#hope that was the tag

[pocketramblr]

More into the lu au plox? (Just discovered it yesterday)

Into the lu au

Sure have some deets:

Link and Aryll have recently moved halfway across the world with their grandmother to join their uncle in New York as their grandmother is too old to work on her own while caring for children. Their uncle works at Coney Island and Link helps out, though sometimes he just wanders around after hours. He was in a restricted area when he got bit by a spider and you know. Got spidered.

He goes back the next night, trying to figure out what happened when oh no there's explosions because Ganondorf is trying to pull apart reality. Spiderman, aka adult timeline Time, shows up and after meeting and mentoring Link (who is Wind) for a very short time uh he dies. And the device ends up drawing in other versions of him from other universes

Ghost Spider and Wolf Spider, aka child timeline Time and Twilight, come through from their own universe. Ghost is unnerved by the fact that he's dead in this universe and Wolf probably won't exist, but they have their own life to get back to, so he keeps moving. (Wolf actually will be, Malon is unaware she's pregnant at her husband's funeral. This version of Wolf will be mentored by Wind in about ten years when his powers kick in.)

Sorcerer Spider, aka Hyrule, is a gerudo sorcerer who uses an illusion to look like his universe's Spiderman, aka downfall Time, who died saving him among others- so he gets Wind in a way some of the others don't. Four is four thousand spiders in a trench coat who are really good at teamwork. Legend is a cartoon bunny. Sky has a glider he prefers to swinging, Wild is from an apocalypse. Warriors is the only Spiderman who didn't get dragged into the portal on accident. He's from a highly advanced universe that monitors time and multiverse travel, and got the alert that there was a breakthrough. (Sorta spider society, sorta tva, sorta it's own thing). When Ghost refuses to let Wind help, because he's a child, and insists on making the heroic sacrifice to close the portal behind the others, Warriors refuses to let him because it's literally his job- and he lets Wind come along to distract Ghost so he can make sure he gets home safe. This slightly backfires when Wind also tricks Warriors into getting to safety before closing it himself. All's well that ends well, though, so.

(when Ghost took off his mask and Wind realized how similar he looked to his Spiderman he freaked out. Legend deflected by asking about his facial tattoos, which he revealed he got to cover up the scars a symbiote left on him (FD). Wolf has already been lectured to great length about the dangers of symbiotes, but the others get a cliff notes version. However, in a decade, Wind will forget to pass this on to his version of younger Wolf, who will end up involved with and then staying with a symbiote named Midna. (I know I said the Midna in grown wolfs universe is a hacker and she can still be. She's just an alien symbiote in wind's universe.)

There are other spider people, and though they don't show up in this story, Warriors knows some of them from his work. This includes a spider Linkle, a spider Aryll, a spider Sheik, a spider Zelda, a spider First, a spider Ravio, and a spider Ganondorf

[robyn-i-guess]

liking someone platonically is so embarrassing like. yeah i admire you. yeah i think about you all the time. yeah i look forward to every time i see you even if it's only for a minute. yeah it's all platonic and yeah i couldn't explain this because it'd sound romantic. fucking hell

[guiiay]

jinx and isha visit a walmart

[kiryuing]

[the-autism-album]

[poorly-drawn-mdzs]

License to Kitty.

[oatmealspet]

Over 800 TAG members marched on Netflix & delivered a petition demanding the AMPTP keep #animation jobs #union, agree to AI protections & more. Show the AMPTP that you #standwithanimation. Sign your name next to the people that make the shows you love.

[marcilled]

im fucking losing it

[youthofpandas]

What’s up with how the dunmeshi fandom just lies about this kind of stuff all the time. It is easily confirmable information that it was a monthly series, something incredibly common in the industry.

A not weekly magazine schedule is literally common !! Especially in the seinen shoujo and josei demographics, sometimes monthly, sometimes biweekly, sometimes every two months, sometimes seasonal! Please stop lying about how Dunmeshi was some special unique creation that defies all standards of manga just to hype it up because it is so clear that every single one of these comparisons is centered around Weekly Shonen Jump (and understand that SJ has many magazines under its brand that are monthly or semimonthly). Not everything is WSJ and it needs to stop being the only point of reference in conversations like this 🤧

[loveletterworm]

It is done (enough)!

I would hype it up more but this is really really simple. It randomly generates a set of symbols, colors, and a word, and then the expected thing to do with those is you draw some sort of character based off the result you get. So it's just an art challenge toy thingy.

There are also some practical features like you can lock parts of the result in place to rerandomize the rest, or hide parts of the generation you don't care about (like if you want to pick your own colors or hate the words being there)

You can try it out over on itch.io!

It should run in browser, but there's also a downloadable version for Windows if you want to use it offline. (No mac/linux versions for now, because I don't have appropriate computers to test those on and I...don't want to deal with mac's developer accounts or whatever their problem is...)

Here's something I made from one of the results I got for the sake of example:

(It's a bit of a rushed drawing sorry I just wanted to get the actual generator out there)

I hope everyone has fun with it :]

[shadesofmauve]

I want to step away from the art-vs-artist side of the Gaiman issue for a bit, and talk about, well, the rest of it. Because those emotions you're feeling would be the same without the art; the art just adds another layer.

Source: I worked with a guy who turned out to be heavily involved in an international, multi-state sex-slavery/trafficking ring.

He was really nice.

Yeah.

It hits like a dumptruck of shit. You don't feel stable in your world anymore. How could someone you interacted with, liked, also be a truly horrible person? How could your judgement be that bad? How can real people, not stylized cartoon bogeymen, be actually doing this shit?

You have to sit with the fact that you couldn't, or probably couldn't, have known. You should have no guilt as part of this horror — but guilt is almost certainly part of that mess you're feeling, because our brains do this associative thing, and somehow "I liked [the version of] the guy [that I knew]", or his creations, becomes "I made a horrible mistake and should feel guilty."

You didn't, loves, you didn't.

We're human, and we can only go by the information we have. And the information we have is only the smallest glimpse into someone else's life.

I didn't work closely with the guy I knew at work, but we chatted. He wasn't just nice; he was one of the only people outside my tiny department who seemed genuinely nice in a workplace that was rapidly becoming incredibly toxic. He loaned me a bike trainer. Occasionally he'd see me at the bus stop and give me a lift home.

Yup. I was a young woman in my twenties and rode in this guy's car. More than once.

When I tell this story that part usually makes people gasp. "You must feel so scared about what could have happened to you!" "You're so lucky nothing happened!"

No, that's not how it worked. I was never in danger. This guy targeted Korean women with little-to-no English who were coerced and powerless. A white, fluent, US citizen coworker wasn't a potential victim. I got to be a person, not prey.

Y'know that little warning bell that goes off, when you're around someone who might be a danger to you? That animal sense that says "Something is off here, watch out"?

Yeah, that doesn't ping if the preferred prey isn't around.

That's what rattled me the most about this. I liked to think of myself as willing to stand up for people with less power than me. I worked with Japanese exchange students in college and put myself bodily between them and creeps, and I sure as hell got that little alarm when some asian-schoolgirl fetishist schmoozed on them. But we were all there.

I had to learn that the alarm won't go off when the hunter isn't hunting. That it's not the solid indicator I might've thought it was. That sometimes this is what the privilege of not being prey does; it completely masks your ability to detect the horrors that are going on.

A lot of people point out that 'people like that' have amazing charisma and ability to lie and manipulate, and that's true. Anyone who's gotten away with this shit for decades is going to be way smoother than the pathetic little hangers-on I dealt with in university. But it's not just that. I seriously, deeply believe that he saw me as a person, and he did not extend personhood to his victims. We didn't have a fake coworker relationship. We had a real one. And just like I don't know the ins-and-outs of most of my coworkers lives, I had no idea that what he did on his down time was perpetrate horrors.

I know this is getting off the topic, but it's so very important. Especially as a message to cis guys: please understand that you won't recognize a creep the way you might think you will. If you're not the preferred prey, the hind-brain alarm won't go off. You have to listen to victims, not your gut feeling that the person seems perfectly nice and normal. It doesn't mean there's never a false accusation, but face the fact that it's usually real, and you don't have enough information to say otherwise.

So, yeah. It fucking sucks. Writing about this twists my insides into tense knots, and it was almost a decade ago. I was never in danger. No one I knew was hurt!

Just countless, powerless women, horrifically abused by someone who was nice to me.

You don't trust your own judgement quite the same way, after. And as utterly shitty as it is, as twisted up and unstead-in-the-world as I felt the day I found out — I don't actually think that's a bad thing.

I think we all need to question our own judgement. It makes us better people.

I don't see villains around every corner just because I knew one, once. But I do own the fact that I can't know, really know, about anyone except those closest to me. They have their own full lives. They'll go from the pinnacles of kindness to the depths of depravity — and I won't know.

It's not a failing. It's just being human. Something to remember before you slap labels on people, before you condemn them or idolize them. Think about how much you can't know, and how flawed our judgement always is.

Grieve for victims, and the feeling of betrayal. But maybe let yourself off the hook, and be a bit slower to skewer others on it.

[phanfuckingtasmal]

im sorry but i cannot stop thinking about isha's pastel memories that play during her sacrifice scene.

look at how full of colour this beautiful fuckin shot is:

it's been well established in episodes 4-6 how grim and dark the undercity has become under cait and ambessa's new rule. but look at how isha sees/remembers it - because of jinx.

jinx, who went through a severe childhood trauma that has carried over into her present self - she covers extremely destructive weapons and grenades in bright pinks and blues, neons, childlike doodles, graffiti. (joy and destruction, powder and jinx, a contrast so striking it becomes like a signature for her).

and then we see the world through isha's eyes. when we meet her in episode 2, she's running through sewers, from goons dressed in black; it's grimy and grim. and then all of her recent memories are done in these childlike pastel, almost crayon-y sketches. because what isha saw was jinx covering a dark and grim world in colours.

and so isha covered her world in colour, too.

because jinx made her world bright.

isha looked at jinx and saw the child in her. she saw powder and she saw jinx. she saw joy and destruction. and that's why jinx gave isha so much hope. isha knew the world was grim and dark - but then she watched jinx, and she learned that you can paint over all that grim darkness with neon blue spray paint.

that's why isha believed in hope. that's why in her final moments - in a scene that is lit dimly and dramatically - she sees nothing but a bright world coloured in pastels.

never underestimate the hope of a child.

[nyssasatelier]

The past Friend Reveal :

For @autisticgremllin

[isjasz]

[Ready for a new game?]

day 11 definitelynottober - heart in your fist & week 1 weeklyhermittober - beginnings

===

IM SO READY LETSGO SO EXCITED FOR THE NEW LIFE SERIES💥💥💥💥💥💥

[callisteios]

i made a character uquiz. i 100% promise you that you will get a character you know AND like

[shayneysides]

hobie: kill yourself

pavitr: WHAT THE HELL BRO WHAT DID I DO

original format from @ha-youwish in this post!