#it’s something that it seems like other people experience but I can never articulate like…the frequency or intensity or w/e when I talk to

[ceciliathecabinwitch]

This will probably be poorly articulated because I don’t know how to describe it, exactly, but like…

So I’ve been reconnecting with some friends from high school/general youth, including some I used to be very close with

And I’m one of those weirdo genealogy nerds, with some ancestor work on the side

But there’s something about the reconnection with old friends, like the specific Feeling that grows up in my chest, it’s incredibly similar to the feeling I get when I’m doing anything related to my family history, magical or research or otherwise

I think it’s something in the way I view the people, the way where when it’s family tree stuff it’s acknowledging that like, these are real people and these people are a part of me and I may never know them personally but I genuinely feel love for them and I want to know what I can, and with my friends it’s acknowledging that they’re real people who I went through things with and it was different for them, that I have known them so personally before and now we’ve all lived at least one entirely new life since we last spent time together but I still genuinely love them and I want to be a part of their lives again

But I rely so much of my life one the way different things make me Feel, where I feel it, how I feel it, and it’s just interesting to me that those two things Feel similar

I don’t know, I’m rambling and I’m sure I’ve messed up the phrasing somewhere so this sounds ridiculous

[teaboot]

This is gonna sound rather conceited but I feel like it highlights an issue we have in Art.

I'm good at art. I've never had a hard time making art. I started using crayons before I could walk. Painting, Beadwork, sculpture, sketching, stippling, whatever- once I have a feel for the material, it doesn't take long to start doing what I want with it. It's been a common theme my whole life.

(Y contrast I'm awful at things like dancing, performance, sports, etc- in all things there is balance, right?)

Now, I've taught myself to use so many artistic mediums now that I KNOW how to most efficiently integrate them into the brain database. Once you really *understand* a material, it's much like memorizing the layout of your house, or flexing a muscle, or something in-between- it becomes PART of your brain in a way I cant quite articulate. But to get there involves just fucking around for a bit doing nothing in particular.

And I've found, especially in group settings, that nobody seems to be able to see you make something badly and leave you alone. Even if you say you're fine, you don't want help, you're happy, you're having fun, it's fine, they gotta ride your ass and hover.

I was at a class the other day for something I hadn't done before. The medium was one I've never used, so once the instructor told us the basics I started experimenting with weight, gravity, texture, viscosity, saturation, temperature, etc. The instructor had given enough info to know what was dangerous and what was safe, and beyond that I just wanted to absorb what I could about it.

And no insult to the instructor, but they kept checking in. Which was fine the first few times.

But then, without asking me what I was trying to do, started giving tips. That I told them I was grateful for but didn't really need just yet. If I had a question, I'd ask.

But they kept coming over. And touching my shit. And manipulating my project. And touching my hands. And using my tools. Without fucking asking.

And this happens every time. EVERY TIME. And by now I know the best way to get them to fuck off is to make something way beyond their expectations so they know I'm capable, then go back to doing what I want.

So I did. I wanted to keep having fun and learning, but instead I made something beautiful that I really didn't want to make, and wasted my time, and really didn't learn what I wanted to learn at all. I knew the formula to create a beautiful thing, so I followed that formula the same way I have a hundred times before, and didn't get to try anything spontaneous or ugly or exciting, just so I could be left alone.

And I know when I was a kid, I was aware aware people saw me puttering alone on something ugly assumed I had a special issue and treated me like I was stupid because of that. (I was neurodivergent.) And at at time I knew that I could do a neat trick for them like a trained pony and they'd go, "Oh, surely they aren't defective if they can do something like that!" And piss off.

But what if I hadn't known how to do that?

What if I hadn't been talented, or "special"?

What if I'd been just any other average kid trying to learn, and I couldn't pop something pretty out of my ass to get them off my back?

My problem my whole life has been that I haven't been allowed to make anything ugly in peace. I'm capable of beauty, so I have to make beauty, or get stepped on. And once people see what I can do, they get loud about it. "Look at this! Look what they did! We all know who the best is, don't we?". And that used to feel good, but it's tiring.

And how many people like me just wanted to play? Just wanted to have fun and experiment? Who were having fun with no goal in mind, or just took longer to learn, who gave up because of all the obnoxious helpers breathing down their neck with no way to shake them off?

How many of us are made to feel defective because we aren't doing things beautifully?

I have a lovely piece of art I didn't want to make.

I think I'm gonna frame it.*

(*I think I'm gonna burn it in my yard.)

[mstase]

— ; ASTROLOGY OBSERVATIONS

mercury-venus people usually possess nicely shaped, plump, and rosy lips. their voices are soothing and pleasant to listen to, and they have a charming and articulate way of expressing themselves. 🤌🗣️

people with moon-neptune aspects feel emotions more intensely and get easily hurt by the slightest things. their emotions are like sponges, soaking up feelings from around them because their emotional boundaries are not as clear. it’s crucial for them to develop healthy ways to handle emotions and set boundaries to navigate their feelings.

i have never met someone with mars-pluto who isn’t deeply committed to their pursuits. these people exhibit a fervent and determined approach to their hobbies, goals, and preferences. very intense when passionate about something. 👺

people with venus in 4th house are so sentimental, which they express by taking photos and collecting things that hold significance to them. these individuals find joy in revisiting cherished memories, often feeling a strong sense of nostalgia and fondness when reminiscing about the past.

aries risings are so easy to spot, imo. their goal-oriented and driven personalities are so noticeable. they always effortlessly carry themselves with a sense of confidence, even if they aren’t feeling that way. also, they have the body goals and can seem to be everyone’s type. 👠

i feel like people with venus in 10th house are more inclined to keep their romantic relationships private and not show off their partners in a flamboyant or public manner. there could be a preference for a more reserved and discreet expression of affection, aligning with the conservative traits associated with capricorn.

also, they value their reputation highly, and as a result, they may be sensitive to criticism. the fear of negative judgment or criticism can affect them emotionally, leading them to be cautious and selective in how much they disclose about their personal life in public settings.

jupiter in 11th house natives are so lucky when it comes to friends. they have a natural ability to gain favor and support from others, especially within their social circles. their optimistic and generous nature can attract friends who are willing to help them in their personal and intellectual growth

natives with saturn-ascendant may naturally have a serious or contemplative facial expression, which can lead others to assume they are upset or mad even when they may not be. 🤷🏻‍♀️

pluto in 7th house people have *major* trust issues, often stemming from deep-seated experiences of being used or witnessing toxic relationships, particularly within their family or home environment. this placement can make them psychologically inclined to analyze and understand someone on a profound level before forming close connections.

mars in taurus individuals tend to exhibit a slower pace in their movements, including walking. these individuals may find comfort in taking their time, preferring a measured and persistent stride over hurried or impulsive actions.

this is really short but i hope you enjoyed reading it <3 @mstase

[sparklemaia]

Heyyy!!

So I've recently read a lot of your comics about top surgery, and I really resonate with your experience (I haven't had it myself but I'd like to). I've recently been exploring my own gender and realising I might be non binary, but I guess I feel sort of an imposter in that I want to keep my name and pronouns (afab), despite feeling like I never got the memo about what a "woman" is, which I know is fine, but I guess I was wondering how the shift from your agab into realising you were nb felt?

Like, you seem to describe your gender as sort of unknowable and indefinable, and I guess that's sort of how I feel? I just want to be... More me. I guess what I'm really asking is, how would you define/feel about that shift into realising you were nonbinary, do you still feel connected to your agab, how do you reconcile the two?

Sorry for the long ask!

Hi, this is such a good question! I actually DO still feel pretty connected to my agab. I feel like I am a girl but also more than a girl but also not enough of a girl, simultaneously. (Weirdly, I never ever feel like a woman, and definitely not a man, but I do feel like an adult at least some of the time.) Top surgery was 100% the right decision for me; my body feels so much more correct and I am grateful every single day this procedure was accessible to me. (I was on a low dose of T for a year and a half too, and I basically just got biceps and a sliiiightly lower voice out of it. We stan.) I simply don't have strong feelings about how these things do or do not map onto gender identity or other people's perceptions of my gender. I am generally perceived as female, and that's fine! Like, close enough! I often feel somewhere BETWEEN cis and trans, or even between cis and nonbinary, and sometimes I joke that I'm just "nonbinary for insurance purposes." I mostly use she/her pronouns, although won't object to they/them. I like my "feminine" name -- I chose it myself years ago for reasons unrelated to gender and I have no plans to change it again. In terms of gender presentation I'm usually somewhere in the "tomboy femme" zone. Basically, I've been through a medical transition but not a social transition. Which is not very common, or at least I haven't seen much representation of it! (Be the bad trans representation you want to see in the world, i guess??)

Even though the words are often used interchangeably, I feel more alliance to genderqueer as a label than nonbinary, because nonbinary feels too clinical and "third checkbox"y to me, whereas genderqueer feels more expansive and undefinable and dynamic, with space for the ways in which I both am and am not performing girlhood correctly. When pressed to pick a gender word for myself, that one feels the closest. But if I'm filling out a government form or whatever? Yeah sure F is fine.

A lot of where I land with this stuff, though, is just kind of relaxing my grip on language. Top surgery was a relief, it helped me feel present in and connected to my body. Ultimately it doesn't matter much to me how much of that was *gender* dysphoria and how much of it was just... something I wanted, a way to make my body feel more like mine, to align my mental image of myself with the thing I had to stuff into clothes and walk around the city every day. I believe very strongly in bodily autonomy, and in making our lives as easy and comfortable and joyful as we can for ourselves, without needing to have a clean and tidy explanation for our choices. It is very possible to know with reasonable certainty that you want something, that it will be a net positive for your life, without being able to articulate, even to yourself, WHY you want it. It doesn't need to have a bigger meaning than ahh yes, this feels right. At this point in my life, I'm more invested in marveling at the sheer improbability of my own existence than in wedging myself into the taxonomy of known and acceptable gender narratives. I'm just a person, here for the merest twinkle of a moment in cosmic history, making soup and knitting baby hats and admiring bugs and singing off-key and cutting my own hair and doing my gosh darn best to light my tiny patch of night sky with stories so that you (and you, and you) feel less alone on your own journey through the unfurling dark. Gender is just such an inconsequential detail in the narrative of my life, and pretty open to reader interpretation anyway.

Not having to wear bras is pretty great though ngl

[weirdmageddon]

why i think aradia and john work so well

(with some stuff i’ve been wanting to yap about for ages)

have you guys ever given arajohn / johnradia (idk if its popular enough to even have a standardized ship name) any thought …? i know it seems kind of out of left field. i’ve considered it and i think its. really really good. i have a bunch of thoughts to unpack. come join me. and maybe grab a snack or something because i didn’t realize how much i'd actually have to say about this

(fantastic art by skeletood)

the other day i made a tweet that did rather well where i said, “john and aradia shouldve talked more. its so simple but i like how she actually earnestly answers his questions. so many characters in this comic are so mean to john for just wanting to know more give him a break”

putting it out there now im not big about shipping for the sake of shipping. there needs to be real chemistry. i need to sense that as a reason why two characters would potentially be a good influence on each other. i never knew why i was always so obstinate about this because it’s fictional and not materially hurting anyone, but i think it might be because i’m not sure how to justify it or explain it if not.

i strongly believe john and aradia would have had it made out for them if circumstances allowed it. (what i mean by “ship” or “johnradia” extends to any kind of interpersonal dynamic, even if just a good friendship. it doesnt even have to be romantic, just some sort of dynamic with them.)

unfortunately aradia originally committed herself to staying out of trolling the kids over their timelines, so john and aradia never talked until year 3 on the ship in the dream bubbles but they never had a truly proper one-on-one without outside meddling. i think if john knew aradia better and her story beforehand, she had more time to explain herself and her history, he wouldnt have been unsettled. and also of course if his experience with the trolls didn’t suck so bad because he already had expectations for how antagonizing most of them were.

i found people’s sentiments about johnradia elsewhere too. i remembered that they were both on the song art for ascend, and searched ao3 to see how many fics have been written to gauge how substaintial it’s been in the homestuck fandom. only 17 of them turned up. but the people who do talk about it are either curious about it or really do like it, and that interested me.

clearly it’s pretty niche character relationship to be depicted in any fanwork and i can understand why. despite being so small, from what ive seen it seems universally agreed upon to be nice. i haven’t seen a single person object to it. what ive seen falls into two categories: “wow i didnt think about this before but i actually dig it” or “(starving) finally some good fucking food”

the pattern im seeing is that people think it’s “random”, but i disagree. there is something there substantiating it even if they’re unable to articulate it.

the fanfic these comments are from is chronology of wind. that fic is really, really good, and sadly unfinished. i have more abstract reasons to believe why aradia and john would be good in theory, so actually seeing someone else actually make something with them helped me read it in action, to get a more tangible feel of the dynamic beyond what we have in canon.

i wouldn’t normally make claims about a relationship with regard to homestuck canon by looking at their relationship in a fanfic, because i think you all know by now i am very nitpicky about accurate characterization, and it does not go unnoticed by me when people get it right because for some reason it feels like a one in a million thing (even though it really shouldn’t be?). so this was a special case. the tone was completely consistent with canon. this fic is so in-character i’d basically consider it an extension of canon. to me it’s like they took the same characters and plopped them into this scenario to see how they’d interact. guys… i love that stuff so much. i love fanfiction or fanworks that depict realistic extensions of canon and stays true to the energy and tone of the source, but deepens it. there isn’t enough of it imo. i want to see more of it.

anyway, what i read of their conversations in that fic basically aligned with what i was thinking in my head about what i’d expect it to be like. i was able to compare how aradia and john talked to how aradia and the other characters interacted, their comparative attitudes towards each other—how they’re treated by others compared to how they treat each other.

have you noticed john and aradia’s communication values are both based on sincerity, being in the proper know, treating people fairly, and thanklessly taking on the necessary work that “must be done” in order to have what they really want — a good time that feels meaningful? and they accomplish this without any adjustment in how they talk to each other.

john is always subtly (or not-so-subtly) asking the people around him to answer him soberly and to the point so he knows whats going on and what that means for what his options are. he needs to know to what end he will be applying his absurd energetic drive into making shit happen. aradia honors his time before john can even become uncomfortable with the amount of time being eaten up by conversation. contrast this with rose, who seems to go on for a while with prose-like conversational adornments. in dire situations that need rapid explanation and definitive answers so he knows what to do, this is really the last thing he needs. aradia doesnt waste john’s time. she answers all his questions, and does it politely to boot. his time talking to her doesn't feel wasted.

john's impatience with this sort of nonsense is also why i can’t see something like dirkjohn working out, for example. to me it feels like @entropicbias also deeply understands this on some level because i literally couldn’t have demonstrated what i mean by it any better myself than that. i'm gonna have to to hit him up about how much i genuinely respect that like tbh hes one of the few i absolutely trust to handle writing and depicting these characters in situations and their interpersonal dynamics. and also care about doing their characterization justice as much as me.

of course people are still entitled to like whatever they like, ship whatever they want to. i dont care. but i just don’t think it would work from the perspective of the minds of the canon characters, how they generally think and approach situations. and i can already tell people might ask me how do i know this? what makes me an expert? i’m not more than anyone else is (although i have been called a "characterization expert" from my friends), but i do know that i can pick up on the energetic chemistry between people, including characters, honestly precognitively, without even thinking? like if it’s stiff or tense or awkward, if people aren’t free to express themselves uninhibitedly, if they feel unsafe or uncomfortable. i can sense this almost instantly. it’s something that’s a visceral feeling in my body i cant express and i have to rationalize it after the fact. like i’m doing now in fact writing this big analysis.

> listen to me talk about my special interest boy

for the next section to make sense, you probably want to read this post. i initially started writing it within this post to explain but there was so much brewing i had to explain the context that it turned into something i wanted to post on its own terms.

> okaaaaaayyyyy i read all that

thank you, really. my main point is using the conceptual tools provided by this system to expIain why aradia and john feel nice together and why i’ve seen people positively perceive the idea of a relationship between them even if it seems “random”.

framing them in this system, it wouldn’t be random! there’s a good reason they seem to fit nicely. this is because john and aradia have complementary forms of information metabolism. information metabolism is talked about in this section.

Jung’s psychic types are the types of cognition, or intelligence. But it would probably be easiest to call them types of IM [information metabolism], since the main difference between the types of people lies in their exchange of information with the external world.

Aushra Augusta, Commentary on Jung’s Typology and Introduction to Information Metabolism

aradia megido’s type of information metabolism (otherwise known as a TIM) is LII. john egbert’s TIM is ESE.

aradia and john’s types are duals. you can read more about what that entails here. in theory, their interactions would reflect the duality dynamic. reading chronology of wind, that one really in-character fic that explored their dynamic made me excited because they do!

michael pierce gave an overview of his impression of the characteristics of this intertype dynamic. despite only rough knowledge in socionics while he wrote this, his understanding of duality was spot on to me from my experience and others and i wanted to share it here. (fittingly, i believe he is also LII.)

Now we have the famous duality relationship: in a nutshell, this role is characterized by two traits: 1) a very close psychological distance or intimacy, and 2) a great ease of interacting with each other. It is sometimes described how meeting one's dual can be the event of a lifetime, because it inspires aspects in each party's character that they had never expressed before: the pair may even drop out of society for a time in order to focus on just each other, and to explore themselves through interaction with each other. The curious thing in this relationship is that these parties are rather different in outlook, and when they are not actually interacting as potential friends it's probably more likely for them to dislike or mistrust each other because of how different they are. […] However, when they are able to interact normally, it is a strange and wonderful discovery to realize that the interaction is unexpectedly smooth and invigorating. It's hard for people to describe, but as I understand it: while both parties recognize their differences on the surface, these differences are created by a root structure that coincides perfectly with each other, so that the differences on the surface are entirely complementary and cause no friction at all.

it’s also meaningful to consider that the structure of my own psyche is LII as well. so i’ve got a bit of a bias towards aradia and john.. not in the sense that what i actually say about them is personally biased, but that the bias is moreso my personal attention to people and characters of these two types in particular to see how my own experiences are reflected in them. i really do feel of a reflection of my own thought and work process in aradia and in the more abstract sense she is like an extension of myself. when people say they like aradia as a character i get secondhand joy from that because shares certain specific traits with me. of course i am still my own person though.

these are some of the most apt profiles i've found for these types at a glance. again, think about these characters as you read these descriptions. [from here (ESE / LII)]

ESE (Ethical-sensory extrovert) - john

The trademark quality of this type is a focus on socializing and guiding social situations and interactions so that the people involved can have fun and enjoy themselves. ESEs are typically in the middle of what is happening socially and know about the latest events and what people think and feel about them. They are skilled at bringing people together in fun and interesting ways and making everyone feel actively involved. Their friends know them as people who love life and feel most at home in social situations surrounded by other fun people. In their pursuit of fun-oriented and stimulating social interactions, ESEs typically neglect to structure their own thought processes and views in a way that would help them know exactly what they think and why. They are receptive to others’ attempts to help them introduce more structure and logical consistency in their life and thinking processes. They gravitate most to people who open up to fun and emotional interaction easily, yet are also skilled at systematizing thoughts and views and explaining ideological matters.

LII (Logical-intuitive introvert) - aradia

The trademark quality of this type is a focus on logical, structured thought and generating true assertions and views. LIIs are typically strict thinkers who are concerned that everything fits together in a logical way. They are skilled at understanding, generating, and criticizing logical arguments and instilling their views in the people around them. Their friends know them as people with well-organized thoughts and opinions who know what they think and can elucidate their ideas to others. In their pursuit of logical understanding, LIIs typically neglect their external social interactions and activities that would help them lighten up and experience a connection with other people. They are receptive to others’ attempts to create these fun and lighthearted situations for them. They gravitate most to people who are interested in their opinions and understanding of things, but are also skilled at organizing social interactions and creating a sense of emotional unity.

ive recently consciously experienced the feeling of duality for the first time since i've been communicating with my mom's high school classmate, and it is definitely a real thing. i even remember mom pointing out she noticed when we were all talking on the phone over a year ago that i perked up whenever he said stuff. here is how i explained it:

its bonkers how only once i experience something for myself i’m able to explain in detail what makes it so great based on what my impressions about it were because i tend to have a peculiar way of describing the qualities of an experience. my specialty is deep precision in my analogies for what it’s like. so now i can tell you how conversations with your dual feel… heres the status report. it’s weightless. its so strange. like the topic conversation stretches into infinity that you can pick right back up at any time. it’s hazy and unfocused but still pleasant (unless you’re particularly self-conscious and need to unlearn hiding your true self). but the best parts of it come when you have a specific issue or insecurity that comes with being your most natural self that the world seems to misunderstand about you, or just not give you what you don't even know you’ve been looking for. i think you might mutually intimidate each other at first because you're lowkey both expecting to be made fun of for your inadequacy with certain types of information that the other is nuanced with (and you’re not), but it never comes. you don't feel like what your dual wants in life is wrong. your dual seems so talented in all the ways you hope to shine but you’re always unsure of. for the introvert (me) wishing they felt their own active presence as an object (Se, Ne, Te, Fe) like the extravert does. for the extravert, wishing they felt their own relationships with other objects (Si, Ni, Ti, Fi) like the introvert does. any other intertype relationship (ITR) vs. duality is like the difference between 99% and 100% totality of a solar eclipse, except it’s the level of understanding with another person, like the eclipsing of your own information metabolism with theirs. of course there are other things that influence how well your relationship with this person goes, but i am talking strictly about when it comes to basic communication, the level of understanding you share. sometimes it might feel like you dont have much to talk about or the topic is unfocused, because you two ARE opposites in many ways after all, especially at a glance (domain of interests usually come with specific macroelements. theories about thought structures—like socionics, for instance—are in the domain of intuition, while physical interests and experiences are in the domain of sensorics.) i’m LII in the NT club (researchers) and my dual ESE in the SF club (social-communicative). so they’re constantly providing you with information from their own niche in life that you may be entirely unfamiliar with, but for some reason still interests and relaxes you to hear. you might not feel like you have a lot to say about the topic since but you are fully amazed by this person’s activity. it also makes you feel more sure of yourself and more confident that people truly appreciate and need your natural abilities.

> let’s break it down

here’s some lightly modified descriptions of the information blocks in LII and ESE's information metabolism models from pyatnitsky so you can get an overarching impression of how their type contributes to the informational sphere. i added some of my own adjustments and borrowed some sentences from stratiyevskaya's descriptions. additionally, you can click on the name of the block for an explanation of the role it plays.

i put about a week’s work into these collages but my goal with them was to actually show where i think these information blocks are most pertinent in these characters specifically and where they apply so it’s not just some abstract thing, just as supplementary examples as needed. (for the meaning of these information elements individually you can refer to cysia’s document.)

LII (Logical-intuitive introvert)

EGO (-Ti? -> -Ne!). Analytical thinking. They are well aware of the interrelationships of some objects or phenomena with others, and what laws are in effect or not in effect. On the basis of a comprehensive analysis, they put forward insights about the global essence of specific objects and phenomena, their possibilities. They acutely charge the situation with potential energy. For every situation, there is an archetype.

Super-EGO (-Fi? -> -Se!). Normative ideas about relationships between people and ways to get out of unpleasant ethical situations. Understands ethics as founded on the principles of fairness; to do to one side of the equation that you do to the other. Volitional manifestations in order to protect their living space are carried out only on the basis of personal experience. Because of the limited opportunities to fight back, they react painfully to attempts of any interference in his life. Does not respond to any arbitrary crudeness or volitional pressuring. Does not compromise goals, stubbornly clings to them. Avoids direct confrontation if possible, would rather talk civilly and earnestly. Uses their naturally strong sense of the conditioning of objects over time to avoid collisions with their material interests. Due to this, they may appear as someone with very little weaknesses.

Super-ID (+Fe -> +Si?) Attracts information about a good mood, a specific positive state, or a feeling. They would like to think that they can eliminate serious inconveniences, make the environment around them more comfortable. This skill needs to be evaluated. They are unconsciously activated when there is a need to make the environment more comfortable, which should lead to a better state, raise the mood at least in the immediate environment. In friendly, comfortable, and informal company, their cool exterior thaws and they start lighting up with joviality.

ID (+Te! → +Ni?). Has developed guidelines and methods that relate to specific practical activities, technological effectiveness, and resource use. Spontaneously feels the correct allocation of resources over time, which allows them to effectively solve tasks at an unhurried pace. This pace is deeply rational in nature.

ESE (Ethical-sensory extrovert)

EGO (+Fe! -> +Si?). Perception of the world is fundamentally emotional. Feels the emotional atmosphere well in any situation, knows the relevance of the way of expression, the place and weight (importance) of the internal state in each situation. Flexible approach to solving problems of managing and expressing emotions. They show bright emotionality both negative and positive. Creatively produces around themself comfort, coziness, conveniently arranges space, surrounds others with beautiful things, changing thereby the general condition and mood. Usually opinionated about their tastes.

(wow i really went all out on that this one that tumblr wont even display it in full resolution, so here. john just has so many more lines to choose from, sorry!)

Super-EGO (+Te! -> +Ni?). Practical and technological thinking is tightly based on acquired knowledge and patterns of solving similar problems. Methods of business activity in both general and specific areas are selected based on the opinion of reputable sources, or adjusted to one of the mastered templates. Predicting specific changes in the sphere of their interests is carried out only on the basis of personal experience. He is not able to compare his own method of forecasting with others, so he is sensitive to criticism of poor timing or deadlines, does not like situations that feel like a waste of his time; he is lost in connection with negative events. Guided by purely personal experience, he chooses specific times and deadlines for various tasks with a normative understanding of business activity in general.

Super-ID (-Ti? -> -Ne!). Attracts information about the order, specific logical relationships in the field of activity or interests. Needs someone to suggest specific ways to make connections between phenomena, patterns, and rules. Tries to be reasonable himself, even though he knows that this is not characteristic of him. Sometimes he openly talks of his actions that were poorly reasoned through, as if inviting other people to laugh at his thoughtlessness. The ordering and systematization of thought opens up a new way of understanding of events that are happening around him, as well as new prospects, potential, and capabilities. He likes to think that he understands the essence of a situation and lights up with new ideas. This skill needs to be evaluated. It is unconsciously activated when it is necessary to create order, clear consistency and clarity on a particular issue, especially if their abilities are recognized.

ID (-Fi? -> -Se!). Involuntarily keeps track of communications in their social circle. Without hesitation, they use a variety of ways to establish and maintain relationships that have been developed in his personal practice. Good relationships are important for personal inner confidence in a situation. To prevent unfavorable relationships, they are inclined, often without even realizing it, to act with pressure, forcing a showdown, forcing the partner to change the relationship for the better. Frequently demonstrates his resoluteness, persistence, and purposefulness, as if proposing his behavior as a model for imitation. Usually tells in much detail what obstacles were created before him, and how he overcame them, what he was told in response, and what he replied with, and so on and in the like.

(full res)

you might be able to see already how they would complement each other's thought process nicely. here are some descriptions of what the communication between these types is like:

+Fe! : program function of ESE and dual-seeking function of LII

The ESE periodically tells emotionally charged "program" function stories, telling of how somebody has acted and what they have done. The main orientation of ESE's leading ethical program is: "No one should be offended." The LII carefully listens to these statements, and, demonstrating a full understanding of these issues, develops logical basis for them, e.g. in calm persuasive voice he explains how the ESE has acted justly and fairly. The effusion of turbulent emotions coming from the ESE is counterbalanced by their absorption by the LII, who breaks them down into fragments by asking clarifying questions of the ESE.

-Ti? : dual-seeking function of ESE and program function of LII

The ESE is tuned to accepting information when it's relayed in clear logical form. He issues requests for logical explanations delivered from a point of view of generalized rules underpinning specific life events, which he receives from the LII, who delivers clear unambiguous interpretations, places the dots over all "i's", and demonstrates good understanding of problems that are of concern to the ESE. Not receiving information of this kind, the ESE begins making demands of those around him to be "intelligent" and understand the reasons of his actions.

-Ne! : activating function of ESE and creative function of LII

The ESE feels uncomfortable if he doesn't extend his help to people who are in need of it. His subconscious orientation is: "care and guard the talented", be kind and attentive towards other people. The LII usually meets such criteria by proving in action his aptitude at uncovering hidden capabilities, winning trust, passing on the knowledge. The ESE creates supportive conditions for people who are capable but lacking in assertive "push-through" qualities, among whom the LII finds himself, and a special work regime that protects such individuals from overloads on sensing functions. Newly discovered possibilities inspire and promote the pragmatic and business-oriented activities of the ESE. He can support a new undertaking or initiative with an enormous amount of energy and enthusiasm, light up by new ideas. Only the LII is able to, even having a vague general notion about the subject, construct a developed theory or idea of any issue. This theory shows to be promising in the process of its concrete application within its field.

+Si? : creative function of ESE and activating function of LII

LII tries to take care of their well-being, but may gravitate towards demonstrative asceticism, exhaust himself with work, studies, or exercise. The ESE periodically takes care of creating an environment that "charges" the LII with pleasant sensations: a reception of guests, a good meal, a visit to a theater or a concert, an interesting trip, and so on. At the same time the ESE takes pleasure in this himself.

+Te! : role function of ESE and observing function of LII

The role function of the ESE manifests as business-oriented activity and initiative, supplying interesting information, provision with material assistance to those who are in need, general restlessness and fussy busyness. This function is normative, i.e. the ESE seeks to comply with the norms and accepted ways of doing things. The nuancing of the understanding of these norms, i.e. introduction of activities that go beyond them, is possible only by considering LII's advice and recommendations. The LII serves as a director of this function, adjusting its workings by advocating the necessity of practical application of some beneficial ideas, rejection of useless though spectacular ideas, and the need to ensure standards of life not below average by rejection of equalization.

+Ni? : vulnerable function of ESE and demonstrative function of LII

The ESE poorly feels the flow of time, both physical, which manifests as running late and poor distribution of his strengths over time, and historical, which manifests as poor ability to anticipate consequences of actions and tendency for traditional ways of solving problems. The ESE finds it difficult to make radical choices. The LII fully takes this aspect onto his shoulders. He has an unconscious ability to distribute activities in time, thereby avoiding work stress and overloads, and is capable of making a radical choice. The LII is able to calmly wait and in the necessary moment get to work when the wasteful fussiness of the ESE reaches its critical point.

-Fi? : ignoring function of ESE and role function of LII

On this function the ESE gives advice and makes demands concerning the creation of appropriate psychological distances in form of proper behavior, courtesy and politeness, denouncing rudeness and boorishness. In this manner, the ESE adjusts LII's role function, which in itself contains a set of large psychological distances: a sullen stubborn look, unsociability, etc. With such fine-tuning it becomes easier for the LII to come into contact with people, whereby he becomes more animated, resolves many of his ethical problems that previously frightened him, gains greater insight into human relationships and a more accurate understanding as to whose side to take in situations of conflict.

-Se! : demonstrative function of ESE and vulnerable function of LII

The LII finds it very difficult to exert pressure on other people from his own will and initiative, especially in cases when he needs to attain something for himself. He finds this difficult to do - to press ahead in certain situations, to gather all the required paperwork, to stand in lines and queues, to petition for his own interests, even the ones that are of vital importance to him. He finds it difficult to push a person away, to sharply refuse someone, to quarrel loudly and defend his rights, to put an end to relations that have exhausted themselves. The ESE doesn't directly affect this function, i.e. he doesn't verbally criticize and teach the LII on this aspect, but takes over its functioning completely. The ESE exerts a constant, sometimes intrusive and imposing pressure on other people if there is a need to achieve something, to defend justice and demand fair treatment, to protect interests of those who are close and dear to him. The ESE goes to the right jurisdictions, inspires people around him and directs them towards work and purposeful activity, keeps up a high pace of life himself, and breaks off relations with those who don't deserve trust.

and some miscellaneous excerpts from literature i liked a lot. (i can't remember the sources i used since i've been working on this on and off, for the past week and i was just spilling things onto the post. i think stratiyevskaya?):

Mood - that’s what matters in this dyad - emotions and feelings. Anything that suppresses and overshadows good mood is considered unethical in this dyad and is strongly condemned.

The ESE does not allow the LII to limit him in the possibilities of consuming the amount of pleasures and joys, which he considers to be necessary and sufficient. Fortunately, both partners in the dyad - LII and ESE - are obstinate and unyielding. Both are demanding, unwilling (and not allowing anyone else) to lower the bar of their requirements, unable to give in and make concessions (especially in anything that is of principle for themselves). Both know how to make their partner reckon with their interests and insist on the fulfillment of their demands.

LII is impressed by the emotional generosity of ESE and his spiritual responsiveness. All this finds the deepest understanding in LII, since he is tuned to the same priorities and values. For his part, ESE admires the ability of LII to speak clearly and definitely on every issue. ESE is struck by the harmony of the reasoning of LII, the amazing clarity, accuracy and laconicism of his statements. To ESE it seems that for LII, there is nothing incomprehensible in this world; he can give a comprehensive explanation on every issue. And everything that ESE thought about before is gradually being built into a definite and clear system of views, which he can now very freely and naturally present. Confusion and chaos in his worldview gradually gives way to a stable logical order, as if someone patient and careful was sorting all his thoughts into shelves. Such clarity inspires and activates ESE; he begins to see some prospects for himself, new opportunities. His energy and activity, in addition to emotional and ethical expression, also receives sensory realization: ESE begins to take care of LII and carefully looks after him. If LII is a colleague with whom ESE is especially pleasant to communicate with, he begins to treat him with something tasty, homemade; will make some small, but beautiful and necessary gift (for example: new cologne or a warm scarf).

> okay that's great and all but when are we talking about john and aradia specifically?

yes, that was the point of this post. i just had to build all that up first so i could walk you through my thoughts in a fully substantiated way.

considering chronology of wind again, john doesnt realize it but he needs aradias frankness and insight. even if she’s unable to explicate on vague things, she states the reason why instead of making him feel stupid (it would create a doomed timeline) but thats all john needs to hear. she is self-effacing and only tells him the truth, and we know other people can take advantage of john’s suggestibility in this way. aradia tells john who is or isnt trustworthy, what actions would be useful/necessary and which ones wont, without any selfish personal motive a la vriska or terezi.

^ (juuuust the record my nitpicky ass doesn’t agree with the truth of the classpect interpretation on behalf of the author in the last bit BUT that is beside the point here. the point is that she is answering john’s question in a way that is meaningful for him)

aradia doesnt realize it but she needs john’s friendy goofiness to brighten her up because she is surrounded by people who antagonize her when she’s literally not even trying to get under anyones skin. everybody gets frustrated at her “spooky nonsense” because theyre afraid of their own mortality, basically telling her to put a lid on it because thinking about hard truths makes THEM personally uncomfortable. but to her it’s always just been a fact of life. plugging your ears to reality is ignorance, but at the same time that doesn’t mean there’s no meaning in anything. she wants to help people see this and she dedicates herself to becoming a psychopomp for the deceased and earnestly trying to make people feel emotionally and physically comfortable in their situation through exploring their memories.

john isn’t hostile towards her. by being herself she is immediately able to earn john’s trust when they initially talk. this is also true in canon; the one time they talked when john initially comes up to her, saying “can i ask you something? seem reasonable, and pretty nice.” unfortunately he asked her the one question she didn’t have much to say about, and i can’t blame him for expecting all the troll girls to be basically insane at that point. but i don’t think aradia is insane. yes she is odd, but i think it’s evident that she has a good head on her shoulders with knowledge of the way the universe around her works, and in the end wants to simply bask in watching it play out. i think she deserves to get childishly excited about it, especially considering she was dead for most of her developmental years.

aside from getting his answers answered, john shows curiosity about her and her species and even care about her well-being and state. this naturally comes from their conversation’s ebb and flow. aradia tells this straightforwardly, without bells and whistles and without trying to trick him, unlike the other trolls who seem keen on well..trolling him.. and providing him with unclear answers to those sorts things. maybe aside from vriska, but she did have a little bit of an attitude about it wherein her and john’s dynamic felt uneven or off-rhythm, with a large psychological distance. it’s a different feeling with aradia, however. they exchange information on the same rhythm and so are able to achieve a closer psychological distance in communication.

there are no judgments coming from aradia about john being “stupid”. she doesn’t underestimate him. it’s not just that john wants to understand (although he does), but he needs to understand what he is doing. aradia compliments john about the traits he possesses that allow him to be effective. i guess in a way i’m doing the same thing with john right now.

john is so mobile and strung along by being the action hero going from place to place as a can-do deliveryboy that he never has time to reflect on his losses, think through them, and accept them.

literally who else is more qualified in all of homestuck than aradia for talking to john about these things?

on top of all of this, they have objectively significant connections beyond just mutual self-realization in a way i think could've been fleshed out. there is potential here.

for a story, i can think of a way that a conversation between them could plausibly happen using the systems established in homestuck's mythology. in canon, we see that john never met aradia until year 3 on the golden battleship in the dream bubbles when he goes to sleep.

but john still dreamt out in the furthest ring. that means during those 3 years it was possible for john to have had a dream with her in it, or at least aradiabot. i know john didn't know aradia's name beforehand but let's just explore the possibility that they could have had met before that. remember that all these aradiabots were once this person.

aradia had obtained john's crosbytop, his dads hat, and his wallet quite a while before their sgrub session. theres your entry

imagine john seeing that

memories of dear old dad get stirred up through the link of seeing those items

the dream bubble transforms

john is forced to stand in his memories and explore grief and the meaning of life with aradia

physically being in the space around him would definitely help john reflect easier i think because it will force him to actually exist within the space and talk to someone, taking some time out for this. he wanted to know if anything could've been done or if he was just too late to save them. i know aradia would be able help him slow down and introspect. don't forget the opportunities created by the properties of these spaces that are glubbed out in the furthest ring by the horrorterrors that meld the labyrinthine time and space of their surroundings to the memories of the people and finding others through common points in memory. i would imagine that objects known by multiple people would provide a common point in memory to bring them together.

The bubbles allow the players of Sburb/Sgrub who have lost a life to continue dreaming. The reality constructed in the bubbles is a combination of the memories of everyone inside the bubble accessible to any who has learned the bubble's nature. According to Aradia, it would be quite difficult to exit a bubble to get into a new one, however someone inside a bubble can travel to another one through common points in memory, taking their own memories with them to be integrated into the new bubble. These memories mix and combine, but in general, no new memories are created. Additionally, the bubbles store the consciousness of a player who has lost their dream selves and their original selves, making them double as a form of afterlife; the player is then capable of accessing the memory of anyone else who has gained access to the bubbles. Living players, who have lost or become their dream selves, appear in the dream bubbles when they are asleep. It is in this fashion that the bubbles can be used as meeting places between the dead and the living; even those from alternate universes and doomed timelines can be found in a bubble. Furthermore, in addition to memories, the bubbles can to some extent reflect the thoughts of a player. Beyond that, the bubbles can also behave similarly to Skaia's clouds, showing things that are in some way relevant to the player - such as when coin-flip Dave saw alpha Dave grieving over Bro's corpse - something he was not aware of before being shown it by a bubble.

physically reflect the thoughts of the player…… rubs hands

john and aradia share points in memory related to those objects, and to top it all of they are directly related to john's dad on the same day he died, while aradia grew up with them as bizarre alien artifacts from an archeological dig. the memories are more emotionally charged for john, and i think that distinction would probably be relevant to them both.

to be honest i think after speaking with him for a bit she would readily tell john that she regrets not talking to the kids from the universe her team created sooner before she died, but is glad that she can in the afterlife. in canon, alpha aradia told a doomed dave, "i think its absurd i never introduced myself to you in all that time i spent moping around the lab. guess i wasnt in a very good mood".

now not all the aradiabots would know who john is, because the trolls only found out about the humans once they created the genesis frog and hid out in the lab in the veil from jack who infiltrated their session. the aradiabot in the lab was the last one that survived. so if any one of them would know who john is, it would be the aradiabot that exploded. aradia's dream self ascended to god tier in jack noir's rampage on trolls' derse and took those memories with her which we can assume is what made the last aradiabot explode. its known that any original copy that dies when another rises up becomes a ghost and lives on in the dream bubbles, which would include her. a doomed aradiabot we see in the comic, which was the one that originally landed to alternia in the past, becomes more lighthearted after she dies, a bit more like her alive counterpart.

oh yeah, and the more obvious surface-level connections to top it off? ghostbusters? john ain't afraid of no ghost girl. john would be genuinely interested in what aradia living as a ghost irl on her planet and not as a gaming abstraction in the furthest ring would be like. i imagine she would be able to explain the subjective experience and that she had to prototype herself into the kernelsprite order for her server player to see her. there's also no way john hasn't seen a movie as classic as indiana jones and judging from her poster i can imagine he probably thinks it's sweet that aradia's strife specibus whipkind is a reflection of her own personal tastes, interests and hobbies.

so yeah i've just been chewing on all of this and thinking about it but i know i needed to just get this out there somehow. obviously since i spent two weeks putting this post together i'd be happy to hear your thoughts

[astradyke]

Just saw someone call DNP a QPR and at this point it’s like…are you even fucking real? are you homophobic? You’ve got to be homophobic to be saying shit like that

yeah like... i have a lot of thoughts on this but i struggle to articulate them so stick with me here. i'm going to start a lot of (unedited) trains of thought and then switch direction and i would love input here.

i have never been in an official QPR myself so i lack that direct experience, but i have individually explored QPRs/alternate forms of relationships outside systemic amatonormativity in my own life. i have also been in other spaces (which i won't detail here) where a lot of people would misunderstand QPRs-- seeing them as like, romance lite, not an entirely distinctive kind of relationship. like if you didn't want to call something romantic, you could just call it queerplatonic and that was safer, because that's less invasive, right? ...more on that later.

i think it's this 'romance lite' idea that drives people to assume DnP are in a QPR. as people have started to become aware of what QPRs are, a lot of misinformation spreads that QPRs are just like... romantic relationship except no sex? friendship except yes sex? a lot of framing QPRs as being some "More" iteration of an amatonormative type of relationship-- and thus, relevantly here, safer for people to 'assume' people are in.

it's my own personal assumption that some people take a perceived lack of a hard launch as a reason to assume DnP are in a QPR (note: i am aware that it's untrue that DnP have never hard launched, because they have three times; i use perceived here because people have differing thoughts on what a hard launch is for a myriad of reasons). this is because 'QPRs can be anything', so based on whatever fragments of information they perceive to have about DnP, they can just slap it together and call it a QPR. and the assumed range of behaviors that implies is not inherently inaccurate! two people could kiss on the mouth in front of you and they could be in a QPR. the world is beautiful like that!

but what assuming DnP are in a QPR does is it disregards what we actually see and hear out of DnP, and relies on a shit ton of assumptions. i need to preface before i continue here that i do NOT know Dan or Phil, and it is ENTIRELY possible that my judgments here are inaccurate, but i am working directly off of the information we have been provided. Dan and Phil have only ever indicated they are alloromantic and allosexual. people who are in QPRs can be allo, but if two people who are allo have said they had a past long-term relationship, have mentioned past romantic relationships with other people, have indicated separately that they are still in that long-term relationship, frequently reference the idea of having sex with each other, have intentionally or not put forward videos in which 'i love you' has been contextualized alongside typical romantic actions, and-- separate from each other-- seem to have a default allo understanding of other relationships, and more, it's... really hard for me to believe they're in anything other than a romantic relationship.

it's the idea that people need DnP to explicitly say that they are in a romantic relationship, no nuance, right now. which they don't have to do! it's also the idea that because Dan has referred to his relationship with Phil as being this incredible unique thing, "more than romantic", that must mean that it's not a romantic relationship. but more than romantic still means romantic, because a romantic relationship can fulfill you in many areas of your life, just like a QPR can for the right people! we have no evidence indicating that Dan and Phil are the 'right people' for a QPR! so it reads like just... outright denying the information they have shared with us about their relationship. and that reads like trying to be 'respectful' of DnP's boundaries by assuming that QPRs are a 'less invasive' assumption, which is... firstly, not true-- you can be invasive about assuming a friendship for fucks sake, it doesn't matter the kind of relationship but how you do it-- and seems to again somehow imply that QPRs are more intense but less important than romantic relationships? or something? simultaneous glamorization of QPRs and also disregarding them as anything that holds emotional weight? treating it like a proverbial unicorn? i don't know.

i'm like... overwhelmingly sympathetic, but incredibly exhausted, by this. because like: historically, in the past, i did think for a second that they might have been in a QPR! which was projection on my part mostly (trying to navigate QPR feelings at the time, being immersed in a lot of discourse about QPRs, etc.) but i dropped that near immediately because there's just No Evidence and it kind of makes me feel like people just don't know what QPRs are. it makes me feel like people are too scared to claim that they're in a romantic relationship, entangled in the past anxieties of being a 'demon phannie' etc., and so they go for what's next best: a QPR. but a QPR is not a stand in for a romantic relationship-- that would look differently! that would operate differently! and QPRs are not just a thing you fall into, it's not something you trip into, it's an agreement between two or more people. Dan and Phil would have to deliberately agree to be in a queerplatonic relationship and there is just no evidence backing that that's something they are interested in doing, or honestly, even aware of.

(i have no idea where to insert this, so side note that another possible reason why people think BIG was alluding to a QPR-- which i admit was part of my own issue at the time-- is because, as i mentioned earlier, Dan had referred to his relationship with Phil as being this unique force in his life, something he hadn't experienced. but my own interpretation-- and i believe the intent-- is not that the relationship with Phil is different in absolute nature to other relationships, but rather that the relationship is different due to its longevity, emotional security, etc. the relationship isn't 'More' than his past relationships because it's not a romantic relationship, but because it's with someone who he could experience true love with-- which, when you have been in past relationships without experiencing true love, having that experience may feel entirely fundamentally different).

again, i am sympathetic because QPRs are relatively untalked about and are given a lot of shit, and i've seen them be given a lot of shit by other queer people and that obviously really fucking upsets me. but like... the information DnP have shared with us readily point to a romantic relationship as the most obvious, direct conclusion, with the least amount of assumptions necessary. it's really nothing more than that. and i think it's either projection from people who are considering how queerplatonic attraction fits into their own lives (which i doubt as being the number one reason), or what is more likely, anxiety about being 'invasive', that is causing people to do this. which i do fear is kind of hand in hand with a subtle homophobia that leads people to deny relationships between queer people unless the couple is like, having sex in front of them and getting married. and even then, people can still deny it. because relationships are complicated but you have to use context. and i'm really exhausted of QPRs being used as an excuse to not accept a romantic relationship, instead of actually viewing QPRs as a beautiful kind of relationship some queer people have that is equal in value to a romantic or platonic relationship.

sorry to write an essay in response to this but i hope this like, roughly expresses my thoughts on the subject? again despite my best attempts at the time, i've not been in a QPR myself, and now do not think QPRs are best fit for me. so i lack that experience and i would love to hear more from folks if this misses the mark. but i have touched on this in the past and i wanted to provide a more thorough reasoning behind why i personally am dismissive of QPR theories*, at risk of people thinking that it's an objection to the idea of QPRs overall. i hope this is more of an informational meta than a direct discourse, since i don't know who is considering them a QPR at this point and i don't want this to read as a vague at all. if anyone who does see them as a QPR wants to chime in, i am happy to hear your perspective. okay much love <3

[bao3bei4]

ON THE TSHIRT METHOD TO WRITING ESSAYS IN YOUR OWN TIME: 

i have had a couple people mention to me that they would like to write essays too, but they are a little out of practice. so i thought i should gather some scattered thoughts into one place. this is not a systematic guide. i am young and inexperienced and still working out things for myself, but this is my basic process and some things that have helped me, summarized. 

my biggest single piece of advice is to write with your proverbial pussy. you are not writing for a grade so don't act like it. forget rigor, forget academic style, etc. read what you're interested in, and write following up on the threads that you're interested in. don’t sweat the details. just do you.

if you still need more advice..... here’s a long winded post. 

step zero: if you have no clue what you want to say yet 

read. and read a lot.

but be realistic. be kind to yourself. your attention is a precious resource, and it is getting eaten up by shit out of your control all the time. if you’ve had a busy day, you may still have the brain power left to read. i almost never do. lol. so make sure to carve out time on a day off, if possible. otherwise you might end up completely fried, reading the same sentence over and over, and ending up scrolling on your phone LMAO. <-- painful lesson also to this end, if you haven’t picked up a denser book in a while, start with shorter articles, especially ones written more recently. if your attention wanders, try getting a physical book instead. the most important thing is just starting things you’ll actually read.  i’ve seen a lot of people (and been that person) who was like. “oh i’m going to start with THE canonical text in a subject i’m interested in” which makes sense right? but that book is inevitably long and dense and convoluted and boring. you can come back to it later. this shouldn’t feel like a chore! 

genuinely this is the most helpful thing you can do is just. read anything. it may be difficult at first (or always), but it is still the easiest way to engage with the foremost experts from around the world and the entirety of written history on any subject you are interested in. there’s not really a substitute to this. 

note: you may say that people can and do come up with brilliant ideas independently of their access to written works. this is true! but if you are one of them, you should skip this section/post, because you already know what you want to say.  okay that was a little too facetious. let me revise: when i say that, without reading, it will be hard to come up with more complex ideas than what you have now, that isn’t necessarily pejorative. maybe your current ideas and impulses are original and meaningful and complex. if they aren’t, however, you don’t have to resign yourself to it.  your experiences in real life are the most valuable thing you can bring to the table, but it can be very difficult to articulate and contextualize them without community—whether that be irl, or the simple textual company of other writers. you can let other people help you and teach you.  basically, this is a long winded way of saying something extremely simple: reading is not the only way to gain knowledge, or even the best. but it is an extremely consistent and relatively egalitarian way.** **scihub and libgen and sometimes the public library are your friends. (my local library’s book coverage is spotty) who cares about piracy. LMAO. 

you may surprise yourself by how nicely you fall into little spirals. you read one thing. and you are enamored with the way the author approaches their subject. so you end up reading everything else they’ve written, and then you start on the authors they list that inspire them in their interviews. maybe you just read one article that’s a little dry but it cites something else that seems far more interesting. read that next. and so on. 

if you are struggling to read that’s okay. you have options. start a book club (or just get a friend who also wants to read more). if that sounds like too much work, pick a friend to keep updated on all your new facts. you just want to get used to reading something, and telling someone your favorite parts again. skim books. skip the boring parts. drop them entirely and find a more interesting one. no one’s going to quiz you. this is for your own enjoyment. 

also important here: read books that make you want to write. sometimes this is because the methods and/or prose of the author are so exciting, you want to do something just like that. sometimes it’s because the content is so exciting, you want to say something about that too. sometimes they speak so powerfully to your own life, you want to tell people this is me!! i see this!! there are books i just enjoy reading, sure, and i do read them. but you know how, like, a good movie makes you want to tell stories too? good theory should do that too, in my opinion. 

step one: you have some ideas now. 

these ideas don’t have to be set in stone. but you should have an idea now of what you might talk about. personally, for me, i have two interconnected types of essay ideas. 

interventions. this is like [tumblr voice] Why Is Nobody Talking About This. i see some sort of hole. maybe i know how to fill it, maybe i don’t. 

free associations. basically i read one thing, or some analysis of one thing. and then it reminded me of another thing. and i’m like. i want to tease apart their connections, their similarities, and their differences. 

there are more types of ideas, i’m sure. but these are the ones i consistently have. with me, the second kind is more common. very rarely do i find that my thoughts are that original. rather, i’ve found that one of my strengths as a writer is being able to make connections that other people haven’t made, or haven’t made in depth before. IN MY OPINION. 

so i find it quite flexible. maybe i watch a movie, and it reminds me of my own life, because i think two women in the movie could be sad queer freaks. and i’m a sad queer freak. or it could be that i think scum villain could be analyzed through the framework of freudian psychoanalysis. you get the idea. 

at this stage of the process, i don’t have a thesis, necessarily. but i have a couple phrases i’m drawn to. i have a bullet point or two. i have vibes. 

to use an example from this blog, one of my friends hui once mentioned that that one fan image was going around again. we were going ughhh it’s victorian not chinese! together and they said “you should write a meta on it.” i wasn’t sure quite yet what i had to say. but i knew a couple things. 

this is, incidentally, because i had done some research into chinoiserie before, because i had cited the zuroski book for a paper i had to write for an english class some years before on pride and prejudice and its use of descriptions of material culture, an essay that in turn was inspired by my random yet deeply felt conviction that jane austen hated me personally and wanted to kill me.  this is why i encourage reading a lot. i think. 

to work on this stage, make lists. lots of them. i have a .txt file where i keep every essay idea i have. a lot of them are a sentence. or they're lists of books or theorists i think i could make something out of. or they're theses that feel true, but i’m not sure why yet. 

it took me a while to get to this point. just like with writing fic, there was a period when i first started where i was like. i only have one idea. i’m going to write it, and then i’m never going to write again. and then i had just one more idea. after a while. eventually you will find you have so many ideas and the world is full of possibilities. it’s a muscle you have to flex. like reading. and telling people about what you’re reading. 

actually, i feel like there was a step 0.5 here that i completely skipped. 

step zero point five that i skipped: how to generate ideas

my very truly complete “first time writing something semi-academic that was original” (with a loose definition of the word original) was literally just me reading literary criticism of one book, and saying “i think this author’s thoughts can be applied to this other book” and found some textual evidence that supported that the process could be replicated. 

this is like, writing with training wheels on. eventually i got better at it (see aforementioned chinoiserie essay. i hope you agree.). but that was a good place to start for me. it made the proverbial blank page less intimidating, knowing i had a scaffolding. 

i suggest trying this. see how it goes for you. read around until you find some piece of criticism, or just some theory about how something works, that you like. and using your newfound hammer, go look for some nails. 

note: i know this expression is meant to like. be a negative thing. but you do have to start somewhere. it’s okay if it sucks. it’s just for your practice and your enjoyment. 

be cautious of stances. weak writing (in my OPINIONNNN) tries to unilaterally defend or condemn a behavior. what you need to do is treat your writing as a bit. and then you need to run with it. you need to take it farther than what is reasonable. if this bit is truly actually deeply true, then what does it mean about yourself? it’s like using a new set of pronouns as a joke or something. you know what i mean? (that was an example of what i’m trying to communicate here)

what else is key to look out for... look for oppositional pairs or tensions. look for perverse incentives and vicious circles. look for embarrassing ideas. that is, what would be extremely embarrassing if it was true? (or to admit that it was true) you may go—tshirt, here you’re just describing things that are sexy. yes, exactly, that’s the point. you want things that thrill. 

just keep reading and making notes until everything echoes with something else. now you’re ready for step two. 

step two: refine your ideas further. 

let me do this by demonstration. once more extending my earlier example of my chinoiserie essay, i knew that i really wanted to take zuroski’s points and basically... steal them. this is called “citation,” i guess. but i thought the following insights were useful to me: 

british women were invested in chinese material objects 

they incorporated them into their own subjectivity

past a certain point, they no longer “consumed” these signifiers, but these signifers became theirs 

critique of one was able to stand in for critique of the other

and from being on fandom twitter, i already had the following insights: 

people deliberately blurred the lines between china and england when it came to fans and tea

people also liked talking about victorian modesty when it came to china 

so it seemed like victorian england and china had a privileged relationship, in a lot of people’s minds in fandom. 

so it didn’t really seem a stretch to say... how can we look at one history, and apply it to our present? 

it was a bit of the combo of the two: i saw something i didn’t see people were talking about, and it reminded me of something else i’d read before. 

something that helps me a lot is tweeting about my essay ideas. if you have me on my private account, you already know this. it forces me to explain myself to someone who doesn’t know what i’m talking about in a very succinct way. oftentimes, i tweet something out while i’m brainstorming, and then i steal the phrasing back into my essay. see? tweets can be writing too. 

this is microdosing on step zero’s “read something and practice telling a friend about it.” now you’re writing something and telling a friend about it. 

step three: okay now you can like. open a google doc 

make an outline. i know i know i know. i’m sorry. you can start just barfing thoughts if you want, but eventually everything that was on the top of your head will be out. and now you can start thinking about structure. the reason the outline is important is because it makes clear the logical progression from one idea to the next. 

i know i usually bounce around in my writing (a tendency which has been magnified here because this is so casual LMAO), but i always want to make sure that my points are substantiated. if we want to talk about how a causes b, we should prove a, we should prove the causal link, and only then can we infer b, for instance. it doesn’t really matter what order that happens in (or even that we set about it that way), but the more complicated your idea is, the longer checklist you need. it’s just a checklist. that’s all. 

as you start writing, you’ll probably need to read some more. you’re going to want to say something you think is true, but you’re going to realize that you haven’t proved it (or you can’t). go look to see if someone else has proved it. 

maybe you’re right. add that evidence in. maybe you’re wrong. now your essay has a new direction. there is a living thing beneath you. actually, on that idea— 

i tend to structure my outlines (if i’m not sure yet what my point is) by pasting a bunch of quotes in a document, and reorganizing them until they make sense, they seem to flow. and then i start explaining why, until i realized i have begun to walk off in a new direction. always embrace that new direction. eventually you will find that you have not been taking twists and turns, but actually you were dizzily walking along a straight path. (unless you have been unfocused and you are trying to say too many things at once. ask a friend to read your essay if you’re not sure which is the case.) 

quotes are the smallest unit of your analysis. work with evidence. or, at least, i do. it makes writing an essay like solving a mystery. the idea of just spontaneously generating something new fills me with terror. rather, i want to autopsy something, trace its steps, and then discover how it came to be dead. this may not be true for you. but it’s true for meeeee and this is my post. 

tl;dr

0. read something and tell someone about it/post it out

0.5. come up with a bit and run with it

1. think "why is no one talking about this" or start free associating

2. come up with weird connections and tell someone about it/post it out

3. collect all of your posts and ideas into a gdoc and organize them.

anyway i like reading posts like this because i’m incredibly nosy. so i tried to write out the sort of thing i like to read from other people. i don’t suggest you actually try to replicate it (if anyone would even want to.) practically basically i just encourage you to try any single part of this that you think was interesting or relatable or helpful. personally, i suggest reading a book and posting your favorite lines from it. if you do this a couple times, i think you will find the seeds of an essay waiting for you in your own posts. 

[hyperfixatedbean]

Why I think Eddie Diaz is autistic !

(As an autistic individual)

- Struggle with emotional expression:

He often struggles to express emotions, particularly in his relationship with women, (look at the way he acted with Sharon, Ana and Marisol, never communicating clearly, or doing it VERY straightforwardly (-> “you should go”)

He struggle with articulating his feelings, to name his emotions and process them (seemingly alexithymia) and he close off a lot, even with his therapist !

- Literal Thinking:

He tend to interpret language literally, (interactions with his colleagues and fast problem-solving, keeping a cool head under very stressful situations, the way he react to jokes, the way he doesn’t believe and ‘judge’ the way they fear superstitions, only believing what he can prove)

It seems to me like he experiences challenges with understanding figurative language or sarcasm and only believe what is proven, he’s very closed off about the idea of superstition which can be seen in some autistic people who struggle with theses concept

And he can be really straightforward (see the “you should go home Ana” or the “last time he wore that was at his mom’s funeral”) -> stating facts straightforwardly without processing it first and without realizing how stating it like that can be ‘awkward’ to others

- Meltdowns and Coping Mechanisms:

He experiences moments of intense frustration and resorts to unhealthy coping mechanisms (-> fights and destroying his room, hurting himself and other in the process (as in a lot of autistic meltdown and the way a lot of us turn to violent coping mechanisms to fight against sensory overload and the complexity of understanding our own emotions -> resorting to violence)

He parallels experiences of sensory overload and regulation, also his panic attacks and the way he avoid addressing his trauma and feelings by brushing it off and ignoring his own mental health, struggling to understand his own feelings about what he’s experiencing

- Difficulty with Trauma and Normalcy:

His reluctance to address trauma and persistent efforts to appear "normal."

It reflects challenges faced by autistic ppl in processing traumatic experiences and blending in with neurotypical society (force conformism and such)

There’s something about the way he and his father approach emotions, keeping it hidden and close off, that resonates a lot with my own experiences as someone autistic raised by someone who’s (probably) autistic too ‼️

+ the way he quickly connect with Buck exemplifies the ‘neurodivergent link’ : ADHD and autism solidarity is a reality ! Neurodivergent people tend to feel more secure, comfortable and friendly with other neurodivergent individuals!!

He basically just give such a autistic energy, like- I really connect with his struggle and the way he interact with the world around him, but please tell me what YOU think 🫶‼️

To have a better view of this part of him we would need more of his pov, sadly we rarely get it so I’m basing this of what I remember, what I personally see in him, what I connected with :’D

(Keep in mind that I probably projecting and it’s just an headcanon, not hate please <3 constructive criticism is welcome tho !!)

Credits it to @thisonemaniac that helped me make this post :D !! We talked about it a bit, I highlighted in orange what he remind me off ‼️

(Since you asked me about it you might want to read this :D !! I explained it better I think xD @lesbianphoebespengler )

[max1461]

Yeah I just. Help me out with this. I guess a big part of what meant by that "I'm afraid I'm already dead" post is like... I have this feeling that the last few years have waged this multi-pronged assault on my whole... everything. Like my sense of identity and my values and stuff. Just like, it's hard to explain. But I feel like there's been no aspect of myself or my life that I haven't had to defend since 2020, defend from... often totally causally-disconnected seeming onslaughts.

And like, what confuses me so much about this is I never felt this way before. Like, I always felt basically confident, you know, yeah sometimes something doesn't go right here or there but I never felt like the world was sort of... coming at me. So I really struggle to understand this sudden shift. I struggle to understand why it's like this now.

And I feel really like I just can't live this way. Uh. At some level life should be good, you know, and if it's not good you should be able to pinpoint some cause or explanation. "Well, I would be fine if it weren't for X". Like I know people talk about "no, everybody wants that but it's not that simple, blah blah", except like, that doesn't line up with my experience. As I've said before, I'm not depressed or pessimistic dispositionally. Before 2020 things really did feel, you know, basically ok. There were challenges of course, because that's always true of life, but they all felt surmountable. It's hard to articulate the difference. Things just didn't feel so... dire as they feel to me now. I never expected my own life to feel dire.

And, materially, not a whole lot is different for me! Some things are different, and yeah, that's part of it, but like.

I don't know. Like I said, it just feels like there's nothing I can turn to that's safe, nothing that I value about myself or my life that feels not-under-threat. And I just don't understand. Is it me? I mean, some of it is definitely psychological, while other parts are concrete things I can pinpoint in the external world. But even the psychological stuff is like... my experience has always been that my psychological state is in large part of function of my circumstances. But I don't know which circumstances are causing which psychological disruptions!

Uh.

I just feel like. What is the thing? What is the thing that I need to be looking into, trying to remedy, in order to reverse this massive sea-change in my felt experience of the world? Why does everything feel so dire and precarious now, when never in my life had I felt that way before a few years ago?

One thing I can say is that it's not world events. Uh. I don't really get emotionally effected by that kind of thing, and if I start to I just close the news website or whatever. It is certainly something immediate to my personal life. Not necessarily causally divorced from larger events (I mean, obviously the year of isolation due to the pandemic is a central factor in all this), but just like. I just want to, uh, know what the fuck to even try to do. I feel so shit.

[thatscarletflycatcher]

There's something that has been gnawing at me since I saw some comments on the look-how-they-massacred-them poll for Daniel Sousa -with which I didn't want to engage then and there because I really didn't want to pick up a fight with another Daniel fan, there's few enough of us, but also because the argument was very difficult to articulate.

It is difficult to explain how Daniel Sousa is screwed over by Endgame without making it look like either "he deserved Peggy as a prize" or "he was the perfect prize for Peggy", because it all begins by understanding the experience of WWII and the building of the morale of WWII. Something that Markus and McFeely seemed to perfectly understand in Agent Carter, which inclines me to believe it was specific insistence of the Russos, whose concept of narrative and storytelling is at the level of a belligerent and not very bright 4 year old, that gave us that mindblowingly stupid "happy ending" for Cap and Peggy. Or maybe Markus and McFeely are just arcane creatures, at times intelligent and at times really dumb. Anyways.

Point is that both CATFA and Agent Carter understand that for these characters, fighting WWII is a matter of "each doing their bit", of, as Steve put it in The Avengers, to lay on the barbed wire so the one that comes after you can pass on. And in the process of doing that, you have great loses and suffer great grief. The price of war is immense, and for these people the price of war is the price of freedom (yes, that celebrated Steve speech from CATWS is also sharing in that same spirit. It's kind of impressive how until that awful mess of Endgame, the perspective of Steve as a character from movie to movie is one that addresses how some 1940s things are outdated, but how many others are still relevant and inspiring. It is a surprisingly nuanced take on History, that of course the Russo "Cap is an outdated relic that belongs in the past and should stay there" brothers don't seem to have what's needed to grasp).

In that context, the most coherent tone for Steggy is tragedy. Because that is what happened to many, many, many people during the war. You meet, you fall in love fast, because there is no time. And then suddenly the other is gone, never to come back. And all the promises of youth and life and future the other person represented, are gone with them. People who lived through 2020-2022 have some idea of what it is like for projects, opportunities, and years of your life to just vanish. Now you make that five years, eight months, and to mention "just" the British, 1 out every 100 people live in 1939, dead, and over 350.000 permanently disabled. If you were 20 in 1939, your life would be practically on hold till you were 26. It's a whole lot of grief, and an intense grief, that you don't solve the way you solve a random missing connection in a romcom like Serendipity or The Lake House. Doing so is cheapening and bastardizing the grief and trauma of a whole generation of people in different countries.

So, Agent Carter. Here we have a story focused on a group of people, spies, who, in different fronts and with different outcomes, made it through the war and are now facing this new world they are living in, and all the grief of their respective losses. The focus of the story is Peggy, a woman who, like many others, was allowed a wide range of action during the war, and is now subconsiously perceived as a threat by many of her male coworkers. It's a desperate bid to "go back to the way things were before", and her presence is a constant reminder that they can't.

Sousa occupies a very similar position to Peggy's: he's also a reminder that the war happened and that there is no way back, no magic solution, no pretending. And that's why both are ignored, and displaced, and why both struggle to prove themselves in a subconscious way while living by the continued principle that they are doing their bit. That is their lifeline that keeps them sane and working all throughout s1 of Agent Carter.

That's what we mean when we say Peggy and Sousa are equals, and that Sousa is contented with letting her have the spot; not because he's her inferior or her dependant, but because he's her equal -in intelligence, in ideals, in resourcefulness, in loyalty, but also in their relative positions in the power ladder- and does not feel threatened by her because of it.

(It is in this context, btw, that Peggy's rebuke of Daniel's "rescue" of her in the first episode must be understood. Because she was once treated like any other officer/agent of her same rank, she has knee jerk reactions to both being demeaned and being protected. It's also an important theme of that beginning of the series that Peggy needs to learn to let her friends in, and that she needs their help, and that that doesn't make her too weak to protect and defend them.)

But also, in another way, when we talk about Sousa becoming Peggy's husband, it has to do with the sentiment Krezminsky expresses in the series:

The ship of Steggy had sailed and was gone forever since the moment Steve became the legend in the ice and Peggy "Cap's Girl", this embodiment of the ridiculous damsel in distress we hear in the radio drama that plays on one of the episodes: Peggy fell in love with Steve when he was a scrawny, sickly lad, because she loved the man he was inside, but now forever for the world she is just another superficial, weak girl lusting after the handsome godlike rescuer, the picture of the eugenic dream of the übermensch. In Daniel Peggy loves and finds all the same things she found and loved in Steve, but in a different light, because Sousa is a different person, with a different life story, plus something else: they have both gone through war and its loss and grief, and come to the other side in need of rebuilding and finding new meaning in life and hope for the future.

In a world where the Dark, Tall and Handsome Hero of the Six Pack, Alpha Dominance and Endless Stamina reigns supreme, Sousa as a love interest is a remarkable and -sadly- bold statement about the things that truly matter in finding one's life partner.

So I think here is a reasonable point to start talking about Sousa in Agents of SHIELD. Because here's where someone would rationally say "well, but you see, there he's also chosen as a love interest!", and the reasons why context in AoS changes everything are multiple, so let's go there.

But before that, let me make clear that I do wholeheartedly believe the writers of AoS meant to honor Sousa, and sincerely tried to do their best with what they were given. That doesn't change what the end product ended up doing and saying about him.

Like Peggy is the main character of Agent Carter, so Daisy is the main character of Agents of SHIELD. As much as you can say all the team characters are important and get the focus, Daisy is the one which the narrative insists on making the focal point, as the arcs of several seasons hinge on her, and we are expected to sympathize with her first and foremost in any situation in which she is personally involved. But unlike Peggy, Daisy is a superpowered individual. She's more like Steve than Peggy; she's practically a demigod. She is capable of ripping Earth apart with just her hands. Where Peggy and Sousa were equals in the power ladder in-universe, in AoS the distance between Daisy and Sousa is abysmal. That imbalance is the first thing that leads to Sousa being put in the position of Daisy's Boy. The fact that he ends up in space with Daisy's last minute sister who is ALSO an inhuman does not help things.

As a side note, there's something to be said about futuristic prosthetics in AoS and how they interesect with disability. But I'd rather not get into it because it is a thorny subject and I don't feel qualified to speak of it.

In a different way, Daniel being Peggy's love interest in Agent Carter is balanced out by his having a life of his own and many interactions with other characters throughout the series. He pursues his own lines of investigation, he conducts interrogations of his own, he comes up with plans, he teams up with Krezminsky and with Thompson and in s2 he has downright made a life for himself as chief in California with a fiancé and all. There is a clear sense that he exists as a character outside of pining for Peggy.

In AoS, the opposite happens. Part of it is owed to the writers writing themselves into a corner: to take Sousa out of his timeline, they have to do it in such a way that his disappearance is inconspicuous, which means killing him. They do it the best way they can think of, honoring his alertness and intelligence, by making him realize HYDRA is infiltrated in SHIELD decades before anyone else does. But as a consequence, Sousa becomes the man out of time: there's no future for him, because he has died, and unlike Steve, he's not being brought back because he himself is required. They just save him because they take pity on him and the tragedy of his life. So he has no mission and no significant previous connection with anyone on the team. One of the concrete things in which this is evidenced the most is with the switch from being addressed as chief Sousa to Agent Sousa. He was chief, but between that SHIELD and this SHIELD there's not such a connection by which he can claim that title. There's no subordinates to manage. So he's sort of default-called agent without really being a proper agent.

So the writers choose the fish-out-of-water concept for him. Which is far fetched. This guy lived through wwii in a high spy setting where intelligence has knowledge of powerful interstellar aliens. He's most definitely not bewildered by phone cameras, guys. He would quickly adapt... if, again, you know, he was brought back for a mission. But the reality is that from a Doylist POV, he was brought in to be Daisy's love interest, and the only thing he can offer to her, in this huge power imbalance I have pointed out, is chivalrous manners and quaint WWII style references like when he tells her "Agent Johnson, we are going home"; both can be very charming to a modern woman, but they are things that highlight the cultural and psychological distances that separate them, and make it glaringly obvious that they have barely anything in common.

The series tries desperately to give them common ground in the time-loop episode, with this idea that Daisy is like Peggy because she sacrifices herself for others and to protect others all the time. Which is laughable because, again, in Daisy's condition of beloved main character that embodies the tortured, quasi byronic heroine that we understand to be the hallmark of about one half of the contemporary superhero type, the narrative and the characters in it bend all sorts of ways to accommodate her, not the other way around. Peggy's type is different because it is rooted in that WWII morale/frame I was talking about at the beginning of the post.

As a consequence of all of this, Sousa barely interacts with anyone that isn't Daisy (he has of personal scenes, what? one or two with Coulson, the scene where Jemma gives him a new prosthetic, and then he's given an idea to give to Mac in the finale. I don't remember any other non-Daisy ones), has no unique role to fulfill in the mission (specially because so much of the plan is entwined in Fitz and Jemma's rescue plan that was NOT counting with Sousa) and no personal goal to achieve, which weakens his standing as a character outside the romance plot, and when it comes to the romance plot, he has nothing in common with Daisy, and he brings nothing to the partnership other than... narratively forced love, and chivalrousness.

In the end, Daniel, who was a character and a person of relevance in Agent Carter, is nerfed and turned into a prop for the rushed happily ever after of the main character of AoS. And that, in my books, is being screwed over. That's what makes his becoming Peggy's husband and building a life and a future with her a much better and more preferable outcome for Daniel; he gets to build a life of meaning by his own significant work and significant connections, in his own time and place, with a wife who is his equal and with other people that have lived through the same collective experiences of trauma and grief he did.

[mixu]

Hi, hope you are doing well. )

I am curious to know your impressions, anecdotes, experience of being a veteran SNS shipper. How was your experience with Naruto fandom? Has it changed? It would be great if you could talk about it.

Hi! I hope you’re doing well too. I barely receive any asks, so I’m excited.

Ah, my experiences and anecdotes being in the fandom, especially as a SNS shipper (does it count as shipping if they’re canon?) … It’s more than half of my life (I feel like I’m talking to my grandchildren) so this could get long.

I’ve been part of the fandom for 17 years, but it’s just recently that I’ve gotten to interact more with other fans both pro and anti sns. This mainly for three reasons:

Time period

When I entered the fandom internet and social media weren’t what they are today (that’s how old I am). I barely had access to internet for school and quickly read the new manga chapter before having to disconnect.

Location

Younger people don’t realize this but the globalization of manga and anime are quite recent. Now you can find merchandise even at the supermarket and a great catalogue of series is at your disposal with minimal effort. And being an “otaku” in the 2000’s was begging to be bullied at least in my country, so I preferred to keep my interests to myself.

My personality

I’m not the most social of people.

Thus, in the beginning, the fandom was nonexistent to me. It was just me, what Kishi wrote and my thoughts.

Little by little I got to interact with other people who were mainly shônen fans, and never read outside of that demographic, so there was no chance they would recognize a “non-pure shônen” even if it hit them in the face. There was not much to discuss aside from who would beat who, and I wouldn’t have been able to articulate it back then anyway, but my guts knew there was something different about Naruto. More than met the eye.

I next met a different part of the fandom in the form of fanart and fanfiction, but at that time it never crossed my mind that people would cling to those non-canon portrayals with their life. I would say most of these fans are avid consumers from other demographics that got attracted because something (the romance or the potential gayness) caught their eye, but are only interested in how to bend the characters to fit their vision. I know fanfiction and fanart are supposed to be self-indulgent, I enjoy it and write it even, but I’ve mostly managed to separate from the real thing. Not many discussions about the story as a whole (please keep in mind we were all teenagers back then).

So, none of those previous fan groups seemed to understand what I couldn’t put into words, and for the longest time, because my understanding of Naruto and Sasuke’s story was mostly instinctual, I had to go along with it. I let myself be gaslighted into believing my thoughts were just a byproduct of my fujoshi tendencies (I guess it could be right to call me fujoshi, but never due to Naruto).

After a quite long break, not just from Naruto but from manga and anime in general, I came into contact with the more educated part of the fandom in tumblr, and I finally got to put into words what was behind Naruto and Sasuke’s dynamic thanks to all of the great analysis that I found. I got vindicated and felt like I could finally live in peace but it was short lived.

When I met all the crazy antis, oh boy, I understood why ignorance is bliss.

That being said, there are indeed a bunch of obstacles between the fandom and understanding the true significance of Naruto’s story. However, not all of them are due to lack of knowledge when it comes to narrative devices and storytelling tools. I’m far from proficient in that topic and I can confidently say I got it.

Discarding those who will perpetually live in denial due to bigotry, homophobia, lack of an open mind, cultural differences, etc, and after much pondering elicited by this post of yours, I’ve come to the conclusion that the shônen label holds way more power than I originally thought. Or better say, all that shônen represents functions as the most effective reality filter.

Because Naruto was labeled as shônen:

The dudebros who only care about the power escalation won’t understand even if they are not homophobic because they came for the blattles and cool powers, nothing else matters.

The lost shôjo readers who force nh and ss into focus and think they can bend the “romance” to cater to their taste because a shonen writer would drop the ball with something as delicate. “Let Kishimoto draw his battles, we will fix the deficient love story because we know how true romance it’s supposed to look like. We wouldn’t be interfering with the hero’s story, anyway.”

All the while ignoring they are dragging a bunch of toxic tropes with them. They don’t see their pairings as failures because shôjo also has its good share of toxicity and abuse.

The fujoshi and fundashi who despite coming after the gayness, still miss the point because they do not care about the story so long as two hot men are kissing or fucking or whatever. They don’t actually believe in sns because most of their pairings are ships for fun, anything can be shipped, (pencil-senpai and sharpener-kun) so they see Naruto as a love story only under their terms but never in canon.

Then we have people that read a wider range but fail to look at the story as anything else than one written for male teenagers. Got shôjo for romance seinen and josei for more maturity, so shônen is meant for an easy quick snack.

Some of my friends, that I consider very intelligent people, way more versed in storytelling and narrative and whatnot than me, who are definitely not bigots or homophobic, still miss the point because they weren’t looking for it. They realized only after I pointed it out (I even made a ppt presentation, but that’s another story).

As for the people who understand from the beginning:

There’s of course those with the knowledge to dissect the story, and who can consciously ignore the restrictions of the labels.

Yet another group (I consider myself part of this one) that manage to bypass the rules only guided by instinct, but kept second-guessing themselves until they met someone from the previous group.

Then there’s my mother, bless her, who watches anime and loves her romances, but knows shit about manga demographics and wonders how the fuck Naruto and Sasuke gave birth to Boruto because in her eyes that little piece of shit has to be their son.

So once again, it all comes back to Kishimoto and his decision sell his soul to Jump. Was it all for fame or money? Was he too hopeful and naïve? Was it all a cruel prank?

What happened to mangakas like Tezuka? That man knew no limits.

That’s it for my thoughts on and interactions with the fandom. I think I leave my evolution as a sns stan for later if you’re interested in it.

[kaurwreck]

I saw your recent headcanon bsd post and honestly you really get the characters (or you get me <3 because i fully agree with them) especially the Atsushi and Dazai one which is practically canon for me. Do you have more Atsushi and Dazai headcanon you can share? I really love it when people talk about those two

I'm so glad the Atsushi and Dazai headcanon resonated with you! I call them headcanons, but they're canon to me; it's my sandbox and I'm building sandcastles.

I don't think I'm articulate enough to adequately express my thoughts about Atsushi and Dazai's relationship, so rather than try, I'm going to share more bulleted snippets of headcanons that hopefully relay the vibes if not the substance.

Atsushi is emotionally brilliant, but has the intellect of an idiot kitten. Dazai is intellectually brilliant, but has the emotional intelligence of an idiot kitten. Nevertheless, Atsushi is NOT self-aware, in the slightest, while Dazai is excruciatingly self-aware. They would devour each other in the wild but are a bonded pair in captivity.

At least once a week, Dazai loses Atsushi at the store and then doesn't listen to the intercom when he's called.

Dazai thrusts himself into the thick of villains and conflicts because the narrative will not let him die, but he can't move it forward from there. Atsushi can and is compelled to, even, because it's the only way he'll survive.

In 55 Minutes, Atsushi indicates that maybe all skills come from elsewhere and are imposed upon us. In that way, he's drawing a parallel between skills and the cultural, societal, temporal, familial influences that construct our understanding of our existence. He's also saying that perhaps what Dazai and Kyouka have going on with their otherness and inability to control their skills is kind of what happens to all of us, just in different ways. This is why he is the protagonist. He does not see separation. He sees people and he sees the constructs and frameworks that people build around themselves, but which they can also deconstruct and rebuild. Dazai isn't convinced he's a person, but Atsushi guilelessly and unwaveringly looks at him and sees a person anyway. He has that effect on others; he did the same thing to Kyouka, and Lucy, and Akutagawa, and even Ango when Ango aimed a gun at Kyouka and Lucy. Worse yet, they see reflections of their personhood in his eyes. It's intoxicating, and enlivening, and frustrating, and terrifyingly vulnerable. Dazai experiences it as absolution. Atsushi experiences it as obvious.

Dazai tries to give Atsushi shaken baby syndrome when Atsushi annoys him, even though Yosano keeps telling him that Atsushi's too old.

Chuuya and Atsushi unabashedly want to love and be loved, it's second nature to them, albeit in different ways. But Akutagawa and Dazai convinced themselves they were perfectly fine not loving and never being loved; up until they met someone who everyone loves, which is so, horribly vexing to them because they're so different and unique and no one understands them and yet here they are, vying for the attention of someone who seems to know something they don't. So, they cope by loving those they love in ways no one else does. Which is to say: like freaks.

Dazai gets involved with Atsushi and Akutagawa not just because they need mentorship or for Atsushi. He's there in solidarity with Akutagawa. Dazai is there because he needs someone who understands the reality of the idiot situation that they got themselves into because they're idiots. Dazai and Akutagawa were both supposed to die young and in abject misery. And yet here they are. Being yanked around by objectively unreasonable people who seem to think they know better. Worse, Dazai knows that he and Akutagawa want to believe them.

Atsushi and Dazai are cat-coded, when the others run it activates their predator instincts.

dazai is so afraid of feeling; he doesn't think you can survive emotion, he thinks emotions exist to trick you or destroy you and that others' expressions of emotions are disingenuous or naive; emotions burn him terribly and he can't imagine it's any different for everyone else. and if it is, then that just further evidences that he's not human after all, that he wasn't built to survive in a world that hurts him so terribly. it's why he's so certain kunikida is going to get swallowed by his ideals. it's why he raised akutagawa in pain and neglect and why he was so disgusted by akutagawa's lack of emotional control. it's why he can't hold onto chuuya for longer than it takes chuuya to fall asleep after corruption. it's why he slapped atsushi and demanded disassociation from him when atsushi started to panic about what he'd done to naomi and haruno. but fyodor is what it looks like when you succumb to that, and chuuya and atsushi and oda are what it looks like when you don't, and as much as dazai thinks he's capable of loving anyone, he loves atsushi and chuuya and oda, all of whom grappled with their own humanity and then elected to be human anyway. and as much as he thinks the others are deluding themselves, and as much as he still believes he's right about humanity's insincerity and insipidity, and since oda asked him just before dying over his own fruitless emotions anyway (although it began before oda asked), dazai has decided he would rather fiercely protect the outcasts who refuse to see their own futility than exert any energy proving himself correct. and if he can bully a reflection of himself in the process thereof, then all the better.

Dazai lies and claims Atsushi is his son for Father's Day discounts. It's so obviously untrue and outlandish that store clerks are too distressed by his thick face to call him out and so he gets away with it. Atsushi plays along because he wants the discounts too.

[gatheringbones]

[“I want to spend a moment reflecting on exploitation: I’ve been eyed for social work since I was in my mid-teens. A racialized, mentally ill, gender queer youth, I was also remarkably articulate, psychologically precocious, eager to help and to please. The adult service providers whose orbit I floated in were quick to notice and take a shine to me—I was one of those once-in-a-blue-moon clients, the kind it feels both easy and rewarding to work with because I was so traumatized yet seemed to “improve” so quickly. The adults I trusted always seemed to want me in their empowerment initiatives, they were eager to put me on youth councils and committees, they gave me leadership roles despite the fact that I was in way over my head. I was brilliant and gifted, they said. I had so much to offer, they said. Helping was what I was made for.

I came to identify my worth with helping, my lovableness with how much I was able to give and please. It didn’t matter that most of my early jobs and roles involved some significant risks—for example, facilitating antihomophobia workshops in high schools as a high school student myself might have required a rather enormous amount of self-disclosure and vulnerability to strangers, but it was all for the cause, wasn’t it? And how proud my youth workers were whenever I came back from another successful outing. And if the honorariums they paid me were less than minimum wage, well, it was more money than I’d ever made before, wasn’t it? And how lucky was I to get paid to do something that did so much good for other people?

When I got to college age, I knew it was my purpose in life to help and heal other people. In my darker moments, it sort of seemed like that was all I was good for—and all the trusted adults, the wise youth workers and therapists and psychiatrists who mentored me, said I was gifted. They said I was special. My diversity made me fashionable. So “interesting” and “textured,” one psychotherapy supervisor called me. A wealthy white psychologist said I was an “ambassador for my people.” (She didn’t specify which people.) This was how, at twenty-two years old, I began an internship that involved doing therapy with adults who had survived childhood sexual trauma. Although I had no real clinical training, I held sessions for them at night in the windowless basement of a hospital in Montreal. I learned therapy techniques quickly, from videos on the internet and by practising on the job. People were counting me. I had to help.

Some quick number-crunching tells me that I gave over 4,000 hours of unpaid therapy in order to get to paid work as a clinician. By contrast, the very first sex work gig I got paid me $100 for some nude cuddling and a sloppy hand job that I completed in twenty minutes. I almost never think about that first gig now. I still dream about the stories my clients told me in that first unpaid therapy internship I took at twenty-two. Occasionally, I still cry, wondering how they are now, if I’d done enough to help them.

My social work experience isn’t every social worker’s experience, so I can’t claim to speak for the whole social work community. What I can say is that the people around me saw something useful and beautiful that they liked in me, so they took it and used it and I allowed it to happen because I wanted to feel loved and I didn’t think I really had choices. What I can say is that my sex work practice started out rough and frightening, but it blossomed into a decent learning experience and a business that paid me lots of cash up front, usually with no strings attached.”]

kai cheng thom, do you feel empowered in your job? and other questions therapists ask sex workers, from The Care We Dream Of: Liberatory & Transformative Justice Approaches to LGBTQ+ Health, edited by Zena Sharman, 2021

[savagewildnerness]

Quick, daft improvise to this wee scene today… so I did. I don’t like it so I’m not gonna listen, I’m just gonna post!!!!

I am SO excited to watch Nicolas in full! I can’t articulate it completely. But I’ll say it’s exciting to me both for what I know in my bones of Nicolas AND for what I don’t know!

I started playing violin aged 8: just free lessons in school (I never had a proper, paid for, private violin lesson in my life. Not even one.) then piano aged 12 - so OLD to begin (& incidentally around when I read The Vampire Lestat.)

I danced from before I was 3 years old & through that, always loved music. But I also always knew I was *too old* when I started playing instruments (coupled with my free lessons & nobody in my family being musical… & my own extreme quietness & lack of self confidence… & knowing other children, both objectively better than me & more popular as humans than me & who perceived themselves therefore as incredibly superior to me) to ever be a musician.

I can’t even explain in words how I, even aged 12 related to Nicki’s sense of what can & will never be. It made me feel impossibly ancient. I can tell you that I refused to learn how to ride a bike, even though my Dad was an excellent cyclist aged FIVE as I knew a friend who could already ride a bike at 5, thus was convinced I was *too old* to add to the essence of my self. But I imagine, if you are not me it may seem slightly silly?

Aged 12, I likely didn’t understand the full depth of Nicolas’ cynicism. And, as, even now, an idealist who related to Nicki so deeply in some ways, I do feel there’s a part of me unable to fully comprehend Nicolas beyond how my 12-year-old-self resonated with him. I can’t fully imagine the depth of Nicolas’s existential despair & cynicism as I personally relate to his self so deeply in some ways, yet the idealism in my nature dampens my personal existential despair. But I do despair now…

Anyway; that makes me even more excited to experience Nicki on TV, brought into reality! Because I do not know or understand him fully… yet! But I see Joseph Potter’s acting & I feel the feeling in it & so I know that Nicolas, and how meaningful he is to me shall be deepened. What joy. 🥰🎼🎻

To extend the why of why I relate to Nicolas - My piano teacher went into semi-retirement when I was 13 & cut back on most pupils. I was obviously still a beginner, having only just started playing at 12... so she was going to cut me & told my Mum so. Then I had that week’s piano lesson with her & something about the musicality or emotion in how I played my simple stuff that week meant she told my Mum she simply couldn’t stop teaching me. So I kept having lessons with her till I left school at 18.

I do not consider myself a musician at all. I’m not good enough. But some people felt *some thing* from how I played even as a teen: another way I related to Nicolas! And I knew my failings & all I’d never be, like Nicki knows. And I know how that feels.

Lestat talks of beauty & emotion in Nicolas’ playing. But when you personally know your playing is technically lacking, a compliment is lovely, of course. But Nicolas & I both know the truth: that we are lesser and not-enough and failures.

For me though, never fear - that I know my limitations is a huge part of why I share music here! I want everyone to feel they can create. Not necessarily music, but whatever they feel - to transform it in whatever way to some thing.

And the errors & imperfections don’t matter. The act of creating is being alive 🥰.

[erithel]

Piggybacking off of your response to the previous ask, man can I just say what an utter clusterfuck the whole "gone" situation was follower-wise... i'm gonna make this about me so sorry about that, however i'm the kind of person that can't really articulate their thoughts, can't see through the layers as clearly as others and when people post a thoughtful analysis that reflects my feelings about the fic while the best thing I can come up with is something like "wow, fic good❤️" (which yeah I know is still fine but anyway) it makes me feel so much better because what is trapped in my head is articulated as I wanted to express it... that being said, seeing you explore ptsd and lance's grief like this stirred smth in me, I cried at times, so I was very excited to see people in your asks sharing their thoughts and all... And then they didn't seem to care so much about it (not all of them obvs) and at first it was like "hahah yeah.. we all want them to kiss xd lol" but then seeing you post about how people would essentially flood your asks for klance to KISS ALREADY™ plus with other general stuff... Idk if it was frustrating for me I can't even begin to imagine how it was for you, because this is like.. still a story, just in comic form, so yes it has an arc it need to complete. We could see the episode count from the beginning too if I remember correctly, so being so insistent about it was weird? Either way, it was a story and it was getting somewhere and spamming about when your ship will be canon is kind of annoying. So sorry this happened to you and so happy you pushed through! I binge it on the regular!

I feel like I could do a Ted Talk on the etiquette of commenting at this point, through my own experience, and also reading comments my friends have received on their work.

But essentially what it boils down to is two things:

Creators put a lot of work into their stories, and

They choose to write stories their way

The way that I write fan content (both fics and comics) is because these stories and these subjects are important to me. Some of them are very personal, too. And I know I am not the only creator who chooses to write this way.

Obviously the way I reacted to the "just kiss already" comments may have seemed like an overreaction from the outside (I thank you for being understanding in your ask btw).

But the message those constant comments were sending was a very clear one of:

All the thought/time/work you put into this story does not matter

Everyone who ever told you to "just get over it" was right

Grief can be a very physical and powerful thing.

Losing someone you love leaves you with this excess of love and affection that now has no where to go. You used to have a place to direct it, and when that place is suddenly gone, it takes a while to learn how to function again; to redistribute that love.

It's something that never goes away, it just gets manageable. And it's definitely not something you can "just get over."

I'm not saying I'm the greatest storyteller of all time, but I was tired of reading books and watching movies and shows where the characters never felt the aftermath of a loss. They all just moved onto the next episode or the next chapter like nothing ever happened.

And I do think it's important to tell stories like this in fanfiction. Because many readers are younger. Many readers rely on reading fanfiction because it's free. Many readers need hope and catharsis. And getting to read about their favorite characters go through terrible things but realistically come out on the other side is, to me, very important. Because the stories we read - no matter if they are free or published works - can stick with us for the rest of our lives.

This is why it was such a big deal for me. Because I was trying to tell a story that said "Please take your time to get over things. Please know that it's okay if you don't immediately snap back to the way things were. Please know that it's okay to feel whatever it is you are feeling." And getting comment after comment that said the exact opposite was honestly just crushing.

I would take a "wow, fic good" comment any day. Because it acknowledges what has been done, instead of demands things to speed up to suit someone else's needs.

And, on a slightly more petty note... it was a klance fan comic. It's not like they weren't going to kiss. They just weren't going to do it in the middle of an argument where it wouldn't have stuck!

(I do also think it's funny that there's a perfect comic example of a kiss happening too early, before communication which happened right around the same time as Gone. And for the record, she's gotten way more and way worse comments than I did, so that's something worth mentioning, too.)

The point is that some stories are very personal to the author and very important to certain members of the audience. Of course no single story will be for everyone, but just because it is not going a certain way does not mean it's okay to demand it be changed.

[heartshapedcreaturefromcriptoon]

Jesus fucking Christ I fucking hate "The Doll Community" especially Monster High and g3 monster high, I really do...

I was just watching a video of this big name doll youtuber reporting on doll news, as they do, and they were covering the new Beetlejuice Skullector Two Pack, but what got me is they how said some pretty Anti leaning shit that was just unnecessary?

Like they literally said: "Obviously NO ONE ships Beetlejuice and Lydia so NO ONE would promote this as a romantic thing.. But if it's a wedding set that's set to release Valentines day then la de dah blah blah!"

And like? I honestly didn't know if this person was just saying this to just like, cover their own ass so THEY didn't get harassed by other tenderqueers because they were young, or if *they* genuinely believed what they were saying? Because from what I've watched from their channel, they're young and don't seem to know or care a lot about horror as genre in general? Like I don't mean to gate keep, but they're one one those obnoxious Monster High fans I made of fun of in my one post where it's like, "knows nothing about horror, just learned who Elvira is, only got into mh as a kid as the 'alternative' to their conservative ass parents who already believe pokemon is The Devil letting them experience Actual Horror and just never stopped consuming the dolls and Skullectors regardless if they're even familiar with the source material" kinda people? And yeah, that gets really annoying?

But I obviously didn't want this to be my cutting off point for watching their channel because ... Doll news?

So, I just wrote up the most, civil. neutral comment I could possibly articulate explaining how the Beetlejuice fandom's been practically built off of nothing but shipping for 36 years and how people can think whatever they want but Winona Ryder does ship it and it was quite frankly unprofessional of them to alienate Beetlebabes who might want to grab the two pack by implying there's a right way and a wrong way of interpreting the movie and the relationship between these iconic characters and they should respect the older fanbase and all the history that came before the musical?

And I was about to post it, but then I got nervous when I remembered, that I once purchased a doll from this person, which meant that they had my address at one point, which meant if they didn't like what I was saying, they could like, maybe dig it up and dox me? Or at least threaten to and I'd have cause to panic over it being like, legit or not? And I tried to brush it from my mind like nuh nuh they're cool they're cool... They're not on *that* level of Anti...

So then I just tried to check and refresh the comments to see any more overt ship bashing was taking place and of course, I just immediately find this:

So then I do this little blackout thingy for the usernames so that none of this can get back to youtube, and I go to screencap my comment so I can at least post it here in a vent, but I lost my comment trying to get the screen cap thingy to work and accidently clicking the youtube refresh button... 😔

... I just...I hate having such a lil' ghost face moment right now, but just like... I hate you legit fake horror fan Monster High collectors who can't appreciate horror having romantic subtext when that's the entire point yet you keep hoarding all the dolls anyway, I hate you little faggity boys with broccoli haircuts and split dyes who pressure girls into sending you nudes and the retired Mommy Vloggers who enable you, I find you extremely annoying XCanadensis, I hate you for your extremely annoying editing and intros zombiexcorn, I like you Lookin' Bratz but I hate your bratzline podcast cohost for fully admitting to doing a binge watch of all the Harry Potter movies in the franchise for "the first time ever" in fuckin' 2024 with absolutely no disclaimers or acknowledgment of the elephant in the room there and thinking that was a good idea to disclose something as quite frankly as disgusting as that and ruining what could've been a nice gothic doll chat for me and putting sour taste in my mouth about listening to the rest of your podcast...

And I especially hate that one dude with the ugly live action beauty and the beast dolls with the pink hair and the bowl cut and the glasses who for some reason keeps insisting every time she's brought up that Ghoulia Yelps can't be disabled/autistic because she's supposed to have some type of racial coding...

They're HEADCANONS!

They're PIECES OF PLASTIC!

GROW UP! 💀

(I love you weirdo OOAK Doll Artists, you're the only Real Ones left! ❤🫶)