#just-shower-thoughts

[the-haiku-bot]

Somebody had to

actually dig the holes

in the movie ‘Holes’.

Beep boop! I look for accidental haiku posts. Sometimes I mess up.

Somebody had to actually dig the holes in the movie ‘Holes’.

[for-those-who-wait]

Get emergency showered sucker

[breadandblankets]

Duke: "So then Ra's went-"

Damian: "You know that's not grandfather's name right"

Duke: "Hm?"

Damian: "that's not his name it's a title, you're supposed to say the whole title, his name isn't 'Head'"

Duke:

Damian:

Duke: "She give me Ra's on my Ghul til I…"

Damian, sighing, unsheathing a sword: "Thomas, I know you will survive this, so I will not be holding back"

[lazylittledragon]

not to toot my own horn too loud or anything but i've showered 5/6 days so far this week and started running again and now i can kill god

[chinelacanta]

“marineford au with luffy would be very angsty” is a 100% true statement but also i think he’d get on sengoku’s nerves so much he’d just toss him out of there

[pretendmynameispoetic]

3:13 pm at home

“Being around my family for an extended period of time makes me physically ill. I don't know how else to explain it…”

[fancy-rock-dove]

Having some feelings this evening about Frodo’s reaction to people around him being corrupted by desire for the One Ring. How generally devoid it is of any blame placed on that person, and how he instead treats it as a tragedy to spare others from by distancing himself.

It’s a big deal in the latter books that Frodo wants to show Sméagol kindness if possible because things have progressed so far that Frodo can recognize his own experience in him. But what’s really making me stare at a wall right now are Frodo’s early days reactions even before the personal identification is as strong.

Basically, I can’t stop thinking about how deeply Frodo’s reaction to that last encounter with Boromir is informed by the fact that the first person to ever try and take the ring from Frodo was actually Bilbo. The fact that the first person Frodo ever saw corrupted to that point, even for a moment, was the kind, clever, caring uncle who adopted and taught him, and who Frodo thinks the world of.

Just thinking about the personal relationship Frodo had with the very first person he saw the Ring affect and how fundamentally that set the tone for his understanding of it for the entirety of the journey.

[onlycringepost]

that’s not very “fully developed frontal cortex” of you

[isjasz]

[Day 155] Sunflowers always face the sun

-

So like. If sunflowers always face the sun and the majority of the sunflowers on scar's shawl are on his back and on the side does that mean scar still trusts grian with his back or he turned his back on him rejected him moved on or sometimes they wish they are by each other's sides again or are they allies or enemies this will be the death of m <- epic shower thoughts

[psychotic-nonsense]

In October of 1967, Steve Harrington is born in Hawkins, Indiana.

He's raised there, forced to live under the strict expectations of his parents, Richard and Samantha. Barely escapes their clutches, freedom fueled by the kids and adults that take the role of guardian and family when the time is right. Keeps himself in check with the always impending apocalypses that arise beneath his feet.

In June of 1985 - when Steve Harrington is 18, while Richard and Samantha Harrington are visiting New York for an extended work trip - Veronica Harrington is born.

She was carried and raised in secret from their hometown. They take care of her between their business hours, dropping her in the hands of nannies and babysitters galore. They don't even think of Indiana during Veronica's early childhood, too focused on work and making sure their daughter starts up right.

In October of 1986 - when Steve Harrington is 19, aged further by ending the Vecna War, yet tamed by his newfound love in Eddie Munson - Richard and Samantha Harrington return to Hawkins.

They don't ask about what happened to their son. They don't ask about the town. They don't ask questions, just give responses to them. Sneering at Steve's friends, complaining about the state of the house, commenting at the disfunctional chaos their home has become.

In November of 1986, Richard and Samantha Harrington disown Steve.

They just let him go. They at least give him a folder of his legal documents, but otherwise just tell him to get out of their house and never use their name again. Claiming Steve doesn't need anything from the room because the Harrington's own everything in it. They don't call him son, they don't say goodbye, they don't acknowledge who's actually taken care of the house, they don't admit most of Steve's former room has changed with money Steve earned himself, they don't dare to give him any money or care where he goes. They just say they're sick of dealing with an unworthy mistake of a child, and force him out of their house.

In November of 1986, the Party's adults adopt Steve.

He runs to them first after everything happens. Held himself together at the start, but broke down the second the words were out. While everyone was trying to comfort Steve, Wayne Munson and Jim Hopper were the first to succeed. They know firsthand that this family would never be the same as blood, no matter how much that blood has boiled and burned before, but the love will be stronger and it will be here. When everyone seconds it, Steve finally accepts it. He becomes a child of the Party - he's everyone's son and everyone's brother, taking whatever surname he sees fit.

In November of 1986, Steve Henderson and Eddie Munson leave Hawkins.

Despite all this good, Steve can't bear to stay in this damned town a second longer, where everyone knows who he is and will soon know everything he isn't. And it's not like Eddie was looking forward to sticking around Hawkins either, especially without his Steve. The kids are the first to agree, surprisingly, and the adults promise to find a way for the boys to get out. Later that week, when Richard and Samantha leave the house to prepare for Veronica, Steve and Eddie break in to take everything that's rightfully theirs. While they're there, not sure what prompts him, Steve makes a bag of his clothes with shoes and his wallet tucked within it, shoving it into his closet. Dustin's mom uses an old favor to get the boys an apartment in Chicago, the Party has one last farewell, and the two boys are gone.

From 1986 onward, Veronica Harrington is raised in Hawkins, Indiana.

Richard and Samantha are adamant in their daughter coming out exactly how she should. They steadily convince the town to forget the Harringtons ever had a son and lock the room on the second floor next to the stairs without ever touching the inside. They raise her with formality and pride at the top of their expectations, wanting at least one child to come out right.

But Veronica is the spitting image of Steve's honesty and care. She puts on a facade when needed, but even at a young age, she wants nothing more than to be someone's light in the darkness. She plays with every lonely kid at school, and tries to make people laugh at the business parties she's dragged to. It's not received well by her parents, but Veronica is much too strong willed and stubborn to let it phase her.

In April of 1991 - when she's 6 and they're so much stronger around their hearts - Veronica Harrington meets Steve and Eddie Munson for the first time.

It's the year Erica is set to graduate high school. Steve and Eddie have been making the drive for every holiday this year, ordered determined to give her the best senior year she could have. It's Easter Sunday, and Wayne somehow managed to drag his boys away to church - a Munson custom, as even Eddie insisted they go.

While at the snack table post sermon, a little girl comes up to Steve, mistaking him for her father. He and Eddie gently comfort the girl, introducing themselves and offering to help the girl find her parents. That's when Veronica introduces herself, striking Steve deep in his heart. Still, he keeps quiet, even gifting her a little origami crane made from napkins at the table. He calls her "chickpea" for the color of her dress, tells her to keep the crane secret and safe, "If ever you need to find your way back home, you hold that close, and it'll tell you."

Meanwhile, Wayne has come across Richard and Samantha in the crowd opposite the kids. Exchanging formalities, Wayne mentions his son and nephew are in town, news the Harrington's are surprised at, as Wayne didn't seem like the father type. However, trying to keep face, they remain civil and insist on introducing their daughter.

Cue Veronica running to her parents with Steve and Eddie in tow. Cue Steve calling Wayne dad right to Richard's face. Cue the Harrington's immediate leave from the church, Veronica waving behind her with a crane placed carefully in her pocket.

From then on, Veronica Harrington's life changes indefinitely.

Her parents' expectations grow tenfold. She finds out she's horribly allergic to chickpeas. All of her friends must be approved by her parents, and any that don't fit their image are ordered to leave her.

Veronica takes these changes in stride - is her class's top student, captain of the softball and volleyball teams in junior high, keeps the friends she wants in secret from her parents - but she can't help but keep the crane in a little box in her room. Gets a necklace with a little origami crane pendant, holds it whenever she needs to make a hard choice. Can't help but expand herself in secret, learn things her parents would never approve of - lock picking, other languages, sleight of hand, a clothing style that's nothing like the dark blues of her family, all warmth and light. She explores every room in her house, yet is unable to find her way into that room upstairs next to the steps.

In May of 1998, Veronica Harrington discovers the truth about her brother.

She's about to be a freshman. Her class was touring the high school in preparation, and while passing the athletics hall, her eyes hit the swimming trophies. Each row stuffed with trophies, and each one with a name that stabbed her right in the stomach: Steve Harrington.

After that, she couldn't bear all the secrecy anymore. Late that same night, she finally uses her lock picking skills to break into that room. And though it's devoid of life, it is a bedroom, so evidently lived in. It's frozen in time, twisted sheets covered in dust, old papers crinkled from being stepped on but not picked up, old clean clothes still sitting in the hamper. It's a boy's room, clearly, and Veronica is careful walking around this place of memories.

She does still explore, quietly clicking on lights around the room, too cautious to touch the overhead lights. She looks under the bed, finding a bat and a trash can lid, both embedded with rusty nails. A shirt that still smells like fresh laundry yet has a back stained permanently with long red lines down the shoulders. Dozens of stapled documents labeled NON-DISCLOSURE AGREEMENT, detailing horrific events that each have that same name signed at the bottom.

With shaking hands she checks the closet, and finds it mostly empty. All except for a deep green graduation robe and cap, a cream Hawkins High letterman, and a duffel bag hidden in the back corner. The cap has a 1985 tassel, and the letterman has Harrington branded on the back with basketball and swimming patches galore. And the bag, when she checks it, looks like a survivalist pack someone would make in an apocalypse. At the top sits a wallet, and inside is an ID for a Steve Harrington, who has the same face as the one in her origami memories.

And Veronica is done. She wakes up the next morning and throws Steve's jacket on the kitchen table, startling both her parents mid sip of coffee. She finds herself in a screaming match with her father, demanding them to quit lying to her, begging to know who her brother is.

In a fit of rage, Richard tells her. Tells her everything Richard and Samantha never saw in Steve, about Veronica's secret birth, the disownment, Steve's disappearance from the Harrington house and Hawkins. She's reminded of that one Easter Sunday, and is told how Richard and Samantha faked Veronica's allergy to keep her mind from being tainted by whatever curse befell their bloodline before. Orders her to never say that name again.

In a fit of rage, Veronica bites back. Calls her parents cruel and overly expectant. Comes clean about her secret freedom. Says she'd rather be nothing than ever carry the burden of the Harrington name ever again.

She hides away in her room after the fight. Cries in her closet with her origami box cradled tightly to her chest, begging it to take her home because this place isn't anymore, maybe never was. Cries for the brother she never even got to meet, who went through so many horrible things yet still got put through this same punishment. Cries for the future she won't get to have, losing her hope for a new beginning that will now never be.

At the start of June, 1998, Veronica runs away.

She makes it through the rest of May in near silence. She writes notes for all of her friends at the end of the school year, and one for her parents to inevitably find. Finds 75 dollars in Steve's old wallet, stuffs the duffel bag the rest of the way with her belongings, and says goodbye to Hawkins.

She takes the first bus she can find out of town. Doesn't care that it's going to Chicago, doesn't really care where she's going now. She befriends an old homeless man riding the bus as well, becomes another interesting name in his "Book of Wanders (Pronounced as Wonders)." As Veronica's telling the story about unknowingly meeting her brother, she remembers the crane in her bag. She reaches in to retrieve the little box, then the crane, nearly crying seeing how disheveled and unfolded it is. Broken and doomed, just like her. But looking at it now after so long, she thinks she sees something written inside it. Despite it shattering her heart pieces, she carefully unfolds the little crane.

At its center, in old, bleeding blue text, reads, "Find the Swooping Bat if you've lost your way."

The old man laughs then, taking Veronica's hand and placing it onto her chest, over her heart. "It's fate," he whispers in the dark bus. "There's a place called that in Chicago."

Veronica uses her money to rent them both a hotel for the night, giving the old man a warm bath for the first time in weeks. She gifts him the clothes as well, saying it's, "an honorary thanks from my brother, for helping me get here." They bid each other farewell in the morning, the old man telling her to keep hold of fate.

She finds her way to the Swooping Bat easily, hand on her necklace guiding her way. It's a quaint little diner, popular enough to be comfortably warm when she walks in. A young lady in a wheelchair - Max, says her nametag, with pins saying things like, "Summer work blows" and "USC grad or bust!" resting on her collar - guides her to a booth next to the sunrise.

"Anything I can get you today?" Max asks when Veronica's seated.

Veronica's fully ready to order everything on the menu, what with how delicious this place smells, but then she remembers her funds. 5 bucks, if she's lucky. "Just a chocolate milk, for now. Biggest one you have, please." She somehow plays off Max's skeptical look, her eyes sweeping over Veronica's no doubt disheveled and no-food-in-36-hours appearance.

It somehow works out, and Max is wheeling away. Veronica allows herself a moment to collapse, stomach growling in pain and eyes burning with the realization she has no idea what she's going to do now. She just has this last bit of hope to hold onto, and without it, she'll be nothing but a husk.

She's not sure how long she sits there, staring at the sunrise and letting sound and AC whisk her mind away, but there's suddenly a little knock on her table. Her head snaps up, and there's Max again, setting down a giant glass of chocolate milk... alongside a loaded breakfast plate.

"It's on the house," Max rushes to explain, all fondness when Veronica scrambles to get her wallet. "Courtesy of the owner. And between you and me," she whispers with a wink, "just take the damn food, kid."

Veronica stumbles over herself for a moment, rendered near speechless, before she finally comes back. She begs Max to thank the owner profusely, before rushing to dig into the pancakes before her. She's halfway done dousing the stack in syrup by the time Max wheels away, when there's suddenly someone laughing.

"Of course," says a choked-up voice behind her. "Can't have any chickpeas starving in my booths."

Veronica nearly drops her fork. She turns so sharply she gets dizzy. Seven years can't change a person that much, surely, because though he's bigger in the torso and he has glasses on the bridge of his nose and his hair is cut so close, he still has the same softness in his voice and the same slouch in his stance and the same moles around his eyes and his smile is so bright despite the tears in his eyes, and though Veronica can barely see through tears herself, it's not like she needs them anyway to know it's-

"Steve!" she cries, scrambling out of the booth to meet her brother halfway. The relief of it all working out has the rest of her restraint collapsing, forcing harsh sobs out of her and into Steve's shoulder. The siblings hold each other in the middle of a restaurant, a voice in the background asking everyone to leave them be. Steve doesn't stop whispering, even as his chest heaves with broken gasps between tears, "You're save, Veronica, I got you, I got you, it's gonna be okay, you're safe here, it's okay, sis, it's okay..."

"That you, lil' chickpea?" whispers a different voice once they've calmed down. Veronica reluctantly pulls away and finds a man kneeling beside them, a hand on Steve's shoulder and similar tears in his eyes. His hair and tattoos remind her of the tamed wild from seven years ago, covered in black in the middle of church yet glowing brighter than the stained glass, the one that Steve looks at in past and present with a glowing love Veronica never saw between her parents.

"Yeah," she whispers, wiping her tears away before placing a hand atop her necklace. It catches Eddie and Steve's eyes and make them beam with pride and relief. "Yeah, it's... it's me...."

[raticalshoez]

Funny observations (to me) that I noticed regarding the Life Series

Skizz is a naturally kind, trusting person who has faith in people, but doesn't ever let anyone treat him as a doormat or a pushover. Tango on the other hand is not a very trusting person who can easily pick out suspicious people, and is constantly on edge about who to trust, yet somehow is more likely to be a doormat or pushover than Skizz is???

Lizzie is the least whimsical woman (or rather, feminine presenting person) on this server. You may think that goes to Cleo for their sorta realist mindset and fear mongering status, or like Pearl because of her incredibly depressing lore, or Gem because she can be insane sometimes, but no it's Lizzie. All of them love cute things, but I think the other three fawn over cute things in endearing ways while Lizzie expresses her love very blunt and dry. In the best way possible, she is like the server's cranky old woman to me. Does anyone see my vision or do I sound insane.

People do not talk about or write enough about Jimmy's habit of talking real big and threatening things and sizing himself up to only immediately shoot himself down and run off terrified when challenged by something a bit too threatening or a bit too much for him to handle. It is one of my favorite character defining mannerisms of Jimmy because it's so funny to me. I love wholesome, golden retriever man, but he is also this and I don't see it nearly enough

In Secret Life, when Gem was giving Etho flack for not attacking Cleo during the boogeypocalypse, Bdubs immediately jumps in to defend him by saying "Well, I can't help but notice Scott's not dead yet either, Gem!" Like. Just a moment ago you were scolding him too. He cannot let Etho be in a negative situation for even one second....please get a grip girl he ain't devoted to you rn......you don't have to all that for him...

Etho gets called washed up the most in Limited Life and yet that is the season where he placed the highest and I think that is hilarious

[obsessedwithstarwars]

Question for the DP fandom:

Do you think Danny’s hair turns white when it falls out? It’s technically dead cells anyway but when it naturally falls off his head, do you think it turns white? Because I think it would be hilarious if his hairbrush just has white hair, no black strands whatsoever, and his significant other thought the worst until they know his secret.

[solivigantkaiba]

Bruce, going over case notes behind the sofa.

Dick: "Bruce, can I have chicken nuggets?"

Bruce: "*grunt*"

Dick: "Yeah, but I'm little, I can't reach the freezer and I don't think I'm allowed to fry anything by myself."

Bruce: "......*chirp*"

Dick: "Ok."

Bruce makes his way to the pantry, grabs a stepstool, places it by the cabinet, and trips over it.

"B? Are you ok?"

"*grunt*"

"I don't think the floor is that comfortable."

A tiny Grayson moves to lay by his incapacitated guardian, "oh, wait,.....maybe"

15 min later

"Master Bruce, Master Grayson, is there a particular reason I must inquire as to why you are laying on the linoleum floor?"

"B and I were gonna make nuggets, but neither of us know how.................so the floor it is."

".......I see, well if the young sirs would permit me, I can get started on those chicken nuggets and what say you a bit of a ceasar salad to accompany?"

"*chirp*"

"Yeah, that sounds good Alfie. B wants to know if we can have apple juice?"

"Of course."

Alfred steps over them both, Bruce in his embarrassment won't be moving and Dick has become very comfortable at his side.

[tlou-reid]

!smut, mdni!

thinking about spencer reid who has had a crush on the pretty BAU agent at the desk across from him ever since she started. she has been so swamped with work and paperwork and life recently and spencer notices the small changes in her behaviors because he notices every little thing about her. he sees the tighter grip she holds on her pens, making the ink bleed through the paper just slightly. he notices the way she starts to slam her coffee cup on the desk as opposed to gently sitting it down. he notices the heavy uptick of the amount of cups she’s having.

and it’s worse when they’re given a case. naturally, since they get along so well and since they’re probably the two smartest people in the world, hotch pairs spencer and his crush up throughout their time in phoenix, arizona. spencer sees the way she’s always cracking her knuckles and rubbing at the small of her back. he hear the tone in which she talks to the officers.

so, when they’ve finally caught their unsub just 6 days later, spencer makes sure to pick up her case files before she can even make it from her hotel room. he tucks them neatly under him as he sits down on the jet, carefully hiding them from her. he holds them hostage, knowing if she doesn’t see them, she won’t worry about them. out of sight, out of mind, as they say. she falls asleep quickly in the seat across from spencer. he can’t help but ogle at her beautiful sleeping form, knowing she really needs the rest.

and, once they returned to the musty bullpen that belongs to the BAU, spencer stays with her. he watches as she starts the paperwork he’d sneakily put on her desk, not letting her catch on to the fact that he’d taken it. he tries his best to focus on his own work, but the way she keeps groaning as she rolls her head back has him completely distracted. he’s barely three pages in when hotch emerges from his office, bidding both of them a goodbye and complimenting their work on the case

that just leaves spencer and the pretty agent across from him in the space.

time moves slower now, spencer thinks, which makes it even more agonizing to listen to her try to work out her over-exhausted muscles by herself. he can’t help himself as he breaks the comfortable silence that had been established.

“hey, y/n,” he inquires, knowing she probably doesn’t want to be disturbed right now. his suspicions prove to be true when she doesn’t look up, letting out a less than enthusiastic “hm?”.

“do you know the benefits of getting a massage?” this piques her interest, wondering where spencer was going to take this. sure, the recent stress in her life had her muscles aching at every hour of the day, but she didn’t think anyone had picked up on it. “i know the basics, spence.” she giggles, finally looking over at him.

he can’t dwell on the fact that this is the first time she’s smiled in about two weeks because his brain starts moving too fast for his mouth to keep up, “yeah, most people know they helps with muscle aches but they actually have a lot of benefits. massages help improve circulation and joint mobility. there’s also research that connects them to cosmetic effects, like improved and more even skin tones.”

he doesn’t expect her to still be paying attention to him, but he’s pleasantly surprised at the small smile spreading across her face. “hm, that sounds amazing. if only i wasn’t trapped here doing paperwork at almost three in the morning.” she answers sarcastically, turning back to her work. “i could give you a massage.” spencer stumbles out.

her cheeks start to heat up as she makes eye contact with him, wondering where he would take this. “i mean,” he backtracks, “i’ve read books on how to do shoulder and back massages. my eidetic memory means i could probably do an almost perfect one, if you’re interested. i’ve noticed the way you’ve been struggling with muscle aches.”

her face feels like it’s on fire with the way he’s making her blush. “um, sure, spencer, if you don’t mind.” she stutters and stumbles as she tries to accept his offer. he excitedly pushes himself of his hair, pulling up a closer one behind her.

his large hands start to knead at the knots at the base of her neck. he can feel the tension she’s built up over the past couple of weeks and tries to recall the techniques he’d read about so long ago.

this quickly becomes a challenging feat, as he moves his hands along the expanse of her back. she lets out light moans when he massages a particularly tight part of her muscle. the moans and grunts she’s making are going right to spencer’s cock. he’s so glad he’s behind her, because the tent in his pants continues to grow as he reaches the base of her back, where most of her pain had been.

her light moans have now increased in volume, and spencer is sure he should stop. he was not expecting to have this reaction from her, or react this way to her. his mind is cloudy and beginning to fill with filthy images that match the sounds she’s making now.

and god, he should stop. he knows he should pull his hands away from her, especially as he feels his stomach tighten and his dick throb in his pants. but he can’t. he needs to reach his release so bad, so he presses his fingers harder into her back, listening to the joyful sounds she’s letting out.

he doesn’t pull his hands away until he finally cums in his pants, too embarrassed to keep going. “thank you, spence. i feel a lot better. a lot less tense now.” she thanks him as he turns away from her, pushing in the chair he’d pulled over. he makes a few exclamations, saying it was no problem at all, before dashing off to the bathroom to try and get himself cleaned up.

[frownyalfred]

fic idea where the reason Batman doesn’t deal with paranormal/magic cases isn’t because he can’t, it’s because he’s secretly some sort of Fae (Wayne Family secret?) and has some sort of over-enhanced Sight that makes crime fighting easier but dealing with everything else an absolute nightmare because he Sees everything.

[mackrockatansky]