#i may be a little too insane about him

[ghostlylicious]

rowan gilder with the ghostlylicious hcs. look at my son

[seasicksilver]

good old times

[walkerrenee]

...

[sskk-manifesto]

ಥ‿ಥ

[shenzaibird-art]

Made an actual ref sheet of Verloren for ArtFight! Feels so good to put him in AF because actually I started obsessing over him exactly during AF last year, and I wanted to put him up right away SO MUCH, but since I still had too few things figured out about him, I decided to skip until this year. So here we go now! (Also wow! Something that actually resembles a proper ref of one of my characters? I don't think I've ever finished one of those before haha!)

[purplelea]

Related to my other post about Neku the other day.

This scene is what gives the best glimpse of what Neku was like before the Game. They just saw Rhyme getting erased, and Neku is hurt and lashes out on Shiki, opening about his feelings at the same time. We need to remember that at this moment, Neku is still amnesiac and doesn't truly remember anything about his past. Still, I believe he truly means those words since he never takes them back even after regaining his memories.

As I said in the other post, Neku doesn't hate people. What he hates is getting hurt because of others, and this is perfectly explained here: the word hurt itself is highlighted in his dialogue. But there's also something else, that we can find again in neo: it's this need of real, genuine human connection. Neku hates having friends because he thinks that the connection friends have is fake and based on lies. It tracks with what he says afterwards during his week with Joshua: you can't truly understand others, so any connection you will have with people won't be genuine and true.

At the beginning of the Game, Neku is selfish. There's no going around it: he pushes others away because they might hurt him, he tries to kill Shiki to save his own skin (remember Uzuki's words? "You're the star, kiddo. Just do things your way. [...] What are you waiting for? Do what comes naturally. Save yourself. Screw everybody else, right?"), he doesn't consider for a second that she needs him as much as he needs her to stay alive. Because of this selfishness, he doesn't believe that others can offer genuine kindness to others, that everytime someone does something nice to someone it's to get something from it—thus, the idea of people "pretending to agree with you" so you end up caring about them and getting hurt afterwards. It was all their big plan, right? And Neku doesn't want to walk into that.

So you'd think that because of that and his hatred towards liars, Neku would be mad at Shiki for lying about her appearance for almost the whole week, right? But our favourite emo boy simply tells her "Everyone has their off days, right?" when she apologises that they might fail the mission (and get erased) because of her. So what happened? What made him change that much? Well, the answer is simple enough: Shiki.

Shiki's kindness, her dream to make people happy with clothes, her insistence on the fact that "Not all lies are bad ones", her forgiveness and will go give others a second chance... Everything Shiki did, unknowingly, brought Neku to consider that maybe, just maybe, people weren't all that bad. Taking a peek into Shiki's world made Neku expand his own. She might have lied, but that was because she was scared and lost, just like him, and he sees himself in her—just two teenagers thrown into a game of life or death, holding on to their beliefs and trying to work together despite the hurt they're both carrying. I believe this is what makes Neku start to change—it's only the start, and his two other Partners will, too, help him to keep going towards that path of change.

It all comes up to that big lie in neo—that I already talked about here—the fact that he tells everyone that he doesn't know who sent him to Shinjuku. Neku, the blunt, brutally honest Neku Sakuraba, who hated lies because he firmly believed that nothing good could come of it, that they would only hurt people and especially people close to you like your friends, lying, openly, to the whole group of the Wicked Twisters—including Beat! Incredible. I just wanted to elaborate a little more on that, because that hatred ran deep, and despite everything, Neku managed to change that much.

[widevibratobitch]

i hate them with a passion

[orcelito]

Ykno the suckiest thing about being broken up with for someone else is that like. Well I'm doing generally fine, all things considered, but I Am kinda sad thinking about the things I've lost and all the casual affection that I can't have now.

But she's out there having all the affection she wants from her coworker, and it's just like. Damn this feels so skewed and SO unfair.

[mikesbasementbeets]

different together

[pepprs]

my mom isn’t letting my dad go back to his office bc him being out of the house stresses her out and makes her have a flare up and it’s like kind of insane. like i understand why the idea of him doing that would make her panicky and angry as someone who also struggles w separation anxiety and abandonment shit / has physical symptoms from that kind of stress (though not to the same degree ofc) but also he is a grown man. he should be allowed to go to his office and not have to shape his entire life around her needs. and she keeps guilt tripping him out of it and it’s impacting his quality of life a lot and the whole thing is kind of… hm

[bravewolfvesperia]

/ realized I forgot to put this in my bio and will add it later but

heads up that my Yuri is a combination of JP Yuri and dub Yuri, but primarily JP. there's a whole lot of nuance to Yuri that got left out of the dub (and seeing as he has waaay more content in JP due to the vast amount of crossovers/Tales crossovers/gachas he's in, it's a lot easier to keep Toriumi's take on him (and in depth understanding no less!) in mind). overall you get the same general person, but the dub left out a lot more his casual/playful side in vocal tone, preferring to go for the "edgy cool adult" concept despite, well, the JP version of him intentionally being quite opposite.

(on another note, context I use for Yuri involves nuances found in the drama CDs that are a condensed retelling of the game (before some original stuff) as well as his childhood novel which has voiced dialogue for his child and teen years. this post covers the game, but a lot of (especially internal) stuff for my muse may be heavily affected by his backstory too which is unfortunately completely absent in the actual game itself)

there's also a lot of back and forth between him and other characters that really lost their depth in the dub (ex. Yuri being much more gentle and soft with early game Karol when Karol was convinced nobody would believe him and that he was a failure, or his banter with Flynn being a lot more relaxed and significantly less annoyed with a better understanding of each other). I'll be retaining anything the dub yeeted out for whatever odd reason regarding his relationships.

(one particular grievance of mine is in the Flynn jailbreak scene, where Yuri is basically saying "you're just dying to abandon me" and Flynn starts off with "that's right" before basically saying the same thing - i.e. they both know it's not true and Flynn is going along with it because That's Them, to which Yuri responds with a solid and fully accepting "yeah" (no hesitation, no concern over it, as he prioritizes Flynn's life over his own).

another extremely strong grievance I have is the port scene - oops also with Flynn - where he's basically holding back tears asking for answers in desperation, which was extremely if not outright completely lost in the dub where he only sounds angry and not just utterly hurt. dub Yuri? I could believe he might kill Flynn if it came to that. JP Yuri? forget it, he would hold back at the last second and couldn't go through with it. that's genuinely the level of difference that was present between both audios.

that said, I love Troy Baker's performance itself - I just think he was unfortunately deeply incorrectly directed for several of his major scenes, and also unfortunately, some of those cases were involving some of his most important relationships)

if any of y'all play Vespy any time soon, I fully recommend giving it a shot with its original context at least once (if you're playing the DE version there's an option for JP audio)! even if you don't understand JP, at the very least the tone won't be lost on you! from what I've heard apparently there wasn't much communication between the directors on both sides, so a lot of Yuri got lost in the localization (and Karol's screaming is glorious in JP lbh).

tl;dr Yuri really is just a silly little guy and he's really not that cool or serious. he's a dork. he's a dummy. and he's easily embarrassed about it. get deep enough into his feelings for Flynn when they're not in a life or death situation and he'll completely cave in embarrassment.

[designernishiki]

for real my denial of nishiki being d**d is so strong that I genuinely would not fully believe or accept it unless there was a body to be seen. and im right for it

[chompe-diem]

You seem similarly insane about Brian Murphy as I am and I love you I pay for a dropout subscription 70% because he's on it sometimes he makes my brain go crazy I'm not parasocial about this (but I am so close)

hiiiiiii hiiiii hello yes i'm super duper normal about brian murph murphy (lying hard!!) ur so valid anon, there's a lot of Great content on dropout but how much of it do i use to just rewatch the murph adventuring academy and the first 10 min of "it happened" adv party where they talk about murph murphing all over the dice? honest answer is: Too Much.

😔 it's embarrassing how long i've been stanning white boys but in my defence, uuhhhhhhhhh. look i just love someone who is just A Guy and then also knows a lot about stuff and also likes doing a lot of work. exactly my type. it's probably the gender envy idk

anyways yes i think murph is v cool and neat and i try to be a Normal Amount of Parasocial abt him but also he's just neat i think !!!!! he's an awesome dm and when he talks about dm-ing and d&d stuff i think he can say some pretty helpful things, even when the gang's bein silly! and he writes cool campaigns and plots and encounters and makes characters that aren't afraid to be sillysad or cringefail pathetic etc. and yes i like it when he's knowledgeable about mechanics and stuffffffff so anyways the conclusion is bRING MURPH BACK ONTO ADVENTURING ACADEMY- *gunshot*

no but pls just let him talk about stuff i just wanna hear him talk abt stuff just let him back on adventuring academy so i can have an hour of him (and brennan ig) talkin about his d&d dm stuff pls

[fettery-fetterie]

Hlev but he realizes the way to break out of the script is by merely taking it as a guideline rather than the absolute truth

[leyiorr]

i can't stop looking at her t-t-t-t, FACE!

mdni.

satoru gojo is doomed.

why is he doomed, you ask? well, put bluntly, you, his girlfriend of five months, are driving him absolutely crazy.

crazy is an understatement, actually. insane, mad, mental, unhinged, deranged, bonkers - whatever you want to call it. he's holding on by a thread; the thinly woven string known as sanity growing ever weaker as the days roll by and turn into weeks.

of course, he's only blaming you. you hadn't actually done anything wrong.

you're the first relationship satoru's had in his life, and he'd be damned if some inappropriate thoughts ruin his chances with the love of his life. he'd never been happier - dating you gave him the kind of happiness he thought only existed in movies; the kind of giddiness of a child in a candy store.

he was devoted to you in every way, shape and form - you are everything he's dreamed of and more.

more.

that's right, you were more.

recently, you were the devil's temptation personified.

surprisingly, even after twenty-odd years of being one of the most attractive guys around, and having women throw themselves at him like he's some kind of greek deity, satoru is a virgin. i'll repeat that, he is a virgin. a fact that only suguru knows. a fact that he's neglected to tell his girlfriend.

he may have a flirtatious personality and the ability to charm ninety percent of the human race with one of his thousand-kilowatt smiles, but in truth, he had never dated anyone. ever. let alone got his dick in a pussy.

so when he starts wanting to go further, he's not sure how to bring it up without sounding like a horndog.

it all started when you wore a sleek black dress to one of your dates. it clung to your figure, fabric wrapping shamelessly around your every curve and tickling your midthigh at its end. and if that wasn't bad enough, it had a plunging neckline, giving the world - satoru specifically - an eyeful of the assets god gifted you with. your boobs were practically spilling out of your dress, the light catching your cleavage as you held his arm. he could feel himself salivating like some sort of perv. how was he supposed to focus with aphrodite's personal creation hanging off his arm?

his eyes began to drift to the flesh of your chest more than he'd like to admit. all sorts of r-rated scenarios ran through his head and he dared to entertain every. single. one. he could do so much with them, tease them, spit on them, pinch them, suck on them, put his dick between them-

“satoru?”

his gaze snaps back to your face at record speed. you notice how he's chewing his bottom lip, flush creeping onto his cheekbones and the tips of his ears. his hands are clammy; there's suddenly too little oxygen in his room.

“did you listen to anything i said?” your arms fold beneath your bosom and satoru almost implodes.

what do you expect him to do? the necklace around your neck has his initial on it, and it hovers over your tits almost mockingly. if it snapped, the letter would fall right between the valley of your breasts-

“satoru!”

he's choking on his saliva, apologizing profusely as he encourages you to continue your story - though he hasn't heard shit over the blood pumping loudly in his ears.

it's a battle no, a war between his rationality and his desires and he doesn't know which is winning. his rationality wins when he's around you - he just sucks in a breath and thugs it out, no matter how much his dick shouts at him. but in private, he's letting the desires win as his fists himself to the thought of you, your lips, your ass; your boobs.

the first time he sees you in a bikini he has to take a breather before he can get into a game of beach volleyball with you and the group.

(and even then he was struggling. every time you jumped for the ball the only thing he was looking at was your tits.)

he should be neutered. effective immediately.

it drags out for so long that you finally notice, and force him to talk to you about why he's avoiding you, and if you'd done anything wrong. but all you get is:

“baby, i'm so sorry- you're so pretty and i can't help myself. i didn't know how to bring up that i wanted to take our relationship to the next step, you mean the world to me and i'd hate to make you uncomfortable-” he trips and stumbles over his words-

“...is that it?”

and his eyes bug out of his head as he stares at you. weeks, months of agony over this and all you have to say is 'is that it'?

he doesn't even have chance to respond; to process your words before you're popping the top button of your blouse.

yeah, satoru gojo is doomed.

[luveline]

𝐝𝐨𝐧’𝐭 𝐭𝐡𝐢𝐧𝐤 𝐈 𝐝𝐨𝐧’𝐭 𝐥𝐢𝐤𝐞 𝐲𝐨𝐮 | 𝐬𝐩𝐞𝐧𝐜𝐞𝐫 𝐫𝐞𝐢𝐝

Spencer calls you drunk and in need of rescue. You confess a few secrets to him while he won’t remember them (or so you think). 3k, fem

cw drunk!spencer, mentioned past drug use, confident/bombshell!reader, flirting, spencer getting some well deserved comfort, a handful of his drunken compliments, insecurity, intense mutual pining

˚ʚ♡ɞ˚

You’re blissfully sleeping in the arms of a REM cycle when your phone rings. It pulls you by the chest, a punch of shock and expectancy at once. It’ll be someone calling you into work, Hotch himself if you’re lucky. 

You search blindly for your phone. If you’re even luckier, it’ll be a wrong number. Your fingers curl around the little body of your phone and you bring it to your ear without checking the number, frazzled. “Hello?” you ask hoarsely. 

Total quiet. 

“Hello?” You pull the screen away. The caller reads: SPENCER. You pull it back rather than hang up. “Hey, Spencer. Are you there?” 

“Hello.” He laughs. “Hello, are you there?” 

“I’m here, Spencer, where are you?” 

“That’s an interesting question, actually, and I’m sure there’s a great answer, but…” 

“But what?” You sit up quickly, your throat aching with sleep. Your room is black as coal pitch. “Spencer, what time is it, my love?” 

“You shouldn’t call me stuff like that.” 

“Stop being weird and tell me where you are.” 

He laughs like a hyena. You can see it in your mind, his smile and all his pearly perfect teeth. You love it when he smiles like that and he rarely ever does. “I’m somewhere and I need your help getting home!” he says with another funny laugh. 

“Are you alright? You sound…” He sounds inebriated. 

Spencer struggled with his drug problem for so long before you found out. You just hadn’t been around enough, and when you were he’d gotten good at hiding it. You can still remember how furious you’d been with everyone, including him, because you could’ve helped, would’ve done anything to support him through it. If he’s hurting now and hasn’t told you, you love him, but you’ll be insanely angry. 

“Spencer?” you ask quietly. 

“I went for drinks with a girl but she didn’t like me and I may have drowned my sorrows too much,” he admits. “Um. Did you know gin is very strong?” 

“Aw, baby. You’re cheating on me?” 

“I’m afraid so,” he says, and hiccups. 

“Where are you?” 

After some hassle wherein you persuade Spencer to give the phone to someone else in the bar for a slightly less drunk interrogation, you dress and gather your bearings for the drive. You zip a hoodie up over your pyjamas, stuff your feet into some old converse, and set out into the dark to find him. 

He calls you again as you’re parking. “Hello,” he says as soon as you answered. “I need you to come and get me.” 

Spencer called you twice to save him. Even if he doesn’t remember, he’s called you to come and get him when he knows he needs help, and that realisation is hard to ignore. “Spencer, I’m two minutes away, I’m parking. You’re still where you were?” 

“Where was I?” 

“At the bar, sweetheart. Are you still there?” It’s scarily dark out and you didn’t grab any sort of defensive measure before you came, which you regret now, climbing out of your car to walk the dimly lit road. The bar glows like a beacon to be followed. 

“Still where?” 

“Did you hit your head?” 

“Not to my knowledge. Though I’m not sure I have much right now. I feel like I’m forgetting everything I’ve ever read, and I’ve read a lot. You know I can read about eighty average length novels in one hour on an e-reader? The buttons make it faster.” 

“You haven’t told me that before.” You shiver against the nighttime winds, footsteps heavy on the grey sidewalk. 

“I’m trying to be more conversational. Emily says it’s not working.” 

“You’re conversational. Isn’t the only condition of being conversational to prompt a conversation? We’re always talking.” 

“…What?” 

You laugh like crazy. “Spencer, you don’t need to change the way you talk.” 

“I annoy people.” 

“You don’t annoy me.” 

You approach the door of the bar, a ramshackle sheet of plywood over what looks to be a glass door. The bar building seems in similar dessaray, with modern features wrecked by scratches and smashed panes. It’s a real dive. Spencer couldn’t have meant to come here. 

You war with both hands to open the door and find yourself faced with a long and empty corridor leading to another door. Worried you’re going to get kidnapped, you bring the phone back to your ear, Spencer’s chatting an immediate greeting. “…telling me I’m doing something wrong without telling me what it is, it’s impossible.”

“I’m sorry, sweetheart, can you come to the door?” 

“I don’t think I have control of my legs,” he says without inflection. 

“It’s definitely the building with the smashed door?” 

“Yesssss. Are you here?” he asks excitedly. 

“I better not get murdered, Spencer Reid.” 

“Am I in trouble?” 

“How are you even keeping the phone to your ear right now?” 

“I’m on speaker phone. Milly showed me how to do it. Say hi, Milly.” 

“Hi Milly,” a new voice says. 

You rub your eyes with one hand and square your shoulders, prepared to defend yourself if the creepy door leads to a creepier room. 

Spencer is immediately visible from the get go. You open the door on to a rather cosy looking bar, which you’re thinking might be the whole point; wretched exterior, secret attraction. Warm orange light ebbs into the space from sconces and a faux fireplace, while a wrestling match playing from the small TV behind the bar casts brighter light down onto Spencer’s shoulders. He looks out of place, dressed in a white oxford shirt and a suit jacket, his tie loosened and hanging from either side of his neck, compared to the lingering patrons who sit dotted around the room in booths and on barstools. One such patron sits in a plaid shirt and a trucker hat, her hair to her back, thick and dark. 

You hang up the call and put your phone in your pocket. Spencer gasps like he’s been smacked and picks his own phone up from the bar, clicking at buttons with clumsy fingers. “No,” he hums sadly. 

“Spencer,” you say, not wanting to disturb the people spending their sorry-looking night here. “Spencer. Hey, Spence!” 

His phone tips between his fingers. The woman you assume to be Milly catches it and offers it back without looking too far from her beer. 

“Hey,” you say gently, crossing a wide empty space to meet him. The room itself is shaped like a horseshoe, the bar taking up a surprising amount in the centre, and booths and tables placed around it. Spencer’s off of his barstool as you approach, eyes like puppy dog’s, arms extended. “You okay?” you ask. 

You can feel eyes on you both from every angle, but it doesn’t matter, not when Spencer’s falling into your arms (or on to them —he’s surprisingly tall when you aren’t wearing heels). “You alright?” you ask again. 

“You don’t have to be worried, I’m fine.” 

He’s less coordinated in real life than he’d sounded over the phone, his slurring unmissable, his hands like jumping fish as he tries to hug you. It’s weird and straining to take his weight but you do it without complaint. He smells the same, at least, only his cedary cologne is sharpened by the tang of gin on his breath. 

“Thank god you’re here,” he whispers. 

“Why?” you ask, pulling away to check for danger. 

“I missed you.” 

“I missed you too, handsome,” you say, genuine but laying it on thick simultaneously as you ease his head back to cup his cheek. You can’t help yourself. He’s the prettiest man you’ve ever met, and it gets worse every year. 

He frowns at you deeply. “I don’t like first dates.” 

“Then don’t go on them,” you suggest, “you don’t need to until you’re ready.” 

“I’m ready for love,” he says. You pull your lips into a flattened line, unsure of what to say, how to explain that it’s waiting for him, but his chin dips towards his neck and his eyes lock onto your face. “You’re not wearing makeup. God, you’re so pretty.” 

You flinch away from him. “Fuck, Spencer.”

“I’m sorry! It’s not that you don’t look pretty with makeup, but I never see you without it!” 

You’d forgotten you weren’t wearing any. Makeup isn’t a shield, exactly, but you like putting your best foot forward, so to speak. You’ve no clue what you look like tonight, hadn’t managed to look in the mirror, you’d been focused on getting to Spencer before he got lost. You can imagine the puffiness.

Spencer touches your cheek. You let him turn you mostly because he’s surprised you, his eyes roving up and down your face with a fawning curiosity. 

“You’re beautiful. You know that already, but people don’t tell you enough,” he says, his hand falling from your cheek. 

“Spencer,” you say softly, “let’s get you home.” 

You thank Milly for her help and grab Spencer’s bag from the floor to hang on your shoulder. You’d make a joke about how heavy it was if you didn’t think he’d take it from you, and, considering how drunk he is, topple over from the imbalance it provides. His shirt is clammy where you push your hand through his arm to link them, his footsteps wobbly. 

“I didn’t want to go on a date,” he says. 

“Then why did you go?” you ask, helping him over the door jam into the long hallway. 

“I don’t want to be alone forever.” 

“Spencer, you won’t be.” It doesn’t feel like the best time to bring up how much you like him. You’re sure he thinks you’re kidding, doesn’t everybody? Don’t torture him, they say. Don’t toy with him. Every time you flirt with him the team acts like you can’t mean it, and for a while it worked for you; you weren’t in love with Spencer. You weren’t playing with his feelings, but you didn’t love him, and then you joined the team and got to know him, watched him fluster at every comment you made or under any soft looking and realised you could love him. It was easy to fall for him. You liked doing it. But now he’s determined to write your affection off as a joke and going on dates? 

In the morning, when he’s sober, you’ll have to tell him how you feel. Or you could let him find someone more like him… ugh. It’s such a mess. 

You grapple with the size of your feelings for him as he hums and laughs his way down the hall to the glass door. On the street, he squints and straightens his back, fighting to regain his arm from your hold to cover your shoulder instead. “It’s cold,” he says in surprise. “You okay?” 

“I’m fine, I got my jacket. It’s a short walk, come on.”

His arm stops acting as protection and starts to use you for support. “I didn’t mean to drink so much.” 

“Drowning your sorrows is always a terrible idea because it tends to work,” you lament, less scared of the dark with him at your hip, though what protection he might offer is negated by the alcohol. 

“She kind of looked like you.” 

You squeeze your eyes together quickly. “Oh.” 

“I didn’t know she was going to. But she didn’t– she didn’t– it’s hard to talk. She didn’t listen like you do,” he says, lightly slurring, “she just stared at me like everyone used to in high school. Like she could tell there’s something wrong with me.” 

“Spencer, there’s nothing wrong with you.”

“I know,” he says. 

“Do you?” 

“Yes.” He frowns. “No, I don’t know. I don’t feel like there’s something wrong with me,” —his voice turns to a nearly indistinguishable mumble— “but everyone else always does.” 

“I don’t think there’s anything wrong with you.” 

“Is that why you make all your jokes?” 

“What jokes, babe?” 

“Like that! Like babe. It’s funny ‘cos you’d never date me.” 

You’d slow if he weren’t already walking at a snail's pace. “That’s not true. Let’s talk about it in the morning, okay?” 

“I won’t remember to ask you in the morning.” 

“Spencer, you remember everything.” 

He drags his feet. “I wish I wasn’t so weird,” he whines. It’s playful at the forefront but desperate otherwise, and it gives you pause. “I wish I was normal, and you could like me normal.” 

You look down at your hands, panicking, a flash of Is this a good idea? like an alarm in your head as you turn on the sidewalk to face him. He’s looking at you like he’s begging you to disagree with him. 

You’re happy to. 

“Spencer, I like you like this,” you insist loudly. His eyes and all his sweet lashes track the movement of your hand as you touch your chest, and your neck. “You’re not normal, I’m not normal. Do you know how many times I’ve been rejected? Just for being me? I’m too bossy, too outspoken, too– too high maintenance. I've had friends with good intentions tell me I need to lower my standards, need to relax, because otherwise I’m going to end up alone for the rest of my life. I feel alone all the time.”

“But you’re perfect,” he says, puzzled. 

“To you. And you’re perfect to me.” Your hand crawls to the base of your throat. “So don’t say you’re weird like it’s ugly, honey. And don’t think I don’t like you, ‘cos I do. You think I’d come and get anybody else in the middle of the night dressed like this?” you ask him, gesturing to your ratty pyjamas and your dingy converse. 

“You look so cute,” he says mournfully. 

You roll your eyes. He’s too wasted for this conversation. “Come on, sweetheart. You can think about this too much in the morning. Let’s just get home in one piece.” Physically and emotionally. 

“Can I come home with you?” he asks. 

That had always been the plan. “Ask me nicely and I’ll consider it on the way.” 

— — 

Spencer shuts his eyes, hands itching to clap over his ears as you scratch the head of a spatula across your frying pan. “Is three eggs too many? People usually have two but that’s never enough for me.” 

“I think…” Oh my god the metal screeching is so loud. “You should have as many as you want. You know your body. There’s this study on intuitive eating…” I'm too hungover for this. “Three eggs is better than two.” 

“So you want three?” 

He cannot eat right now. “Yes. Please.” 

Spencer’s half sick with dehydration and half grief. He stayed at your house last night and he was too drunk to be nosy. He slept in your bed. He slept in your bed. He woke up to you at your vanity doing your hair, the nutty smell of hair oil mixed with the heat of the hair tool on high and realised with a start that he’d missed something he thought about all the time. 

You’d tipped your head back to smile at him. “There’s my boy. Sweet dreams?” 

He didn’t dream, but if he had, it would’ve been another agonising wish where you were his girlfriend, or his wife, or just there looking at him with love. He wakes up feeling sick because it isn’t true. And now you’re making him breakfast, humming a tune under your breath, sourdough sizzling under the grill and a shoddily blended avocado sitting in the bowl in front of him. 

You asked him for one thing. He picks up the fork and starts to mash the avocado again. He can’t fight the foreignness of sitting in your kitchen, a gap in his memory. 

He knows he told you about his date, how she looked like you, how she didn’t seem to like him much, but he’s struggling to collect the finer details. Why had you picked him up? He must’ve called you, but you could’ve said no. He remembers thinking you looked beautiful, but he always thinks that. 

The avocado is making him feel sick. 

“Here,” you say, sliding a plate of toast in front of him. “Do you want butter?” 

“I think I'm gonna throw up.” 

“You’re okay.”

“I can’t believe how I acted,” he says, pressing his palms to the hollows of his eyes. 

You turn off the hob. Fat bubbles and pops until it’s cooled. The clock on the wall by the refrigerator ticks incessantly. His slept-in shirt feels too tight despite the undone button. 

“Hey…” You round the island but don’t touch him, your voice gentle. “You didn’t do anything wrong.” 

He drags his hands down his face. “I can barely remember what I said.” 

“You were really nice to me… told me I looked pretty without my makeup, n’ that I was perfect. You were really nice.” 

Your tone is off. No flirtatiousness, no endless confidence, you sound wistful, like you’re glad he said it. You take the bowl of avocado he’s made a mess with and put it aside with the toast, resting your arm on the counter, and leaning into his space. “Spencer, last night? You didn’t do anything to be embarrassed of. You were nice, and kind. You tried to open the car door for me and you almost lost your eye, but you were fine. You don’t have anything to be worried about, really.”

“But it’s you.” 

“Gonna touch your hair,” you say, giving him enough time to move away as you reach out and rake back his fringe. His heart leaps into his mouth. “You said something last night like that, you know? Do you remember that? You said if you were normal.” You grace the skin beside his eye with the tip of your thumb, your perfume floating his way as you move. “And I said–”

“I’m not normal,” he says, remembering now. 

You’re not normal, I’m not normal, you’d said.

But you’re perfect, he’d said. 

To you. And you’re perfect to me.

“Right. We’re not normal, Spencer Reid, so forget that girl. She didn’t deserve you anyways,” you say. 

You draw a short, silken line down his cheek with the side of your pinky. To be touched so lightly has his stomach in knots —he’s not shocked by the swiftness with which your affection can make a bad situation good again. 

You turn away. “Now we should eat before everything goes cold.” 

He watches your shoulders move, and he remembers one last detail. So don’t say you’re weird like it’s ugly, honey. And don’t think I don’t like you, ‘cos I do. 

The way you’d said it… you couldn’t really mean…

“How’s your appetite? Still feeling sick?” you ask. 

Spencer smiles to himself, the ghost of your touch glowing warm on his cheek. “I’m feeling a lot better, actually.” 

˚ʚ♡ɞ˚

thank you for reading!!! please like/reblog or comment if you enjoyed, i appreciate anything and it always inspires me to write more<3!! my requests are pretty much always open for bombshell!reader (even though this one strays a bit from their usual story haha) so if you wanna see more let me know❤️