#everyone is so boring.

[numberone-wifeguy]

sudden devaluing is agonizing.

[xshinina]

*Married life playing in the background

This idea was probably funnier in my head

[flagellant]

yeah we might be brothers in christ but so were cain and abel so shut the fuck up before i decide to find a rock about it

[mildarka]

Felt like making a reverted AU

[biggest-gaudiest-patronuses]

weird hearing "were you a Theatre Kid" "were you a Sports Kid" "were you a Choir Kid" "were you a Dance Kid" bc no? i mean i did all of that and more but resented ever minute of it? actively avoided sticking with anything? i was a "In This Family After School Activities Are Mandatory Kid"

[freyadragonlord]

Some people seem surprised that Chuuya managed to fool Fyodor about being a vampire for less than 30 minutes, but you gotta remember that when he and Dazai first met, Chuuya succesfully hid that he was Arahabaki for two or three days, all while Dazai was specifically investigating Arahabaki.

Chuuya has always been an extremely good liar, and he is kryptonite to people like Fyodor or Dazai (or at least Fifteen's Dazai, he learned from that experience) because he looks brash and impulsive and ""simple"", but actually Chuuya has been lying about who he is for most of his life, and nobody knows how to be a mindless monster better than him.

[boringwomanwithabook]

hellooo hi okay tagged for a selfie by my friends @zombearzilla and @justastheyplayoursong thank you, one boring face and one dumbass smile (bravery in the face of strange times lol) I always feel bad tagging people, but I am going to anyways @ohheyitsjustbear @louuxoxo @xlittle-ghost @macabremusings @fairyinthetrees and anyone else if you want to, you're all cute 😘

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

[sparkoflena]

Random Statements I think the Batfamily has said.

Dick: I'm ready to have a mental breakdown but the world's falling apart again.

Jason: Dick, your puns are worse than that time I was murdered.

Tim: Attempting to kill me is practically a rite of passage.

Cass: No kill. Only chaos.

Steph: It's like you've forgotten how to appreciate good food and that is an Arkham-worthy crime.

Damian: My sword is trying to collect your organs like they're Pokémon.

Duke: If I wasn't pretending to be the normal one, I'd have taken you all down ages ago.

Barbara: Most of my brain's impressive man-power is spent resisting the urge to throttle you.

[karlydraws]

TRIGUN: STRUGGLE

Evening shift, two hours to go

That one crazy enthusiastic employee who's probably on anti-depressant

Baskin Robbins always finds out: if you have DID or not

[welcome-to-the-shit-library]

she persona on my five till I royal (pt 2)

[squipedmew]

so help me god i will learn to draw different body types if it kills me

had to do it

[brw]

comic writers need to write messy cheating breakups again. all these amicable offpanel breakups are BORING!!! and they rarely make sense with where the characters are in their relationship anyway. i want three issues minimum dedicated to adultery and the fallout of it. we used to be a country.

[roguedemonwatcher]

I say this as a primarily C3 only viewer (episode 20 of C2 and a smattering of C1 - I will get there one day!) - I found that episode so incredibly delightful and so fascinating to watch to see what Bell’s Hells would take from M9, especially when contrasted to their interactions with Vox Machina. 

Members of Vox Machina give them quests and bestow them titles and offer aid, but they don’t have the time or the space to dig into their motivations or relationships. They are stewards of Exandria, busy with a bigger picture and responsibilities. Contrast that with the Mighty Nein, who cook them dinner, invite them into their tower, and get straight to the heart of what’s weighing on them and what they emotionally need for this mission (yet still fully putting themselves first and prepared for sacrifice). They’re confident and secure in who they are and what they mean to each other and see through Bell’s Hell’s charismatic facade to find people who maybe just need a moment to evaluate what’s important to them as they go on what could very well be a one way mission. You can give them titles and responsibility, but if Bell’s Hells don’t actually believe in that or themselves, they will, like Fjord and Beau suggest, just end up as fodder.  

Anyway, there’s just something poignant and right about those from Vox Machina giving them responsibility and respect and those from the Mighty Nein giving them comfort and belief (and a night in a tower to just be). I just think that’s neat. 

[aalghul]

jason doesn’t feel guilty for the murders he committed!!! he can’t feel catholic guilt or want repentance or atonement for something he doesn’t feel guilt about! and there are dozens of religions we could explore jason in that would be so much more fun than catholicism or any type of christianity

[aroacewolfic]

I hate it when people's first reaction to me saying I'm aroace is "oh but don't you wanna have a partner and kids in the future, won't you be sad without that" Like no bitch I'm gonna be happy living alone in the peace and quiet with my cats and dogs and 1000 books to keep me company and I'm gonna be just as happy and complete as every other person out there if not happier.