#he did this for me and me only

[bubbarnes]

“... what better way to kick off your summer?”

[iguessricciardo]

@.daniel3.jpg two wheel riders and four wheel drivers

[wastelandbabyblue]

DE SELBY (PART 2) MV WITH ONE OF MY FAVE ACTORS (DOMHNALL GLEESON) I'M GONNA CRY HOZIER YOU GENIUS I LOVE YOU

[poorly-drawn-mdzs]

Hey now, Let her cook!

[cryptocism]

"just as I did, in 1983."

you'd never know my favourite parts of the show are the fucked up insane bits when my first instinct is to draw the cheesiest thing imaginable

[keets-writing-corner]

Thinking a LOT about Lucifer in the latest Hazbin episode. Idk what I was expecting but not this??

As I was watching my immediate thought was just "huh... Lucifer is kinda of weird..." but as the episode went on I realized the issue

the dude is off the chain depressed, like he says it as a joke but holy cow it is SO BAD

He's manically just creating rubber ducks cuz his daughter really like it that one time but it's empty, it's never good enough but he keeps doing it, maybe cuz he doesn't know how to pass the time otherwise.

like I get the feeling he HAS better things he SHOULD be doing than making rubber duck after rubber duck. At first I was like, "Bruh why isn't the king of hell doing anything?" aaaaand then it became clear...

The dude is disassociating so bad he can barely hold a conversation let alone remember information. He clearly WANTS to, he wants to be involved with his daughter so bad, he wants to care about the things she's doing so bad, but his depression keeps interfering. It's like he can only hear every other word and he grasps onto the ones he does hear semi-out of context. Like you can see every time he catches something that he hadn't before and he just "well shit I didn't catch that part"

and that's why he reacts so weird when people talk to him. He is struggling so bad to engage with the conversation he's only getting 50% of it

does that look like the face of a man who knows what the hell the conversation is even about??? he is STRUGGLING

like Charlie spent so long telling him about the hotel, and he STILL didn't understand what she wanted. Yeah it comes off as ditzy but literally I've been in that position where your brain just "nope, not doing this right now" and nerfs your conversation comprehension. So as someone who's BEEN in that position, to me it feels exactly like what he's dealing with. He's sorta engaged with the conversation, but only as much as his brain will allow

For example, when I'm dealing with this, this is what someone talking to me feels like this where the crossed out parts are what I missed and bold is what I catch, "Hey! You know I was thinking for dinner we could either make some chicken with rice? But if you don't feel like cooking, pasta is super easy and you love that right? What do you want to do?" you can kinda get that someone is trying to talk to you about dinner, and towards the end you get the impression that they asked something that needs your input so you can decently put 2 and 2 together and try and pass off, but crucial bits were left out, I would have no idea that either chicken or pasta is in the conversation only having heard "rice". When someone is just talking at me, I can decently pass off as being engaged but the second I'm required to participate in the conversation I'm screwed. Seem familiar? At which point I have 2 options, try to give a bullshit answer, or admit that I missed what they were saying and ask them to repeat

Lucifer, unfortunately, is trying so damn hard to hide that he's dealing with like 24/7 dissociation, so he can't admit that he's missing entire chunks of the conversation, hence his really weird replies. He does eventually get the full picture and then he and Charlie start having the real conversation

Also, the Alastor/Lucifer rivalry was hilarious but also really indicative of more of what Lucifer is dealing with

Alastor is, unfortunately, really good at picking up people's insecurities, and thanks to Charlie's description earlier and watching Lucifer clearly trying to overcompensate, he immediately picks up on the fact that Lucifer KNOWS he struggles to be a good dad (we know cuz it's cuz of the depression, hard to be engaged when your brain keeps turning off) and decides to rub salt in the wound by pretending he's been acting as a surrogate father to Charlie. Now why Alastor decided to pick a fight with the king of hell is beyond me, I do not understand Alastor (and I LIKE IT) (maybe it's cuz Alastor thinks he's hot shit and was expecting Lucifer to at least have heard of him but Lucifer just treats him like a nobody? who knows)(why would Lucifer listen to radio anyways when he can't even pay attention to a conversation it'd just be white noise)

But yeah I just was expecting someone who oozed either charisma or presence and instead I got a depressed dad who's dissociating so bad he can barely function and be present in his life. The only thing it seems he CAN do is make rubber ducks cuz his daughter really liked it that one time

Idk Lucifer is tragic to me. Whatever the full details of what heavan did to him absolutely broke him and he can't deal with it. He's aware of it, and he doesn't know how to fix it, so he tries to over compensate and sorta makes an ass out of himself but no one says or does anything cuz this guy is supposed to be THE king of hell

Suddenly it's making a lot more sense why he just rolls over and lets heaven do what it wants and even told Charlie to go in his place the start of the show. He's not in any headspace to hold a basic conversation let alone negotiate! He didn't even know who Alastor was, he's been so out of touch

idk I like him, he seems sweet, I hope Charlie brings some light back into his life. He really needs to get out of that rubber duck room

[fanaticalthings]

While I do find it funny that henchmen in Gotham probably warn each other about the Red Hood because he's a bat who will actually kill you. I think it would be better if Jason was actually seen as some sort of savior or idol to like 90% of the goons scattered around Gotham. Doesn't matter who they work for, they all know Jason, former crime-lord that took over majority of Gotham's underground in one night.

---

Jason, years after the events of UTRH, now fighting crime alongside the batfam, except every goon he runs into immediately recognizes him, stops fighting, and starts begging.

the first time it happens, Jason assumes they're begging for their lives only to hear them begging for him to return to the crime lord business so they can work for him and not Gotham's current money-stingy, abusive rogues (Black Mask lol)

---

Jason showing up to patrol as backup for Dick in an overrun warehouse full of Two-Face's henchmen and as Jason's about to interfere, one of the men stops dead in their tracks and stares really hard at Jason until:

Goon: Oh my God, boss, is that you?

Jason, pulling out his guns, about to shoot:

Goon: Mr. Hood, sir???

Jason, halfway about to pull the trigger: Wait a min–Jeremy? Oh wow, it's been ages! How's the wife?

Goon (Jeremy): Oh my God it IS you, holy shit where have you BEEN? Me and the guys miss you, man!

Dick, with a knife at his throat: What is happening right now

Jason: Ahh, well, crime-lording just wasn't fitting in on the daily schedule. Tryna turn over a new leaf and all that

Goon (Jeremy): Aw, that's disappointing. We really liked working for you, right guys?

[Chorus of enthusiastic "YEAHS" from the rest of the henchmen (even the one holding Dick at knifepoint)]

Goon (Jeremy): Well, anyways, I can't beat you up knowing you're my old boss! You gave us the best health benefits! We'll just let you take the evidence and leave.

Jason: Aw, thanks guys :)

---

And that's why 95% percent of Jason's missions in Gotham end in success. Not because he's willing to kill people or because rogues are terrified of him, but because 90% of the rogues' henchmen once worked for Jason and fuckin love him lol.

[chloesimaginationthings]

FNAF movie Vanessa was out of pocket for this one..

[bumbleboa]

I saw one scruffy older Cora-san design and had to draw my take on it immediately, with a bonus Law to fill space.

You can say a lot of things about One Piece Odyssey, but it did give us a Law & Cora tag-team fight in which Law shambled to the location of Cora's bullets and that is just objectively cool.

[bixels]

I watched Starship Troopers tonight.

[bertoyana]

gay ass dialogue 😭😭😭 what do you mean ANNOYING SECRET SMILE LMAOOO be serious for ONCE man

[stil-lindigo]

the fox god.

a comic about a trickster.

--

creative notes:

–

all my other comics

store

[tedlebred]

this is probably all the tgcf you're ever gonna get out of me

[himbionn]

Doodles of the boy(s) cause I adore them so 🩷💙

(Fullscreen version of the screenshot redraw below!)

[just-an-enby-lemon]

The thing about jonmartin is that Martin wants to be a romantic, he loves poetry and probably watches romance but for him it is a fantasy, a silly game he plays. Martin is at his core very cynical. Things don't work out for him so he doesn't really belive in romance, it is a pretty dream but that's it. He is pratical and realist. Dating Jon he has to remind himself it is real and he actually struggles with romantic gestures, it is something he has to remind himself to do, to remind himself he can do even and honestly who even has the energy and what if Jon doesn't even like it?

Jon on the other hand wants to be cynical. His first coping mechanism was pretend the things he was afraid of weren't real and goddam if he isn't afraid of love. It didn't really work to him so far so it's easy to pretend he doesn't care. But he is a romantic at heart. He saw love and he read about it and he has enough evidence that it is undeniable. And to be honest Jon was always to much a bunch of mushy feelings hidden in a grumpy (and bitter and afraid) trench coat. Dating Martin he has to hold himself so he isn't too much. He plays the grumpy unromantic guy at first. But he just can't stop giving flowers and planing dates (this is the guy that saw a theme park on a fear domain and considered how he wanted to take Martin to a romantic ferris whell date [until he discovered Martin was afraid of them]) and making all the silly things one does when in love.

TR: Martin is deep down very cynical about love but wants to/pretends to be a romantic and Jon is deep down very romantic but wants to/pretends to be cynical about love.

[hinamie]

bunch of portraits