#does this mean we have all the codes now?

[writingsinashes]

What does 'Re-Vamp' mean?

I will be unfollowing many people who haven't expressed interest in writing with me or my muses past our initial meet-and-greet. - That being said, there are a few exceptions.

- If you TRULY plan on approaching me to write with me, please -like this post so I don't unfollow you/or re follow you. - If I unfollowed you and it turned out you were a side blog, PLEASE bring it to my attention, and I will remedy the situation. - I understand that life gets in the way. Hell, I vanished for over a year, and I'm slowly returning, so there's no shade! But please, please, please only like this post if you PLAN TO WRITE WITH ME.

I will be editing my aesthetics, meaning my: - Code and Theme. - Pages (various). - Rules Page. - Muse Page. - Navigation Page.

I will be scrubbing my ask and drafts of anything I no longer have a muse for, or we are no longer mutuals, BUT THAT ALSO MEANS THAT I WILL BE MAKING ASK -> STARTER POSTS FROM OLD ASKS THAT MIGHT COME FROM NOWHERE, SO LOOK OUT!

I will SLOWLY be combining my OCs into one page so they're not all on separate documents, only if I have the patience to do so.

I will also slowly be making a new promo and header, which I do, from the bottom of my heart, ask you guys to reblog so I get some exposure since the RPC isn't what it was when I left almost a year and a half ago.

ALSO THIS MEANS MY URL WILL BE CHANGING!

NOW, PLEASE READ THIS POST, AND IF IT APPLIES TO OUR WRITING RELATIONSHIP, PLEASE, PLEASE DO WHAT I BEGGED EARLIER SO I KNOW WHO TO KEEP FOLLOWING.

[redfoxwritesstuff]

Why Is Misdemeanor Of the Heart's Reader...

White Coded?

Yep, I said it. Come, take a seat and get cozy in the Fox Den while Mamma Kit answers some questions.

CW: Discussions of race and racism in a historical context and me being a wordy ass bitch

I've seen some discourse around Human!Alastor readers and writers and have gotten some of these questions myself over the last few months.

Firstly- I am white. I'm so fucking white that I use SPF 100 sunscreen. I grew up in Alaska. The history I learned growing up wasn't African American history; it was Alaska Native history. I didn’t learn about how we fucked over African American people in America’s early history. Instead, I learned how we fucked over the villages of the land I was raised on.

Why does this matter? The current accepted fanon for Alastor's human life is that he was a Black or mixed-race radio host who died in 1933 and reached his mid to late 30s or 40s. We know he had a successful career and was also a serial killer. He favored jazz, and rye is his drink of choice. He exists somewhere on the ace spectrum.

Time for a little math. Let's go with the middle ground—he was 40 in 1933. That means he would have been born around 1893. Let’s assume his mother was 25 when he was born. She would have been born in 1868. Using the same age for her mother, Alastor's grandmother would have been born in 1843. Remember this—it’ll matter in a minute.

For MisD and all of my human Alastor writing, as well as the works of many other human Alastor writers, we approach Alastor's life through a historical lens. I, like many others, enjoy exploring a time period rich with change—dynamic and vibrant with energy, money, and hope.

What does this mean? This means Alastor would have faced significant amounts of racism. Being Black, mixed-race, or how well he could pass as white would all drastically impact his life. It affected what opportunities he had, the education he received, and how laws were applied to him.

Ready for a history lesson? The Emancipation Proclamation was issued by President Abraham Lincoln on January 1, 1863. It declared all enslaved people in rebellious areas of the United States to be free. Alastor's grandmother—based on the ages we used earlier—would have been a 20-year-old woman at that time.

Alastor would have been raised by a first-generation free woman. He likely wouldn’t have had access to public education, instead being taught in group homeschool-like sessions by those who had learned to read and write.

If he was mixed-race, he would have faced significant discrimination from all of society.

The Civil Rights Movement in the USA didn’t begin until the mid-1950s—a full twenty years after his death.

The reality is that we don’t know a lot about the Black experience during the early to mid-1900s. Much of this history wasn’t recorded by (white) historians. Instead, it was passed down through stories from parents to children, and so on. Only now are we starting to uncover and listen to the histories, stories, and experiences of Black Americans during this time period.

Remember how I mentioned at the start that I’m white as fuck? I don’t have grandparents I can go to and ask about the Black experience when they were children. First—my grandparents are all dead, and second—they were somehow whiter than I am. Their perspective wouldn’t help me because it isn’t my family’s story to tell.

What I can do is look at what we do know, listen to the voices of Black Americans who are finally being allowed to share their stories, and reflect that in my version of human Alastor. I can spend the time to research and learn. For instance, Alastor would have been ahead of his time—the first Black radio host was in 1929, a man named Jack L. Cooper from Chicago. He hosted the first Black-produced weekly variety show and showcased Black entertainers.

I can listen to stories of how mixed-race men were afforded the privilege of their lighter skin as long as they were useful to their white employers, only to be scapegoated the second anything went wrong. I do my best to reflect these stories in Human!Alastor's experiences and behaviors.

Why A White Coded Reader? I cannot even begin to hope to understand the Black American experience as it is now, let alone how it was in 1922, when MisD is set, or in the late 1910s, when my other Human Al fics take place. What I can understand on a deeper level is the white woman's experience, the experience of poverty, the experiences of abused women, and what it’s like to view the Black experience from the outside looking in.

And so that is what I try to highlight with my Human!Alastor fics. Yes, when I’m writing a Human!Alastor fic that deals with racial, class, and social politics as one of the themes to be explored (such as MisD), the reader is coded as white. It is through a white reader that I can have conversations with Alastor about why he feels he has to be perfect, why he straightens his hair, and so on. I cannot do proper justice to these feelings on a deeper level from a Black perspective because I can’t even begin to hope to understand it.

I cannot truly understand what Alastor’s Blackness would mean to him or how he would feel about being mixed. However, I can learn and understand how it impacted his life from the outside looking in. This is what I strive to do—to shed light on what Alastor’s accomplishments would have meant and how much his mistakes would have cost him.

I would love to see more Black writers in the fanfic space, especially within the Human!Alastor space. I would also love to see fewer readers written as blank slates. The Black experience in America and other white-dominated cultures is still not spotlighted often enough, both in present-day and historical settings.

These are stories that need to be told—perspectives that need to be explored, seen, and heard. However, they are not my stories to tell. Personally, until I am far better educated on the matter, I feel it would take away from these stories and be disrespectful to the lives of the very real people who lived them if I were to write from a perspective I cannot hope to understand.

I will continue to strive to write readers as racially neutral as often as the plot allows. However, I also ask that readers respect that, when the plot deals with racial, social, and class divides in a historical setting, if the reader is coming from a place of privilege, their skin tone is often the reason for such privilege.

Of course, I encourage readers to suspend disbelief and insert themselves into the fic regardless of their personal skin tone. I write from a historical setting, but as readers, you can imagine a set of historical laws or circumstances that allow for the same dynamics without requiring a white reader.

Can I do better? Absolutely—we all can. We’re always growing, improving, and learning. I was blessed to be raised in one of the most diverse places in the country (over 45 languages were spoken fluently at my high school). However, since leaving, I’ve struggled with the realities of having that bubble burst—not that Alaska was without racism.

I always welcome respectful discussions about the themes in MisD and all of my fics, as well as the reasons things may be portrayed the way they are. I prefer to write dark content, and with that comes the opportunity to educate and shine a light on topics many people avoid discussing. I simply ask for respect in return for the respect I give.

Much love, Kit

[antianakin]

I mean. I don't think there IS a "Watsonian" reason that works. I just don't. If I did, this wouldn't bother me as much as it does. If there was one that I thought actually worked, the writing would probably have simply been better. Sometimes, a Watsonian explanation simply DOESN'T WORK and you just need to settle for the explanation that the writers probably entirely forgot about how important it is that the chip DOES NOT CARE about the technicality of a former Jedi because Palpatine wants them all dead without exceptions, especially within that first night. The ones who end up getting captured later to become Inquisitors should theoretically be spared specifically because they AREN'T captured by clones or something (maybe it's stormtroopers, or the Grand Inquisitor himself, who initially brings them in).

This is also just such a small line in the episode that I doubt anybody really thought about it as much as I did. It's a throwaway line, more intended to foreshadow that she's going to be a Jedi again by the next episode than anything else. If they'd just left the line out and we never saw a clone speak to her at all, that would've been one thing, we could've just all come up with our random headcanons as to why Barriss was spared. But they GAVE us a reason and the reason is exceptionally stupid and contradicts information we've been given previously. So now there's no way to headcanon around it, you cannot make a Watsonian explanation that works because it just... doesn't. It doesn't work.

But sure. Let's look at this new headcanon and talk about why it doesn't work, either. Obviously if you like it enough to keep it and it's important to you to have it because you loved TOTE and what it did with Barriss, more power to you, but I hope you don't mind that I'm going to analyze it and break down why it doesn't work on this post about why this line is exceptionally stupid anyway.

Ahsoka ISN'T actually made a general, she's officially a civilian consultant during the Mandalore mission. The only reason she's able to act like a general/commander is because Rex and the 332nd know her and choose to give her that kind of authority over them, but technically, REX is in charge and Ahsoka's only real contribution is that she understands more about the mission at hand. The clones really aren't all that confused about what Ahsoka's actual status is here, they know she's not officially a Jedi, and their loyalty to her presumably does not come from whether she's a Jedi or not.

It also just doesn't work for me that the chip allows for the clones to MAKE their own exceptions like that. If it gives that much leeway, this could be a massive problem for Palpatine. Like if the clones COULD just logic their way out of killing one of them somehow, it opens the door for some of them to survive and escape. And also, the whole point of the TCW scene is to show us that the chip CAN'T be worked around through logic. It should not allow for the clones to be able to even CONSIDER what Barriss did or didn't do and whether this does or does not make her a Jedi anymore. TBB chooses to give the clones a little bit more ability to consider their actions later on, once the chip has begun to wear off more, but in the immediate moment of Order 66 and probably the first few days or weeks afterward, the clones should have next to no autonomy over the choice of whether to kill someone that the chip/Order considers a Jedi or not.

It also seems like that would be a really complicated bit of code to try to make it so that the clones only kill people who a) are officially part of the Jedi Order and b) aren't part of the Jedi Order but ARE Force sensitive and act like Jedi sometimes, but NOT c) aren't part of the Jedi Order and ARE Force sensitive but don't always act like Jedi anymore. It's a lot simpler to just say "all Jedi, past and present."

Personally, I feel like the chip should OVERRIDE whatever the clones would've felt about the Jedi in question, not be BASED on what the clones felt about the Jedi in question. That just leaves way too much to chance and I don't see Palpatine being willing to allow that.

So, you know, have your Watsonian explanation if you want it. I'll just still be over here in my corner talking about why TOTE is badly written and makes no sense. I'm not LOOKING for a good explanation, it's not like I WANT to like this show and it's just this one weird line keeping me from enjoying it (honestly if I liked the rest of it and this was the one line I thought was bad, I'd just ignore it or find it amusing probably). I think the show is bad overall and in general anyway, this just happens to be one moment that I thought was particularly stupid. So even if you DID manage to come up with a good enough headcanon to explain it on a Watsonian level, the rest of the show would still be frustrating and upsetting and bad. The stupidity of the line is just an example of the stupidity of the rest of the writing in the show, it's an example of the greater issue with the writing on the show which is that nobody on the writing staff of this show gave a flying shit about writing something that made any sense or was good and meaningful, to the point that they couldn't even do enough homework to know that this kind of exception for Barriss SHOULD NOT HAVE WORKED.

There was an entire major plot element in the Order 66 arc of TCW season 7 about how the chip didn't care that Ahsoka wasn't technically a Jedi anymore and was forcing the clones to want to kill her anyway.

Like.

It's a pretty important part of that whole story that Ahsoka not being in the Jedi Order anymore DOESN'T exempt her from Order 66. It would've been a pretty boring story if that technicality had WORKED.

But somehow the clones guarding Barriss at the prison are totally fine applying that technicality to her.

I guess they just like her better than Rex and the 332nd liked Ahsoka in the end or something. Ironic.

[icarusredwings]

Welcome to Tonys Pizza

Tonys is used to having heros (and likewise) frequent their joint. Mr. Laufeyson want a pie? Got it. Peter want a slice? A comin right up. Hell! A cocker spaniel and a mutt wanna kiss out back over a meta balla? Fuck it. This is new york! As long as dem dogs aint from jersey.

But one of their longest, and possibly weirdest customers is- you guessed it. Wade.

Here at Tonys we got one saying. You make miya mama cry? You getta slap with da pie. Unfortunately this was true until a lawsuit in '17.

But the point still stands.

So one day, when their friend comes with a bit of extra peperoni on him? Who are they to judge? However, They DO heavily judge the fact that he just ordered a large supreme minus everything except the olives and pineapple.

"What!?? Wade you're gonna make me ma cry!" Tony jr (Tony, being his father, who tragically passed when a group of fellas thought 'pizza' was code for dope and not actual pizza) yells, throwing his hands up.

"I know, I know, but you did it for me last time!"

"Last time, my father also kept pineapples just for you in the fridge! Can't be doing that anymore, bad for business."

"Oh but the rat manning the brick oven isn't?"

"Wha!- Who told you bout- cha know what? Fine. Fine!! Aye Vinny! Our pal Wade here wants the usual!"

"WHAT!?" Came from the kitchen before a man comes out, a long rat tail in the back under his hat. You can take this literally or metaphorically.

I don't care. Im just tellin this story not writing it.

"You want me a go buy a whole pineapple just for one pizza!?"

"Yes."

He sighs, loudly taking off his apron and slammed it on the counter, muttering under his breath. "Why always the crazy ones? Move to new york ma said. Its good buisness ma said. ALWAYS the crazy ones!"

"Love ya vinnnyyy~" Wade cooes, watching him leave. Just as he does, The bell rings again. He leans on the counter with a happy grin.

"Welcome to Tonys! Ya make my mama a- c-Cry?!"

"What's taking so long?" Logan grumbles, having just wanted to go home already.

"You're the wolverine.. ThEE wolverine! Aha!! I need to call my mom! She's not gonna believe this! The Wolverine is in OUR shop!!"

Wade giggles, watching as Logan tilts his head at the attention. "Whats with him?"

"You're the Wolverine, bucko. That's a big deal around this place. Now, what do you want on your pizza, big boy?"

".. they do chorizo?"

"Mhmmm~ why? In the mood for some sausage?" Wade teases, smirking more as he coud hear Tony on the phone in the back.

"Ma! Its him! Its really him! Yeah- no, Im lookin at him!"

"....people like you Logan." Wade smiles to him, seeing him frown. "..They like the old Logan.. they think im him."

Wade's toothy grin expands, standing and leaning against him. "With all due respect, Loagie? You're nothing like him. And I love that."

"Hm."

_____

"Alright thank you guys!"

"No problemo, extra pepperoni!" Tony calls, smilin because his tip jar was now full.

"What the fuck did he just call you?" Logan turns. It wasn't hard to tell he was nicknamed this after his skin.

Putting a hand on his forearm, Wade giggles. "Easy tiger. It's an inside joke. When I first came back- like this" he gestures to his face" I asked them for extra pepperoni. They asked how much, and I said as much as I got on my face. Ever since he's called me extra pepperoni. Hey why do you get to be "super cool wolverine" and im just extra pep?"

Logan shrugs, taking the pizza box as he looks at the label, stopping on a fairly not busy side walk a few houses from the apparentment.

"Wait a sec... Wade.. you did tell them one of these were mine right?"

"Huh? What do you mean? I.. I thought I did?"

Opening the boxes, there stood two perfect pinapple olive, chorizo pies. Steaming and ready to be devoured.

The label on the receipt said "Poolverine special"

Logan cringes. "You put pineapple on our pizza??"

But Wade gasps, eyes lighting up. "Sweet salty AND spicy!! Logan, you're a genius!!"

Lets just say.. Wade picked off all the pineapple from Logan's half of the pizza, and he definitely would be returning for more poolverine specials..

Inspired by @sirwadewilsonfromimgur

Enjoy your very stereotypical ficlet

[hulloitsdani]

hi dani fire emblem :) do you happen to have any thoughts on book 6 "I'm going to kill you too" scene?

Please, Dani fire emblem was my father. Just call me HulloIts.

As for the scene in question, oh man. It’s the “I’m going to kill you too” scene, what more can I add! I got some tweaks and reads on Letizia, but I feel like that scene speaks for itself. You don’t need me to tell you why it’s good— It’s one of the moments where feh’s writing really works.

Instead, I think what I can offer to the conversation is an analysis on Alfonse’s three gambit scenes and how they relate to each other. Because taken as a package, I find it fascinating how these scenes are treated by the narrative over time. Alfonse’s ability to pull these off is such a massive boon, but it’s been steadily growing into a delightful character flaw over the years.

Now, let’s back up. What do I mean by Alfonse’s gambit scenes? This is in reference to three scenes that have occurred throughout heroes: Alfonse calling Hel’s bluff in book 3, threatening Letizia in book 6, and his plot to cover for Ratatoskr in book 8. Also known as “Because it means that it is your life that will end in nine days’ time,” “I’m going to kill you too,” and “My saviors have arrived.” These scenes are defined by Alfonse risking everything on a charisma roll. There might not actually be any dice rolling, but that is certainly what it feels like. If he’s wrong about Hel’s curse, he’s dead. If he can’t convince Letizia of his ruthlessness, then he’s super dead and everyone’s screwed. If he doesn’t perfectly sell Hraesvelgr’s assassination attempt, then him AND Ratatoskr are, you guessed it, dead.

These are gambits— major risks with massive rewards. And what’s unique about Alfonse’s brand of it is that they occur on a social level. He’s not, for example, tactically sacrificing a hero for the chance of inflicting enough damage/debuffs so another can to land the kill. He’s not a tactician at the end of the day and has not been shown to be able to crunch those numbers that fast. Instead, he’s weaponizing everything he has gleaned about his enemies as people and staking his life on it.

Now, he does not do that without motive. For all of these scenes, he’s attempting to protect people while backed up into a corner. Using his encounter with Letizia as an example, she’s rather successfully forcing the Order’s hand into surrendering by sending innocent people to the Shadow Realm— I mean Embla’s domain. She’s working under the assumption that the Order, you know, cares about that type of thing. If Alfonse can successfully menace her into believing the opposite, even if for just a short time, it can give them the wiggle room to better position themselves and lessen the use of human shields as it would not longer be a tactical option. He’s protecting his friends and his people in one swoop at the expense of himself. Pulling that stunt with the lady who specializes in weaponizing information is a recipe for his future disaster, but that’s a loss he’d take in a heartbeat in order to keep everyone safe.

The same can be said about his encounter with Hel. He openly invites her to curse him, because in that nine day timeframe, he can ensure he drags Hel down with him. This is an infinitely better option for him than Hel slowly picking everyone off with her curse. Now, out of the three scenes, this one is notedly the most heroically coded and the most corned our protagonists are. We just spent an entire opening act witnessing the lethality and unavoidability of this curse. Of death herself. Alfonse, having had to spend that time accepting his own mortality, successfully weaponizes that acceptance against a cruel and power hungry death. That’s signifying a growth and change of his character. The success of that gambit permanently puts his own life on the gambling table. Which, in accordance to book 3’s themes of death, is a positive thing. But, as time goes on, this idea gains more nuance.

Which brings us back to Letizia. We are not narratively in Alfonse’s head when he pulls off this gambit. We understand the boy smiling in the face of death, because we have seen everything leading up to that point. We, comparably, do not initially understand the boy smiling as he says “I’m going to kill you too.” He has to explain himself afterwards. It’s very jarring as a result. Against a cruel god blinded by hubris, this gambit feels like overcoming against all odds. Against a mortal woman who successfully outsmarted him? It’s concerning to see that he has the capacity for that malice, even if it was not real. We didn’t have the context of Líf when Alfonse initially had that confrontation with Hel, but we do now. It colors all these more morally complex actions whether we want it to or not.

This brings me to the scene in book 8, which is by far the most interesting in my opinion. For the entire first half of that book, we are seeing the social manipulation game Alfonse excels at. He’s not the most friendly or personable, but he’s smart and good at pattern recognition. He knows the information his enemies have and successfully predicts their actions based on that. And he, unfortunately, correctly recognizes that Ratatoskr is coming under greater risk of being found out and getting potentially murdered on their behalf. If there is a mole, it’s going to be her. So he comes up with a scheme to ensure her safety via the best tool in his arsenal. Ole reliable, gambling his own life.

But, interestingly, this time he’s not simply trying to convince his enemies of his deception. No, the charisma check he has to pass here is deceiving his own allies. Against Letizia, keeping his friends out of the loop made a bit more sense. The narrative he was selling was that HE was the farce within the Order. His sister looking surprised at his “true nature” helped. That is not the case here. He kept his friends out of the loop to partially help sell the illusion that this assassination attempt was not planned, but mostly because they would not have allowed him to do this. They would not have approved of this overly dangerous plan, if the serious convincing required for Anna to let him go meet Veronica by himself is anything to go by. But this was the only way to ensure Ratatoskr’s safety, so he did it anyway. That is a fascinating character choice and I wish it caused more character conflict, but I auppoae that’s what fanfiction and fanart are for.

Nonetheless, it’s fascinating how this behavior went from inciting a downright celebratory feeling to a more “what the hell is wrong with you?” reaction over time. The acceptance of his mortality in book three has straddled and then passed the line of overfamiliarity in book eight. This then pairs itself with his innate desire to protect those he cares about in ways that feel inevitable. If he doesn’t make that choice to put his life on the line, then it’s characters like Kiran experiencing the fallout. Or at least, that is how he perceives it after the events of seasons like book 5 and book 7. If their enemies are constantly trying to separate them, then maybe if he manually triggers it and puts the enemy focus on him instead, things will be better. The people he cares about won’t get hurt. It’s totally fine, he swears. He can take a hit.

[turtleplushi]

I haven't seen anybody post the full Riddle Chain yet (including Silas Birchtree) so here you go :)

I didn't find any of these codes myself by the way! I'm not sure who to credit for the rest of them, but I did get the Silas Birchtree code from @dismissivedestroyer (sorry for tagging you ^_^" if you don't want to be tagged let me know and i can edit the post). You can also get the answer using the code "STOD EHT TCENNOC"

(SPOILERS BELOW)

RIDDLE (would you like to play a game) > YES (what's Mcgucket's favorite soda?) > MOUNTAIN DONT (what's a medieval homonym?) > LYRE LIAR (the 20th ingredient of Anti-Cipherzing Tonic?) > HAROLDS RAMBLINGS (how is clown repellant made?) > UNION MADE (Bill's govt file number?) > 29121239168518 (who comes from Zimtrez 5?) > GREBLEY HEMBERDRECK (what's on Bill's flag?) > 3466554 (what leaves a thin line in the snow?) > TINSEL SNAKE (the 6th option on Bill's editing software?) > TORTURE MENTALLY (name an unpronouncable wizard) > XGQRTHX (where do Tri Angels come from?) > 333SUNDAPPLELANECOZYCREEKIL6071494611 (Bill Cipher's Lawyer?) > CAESARATBASHVIGNERE [or] MULTI LEVEL MARK (who defeated Silas Birchtree--?) > EMMALINE BUTTERNUBBINS (you've earned a treat! enter 'DISPENSE MY TREAT' to download) > DISPENSE MY TREAT

The 'treat' you get is under the cut

"BILL FILES DO NOT OPEN"

babydonthurtme.png

billcithescienceguy.png

chernobogwithablog.png

cheshire.png

epacsdnim.png

hiya.png

irrational treasure 2 - the trembley supremacy.png

octobillfest.jpg

remember the bermuda triangle.png

scrapdoodle.png

seeyouinmydreams.png

seeyounextsummer.png

snakeyes.png

trustme.png

xwhyz.png

[teamfortresstwo]

Gwendolyn is absolutely Elias. That “I do” only cemented it . She’s Elias if he actually made do on his ambitions . She’s Elias if he wasn’t so worried about appealing to others . She’s Elias if her “fate” dictated more about her than her fear of being known .

She’s Elias but this is not the Eye’s domain .

This is the web’s

[sysig]

A lot of early concept stuff was expression/pose brainstorming - there’s the classic six Webkinz emotions (which, I learned have been largely pared down to just four after a point! Since they got rid of Dr. Quack’s role, there’s no more “sick” expression and most ‘Kinz’ tired and sad expressions are the same! >:0 What’s the point of having an easily editable puppet with the spaghetti code intact that you have to put an image there AnyWay and not make a slightly different expression!! H’f) as well as the main Sakura poses - so if I’m already making up expressions, why no go a little further! :D

One of the expressions I definitely needed up top was Mischievous - working with a cat, that’s the only logical conclusion really. I think it’s funny that she swerves the compliment only to pay it right back as well lol

The ticklish expression is one I’m still going back and forth on! I’m half tempted to have it be somewhere between happy and angry - maybe a mood gradient, starting out just positive and slowly moving into “Hey stop! >:0″ if it’s too many times in a row? It’s a thought haha

Similarly so, messing with her ears - bothering your pets is a very important element of socialization (lol)

As seen above, I’d reallyyy like to figure a way to have a dual-visual mood system - both the ‘Kinz body language/expression/emotion and a more exact stat bar. I’m still chewing on this idea a bit, no pun intended lol. That and click-and-drag with an actual image you can drag around your screen, hm and hm! Much to think about. Her face here turned out cute and funny haha, helped me push the expression more comedic

Much better :) Webkinz already has some well-known food dialogue, my favourite is probably “Mmm to the mmmax!” haha

Each low-mood would have their own emotion tied to it, but what about somewhere in the middle? I like the idea of the ‘Kinz getting bored if they’re left alone for too long! And little paw taps, showing off her embroidered paw pad haha ♪

[nostalgia-tblr]

I watched Avengers: Age of Ultron (apart from I skipped some overly long action sequences) and I am not sure so can someone tell me whether or not Tony Stark was the baddy in that film? Because about halfway through I was sure he was but then it was maybe just an evil robot after all and I am confused because either this film was surprisingly subversive or it was about robots hitting each other.

[keeps-ache]

been telling my siblings 'you would NOT make it in vulcan academy' when they do smth goofy recently and nobody's been able to refute lol

[jikigo]

you ever just see a post and just

. 😭

.⬅️🫀⬅️

[opens-up-4-nobody]

...

[poisoned-pearls]

”love letter from the sea to the shore,” (Delaney Bailey) and “good old fashioned lover boy,” are azul love songs directed at Jamil but from different ends of the spectrum

[elytrafemme]

every single fictional character i like should split and have mood swings like me. "ohhhhh but it's not canotical" "ohh they have good control over their emotions and stable views on the world" i don't fucking care. i see cq in his fake desert i see klavier's control dialogue i see dahlia and her serial murders and komaeda and the gun literally fuck with me right now. we need to stop being cowards about our fictional character headcanons i think everyone should kill people always because i can't

[floralovebot]

What are your thoughts on how nickelodeon made the Princess of Linphea lightskinned? Was this them trying to whitewash Linphea?

That's interesting!

I mean listen I wouldn't put it past them yknow? This is rainbow and nickelodeon, two companies very cozy with whitewashing and racism. But I do think this could've been more innocent on their part. We didn't see a lot of the people of Lynphea in the first three seasons but we did see some, notably Miele who is also very lightskinned and could very well be white or very white-passing.

I think it's also important to remember that Rainbow is,, pretty bad with racial sensitivity and they treat all of the planets as very "color blind" so to speak. Like Melody is considered the "Asian planet" yet the princess is likely wasian but so white-passing that most fans thought she was completely white. We've also seen multiple other characters from Melody that don't "look" asian (obvs being asian doesn't have a "look" but in the realm of animation and rainbow racism? yeah they do). Nabu and Helia are both heavily asian-coded, yet Nabu (and his family) is from Andros while Helia is implied to be from Lynphea or Solaria.

We also see multiple shots of the crowds on other plants like Domino and Solaria where you can see characters that are definitely Not White. And while those characters could easily be from a different planet, they're also usually wearing the clothing associated with that planet and are considered Part of the people.

Rainbow often mixes different races and ethnicities for literally all of the planets. Like the argument that a character couldn't be from one planet because they aren't a specific race does not work in the winx universe. All of the planets are incredibly "mixed". And again, while there's obviously a discussion to be had about whitewashing cultures, being color blind, uncomfortable implications of colonization, etc, the princess of Lynphea being a white girl or at least partially white-coded or white-passing is actually really on brand for them and not something that I would entirely blame Nickelodeon for.

[incorrectbatfam]

What does Tim say when people ask about his spleen?

Damian: I am updating my blackmail records. Tell me what happened to your spleen in its full hilarity.

Tim: I donated it to a sickly orphan.

Damian: You win this round.

———————

Tim: I have to be careful, I lost my spleen.

Carrie: How?

Tim: Aliens.

———————

Tim: I'm zero percent spleen and fifty-nine percent pizza sauce.

Helena: Zero percent spleen?

Tim: Yep. On the bright side, they named a disease after me.

———————

Luke: I've designed nanotech vitals trackers to be implanted on our spleens.

Tim: Oh, no thanks. I don't have one.

Luke: You don't have a spleen?

Tim: It wasn't paying rent so I evicted it. Lazy freeloader.

———————

Barbara: Why does your chart say you're missing a spleen?

Tim: I made a deal with the devil but I had a discount code so instead of my soul I just needed to sell a non-essential organ.

———————

Steph: What happened to your spleen? Are you okay?

Tim: I'm fine. It's taking an extended gap year.

———————

Harper: So... can I ask about your spleen?

Tim: Yeah, don't worry. I was part of a failed science experiment.

Cullen: What'd they do?

Tim: They injected me with a serum that was supposed to make me indestructible. But instead all I got were a spleen removal and chronic insomnia. And a free T-shirt.

Cullen:

Harper:

Cullen: Was it a nice shirt?

———————

Dick: What do you mean you don't have a spleen?!?

Tim: It was confiscated by airport security.

———————

Tim: Happy Pride! My spleen finally came out of the closet. And by closet I mean my body.

Kate: Diversity win.

———————

Tim and Jason: *arguing*

Jason: At least I still have my spleen!

Tim: It's genetic!

Jason: Sucks to be you.

Tim: We have the same dad. It could happen to you too.

Jason, scoffing: Whatever.

Jason, internally: Oh shit, he's right. I need to see Leslie.

———————

Tim and Bette: *sparring*

Bette: *hits Tim*

Tim: Ow. Time out. That was my spleenhole.

Bette: ...How?

Tim: It took a trip to the Titanic in a soup can with a Playstation controller.

———————

Duke: Since when did you have that scar?

Tim: Since losing my spleen last year.

Duke: How do you lose a spleen?

Tim: You forget to cherish it.

———————

Cass: ?

Tim: I digested it.

———————

Selina: You know I have to tell Bruce about this.

Tim: Okay, fine.

Tim: I had to get it removed as a kid after falling into a well of bats.

———————

Bruce: Tell me what happened to your spleen so Alfred and Leslie can give you the proper treatment.

Tim: What do you mean?

Bruce: Everyone's been telling me you don't have it.

Tim: Well, I do, so...

Bruce: Alright, I'll have a talk with them about bad taste pranks.

———————

Alfred: You can't keep the truth from me, Master Tim.

Tim: Assassins stole it.

Alfred: I wasn't born yesterday. Now what really happened?

Tim: ...