#either to show off or to give

[this-doesnt-endd]

🧸 Happy national teddy bear day! 🧸

[copypastus]

But Keir must have known, too. And said simply to Rhysand, “I want out. I want space. I want my people to be free of this mountain.” “You have every comfort,” I finally said. “And yet it is not enough?” Keir ignored me as well. As I’m sure he ignored most women in his life.”

Wow Feyre, what a wild thing to say after leaving your ex over being locked up in a mansion.

[dykedvonte]

Curly had two days to act and Swansea had two months.

I think it’s just interesting that every defense of Swansea not immediately acting are the same ones that are argued against for Curly. “He didn’t want to alert Daisuke or makes things worse for Anya either Jimmy!” I mean people also assume that about Curly and the crew. “He has to think about his plan of action and a right moment!” Again so did Curly, power and authority aside, he still would have to think of what he had to do. “He makes sure he doesn’t have to be around Jimmy!” So did Curly and they only do this to an extent, both give Jimmy more than a few opening to keep harassing Anya.

This isn’t defense of Curly nor a damnation of Swansea. Their actions are very parallel to each others in tragic and sour ways when it comes to how they approached helping Anya. In the grand scheme of it all they both did the same thing: Nothing. No action either took stopped the inevitable outcome of her death nor Jimmy’s continued damage to themself.

The only real difference is Swansea didn’t like Jimmy which is pretty substantial, but also just as damning as Curly knowing how bad Jimmy could get to an extent. He had even less of a reason to wait, even more of a reason to act seeing as he was now worried for Anya AND Daisuke. He is not bound by the possible procedure as Captain and actively does not care about what happens next. So what does it matter if he acted in the moment? Why did he wait? I think he’s just as morally complex and grey as Curly and we hold him on a pedestal that still perpetuates things in rape culture the game critiques.

It’s not just enough to dislike and be abrasive to predators/abusers like Jimmy. It’s not enough to just put yourself between them and the other person. It’s not enough to hold tensions when you know someone is vulnerable. He and Curly do the exact same things but on different sides of the coin. I ask how is it better to not turn a blind eye but still not really do anything about what you are seeing? Not until it affects you atleast…

The game makes a big point to not put men doing the bare minimum or who wait to do more on pedestals and I’m actually surprised so many are missing that point.

[great-tusk]

I’ve made this rb game in the past, but I wanna do it again! Reblog with an F/O (or more than one!), and I’ll give them a Pokémon!

Examples:

[sysig]

Even stardust shimmers, darling 🌟 (Patreon)

[brainworms-all-night-long]

One day I will get attached to a character who so deeply believes they're unlovable and the universe will NOT do everything in its power to confirm it and doom them in isolation where they are left worse off than they started, one day....

[nahiseokie]

just so you know i AM slightly worried about certain plot points being crammed into supercool edit-esque montages rather than getting the full fleshed development they deserve. season one left room for emotions to breathe and mature while season two packs up storylines with heavy load resolutions that feel unsettling.

i think the second act would have benefitted from showing more of what the time gap was like. they did well with the jinx/isha relationship for example but glazed over her status as zaun's symbol, or cait slowly breaking away from ambessa's influence, or pitfighter vi (especially her dynamic with loris) or whatever the heck happened to jayce with the hexcore.

they're focused on getting us from point A to point B and i'm scared we're losing sight of original plotlines that are so integral to the show. like.. with so much left to explore and everyone suddenly teaming up, where does the zaun and piltover conflict lie in this?

[fisheito]

Typing "capsaicin snake effect" into the search bar so i can figure out if yakumo can eat spicy food

[hauntingjasper]

Blind as a bat

[tennessoui]

For the prompt list, nanny/single parent obikin would be amazing!!

(from this prompt list)

(the first time I answered this prompt two years ago, the nanny anakin au was born)

so to do something different, here's some gffa widowed anakin, nanny (sort of) obi-wan!

(2.5k)

It is hard to find time to grieve. There are too many things to do. Too many appointments to make, too many decisions Anakin isn’t sure he’s qualified for. Some decisions are easier than others. For example, the funeral will be on Naboo. There will be two services: a public one to honor Padmé’s public service, and a private one to honor who she was as a person. The casket will be closed, because his wife died when her cruiser exploded. There isn’t much left to bury anyway.

But some decisions are harder. Which flowers should go on her casket. What songs would she want sung and who should sing them? Would she prefer her grave closer to her ancestral home or the home she created in her adulthood?

If she told anyone the answers to these questions, it wasn’t Anakin. But then, the people who knew her best, who loved her most, died with her. Sabé, Rabé, Saché, Yané, all of her handmaidens—an assassination such broad strokes that it was impossible for it to fail.

So Anakin chooses Yali lilies, because Leia’s eyes linger on them the longest. He chooses a small Nabooian folk band to play after her service because their music is the first thing to make Luke lift his head from his coloring books in days. He formally requests that her body be buried among her ancestors, and the Nabierres agree immediately.

And he keeps telling himself that he will grieve, but there is so much to do. 

And then—then there’s after the funeral. Then there’s the rest of his life, sprawling out before him in a long, hazy road. 

There are more decisions to be made.

There are people who have opinions on them now, people who sat back and let Anakin muddle through flower arrangements and kriffing seating charts, who now step in to peer over his shoulder, monitor his every breath.

Should he really move the children back to Coruscant? Does he truly plan to continue to work as a mechanic in the Mid-Levels? Should he not think of the children, their needs? How can he support them on the thin amount of credits he makes? Would it not be better for the children to live on Naboo in the care of their grandparents and their extended family?

It would be what Padmé would have wanted.

Anakin cannot care about what Padmé would have wanted, because she isn’t here. Not to argue with him, not to make her wants known. She is dead. She doesn’t get to haunt him in the waking world too.

“What do you want?” he asks plainly, sitting down across the table from his two children. The twins blink back at him. Leia has finished her cereal. Luke has barely touched his.

“Bacon,” Luke says.

Anakin hadn’t meant for breakfast, but he figures it’s as good of a start as any. “Alright,” he agrees.

He stands once more and goes to the kitchen. It’s not exactly his domain. It was never Padmé’s either. The way Padmé grew up, food was made once you requested it—by droid, by cooking staff. Not by the hand of a Nabierre.

The way Anakin grew up, food was cobbled together carefully, sparingly no matter how much you requested it. And no matter how you cooked it, it always tasted a little like dust, which took the joy out of experimentation.

But the serving staff have been dismissed for the past two weeks to give the family time and space to grieve in private. 

(Padmé’s parents have been given a schedule for visiting hours for that exact reason.)

Anakin locates the pan; then, he locates the package of bacon strips.

When he glances up, both twins are watching him over the edge of their barstools, tiny faces showing both skepticism and incredulity.

“I want to know what you want to do,” Anakin says, raising his voice as he places the pot over the heating plate, the meat in a moment later. “Do you want to stay here with your grandmother and grandfather? Do you want to go back to Coruscant?”

The twins are quiet. Anakin twists his neck to look at them again, and they’re looking at each other, silently communicating the way only twins can.

“Where will you be?” Leia finally asks, looking at him with narrowed, suspicious eyes, bottom lip already jutting out.

Anakin blinks. “Wherever you are,” he answers.

“You won’t leave too?” Luke asks rather tremulously.

Anakin takes the pan off the heated plate and turns it off with a decisive flick of his wrist. “Of course not,” he says. “Come here.” He crouches down and barely has enough time to open his arms before the twins are there, pressing in as close as they can get to him. He holds them back just as tightly in return.

“I’m not going anywhere,” he promises into Leia’s hair. “Not without you two.”

—-----------------

It becomes apparent fairly quickly that this is, by necessity, a lie.

The twins don’t want to stay on Naboo, which Anakin is secretly incredibly grateful for. He doesn’t want to either, but he knows he’d just be called selfish should he express the opinion.

But the twins don’t want to go back to Coruscant either. This makes sense as well. It would be incredibly jarring for them to go back to living in the quarters they shared with their mother, her Upper Coruscanti apartments in the nicest district of the planet, without her there.

Anakin wishes it were as simple as sticking a pin on a planet and deciding to uproot the entirety of his family to live there. 

But it’s not.

Perhaps if he were still young, nineteen, newly free and in love with the taste of that freedom, it would be.

But he’s a widower now. He has his children to think about, their futures. Any planet he chooses must have what they need as well. 

And they are four year olds who have just lost their mother. Their needs are numerous.

What makes the decision for him in the end is that his boss knows a man from Stewjon, who is willing to hire him. Who is willing to pay a premium for his expertise with mechanics.

Anakin doesn’t know the first thing about Stewjon, other than that it’s an ocean planet in the Inner Core and his dead wife always said the Senators from Stewjon were so frigid and tight-lipped because they spent the first few days of each visit trying not to be seasick on the Senate floor.

Anakin isn’t sure why this is the very first thing he tells the man—his potential boss—he meets behind the counter in the mech-shop on Stewjon.

He’s left the children with their grandparents for the week—long enough to fly from Naboo to Stewjon, meet with his potential employer, interview, apply his work practically, and fly back out.

He’d explained to both twins why they had to stay on Naboo. He’d explained many times. That hadn’t changed the betrayed look Leia had worn as she saw him off. It hadn’t wiped the tears from Luke’s eyes.

“Ah, well, I can’t say I’ve heard that one before,” the mechanic says. He sounds amused, and Anakin is incredibly shocked to hear a Coruscanti accent. Everyone he’s spoken to since arriving planetside has had such a heavy brogue that he’d honestly struggled to understand their directions to the shop—Kenobi & Sons.

Anakin lets himself look again at the man behind the counter. He’s rather clean for a mechanic, he decides. His beard is red, a common factor around these parts apparently, but his beard is short and neat, trimmed to accentuate the strong lines of his jaw. His eyes are a stormy blue, the kind of blue that matches the Stewjoni ocean.

“Between you and me though,” the man smirks and leans onto the counter with his elbow. His tunic is dark gray, white starchy fabric peeking out beneath the v-necked collar. “I’ve never been a fan of Stewjoni politicians anyway.”

“Oh?” Anakin asks, sidling a step closer to the counter. The man has the beginnings of gray at his temples, and his eyes are lined with wrinkles. They don’t make him look old though, Anakin decides. They make him look…well-lived.

“I’ve not a head for politics much at all,” his future employer shakes his head slightly with a small smile. His eyes flick up and down Anakin’s face, lingering on his lips and then lingering longer on the scar over his brow. Anakin feels rather flushed under the inspection, and he shifts his weight forward until he’s leaning up against the counter too.

There’s something about this man that’s rather…magnetic. It pulls him in. It makes him want to linger.

Good characteristic for a shopkeeper to have, though Anakin privately decides that the man before him has a face that’s wasted on mechanics, buried under some ship’s underbelly in a backroom.

“Me neither,” he admits, a moment too late to sound anything but highly distracted. It makes the man smile again though, a flash of straight white teeth.

“Is there anything you do have a head for then?” he asks. His tone is light, airy, rather teasing.

This is the strangest interview Anakin has ever had.

“Um,” he says. “Well. There’s mechanics.”

“Oh?” The man’s eyebrow lifts at an elegant angle. He props his chin on the palm of his hand and looks up at Anakin through his eyelashes. “Then why come here to us then?”

“Um,” Anakin says, and not because the man looks rather unfairly flattering like this, amber eyelashes in sharp relief against the blue of his eyes.

They’re interrupted by the sounds of clattering in the backroom, stomping and cursing. The man before him straightens with a slight sigh and picks up the closest flimsipad. “And what brings you in here today, sir?” he asks rather loudly, pitching his voice back to the other room of the shop pointedly. “Problem with your speeder? Serving droid? Cruiser? If it’s your astromech droid, I regret to inform you that I’ll have to refuse you service on account of the fact that I don’t particularly care for them.”

Anakin thinks he splutters, but whatever noise he makes is definitely drowned out by the rather irritated shout of Obi-Wan! that comes from the back.

A moment later, a man storms through the door, looking annoyed. "We will service an astomech if that's what's broken, Obi-Wan."

Now this is a man that Anakin can believe is a mechanic. His nails are blackened with oil, and his bare, burly arms carry smudges of the stuff. He’s much broader than the man—Obi-Wan—that Anakin had been talking to. He’s bald with a reddened scalp and a rather large red beard that’s the antithesis of the other man’s in every way. His clothes are dirty, loose, and the color of ash. He looks older too—whereas Obi-Wan could easily be in his thirties, this man must be pushing fifty.

He snaps at Obi-Wan in a language that Anakin doesn’t understand. Obi-Wan shrugs and hands over the flimsi pad without argument.

“Um, actually,” Anakin says, feeling incredibly wrong-footed. “Which one of you is Kenobi?”

“I am,” both of them say. Obi-Wan’s smirking slightly. The other man’s voice is louder, carrying that Stewjoni accent so obviously lacking in Obi-Wan’s speech.

The older man closes his eyes as if he’s praying for patience. “We both are,” he says. “Though if your ship’s malfunctioned, sir, I’m the Kenobi you want to see. This one’s good for naught but magic tricks.”

“I have been told I’m rather good at other things,” Obi-Wan turns his smirk full-force at Anakin, dropping his eyes to Anakin’s lips once more.

“My name is Anakin Skywalker,” he says very quickly in a very normal tone of voice that is most definitely not a squeak. “I’m here to interview for a position. As another mechanic.”

“Oh,” the older Kenobi says.

“Oh,” the younger Kenobi says in a much different tone.

The older Kenobi pinches at his nose for a moment before turning around the counter and offering his hand. “Ben,” he says. “Ben Kenobi.”

Anakin takes his hand and shakes it, eyes traveling back to Obi-Wan. Is he supposed to shake his hand too?

“I’m the Son in the sign,” Ben says gruffly as if that answers his question.

“I’m the reason it’s plural,” Obi-Wan adds, busying himself with the contents of the counter. From what Anakin can tell, the man is just messing up the carefully organized piles of receipts. 

He decides that he would rather not get the job than point this out to Ben.

Ben huffs out something in Stewjoni that sounds downright insulting, but that doesn’t stop Obi-Wan from smiling sunnily up at Anakin. “My brother enjoys bitching and moaning that I came back home when I was seventeen, but he’s awfully quick to foist his children off on me when he’s called to shift at the rig offshore and Marci’s off-planet too.”

Anakin blinks. He feels like that’s the safest answer.

“Only thing good that blasted Jedi Order ever taught you was how to handle younglings,” Ben says, and then spits on the ground as if the words themselves have left a bad taste in his mouth.

Anakin blinks and wonders if he should say something to remind the brothers that he’s here. For an interview. “And my magic tricks,” Obi-Wan rolls his eyes slightly before catching Anakin’s eye and winking. With a wave of his hand, a flimsi-sheet flies over the counter and into Anakin’s chest. He catches it unthinkingly. “Would you like to sign in, sir?” “Get out of here,” Ben barks, snatching the flimsi from Anakin’s hand and pushing it back to the counter. “Like I said, the only one’s impressed with that is the younglings.”

“I don’t know, your man looks impressed,” Obi-Wan says slyly, even as he pushes himself away from the counter and around the edge of it.

Anakin isn’t sure what he looks like. He doesn’t think impressed is the word he’d use though.

When Obi-Wan brushes past him, the static electricity in the air jumps between their shoulders. Anakin feels as if he’s been shocked.

Obi-Wan must feel it too because he stops only a few inches away and looks at Anakin. For the first time, his expression is open. Curious. Considering.

“Get!” His brother insists, and Obi-Wan obeys, throwing one last look over his shoulder at Anakin before he slips out the door.

The shop feels somehow much bigger now that the other man has left. Ben sighs and rubs a hand down his face. He looks older now. More worn. “So that was my brother,” he tells Anakin wearily. “Who you would most likely see frequently if you were to take this job. I would understand completely if you would like to start by talking compensation.”

[xxplastic-cubexx]

I saw the hairless cat part and I want to had a fun fact to it.

Hairless cat are really oily because they don’t have fur to collect it, so their oils get everywhere and STAIN a lot- Erik will fully loose his minds with all the oils stain the cat would made.

the cat is ABSOLUTELY to go NOWHERE NEAR his closet alright he can excuse it using the kitchen table as a scratching post but he draws the LINE at his silk robes

[jasontoddenthusiastt]

The compelling thing about Jason as a character is that I never doubted that he cared about the world just because there weren’t panels of him being overly zealous about “restorative community care”

I’m not coming after anyone who wants to see that kind of stuff, but I do think seeking | that | as confirmation that Jason cares about the world is pretty narrow

[rowanisawriter]

[shalpilot]

a kiril fight would be pretty fair but have a ton of phase changes, a yesui fight would be so incredibly unfair you might as well just jump off the arena yourself

[hyp-fixator]

ROCKET MAINS REJOICE!! (cheering noises)

[ifyougoillfollow]

you know, we talk a lot about characters and/or relationships (of all kinds) being 'doomed by the narrative' around here, and how haunting and gut-wrenching that can be, especially when it so often takes the form of death and destruction and tragedy.

and we should keep doing that, obviously. death and destruction and tragedy kick total ass.

however. can we please spare a thought for the clowns trapped in that same (burning) room?

after all, what is a comic relief character if not doomed by the narrative to always act like a buffoon despite any and all circumstances, all for the sake of relieving narrative tension?

how must it feel, to have everyone around you dropping dead, losing limbs, losing loved ones, and otherwise being on the receiving end of unending torment - and all you can do is stand there and prattle off another zinger at your allotted time?

and what if you lose a loved one yourself, o jester mine? what if - hear me out - you lose multiple loved ones? what if it never ends? what will you do then?

well, if you're lucky, you'll get to mourn for all five of the seconds you're allowed to before the size thirty shoes go back on and the narrative moves on to other, more plot-central characters.

if you're not - well. it's a good thing clown makeup is waterproof, isn't it?

anyway, shout out to all my comedy kings out there doomed to play perpetual funnyman to their more plot-central counterparts despite being in undeniably comparable pain. you may be doomed by the narrative, but you are beloved by me <3