#made by an autistic person

[fox-0n-st1ltsart]

[Image ID: A traditional drawing of Kaku from One Piece is wearing a shirt with a giraffe that has puzzle piece markings instead of spots. The shirt reads 'It's OK to be different hashtag autism awareness]

KAKU NO THE PUZZLE SYMBOL IS PROBLEMATIC

(My mom owns the shirt and I've been catching up on the manga)

[cryingscreamingpuking]

It really makes me so damn angry how many autistic/ADHD people treat the neurodivergent label as the autism+adhd label. Neurodivergent includes ANYONE who's brain doesn't work the way it's supposed to. This includes people that have learning disabilities. People with down's syndrome. People with cluster A, B and C disorders. That includes systems/people with DID, that includes schizophrenics, that includes people with PTSD. If you have a group that is labeled for neurodivergent people, you cannot act surprised or offended if people that don't have autism or ADHD but DO have other disorders join that group. Because neurodivergent is an umbrella term. And everyone under that umbrella term deserves to be able to find community in groups named with that umbrella term.

[c-kiddo]

cad and belle are just wee besties to me . and have lots of sensory pressure hugs. (from npc requests but i wanted to draw them together anyway so bonus cad)

[teaboot]

if ur a murderbot nerd now do u have any fun opinions abt it yet?

Oh my goddd you have no idea

I really, really, really like Murderbot because it comes at life with this perspective we don't often see that is very real among people who have already been through traumatic experiences, who developed skills and abilities to suvive that were once useful but no longer have context- that search that traumatized people go through to recalibrate and reorient ourselves in a world where we no longer really need those things to survive.

A bit personal here, but my own issues personally involved a lot of psychological abuse that made it difficult to trust my own perceptions of reality, and as a result I found I was very easy to lie to and manipulate.

To handle this, I became obsessive over writing things down, cataloging details and making notes of things as they happened- I'd carry recording devices and make audio recordings and stay up late at night to transcribe what they'd picked up, read those over and over again to reassure myself of things I wasn't certain about.

While doing this, there were others close to me that I felt responsible for, who I had to protect from others and protect myself from at the same time. Life was about two things: Evidence, and defusing threats

Over time, I learned to trust myself as my memories matched what had been recorded where their narrative didn't, but I never really kicked the habit. Like Murderbot, I had added something to my own programming that reassured me I was safe, that I was in control of myself, that I couldn't be mistaken or crazy or broken or used.

I'm only on book two, but already I see myself in Murderbot again. No spoilers here, but when I left home- left that dangerous context- I didn't need to repeat these patterns to survive anymore, but I still did, because I didn't know anything else anymore. It felt safe, comfortable, knowing knowing that the past couldn't repeat itself, because I'd written that flaw- blind trust in myself-  out of my programming and replaced it with something else.

Still, though, I'd become something specially suited to thrive in a very specific environment. Nothing else felt right like followinghigh-risk situations, like witnessing and watching and recording and knowing I had proof of the truth where others might not.

People took notice. I wound up in security by accident, but's an environment that I thrive in due to the same patterns and behaviours I originally developed when I had no other choice. I climbed the ladder pretty quickly, once supervisors caught on that my reports were the most accurate, most objective, most factual, detail-oriented and timely. I keep others and myself safe and prioritize public safety above all else, and I perform well under pressure

Now I'm in a position where I often wonder, do I enjoy this job, or is it just what I'm good at? I have a set of skills now, but do I have the option of choosing not to use them? What would I be, if not this? Could I be anything else? Can Murderbot be anything else?

It has a set of skills that set it apart, make it different, special. It does what it knows best. But is it free? Does it want to be? What does it want? Does it have to do what it was built to do? What if it didn't?

I know what I'm good for. The idea of deliberately leaving what I'm good for for something uncertain, that I might hate, that I might be useless at- the choice to give up what was so important to me for so long and become deliberately obsolete?

Let go of my entire purpose? The only thing I know, that I fit so well into but don't actually know if I enjoy? Now that I can choose? Now that enjoyment is a luxury I can afford to consider?

Yeah, that resonates.

I like the Murderbot series so far because it feels the way I feel: Like the most significant and formative part of my story, the part where I became what I am, has already happened

And now I have to just. Keep going

Into... what?

It feels absurd. Like a microwave giving up on reheating food and deciding to start a life around abstract dance.

So, uh. Yeah. It's really very wild to see this same philosophical-ish dilemma I've been digging over in the back of my mind and in therapy for the last forever laid out so plainly in a genuinely exciting and enjoyable story like this. I feel much less alone, and I... kind of really need to see how it resolves, I think.

So, uh. Yeah. Read Murderbot, I guess

[frog-with-a-knife]

[robinwithay]

i think a lot of people in the fandom have a bad habit of acting as if aziraphale should know everything we, the audience, know about crowley, and that he should therefore be more sympathetic to feelings that aziraphale literally doesn't even know crowley has, because crowley hasn't told him.

[genderkoolaid]

still fucking pissed about the way im being treated by my professor. she basically told me to my face that my trans experiences & opinions were too advanced and complicated for our class, & that she had to teach them the basics...

and what exactly are those basics? cis people. cis experiences. cis opinions. this is not intersectionality. "basic feminism" should not mean white cis feminism. & i feel like she is projecting onto my classmates, many of whom seem very interested in what I have to say. one cis boy in my class even tried raising questions about nonbinary people based on those in his life, and she shut him down because she refused to understand what he was talking about. she's just fucking obsessed with her idea of feminism while trying to feel like an intersectional ally yet the minute ANYONE brings up trans people when she doesn't want them to, she throws a little fit.

just. when exactly are cis people supposed to learn about us? i am used to having to explain transness to cis people. i am willing to do that! i am willing to simplify it if need be! but cis adults & older teens can handle being challenged a little bit. in fact I'd say it's pretty healthy for them to be introduced to trans theory as part of their introduction to feminism, especially in an age where transness is a major part of the ongoing culture war. but noooo god forbid this cis woman's ego is challenged in the slightest. god forbid i have an original thought about gender that i didn't get from her fucking textbook

[laswells-ashtray]

Whenever Kate doesn't have shoes on, she walks on her tiptoes. It's instinctual, and she's very quiet because of it, especially if it's winter and she's wearing fluffy socks.

If Rudy is wearing shoes, then he's often heavy footed. All of his weight on his heels, and he honestly sounds menacing when he approaches, especially if he has boots on.

[binglepringle]

Projecting? A little… more dumb poorly drawn Batgirl memes!! :p

(To be clear I have the attention span of a goldfish so I don’t know that much abt blunted/flat affect… but it lowkey is how I act and how I imagine she acts from what I do know)

[dreamyluigi]

i'd like to take a minute to explain in weird, unnecessary detail each of my favorite different iterations of luigi. for no reason in particular. he's always the same, but he's always just a little bit different in each series that he's given a significant role. okay here we go

S+

→ 2023 movie: might just barely be my favorite version of his character - i feel like the movie gave him a little sprinkle of all the traits from all the other media in the franchise and solidified his Entire character. he's a coward, but he's extremely brave and resilient, he's just a lil cocky and a lil awkward, and absolutely stuck like glue to his bro. also he's just erm like uh ridiculously handsome. A Very Balanced Luigi Meal i couldn't ask for anything more (other than giving him an even bigger role in the second movie! please! even though i was extremely happy to see him as the damsel!!!)

→ paper luigi: (hopefully) one of the most universally loved because of his arrogance and lil bit extra sass. luigi often acts proud i think as a bit of a mask, but paper luigi really gives us a show of it. he's also just very funny. still very clumsy/accident prone, still very awkward and weak to manipulation/praise. sometimes acts like he's superior to mario (yet still very, very dependent on him and even angry and a lil sassy/spiteful when he's left behind) and i just also think that's really funny. i like how intelligent systems plays around with him, and i hope they continue to do so in the next paper mario luigi game :)

S

→ M&L RPGs: when you are soooo stupid that you are a genius, and actually? you have a special power that no one else in the world has and you're going to save us all? because you are the specialest boy in the world? but you are so stupid.. but you're a fucking genius. what a delightful guy. possibly the silliest of the luigis. always lookin head empty but he can imagine anything. so powerful. but also the clingiest - brothership really did a number for his clingy nature. what do you mean you're gonna cry and die if you're more than 20 steps away from your brother. omg. baby. baby boy. the spoiledest luigi as well.

→ luigi's mansion: i just love how wet and trembly and pathetic he can be. we know he's a coward, but they crank the coward meter up to 1000 with him here - and ghosts being the thing that gets him most is very endearing to me. maybe because i'm not afraid of ghosts idk he's very very cute in these games with his silly expressions and constant jumping and screaming. his weird relationship with e gadd is also just so special. remember! bravery is not the absence of fear, but the will to overcome it.

→ super mario adventures comic: his quips and stupid puns have captivated me. he's honestly not a far cry from his super show cartoon counterpart, but i love him just a little more probably due to the art of the comic and his role overall. i don't have much to say but i just really like him in this very special peak fiction comic okay also he wore a dress TWICE. king shit

A

→ the great mission: my god what the fuck is that thing. who is this guy. no but for real i enjoy this version of him so much - it's such a far cry from how we know him as a character now, but there are lots of things about "beta wario" that still reflect luigi today. love of money/treasure is definitely still there just not as greedy as his old counterpart, the bit of sass and cheekiness is there, even a bit of his spoiled nature too. this guy is so selfish and a little bit nasty and i find him delightful. him callin mario アニキ in japanese is also crazy.

→ super show (cartoon): this pessimistic little bitch always thinks he is going to die in every scenario no matter how inconsequential and i fucking love him. he's often absolutely useless. i also just love the voice and his stupid goofy lines. not integral much anymore to the current luigi personality but there's a little bit of mama luigi in everything i do. there's a little bit of 'holy ravioli' in us all.

→ odyssey: now. listen. he doesn't do much. i know. but his various reactions to mario's outfits and the environments are really good. it feels really special despite his very small role. entirely non-judgemental of his brother's choices. will support him no matter what weird fashion he's into. will even feel his presence when he's invisible. it's very important to me. and the bowtie is so moe i can't stand it

→ super show (live action): even more rude than previous rude luigis like what's his fucking problem. i don't see much of this guy's personality in current luigi at all other than the wee bit of sass i guess. but that doesn't mean i don't love him and this stupid show that no one takes as canon anyways but all luigis are canon to me sorry

B - not inherently different iterations of luigi, and not technically any "worse" than the ones listed above, but...

→ super mario maker 2: call luigi. he will just fucking do it for you. what an absolute legend, a god, perhaps. everyone say thank you.

→ dr. luigi: i have some headcanons but nothing much to say canon wise, he just looks cute and he deserved it. but they should've put his ass back in the nurse's dress

→ tennis/golf luigi: i just like to see him have a good time. also i like seeing his hair and the outfits are cute. i could include the olypmic games and others since he's just the same with different cute fits. uh these explanations are starting to deteriorate

→ cat luigi: his noises... the nyas... neowow... okayyyy. he also is very cat-coded to me anyway. it just fits. i think he purrs when his head is pat while getting praised. i love catboys

→ gooigi: it's gooigi dude. does he even count? what the hell, sure. he's cute... that's all :3

this was kinda supposed to be me analyzing the different versions of luigi and how they compare to each other but it's kind of just a luigi lovedump post... (what do you expect from me at this point?) any missing from this list i'm either not familiar enough with or he doesn't have a big enough role to warrant like a Character Analysis i guess.

which is your favorite version of luigi? which aspects of his character do you like most? for me, it's everything. he's everything. okay bye

[lord-squiggletits]

I think the key component to my personal reading of post-Delphi Pharma is that he's trying to be a horrible person on purpose. Not "on purpose" in the way that people have free will to exercise their own choices, but in that Pharma's "mad doctor" persona is a performance he puts on to deliberately embrace how much everyone else hates him. Basically, if people already think you're a "bad Autobot" and a horrible doctor who just kills his patients for fun, why try to prove otherwise to people who have already made up their minds about you? Just fully embrace the fact that people see you as an asshole. Don't try to change their minds. Don't plead for their forgiveness or understanding. Just stop caring. If you're going to be remembered as a monster, you might as well be a memorable monster, and eke as much pleasure and hedonism as you can out of it before karma catches up to you and you inevitably crash and burn.

I mean, I guess you could just go the route of "Oh, Pharma was always a fucked up creepy guy and Delphi was just him taking the mask off," but I really don't like that interpretation because, for one, it feels really wrong to take a character like Pharma becoming evil under duress and going, "Oh well clearly he did the things he did because he was evil all along," as if somehow Pharma breaking under blackmail/torture/threat of horrible death was a sign of him having poor moral character. As opposed to, you know, suffering under the very real threat of horrible death for himself and everyone he cares about while being manipulated by a guy who specializes in psychological torture.

The second reason is that it just doesn't make sense to write Pharma as having been evil all along. I mean...

Occam's Razor says that the best argument is the one with the simplest explanation. Doesn't it make way more sense to take Pharma's appearances in flashbacks, his friendship with Ratchet, his stunning medical accomplishments, and the few we see of him speaking kindly/sympathetically (or in the least charitable interpretation, at least professionally) towards his patients and conclude "This guy was just a normal person, if exceptionally talented." Taking all of these flashback appearances at face value and assuming Pharma was being genuine/honest is a way simpler and more logical explanation than trying to argue that Pharma for the past 4 million years was just faking being a good doctor/person. I mean, it's possible within the realm of headcanon, but the fact is Pharma's appearances in the story are so brief that there simply wasn't room in the story for there to be some sort of secret conspiracy/hidden manipulation behind why Pharma acted the way he did in the past.

I just can't help but look at things like Pharma's friendship with Ratchet (himself a good person and usually a fine judge of character) and the fact that even post-Delphi, pretty much every single mention of Pharma comes with some mention of "He was a good doctor for most of his life" or "He was making major headways in research [before he started killing patients]" which implies that even the Autobots themselves see Pharma's villainy as a recent turn in his life compared to how for "most of his life" he "used to be" a good doctor.

And although Pharma doesn't know this, we as the readers (and even other characters like Rung) know about Aequitas technology and the fact that it actually works, so... if Pharma really was an unrepentant murderer, why couldn't he get through the forcefield too? The Aequitas forcefield doesn't require that a person be completely morally pure and free of wrongdoing or else how could Tyrest get through, just that they feel a sense of inner peace and lack feelings of guilt. Pharma has murdered and tortured people by this point, and put on quite a campy and theatrical show of how much he sees it as a fun game, so why then can he not get through?

It circles back to my headcanon at the start of this post that the "mad doctor" persona is just that-- a persona. Delphi/post-Delphi Pharma's laughing madman personality is just so far removed from every flashback we saw of him and everything we can infer based on how other people see/saw him before that, to me, the mad doctor act is (at least in large part, if not fully) a persona that Pharma puts on to put his villainy in the forefront.

To avoid an overly simplistic/ableist take, I don't think Tarn tortured Pharma into turning crazy. To me, it's more like the constant pressure of death by horrific torture, the feeling of martyrdom as Pharma kept secret that he was the only one standing between Delphi and annihilation, the physical isolation of Messatine as well as the emotional separation from Ratchet, being forced to violate his medical oaths (pretty much the only thing Pharma's entire life has been about), etc. All of that combined traumatized Pharma to the point that the only way he could avoid cracking was to just stop caring about all of it. Because at least then, even if he's still murdering patients to save Delphi from a group of sadistic freaks, Pharma doesn't have to feel guilty and sick about doing it. As opposed to the alternatives, which were probably either going off the deep end and killing himself to escape, or confessing to what he did and getting jailed for it.

In that light, Pharma becoming a mad doctor makes sense. It avoids the bad writing tropes of "oh this character who was good his entire life was actually just evil and really good at hiding it" as well as "oh he got tortured and went crazy that's why he's so random and silly and killing people, he's crazy" and instead frames Pharma's evil as something he was forced into, to the point where in order to avoid a full psychological breakdown and keep defending Delphi, he just had to stop caring about the sanctity of life or about what other people might think of him.

Then, of course, the actual Delphi episode happens, and Pharma's own lifelong best friend Ratchet basically spits in his face and sees him as nothing more than a crazy murderer who went rogue from being a good Autobot. Then Pharma gets his hands cut off and left to die on Messatine. At that point, Pharma has not only been mentally/emotionally broken into losing his feelings of compassion, he's received the message loud and clear: He is alone. Everyone hates him. Not even his own best friend likes him any more. No one even cared enough about him to check if he actually died or not. He will only ever be remembered as a doctor who went insane and killed his patients.

So in the light of 1. Having all of your redeeming qualities be squeezed out of you one by one for the sake of survival and 2. Having your reputation and all of your positive relationships be destroyed and 3. People only know/care about you as "that doctor who became evil and killed his patients" rather than the millions of years of good service that came before.

What else is there to do but internalize the fact that you'll forever be seen as a monster and a freak, and embrace it? People already see you as a murderer for that blackmail deal you did, so why not become an actual murderer and just start killing people on a whim? People already see you as an irredeemable monster who puts a stain on the Autobot name, so why beg for their forgiveness when you could just shun them back? You've already become a murderer, a traitor, and a horrible doctor, so what's a few more evil acts added to the pile? It's not like anyone will ever forgive you or love you ever again.

Why care? Why try to hold on to your principles of compassion, kindness, medical ethics, when an entire lifetime of being a good person did nothing to save you from blackmail and then abandonment? Why put yourself through the emotional agony of feeling lonely, guilty, miserable, when you could just... stop caring, and not hurt any more?

[vaguely-concerned]

lucanis truly has a near terminal case of burned out golden child syndrome. caterina fucked both of these kids over so incredibly bad with the dynamic she enforced there, with illario being labled the perpetual fuckup kid where lucanis 'could do no (would never be allowed to do) wrong'. the way he admits in the first coffee date scene that the only thing that happened when he showed he could carry the weight of expectation was that more weight was added makes me so sad. you can hear it in caterina's voice in his intro mission that she's incredibly proud of him, but this is clearly a leandra and hawke situation where that pride never translates into relief or resolution or unconditional warmth or understanding or anything that really helps.

[inamindfarfaraway]

The Exorcists’ Masks of Virtue

The vast majority of Exorcists in Hazbin Hotel have a notable design element that other angels don’t: their masks are missing an eye. Specifically, the right eye.

I believe this is a reference to the Bible, Matthew 5:29. Jesus says, “If your right eye causes you to stumble, gouge it out and throw it away. It is better for you to lose one part of your body than for your whole body to be thrown into hell.”

He’s being hyperbolic. Mr Free Healthcare was not pro-mutilation. What he means is that you have to be willing to make sacrifices to prevent sin. The context of the eye metaphor is him condemning adultery and warning that even something as easy, casual and small as a look full of lustful intent can lead to further, worse sin if you don’t notice your sin, hold yourself accountable for it and do the work to not let it influence your decisions. This will probably be hard. It could be very, very painful. Changing your perspective can feel as horrible as plucking out your eye, so many people can’t bring themselves to do it. But although it won’t feel that way in the moment, it’s healthier for our general wellbeing in the long run to abandon traits and behaviours that damage ourselves and/or others.

(You may notice that Jesus’s teaching that you can have sinned, redeem yourself by giving up sin and thus escape damnation is the founding principle of the Hazbin Hotel. You may also notice that it contradicts everything the Exorcists believe.)

The Exorcists seem to follow this idea of painfully excising badness for the sake of the greater good devoutly to the point of placing it above teachings like ‘Thou shalt not kill’, with their job being to remove sin, in the form of sinners, to protect Heaven. Hence the missing right eyes. They’re a declaration of moral righteousness and inability to stumble.

But the truth is that the Exorcists all have their right eyes. Their flawlessness is a facade. Underneath, they are untouched, think themselves morally untouchable and, as shown by their horror and outrage when even one of them is killed, would much rather be physically untouchable too. This perfectly represents their complete unwillingness to acknowledge their own faults, let alone improve. They are never the ones who sacrifice. They force the sinners to sacrifice and don’t compensate it with any salvation. They metaphorically rip out the sinners’ eyes, but still condemn their entire bodies as inherently, permanently sinful. So they’ll just have to do another Extermination to get the other eyes! And another one to cut off their right hands! And so on until there’s nothing left.

The only exception to the rule is Vaggie, both in appearance and character. Her mask has the left eye crossed out instead. Even before her expulsion, she’s set apart to the audience as an Exorcist who has the capacity to, shall we say, see a different side of things. Her mask having its ‘sinful’ right eye reflects her understanding that the Exorcist worldview is wrong.

When she almost kills a demon child, her hateful vision clears. She discards the part of herself that’s an unquestioning, merciless agent of death, terror and grief… and as punishment for what Lute perceives as treacherous weakness, gets her eye plucked out.

Of course Lute leaves her with only the ‘sinful’ eye. It brands Vaggie forever as the inversion, a perversion, of what the Exorcists are meant to be.

You know, all this talk of eye removal in the Bible reminds me of another line - ‘an eye for an eye’. Adam directly quotes it in “Hell is Forever”. He uses it to frame the Exterminations as Old Testament-style punitive justice; the sinners did harm and so they receive it. But putting aside the debate about how ethical the concept of revenge is, the entire point of taking an eye for an eye is that it’s proportional. The punishment fits the crime. If someone cuts your eye out, you shouldn’t murder their whole family in front of them and then slowly disembowel them to death. That would be the sin of wrath. You should just make them pay without excessive pain or collateral damage. This is the fairest form of revenge.

The Exorcists don’t do that! The Exterminations aren’t proportional to the wrongs of all they hurt, nor was Vaggie’s brutal punishment equivalent to her extremely mild insubordination. Lute literally takes Vaggie’s eye, and more, after Vaggie does nothing to her! That’s the opposite of the phrase! Adam and his soldiers are wrathful and cruel, deriving satisfaction from others’ suffering. But they just can’t stop going on and on about how disgustingly evil the sinners are, in total hypocrisy… despite some of the sinners being far better people than the genocidal Exorcists are… it’s like they’re obsessed with specks of dust in the sinners’ eyes when they have massive logs stuck in their own. Oh hey, that’s in the Bible too!

[shalom-iamcominghome]

The funniest cultural difference is seeing people freak out over traditional jewish practices (such as the practice of separation in marriage after birth and similar)

Maybe it's because I'm autistic, but the biggest thing that would get me to marry someone is if we were prescribed times to separate from each other physically. You're telling me you and your partner are glued to the hip???

[m4rs-ex3]

actually gonna take a mini break..... which could mean i won't go on tumblr at all or it just means i'll only be making simple posts and not reblogging, and it could be for the rest of the day or it could be for a number of days (this is significant i promise usually i would be yapping like CRAZY rn)

i don't like disliking my show. i don't need to hear about everything they did wrong when i want to be celebrating everything they've done right for 7 seasons. i can't expect everyone to decide that positivity is the only way and i can't expect people to not want to share their opinions when i can't seem to stop talking about my opinion on that. i don't want to do what i did when season 4 came out and i tried to forget tdp existed for months because i couldn't stand being a fan of something others didn't like. tdp is everything to me. i'm not letting this part of my life go because i care too much about what everyone else thinks. and i know that's nobody's fault but my own, but still. i'm hoping it dies down, but even if it doesn't, i just need to step back and remind myself why i love this show, and that that is all that matters.

i know it is NOT that deep but the finals week stress + mourning-in-advance + insane adrenaline rush and joy while watching followed by + immediate feeling of dread and incredible sadness and confusion and anger after i've already had a rough couple and months and tdp was the sole thing keeping me going, it has all just been a lot, as i'm sure you can imagine. it sounds so excessive and sensitive and it probably is those things, but it's how i feel. mainly i just really needed to get this off my chest lol

[iridiss]

something something about autism masking and how it relates to Mystreet Garroth’s character development. something about how Mystreet Aphmau “Has Never Masked Her Chaotic Audhd Once In Her Life” McGee influences Garroth to crawl out of his posh boy shell and goof off and run wild