#i wanna die ;w;

[princema-k]

so draw your blade, you wretched fiend and let's you and i fight like the dishonourable dogs we are savage, violent, yet free and when the curtain calls, let me put you out of my misery

[ironunderstands]

Yapping about why I love Aventio and what I feel makes it a great ship 

(If you hate it I urge you to read this, because you don’t have to agree with me, but I want you to get where Aventio shippers are coming from at least)

I’ve just really wanted to talk about why I love Aventio because the people do not get it like I do and GODDD ITS SO GOOD WHEN DONE CORRECTLY UGHHHHH

Also this is gonna be VERY stream of consciousness I do not have a plan besides dragging you through my brain so enjoy the ride.

I guess the best place to start is the fact that Aventurine and Ratio are my two favorite characters in the game. Like even if they have no interactions with each other ever and might as well be from different pieces of media I would ship them, because I like seeing characters I like interact and the fun police cannot catch me. That’s a really shallow personal reason though and I feel like the rest I have will be able to be appreciated by others.

GOD THE DYNAMIC IS SO GOOD RAAAAAA

Two emotional constipated dumbasses circling around each other like black holes trying desperately to deny and run from their feelings when they have both fallen hard. The lack of acknowledgement of feelings on both ends is TRAGIC and it makes me want to rip my eyes out in a good way, let’s start with Ratio.

Unfortunately my glorious king Ratio has been mischaracterized to hell and back but we will get to that (and the Incorrect Reasons Why People Hate Aventio) later. Instead I will go over his actual character; a deeply insecure, intelligent man who desperately wants the rest of the galaxy to come to the realizations he has long since stumbled upon, but has been so isolated from his peers from such a young age that he’s doomed to fail in literally every social interaction he has and be misunderstood by both the audience in universe and irl (the autistic coding isn’t helping him either).

Ratio is tragically misunderstood again, both in universe and by the audience, which is why it means so much that Aventurine Gets Him. Aventurine pushes his buttons, tears down that literal cold marble facade masking the deeply silly and caring man beneath (this man bathes with rubber duckies in the privacy of his own home 😭), and that scares the shit out of Ratio. People aren’t meant to see through him, Ratio acts rude not just because he believes it’s the best way to help people, and because he believes he himself is mundane and the conclusions they come to should be their own, not his.

No, it’s also because on some level Ratio is afraid to be vulnerable around people. As much as he pretends like it doesn’t affect him, Nous’s rejection has hurt and haunted Ratio for his entire life. And I do mean his entire life, even in high school he had already set up a strict routine for himself, something commented on by his teacher, Ratio has quite literally always been striving for some sort of perfection and the fact that he cannot achieve it kills him.

Moreover, the guy just grew up way too fast, he didn’t have time to develop social skills. We see it in that afformentioned relationship with his teacher, in which they recommend Ratio (who is again in high school) to be moved up to college level stuff and transferred due to his success. He has quite literally never been able to just relax in a environment of his peers, Ratio for some reason we don’t yet know has always been dedicated to constant improvement and that leaves no room for dealing with failure.

On some level, he knows this too, that he can never be perfect. Ratio is part of the Mundanites in the Intelligenica Guild for a reason, he doesn’t just see himself as mediocre because he believes everyone is and that’s ok, but also because he looks down on himself for being too mediocre for the Genius Society, being too mediocre for Nous’s acknowledgement, being too mediocre for anything.

Which is tragic because Ratio is very accomplished and he is very smart, and his character stories aren’t even told from his pov, but rather in the style of documentaries and letters (his professor) and other works on his well acclaimed life. We don’t ever get to see how Ratio really sees himself, just the tiny cracks in his marble facade that let the real man behind the character shine through.

Because that’s what he’s playing 90% of the time, a character. Whether it be at the Herta Space Station in which his real goal was to uproot the researchers blind worship of the Genius Society, or in Penacony in which he plays up the arrogant, narcissistic scholar both people in universe and irl make him out to be, both to serve a goal bigger than himself. 

Sincere moments from Ratio are RARE but god are they beautiful, his conversation from Screwllum in 1.6 and his note to Aventurine in 2.1 will forever haunt me in the best way possible. If you want to understand Ratio as a character, yes read his character stories, but just watch that damn scene with Screwllum it is phenomenal. He cares so much and is so, so bad at expressing it, he drives me nuts, Veritas Ratio the man you are. 

And the thing is, it seems like he’s always been playing a character and doesn’t know where the real him ends anymore so he just sticks to the way people perceive him a lot of the time. Like as a kid he was constantly striving to be the best so he missed a lot of necessary developmental shit, and as an adult he’s a celebrity so it’s hard for him to attach himself to others anyways because society and his students will hound him for it.

And then you throw Aventurine into the mix, and oh boy does shit get interesting.

Veritas Ratio, perfect “unfeeling” Veritas Ratio and the one person who gets him well enough to push all his buttons and expose the vulnerable underbelly he thought he hid so well. On a fundamental level, Ratio understands this, which is why he doesn’t bother with the alabaster head, as pretending the real him is just as unfeeling and uncaring is easier.

So he brushes off Aventurine’s jests as if they are an insult to his very existence, he can’t look in Aventurine’s eyes when he “betrays” him because his poker face would break, he leaves as soon as he’s done talking because lingering would allow the weight of their conversations to sink in. Part of it is because for pretty much all of Penacony, up until the note Ratio gives him, Ratio is acting, trying to play up the role of the arrogant, unfeeling scholar to make Sunday buy the betrayal plan, because to Sunday this behavior is signs of a bad relationship between the two (honestly the fact that the audience also interpreted it this way makes me mad like did yall seriously not pay attention, but also happy because if even the players were fooled that means Sunday buying it is believable). 

However, even if it feeds into his insecurities, Aventurine knows that false facade and loves tearing it down. It’s very telling that the second time we see Ratio really freak out (the first being at Herta Space Station) is at the suggestion that he came to narrate Aventurine’s demo not because of knowledge or respect for the show or whatever, but because he genuinely likes the guy. What makes it even better is that Aventurine is the one who suggested it, and already figured out the excuses Ratio was going to use to deny it. Ratio can fool everyone else in the galaxy, but he cannot fool Aventurine, and on a fundamental level that is what makes their dynamic work, because Ratio knows Aventurine in the exact same way.

Aventurine can shove away people who care about him, out of distrust and fear that they will leave him like his family did. He can believe he’s unloveable and a person so detestable that even the actions he performs in order to stay alive condemn him to hate himself as much as the rest of the galaxy hates him. But, Ratio doesn’t see him that way.

Aventurine doubts his intelligence, if he has really earned anything he’s done and in his voiceline about Ratio, doubting if Ratio even sees him as smart or worthy. However, Ratios voiceline about Aventurine is about how he believes Aventurine is smart and worthy, and that his doubt will be his downfall if he doesn’t come to the realization that he isn’t worthless. 

Ratio knows Aventurine’s one weakness, the one thing that could stop him; himself. That’s why he gives him the note urging him to stay alive and keep on living because ultimately Aventurine will only ever fail if he gives up. And The Note Is Enough, Aventurine walks into the event horizon of a black hole, confident he can return alive on the other side because someone cares about him, BECAUSE RATIO CARES ABOUT HIM, and wants him to live on even if Aventurine doesn’t feel that way towards himself.

In the metaphorical and literal manifestation of the meaningless of the universe, in the face of overwhelming nihility, Aventurine survives because someone loves him, and with that love he’s strong enough to brave even that. 

Even if they can’t admit it out loud, these two deeply, deeply care for one another and trust each other perhaps more than anyone else in the narrative. The betrayal plan would have never worked if there was not mutual trust, Ratio wouldn’t have gone to Penacony in the first place if he didn’t trust Aventurine, and Aventurine wouldn’t have asked him to come if he did not trust him. We don’t just see this trust between Aventurine and Ratio either, and Jade and Topaz both trust him with their cornerstones, but ultimately it’s Ratio who’s physically with him the whole time, risking his life alongside him for the sake of their plan. 

As much as people like to ignore it, lying to the Family members, to Sunday, is extremely dangerous and puts Ratio’s life in danger as much as it does Aventurine’s. Ratio is not an irrational person, he wouldn’t have done that if he didn’t have faith Aventurine would succeed, he would not have done if he didn’t think he would return. They have absolutely faith in one another and it’s beautiful. 

Aventurine’s first constellation is named “Prisoner’s Dilemma” for a reason. A social experiment in which two prisoners are captured and separated, if they sell the other one out and remain silent, they go free but the other remains in jail for 20 years. If they both sell each other out, they get a sentence of 5 years. 

But if they both remain silent, trust the other, they even if they physically can’t communicate and don’t know what the other says, they get the best possible outcome, only one year in jail each. It requires a sacrifice on both ends, they both still have to go to jail, but only for a year, and only if they trust each other completely, as if the other sells them out they will be in jail for 20.

The prisoners dilemma relies completely on trust, and it’s the exact situation Aventurine and Ratio face in the Penacony quests. Aventurines doubts if Ratio’s betrayal was real or not, even if he set it up himself, and Ratio worries about Aventurines survival, if continuing this plan will end well. “You can’t expect a featherless bird to take flight” isn’t just Ratio chastising Sunday, he’s genuinely worried that this plan will put Aventurine at too much of a disadvantage to continue on. 

But they both trust each other, and if just like in the Dilemma neither come out completely unscathed (although it’s much worse on Aventurine’s end), they ultimately achieve their goal. 

God is it sweet and corny in the best way possible 

I want to kill this fandoms perception of stoic, emotionless Ratio because once people realize he’s actually the corniest mf ever is the day I sleep easy. He makes statues of himself doing Jojo poses, he plays chess versus himself, he named himself Veritas (truth), he loves rubber duckies, he literally sits in a bathtub couch, and Aventurine breaths and he gets flustered.

Ratio so deeply silly, chronically corny, it’s a crime he needs to be locked up someone stop him. 

And Aven brings that out of him. His teasing reveals the goofball trying so desperately to disguise himself as a serious scholar. Ratio is very smart of course, but that only makes his silliness better, as you watch this absolute genius of a man behave like a tsundere schoolgirl. 

It’s not like Aventurine is some paragon of seriousness either, he’s the one teasing Ratio, fucking around even in a serious mission. Yeah it’s partly because he wants Sunday to think he’s incompetent, but it’s also because Aventurine genuinely is having fun, enjoying himself before the serious part of the plan kicks in, and the meantime he does that by messing with Ratio.

Their dynamic of Aventurine messing with Ratio, and Ratio trying desperately to pretend like it doesn’t affect him is as hilarious and heartwarming as it is tragic, and that dichotomy is why I love them so much. It’s fun and it hurts so so much because their interactions being this flavor of silly leaves almost no room for the sincerity they both desperately need from one another. 

AND GOD I NEED IT TO HAPPEN. RATIO MENTAL BREAKDOWN SCENE PLEAASEEE LET HIS WALLS CRUMBLE PLEEEEAASEE PLEASE PELADE PLEASEEEE EPLES DOLS AAAAAAAAAAAAAAA 

They’ve gotten closer and closer and closer and soon something’s gonna snap because they are so close yet so distant and if something doesn’t change the tension is just gonna boil over AND I NEED IT TO HAPPEN. I need more Ratio scenes I need more interactions with him I need him with his guard down I need him to profess out loud that he cares about Aventurine I need him to break please he needs it, it would be so good for him. It doesn’t even have to be from Aventurine, just Ratio snapping and revealing the fucking mess he is under his facade and not being rejected by the people he cares about for it is enough.

I honestly doubt it will happen in the story though, as much as I want it to. Although Aventurine’s character demo somewhat changed my mind against this, I feel like hoyo is like “ok they get the vibe between these two we can move on” and the shippers are left to extrapolate how this relationship would go beyond what it is now. As much as I want a breakdown scene for Ratio in general, it probably wouldn’t happen in a while but devs if you are reading this PLEASEEEE. 

The only time Ratio ever gets slightly out of his element is with Aventurine but I need it to go further because god it would be interesting.

Well I’ve deemed that enough yapping about why I love Aventio (for now 😈) so let’s talk about why people hate the ship and why most of the reasons behind it a fucking stupid. (Massive disclaimer of course you can dislike it it’s just a lot of the “oh it’s a horrible ship and anyone who likes it sucks” shit isn’t grounded in reality in the slightest and I’m tired of the slander)

“Ratio was racist to Aventurine”

Now this is a spicy one because if this post was made in 2.0 I would 100% agree with you (during that time I shipped a non canon version of them in which that did not happen because how dare u do my boy like that hoyo). However 2.1 changed a lot and I mean a lot, and basically reframed the 2.0 quests for everyone.

Essentially, Ratio and Aventurine were both acting in that argument scene, making the things Ratio said to Aventurine not how he really sees him, and actively something Aventurine wanted him to say, so you cannot blame him for what he said. I’m not even joking or exaggerating, retrospectively it quite literally does not make sense if you view it in any other way, and honestly even with just the knowledge of 2.0 the scene doesn’t make sense if played straight, so let’s get to why.

a) Ratio and Racism do not mix fundamentally. Ratio is a person who believes that everyone deserves and education regardless of background, that it is a scholars duty to help others achieve that, and no matter who you are, you are capable of intelligence, learning and becoming the best version of yourself, and that those qualities are just limited to geniuses.

THIS AND RACISM DO NOT MIX. “Oh yeah education and improvement is possible for everyone except this specific group of people for some fucking reason!!” Like not only would this scene being serious contradict Ratios entire character, the man who believes people should not be judged for their educational background judging Aventurine for his educational background (that’s actually what the Sigonian upbringing line meant, it was mistranslated in the EN version)??!?!! Make it make sense.

Moreover, half this perception also come from the fact that hoyo made the incredible writing decision of naming Aventurines planet after a slur for Romani people, so unfortunately literally anytime its name, Sigonia, is brought up you’re essentially saying a slur. It’s much worse in the CN version, in EN it’s not obvious at all, because our version of the slur (it starts with a g and ends with a y that’s all the hints you’re getting), doesn’t look like the version of the slur that the name for Sigonia was derived from, which is partly the source of this misconception as I’m pretty certain most people assumed Ratio (and by extension Sparkle) said a slur elsewhere in the conversation when in reality them referring to Avens ethnicity/background/planet IS the slur.

Anyways terrible writing decisions aside, Ratio supposedly being racist doesn’t just contradict his core motivation, it contradicts his job. He’s a scholar, for fucks sake, and racism is inherently illogical. Mmm yes I’m gonna base my identity around finding truth for myself and I will believe government and social propaganda about specific groups of people! Very logical, very scholarly, we all clapped. 

So yeah, doesn’t make sense on a character level, to the point that in 2.0 I concluded that they must be using Ratio as a plot device in that scene to deliver some of Aven’s backstory to the audience due to how OOC it was for him 😭. However I wasn’t necessarily wrong, Ratio was delivering some of Aventurines backstory to AN audience (not just us), and he was behaving OOC in the 2.0 scene, but it was on purpose.

b) The betrayal plan 

Aventurine forms a plan in which him and Ratio pretend to betray one another in order to sneak the Aventurine cornerstone into the dreamscape by replacing it with the Topaz stone (red herring + black hole scene dialogue implies she and Jade are there for other reasons) and the Jade stone (perfect dupe). 

Now this betrayal hinges on Sunday, their main antagonist buying it, actually believing that Ratio would betray Aventurine on a mission as important as Penacony, and it requires Sunday also buying that he is winning the whole time, that the loss of the cornerstones was somehow a fumble on Aventurine’s end rather than something he planned all along. 

So, they stage the 2.0 conversation. Ratio yells at Aventurine for losing the cornerstones, something which was part of their plan the whole time. He then insults Aventurine’s background allowing Aventurine to reveal key details of his past that Sunday would not have learned otherwise, which he uses in the trial against Aventurine. Seriously, Aventurine only found out he was the last Avgin when he became a Stoneheart, do y’all think Sunday summoned that info with his mind or something during the trial (like do you guys genuinely think Sunday read his wiki or something)

Moreover, Ratio not only insults him, but portrays Aventurine as useless, disposable to the IPC because he is apparently already sentenced to death. Why does he do this? Well, so Sunday feels confident enough to do the same to Aventurine. Seriously, sentencing an IPC member, especially a high ranking one to death is a risky move, even for someone as convicted as Sunday, he would need the confidence to do so and learning Aven might already die would give him that ability. 

Because well, it doesn’t matter that much if he’s already going to get disposed of in the near future. I also think the IPC plans to use Aventurine’s “death” as leverage against the family because they were pleased to hear of his death sentence according to Dr. Ratio, meaning a) he likely did not have one from them at the time, although in the past he was sentenced to death and b) even if Aventurine succeeded in getting the cornerstone his seeming loss in the rest of the conversation wasn’t actually a loss at all, getting sentenced to death/“dying” at the very least was part of the plan all along as the IPC could still use it as leverage if things went south.

Continually, Ratio treating Aventurine in the exact same sh1tty way the rest of the galaxy does perfectly slots him into the arrogant, uncaring scholar role, which Sunday knows are some of the most easily manipulated people in the galaxy, considering he tries to bribe Ratio with knowledge about Stellarons it seems he bought this idea hook line and sinker. Sunday isn’t even subtle about it either “I heard you and your companion haven’t been getting along lately” where did he hear that from? Ratio didn’t tell him, and even though we know Sunday was 100% watching the two of them on their little adventure pre-meeting him (the bird and hound statues) that scene hasn’t happened yet so where did he get that from?

Some other interesting proof for it is that the Final Victor lightcone likely depicts Aventurine trying to convince Ratio of this plan of his, the events of which must occur  pre-Penacony for several reasons, the least of which being that we just never see it happen on Penacony which if you think it did we would see it. Moreover lightcones are canonically condensed memories and the Final Victor lightcone released in 2.0, meaning it’s the memory of something that happened before then. 

All signs point to the 2.0 scene, the one people use to paint Aventio as toxic being staged. And I have so much more evidence for this, (Ratio would never agree to go without a plan, Aven clearly formed his pre-Penaocny, so much of the plan like Ratio opening the cornerstone box, which he can’t do up until the betrayal as it’s in Sundays possession, rely on him arriving knowing how to do so, the time discrepancies, the complete 180 in personality Ratio would have to do to go from distrusting Aventurine to putting his whole faith in him, etc), but I will reupload one of my old slideshows to elaborate more on it. Basically the one thing that people use to say it’s toxic is not true and is in fact a greater show of the trust between those two. 

“The shippers are all weird and racist” 

Now this one actually has some truth to it because yes there are some incredibly fucking weird Aventio shippers and I do not blame yall for disliking them.

HOWEVER, most Aventio shippers are normal and hate that shit just as much as you guys do. Like do you realize most shippers also really like these characters and have something insane called morals so they don’t automatically excuse racist fujoshi goobers just because they are making content for their favorite ship. Trust me someone doing that pisses me (and most other Aventio shippers) off significantly more than people who hate the ship. Also free Ratio from this shit man poor guy is getting mischaracterized as a slaveowner by his fans and haters 😭

And like guys, have you ever been in a fandom before, like ever? Weirdos are always gonna be weird and it’s not Aventio’s fault they are this months victims. For a fun little example of how gross other fanbases can be, one of the most popular Overwatch ships on ao3 is Genji Shimada X Hanzo Shimada WHO ARE BLOOD RELATED BROTHERS. THERES LIKE 300+ FICS OF IT, SHIMADACEST IS LITERALLY A TAG ON THERE. I WAS IN THE TRENCHES SEARCHING FOR GENJI HANZO ANGST FICS (Hanzo killed Genji it’s complicated doomed siblings will always get me) AND HAVING TO COMB THROUGH THOSE ABOMINATIONS IN THE PROCESS.

Like please I’m relatively new to fandom culture but yall cannot be acting like this is weird for fans to do, it’s weirdo behavior but it is not unique to the HSR fandom or even Aventio. And even if understandably this makes you not like the ship, don’t paint the people who enjoy it as being the people who do this kinda sh1t. It’s not our fault peak gets tainted by miserable creatures ok, let normal ppl have their harmless fun and stop lumping people together into a monolith. 

?????

Well that’s it that’s all the “valid” reasons people have for hating Aventio, at least the ones I can remember. Everything else is just personal opinion and not at all an objective reason.

“They’re so sibling coded!”

Anyways again obviously you can still dislike it not everything is for everyone, I really just wanted to make this post to demonstrate why I and many others like it, and why the reasons people use to say it’s problematic are incorrect. Feel free to call it mid, block it whatever I don’t care, just don’t harass shippers for having some harmless fun, because the characters aren’t real but the people who like them are and in doing so you are really just being a jerk for no reason. If you somehow hate Aventio and read this the whole way through I congratulate you on your ability to actually listen to other people, and regardless of whether you changed your mind or not I respect you for doing so anyways. Thanks for reading and I would love to hear your thoughts. 

[iknowwhereyousnoozeatnight]

tennis

[pearlsdiamondsandvodka]

the sandra lynn / fig conversation is driving me Insane. fig saying that sometimes she doesn’t wanna exist as herself at all…not wanting to ask her friends how they see her (because she’s afraid to hear their response) saying that to someone she is a monster and she Cannot stop thinking about it. sandra lynn starting the conversation saying she needs to step up but is also simultaneously taken aback about what fig expresses and doesn’t know how to responds to it and suggests getting ice cream. sandra lynn saying “convincing people they deserve good things is really tough” talking about herself but how it also reflects fig. insane!!

[luxsea]

seriously the way they abruptly stopped showing us jinx's mental state in s2 despite it making zero sense for her symptoms to get better was a weird choice considering how rock bottom she gets. then she reunites w her family which is one of her biggest triggers and it's no biggie. s1 had me like wow as someone who experiences psychosis this is the first time i've seen the illness portrayed in a way that doesn't turn the character into a caricature and the animation actually helps the viewer understand and sympathize with the trauma shes suffering from. shes not just a quirky manic pixie dream girl trope but a fully fleshed out person who's a product of the ppl and environment around her. and then they take all that brilliant depth of her character away, making her more palatable to fans who now say "shes not insane anymore!" even tho that's not how it works. and then after a season of suicidal ideation, attempting multiple times, they have her fake her own death bc the message is that her loved ones are better off without her. cool character. i barely recognize her.

[arionaleilani]

[staracket]

🦌

[xia0ming56]

Been playin hades and i stumbled upon DR STRANGE??????

^^full body vers :

Did the hades artstyle trend but w dr strange :DDD

[beatcroc]

what kind of frivolity would you engage in, mecha?

<

---

[solaestial]

Heather - Conan Gray

[fujimousee]

@sanusoweek sanuso week day 4 : reality tv (...click 4 quality 😞)

[luck-of-the-drawings]

"And soda; runs off into the street..." "...and soda... is totally okay!"

[ideologyofone]

Alright time for me to start my nonsense

(Possible) reasons why Jinx has cut her hair in s2

She doesn’t want to be a symbol for Zaun and all the art people have made of her feature her braids prominently so she chops them off

She doesn’t know how to braid her hair, Silco did it for her

Someone ELSE cuts it off her Flynn Rider style, why idk

Someone grabs her by her hair and she cuts it to escape

She cuts it off to let Jinx go and put her in the past (like letting go of Powder) after Ekko tells her moving forward means leaving things behind

And the worst most HEINOUS possibility I will fight the arcane writers for, SOMETHING happens to the mini Jinx and she cuts it off so her hair looks more like hers (I really hate this theory)

[nyx-xp]

ok look no matter what, i think ill always be obsessed with dl-6. i know, its kinda overused at this point, but the whole thing is so amazing

like,, miles obviously didn’t know he was innocent, but gregory didnt either. when they channeled him he said it was the bailiff (forgot his name srry) even though there was no proof, because he wanted to protect his son. and the result of a child convinced he is guilty for the death of his dad, who even after death tried to find a way to reassure him he was innocent??? just- the concept of this relationship is fascinating, and honestly has so much potential.

and then you add von karma, and the fact he was not only the murderer of the father but the adopter of the son??? just makes everything gets better (worse)

dl-6 will forever live in my head and in my heart bcs the overwhelming guilt at least two of the three must have felt!! (depends on your headcannons about manfred ofc, maybe he was slightly guilty or smth) the psychological impact and the aftermath of it? amazing. maybe its not perfectly written, nothing is, but its fascinating and makes me want to dissect all three’s brains to see the effects this would have caused.

[gracebethartacc]

I woke up and was haunted by visions aka Mlp redesign/rewrite ideas yayyyy :3

[fumifooms]

Makima, devils and self-fulfillment

Dumping some Makima and CSM thoughts after a part 1 binge bc I think about her forever and ever. I’m sure I’m forgetting some devil lore, feel free to correct what i get wrong/what’s been confirmed. On the table of contents there’s why & how Makima got fixated on Chainsaw, her revealing liking for the country mouse and discussion of her nature & emotions & desires. Was the scorpion doomed to be a scorpion?

The most of this post was thought of during a conversation with @saccharineomens and I don’t think it makes sense to jump into the spiral it sent me on without first laying down the interesting groundwork theorizing she did:

"Thinking about how makima herself wants to be deified. I wonder whether she recognizes the difference between Love As Worship and the love that Aki, Power, and Denji had. She says she wants to help humanity by having Chainsawman eat the “bad” devils, but why does she want to help humans? Because she was ordered to by the Prime Minister? No, her drive seems much more personal than that, it seems like she teamed up with the PM for contractual reasons. (In the most recent chapters we see governmental members wanting certain devils to be eaten, too. What was Makima’s relationship with them? She’s too independent to just follow THEIR orders, she’s Control.)

So is she wanting to better humanity for the accolades, or out of the goodness of her heart? She sees the big picture. She sees any small sacrifice as worth it for the end result, and she’s ruthless. Perhaps she thinks that a more sedate human race would be easier to control? But Makima doesn’t loathe humanity. She never acts like she sees all humans as lesser. She loves humanity’s creations, like good food and movies. She just wants Good Things all the time

She says she prefers the country mouse BUT adds a story where she helps exterminate country mice like vermin. She likes the simplicity yet rejects the idea of being simple. Makima the complex individual you are"

~

The story itself seems to prefr the country mouse. Well- it strikes a balance, shows that a risk to live good & fully can be very worth it, but still that stability over ambition is preferable, proning having a simple happy life over fame, a simple job instead of a dangerous one, etc etc. And I do find Makima’s answer on this so so interesting, she prefers the country mouse, but this preference isn’t out of affection or sympathy but because of how relaxing it feels to exterminate them when they cause problems.

Order satisfies her. Her order satisfies her. She likes the action of rooting out disorder. Maybe this is the devil part, like how Power especially wants blood and drinking it, I feel there’s an itch to every devil, and for Makima it’s a very rigid world view/morality/standards & making things follow her rules and submit to her order.

And maybe this is why she’s attached to humans too, why she felt it was worth it to stick with the government- because devils are chaotic by nature (it’s a whole plot point that hell is essentially a free-for-all battleground for example), meanwhile humans are the species that universally rule Earth with systems they invented and instilled. They made then enforced rules, complex and intricate webs of them. She feels alienated amongst devils but she understands the humans’ need for an orderly organised society, and now she wants to be part of it. Control and conquest require social dynamics after all, requires civilizations or groups. War is chaotic while peace is, well, peaceful— Makima resents her sisters for being death, famine and war, things that throw the world in such chaos. She wants a world of perfect order, no matter how much collateral damage there will be if the end result is control.

This is even more interesting if you consider that yes, Makima is untouchable of her own design, she deifies herself with her omnipresent amount of control and the sway over others that she seeks and encourages— There is this urge to dehumanize her for it, that yes, she is the devil of control and that means she was never going to be any different, have any more feeling be any less uncanny. And I love part 2 so much for this, because it shows us the war devil and the famine devil and we see how frankly uncharismatic with poor self-discipline they are, Nayuta too, and it helps us realize just how much Makima’s success was self-made.

She admires Chainsaw Devil, the Hero of Hell, because he had his own code and his own rules and he made Hell, the chaos pit, submit to them unfailingly. Wherever he goes he decides what he does and what happens to the people he encounters but does so consistently, he has his mechanism and his rules that he always obeys, and he fulfills them every time. It’s still a mystery the why of Chainsaw Devil’s behavior back then and how it works exactly, maybe Pochita left hell because he was tired of these rules he lived by like chains, but still, he was a servant to his code. Makima would have been glad being killed and eaten by Chainsaw Devil because it’d have been becoming part of his design, his conquest, his domination, she’d have been part of that —his— order. Through her death she would be shaping his world and be part of a conqueror’s making history. Like how she appreciates the country mice that die for the sake of order. Like how sacrifices must be made to herself, like listing the name of every person whose life was lost to the Gun Devil— All for the ~greater good~, for her vision for the world. Conquest always thinks its reasons are justified.

And she does mention with the country mice thing that she goes out to a friend’s farm every year! She has a human friend?? That she visits yearly and she genuinely likes it?? Ultimately she lives a busy city life because of her goal and drive and her urge & satisfaction with overseeing shaping the world herself, but part of her, like so many characters including Angel and Aki and Reze, wishes she could live a slow peaceful country life. Moviegoing and dogs and mice in a farm- Wouldn’t it be so much simpler if Makima could find fulfillment and happiness in being a farmer, in keeping control of her own farm, getting satisfaction from exterminating vermin and expertly getting everything right, the right crops grown at the right time on the right soil? Here, too, in a way it’s trying to have full control of an ecosystem, but her goals would be easier to achieve and better, without ceaseless sacrifice or much pressure. But Makima wants grandiosity and her goal does matter to her on a fundamental and moral level, she does think she knows what’s best for the world, and with the power to change it why wouldn’t she strive to? Visiting the farm is just a break, just something she does in fall to help out and just in time to see the vermin extermination. It calms her, then it’s back to actual work.

In capitalism, even the one at the very top of the ladder is ultimately alienated from others and often unsatisfied by their lifestyle, always wanting more and more power because surely that’s the extra edge they must be missing to be content— like how Makima thinks she wants to dominate Chainsaw Devil instead of being his equal. And she says it herself too, she likes humans the way humans like dogs…….. And she keeps so many dogs :( Makima prefers the country mice because they’re calming to root out, maybe because she usually mainly deals with city mice. It’s very easy to equate humans to the mice in this allegory because it’s pretty direct and she’s already likened humans to lesser animals compared to her. She’s self-isolating by design for her design but she still craves relationships and contentment, and the dogs are the embodiment or her want for bonds and occasional simplicity because there is no possible ulterior motive, no way they tie back into her wider plan. They’re her personal life— something that feels so alien when speaking about Makima. Personality and individuality and likes and preferences and friends they visit every year. She likes how easily she can train a dog and how they become putty in her hands, at her beck and call, how much they love her and how much she enjoys their love. How simple and straightforward and easy it is. She keeps them because she likes being loved by them and loving them, and she’s gotten and raised so many. A conqueror always wants more and more and more, is never satisfied.

Devils and agency

Like Power the blood devil wanting blood and having a fixation on drinking it like with Denji’s, or how it was shocking that the violence devil was pretty tame and nice and how he himself theorized it was because he was a fiend and possessing a human body… There’s something to be said about nature vs nurture with the devils. The way they reincarnate and always embody their fear makes it seem categorically like nature, that they always always end up fulfilling the role they were named after and born to fill… Outside influence they’re helpless but to conform with. Like the humans accepting their spot in the social ladder and the shittiness of their living conditions and job under capitalism. Makima craved being equals with someone despite being the control/conquest devil, Angel Devil despite claiming to be a devil who likes to see humans dying was haunted by their deaths and wanted to avoid ones like Aki’s. The Ghost Devil being ironically haunted by Himeno, seemingly helping Aki in her memory out of… Lasting affection? Or maybe it was less about being haunted itself and more about it recognizing how Himeno haunted Aki, and acknowledging that, with the memento, paying her respect to the ghost of her. It’s Angel Devil’s devil nature that makes him like human suffering, so then is it his angel nature too to still care about their deaths? Is there truth to this or is that just personality, just our confirmation bias haunting every part of their identity like it might in their own view of themselves too? We do know different reincarnations of devils do have different personalities after all.

Yoru, war devil, is the most interesting one when talking about the nature vs nurture debate with devils. There is how through her we see the perhaps the most the consequences of a devil stopping being feared— we see a horseman for a concept as universal and horrifying as war be reduced to some bird who needs a contract with a human to have any power even just on the situation when meeting Asa. And through the story we get to know her better, and it becomes clear that her goal is fueled in good part by simply wanting to be remembered and respected through fear. Liked, validated, seen a powerful. But what is more isolating than war? Or control? We also see Nayuta accepting others’ house rules. If part 1 shows perhaps the futility of running away from the truth, with Denji’s memory, with escapist coping mechanisms, with passivity and denial under a corrupt system and with abusive relationships- running away from your own feelings and from the reality of things and from all that you are, more complex than simply human or devil or both or neither— part 2 builds upon the theme of cult of personalities, the chainsaw church, etc. The apocalypse is coming, but this celebrity superhero might save us all, or doom us all uh, dunno. The hero of hell reliving the cycle of pressure from responsibilities and expectations, maybe the part will end with Denji running away like Pochita did~

But yes, on the reverse, I think Famine is a very interesting example of how a devil’s namesake may be more innate than coerced by circumstances. One would think that a famine devil would only like inflicting famine upon others, not being famished itself, but Famine has a bottomless stomach that can never, ever be satisfied, sated. I struggle to find a psychological explanation for this, except that maybe instead of her being hungry it’s her feeling empty when she’s not eating, tasting and having that high sensory experience that releases serotonin in humans, sort of like drugs? But I do take this as a step towards the compulsion theory overall, feels like a reach in the consistency otherwise. And compulsion does not mean it’s something that they like nor that it’s something that they fight against, pretty neutral, just a nature that nudges you towards one path. Maybe it’s even just their go-to for entertainment. Maybe it’s the only thing that makes them feel right and whole. But still the debate remains, what is it, a compulsion or an urge or an itch or an active desire or a conscious chosen want? Does it change anything in practice?

And because of all of this earlier, devils being self-fulfilling prophecies with their role is not in unsignificant part nurture, because doing their atrocities is how they stay remembered— feared, powerful, known— hell and devils are a very isolating place and breed after all, and we do see devils can want companionship. Existentially, it’s their purpose and how they justify their place in the world, in the terrifyingly vast and unknowable cosmos.

We still know so little of what makes Chainsaw Devil so special, why his carnage is so self-controlled. Despite a chainsaw maybe being possibly one of the most "nature" thing you can be— a tool to cut things, a human tool that can be helpful for many things, something to be wielding by another at their judgement on what they decide, but mainly something to cut, a tool suited for carnage, to hurt and to destroy. A blade with a toothed chain, spinning around and around and around endlessly on the same road at the same pace. Such a…. Innately circular concept. And yet the Chainsaw Devil is his own, not driven by an urge or by chaos but his very own brand of order, his own unique assigned purpose, a "if you call i’ll come running to help" policy equalizing everyone. He chooses to withhold his destruction and interference otherwise, and then he chooses to be used. If it’s a choice, of course.

Maybe this is what inspired Makima so much, that Chainsaw Devil could decide what to make of himself despite expectations or innate role. Because even Hell he decided & managed to subjugate under his will and whim, with a precise vision and process. When Chainsaw Devil acts like Denji or is defeated, Makima clicks her tongue and loses her admiration and respect. Makima admired and liked Chainsaw Devil, but only as long as he matched her great image of him in her mind, as long as he followed he rules for what she thinks he should be like. She admired him for his unrivaled self-made success, but once he stepped out of that to truly embody self-fulfillment and agency, disappearing from hell to live on his own road at the beat of his own drum… Well. Surely that was a mistake she has to correct. However their second battle ends, the better conqueror will have prevailed and she’s happy about that, all in the spirit of domination and subjugation.

Imo Makima’s biggest tool, similarly capitalism’s most helpful effect for its own purposes, is complacency. Resignation and passivity helps uphold the system and go along the flow of the will of the people in power. Aki and Reze go along with orders even when knowing their job is trash, etc. In Angel Devil especially we see him go along with the flow uncaring about anyhing, and we discover it was in part due to Makima taking away memories that motivated him. If every devil decides this is just how things are and how things should be that’s what they’ll continue to be and do mindlessly, not pursuing a better life like Chainsaw Devil and Denj and not seeking to change the world like Makima. I think even Makima veils herself to a lot of things, she doesn’t like to think deeply about some things, like her desire for connection, or how making bad movies disappear is strenuous and unsustainable and requiring sacrifices at best— how her judgement is as subjective as anyone else. How liking the country mouse and her friend back at the farm and her dogs could be not devoid of sentimality. Wanting bad movies erased is her one biggest show of selfishness, of pettiness and individuality, it’s about her tastes, simple as. About how she can have tastes, and cry seeing a scene of people hug, and want things that aren’t logical, her ideology and mind twisted into a pretzel to avoid acknowledging that she doesn’t live and breathe purely for the mission she’s made a single-minded robot out of herself to accomplish. Nayuta is assertive and selfish and loud, Makima is manipulative and strategically both for her goals and for coping hollow.

Everything in her plans and goals she says is for the greater good, necessary evil, manufactured happiness the way she’ll have decided for people— and that’s the thing isn’t it, like with War, it’s the crack that shows it was all truly about herself after all. Her self-made deification still had the flaw that a self made it. Makima is not omniscient, and it’s not Chainsaw Devil the not-so-fellow-kindred-soul conqueror who gets the best of her, but a city mouse, a dog, someone she would have never thought to respect, Denji.