#how could i not make that connection

[infintyonhigh]

LEVII'S JEANS - Beyoncé // Sugar, We’re Goin’ Down - Fall Out Boy

[mobius-m-mobius]

#the Nowhere Man who waits and the God of Stories who watches

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[rapidhighway]

new anatomy

[churchyaoi]

been thinking about these two a lot lately

[teacupsandcyanide]

Something I miss from earlier eras of the creative side of the internet was things just being unabashedly low-budget. Just all unashamedly amateur, unprofessional, ‘I don’t own a good camera but I have a story to tell you’, ‘I can’t afford a good mic but I have a song to sing for you,’ ‘I don’t have any kind of background in editing or lighting and I only just picked up this guitar last Tuesday but here’s an entire musical me and my friends wrote about our favourite book, we filmed it on a potato and put it up on YouTube in ten minute segments because we thought it was pretty funny.’

[porque-nolos-dos]

eddie diaz is truly a better person than i could ever be, because if my parents parentified me when i was a child and i was expected to step up and be the "man of the house" at age 10 or whatever that bs was, and then when i had my ACTUAL child whom i am ACTUALLY responsible for and am raising (something that i WANT to do and LOVE doing because hey, i LOVE my kid), and my parents where then like "you have no idea what you're doing. we should raise your kid. how could you think that you could ever do this" el paso simply would no longer exist. it would be burned off the map from the rage of it all. it would be fucking nuclear. if season 8b isn't just eddie eviscerating his parents for 10 episodes straight, then what's the point of it all? just to suffer??

anyways. good night to everyone except to ramon and helena diaz. you two are always welcome to go fuck yourself.

[mollysunder]

I know Heimerdinger's Christian Linke's favorite character, and I sort of tolerated it in s1, but now it feels like things are a little too indulgent. Heimerdinger gets to team up with Ekko to launder his reputation through Ekko and the Firelights. Heimerdinger gets the first narrative game and second character teaser in the promotional cycl. Heimerdinger gets to SING A SONG that's included on the s2 Arcane soundtrack (Spin the Wheel).

Maybe I'd be less annoyed if the show at least did more to acknowledge Heimerdinger's failings as a leader, but his character description can't even do that. This is how the official Arcane website describes Heimerdinger:

"Heimerdinger warned the Piltover Council about the dangers of using magic without tangible solutions for safeguarding its use. Learning from his mistakes with Jayce, Heimerdinger inspires Ekko to keep looking for a solution and works with him to solve the problem, instead of just offering advice."

That's not Heimerdinger's main problem! The problem is the fact he's the person most singularly responsible for the state of Zaun and Piltover. It feels like the show and the cast are just dancing around the fact that Heimerdinger technically has the highest body count in the show (Day of Ash, pollution, extreme poverty, etc). The one time someone puts him to task (Jayce), the show makes it seem like Jayce is wrong or overstepped, and yeah he did do it for Viktor's sake, but Jayce was right! Heimerdinger's bad at his job, he shouldn't be in a leadership position if he's a bad leader.

[fatedroses]

And some days, I just wish you wouldn't look at me at all.

[ricky-mortis]

Curtwen Week Day 6: Happy Ending

[claitea]

i've had these scenarios written down since volo's debut in pokemon masters and i just really wanted to scribble them down and finally release them

[wishchip106]

going absolutely insane about this

he has so much adoration in his eyes THAT MAN IS IN LOVE

the writers completely failed when it came to writing his ACTUAL love interest

bro wants to get married and have babies and grandbabies with Erik Lehnsherr

he’s already planned ahead 😨🤯

thank you James Mcavoy for giving us head over heels in love Charles Xavier😌🙏

[mobius-m-mobius]

The difficulty is to convince someone else he is really part of you.

DANIEL CRAIG and DREW STARKEY in QUEER (2024), dir. Luca Guadagnino

[raticalshoez]

i'm having hyperfixation drought so i did what i did best and created a crossover episode

[sorbeau]

oh my god adaine has blue hair and pronouns now

[cb-writes-stuff]

“You can’t enjoy being neurodivergent/disabled/having X disorder if it makes you suffer so much! How dare you be making jokes about it!!!” Well you see, your bad days only suck a little bit so you don’t appreciate the good days very much. My bad days suck so much worse, so I only appreciate the good days that much more to compensate.