#dying reality

[samnevskaya]

When you meet a scary beast be prepared

[queerstudiesnatural]

funny how celebrities will raise $26M for a fashion institute but can't be bothered to mobilise even a fraction of that energy and money to help the people being tortured and killed in an unapologetic genocide as we speak. love that for society. what a moment for The Culture.

[eaglerayys]

I love that the one consistent thing across the Time Quangles is that if Gorgug is there he will have an absolutely terrible time

[crustyfloor]

'Angel Sua' has eyes that interest me in the "damn,,, I see em" way and the "this must be another aspect of her religious themes" kind of way, I mean that only because her pupils are so big, I almost think it's meant to look similar to a biblical angel, they have eyes like that to signify their all-knowing awareness, I see it as a connection to Sua's inherently omniscient and mysterious nature

[deoidesign]

Thinking about vampires, death, life, and the space they occupy in between

[lotus-pear]

i think you guys are onto smth..

i unironically got invested in this HELP

[everwalldigan]

I love me some delicious miscommunications so:

Bruce and Jason standing off (again) after a mission actually gone right and Bruce is looking constipated trying to articulate how proud he is while Jason’s just pissed as fuck that he accidentally followed the bats’ rules and

Jason, fuming, thinking to himself: Bruce must be behind this, he MANIPULATED me into playing by the rules the asshole I didn’t even get to shoot ANYBODY today im never teaming up with them again my reputation is ruined people are gonna think I’ve gone SOFT

Bruce, going through five stages of grief just trying to find a way to say that he’s proud of Jason without him getting decked in the face and Jason running away: today showed me that you will always be your father’s son (he means himself)

Jason, thoughts immediately going to Willis because Bruce would obviously never address him as his son: actually fuck you, fuck you never speak to me again I can’t believe I was stupid enough to agree to this what the hell is wrong with you

So, on one hand. now you have Bruce face palming because he’s sure he articulated himself in a way that couldn’t be misinterpreted so Jason obviously wants nothing to do with him and oh great they’re back to not speaking terms but hey at least Jason didn’t shoot at him so he obviously understood what he meant, right?? Right????

Meanwhile on the other hand Jason is capital H Hurt and so so angry about it because what the actual fuck. He’s TRYING to reform but obviously nothing will ever be enough for golden standards Bruce so he should just go back to at least beating criminals within an inch of their lives because he wasn’t going to prove Bruce right no matter how much he wants to take those pieces of shit off the streets permanently.

And of course, because both of them would rather shoot themselves in the foot than, I don’t know, talk, it results in a huge falling out and Jason’s “shoot at the Bats on sight” rule is back, until one day just happens to trap Bruce and Jason together in a warehouse rigged to explode. They accidentally went after the same gang and got themselves captured instead in the confusion. So Jason’s watching Bruce frantically trying to dismantle the bomb while sitting back casually taunting him like

Jason: you know damn well your cape’s gonna protect you from most of the explosion and the whole building is deserted by now, why are you trying so hard? The only one who’ll bite the dust is Willis’ son, fitting ending isn’t it? Always his son until the very end, you said it yourself!

And holy mothers of all fuckups Batman, there hasn’t been miscommunication this bad since the aftermath of the Tower of Babel

Bruce, turning around with the dismantled bomb in his hand, actively inventing new stages of grief: I was referring to myself actually.

[demodraws0606]

[rayveneyed]

cw: sexually explicit content / blood / relatively light sadomasochism / age + experience gap (reader is older + more experienced) / sub!choso / vampires 🧛‍♀️ / sex and violence as two sides of the same coin /

choso kamo is 160 years old when he meets you.

in those years of walking the earth, undead, he believes he’s embraced his vampirism as much as he possibly can. the broiling self-hatred he had once found solace in has reduced to a simmer, strongest in those moments of blood and guts and weakening heartbeats; and although he often avoids crowds, and companionship, and light, he no longer believes himself to be a slave of his own nature.

to be true — in the grand scheme of immortality, of vampirism — he isn’t anywhere close to the level of control he’d wish to have. often, when indulging yuji’s desire to enjoy the world as he did before his death — boardwalks and arcades and cotton candy — he feels his canines aching in his gums, stretching until they dimple against his bottom lip.

it’s not comfortable. it’s not confident. but even despite the growing aches, he’s no longer cowering in alleyways; no longer drinking from poor stray cats and garbage-chewing rats to momentarily satiate that ever-growing, gnawing hunger. he has some sense of control—

“oh, you baby-bats. so adorable.”

control which he now flounders to grab.

a sharp, inky black nail scrapes up the column of his neck — he can’t help but arch into it, head tilting back until his wide, pupil-blown eyes find the ceiling, with its intricate coving and obsidian chandeliers. the music from the main hall is nothing but a buzzing in the back of his head; thoughts of his friends’ whereabouts, an afterthought. your fingernail crowds the underneath of his jaw and stops at where his pulse point would have thrummed, would he have been alive.

you’re a demon. a devil. a she-beast. a succubus. any horrid, terrible name he could call you, he will — dressed in blacks and burgundies and gold older than him, your lips painted an ox-blood red and your eyes as sharp and dark as any polished knife. in your hands he is small. weak. mortal.

“satoru usually keeps his strays away, after last time,” you say, pouting now, though it’s a crude approximation of sadness — even now, your eyes glint with devilment. “so mean, when he knows i have a weak spot for bats like you.”

that wretched finger stretches up; pokes at his bottom lip, scrapes against the fangs that had — embarrassingly — extended from his gums at the simple weight of you on top of him.

“look at that,” you coo, and your grin is something unsettling, something that curdles in the pit of his stomach and heats between his legs. “excited, pup?”

his answering breath comes ragged, and it’s always more embarrassing than it was when he was human. his heart doesn’t work, his lungs do not work, and he has no need to breathe — in fact, he lost the reflex to do so around 92 years ago — but his brain is scrambled, it seems, wilted neurons confusing signals from almost two centuries ago. “i’m — ahem — i’m okay, duchess.”

“how sweet. you don’t have to call me by my title, you know. my name will do just fine.” at his silence, you push yourself up from where you’d been laying low against his chest — looking far too excited when you say: “unless, of course, you like it.”

his hands tremble at his side. he can’t remember the last time he’s indulged in — in debauchery. the last time someone’s made him feel like they’re holding his heart in their hands. over the past hundred-odd years, he’s avoided it like the plague, and for good reason — most vampires aren’t known for their commitment, let’s just say. and now you’re on top of him looking like every sin he’s tried to avoid, and he’s straining so hard in his pants he fears he’ll cum before you even hint at removing a single article of clothing.

you press yourself flush again, nosing at his neck. he knows, for the first time in his long life, what it feels like to be prey. is this what his victims had felt when he ripped into their throats, young and inexperienced and bloodthirsty? did their vulnerability sit like a stone in their throats?

a groan comes from you, suddenly, and your tongue darts out to lave against his skin. choso’s answering moan is more of a whimper, broken and weak in his mouth, but you don’t seem to notice — or care. he flexes his glutes in an effort to stop himself from rutting up against you — not only would it be embarrassing, desperate, but it would be rude. this is your house, after all. your soirée. your gilded halls and bedazzled walls. your silk sheets against his back. your satin skirt bunched around your waist.

“tell me, pup,” you say, and he fights the instinctual reflex to shiver at the brush of your lips against his skin, “have you ever fed from our own?”

“hm?” it’s a sound of confusion brought half on by his simple lack of knowledge, and half on by his slow-processing brain. only seconds after does he fully register your question, and the eyes he hadn’t realised he had screwed shut flew open. “no. i — i didn’t know that was possible.”

all at once, you’re sitting up again — swinging your leg over his hips until you’re standing. it wouldn’t be right to call it clambering — you are impossibly graceful, even passed the agility and elegance that comes with the gift of the undead. his hands reach for you before he can stop them, a sound like a question on his tongue, and you send him the sweetest, most tooth-rotting, stomach-turning smile. he thinks he likes your biting, cruel grins more, though you’re lovely regardless.

you begin to reach for the ties of your corset at your spine — just another thing that makes his mouth water. people didn’t wear these sorts of clothes anymore, not in the human world. but he remembers the skirts and corsets from paintings of noblewomen hundreds of years ago, and how he’d admire the curve of their waists, the swell of their chests—

“of course, satoru wouldn’t tell you. why would he?”

his eyes snap up from your chest, caught with his hand in the cookie jar. but you don’t seem to mind. the corset is removed painfully slowly, for no other reason than to torture him; then, the outer dress, with its carmine satin and intricate embroidery. you throw it to the floor carelessly, as if the most knowledgeable museum curators wouldn’t prostrate themselves at your feet for the simple chance to display it for millions to see — a while his eyes drink up the sight of more skin, the whisper of form beneath your underdress and bloomers, you near him once more.

metal to a magnet, a moth to flame, he pulls himself to the edge of the bed. you find a place between his legs and grasp his chin, and choso can’t look away from you.

“i can take you apart and put you back together,” you say — promise — voice like crushed velvet, quiet and creeping like a choking vine. your thumb smooths over his cheek and ends at its apple, where you press the sharp tip of your nail into his flesh. “i can show you the pleasures of your eternal life, and its pains, and everything in between. i can bring you to every edge, and draw you back from them just as quick — and it will be painful, and you’ll enjoy it so much you won’t be able to go another day without it.”

he’s lost the ability to speak. his unmoving heart is in his throat — or in your hands, or between your sharp teeth. you tilt your head and regard him with knowing, twinkling eyes.

“all you have to say, pup, is yes.”

oh, it’s out of him so quick he can hardly keep up — a word so breathy you’d swear you’d already had your way with him. but embarrassment is a thing of the past when your smile stretches, and you murmur marvellous. you release him from your grasp, much to his chagrin, but when you begin pulling down your bloomers his attention shifts.

he can smell you. smell you. the musky, salty scent of between your legs — a smell that has his mouth watering and his fingers cramping from how hard he fists the sheets. your bloomers are damp when you discard them, sticky with your arousal, and pride glows in choso’s chest. he didn’t do much, but it seemed enough — if he had only let himself lose control, hump up against you harder, perhaps it would’ve stained his clothes; seeped through your layers and onto his lap. he’d go home and hold it over his nose until the scent faded, and perhaps after.

“new as you are,” you say, climbing onto your bed once more and reclining back against the numerous pillows — huffing a mean-sounding laugh when he crawls after you. “i’ll do you the mercy of taking it easy, just this once. oh, don’t make that face — you look like a kicked puppy. i promise you’ll enjoy what i have in store for you.”

and you hike up your underdress, and spread your legs. choso’s mouth waters — the thick smattering of hair on your mons, your flower-like labia, shiny with your arousal. and your clit, peeking out from its hood, pink and shiny and begging to have his mouth on it. but as if this wasn’t enough — as if he wasn’t already scrabbling to get between your legs — you take one of those long, sharp nails, and drag it against your inner thigh. the skin splits. blood trickles down from the wound like a river of gold, flowing into the crease between your thighs and your pussy, and it smells ambrosial. if his fangs were aching before, they’re screaming, now. this isn’t human blood; this is richer, sweeter, creamier. delectable. hedonistic. you’ll make a glutton of him.

“after all,” you say, grinning wickedly, “i’m treating you to a most delectable meal.”

[inkskinned]

"the strike is gonna kill my favorite shows" babe okay if you don't want to think about the human livelihoods at stake (you should really be thinking about the humans though) like. think about what happens after this. when writing pays you enough to eat; more people get to be writers. more stories. more interesting plots and ideas. think about what gets made when artists aren't starving.

you've been complaining for years that tv is going downhill. part of that is because the writers aren't paid enough - a screenwriter needs to be able to live with a very low paycheck while being virtually anonymous, so as a profession it self-selects for a very slim number of people. part of bad writing is burnout and the absolutely criminal amount of influence corporations have over scripts. writing is actually a craft, despite what people who love chatGPT will tell you - and, as a craft; it takes time, diligence, and support.

and yes, i understand. you have a connection to a piece of media, which is what writers want. but we regret to inform you that your blorbo is as real as the image in the mirror - is your reflection actually you? can the reflection ever show anything but the truth? as writers, our work is the reflection. you can't keep throwing our bodies under buses and then being shocked that our work is bitter, 2d, "needs revision". imagine what gets made when the artist is inspired and has the time, space, energy, and fucking budget to actually make what makes them happy.

i love you so much. but also, really - and for real - before anything else, please remember it's human livelihoods at stake.

[fortjester]

everyone PLEASE take a look at these tlt pieces I got commissioned by @b1cr1ptic for my dead cav club au and please also weep for how awesome they are

[roseeecho]

It happens so often that someone tries to tell me that something is out of my control and I just stand there like "🧍‍♀️... I know something you dont"

[jacks-the-flower]

can we just talk about how heartbreaking sharon's, alice's, and lilia's deaths are knowing that it's just all billy's illusion. especially lilia- that episode fucking kills you on its own, but then ADD ON the fact that her sacrifice was for so much less than she believes; like she thought she was not only saving their lives, but their grand mission past the desperation of a hopeless situation. the fact that it was all created and perpetuated by the very people she saved just twists the knife doesn't it. like her whole life revolved around a singular day's worth of a magicked-up acid trip.

oh and alice, oh alice. at least the show captured the impact of her abrupt conclusion- to finally break free from your generational curse that destroyed your family for so long, just to be conned into dying not even a few hours later. her life just started and then it was over.

[natandacat]

Theres no words that can describe the complete alienation of having severe long covid. One infection, caused directly by political decisions to remove public measures, and i cant walk. Can't stand except on really good days which are getting rarer. Sitting is a privilege i dont always have. Cognitive work is too much of a risk to consider for the moment. I live in constant fear of going back to being utterly bed ridden in the sense that i cant even feed myself, drink water, speak, move my limbs beyong my fingers and toes. For days and days without relief.

Nothing feels real. Every gain can be lost in a literal second. And on top of this, the fear of reinfection. The very real possibility of death, given how weak a single infection has made me when I was healthy and young. The even more real possibility of a worsened state, where there are no good days. That means death, too. If i am constantly in a state where I cannot move, i am going to have to resort to euthanasia because it is not a bearable existence. I can barely tolerate it when it know it will end. Last time was 14 days and I am still so traumatized by it 2 months later nothing feels real.

And on top of that, i am being told that my life doesnt matter. Covid is not a real concern. Let it fester. Even if the stairs in my building didnt lock me in, all public spaces have become lethal to me. I cant see my friends because they cant avoid exposure when theres a wave. To love me, you must live in a horrific world where no matter how many precautions you take, no matter how much they ostracize you, you might still cause my death.

Covid is a privileged issue they say. Im not even in the room for it bc i cannot be in the room. You can move your body, youre not afraid of death, you havent lost everything that makes you *you*, but im the privileged one. I cant even emote the way i used to. If i get too excited, too happy, i cant move. I talked to countless people who cant work anymore, are losing their jobs their houses their partners their immigration permits but no. Covid doesnt matter. I dont matter. Everyone cheered when i got covid bc they got to party for new years eve. I hope it was a good party. I will never agree that it was worth my life.

For the past 2 years ive had to share classrooms with students and professors who know everything about my story, who have seen how disabled i am by long covid, who ive begged to mask. They all refuse to mask. And i have to sit there and pretend its not a cosmical level farce that theyre talking about social justice and ethics and just what good people they all are. Not to mention that most of them have revealed themselves to be zionists. I have to sit next to an iof soldier and act as if its ok that she gets to sit in this classroom, except im not even sitting in the room because cases are too high and im too weak to be there physically anyway, so im on zoom. At least i get to remove my earbuds when she speaks so i dont have to think about the atrocities she has committed.

[melonsharks]

more parent trap au but its 198X and u are just getting to know the love of ur life