#it's like that quote

[erinwantstowrite]

bear with me here because i'm gonna ramble about something i've been thinking about for a while... and i'm not complaining, i'm just noticing

sometimes i think we've leaned so far into the vigilante side of the batfam that we miss out on what really makes their characters: detective work. we need more mysteries in their lives that don't lead up to some big bad "we already know who's doing it" or an "end of the world" or "yet again: this fucking guy." we need more stuff where spy movie music plays in the background and dumb adventures that don't lead up to some huge grand event with a big name villain. the shock factor stops being shocking or interesting in any capacity if we're like "Gah! the Joker! ... Again!" or whatever

does that even make sense? like "yeah sure they're blowing up a building again and there's hostages. oh look they're gonna poison the water supply." these aren't bad and that's not what i'm getting at because obviously this is a classic for comics. you need to have characters/antagonists that show up more than once and who can make a story better by being in it. and i did say to bear with me- that's because im tired. so like i hope im getting this across the right way? it's just that sometimes i don't wanna see a huge explosion, i want these motherfuckers solving a regular murder or a disappearance or regular corruption in a local office without it being tied to a grand reveal like "actually this person knows you as a long lost relative" or "they were at that circus can you guess which night they went?" that kind of thing? if you get me? like... more of the small time stuff makes the big stuff important, it makes it stand out more. at some point, the format gets repetitive even if you're switching up the villains. you can make these situations/mysteries still fun to solve for the characters and fun to read for the audience if you do it right

the concept of a detective dressed as a bat and having a sidekick in traffic light colors is inherently goofy as hell??? but that is what is so charming about it??? i think we have lost the balance between them being silly while also being intelligent with important conversations that criticize the world as we see it and teach lessons and can go over dark topics. nowadays it's always end of the world problems or just straight up the most gruesome true crime you can think of?? or they can ONLY do the dark stuff and the criticism without offering a balance of the good in the world. or we keep coming back to the FUCKING JOKER-

like yes they are vigilantes and with that comes a different level of their work, but their brand should be a mix between a black and white detective film that can get very nitty gritty and a classic spy movie, that kind of thing. at the end of the day, it's what makes them so different from the superheroes. that's what appeals to me.

seeing them in the big superhero groups is fun, don't get me wrong. it's always funny to see them standing next to people who are so powerful they never really fit in with anyone but each other, who chose to step up and use their powers for good. the Bats' specialty is Gotham and yet here they are stopping a god or whatever. and they do stop the god or whatever, all the while being an important leader and strategist to their teammates. they're important to have in these cases. but if there's a world ending event every time i pick something up, it's not as fun

the fact that they are so very human and not fantastical is why i like reading them. it's what makes the joke of people, even Gotham citizens, theorizing about them being cryptids, funny. they're fucking weird but that's because they're detectives. people who love to solve mysteries usually have a fatal flaw of curiosity. they forget the bounds between social interactions sometimes because they're used to working through problems or being intertwined with partners that understand them. but they're very much human. so human that it hurts them in many ways. and idk i've just been thinking about it lately and idk what point i'm trying to get across actually

it's just that in my eyes that's how it really is for Batman- a black and white movie narrated by a very serious man who took up a job to help people, one that has a deeper commentary on the world and viewed outwardly as pessimistic but actually has a deep hope for his city and who tries to help even the people who have wronged others. He's a stationary man in the belief that him being a constant can serve to soothe others and help them move forward. He stays in the middle of the path so he can tell everyone what is up ahead. he blends into the Gotham rainy night to serve justice but in a way that saves both the victim and the perpetrator. (the way he tucks a Robin into his cape is the same he does for Gotham with his mere presence.) and his background is actually so important to his story and yet people still somehow gloss over the lesson from it? he lost his parents because of a man who was on the opposite end of the spectrum to where he was in life. and yet he chose to help the people like the man that killed his parents. he could have done anything else with his power and money, but he instead is choosing to bring as many people up with him as he can. He's Mr. Serious that no one else can get a read on. and yet he walks into a room and he's already piecing together your life and what you're going through because he thinks it matters. he comforts people who have lost something or someone or themselves. I picture Batman and I don't picture a man trying to save the world, I picture a detective walking around a crime scene and trying to save at least one person every time he puts on the cape. and he put on the cape and became a vigilante because then he could go out of the bounds of what laws have been set up- and specifically, Gotham has other people in power who are corrupt, keeping the system that way. that's why Batman being a billionare and throwing himself into helping people at the risk of his own life is so important. he knows that if you are alive, you have something or someone to lose, no matter who you are. the dude is a bleeding heart but he doesn't know how to express it, in fear that if he gets too close, if he moves down the path with them, he'll be lost again

and then he's met with someone who should be a complete opposite, but isn't at all, because they're two sides of the same coin. his partner in crime, his son, a boy that is nothing like the black and white world that he sees. and that's the point in his life where he first sees that potentially getting lost is worth the risk. Robin is color and passion that needs guidance to move forward, but can not do so unless the stationary man learns to move with him. the kid is loud and reckless and you'd think he's from a different genre from the detective but they aren't so different, really. not when you look close enough. Dick grew up moving from place to place and seeing the world, knowing so many different people from different cultures. He's been learning to fly and jump and embrace the free fall his entire life. He's clever and he's sharp, and he thrives in the action and adventure. it's that perspective that compliments the stationary man. one is steady and the other pushes. he's the same genre but a different generation. and Batman introducing him to the way of life he chose for himself was another way he could save someone. because let's be real for a second? Dick would have gone down a very dark path had he not had Bruce, who understood, who saw not just himself in the kid but also saw who the kid has been his entire life until now. he saw Dick's parents, he saw the family he had in the circus, he saw the joy he had in what his family was doing. he saw the grief and the fire and the color that Dick's world was made of. because to Bruce, it always matters. Dick had to come to terms with Bruce's perspective to help anyone who they come across, to always give more chances, and it kept Dick from losing his color

what gets me is that the man who lives in the black and white world can actually see many different shades of gray (because black and white always needs the medium), whereas the boy in a world of color and light can get so focused on the bright that he can become single minded. and yet the boy sees a world of color and delves deeper into the lives of the peolle they come across and can be much more open minded, and the man in the black and white world sometimes forgets the shades of grey are right there. they are just like each other. they can exist without the other, but do they want to? because the black and white can be built up into the colored image, like the inking and shadows drawn on a comic book page before the colors are added in. they meet in the middle to complete each other. Bruce has been passing the story over to the next generation for a long, long time, even before his story was complete. and just like with the first Robin, it was so for every Robin afterwards. they each color in the lines differently, but that's what makes Robin so special, so unique. they are an art style that branches into their own life, but can not forget where they started: tucked into Batman's cape and the inky black of his world

and so detective work really frames their hunanity to me. the mysteries they get their hands on, the glimpses into the lives of Gotham citizens that they swore to protect, it's fascinating. it's what makes their story stand out compared to the people who can lift trucks or cast spells or run around the world in seconds. so yeah ig that's what i'm trying to say? that i want to read more of that? in both canon and fanon. cause even the small time villains we see can be like. AWFUL people and it takes out the fun of their gimmicks. and if it were any other day this would be a more coherent post but alas, it is not any other day

[septemberkisses]

the fact that i'm no longer the same age as the protagonists of novels and films i once connected to is so heartbreaking. there was a time when I looked forward to turning their age. i did. and i also outgrew them. i continue to age, but they don't; never will. the immortality of fiction is beautiful, but cruel.

[evidently-endless]

i think we should remind musicians they can absolutely make up little stories for their songs btw. it doesn’t have to be about them at all. you can invent a guy and put him in situations to music. time honoured tradition in fact.

[red-replacement]

jason: why are you looking at me like that?

damian, age 4, wondering why jason looks white if he's his brother: you're colored wrong

jason: what the fuck?

[wondersimp]

*Someone asks Dick to pass the salt*

Damian: …Grayson, how do you tell apart someone addressing you by the name ‘Dick,’ from one who is insulting you by the genitalia word ‘dick?’

Dick: …Well, um

Jason: He can’t.

Dick: What no, of course I-!

Jason: *maintains eye contact* Trust me, You. Can’t.

Dick: *stares* How often are calling me a Dick and not my name?

Tim: *without looking up from his phone* Oh, it’s usually used synonymously.

Dick:

Damian: I see. *goes back to eating*

Dick: *mentally questions every time someone’s said his name*

[duckysprouts]

brain chemistry changed from no longer you and monster btw

[fanaticalthings]

Bruce Wayne except he texts like an ominous boomer

wdym you can't tell if he's threatening them?

Based on this post by @mysterycitrus :)

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Bonus:

Happy birthday, Tim 🥰

[demonicsuffrage]

Tim, abruptly standing up in shock: Wait, I just realised that Damian will graduate highschool in 2032

Damian, rasing a brow: Yes, ofcourse? As I am currently in fourth grad-

Jason, spitting out water: What the fuck? 2032?

Steph, pointing accusingly: That's not a real graduation year you made that up!

Dick: I think I just threw up in my mouth a little

Duke, with his head in his hands: Does anyone else feel both their feet in the grave? I graduated this year!

Dick: Feet? More like my entire body, I finished high school years ago!

Cass: Guys I think Bruce is crying

[druid-for-hire]

There's this sort of anthropomorphizing that inherently happens in language that really gets me sometimes. I'm still not over the terminology of "gravity assist," the technique where we launch satellites into the orbit of other planets so that we can build momentum via the astounding and literally astronomical strength of their gravitational forces, to "slingshot" them into the direction we need with a speed that we could never, ever, ever create ourselves. I mean, some of these slingshots easily get probes hurtling through space at tens of thousands of miles per hour. Wikipedia has a handy diagram of the Voyager 1 satellite doing such a thing.

"Gravity assist." "Slingshot." Of course, on a very basic and objective level, yes, we are taking advantage of forces generated by outside objects to specifically help in our goals. We're getting help from objects in the same way a river can power a mill. And of course we call it a "slingshot," because the motion is very similar (mentally at least; I can't be sure about the exact physics).

Plus, especially compared to the other sciences, the terminology for astrophysics is like, really straightforward. "Black hole?" Damn yeah it sure is. "Big bang?" It sure was. "Galactic cluster?" Buddy you're never gonna guess what this is. I think it's an effect of the fact that language is generally developed for life on earth and all the strange variances that happen on its surface, that applying it to something as alien and vast as space, general terms tend to suffice very well in a lot more places than, like... idk, botany.

But, like. "Gravity assist." I still can't get the notion out of my head that such language implies us receiving active help from our celestial neighbors. They come to our aid. We are working together. We are assisted. Jupiter and the other planets saw our little messengers coming from its pale blue molecular cousin, and we set up the physics just right, so that they could help us send them out to far stranger places than this, to tell us all about what they find out there.

We are assisted.

And there is no better way to illustrate my feelings on the matter than to just show you guys one of my favorite paintings, this 1973 NASA art by Rick Guidice to show the Pioneer probe doing this exact thing:

"... You, sent out beyond your recall, go to the limits of your longing. Embody me. ..."

Gravity assist.

[dickgraysonmybeloved]

Bruce, High on pain killers: I hate to tell you this, but one of you is adopted

The Batfam: …

Dick: .. only one?

[definitelysome1]

Tim: do you guys ever think about the fact that we’ve all hated someone here at one point?

Jason: what the hell are you talking about?

Tim: well, Dick you hated Jason when he first became Robin, right?

Dick: uhh, yeah I guess?

Tim: and Jason, you hated me when you came back from the dead.

Jason: I mean sure. I mostly hated B for replacing me and I took it out on you. But sure

Tim: I hated Damian when he first became Robin and he hated me

Damian: hm

Dick:I guess I see where you’re going, but what about Duke? He’s out of the loop isn’t he?

Tim: no. He hated you.

Dick: WHAT? You hated me Duke? Why???

Duke: you’re a cop dude… you know I hate cops

Dick: oh yeah i totally forgot that

Jason: HA! Get wrecked goldie

[notrobinsomethingworse]

Tim, sprinting into Jason’s room, sticking in all directions, looking around with wide eyes.

Jason, on his bed reading a book: What the fuck are you doing?

Tim, quickly looking behind him and back at Jason’s bed: If he asks I’m not here.

Jason: What?

Tim, sprinting so fast he trips back and slides under semi under Jason’s bed. He doesn’t quite make it all the way through, instead having to awkwardly shuffle under: I’m. Not. Here.

Jason: What the fuck.

Dick, dressed in a suit but with a long worm-on-a-string around his neck: WHERE THE FUCK IS HE?

Jason, immediately pointing under the bed.

Dick, grabs something and yanking it out: FUCKER. WHERE ARE MY TIES.

Tim, already struggling: YOU GAVE ME PEPSI. I ASKED FOR COKE.

Dick: I HAVE A MEETING TODAY.

Tim: SHOULDVE THOUGHT ABOUT THAT SOONER BITCH.

Jason, turns another page.

[thebat-musicman]

Odysseus: *lying, traveling, stealing, etc*

Hermes, the god of all those things: YOURE DOING AMAZING SWEETIE

[anyknotrants]

-after Damian turned 16, at the family dinner-

Bruce: so... Damian, do you remember the Oreov girl you met at the gala last week?

Damian: *looks up* yes

Bruce: what do you think of her...?

Dick: *tries not to laugh*

Tim: *fails not to laugh*

Steph: *doesn't even try not to laugh*

Damian: she was... acceptable, if a bit annoying, why do you ask?

Tim: He's trying to set you up!

Batkids -Damian: *laughs*

Damian: *stares blankly*

Bruce: of course, you don't hav-

Damian: father, are you unaware that I'm in a committed relationship?

Duke, Tim and Dick: *choke on their food*

Steph: *chokes on her drink*

Cass: *smiles*

Batkids: WHAT?!

Bruce: ... I-....

Jason: *laughs so hard he almost falls from his chair* oh Jesus Christ! The world's best detectives at their finest!

Dick: you knew? And you didn't tell me?!

Jason: where the fuck do you think he went almost every fucking friday?

Bruce: *turns to Damian* I- I though you were having sleepover with Jon

Damian: I was.

Dick: but you just-

Batfam: *stops all their movememnt as they realize*

Jason: *actually falls from his chair laughing*

Bruce: JONATHAN SAMUEL KENT!

-over at the Kent farm, also having family dinner-

Jon, who heard Bruce shout his name: I feel like I'm going to get murdered by a bat in my sleep

Clark, who was also listening in: right after you explain why I had to find out you're dating Damian throught their family dinner

Jon: hehe... fuck

[cataclysmictide]

DO YOU HEAR ME? GET UP.

[fanaticalthings]

Jason Todd with his goons: