendy thing" and say it takes away from *their* struggles and is bad and shouldn't be used. maybe *you* want to only focus on your struggles, but some people can't live in constant negative and need some positive or to find ways to make their condition more positive so they can feel better about living with their struggles. life is hard. I take anything I can get.

I cant get jobs. I can't make and keep friends. I can't get help and support for doing "normal" things so sometimes I go weeks without being able to shower and without eating more than a bowl of cereal a day. most times can't even do things I like. struggle to communicate. have meltdowns. i'll never be able to live independently. I struggle a lot. but instead of sitting here always depressed and having no motivation to live, i'd rather try to joke about "my 'tism is acting up again" when i'm struggling (just an example. don't think I ever actually used the 'tism thing but i saw others use it) or say "i'm just being a creature" when I need to stay in my dark room because everything is too much and I personally find it cute to be a little creature meant in a positive way. i'm not actually downplaying mine or anyone else's struggles. I still acknowledge them and that silly jokes dont make them go away. i'm not trying to be trendy. i'm not doing any of the things people say we do by making silly little jokes. i'm using the silly little jokes to convince myself life can be a little more than pointless, painful garbage all the time.

(continue in tags)

[aretarers]

i think my biggest character growth over the past 5-6 years? is being able to do this these days

[thatone-churro]

i love you trans punks

[found--family]

am i the only one who sensed some jilted lover vibes from jensen? 

[trans-leek-cookie]

listen I'm not gonna be a Curly apologist he did Fucked Up as captain but I genuinely recommend ppl watch a playthru that goes thru the game in chronological order. It kinda helps clear up the events and gaps between them, bc even tho u See the times, you still experience it out of order.

The stuff Anya says definitely sets off alarm bells but it doesn't seem like he Fully Understands what she means, and I'm going to be 100% honest I think she was trying to repress it herself. This isn't to say that she is AT ALL "at fault" for what happened after and she should've gotten help even if she wasn't ready to fully discuss the issue but I genuinely think she herself was still coming to terms with things, so she didn't necessarily process the full impact before talking to Curly, and a lot of what happens occurs after they're laid off- like this delves into personal interpretation but I genuinely think Anya only registered Jimmy as a serious danger after his outburst towards Curly. Ofc my interpretation is limited bc of the limited pov in game and not having gone through what she has, but it personally reads more akin to coercion over time than a singular Obviously Violent incident (like. Not to say that Sexual Assault isnt violent in nature, just that coercion often specifically works to obfuscate the fact it is a form of violence.) The layoff is a Massive catalyst for her bc of Jimmy, in that she now has a very clear understanding of his capacity for aggression.

To extrapolate a little from the "Dead Pixel" conversation, she starts by saying she Likes The Screen (even though it's fake). While Curly has his quotes about the pixel "not ruining the illusion" which. Y'know is Symbolic Of His Flaws. She doesn't say the pixel ruins it, just that she can't get it out of her mind.

If we take the pixel to represent her Or jimmy, either way the way she talks about it kind of downplays things, like it's a Minor Thing that's Slightly Upsetting, but she's still okay with the big picture. Idk I could be 100% wrong but that is my take

Besides that, Anya tells curly she's pregnant 2 days before the crash, and it isn't until she outright states it that he starts Putting The Pieces Together. I want to note, he says "I'd do anything" and "this doesn't have to go on our performance evals" 1. Before he knows shes pregnant 2. Under the assumption she might attempt suicide, and I doubt he even thought about her using the gun on anyone else before she brings that up. He says literally before the line where she tells him she's pregnant that "being laid off isnt a reason to hurt [herself]". Like I've seen ppl talk about the performance evaluation thing like it's about her and jimmy, but I think he's referring to (his belief) that she might attempt suicide or similar which might genuinely be a consistent thing he's seen her struggle with, given she's able to go through with it. Also just to note: assuming their society is like ours (hellish) reassuring her he won't blab Abt her mental health is like. Genuine reassurance- lots of mentally ill ppl will Not Open Up bc it could have long term consequences (like. For example. On employment) ANYWAYS I hope it doesn't come off like "Curly never failed Anya" but rather "Curly approached this specific situation without the context of why Anya is panicking and (possibly validly) assuming she's dealing with a very different issue"

Also let me say again the time frame is 2 days. We don't Really see what happens, but we know Anya tells Jimmy without Curly knowing. I genuinely believe he maybe didn't do a Great Job in those two days (the fact he says Anya should've talked to Him before telling Jimmy is uhhh. Mm. 1. Your job to create an environment where she comes to you my man 2. Weird to tell her what she should do with HER OWN PERSONAL INFORMATION) but like.

I get a lot of ppl want immediate consequences but consider that they can't really get rid of Jimmy (co pilot. Which is. Y'know it's Own Problems) but also like. Curly knows Jimmy, and we know that Jimmy tends to lash out. Curly should probably Not Confront Jimmy Unless He Knows Exactly How To Keep Him From Hurting Anya. Like I'm not an expert but this is something genuinely important- when confronting an abuser you NEED to take into account the impact it can have on their victim, and sometimes for the victims safety you need to wait until you have a Solid Plan. It sucks but it's important.

And theres discussion to be had about Curly kinda going along with Jimmy saying "well what if we all died" and like. I do believe he Didn't Realize What Jimmy Said. Like he was just processing/trying to keep the situation under control (and failing because he underestimated how willing Jimmy was to hurt everyone including himself).

Like he's definitely an enabler but I would say his problems are mostly before he understands the gravity of the situation, in that he's friends with Jimmy and assumes the best of a man with abusive tendencies, and fails to create an environment that can keep Anya and the others safe. Like, he definitely doesn't handle in game events perfectly (psych evaluation for one- he does do it instead of Anya which is actually helpful, but he still treats it like. Weirdly.)

Idk I have a lot of thoughts about this game and I don't necessarily want to defend Curly but more like. Anya's situation is very delicate (and light on details) so sometimes the way ppl talk Abt it feels like they aren't actually focused on what she wants and what it means to prioritize her safety y'know?

Edit bc I just now figured out kinda how I want to word it: curly is an enabler and making things worse bc he doesn't put a stop to Jimmy's BS, but in the specific scenario we see in game I think he's trying to use his Skillset of like, people pleasing not for Jimmy's sake but for the crews (like "if I nod my head and say I sympathize he won't lash out and hurt them") which like. There are situations which that is unfortunately the safest option (on an individual level yes, but sometimes it's also necessary to prevent abusers lashing out in response toward ppl who are more vulnerable) but it was the Wrong Choice.

It's like. I think Curly was trying and had good intentions, and understood that he needed to protect the crew, but he didn't have the toolset/experience to realize he can't Just go along with things and that he needs to be able to set hard limits, even for ppl he likes and trusts. Like he failed but the failure was "for want of a nail", where it began way before what we see (for want of an understanding of power dynamics I guess.) Again, don't think this makes curly more forgivable or whatever, I just think he's a good example of trying to make the right choices when you never realized you'd have to make these kinds of decisions and therefore are unprepared and/or unaware

Second edit: personally I don't think you can really incapacitate jimmy without there being serious risk (again he's the copilot) but curly should've given Anya the gun when she told him Abt the pregnancy

[jrueships]

something invokes the carnal rage in me when a grown man rages like a two-year old over a video game

[averlym]

,,, little lemmings in line...