#it’s kind of extremely evil

[angelnumber27]

Tulips by Sylvia Plath

[non-plutonian-druid]

[ID: two sets of drawings of Viktor and Five as centaurs. The first is approximately s2-s3 era; Viktor, whose horse half is a brown pony, is grinning smugly at Five. Five's horse half is a black foal and is shorter than Viktor. The second set of drawings is during s4; Viktor is still a brown pony but now Five's horse half is mostly grown up and thus significantly taller than him. (Five's horse color has also changed to a dark gray). Five is the one grinning smugly now, and Viktor says "Fuck you." End ID.]

omg guys season 4 made centaur au canon can you believe it. somewhere out there, every au you can dream of can be true in the reality of the show. wow!

[kacievvbbbb]

I need someone that believes in magic to get ahold of Batman again. He is an overly serious man that runs around in an admitted bat suit fighting a gimmick rouge gallery. And he is doing it because he sincerely believes in a better tomorrow and somewhere along the way we have lost the plot. Batman wasn’t created to punish the guilty that is actually completely antithetical to his beliefs he is not the fucking punisher.

Batman just like wonder woman and Superman primarily wants to save people! sure he doesn’t do it in a sunny way but that is still what drives him. Hell he even goes a step further and actually builds a case he’s not just waiting for criminals to commit the crime he is shutting down smuggling and trafficking rings foiling plots he is a detective! For Christs sake it’s what made him so unique and fun as a superhero.

Also His desire to save people is literally what compels him to adopt Dick, Jason, Stephanie. Cass because he wanted to give these kids a chance, to save them in ways 8year old him wasn’t. Someone who just wants to punish the guilty wouldn’t do that, And now they have turned him into a borderline physically and emotionally abusive absentee parent all in the name of making him an edge lord. Where is the heart! Where is the fucking heart in it all! Where are the kids and the bright colors and the zaniness. Let Batman and Gotham be FANTASTICAL! I’m tired of the greys and the browns.

I’m tired of “grounding a story” meaning sucking all the joy and color out if it. Also superhero stories don’t need to be grounded in your fucking abysmal reality they are literally superheroes they exist outside of reality, let them!

A story does not have to be joyless to have depth and it does not have to be nihilist to be compelling.

I am sick and I am tired of it. 😔

[cerealmonster15]

jamiazu / ashenviper week day 6: toxic yaoi overblot

SORRY it's very much a rushed mess especially in the lower half jdkslfjksd i was v busy today and trying to hurry to get something done for this before midnight [covers up the clock... i was close enough,,, it's still day 6 in some time zones jkfdlsjfs]

unfortunate that the overblots have so much going on and take me ten billion years to draw otherwise i think id like drawing them more bc they LOOK VERY COOL!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[transrevolutions]

disappointed but not surprised at the number of posts saying snow's moral depravity is because of his apparent low empathy and not because he. yknow. supports and upholds a fucking fascist regime.

[trevisos]

i think some of the trouble i’m having with figuring magpie out is that i initially planned them to live in a world where elves are oppressed and the crows are an organization that trains children to kill so rigorously that many die before becoming proper assassins and until ~10 years ago the majority of mages lived locked in towers because the general population found them too frightening to live freely and bioware kind of smoothed out many of these edges in veilguard and now i don’t have like. any of those hooks i expected to have to anchor magpie as a Person In The World. i mean granted the mage thing was always going to be less of a big deal bc ik the culture around mages in antiva was different even when the circles Did exist but the other stuff i like… idk i guess i didn’t Expect the whole elven oppression thing to be so smoothed over and sanitized. but it’s barely mentioned?? bellara straight up was like “will people dislike elves after this?” as if they don’t already? the shadow dragons are fighting slavery in tevinter, a thing that has historically happened Mostly To Elves, and yet that’s never mentioned directly. as an elf rook i never get to have an opinion on being an elf in minrathous. i don’t Get to tell bellara that they already hate us. i recognize it was prob wishful thinking but i had hoped we could play a smidge more with the dynamic of being a city elf contending not only with the fact that the elven gods you’ve never worshipped are real but also that they’re Evil. instead every other character talks to magpie as if these are her gods too and they’re not!! they never were! but there’s never really an option to outright say that! the only chance i’ve had so far to say they’re not my gods was worded as if i rejected them for being tyrants with no option to acknowledge that i’ve NEVER worshipped them?? as if city elves no longer exist to bioware when like. to Me that was the most interesting part of elves!

and obvs i figured the crows would be humanized a little more but it really does feel like everyone there has Chosen to be an assassin and could leave if they wanted. the fledgling jacobus is treated with like. kid gloves by both heir And the two talons present which is not exactly consistent with Training So Grueling It Kills Children? this is a much less big deal for many reasons (including that there is definitely a certain Lens the crows are allowing you to see them through as an outsider (and/or because you have outsiders with you for a crow rook) that may easily conceal many of the realities of the org. and also bc it’s just not a big deal) but it is still kind of baffling to come up against when i came into the game as zevranlover69

[nighttimeaboardthepearl]

characters who usually appear dominant and intimidating on the outside/in public but are super gentle with their partner or even enjoy being submissive for them in private 🤝 characters who appear calm and shy in public but enjoy showing their more dominant side to their partner only

[hellofastudysession]

am i rlly going to write a death note literary analysis when i could be doing other things

about the discourse going on in the tag abt "death note is acab and thats why the characters couldnt better the world with the note (/written in somewhat jokey matter)" vs "death note is trying to say we all have potential for evil, especially if you get a chance to insta-hurt ppl without repercussions, and it doesnt matter if youre a cop or not", i personally feel like it ignores the things that i like abt death note, which is "both of these things are true", and simultaneously "both of these things do not matter". the first part of this is dedicated to the first point, the latter to the last.

first point. i think its an important part of the message and themes (unintentional or not, and i lean on the former because... come on, can you really say the author intended you to not think of the cops as good people, at least compared to light and l) that light is a cops son, and that almost everyone who gets the death note is cop adjacent/thinks like a cop and is already corrupt/powerful when they get it (mello raised to think hed be just like l, yotsuba group is self explanatory; you cannot look me in the eyes and tell me teru "churchill" mikami, who was hand selected by light out of a bunch of rabid kira supporters, is a normal citizen). i appreciated the cop post bc its rlly important to not gloss over that aspect.

all of this would be an argument for "only someone like them would do something like this, and i am not like them, so im above them and immune to thinking about what id do with it", but... misa is the MOST important outlier in all of this bc her murders are solely selfish in nature and shes not doing any of this for "the greater good"!!! her nature of being an exception and still a very very bad person is really really important...

or it would be if death note gave a shit about her character at all!!! im not talking about her tragic side, im talking about exploring the ramifications of her killing people the way lights murders are (somewhat) explored. that would strengthen the message greatly! but shes dismissed and that weakens it overall. firstly, she's dismissed by the characters when l only sees her as a way to get to kira and basically shelves her the rest of the time. secondly, shes dismissed by the narrative when her character is gradually ground down to a stump and (not to sound perilously close to the bad takes ppl meme about) she never faces repercussions for her actions. every other character using the death note is treated relatively seriously, but misa just dies bc her love is dead. im not saying this isnt a... fitting punishment or that it isnt in character, but it doesnt fit snugly into the theme other people are talking about of "you reap what you sow" at all.

we do have something of an equivalent to misa's grayscale motives. surprise surprise, its light yagami. first is light's characterization in the musical (i will also note that misa never kills anyone in the musical). light's thinking is coplike, yes — he literally starts his first song by talking about "throw[ing] away the key" — but also, oddly enough, could be read as progressive and therefore sympathetic to tumblr ("let the corporations make the regulations / and hold no one accountable when everything gets wrong / let the rich and famous get away with murder / every time a high-priced mouthpiece starts to talk, his client gets to walk"). compare to the anime and manga, where his bigotry and pride and disgust come from a place of lukewarm dissatisfaction and boredom. the musical has much less time to play around with lights character, so it gives the audience something to immediately hook on. more on how that actually plays out later.

in the animanga, none of this is justified from the start. animanga light could say he was just killing people to make humanity way, way worse, and that wouldnt matter, because at the root of it, it was always his boredom that made him pick up the note. of course he actually believes in justice and believes hes doing the right thing (no, he believes he's doing the wrong thing, for the sake of the world... the right thing, because he is god...), but it was boredom at the start. all animanga light says about justice and righteousness and the law is a front in the end, bc he is exactly like l and misa — amoral. selfish. searching for entertainment. hedonistic. we know this. he kills naomi misora*. he kills lind l. turner. everything hes saying deserves to be dismissed from the beginning.

"but doesnt that mean you agree with the discourse post you wrote this post to argue against?" like i said, i agree with both of them! but i... still think its not right to reduce death note to the message of "the power to kill people is bad". because that is not exactly what the story is saying, even though that's literally its whole plot and therefore reaching that conclusion is self explanatory (lmao). let's look at the concept of mu. nothingness. "there's no heaven or hell". The Real Slay The Princess (Death Note Essay) Starts Here.

in light's final moments in the death note manga, while screaming about not wanting to die, he remembers that the first day they met, ryuk told light that "there's no heaven or hell. no matter what they do in life, all people go to the same place. all humans are equal in death". it is retroactively revealed that light knew this the whole time, operated under this knowledge for all the years we watched him — the knowledge that nothing he does is actually bad, that nothing any human does is actually bad, that shinigami are not "evil", that the universe does not care. that no one cares except humans. this oblivion absolutely terrifies him more than anything anyone could ever do to him. its what he thinks of before anything else as he flails there, screaming, dying. one could say everything he does after that day is him trying to escape that fact, or wrest control over it. but it doesnt work.

here are the lyrics of requiem, the musical's final song, sung over the bodies of l and musical light, a light who was at least somewhat good-intentioned at first: "sleep now, here among your choices / then fade away / hear how the world rejoices / shades of gray / gone who was right or wrong / who was weak or strong / nothing left to learn". this is the final message the death note musical and the manga chose to leave us with. there is no judgement. even after all that acknowledged hurt, after all the damage done, there is no judgement.

in the manga and anime alike, the world is just as fucked when light picks up the death note as when he dies. sure, we as readers can guess otherwise logically (and be optimistic, believing the world was never fucked regardless), but that's not what death note wants you to think. it ends with matsuda and another member of the task force noting how the world is worse again even though they killed kira (matsuda is clearly much worse for wear, but still determined), we see the shitty motorcycle band again, it ends with misa and a whole kira cult on a mountain even though kira died a long time ago...

its extremely important that light is never killed by any human or any aspect of the law. he is always killed by ryuk: a chaotic force completely detached from human sensibilities, one that does not care about good and evil. same with l; in the anime, manga, and musical, he is always killed by rems senseless, morally gray love (and you could argue in the kdrama that hes killed by love there too lol). justice is just a set dressing.

this is not just because death note is a tragedy, because good and evil can still matter in a tragedy. the theme of "nothingness" and "good and evil doesnt matter here" is also shown in a situation relatively unrelated to light winning or losing, or being good or bad. and its in fucking lawlight of all things. we all know ls not a good person. we know lights not a good person. this is tip of the iceberg death note knowledge. but the moment they start to interact, none of that starts to matter. textually, their relationship becomes more important than the people theyve killed and hurt. and the thing is? the thing is? THAT WORKS STORY-WISE. THAT'S ENTERTAINING. AND IT'S NEVER TEXTUALLY CALLED OUT IN A LASTING WAY. l and lights relationship, no matter how much i meme it, is genuinely important to the themes and "mu" because it makes it clear that despite all the pretensions, despite everything, this was never about good and evil. and it still works in the story. this is why death note is simultaneously a comedy — isn't the battle of good and evil supposed to matter more? well, fine, i'll keep watching this anyway. that suspension of disbelief comes crashing down the moment l dies, though, and a relationship built on nothingness (the "mu" sort, meaninglessness, not "character development" nothingness, theres plenty of character development) gives way to just nothingness (again, "mu", not light's post-l depression nothingness), forever.

(an aside: there is no one to root for in death note, and the only things to root for are either interesting character relationships, convoluted plots, or complete and total destruction: for everything to end so no more damage is done.)

not to say that death note does not encourage its readers to consider what damage they might do with the death note (obviously.), or that its characters never do. look at matsuda, a much easier heroic figure to latch on to than soichiro because of his unique place in the cast dynamic and because he's willing to consider both sides of the situation and kill light instantly for all he's done. its just that the story's own stance on the subject is... complicated by the existence of shinigami worldviews and by its own insistence that the world cannot change for the better.

also, this is not to say that this is executed well by the death note manga at all. it is a very strong tool, artistically, to establish and then violently remove any emotional connections between characters and make your story only about the exceedingly convoluted lengths characters go to to survive and catch each other so the reader can realize how ultimately pointless all of this is, but like... is that a good story choice if that's all you do? i would say not really. add in a good dollop of misogyny that destroys the second-to-last character who might actually be an interesting contrast to the rest of the cast's dull one-track focus on winning and justice, and youve got yourself a shitty story that... honestly still achieves what it went out to do, just not in a way id ever want to replicate.

anyway, back to the parts death note's actually trying to say. no matter what any human does in their life, no matter how they try to hurt or help the world, they all die in the end. hey, light, they all die in the end. once dead, they can never come back to life. and the seasons turn. and the world rejoices. and you say "goodbye"...

that's all.

no analysis of death notes overarching theme would be complete without nears final monologue, the definitive roast of light, the "you're just a murderer" speech: "what is right from wrong? what is good from evil? nobody can truly distinguish between them. even if there is a god." if we take this as talking about the actual god in the room (ryuk) as well as light, then near admits that humans will never be able to withstand these overwhelming forces and that, using justice and happiness and selfishness, they are just scrabbling to find meaning in things they ultimately have no control over.

but of course, near does not stop there. "[...] even then i'd stop and think for myself. i'd decide for myself whether his teachings are right and wrong." nears alright with not having control over everything, because near can still control nears own actions. these forces can and do exist, but they have no sway over nears own humanity — unlike light, who caved.

one of the creators of death note said they believe its message is "life is short, so everyone should do their best". the first time i learned this, i was like, thats... nice and optimistic, but an awful reading of the story! "life is short, so everyone should be desperate and striving like light yagami", who literally cut off other ppls lives for his own life? what character in death note are we supposed to strive towards when we "do our best"? they all do awful things with their lives! honestly, maybe they shouldnt have tried their best, if this is what their best is!

but with the view of "mu"... it makes a bit more sense. just a little. maybe.

there is no good and evil. there is only what humans think, and no matter what we do, we all die in the end. it is easy to be crushed and terrified by this in the same way light is, but what is more important than justice and righteousness and finding meaning is... doing your best. not being a person that hurts others too much. not letting yourself get swallowed up by an ideal. not going too far. and simultaneously, trusting yourself.

it leaves a few questions, though... was the currently dead l even a little bit right about his blatantly amoral approach, then? was there a point to this pain, and me slogging through this dumbass manga, and all the people that have lost their lives to a selfish teenage cop's son and the whims of everyone chasing after him? was there a point to any of this...?

the manga** never answers this. it stays clinically impartial until the very end. the musical is anything but clinically impartial (and i love it so much for that), and its ryuk that has the last word.

"there's no point at all."

of course theres no point. none of this was ever supposed to happen. that is what matters more than all the hurt and the crimes and the pain.

and that's... actually okay, because it's over now.

yes, death note has many really important themes present in its story, but its viewpoint is nihilism first and foremost. thats why its so fun and easy to play around with all the other messages, because no matter what fun or torment or awful things or righteous justice or absolute nothingness or sentimentality happens in between, there is always an end.

there is always the end.

[g1ngerbeer]

i think we should be able to mash characters names together to refer to them as a single unit without it being automatically classified as a romantic ship because how the fuck else am i supposed to refer to fictional qprs so potent and destructive they merge into one person and kill each other when they separate other than by physically putting them together and never referring to them separately again

[boxwinebaddie]

my favorite baby style ncu continuity is cute tiny hopeless romantic kindergarten disney prince stan falling in love with kyle broflovski at first sight and buying every flavor of ring pop trying to propose to him like 'you are...the most Beautiful person i've ever seen.'

and evil feral kindergarten nj kyle threatening to bite him, fight him and end his pitiful life like 'and you are...so Gahdamn WEIRD. stay the hell away from me, yA FREAK!' and trying to bear mace him skdhs

— but then k-garten stan doing something incredibly wholesome, mindboggling stupid and storybook chivalrous to save k-garten kyle's life, the ice around his cold black heart melting, bein forever changed and falling head over heels in love w boy hero k-garten stan...

...all to take the fATTEST L OF ALL FUCKING TIME because he is too emotionally constipated to confess his feelings and end up gettin stuck in the super best friend zone FOREVER bc every day perfect stan marsh gets lovelier, handsomer and....Fucking STUPIDER.

[parkitaco]

yk what i will say tho is that i don’t entirely blame people for not Getting certain things abt certain medias after Certain Creators dropped Certain Storylines once a certain show got popular to make it more palatable for a Certain mainstream audience

[batsplat]

bat splat thank youuu for saying the pecco jorge rivalry is just for pecco as opposed to having the specter of Vale hanging over it. I want to ask tho, I have been seeing people say the only reason pecco wins the race is because he copies jorge's setup throughout friday/saturday/Sprint. Wanted your opinion on this because I have also heard that Pecco gives decent engineering input and builds his race slowly over the weekend. Was just confused about how much data sharing can actually help, and how much does it help with the ducati specifically!! Have a nice day, love your posts

have a good day too, anon!! and I will gladly spread the pecco narrative independence agenda!! it's something I really do like about the rivalry - expanded a bit in the comments under this, but it's neat to have something that really is Just Pecco's. from inception it's very much his own rivalry, his own narrative... idk, this sport is too reliant on valentino to provide any kind of narrative tension, and it's just sort of refreshing to see this multi-year narrative play out that has fuck all to do with that guy. enough

on the set-up copying, obviously that is bullshit. I mean, to be clear, I'm sure pecco absolutely copies the set-ups of other ducati riders, but that's very much a mutual process - it's something that benefits all the ducati riders, and they've all openly spoken about this. it's very helpful to be able to see the data from seven other riders!! that's a big part of why ducati has been so bloody good!! the main difference is that jorge tends to be faster from the start of the weekend, whereas pecco tends to take time to reach his level. which I suppose makes some people draw the conclusion that pecco is only fast once he's copied someone's set-up. again, this isn't the case - it is just a difference in approaches. points come... well, unfortunately, not just on sunday anymore, but they certainly do not come on a friday. pecco knows this, which is also why sometimes he's not even trying to top an fp1 session - this year there have been quite a few instances of jorge but not pecco throwing on a fresh set of tyres towards the end of fp1 and setting a particularly impressive lap time. there's also nothing wrong with THAT approach, jorge is playing to his strengths, but at a certain point we're just talking different run plans

(there is also a very obvious logical fallacy with this line of reasoning. if you are copying someone's set-up, then by definition you have the same set-up as them. and if you beat someone with the same set-up, then it stands to reason that you were riding better than them. sure, you can argue the success is less earned because your team... idk, just lazed around all weekend, but at the end of the day surely you still cannot be a bad rider if you are getting more out of another rider's set-up than they themselves are able to manage)

and yeah, pecco is known for giving good feedback! just being a good learner in general. here, actually, a little throwback from start of 2019 where pecco's crew chief gabarrini (who also ofc has worked with casey, lorenzo and briefly with marc) compared pecco and marc:

"A driver - all of them do this - starts at a certain level and ends the day at a higher level. What makes the difference is starting again where you were. Few have this quality: it often happens that a driver sets good times - without knowing why, without being aware of how he got there. The 'good' ones, on the other hand, have this characteristic: they achieve a result and know why they did it," explained the chief technician. Gabarrini even goes so far as to compare the MotoGP rookie with the current world champion: "I saw this quality in Márquez: I was with him when he made his debut in the MotoGP World Championship. His ability to not forget what he had learned impressed me. Once he had understood an aspect of the riding style, the set-up or any other thing to be faster, he had it in him forever. Pecco also has this quality." "In Valencia we started with a base similar to the one Lorenzo used: on paper it suited Bagnaia, based on what you could understand when you saw him riding a Moto2 bike. From then on, the normal changes to the set-up were made so that he could ride the bike as he liked. In the meantime, Pecco has worked enormously to adapt his style to the Ducati."

and there you have it - pecco's good at progressively getting better at stuff, including over the course of the weekend. as for the set-up copying thing, partly it's just typical competitive paranoia (even though it feels like the fans are currently doing it more than the riders). back in the day, valentino and jorge used to have the world's dumbest arguments about this every other week. led to one of my all time fave messy jb moments:

god I miss that guy so badly. they don't do ride-or-die like that anymore

the point is that both sides were engaging in pretty silly mudslinging, just kind of for the vibes of it. valentino/jb trying to get under jorge's skin and jorge a bit more earnestly aggrieved. as ever, if you want to read more about how that particular era of jorge/valentino unfolded, see here. this is just to say, this kind of faffing about is a tale as old as time and it's always a bit silly... you had jorge say that it was impossible for them anyway to copy each other's data in the very same answer as he accused valentino of copying his set-up. like, I'm sorry, I am not going to take this seriously. a lot of sports is about having dumb arguments

and yeah, again, pecco does gradually build up his level over the weekend. more of a valentino than a casey, it's fair to say. and that'll hurt him in the sprint format - which I talked about a bit recently while going through casey's latest interview about how sprints are satan's providence:

so yeah, casey thinks that if anything there isn't enough time to work on set-up, and mat oxley thinks it's rubbish to say pecco relies on sprint data to be better on sunday. (as I said in that post, I do find it fun if unsurprising that casey is so virulently anti-sprints, because you'd think a lot of aspects of the format - including less time for everyone for working on set-ups - really would have suited him. keeping it real.) so on the whole... y'know. maybe he just gets better over the course of the weekend. it's been known to happen. there's actually some pretty significant ways in which the current version of the sport isn't all that pecco-friendly, from the shitty michelin front tyre we're keeping for another year to the sprint format we appear to be stuck with. it's just that he also happens to be on the best bike - and the fact that he's winning a lot but simultaneously isn't highly rated by fans makes people want to believe that the current series is 100% ideal for him

a lot of fans are loathe to admit pecco might actually be a good rider so they'll find basically everything to justify that prior. including getting into increasingly conspiratorial territory. but my actual take is this - if pecco has been gaming the system so expertly that he is somehow the only guy able to take full advantage of everyone else's data, so shrewd and cunning that he can spread magic dust on his bike so that he suddenly leaps ahead of jorge, such a dastardly operator that he can steal the set-up that poor jorge perfected on friday morning to fix his bike five minutes before the sunday race, then... good. I support it. I hope he's cheating. the more unearned the success is, the better in my books. long live corporate espionage and foul play

[dykesynthezoid]

Remembered why I stopped watching Castlevania ❤️ too many men ❤️ didn’t care ❤️

[redrobin-detective]

Iruma-kun, the Six Fingers and Humanity

I have been mulling over this idea for days as I devoured the Iruma-kun anime then manga and am still struggling to articulate it. The best I can boil down to is the whole goal of the Six Fingers and the return to origins is, unbeknownst to them, a desire to become more human.

I can understand, in a way, their frustration. Demons used to be merciless killers, where the strong surpassed the weak and magic, aggression and power won the day. Now we see they have idol concerts and theme parks and silly games to help demons safely purge their “wickedness” which is, in reality just another part of their nature. The majority of modern day demons deny a large part of themselves. The whole idea of a wicked cycle is endlessly fascinating to me, like this species has compartmentalized themselves so much that their pent up darker impulses periodically spring out and require them to be handled gently or hidden away. I can see how this practice is insulting and incredibly restrictive of what a demon is.

Now, right from the start, Iruma has stood out in the demon world for a few reasons. First and most obviously, he lacks any practical or cultural knowledge of demonic society. We see Iruma ignorantly stride past social norms and boundaries he didn’t even know existed. If it weren’t for his upbeat, people pleasing attitude he’d be written off as a delinquent but instead he helps foster an environment of change in a bunch of slackers and misguided students. And change is a radical concept in a society that hasn’t replaced the demon king in centuries since the old one disappeared. The effect of Iruma’s very presence, his enthusiasm and attitude and cooperative abilities can be seen so strongly on the Misfit class that its no wonder he’s become such a stand out student.

So I had heard of Irumean when I first started the series and had high expectations of him being a full on bastard. And he simply wasn’t. He was arrogant, reckless, rude at the worst but even those around him commented that his innate, unnatural kindness was still there. I argue because Irumean was never a true wicked cycle. It was Ali-san’s attempt to induce a demonic ritual onto him. But humans aren’t like demons, Iruma is a good, kind, patient boy due to his trauma and strength of character. At any point he could lash out in the most horrific fashion and leave everyone stunned because he is not bound such such strict rules of personality and conduct. His humanity is as much a strength as it is a weakness.

So according to recent chapters, Iruma has traces of Delkira’s energy. My first thought was that it was emanating from Ali-san, which is a distinct possibility but why was the ring attracted to Iruma in the first place? My next theory is that Delkira had some connection to humans as well. Either he’s a hafling or a demonized human or spent a significant amount of time in the human world. Either way, this human perspective is what made him so powerful, such an irreplaceable leader that his throne has remained empty for so long. One could even argue that the energy that the Six Fingers identify as ‘Delkira’ is actually just ‘human’ since the King’s energy is familiar while a human’s is not.

My whole round about point I’m doing a very poor job of explaining essentially boils down to, demons want to return to their origins to have more control over their baser instincts. Instincts and free will that humans, such as Iruma, possess naturally. But while Iruma has the capability for great evil, unrestrained by a set cycle, he also has such an overflowing well of love in him. Delkira, what little we’ve seen of him comes across as brash, fickle and cruel. You may note those are human traits as well. But Iruma also leads with kindness, dedication and teamwork. He will make a marvelous King because the humanity he brings to the table will help all of demonkind.

I do believe as the manga progresses we will see Iruma’s humanity become a  game changer in the battle against the Six Fingers. How he sees the world (both human and demon), how he interacts and inspires others, how he fights. Reaching a point where not only does Iruma stand up for himself but he is forced to cause harm (and by consequence addressing his people pleasing trauma) and behave in a manner not seen by demons outside of their wicked cycle. When he does, years down the road, become King, I believe he will address the concerns of factions like the Six Fingers. Demons are not meant to be fully contained but cannot be allowed to run rampant. With his feet in both worlds, I believe he will be able to balance both opposing views and ‘heal’ the underworld as the prophecy states. Not just from the instability of the Six Fingers but from this bizarre evolutionary cycle demons have fallen into over the centuries.

[lieutenantselnia]

I randomly felt like watching this edit again and ohh ... the feelings😭😭 This video basically carried me through my last semester and final exams at high school, I literally watched it multiple times every day (I swear a couple hundred views are from me alone), on the bus ride to school in the morning, when I got home again, before going to bed, just in between because I felt like it ... Internally I wasn't doing that well at the time, and it just brought me so much comfort. Also I'm pretty sure it plays a significant role in how I fell more and more in love with 2nd Dimension Heinz💕 This edit just means so much to me and I love it so much <3

[fatfemmefreaquency]

. probably gonna delete this later