#it’s actually pretty hard to simplify so much

[lovingempress]

@writer-and-artist27 Sorry for taking so long on this Vy-chan! It’s super late, I tried to finish this before your birthday, but my perfectionism hit me too hard 😭🙏 Ended up finishing it over thanksgiving weekend, and I’m glad to finally be able to give it to you! I hope you like it- I have a few different versions again (can you tell I’ve been getting into deco), I actually had a lot of fun with this one (maybe too much, LOL)

I was originally gonna do something more bishie style, but the new Nobbus from GudaGuda grabbed me by the throat and before I knew it I ended up doing the FGO April fools style XD

[upsidedowngrass]

erm... so this is awkward

[phagodyke]

weekend melancholy is starting to kick in >~<

[areislol]

"would you kiss me for $10 or the hottest person in the world for $1000?"

ft— blade, gepard, dan heng, jing yuan, luocha, welt, sampo, luka, argenti, dr. ratio

warning — none, just fluff! might be ooc, established relationship, gn! reader, no yanqing for this ;( mentions of kissing, might be cringe..? chinese names are simplified. not proofread.

a/n— y'all i apologize if they're ooc (can't justify it i haven't even played hsr yet) so yes. ENJOY as this is my second time writing for 'em

wordcount. 4.2k

刃 blade

✧ .... he knew it was one of those.. silly media questions that couples do to one another. and he hates you for actually doing them (not really he loves you too much)

✧ he continued to stay silent as he sat on the bench, watching as you sat beside him—anticipating for his response that will decide whether or not he will sleep on the couch or not.

✧ "ugh you big bum just answer the question!!" you groan, slumping down on the bench.

✧ blade cocks his head and raises his brow, smirking at you. "you mean the complex question that will probably lead you unhappy if i don't say the answer you were hoping for and then not talk to me for the next couple of hours as you're petty and—"

✧ you quickly shut him up with your palm over his mouth, you were now mad at him for being too god damn right. warmth spread to your cheeks as you stared at him, completely flustered.

✧ "you better shut that mouth of yours baldie." you threaten, still keeping your palm over his mouth when you felt the icky, wet and textured feeling gliding across your palm, it was his tongue.

✧ wasting no time you pulled your hand back and stared at your palm before vigorously wiping it on your shirt, absolutely disgusted. "ewwww!! and you still haven't answered my question!!" you pout.

✧ blade huffs (he's very sassy), "yeah not after calling me baldie. i'm not even bald." he was so serious about it, it was very amusing to you.

✧ you pout even more, scooching closer to him. "okay i'm sorry for calling you baldie.. and yes you aren't bald. now will you please answer my question?!" blade continues to glare at you, thinking about his answer. well, he was only pretending to anyway.

✧ he already knew his answer the second the question slipped out of your mouth, obviously, kiss you for $10 (credits). even if it was for $1000 he could easily get that amount of money in a day and plus, you are the most hottest person in the entire universe.

✧ but he decided to tease you, he put on his thinking face, tapping his finger on his chin. "hm... i really don't know it's so hard to choose..." he hums, looking down at your face as he smirks in amusement at your silly little mad face.

✧ "so hard? SO HARD FOR WHAT????" you asked, leaning in closer. oh you were for sure getting irritated now.

✧ blade chuckles before engulfing you in a tight hug as you sat on his lap, face buried in his chest. "of course kiss you for $10, i don't need $1000 anyway."

✧ "what about the pretty part?" "you are the hottest of them all, y/n."

✧ you hummed in content, happy with his answer before speaking again. "see, it wasn't a trick question at all." blade rolls his eyes. "uh huh... so you weren't going to quote-on-quote, 'ground' me if i said the wrong answer?"

✧ "....no...."

✧ (btw he was still a lil hurt when you called him baldie. like wow, it really hit him deep)

杰帕德 gepard

✧ the second you asked him the question he did not hesitate and answered within 1 billion light speed.

✧ "you of course! i don't want to a random stranger who i don't know for $1000, i don't need that money when i have you."

✧ "oh— gepard—" yeah, you almost burst into tears at his answer. it was so geniune, sweet and adorable. even his face said it all!! he looked at you with such sincere eyes as he told you his reply!!

✧ gepard almost freaked out thinking he said the wrong thing when he saw the tears welling up in your eyes, he immediately held onto your shoulders, apologizing if he did anything wrong.

✧ you shake your head no and wipe away your tears dramatically, "n—no i'm fine gepard i'm just— i didn't expect you to say your answer so quickly! when i saw other couples doing it the other person is always hesitating or something."

✧ gepard is confused, was this a test or something? (poor baby doesn't know) and so you have to explain to him what the trend is all about and all that jazz.

✧ he doesn't think that it's a bad trend or anything, if anything he encourages you to ask him more questions!! anything you ask, he will reply asap 100%!!

✧ and so you asked more questions.

✧ "you don't care about the money gepard? that's a lot though, $1000!" you exclaim, gepard shakes his head and smiles, "i already said why i don't need that money, love, i don't need the money when i have you, you're priceless."

✧ EUGHHHHHHHHH HE JUST HAS TO HIT YOU WITH THAT. you smiled back and gave him a kiss on his cheek before backing away. "that's so sweet of you... okay next question, who is the hottestperson in the world?"

✧ gepard only stares into your eyes, mesmerized by your face, his eyes are trained on you and only you as his thumb caresses your cheek. "you, of course, you're the most hottest.. although i'd rather use prettiest instead, you are the most prettiest and amazing person in the entire universe."

✧ safe to say his face was peppered with kisses after that, not that he minds it.

丹恒 dan heng

✧ "what kind of question is that?" is the first thing he says, looking at you in confusion as he closes the book he was reading.

✧ you had just entered his room, phone in hand before asking him the question out of the blue so he assumed you saw something from the media which now... lead to this.

✧ you shrug, going back to your question. "don't be trying to change the topic, what would you do? kiss me for $10 or kiss the hottest person in the world for $1000?" you repeated, your brows furrowing. to dan heng, it was crazy scary how you looked right now, so desperate for his answer.

✧ "well obviously the hottest person in the world for $1000, that' so much money!" he replied, knowing what this was going to lead him to. "......so... you would kiss the most hottest person in the world for more money?"

✧ dan heng cringes as he nods his head slowly. your eyes narrowed as you began to glare at him, soon, you stormed out of his room, pissed, and with a right as well.

✧ dan heng sighs in defeat before getting up from his seat and following you to where you always went when you were mad, to the kitchen.

✧ and he was right, you were in the kitchen just snacking on food you just bought the day before, when you spotted him you turned around, your back facing him. "baby c'mon im sorry i was just joking.."

✧ hearing him call you "baby" did something to you but you didn't want to give in just yet. you were mad at him still. you pout (not like he can see you but still) and continue to munch on your food angrily.

✧ "i didn't mean to, i promise i was just joking. i would much rather kiss you for $100 i pinky swear." .... "pinky swear?" "pinky swear."

✧ safe to say you accepted his apology as he absolutely peppered your face with millions of kisses before engulfing you in his arms.

✧ "you're ridiculous..." dan heng sighs, resting his eyes. "yeah well you love me so" well, he can't deny that.

景元 jing yuan

✧ jing yuan is definenetly doing the mathematical calculations in his head right now. because what in tarnation are you talking about?!

✧ he stares at you like you're crazy for a second before sighing, looking down and closing his eyes shut (he reminded you a lot like a disappointed dad...)

✧ "what do you mean? why are you asking me this out of the blue..." for one, he is a tad bit afraid that if he says the wrong thing you will sentence him to three (3) days to sleep on the couch, yeah, you banish him from your SHARED bedroom multiple times when he said the "wrong thing".

✧ you repeat your question again, waiting for his answer. "what a silly question, i would kiss you of course, with or without the $10." he breathed, planting a kiss on your forehead before pulling away and smirking, he knew that that was what you wanted to hear and the kiss was the cherry on top.

✧ for a few seconds you just sat there, too flustered to do anything. YES YOU KNEW IT WAS JUST A FOREHEAD KISS BUT IT'S JING YUAN OKAY

✧ "hm? is something the matter, my love?" he questions, leaning in closer to your face, he was much more taller than you (obviously) so he was quite literally towering over you, his face was so close to yours.

✧ you shake your head before going in for a small and chaste kiss and closing your eyes, you can feel the smile on his lips as he pulls you closer to him by your waist and deepens the kiss. your brain was starting to get fuzzy as you felt more and more delirious. jing yuan just knew how to make you fold.

✧ "hey! this isn't an excuse to make out with me you know?" you pull away breathless, looking quite dazed just for this "simple" kiss. jing yuan hums, resting his head on your shoulder before speaking up.

✧ "you know you love it." at his words you sigh and shake your head, "well i can't deny that..." you reply with a smile as you run your fingers through his soft hair.

✧ a few minutes go by in silence, you assume that jing yuan was asleep by how calm and quite he was, when the silence was broken. "does this mean i can sleep in our shared bedroom?"

✧ your brows furrowed at his words, was that all he was thinking about? "mmmmmmm now that you mentioned it..." "no." you chuckled, patting his head. "i know i know, yes, you get to sleep in our shared bedroom."

罗刹 luocha

✧ "what an odd question.." luocha replies, observing your very serious face. he found it amusing how you looked so serious after asking such a silly question.

✧ you whine and shake his arm, "just answer the question luocha it is very serious!! i need to know your answer!!" .... okay yes apparently it was very serious as you literally called him by his name and not some cute nickname.

✧ luocha offers you a soft and tender smile, the one he always does every time he spots you and or is with you (it never fails to make you swoon), "of course you, i don't need the money when i have you, are you doubting something my dear?"

✧ you shake your head at his words, happy with his answer. "no, everything's fine don't worry! thanks lychee." luocha then engulfs you in a hug all of the sudden, the scent of flowers filled your nose as his hair tickled your face.

✧ "your hair's in my face babe—" you mumble, moving the strands of hair off your face. luocha quickly apologized before pulling away, he cups your cheeks and stares deep into your eyes, which confused you.

✧ luocha continues to stare at you for a good hot minute, he was thinking about something. "say, did anything happen to you that prompted you to ask me that question? did someone do something? did i do something wrong?"

✧ he's so cute. anyway, you shake your head. "no, why?" luocha sighs in relief before taking his hands off your cheeks. "i don't know i assumed something happened that made you question me with that.. question. thank the lord i didn't do anything."

✧ kissing his cheek, you sighed dramatically, "well actually something did happen.. a certain somebody hasn't given me any attention for the past couple of hours"

✧ luocha playfully rolls his eyes, "my fault, princess/prince" and that's how he ended up peppering and littering you with kisses all over your face and no, you couldn't escape him even if you wanted to.

瓦尔特 welt

✧ if you keep asking him such questions he's only going to age more, physically, you're going to give him too many wrinkles if you keep on making him furrow his brows and frown.

✧ all you can hear is him heaving a great big sigh as he sets his mug down on the table, staring down at you. "the hottest person in the world?" he asks, you nod your head while smiling, you somewhat knew his answer already.

✧ "well it's you of course." he replied without any hesitation, you hummed and gave him a peck on his cheek. "right answer."

✧ "but why $10 only? you're worth more than that you know." he added, you only shrugged your shoulder. "i don't know it's what the text says" "the text?" "yeah, look!" you held your phone up and pointed at the screen where there was a couple, one of the partner asked a question—the same one you asked him.

✧ the other partner states that they would kiss the most hottest person in the world for $1000, it then showed a clip of the person sleeping on the couch. the answer was easy really, welt didn't understand how bad one person can mess something up.

✧ "well he was stupid, answer was easy." you agreed and put your phone away. "simple right? i knew you would say the right thing" you continued, welt only smiles in pride. "of course, i know what you want to hear, but i hope you know i would never kiss a random person, even if they were the hottest."

✧ your heart melts as he speaks, his words really sinking into you. "awwhh welt~" next thing he knows you're absolutely hugging the shit out of him (and rubbing your face in his chest), not that he minds.

桑博 sampo

✧ "well would you kiss me for $10 or kiss the hottest person in the world for $1000?" sampo repeated your own question back in a somewhat sassy tone. you were a bit shocked to say the least, i mean, how dare he not answer your question but answer your question with the same exact question!! (same energy ykyk)

✧ but obviously, you're used to his antics as you roll your eyes playfully, closing your phone. "seriously, shampoo. answer the question." "woah woah—shampoo? i said to call me anything but that!" he whines as he uses his hands to talk (as usual), very much exaggerating everything.

✧ you shrug your shoulders with an unamused "hmph" and don't reply any futhur. sampo dramatically sighs in defeat. "but babes, if you really think about it $1000 is a lot of money.." you raise your brow at his answer. "you're only thinking about the money?"

✧ sampo shakes his head, he grabs a hold of your hands while looking at you so sincerely it kind of scared you as he was always so... non-serious. "no, of course not. but just think about all the things i can buy for you...and me...food, flowers, more food, clothes and so much more! wouldn't you want all of that?"

✧ you think about it for a second and replied, "well although those are nice, wouldn't you much rather kiss me instead for $10? we can.. still buy something with $10, plus my kiss is unlike any other!"

✧ "yeah, i know." sampo snickers, upon his reply you narrow your eyes at him, your unamused face screamed "what do you mean by that?" in a menacing type of way. sampo quickly clears his throat before you could get any ideas (you had already gotten a few).

✧ "what i'm tryna say is that yes, i would rather kiss you for $10 but.. i think—" you immediately cut him off with a solemn face. "sh. i don't want to hear anymore of you." sampo can see that you're visibly upset at his answer. shit. he didn't mean to say the wrong thing.

✧ his grip on your hand tightened as he moved in closer to you. "no, wait babe i didn't mean that. i was just playin' i promise i would rather kiss you, your kisses are a one in a billion and i really don't care about the money and—" once again, you cut him off, but for a good reason this time.

✧ you giggle softly and shush him up with your index finger pressed up against his soft lips. "i know what you mean sampo, don't go on a big rant now you aren't in trouble." a clear sigh could be heard from sampo. "thank the stars.."

✧ " but babe! you haven't even answered my question." you gawk at sampo. "... oh well..."

✧ and now it was your turn to tease him, be prepared for a pestering and probing sampo!

卢卡 luka

✧ luka is quite stunned at first because for one, the question was out of nowhere, and two, WHAT DID HE DO THAT MADE YOU QUESTION HIM (you have a habit of asking him random questions out of nowhere)

✧ "did i do something wrong?!" is the first thing he says, he says it like it's urgent it caught you off-guard. you shake your head no and chuckle. "no, why? it's just a question don't worry."

✧ as you both were beside each other, sitting down on your couch, luka leans in closer to you where his nose is just barely touching yours. "well.." he whispers before giving you a long and tender kiss on your lips, it was soft and delicate, it wasn't intense or hot—just simple.

✧ "you, obviously." he begins as he pulled away slowly, his deep, sparkling blue eyes staring down at yours so softly and genuinely. "plus in my eyes you're the most prettiest person in the entire world, actually—no, in the universe!" the way he beamed at you as he spoke his words made your heart flutter. he was so sweet.

✧ luka's sweetness and innocence of a child (not quite literally) never failed to make you tear up, his charisma and optimistic personality pulled you in. but back to the moment. "awww luka you're too sweet ☹️" your cute lil pout made luka's head jump out of his chest and right back in, you were all too adorable.

✧ "oh you know it's nothing.. just stating the facts!" he chuckles, wrapping an arm around your neck and pulling you closer to him where your hips touched each other.

✧ luka rested his head on top of yours, his chest heaving up and down calmly. "wait, so you would kiss me even if you only got $10 other than $1000?" you asked, not bothering to move your body to face him.

✧ "yup! i would still kiss you for free too, money or not. if you still don't believe me.." luka lifted his head off yours as he faced you, you mirrored his actions and turned to face him. "hm?"

✧ luka began to kiss your face, first your cheeks, then it was your nose, then your forehead and finally, you're lips. this time he pressed his lips onto yours for longer as he used his left hand to cup your cheek. everything about this moment was wonderful.

✧ when he finally lets go, you both are left breathless and yet still yearning for more. "do you believe me now?"

银枝 argenti

✧ argenti is quick with his response, catching you off-guard. he was just standing out in the public (well more like posing to you and other people as he always looks like he's a model posing for his pictures) when you came running to him with your phone in hand, looking quite excited. which got him excited as well.

✧ but despite the silliness of the question he quickly answers your question with no hesitation. "why, you of course. i would kiss you any day, anytime and anywhere." he spoke with such sincerity and calmness it instantly made you fold. his soft and luminous grey eyes boring into yours.

✧ argenti moves in closer to you where his chest is looming over you. but even if he was taller than you, you were quite used to him doing that so you weren't afraid at all. "why do you ask?" you shake your head and smile up at him, happy with his answer. "nothing special!!"

✧ argenti stays silent for a couple of seconds before cupping your cheeks with his hands, your hands reaching to hold his with yours, the cold, hard metallic texture. you stare up at him, confused, but don't speak. you wait for him to do whatever he needed to do.

✧ before you knew it he had leaned down, his lips barely touching yours, his hooded eyes staring down at your lips. a kiss. his lips were so warm and soft, they did not part whatsoever, it was just soft, slow, gentle and sensual kiss. his lips were softly pressed against yours for a good hot second when he gradually pulled away, the tingling and exciting sensation still lingered on your lips.

✧ when both of your lips parted, it seemed like you two had forgotten that you were out in public, unaware of the many stares that were coming your way (i mean can you blame them? they are witnessing a very gorgeous couple passionately kissing. but not in that way.)

✧ after argenti pulled away and observed your face for any signs of discomfort the corners of his lips began to pull up after seeing you smile shyly. you were so adorable. "and that would be $1010." he whispered, gently pinching your cheeks.

✧ a cheerful and tender grin grows on your face at his words. but before you could utter a word or sound your eyes land upon a rose being held right in front of you by argenti. his signature rose.

✧ "a freshly picked flower for you, my rose." he breathed, his other hand pressed against his chest as he slightly bows. what a gentlemen he is. you smile in embarrassment before gratefully take his flower and slightly bowing before thanking him and smelling the rose. "thank you so much! it's breathtaking...."

✧ "just like you."

真理医生 dr. ratio

✧ "be completely and utterly serious with me with me right now." you added, using big words to really make him think about it. not like he ever does (he's always thinking logically).

✧ ratio sighs, yes, he gave you that sigh. "what? don't give me that sigh. just tell me your answer and then go on with your life again!" you said, doing your sigh this time. ratio is clearly and visibly thinking about his answer.

✧ "wow. are you really thinking about your answer?" you spoke, raising your brow in complete confusion. ratio shoots you a stare and shakes his head. "yes, really, but the answer is simple, you." although his answer was what you wanted to hear you wanted to know why. i mean, he was your boyfriend after all but still.

✧ "i thought you said you would let me go on with my life after answering your non-sensical question." he replied bluntly, cocking his head to the side. you mumbler under your breath as he was right. "yes well just one more thing, please?" and of course, he could never say no to you.

✧ "simply because i love you. i don't need to kiss anybody, especially a random stranger that is quote-on-quote, extremely attractive, for $1000 or more. even if somebody offered me a million i wouldn't take it, simply because they are not you. your kisses are different and have a different feel compared to theirs. and i am 100% positive that their lips are probably not the best unlike yours. not only that but it would be completely unreal for me to meet someone extremely attractive in the world as nobody is. but to me, you are the most wonderful and amazing person i have ever met. and not only that but—"

✧ you roll your eyes playfully before shushing him up with a finger pressed up against his lips. "okay okay i get it smarty pants" you giggled, removing your finger from his lips. ratio only grinned upon your words.

✧ "hm, well that's a good response. you're the best!" you beamed before kissing his temple and pulling away, heat rushing to your cheeks.

✧ as you were about to walk away you stopped in your tracks, causing him to stop what he was doing and looking your way. you turned around, facing him. "did you mean everything you said?" you questioned softly. the corners of ratio's lips curled up. "of course, i promise."

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another note: second hsr post YAY I HOPE Y'ALL ENJOY THIS

[sirfrogsworth]

Smartphone cameras are NOT getting worse. (See below for phone photography tips)

I've now seen 3 pro photographers reviewing the iPhone 16 and complaining the cameras are "worse" and blaming Apple for not including revolutionary new camera technology.

And I suppose this is partly Apple's fault. Their marketing and hype machine always goes overboard. But also, that's just how marketing works. Samsung has a "200 megapixel" sensor and Sony has a "Zeiss" lens. And I think it is unrealistic to expect smartphone companies to say "This product has entered the iterative phase and each new model will only be marginally improved over the last one."

Smartphones (from any brand) have become an appliance. You don't buy a new model of microwave every year. And you don't expect every new model of microwave to have new revolutionary technology. And that is pretty much the expectation you should have with most computer hardware from here on out.

And in some ways, that is a good thing. That means the design of the phone has pretty much been perfected and it will last you a long time if you take care of it. You will not be left behind and your phone will be able to handle any new software for most of its lifespan.

So, is Apple getting lazy or is there a reason their hardware is stagnating?

It seems that neither money nor marketing can change the laws of physics.

They cannot make transistors much smaller. Phones and computers are about as fast as current hardware designs can make them (unless there is a shocking scientific breakthrough). From here on out, heavy compute tasks that are beyond your phone or computer will be done in the cloud on giant computer clusters. Thankfully computers and phones seem to be plenty fast for the majority of tasks we ask of them.

I remember Katrina telling me her new computer didn't seem any faster. And I explained the computing tasks she does regularly were not really affected by the increased power and speed of her new computer. If something took 0.1 seconds before and now it takes 0.05 seconds, that is twice as fast. An increase in speed that looks fantastic in advertisements. But it is hard for our brains to perceive. She just didn't do anything on her computer that took it long enough for her to notice. But having a faster and more powerful computer/phone will increase its lifespan and resale value, so it is still prudent to get the best things you can afford at time of purchase.

And I'm afraid smartphone cameras are hitting their own hardware limitations. They can't make the sensors much larger to get better depth of field and low light performance. And cramming in more megapixels doesn't actually add much more detail, if any.

It's physics.

Again.

You cannot get any more performance out of a small plastic lens. Why do you think pro photographers haul around 10 pound lenses still?

There is a formula for detail that never seems to be explained in any camera marketing.

Here is the simplified version...

Detail = Sensor x Lens

Let's say 1 is perfection. You have a sensor that performs at 0.5 and a lens that performs at 0.2.

The total detail will be 0.1.

But in the new model you increase the performance of the sensor to 0.8. WOW! That's so close to 1!

The total detail will be... 0.16.

Now let's imagine we've discovered a magic, physics-defying tiny plastic lens that performs at 0.8 as well.

The total detail jumps to 0.64!

But we all get sucked into a wormhole because we violated the laws of the universe.

Even if you were to design a near perfect (perfect is impossible) sensor that scores 0.99.

Without that magic plastic lens... 0.198

This is why I put Samsung's "200 megapixel" sensors in quotes. Because when paired with the same tiny plastic lens, there isn't much improvement. And that's why a 12 megapixel DSLR from 10 years ago with a giant honking lens can still capture more detail.

Most of the quality from smartphone cameras comes from the computational software processing. Phones actually take many photos at once and combine them to get you a decent image.

While that is still improving a little bit each generation, those improvements are stagnating as well. Until image processing can do a better job of inventing more detail realistically, smartphones are going to have to obey the laws of physics.

So... why are photographers saying the iPhone cameras are worse?

First, the ultra wide angle lens looks softer in low light.

And if you zoom between 1x and 5x, the images look less detailed.

But neither of those things make the cameras *worse*. In fact, the cameras are better for the most part. It's just that Apple decided to compromise on one aspect to improve another. Probably due to market research telling them most people prioritize certain things over others when taking photos.

They increased the resolution of the ultra wide angle sensor to match the detail of the main sensor, but that seems to have lowered the low light performance of the ultra wide. So in good light, you will see an improvement in sharpness. But they could not increase the sensor size to compensate and smaller pixels can have trouble with dim conditions. They probably discovered that people mostly use that lens in good light and they would appreciate the bump in detail more.

But pro photographers often photograph in more challenging lighting conditions because you can capture a more artistic shot. I don't think I could have gotten this shot on a smartphone.

But photo normies are just taking pics of their kids doing weird kid shit.

They aren't really trying to push the limits of their ultra wide angle lenses.

And they increased the zoom of the telephoto lens to 5x from 3x because most people never used the 3x. So images at 5x look great now, but unfortunately if you use anything between 1x and 5x, your image will be *digitally* zoomed. Which is never as good as optical zoom. They basically crop the photo, zoom in, and add sharpening.

So they prioritized people having longer reach and more zoom at the expense of that middle zoom range. Every camera system makes tradeoffs and compromises.

And I hate that I always feel like I am defending Apple, because they do have misleading and dishonest marketing regarding a lot of aspects of their tech. But hating on Apple gets more clicks so content creators also make misleading and dishonest claims.

And so we are just surrounded in a circle of hyperbole from all sides.

Now, if you know these limitations, you can change your approach to photographing stuff to keep them from being an issue. You can reap the benefits without dealing with the new compromises.

Here are some tips to help owners of the new iPhone, but also everyone else too.

Smartphone Photography Tips

Whenever possible, try to use the main 1x camera at only 1x zoom. This has the largest sensor with the most detail and works best in the lowest light. Only use the ultra wide or telephoto if you cannot get the photo otherwise. If you aren't sure you have enough light for ultra wide, take the photo, and then as a safety, take two photos with the main camera side by side and stitch them later with a pano app.

"Zoom with your feet" and don't use "in-between" zooms. Let's say your lenses do 0.5x, 1x, and 5x zoom. Even though you have the option to use other zooms, like 2x or 3x, that is going to compromise your picture quality. It is essentially going to crop your photo and enlarge it, which causes a loss of detail. If fact, if you use 4.5x instead of 5x, your picture will probably look like trash. You are always going to get better results if you can move closer or step back so that you are using the native focal length of your chosen lens. For example, let's say you are taking a photo and you judge the best framing to be at 4x. But you still have 10 feet of space behind you. If you back up and then zoom in to 5x, the phone will switch to that lens and you will get a much clearer picture.

Rule of thumb...

1 to 3x... try to move closer.

4 to 5x... try to move back.

If you hit a wall and end up at 4.5x, you might see if you have a panorama mode and try that instead. Switch to your 5x and do the pano. Or you can take two photos and then stitch them together with software later on. (Stitching panos with an app later will give better quality than pano mode, especially in low light.)

Low light needs stability. Get some sort of stabilizing device for low light photos. Either a phone case that lets you stand up the phone on its own or a mini tripod.

This thing folds to the size of a credit card.

Your phone will detect when it is stable and not being handheld. It will then automatically extend its shutter speed allowing it to drink in more light and give you a better picture.

Tripods are photography magic and will improve your low light photos quite a bit. Motion blur of moving subjects can still be an issue, but photos of a cityscape or landscape will look great.

For selfies, shoot a little bit wide and then crop in. This goes a little contrary to my earlier advice saying cropping lowers detail, but this is specifically for shooting a face. The 0.5x and 1x lenses on smartphone cameras are fairly wide angle. This can cause unflattering proportions with human faces. Wide angle lenses exaggerate distance. Near things look very near and far things look very far. To a wide angle lens, the tip of your nose looks like it is super close but your ears seem like they are a mile away. And that's why you may look a bit "alien" in your selfies.

People's natural instinct is to "fill the frame" with a face. The outer edges of a wide angle lens are more distorted than the very center. So try to keep faces away from the edges of the frame.

And one other trick you can do for selfies and pictures of faces is step back a few feet. Sometimes this is hard, especially with selfies, as your arm is only so long... but if you can take your face photos from just a little bit farther back, you will almost entirely eliminate unflattering distortion. In some cases, just stretching out your arm as far as it will go is enough.

Then you just crop the image with the framing you originally wanted, and your facial proportions will look great.

An example...

Here the distortion is bad because I am not in the center and the lens is too close to my face. The lens thinks my nose is really close and my ears are in Canada.

But when the lens is farther back the edge distortion is less prevalent and my nose and ears (relative to the lens) seem roughly the same distance away. So my proportions look great, but I don't quite have the framing I want.

But with a little cropping...

For social media there is still plenty of resolution to crop in. Cropping isn't bad, it's just always better to use it as a last resort or in a special circumstance like this. I get roughly the same framing as in my wide angle shot, but I don't look like I'm behind a door's peephole trying to sell you the Good News.

I wish they made a "mini" selfie stick that only extended a foot or so. With the main camera that is usually all people need to undo any wide angle issues. I have one of those mini tripods and that works well, but there is no activation button so I have to do a timer. Mirrors work great to help you get some selfie distance.

In any case, all cameras have limitations and compromises. Clickbait titles saying something is WORSE THAN THE OLD ONE are frustrating and wrong.

And people upgrading phones every year are silly. All current name brand smartphones have promised at least 5 years of software updates. I think Google and Samsung are offering 7 years on some models. And Apple has always just let you use your phone until it literally will not work with new software. Which has worked out to 8 years in some cases (with a battery swap).

Phones are now appliances. For now, hardware will improve 10 to 15% from generation to generation until physics breaks. So if you want a 50% improvement, wait 5 years and you'll think your new phone is awesome. If you upgrade every year, it is going to be difficult to see the change.

I hope to be starting a little course on smartphone photography in the near future. All modern phones are capable of taking amazing pictures. And as long as you understand their limitations you can mitigate or avoid them. And that is what I plan to teach.

[girlbossagenda]

HOW TO HAVE YOUR SUMMER REVENGE GLOW UP

Summer break it's here! A lot of us have grown out of shape due to all the stress caused from school, and the lack or time to exercise or live a more healthy lifestyle, are you scared to go to the beach because you feel like you don't have that beach body? Are you heart broken and just want to live your hot girl summer or perhaps you want to finally be confident your body and change your entire life? If so this is the maxi guide for you.

౨ৎHow to get started౨ৎ

I made this google doc where I explain things more in depth here you can find, how to glow up: physically, mentally and socially(friends, summer filings, popularity etc...) if you want to know how to archive your results, you can find my explanation in depth(also winter friendly)

Here -> THE SUMMER I TURNED PRETTY: HOW TO REVENGE GLOW UP

Do you remember those girl on YouTube, IG and tumblr?The pretty ones that were living their best summer? Wanna be like them? Then think and plan a summer in the same way a girl with your dream summer would do!

୨୧Make a pre-summer status୨୧

We will use this to track what changed about out life during this summer, I know it might be stressful or embarassing at first, but you're going to be grateful knowing all the progress that you made

୨୧Work on your mindset୨୧

This is so important, read again point n°1, and then put yourself in the shows of the person that you want to become, for example:

-> you want to be a pretty popular girl? "Would the pretty popular girl say that her Summer is ruined and that she has no one to hangout with"? I don't think so.

౨ৎHOW TO GLOW UP PHYSICALLY౨ৎ

if you're interested just in the physical stuff this is the section for you(more in depth in the Google doc)

You need to understand that most of the time a summer glow up last up until the first week of school then it's gone, but you want it to last, right? Here's how:

୨୧Find a low effort beauty routine୨୧

During summer you have all the time to maintain a beauty regiment, but you also need to make it practical, for example you might keep your hair natural during summer, you need to simplify them -> extensions, braids, sew in, silk presses or clip in...

୨୧Change hair color୨୧

During summer you need to grab attention change hair color to blonde, red, or more funky colors like blue, pink etc...

୨୧Diet୨୧

I know, it's hard, with all the ice cream around, but you can also try by drinking healthy smoothies(especially the green ones), opt also for a salad as a snack.

୨୧Skincare୨୧

You have to wear sunscreen and if you want to get a tan you NEED to put that after sun lotion and be consistent with your skincare

୨୧Grow your lashes + eyebrows୨୧

Always, this is a must, you finally have enough time, then start now, be consistent and in 3 months you're going to have the best result, I advise you to use castor oil in the night and in the day a lash growth serum.

୨୧Learn to do your make up୨୧

Optional but very useful, in those days that you're at home you can learn how to do your make up so you're going to comeback to school and slay even in your worst days, plus it's a cute hobby.

౨ৎHOW TO GET POPULAR DURING SUMMER౨ৎ

If you don't have friends at school it would be nice to have them outside, plus having friends out makes you so much cooler! Are you ready to expand your social life?

୨୧Summer school/camp୨୧

A classic, you can meet so many people here, works best if you are between 11-16 yo, If you're 16+ you can try joing a camp and be an animator

୨୧Beach୨୧

Have you even heard of "the beach friend"? Where I'm from they are very common and popular, it usually starts early in childhood, but you can also make them at your age! You just need to approach the people that look like share the same interests as you, better if they are alone too!

୨୧Online୨୧

You can go on a forum site and actually ask in the chat if someone wants to make friends and exchange ig, snaps,discord etc...you might make long distance but strong friendships

୨୧Work୨୧

Now coworkers are not actually your friends, but you might get close to some, better if it's not a competitive environment, try to network between your coworkers, maybe some of them actually know people of your interest, if you can start working with friends!

୨୧Neighborhood events୨୧

Churches usually during summer do some activities for the youths you can try and enjoy them! Or go to a popular place or even host in your neighborhood!

౨ৎHOW TO HAVE A SUMMER FLING౨ৎ

I'm not really into romance, but it might be different from some of y'all! If you want to flirt, get. In a relationship or just have some fun experimenting then keep reading!

Follow the beauty steps written before!

୨୧Go to parties or events(better if on the beach)୨୧

What a better place to find love if not on the beach? All you'll need to do it's to wear a cute bikini and have fun with your friends!

୨୧Work on your gaze୨୧

You know the phrase "love at first sight"? Let's turn it into "love at first gaze" you need to exercise on your facial expressions and your seductive gaze, grab a mirror and flirt with yourself!

୨୧Make time to hangout୨୧

You're not going to find love by staying at home! You need to get out and wander around the city! Go to all the places where people of your age go! Bring your friends along(if you can or be brave and go alone!)

Phew, this guide was quite long! And there's so much more! Thank you for sticking with me and supporting my blog! Ilysm and I'm so grateful for all the people that read my posts, let's glow up together this summer!

xoxo gorgeous

-𝓐

[kcrossvine-art]

hi friends! This recipe/review was delayed at first from- well it was a different recipe originally, technically bat tempura should be the next item but id like my first tasting experience of bat to be made by someone else who knows what bat should taste like. The recipe after bat tempura is living armor and id intended to use geoduck to mimic the scale. Living armor is interesting with dunmeshi as they used the suit of armor in 3 different ways; grilling, steaming, and souping.

Affording geoduck, a PNW delicacy, is a stretch for one dish, let alone 3. With my write-ups id like to offer a chance that readers will actually be able to make what we talk about. So I opted to use regular clams instead. I feel myself above the fire so we're still sticking with one dish, the dish that doesnt require a grill or a helmet-esque plating arrangement.

Today in our delicious dungeon, we're going to be making Living Armor Soup!

(As always you can find the cooking instructions and full ingredient list under the break-)

MY NAMES CROSS NOW LETS COOK LIKE ANIMALS

SO, “what goes into Living Armor Soup?” YOU MIGHT ASKThe ingredients used in the show didnt give much to work on, quoting "medicinal herb" and "special sauce".

1 lbs Mussels

Shallots

Garlic

Bay leaf

Curry powder

Chicken stock

Cream

Eggs

Its important to use cream as your dairy, the higher fat content gives you leeway with boiling and acidity to avoid curdling. Any cream should do. Still bring it to temp gently but rest assured in the moo moos protection. 

AND, “what does Living Armor Soup taste like?” YOU MIGHT ASK

A smoother, buttery-er cream of chicken soup

The mussel meat itself feels like a simplified version of chicken hearts- structurally and in taste

Its not bad. You could hard sell it to a picky eater 

Green onions would bring crispier top-notes much needed

And maybe building a roux base for the soup would fill out the low end?

I dont know what drinks would pair well with this. My heart wants to say red wine but im not a grape fan and cant get more specific than that

I think the hassle of procuring seafood is why when i ask my friends their opinions, the responses are middling to negative. You cant build a palate for it if you dont eat it enough. If i'd had fish stock i wouldve used that rather than chicken, while it doesnt turn the soup disgusting or make itself known much at all, awareness of its presence draws unfavorable comparisons to food I'd rather be eating. And eating for cheaper too (...besides the chicken hearts).

. Some mussels out of a bunch will inevitably be DOA, you wont be eating exactly a pound of them. This and waterweight are the nature of seafood. . Lay easy on the salt until the end before serving . If you have enough mussel stock left after straining, you might not need additional stock

-----------------------------------------------------------------------------------------------------------

From deciding to cook to sitting and eating, the process took about an hour and a half. Not bad but not great, considering this dinner left me feeling full for all of about an hour after.

And the mussels were mostly usable/alive too! I discarded maybe 3 of the whole pound! Sure seafood can be light eating- youd think the dairy and vegetables would hulk it up more. The science of what makes food filling isnt entirely understood, as is most nutrition and gastro science, so i dont know what to blame. Stunning that 1lbs of mussels was not enough to keep a 110lbs person full for an hour.

If i were to make this again, i would serve it with fresh dinner rolls (or another carb). Breads and seafood are joined at the hip in my mind. You want more delicate tastes from your fish? I got just the thing. An entire family of food with varying flavors and textures that just so happen to all work pretty well with the third thing people eat often with seafood; butter.

I give this recipe a solid 4/10 (with 1 being food that makes one physically sick and 10 being food that gives one a lust for life again.) It needs workshopping beyond being recognizable to the show.

🐁 ORIGINAL RESIPPY TEXT BELOW 🐁

Ingredients:

1 lbs mussels, cleaned and de-bearded

Butter

3 shallots, finely diced

3 garlic cloves, crushed

2 bay leaf

Curry powder to taste

120g chicken stock

100g heavy cream

2 eggs

Method:

Wash your mussels. Remove any beards and barnacles. Discard any mussels with open shells.

Finely dice your shallots and garlic.

In a saucepan, brown your shallots and garlic in some butter over medium-low heat. Once softened add your stock, bay leaves, and curry powder to the saucepan. Increase the heat to medium.

Add your cleaned mussles to the saucepan, the liquid should cover them but if not add more stock. Bring to a boil, and then cover and reduce to a simmer.

Keep simmering until most/all of the mussel shells open. Discard any that still havent after about 6 minutes of simmering. Set aside the remaining mussels.

Pass the liquid in your saucepan through a strainer and return the liquid into the saucepan.

In a seperate bowl, combine the eggs and cream together. Carefully stir the egg/cream mixture into the saucepan until incorporated.

Remove the meat from the mussels, either discard or save some shells for garnishing.

Place the mussel meat on the bottom of serving bowls and pour the hot broth overtop, add your garnish (if any) and enjoy!

[yannisdesk]

On Arcane & Antivillains

One thing I really enjoy about Arcane is how it handles antivillains.

For one, most of the characters (main ones) would actually fall into the category of antivillain at one point, or in the case of our two protagonists, become one. Arcane is arguably ripe with them.

An antivillain is essentially the opposite of an antihero. Simplified, antiheros do good things out of selfish or questionable motives, antivillains do things that are objectively bad or evil, but for noble reasons or for a greater cause. Another term for them is "sympathetic villain" however that term is too vague (there are villains out there who are sympathetic, but are none the less traditionally evil and therefore do not qualify as antivillains), and "antivillain" is a much better term mirror to "antihero." A common thread I've noticed among antivillain characters is some level of a Machiavellian approach to achieving their goals - the ends justify the means type of philosophy is something you'll always find characters that fit this category. At the very least, they dabble with it. In their eyes their actions are always justified because they're fighting for a good cause.

To put things into perspective, I'll use two examples. Harley Quinn shifts around, but she is frequently an antihero, take her depiction in both Suicide Squad movies. She does take down bad guys, however she's not doing so out of a sense of altruism, but to get a reduced prison sentence. Very cut-and-dry example of antiheroism.

On the flip side you have Magneto. Now from what I've seen (I've dabbled in the comics, but haven't dived in all the way) in the comics he gets very dark with the antihuman action. But in the Xmen movies, he definitely does some down right villainous stuff, but his intention remains the same - he wants mutants to live in a world free of bigotry and he's willing to do anything necessary to achieve that, including committing atrocities.

Now if this sounds very confusing to you and you swear you've heard these terms interchangeably or that you can think of several characters that are labeled as type A when they should be type B or vice versa, that's pretty normal. These aren't archetypical heroes and villains we're talking about, so it can be hard to categorize them, and honestly most characters in general will go back and forth or shift at one point or another, so all you need to know is that those definitions are the ones we're working with in this post.

Here are the characters from Arcane that I think suit this label, and others that I think will.

Disclaimer: this is not me hating on the characters. I love all of these characters for this layer to their character. This is not a "oh, look, this character is bad actually," post. If anything, consider it a celebration of their gray morality and how well its explored in the show.

Silco

Duh. Silco is objectively pretty evil. Setting up a drug empire that destroys your own people, getting in-cahoots with corrupt cops, killing kids, and aiding in destroying a young girl's mental health is multiple levels of foul. However, for him, all of this was part of an elaborate plan to liberate Zaun, which is being aggressively oppressed by Piltover. They were necessary sacrifices made to the cause, and worth it because it will bring forth better days for him and his people. Now obviously, a lot of his actions definitely have to do with his own ego, however the only time Zaun isn't prioritized is when it comes to Jinx, who is like a daughter to him, and even that realization comes to smack in the face late in his arc.

Sevika

I'd argue she's even more noble than most since she truly is rooted in the cause for Zaun. Not only is she willing to do some pretty bad things for the "greater-good", she's even willing to betray people who she views as unfit or incompetent. And what's even more telling is that she doesn't do this for power (which is arguably a part of Silco's prerogative). Sure, she's his #2, but he doesn't exactly show any favoritism. And Sevika seemingly isn't even trying to become the new leader of Zaun after Silco's death from the season 2 clips, but will support Jinx, despite the fact that she probably could dethrone her. She's no true blue hero, but she's not a megalomaniac either.

The Entire Council of Piltover (Minus Mel & Jayce)

As obnoxious as they are, none of them are mustache-twirling villains. As we see with characters like Sheriff Grayson (not a council member, but they share the same sentiment), they legitimately think they're protecting the city with their neglectful leadership and oppression of Zaunites. Yes, this includes Heimerdinger, who seemingly only started caring about Zaun once he was booted out of the council, so that places him firmly in antihero territory in my opinion.

Why did I exclude Mel and Jayce? Their plots are actually upward in terms of morality, especially Jayce who by the end is closer to being a traditional hero by prioritizing peace and progress over the status quo or war, and actively makes the first move of trying to right Piltover's wrongs. Mel's arc has also moved this direction as well, as she went from arguing that Jayce and Viktor should build Hextech weapons in case of war with the Zaunites, to fully embracing peace. You could argue that Mel wanting the weapons means she was at some point an antivillain, and I might agree, but as it stands, she's firmly in the clear.

So, why are the rest of the council still considered antivillains? Honestly, we just don't know much about their motivations to say. They ultimately did a good deed in voting for peace, but you know, one good deed doesn't wash-out the bad and vice versa. They're not even on thin ice for me, they're still fighting for the surface.

Marcus

Questioning your actions does not mean you can't be an antivillain, and Marcus is a good example of that. He's is kind of like Caitlyn if she were way less compassionate and very incompetent. Marcus does not think his actions are evil, according to show runners he only places Vi in Stillwater to protect her from Silco; he gets involved with Silco because he wants justice for the building explosion and it goes out of hand. That said, he also threw a child into a dangerous prison with no charges and with the intention of keeping her there for life, and worked with a kingpin who was actively antagonizing his own people while reaping benefits from an abusive system. So yeah, Marcus falls more into being an antivillain than full-blown villain, he's still firmly an antagonist though.

Ambessa

I know it's very popular in the fandom to call Ambessa a traditional bad-guy type of villain, but she is actually very nuanced. For one - she does not see her actions as evil, nor are her motivations behind doing them rooted in it. Ambessa, as she states in Mel's flashback, was raised in the Noxian way. Her grandfather literally made her search the dead bodies of the people they massacred when she was a youth, and she was indoctrinated to believe that this was in the best interest of her family and the Noxian people. By showing strength and ruthlessness, she's telling the rest of the world: "Stay away from House Medarda and Noxus." Hence, why Kino's death wrecks her, because she values herself over how effective she is at warding people off from messing with her family. Her main reason for getting involved with the war between Piltover and Zaun will 100% be because Mel's life was nearly lost due to Jinx's bomb, and this is coming straight off of her son's death mind you. So, while Ambessa may definitely be one of the most ruthless people on this list, she is not at Palpatine levels of evil yet, not by a long shot.

Jinx

You guys saw this coming, right? This barely needs an explanation. Jinx grew up in the Lanes, was a victim of Piltover's oppression multiple times throughout her youth, was willing to fight for their freedom as seen in episode 2, and in the end, that desire, along with her being adopted by Silco, manifested in her doing multiple acts of violence, including terrorism against Piltover, which frequently hurt people who weren't guilty of anything. (No, blowing up the building in episode 3 doesn't count as one of her evil deeds because it was an accident.) We understand completely why Jinx does what she does, even though it hurts to see her slip farther and farther into this mindset.

Vi

Way more subtle (for now) but I'd argue she's there come episodes 8 and 9. Hell, you could argue that her arc is about her sense of morality breaking down due to realizing how impossible the situation between Zaun and Piltover is, and embracing an "ends justifies the means" type mindset that Vander tried to sway her against back in episode 2. Wanting to stop a kingpin from using this new dangerous drug to destroy your city and sister? A noble cause, indeed. Not really caring that (or being passive over the fact that) children die in process because of their approximation to said bad guy? Yikes. [EDIT: Since we're on this topic: here's a link to where I explored this aspect of her character. I did this a while ago, but I thought it best to include it here too for added context). Now, I know what some of you are going to say - how is this any different from, say, Steve Rogers telling Wanda Maximoff that sometimes there's collateral damage when doing hero work? The difference is that Steve didn't argue that those people had it coming because they're associated with the bad guys/or in their way, which Vi does. That's some dangerous conviction right there, and we'll probably see that elaborated on in season 2 given that she's becoming an Enforcer which is a position that lends itself to abuse of power (and if it goes anyway like things do with her game counterpart, she will engage in police brutality and not see an issue with it, but given that Arcane's Vi is way more well, nuanced, than her game counterpart I don't think it will go on for long). While we're on the topic of Vi, according to her prison records, she had a notorious reputation while doing time to the point that I find it funny Silco didn't put 2-and-2 together that the girl with short pink hair beating the shit out of and attempting to murder all of his goons that went to Stillwater was possibly the same girl that wiped the floor with those same goons the night Vander died.

Potential Antivillains of Season 2:

These are characters that I predict will become antivillains at some point during season 2 based off of where their season 1 arc left and clues from season 2 teasers and clips. This is not me saying for sure this will happen, only a prediction. But if it does come true, I will gladly collect $5 per accurate plot point.

Viktor

Two words: glorious evolution.

We all love Viktor. We all love good-guy Viktor, and we will also more than likely love not-so-good-guy Viktor due to how complex that arc will be. If it will go anything like his game-lore (which I suspect it will) his noble intentions will never leave him, just simply evolve to include some less-than-heroic actions and justifications. He still wants to improve the undercity, and well, humanity overall, with hextech, motivated by the injustices he's been put through his own life and his illness, but he will go about it in some very unorthodox ways, and his arc in Arcane is about him confronting if he wants to "evolve" his morality for the sake of his ultimate goal, which is progress. Viktor would definitely agree with the sentiment expressed by Gloria Steinem (character depiction, not a real quote) in Mrs. America - "Revolutions are messy, people get left behind."

Caitlyn

I'm pretty sure she actually will become apart of the antivillain roster in season 2, but noting is for certain. Caitlyn is perhaps the saddest version of this there is, because we see where she starts out. She doesn't want to be like everyone else in her circle, she tries to break free and be better. She wants to do good by both Piltover and Zaun. She has hope, gentleness, and doesn't place herself above even those who occupy the lowest levels of Zaun. She puts herself, her status, and her life on the line to discover the truth, and comes out her time with Vi steadfast in wanting to help heal Zaun. She can be a little naive and ignorant, but she never does so with malicious or ill intent. She is the kindest person in Arcane.

But, given that her mother was killed in a terrorist attack set off by the new Head Zaunite in Charge, things will change. As we see, Caitlyn becomes a sheriff on the Enforcer squad, and now her goal is no longer to sow peace between Zaun and Piltover, it's to avenge her mother by assassinating Jinx. Of course, this will be due in part that Caitlyn thinks snuffing Jinx out will solve the problem, which will be ironic and hypocritical because she told Ekko that getting revenge on Silco won't solve anything in Zaun, but now that she's in the same predicament, the tables have turned and now diplomacy is off the table. She still has that hero-complex, as she lives by the lessons of Sheriff Grayson, but now it's with a twist. The idealistic Caitlyn who believed in giving peace a chance through reform is gone, and she now believes that there's little to no cost too great for her to achieve this, even if that (possibly - again season 2 hasn't come out yet, so we shall see) means hurting innocent Zaunites. And what's scary is that Caitlyn has the intelligence, dedication, talent, and efficiency to pull it off. Truthfully, I believe we won't just be getting Sheriff Caitlyn in season 2, but also Dictator Caitlyn.

[novantinuum]

jen's "Hard-Light Hybrid Steven" headcanon dump

Okay so I'm just making this its own post, because frankly at this point... the original post is so hard to get all the pulp out of due to the headcanons being spread over multiple reblogs and half of it being in the tags.

So here we go. Self indulgent headcanon time. This is how I'm now personally interpreting things within the realm of my own fic work and the post-canon storylines that live in my mind. This is NOT, however, a work of meta- I am by no means suggesting this to be what I see as "canon," only having some fun playing around with ideas I think are cool on a speculative fantasy anatomy level. Take it as you will basically, lol. This is ultimately just for me.

With that stated:

"jen what the fuck do you mean when you say hard-light hybrid Steven, what are you even suggesting"

Essentially I am proposing that Steven becomes progressively more hard-light based in form as he ages. When he was born he was two almost entirely separate halves mashed together- organic and gem- and those two halves slowly but surely merge over the years (hard light replacing organic matter) until one day they are literally inseparable, and Steven is one permanently cohesive being... entirely hewn from hard-light, but with a level of anatomical complexity that still makes him a complete anomaly amongst Gems and humans alike. Instead of the innards of his body being solid light, he is still formed of cells- only now, those cells are entirely hard-light.

His gem is somehow mimicking the form of organic matter with a level of detail that's absolutely unobtainable by shapeshifting or tailored reformation alone. Steven has become the single most complex hard-light system to have ever existed.

Some more specifics on how I imagine this merge working:

Much of the "merging" is natural over time, basically his gem branching out new bits of hard-light circuitry within his body as it integrates within his system.

However, this process is sped up significantly by all the spills and injuries Steven deals with throughout his childhood... because his body's instinctive response to injury is simply to replace damaged cells with hard-light analogues. An almost instantaneous patch job.

Steven's component halves being so distinct early on is a large reason why he takes so long to harness many of his powers.

This is also why Steven's (mostly) organic half is so weakened during the split in Change Your Mind- at that point there's a lot about his anatomy that's been converted to hard-light, so it's basically as if White Diamond yanked the power source out.

(Same idea for why he's so weakened during the movie when his gem's on the fritz... his gem's connection with the rest of his body got partially severed for a time, which. Is not Good for someone who at this point is more hard-light than not hard light.)

At a certain point post-canon, it becomes impossible for Steven's organic and gem halves to be separated. They are so tightly integrated that attempting to remove the gem would only poof him.

Now, here's the thing though...

Steven does not realize that Any of this is taking place until the blunt reality of his strange new anatomical nature is put on display for all to see... when he actually DOES poof.

Here is how (in my own post-canon musings, which I have simplified here because y'all don't live inside all the intensive lore that jangles about my brain) I envision that taking place:

So, Steven would be in his mid to late twenties at this point. He's married to Connie, and they have an infant son.

Recently, there was a fairly severe Gem incident that left Beach City and Little Homeworld pretty damaged. Things are still being mopped up from that.

Steven, Garnet, Amethyst, and Pearl head out on a quick mission one day to intercept one of the last few supporters of the Gem who attacked the Crystal Gem's hub of operation, and at first it seems like it's gonna be a straightforward trip.

Then, Steven sees the Gem in question pull a destabilizer wand on Garnet, and- unwilling to watch her to get ripped apart like that again- throws himself in between. He can take it, he thinks. These things never hurt him one bit as a kid

He cannot take it.

He poofs.

His gem unceremoniously falls to the ground, along with the clothes he was wearing and whatever he had in his pockets.

Cue the others going "what the actual FUCK" because based on everything they've ever witnessed and known about him no one had "Steven poofs" on their bingo card.

The insurgent Gem is captured and dealt with, but now... oh, boy. There's literally no playbook for this. Nobody knows what to expect.

Steven's gem is quiet for WEEKS. During that time, the Gems end up consulting the Diamonds on Homeworld to ask for intel on diamond reformation, but none of them are much help- Rose and Steven are the only ones who have actually poofed. Beyond them, this is completely unprecedented.

In a very vague sense, Steven is aware of what must have happened during this time... (even if a part of him wants to deny it, because How???)

He can pick up vague snippets of what's happening just beyond his reach... catching voices and what must be faint sensations of familiar people handling his gem, but beyond that he has no awareness of the passage of time, and he has no means by which to reach out to them mentally.

It takes almost two months for him to finally reform. When he does, his gem quickly shifts through its previous three forms and then just... outright h a n g s for a while on the new one... as if what's trying to "load" up is so complex it's goddamn buffering.

(my brain can only think of This image uyhjfsdbyuhjfg)

No one really knows what to expect but when he finally reforms, he... looks mostly the same? Still rather human in appearance, externally? The only notable difference is that his irises are pink now. (But with no diamond pupil- not unless he's going Full Power Mode.)

Steven also reforms WITH an outfit much like a Gem would.

The second he's back, he runs to embrace Connie (who is sobbing in relief) and asks how long he was out.

And he did NOT anticipate that answer to be two months.

As it turns out, he missed quite a few baby milestones while he was gone, and he feels horrible about it- it's not his fault of course, but he feels so bad that Connie had to go that long without his support, and that there's all those special "firsts" with his son he'll never get to experience.

This whole incident marks Steven's final "retirement" from participating in real combat- he outright tells the Gems to not involve him in any other combat situations unless the whole ass planet is under threat, basically. The potential risks are just not worth it now that he knows how long he'd be out of commission, should he poof once more. He can't put his family through that again.

Now, with all that outlined...

Ways that Steven is Weird now:

He looks rather human- his hair looks like hair and his skin looks like skin- but after he reforms, literally every "cell" of his body is fashioned out of hard-light.

However, if one were to theoretically slice him in half (which I PROMISE I am not going to do, this is only a thought experiment ahahah-), his internal anatomy would glow much like the Gems' do. (See below image for what I mean.) The "human-like" appearance of his skin and hair and other externally visible features does not extend very deep.

He "bleeds" pink now- but it's only surface, and is all just excess hard-light. No real blood.

His body would no longer show up on a radiograph- just the gem.

Many of his anatomical features (not all of them, though) are now vestigial in certain ways-? Like, various functions have overtly been taken over by his gem... he doesn't need to breathe or have any lifeblood beyond light pumping through his system, so his heart and lungs serve no necessary purpose anymore... but all of these organs still "exist" as like an echo of what once was, perfect mimics of their organic form but hewn from hard-light.

That being said, Connie enjoys the reassurance of his heartbeat, so he retains that function while conscious.

(Not to mention, "breathing" is literally just a habit for him by this point.)

HOWEVER, when he sleeps (another thing he technically doesn't Need to do but does anyways) his breathing and heartbeat stops entirely and it kinda spooks Connie out. The literal only evidence she has that he's still kicking during these times is the soft hum of his gemstone.

He does not have a biological NEED for food or water anymore and can fully operate on exposure to light alone, but he still really enjoys eating and drinking anyways. In fact, he's still able to absorb energy from food... so it's basically like he's over-charging his battery or whatever. He also still experiences taste (so still posesses some form of taste receptors) and instinctively feels "hungry" at meal times, so like... the running theory is that he must have hard-light analogues for all these receptors and neurotransmitters and hormones that communicate sensations like hunger in his system even though their function is entirely redundant with his gem powering everything.

Furthermore, his memories and sense of self and everything one might refer to as "the soul" is stored exclusively in his gem now. Which means, if one could manage to analyze his brain like one could with a human brain, there would be entire sections that simply... don't light up the way that others (such as the parts of the brain that govern motor control, as an example) do. This is because all the "data" once stored there has migrated.

He can fully shapeshift now, if he wanted to.

He can also still visually "age"- it's all based on his mental state, same as before.

But despite being hard-light in nature now, he can still interface with organics in fusion because his form is still so organic in shape and function. He's still the bridge between humanity and gemkind. I like to think that... theoretically... a Gem might be able to fuse with an organic too, but the sheer burden of trying to shapeshift and maintain such cellular complexity is what stops this from happening.

Steven, though? His very existence as a hybrid acted as a template by which hard-light could learn to understand organic life. He is still an intensely unique being, even IF he no longer consists of any actual organic matter.

_

I am sure I will probably add something to this later, but for now, those are all my musings.

Anyways, thank you for taking a brief visit to the deepest recesses of my brain, where I am chewing at the drywall and bouncing around the room like a cat who has just devoured the goddamn motherlode of catnip. Good night! !! :DDD

[darantha]

How to Spot AI images (Hopefully)

So, I did see GailyNovelry's excellent post on this (Link here), but saw that there also were some confusion and they were using a environment image as their example, so I thought I'd do a breakdown that was more character centric.

The key thing with AI images is that the program does not know what it is making. And, arguably, they thrive on that we are currently conditioned to not really look at things for too long before we hit that engagement button and/or just scroll onwards to whatever next the algorithm feeds us.

It's hard to fight that urge, I know, but if you just pause and look, you'll soon start spotting things that just do not make sense, and I don't just mean that the pretty booby elven fighter is sporting seven fingers on one hand. Those are the obvious things. I'll try to cover the general sort of artefacts that tend to tip me off to the fact that a image is generated rather than actually hand-made by someone making informed design decisions as opposed to trust what amounts to RNG. I think this is important as there's those who do not tag their images as AI generated, and try to scam people with commissions.

And, as the saying goes... The devil is in the details.

To start with I picked this image from deviantuser CeiEllem. At first glance, it looks... very impressive. Sharp looking elf lady with killer hair. 10/10 wish I could rock that haircolour.

But, it is AI generated. Aside from the general tell that is this hyper rendered, near photorealistic style that AI images often have, there's a lot of details that tips it off to just not having been made by a human who actually made the decisions.

Since AI is just working off patterns and not actual decisions, things like hair is a immediate giveaway that you're looking at a AI image.

(Deviantart users: daralyth, DavidZarn and lunayokai)

In all these three images you can see just how hair whisps off into weird nonsense shapes or even meld into the background or clothing. Because, again, the AI doesn't know what its doing, just working with shapes. Similarly, background elements that just stop and start randomly is a dead giveaway, like the tail in the first image.

As I've said, details is the key to spotting these images, and another giveaway is the sheer density of details that is just noise.

This is from users Rigtorok7, and the details are so noisy, absolutely miniscule in scale, and hypersharp, yet have no actual design to them. Artists imply details all the time. We don't render out every single nook and crevice, and since we actually know what we want the viewer to look at, we'll pull back and simplify things so you don't want to look at the big chunk of very noisy hair ornament or necklace instead of the face of the character.

For comparison, this is how it looks when I, personally, indulge in doing 'overdetailing' of something (because I am forever weak for painting jewelry).

BUT I want to stress that the key here isn't that detailing equals AI generated. The key is the lack of design choices IN the details. There's a lot of artists out there, and someone painting out all those nooks and crannies in something doesn't mean they are a AI user. This painting by Leighton is super detailed but you see the intent with all the details. You have a focus with the people in the boat and secondary read of the figure in the door, where the details are a lot more implied and less sharp.

AI can't do that, because AI isn't making any decisions.

I couldn't find any good example once I went looking, but if you're into fantasy art: look for people just holding weird 'swords'.

AI is rapidly evolving, so who knows how much this'll help in 3 months, but for now, this is how I spot things.

But, in the end, the biggest giveaway that someone is using an AI generator is that they've filled up page after page on deviantart/artstation/wherever in the past like... six to nine months, and often swing between wildly different styles. If you're unsure, look up the source of a image. Another clue can be generic 'untitled' or just 'elf lady' sort of titles, since someone uploading 30 images a week isn't going to make unique titles for each image.

Also, commissioners. ... you should ALWAYS get a sketch and progress image from a artist that you hire. My art directors would have my head on a plate if I didn't send them a rough sketch and progress shot before finalising the image.

[alivegirldetectiveagency]

The show gives us very little information about edwin’s life. i’m pretty sure all we know is (1) he read detective stories (2) is father would call crystal a bobtail (3) he was presumably bullied (i say presumably because the ritual could have been a first incident but i find that unlikely just cause. the severity of it)

i hope we learn a little more if we get a season 2 because i think edwins childhood would give interesting insight into him (this goes for all the characters actually) but i think we can make a lot of assumptions about what his life was like based off the time period

(disclaimer: i am not an expert by any stretch of the imagination, so i apologize for any inaccuracies)(and for any typos)

this post got kinda long so the rest is under the cut

edwin lived from 1900-1916 which mostly encompasses the edwardian era (1901-1910). for the purposes of this post i will be talking as if it was all edwardian for simplicity and also because the last few years of the victorian era and the first few years after edward vii would have been very similar. i am also operating under the assumption the paynes were upper class because (1) vibes (2) edwin is very formal which would have been emphasized the most in the upper classes (3) he had the time and money to go to boarding school which still wasn’t very accessible (although education was growing in importance)

the importance of childhood was growing in the era and there was a lot more leisure time and entertainment. still, etiquette and manners were very important so there would have had the “seen and not heard” attitude towards children. in upper class families, child rearing would have been done by a nanny and not the mother. the father as head of the house would have been strict and interacted little with the children. so edwin probably saw very little of his parents while growing up even before boarding school. since edwin was a son his father might have taken him out for things like shooting/hunting but that would have been just him and his father (and brothers if he had any). also edwin does Not seem like he would have enjoyed that so i dunno if much bonding would have occurred during those outings. family time in general would be rather brief. He would have had more time spent with siblings his age since younger children would have spent most of their time in the nursery/with the nanny.

i’m going to brush past the school life part because i do not know much about it other than that he would have started at st Hilarions around 13. and that i’m pretty sure corporal punishment was used in boarding schools like it at the time? (not entirely sure on that front it depends on if the school is state sponsored) we can infer from the show that edwin did not have a Great time at school but i don’t know what the specifics would have been like

etiquette was very very important. i don’t think the edwardian era was quite as strict as the victorian era but there was still a LOT of social expectations. including the perfect posture george rexstrew does as edwin. etiquette would also include addressing everyone properly and limited affection. you also wouldn’t really touch anyone! not to get their attention or shake hands in greeting or clapping someone on the back. Self control was everything even in times of excitement or distress. Social classes were very strict although the industrial revolution created the neavue riche so social mobility was not impossible. new rich families often tried to adapt the traditions of the (aristocratic) upper class but integration was slooow. (Middle class families would adopt trends from the upper classes too). while formality was important, language in general was simplifying partially due to mass newspapers. if you’ve ever read Oliver Twist or another Dickens story, the language is very verbose and hard to follow which is par the course for victorian literature but less so for edwardian literature.

speaking of literature and entertainment we know edwin liked detective stories. he reads a max carrados story (which started in 1914) to charles and in edwin’s death flashback you see him with a detective penny/dime novel (in the scene you can read “The Aldine Tip Top Tales, High Hat Harry” and google tells me the rest of the title is “The Base Ball Detective”). Edwin probably also read Sherlock Holmes which was still popular. Growing up he might have Peter Pan/Peter and Wendy (the title changed after its initial publishing in 1904) and The Tale of Peter Rabbit (1902). And more short stories and dime novels (like the Aldine company ones) since they were getting very popular at the time. Entertainments like the Winter Gardens and Pleasure Beach in Blackpool were also growing popularity. but generally outdoor upper class entertainment would have been tennis, hunting, or racing. (fun fact the 1908 summer olympics was in london so edwin might have watched it as a child!) there also would have been a lot of dinner parties but those would have been for the parents to maintain or increase social status and not necessarily include the children.

overall edwin’s childhood probably included a lot of extravagant entertainment. He would not have spent much time with his parent so unless edwin had siblings his early childhood would have probably been lonely. canon does not suggest he really made friends while in school either.

Canon and fanon has touched on how edwin’s social skills took a hit from being in hell for 70 years (which is definitely true). But on top of just escaping hell, edwin is using knowledge/skills from a vastly different social era when he first meets charles. it must have been really jarring the first few years of being friends because charles’s ideas/experiences with friendship were WILDLY different than edwin’s

[eyrieofsynapses]

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

[k20spock]

Gecko’s list of free video games you should play right now

Hi I’m gecko I like video games and I like not paying 60 dollars for them so here’s a list of some free games I’ve unearthed and liked. Enjoy

(most of these are small, more obscure games made by a few people or even just one person, so support the creators if you can!! Some of these do have a pay what you want model)

Hikeback (Itch.io) 

You see a hitchhiker flagging you down during a long, lonely drive through the countryside. No matter how you choose to handle the situation, you end up back on that road. And then again. And again. And again, until you find a way to escape a loop of violence and self-sabotage. Hikeback is a visual novel inspired by the fable of the frog and the scorpion, and it takes about an hour to reach the ending. It’s available on Windows, Mac, Linux, and browser, and there’s a detailed list of content warnings on the game’s itch.io page. One of my strongest recommendations, Hikeback is an incredible experience, and it was made in only ten days!!

Purrgatory (Itch.io) (Steam)

Find ways to pass the time in an inexplicably cat-themed but otherwise pretty dull afterlife, and befriend its other inhabitants. Purrgatory can hit hard when it wants to, but it’s mostly a relaxed point and click game that takes about a few hours if you want the true ending (which you do). And also I really don’t like recommending things going “it’s rep!!” and not elaborating on what the thing is actually about, but Purrgatory does have a mostly explicitly LGBT+ cast and Korean characters by a Korean artist. It’s been a few years since I played Purrgatory, but I remember it was an incredible experience, and since then, even more people can play it because it’s been fully translated into Spanish and Simplified Chinese! It’s available on Windows and browser.

How Fish is Made (Itch.io) (Steam)

How Fish is Made includes incredible retro-style graphics, a sardine flopping around in a machine with a choice to make, a singing, cane-wielding, tophat-wearing, tongue-eating parasitic isopod, and a free expansion/trailer for the studio’s next game that’s like if Katamari Damacy was evil and also had fish in it. That’s the best I can do for a summary. How Fish is Made is available on Windows and takes about 30-45 minutes, but will itch your brain for much longer.

Stop Burying Me Alive, Beautiful (Itch.io)

A visual novel in which you are stuck between trying to convince your girlfriend you are not dead and she should stop burying you alive, and playing rat-themed card games with a woman you find living underground. The game doesn’t always do a great job walking the line between comedy and horror, but there’s some strong writing depicting a failing relationship and very strong artwork that makes this an easy recommendation. Stop Burying Me Alive, Beautiful is on Windows, Mac, Linux, and browser, and takes about half an hour. 

Caper in the Castro (Internet Archive)

Ok this one is pretty different, but fuck it, it was originally released for free in 1989 (with a recommendation to make a donation to charity instead) and is still free so I’m including it. Not enough people are aware that you can play the first known video game by and about gay people on your computer right now for free and it has that classic adventure game bullshit sometimes but it’s extremely playable and also funny as shit. Like it’s not just cool history it’s actually fun (sorry Gayblade). You play as a lesbian private detective named Tracker McDyke looking for your missing drag queen friend and you can get most of the doors in the game open by shooting them. People have made full walkthroughs for this game and how to get it working if you have trouble so there’s no excuse. Play Caper in the Castro.

Under a Star Called Sun (Itch.io) (Liminal Magazine)

A browser game made in Bitsy that’s extremely simple and only a few minutes long, but that’s all it needs to create a succinct, gut-wrenching depiction of grief. 

Hotel Infinity (Itch.io)

If you need more short Bitsy games you can play in your browser that are about death, you’re out of luck after this because I’ve only got the two. Hotel Infinity is more lighthearted, tasking you with checking in on your ghostly hotel guests, and helping one check out. It’s simple, but sweet and affecting. 

Water Womb World (Itch.io)

Back to marine life-themed horror. Water Womb World is about a man’s obsessive search for the Garden of Eden leading him to the bottom of the ocean. There’s a few brief moments of annoyance in the gameplay, but the atmosphere and visuals are fantastic. Fantastic enough I bought the shirt, because I like cool shirts. It's available for Mac and Windows, and takes about 15 minutes. 

Hyperhell (Itch.io) (Steam)

A rogue-like bullet hell with a hyperpop soundtrack. It’s a mess, but in a good way. A run can (allegedly, I am not very good at bullet hells and I wasn’t able to get all the way to the end) be under ten minutes, but the game is very replayable with its different characters, weapons, bosses, and DDR and fishing minigames. You might have heard of this one already because maia has a cameo in it, but it really is a fun, if slightly painful for your eyes, time. It’s available on Windows.

Magicafe HD (Itch.io)

Under a technicality, I haven’t played this one yet, but that’s because I played the original text-based version of this game and I didn’t know the dev had converted it to a full visual novel until right now when I went to recommend the original. I’m certain this version is even better! It’s a cute, simple visual novel about a girl trying to get to her job at a magical girl themed cafe, while dealing with the struggles of secretly also being an actual magical girl. Available on Windows, and lasts about half an hour. The original is available on browser here if you’re interested. 

Dedz0ne (Itch.io)

Ok, wrapping up on a weird one since this isn’t really a universal recommendation. Dedz0ne is a Yume Nikki/Splatoon fangame inspired by Dedf1sh’s backstory and the atmosphere of Octo Expansion in general. It came out before Side Order so it’s not accurate to it, but it’s a really neat game with great visuals and atmosphere. It’s available on Windows

And that’s it for now. There will probably be a sequel someday because I am unable to stop digging through free games. Or maybe a collection of not free but extremely cheap games (like under five bucks) I like. Who knows! I hope you found something that catches your eye here!

[theoldkyokodied]

Hello! I really love your art! I was wondering if you have any tips on how to capture the person the facial features of the person you are drawing so well?(!) Your Billy and Stu are is amazing! Although it is in your style (which I absolutely adore) you still keep their likeness/resemblance which is very hard for me to do when trying to draw them in my style! (Sorry if the wording is confusing, any tips?) Thanks!

Ah thank you so much and sorry for taking so long to reply, but I needed to figure out how to answer this.

I have put some general tips together, but I need to point out that none of these replace the time investment of learning art. It is merely a suggestion of direction for practice, and I don’t want anyone to feel discouraged if any of these tips don’t immediately make them into a master of arts. Art practice is not easy and it can be frustrating to not be up to your own standards yet, but you will get there! :) In the meantime: be kind to yourself!

That said, let’s get to the tips I can share:

1) Use references!

I usually create a reference sheet for any character I want to draw more often, with their face in lots of different angles. Being able to know how, for example, someone’s nose looks like from the side and from the front can be essential when it comes to recognition. You basically want to be able to create a 3 dimensional object with these references. I tend to need the references less the more I draw the character, after a while i just memorise their key aspects for drawing them from most angles :)

2) Figure out key-features of a person

Try to figure out how to simplify someone in a drawing. What are their most striking features that NEED to be included? Sometimes it helps when you try to think of what features a caricaturist would accentuate in a caricature of them. Here you have some features that I personally try to focus on when I draw billy:

As mentioned in the bottom right corner, the placement of these key-features is also important. Try to figure out where things are placed in relation to other facial features and mind their size as well. this becomes easier the more you do it!

If you struggle to find out what features are important you can also look up other fan-artists stylised work you like and try to see what they chose to highlight :)

3) Do studies!

4) focus on values and contrast before considering color

doing a study without a sketch by blocking in shapes can help you figure out the planes of a characters face

as you can see here, stu’s eyebrows kind of blend in with the shadows of his brow bone, which is why I usually draw his eyebrows pretty light/in a color that doesn’t have high contrast with the skin tone, it makes him instantly more recognisable in my opinion

5) Draw (a lot)

I have been drawing basically every day since I was a child, but my ability to actually draw someone recognisable has only developed in the recent years. And I don’t think I’m done with learning. In the undying words of Bob Ross: “Talent is a pursued interest. In other words, anything that you’re willing to practice, you can do”.

I hope my tips can help a bit and and perhaps lend you some motivation for the never ending practice that every artist has to face :’) <3

[tardisscans]

Hino Yusuke's Live (12/30/24)

I've been extremely sick so I haven't subbed anything, but I wanted to at least give a quick rundown of what Hino said in his last live!

Hino is really really excited for the Terebi-kun special.

The number of fans from China has increased a lot!

Initially there were more female fans but Hino thinks it's 50/50 now.

Hide arrives at 12:57 and Hino gets excited and asks if he's watching.

Hino starts rambling about how he feels lonely without Hide even though they've been together for a year.

He also states that he doesn't know how many days he won't be able to see him again after they finish Gavv, so the feeling is similar as to when he was with his idol group.

Both laughed at the "Sukipi Doshi" scene (すきぴ同志; translated by some as "lovebirds", "lovers" or "crush". I'll keep it as "sukipi" to simplify things lol)

Hino goes and describes the whole scene of Ep16 where Shouma and Hanto "sacrifice" for each other, but says he couldn't help himself and laughed when Shouma remembered Sachika's words about the "sukipi"s.

For Hanto, Shouma is really special, and for Hino, Hide is special too.

He talks about Hide having an unrequited love for Hino, and how clingy and embarrassing is lmao.

Hide actually comments a " ?? ".

"It's a bit troublesome to be so loved"

Hino says to not ask for spoilers, he's afraid of people getting angry at him lol.

Miyabecchi has been more cheerful lately!

He thought she was very serious and quiet at first but she's actually pretty lively! Hino also praises how talented she is and that she was chosen as Sachika for a reason :)

"Oi, Hide, don't just comment. Say something interesting."

Hino's favorite hero is Den-O and he watched every episode of it.

He also liked Kabuto and Kiva.

His parents told him he had the Den-O belt but he only remembers playing with Kuuga's belt lol.

19:03, Honoka (Shiita) seems to be watching the live too! :)

(Proceeds to complain about how hard is to make a live)

Hide asks if Hino has something he wanted to do before the end of the year but wasn't able to.

Hino says he wasn't able to go on a date with Hide.

He explains it's because they see each other all the time on set, but they go out to eat together, or go to each other house's too.

He kinda likes the idea to go travelling to different places for the FLT.

He also wants to get a driving license.

Hino likes the idea of picking someone up and having a "driving date" but I think people kept thinking he meant Hide?? (He was talking about him just seconds ago) so when he read "a date with your "sukipi doshi" he just talked about how much he wants one until he realized what the fans meant and said "Ah, sorry. Yes. It's Hide. My sukipi is Hide." lmao

"I swear it's not only a work relationship!" Hino keeps telling us how they are also good friends irl and outside of work.

He changes the subject and reveals Hide has him pinned to the top of Line, and how "weird" it is but also really cute.

In a more serious note, he finds Hide's pureness cute.

Comment: "What do you like about Hide?"

Hino: "He's like a dog. And his face."

He explains he replies really fast when he gets the notification, so he doesn't really have a need to pin anyone.

Comment: "Does Hino-kun have Hide pinned to the top too?"

Hino: "Hino-kun only has managers pinned!"

He does have a Gavv Staff group pinned though.

"Anyways, let's say Hide has an unrequited love."

(Unsure of what he means, but I think Hide comments that Hino actually does have him pinned to the top too???)

He also says that when he was in high school, he had a soccer event and went on a 2-3 day trip, and when he came back, his parents had already adopted a dog, so he had to get use to it lol.

Comment: "Hino-kun, are you a dog person or a cat person?"

He explains he was afraid of animals since little (to the point of moving sidewalks if someone was walking their dog), but after staying at a friend's house (who had cats) he became a cat person.

People asked him about meeting someone (Unsure of who they are- I'm really bad with names, sorry.) but Hino says they're really nice and friendly.

He changes to Hide again lol.

Hino mentions how he likes pickles but Hide doesn't eat them, so he always eats them for him.

At first he asked Hide to just give him what he didn't want, but nowadays Hide just finishes his bento and gives him the rest. (Because he's a child)

27:00, Ruito (Jeep) is here too!

"Ruito-kun is too cute!" - Hino.

He says Ruito is really cute while working (on stage) and he even thought he was a girl, but in private he's extremely funny, "He's just an ordinary boy".

Ruito is his favorite among the cast and says he has been seeing him lately (...Is that foreshadowing?...)

"I'll give you my pickles next time" - Ruito.

(Hino complains but accepts it anyways lol)

Gavv it's like an all-boy's school. (He feels sorry for Honoka and Miyabe)

He says he can't drink with Hide cause he's underage, but he can with Shoji and he's been hanging out with him lately and they went to karaoke! He address him between formal-casual, and even though he's a senpai and older, he feels like a friend instead of an older brother.

"Do you like Shoji-senpai?" (Laage9/Vram)

Hino says even though he joined midway, (he doesn't know if it's bcs he worked on toku before), Shoji blended perfectly fine.

Hino was determined to not go to his hometown for new year (I'm guessing to prepare for his role as Hanto.)

He says to look forward to who is he gonna spend his time with in New Year? And I think someone on the comments said it was Hide, but Hino says it's not, that it's okay for Hide to be separated from him in holiday season lol.

He then states that once in a while you just need to have some time to realize how important someone is to you, and to let Hide think about how having time with Hino is a precious thing.

"It's not Shoji either!"

Actually, back to the Hide, Hino hopes Hide can take him to Okinawa.

Hino talks about how he hated his own voice but that a producer told him he had a distinct sound and it was his strength.

Please do not treat him as a Hide's middleman!

He explained that it's as if it were Valentine's Day and they called him to meet at some place and he arrives, sees them fidgeting with chocolates in their hands, and his heart starts racing, and then they just tell him "Can you please give these to Hide?"

He talked with Director Sugihara about wanting to change his name, but Sugihara was like "It's you life, do what you want." (lol), but after chatting a bit, he suggested to check out Takebe P's other works (Producer of Gavv).

He says he tried LupPat and Zero-One (But Takebe didn't work on them, so I'm not entirely sure why he mentioned them. Prolly bcs of Sugihara working on Zero-One or Komura...)

At the end, he just thanked the producer, director, Hide, toku fans, and children, and said how grateful he feels to work on such a popular work, and that he will work very hard!

He then clicks on something and keeps getting distracted with the filters for like 10 minutes lol.

[graceshouldwrite]

How to Write Political Intrigue (with book recs)

POLITICAL INTRIGUE! Intrigue in general! What is it?

For the purposes of this post (as well as how it's usually used in the writing/reading community), think: scheming. Plotting. Conspiracies in the shadows, bids for power and survival, secret plans, masterful illusions, all of that stuff.

It could be on any scale that you'd like, from a duel of wits (think Light's and L's game of cat and mouse in Death Note)

...to a large-scale plot involving entire countries and their people (like any espionage networks during any major wars, such as the American Revolutionary War to World War II, and so many more)

...or even medium-sized conflicts (families, like in The Godfather, or smaller national disturbances like the Watergate scandal).

Below are 4 core tips on how you can successfully write (political) intrigue plots:

1. Read + Research

Despite how hard it may sound, it's actually pretty easy to craft a realistic yet thrilling intrigue plot—with so many examples in real life and fiction, you can easily base your plot on an existing one and just change a few things like the characters, setting, and maybe a few plot points.

History and current events are always great places to look to, but here are some books that are chock-full of great politics + intrigue:

Leviathan (Thomas Hobbes): one of the most famous treatises of politics + human nature and their intersection. The book is an in-depth exploration of human nature, government, politics, and all of the root causes of why they exist. While it does take a specific philosophical angle (you might not agree with Hobbes' ideas), they are detailed explanations of how things work + why they are required from one perspective.

48 Laws of Power (Robert Greene): GREAT BOOK for helping you plan out the means by which you want the intrigue to happen. There are lots of simplified rules that tell you why people plan and scheme (e.g. "control the options; get others to play the cards you deal," or "pose as a friend, work as a spy"). There are LOTS of really great small stories of when a rule is applied in real life that are also general plot inspo!

The Godfather (Mario Puzo): very very good, intricate, and more emotional because it deals with the intrigue surrounding families

Joseph Fouché: Portrait of a Politician (Stefan Zweig) (biography): Fouché is absolutely insane. A genius at political intrigue. His life is literally one of the craziest stories of scheming, betrayals, survival, and a general vying for power, especially behind the scenes.

The Prince (Machiavelli): obviously, I can't leave out the original tips + tricks book with explanations of WHY intrigue matters as a means, especially in terms of protecting your power.

Trust Me, I'm Lying (Ryan Holladay): a large part of intrigue plots (you need to cover up the actual game you're playing) is the manipulation of information, creating illusions and spectacles for other people to believe. This book goes in-depth about media manipulation and information wars.

Empire of Pain (Patrick Raden Keefe): takes a rather different angle, through the personal/corporate manipulation of government, as well as how wealth dynasties (especially within families) are established. Remember the opioid crisis? This book explores the generational politics of money and power that led up to that.

Prince of Thorns (Mark Lawrence): Look! Fiction! Anyway, I'm biased because it's one of my favourite works of fiction of all time, but it explores political intrigue not only through an actor participating in it, but through the lens of the common folk. I.e., the consequences all that power play has on the populace due to a lack of actual good governance...

A Song of Ice and Fire (George R. R. Martin): I haven't personally read/watched anything GoT, but it's pretty much obligatory to put this series down in a post about political intrigue. It's famous for doing it well.

2. Plan. Like, meticulously

First of all, decide what scale you want your intrigue to be on: large-scale government/international affairs type, a corporation thing, something between two people, or even within a family? There are so many possibilities.

Intrigue plots are like mysteries; they must be tightly logical to be satisfying. One of the best ways of ensuring this is through analyzing each involved party—the actors.

Each actor has their own motivations, goals, and psychologies. After you establish what they want OUT of their intrigue, think about how they'd go about achieving it: a naturally hot-headed person might try to intimidate their way into getting what they want, or they might learn through the course of the story to cool down a bit.

A naturally imaginative and analytical person might come up with all sorts of scarily genius plans, and near-flawless execution. Of course, they would also react in different ways, depending on personality. Character consistency alone will make your plot seem that much more logical.

However, cracks in logic will happen because humans are inherently imperfect and not always rational. These cracks must be DELIBERATE and realistic and must seem planned out; they can't seem more like the author forgot a detail, or didn't know how to explain something (e.g. something happened and the writer never included the consequence of it because they forgot). It must be clear that it is a flaw on the character's part.

3. Never write intrigue for the sake of the intrigue

The incentive of all scheming comes down to mainly two things: gaining power and keeping it. Of course, you could choose to explore more unusual things, such as characters exercising intrigue to satisfy boredom... (think Light and Ryuk from Death Note).

But, the bids for power, security, and survival can be used to highlight things about human nature. Themes to explore include ambition, sacrifice, the pursuit of happiness, the corruption of character, the preservation of innocence in a cruel system, etc.

4. Explore through a narrow lens

Most intrigue plots are full of complex motivations, characters, goals, and the means they use to achieve said goals.

You should gradually let your intrigue plot unfold through the POV of a few characters, preferably one or two. An omniscient narrator for this type of story is INCREDIBLY difficult to pull off without confusing the reader.

However, more POVs work if you use all of them to focus on ONE or a few intrigue plots only—it can provide a multi-layered effect, exploring the same line of action and consequence through different perspectives. But, if everyone has their own intrigue plot, it's too easy to create a tangled mess where readers can barely delineate one plot from the next.

∘₊✧────── ☾☼☽ ──────✧₊∘

instagram: @ grace_should_write

Sorry for the massive hiatus—I have officially started college!! I've been pre-occupied with settling in, classes starting, a social life, extracurriculars etc. etc...life has been super busy, but great :)

I've started working on my books as well as poetry more recently, and I'm glad I'm getting into a new workflow/lifestyle. It certainly is different, but I'm starting to enjoy it.

Anyway, I'm surprised it took me this long to do a post about this topic, considering the fact that it's basically my writergram niche and my entire personality IRL, but I think it was mainly because I was trying to find a good angle to approach this massive topic. But, stay tuned for (probably) a part 2 because there's SO MUCH MORE to cover.

Hope this was helpful, and let me know if you have any questions by commenting, re-blogging, or DMing me on IG. Any and all engagement is appreciated :)

Happy writing, and have a great day!

- grace <3