#does this mean we have all the codes now?

[stagefoureddiediaz]

We’ve been looking at this all wrong the entire time...

So my brain is a weird place that I don’t fully understand, but sometimes it connects dots and I figure something out that has been staring us in the face the entire time! Lets just say it explains so many things - right down to the very pointed use of tommy calling Buck Evan!

This all stemmed from me looking at colour theory and costuming for Buck and Eddie (and by extension Tommy) season 7 again, because I was going to try write the buddie costume metas for episodes 9 and 10 that I never managed to get done before we started season 8 I will hopefully get to those posts, but this post - while technically about Tommy and his costumes (yes me ant Tommy person writing a post on him I know!) it does also look at the costuming for Buck and to a lesser extent Eddie more widely across the season and what the colours used actually mean - getting some distance and some time on the season has been a blessing!

Im not going to go into it in detail, but, broadly speaking the show has given each character a signature colour - this doesn’t mean they wear it all of the time - but they do wear it a lot of the time and especially in key scenes - characters can have more than one key/ signature colour, and it can change and develop over time. We can ignore season 1 because it was a pilot season and very often shows won’t choose to establish a signature colour for a character (911 s1 is all over the place from a costuming perspective - because they had several designers working across the 10 episodes but since s2 we’ve had much more continuity with Alayna Bell-Price at the helm for most of it). So for example Athena’s signature colour is mostly black with white and khaki green also in the mix. She’s moved away from that subsequently - wearing less black and more white/creams but both colours are still staples of her wardrobe.

Eddie we all know mirrors Athena from a costuming perspective - his signature colours are also black and khaki green with some white/cream as well. The khaki green was much more dominant than the black to begin with - which played into his military past -  that had evened out on the black and khaki front whilst the cream had stayed fairly steady, but now we’re also starting to see a little bit more of it as well as some darker blues. this mirrors Athenas own journey t healing - the more she heals the less Khaki we see and the more white/cream - Eddie is starting to follow the same path from a costume perspective. 

Bucks signature colour has always been blue, but he also wears a fair amount of yellow and grey, so those are his three colours. He obviously wears a lot of other colours, especially white, but white has its own specific use in Bucks costumes that sits separately from his signature colours. 

We all know about yellow/ blue and green blue colour theory - I’ve gone on about it enough (especially yellow blue colour theory and its queer coding) and others such as @lover-of-mine have as well. Well both yellow/blue and green/blue continued to play out in season 7, I’m not going to go into them in too much detail - there are posts on my pinned post that cover that much better and I want to get to the good stuff (and I know you all do too!) 

We do need to remember that Buck and Eddie very very rarely wear blue and green in scenes together - if Eddie is in green Buck won’t be in blue, and vice versa - this is because of the ties to blue/green being Buck and Eddies break up colours - the colours they wear opposite their respective girlfriends when the relationships are ending. This is a little less set for Eddie - who actually wears white/cream much more when he’s ending relationships than blue or green - but the one time he has actively done the breaking up he was in green.

As I was starting to do a bit of work on the 7x9 and 7x10 metas, I ended up going back and looking over the Buck and Eddie costumes for the season as a whole, and how Tommy fit into all of that as well - as we’ve all been billing him as Eddie lite.

While I do still think there is an element of Tommy being Eddie lite, I don’t actually think that is what the show has been doing -that concept is a bit of a red herring. I’m sorry that this is likely to get a bit convoluted and wordy - but my brain is  still reeling and incoherent so bear with me - I hope it all makes sense.

Right this post is super long so the rest is going below the cut! I hope you enjoy!

Because I was looking for Eddie and Tommy parallels in the costuming for the season, I had been looking at the choice to put Eddie in red/black for his dinner date with Kim and Buck being in green for the scene at Bucks loft, and the fact that back in 7x04 Tommy had been dressed in the same colours - a red henley which was shot with black giving it a red/black colour way. I naturally started looking at the other Eddie - Tommy costume parallels - and there are plenty - lots of the khaki green we see Eddie in - playing into Tommys own military background.

These are Tommy’s scenes - where he wasn’t in uniform of some description (which is a good chunk of his scenes to be fair) 

7x04 

at the hangar - white tee, greenish stone coloured shirt and a tan jacket with stonewash jeans

at the court - light grey marl cut off hoodie and bright blue shorts

at Bucks loft - red/black short sleeve henley and stone wash jeans

7x05

at the restaurant -dark khaki green shirt (I would also like to point out the blue green colour theory here with the addition of tommy having a blue phone case - which is relevant later I promise!)

coffee meet up - light grey henley and navy blue hoodie with mid wash jeans

7x06

karaoke club - navy blue short sleeved henley

7x10

light grey marl tee and greenish denim shirt 

So what you can see from this is that besides the use of henley’s, the only time we get actually get direct reference to Eddies costuming is through the use of khaki green and his first outfit at the hangar. There is of course the direct parallel of the red/black colour way I spoke of before, but, beyond that if you look you’ll see that Tommys outfits actually parallel Bucks far far more. I would even argue the Henley’s are more similar to Buck than Eddie - because they are short sleeved and Eddies are invariably long sleeved.

Bucks colours are blue and grey - and so are Tommy’s - particularly in scenes that are 1-1 with Buck. What I’m trying to get at and will explain is that this has never ever been about Tommy being Eddie lite - this is all about Tommy being Buck - Buck’s subconscious if you will. (I know you all this I’m completely mad at this point - but stick with me!) I have a lot to say about all of this which will explain the why of it all and how we ended up here so we’re going to go through it Tommy costume by Tommy costume!

Lets start with the hangar scene - the most Eddie like Tommy looks throughout the entire season. this is very much intentional - this is about the red herring of it all, but it is also about Eddie (I’m not discrediting anything we’ve talked about regarding Tommy being Eddie lite etc - it is all relevant - but that’s what makes it such a good red herring!) and about Buck being an unreliable narrator. This is in part why we also still see Buck in his too short trousers and his white sneakers. This is his journey (the sneakers), but he’s still trapped in his old self at this moment in time - but aware that he doesn’t fit his skin anymore (as an aside I will be writing a post about Bucks trousers and their changing fit throughout the seasons at some point soon!)

Script wise the key lines are plentiful - the entire scene is full of double meaning. We get Buck stating that he is ‘happy where he’s at’ and Tommy’s response of ‘you’re thinking of changing things up’. viewed through the idea that Tommy is a version of Buck, this then plays out as an internal conflict - a battle about wanting what you already have - being happy with what you have, but also wanting to change things.

Eddie saying ‘you aren’t thinking of leaving us are you’ and Bucks response ‘I’m keeping my options fluid.’ Eddie needing reassurance that what they have isn’t going to change, while Bucks reply is about him not really being sure of himself - of who he is - keeping his options open because he’s figuring out if he wants to change - the line is said to and directed at Eddie so its about Buck keeping his options open about possibly changing their dynamic - becoming something more, even in the face of Eddie not wanting things to be different.  Tommy stating in this scene that Buck doesn’t need to leave the 118 to get certified to fly - that its something he could do for fun on his days off - becomes even more loaded through the internal monologue lens - Buck considering how he can stay at the 118 and have the joy, fun and benefits of ‘flying’ when he isn’t at work - that he could fly with Eddie (Eddie going flying with Tommy to do something fun and date like is a very literal visual metaphor for Bucks internal monologue - showing him what it could be like if he changed things up). There not being three tickets - only two is also important - its again a metaphor this time about how if Buck and Eddies relationship changes - it would only change for the two of them - it would become a relationship that doesn’t have room for another in it. When I say that’s about Chris not being involved it sounds really harsh, but the reality is Chris cannot be a a part of Buddie - he cannot be a part of something romantic. it isn’t saying Chris isn’t important or central to Buck and Eddie - simply that he cannot be a factor in a romantic relationship - that has to be just between Buck and Eddie alone - its kind of about Eddie (and also to a certain extent the same is true for Buck) not being able to hide behind Chris anymore when it comes to Buck.

Fundamentally its all tied back to his death in season 6 (we even get the being struck by lightening reference from Buck just to bring that aspect home) and subsequent resurrection and rebirth  (post linked on my pinned post if anyone wants to read it!). we have to keep at the front of our minds that Buck has died and that is still playing on his mind - its still influencing who he is and who he is becoming and it was all throughout season 7 - even if it wasn’t obvious or stated.

The basketball costume is actually the one that has always stood out for me - Its the most Buck outfit of all Tommys outfits. The bright blue shorts especially. 

So in that scene, which we know is supposed to read as being from Bucks view point, not only are we getting golden haloed super happy bouncy Eddie - Eddie the way Buck sees him -  but Buck is also projecting and seeing Tommy in the place he (Buck) has always existed in. It’s a visual representation of what Buck talked about with Maddie and Tommy replacing him in Eddies life.  Its unreliable narrator buck in visuals he’s seeing Eddie replacing him with Tommy - occupying the same places Buck has and more - from the calendar to the basketball court.

But that’s actually wonderful, because not only does it give us information on how Buck views himself (as expendable/replaceable) and how he thinks others view him - because if he thinks he’s similar to Tommy (which for a purely visual stand point he is - Lou looks more like Oliver than Ryan) but it also gives us information about the reality of how much Buck is actually intwined in Eddies (and Christophers) life - its telling us that Buck is in fact on Eddies calendar (and therefore fridge - fridge magnet theory for the win!) and how much space and conversation he occupies in the Diaz’s everyday life.

So he isn’t actually seeing Eddie in Tommy at all - he’s actually seeing the version of himself he doesn’t think he is but wants to be in Tommy. The version of himself that takes Eddie to vegas etc - that’s the Buck that Buck wants to be - the one openly flirting with Eddie and taking him on dates etc. That’s why the vegas fight is so seemingly ott (especially when you think about the fact Tommy and Eddie have known each other a week or so at most by this point) its the grand gesture Buck wishes he could be making.

All of this also makes Bucks ‘attack on Eddie’ more telling (it’s still the boy pulling the girl he likes pig tails in the playground concept) because Eddie is being receptive to all of these advances by Tommy - adding further weight to the Buck being jealous of and threatened by Tommy. 

Tommy is this version of Buck swooping in and doing all this stuff that Buck wants to be doing (subconsciously still at this point - willful ignorance be winning) but either didn’t know how to or didn’t know Eddie if would be receptive to. Remembering that this is all Bucks viewpoint of things its essentially Bucks brain showing him what dating Eddie would be like and Buck being Buck misunderstands what his brain is telling him (forever misunderstanding the assignment).

There is a second aspect to this and it ties into Tim’s comments about the hamster wheel Buck has a been stuck on and it being time he got off it - the hamster wheel is actually multifaceted and has more than one meaning. The most important is that the hamster wheel hasn’t ever been about his relationships or about the women he’s dating (or men now). The hamster wheel he’s stuck on is actually the fact that he’s built this strong relationship and family with Eddie and Chris - (you don’t find it son you make it) and its something safe and stable and predictable in his life. Getting off that hamster wheel is about being brave and moving that relationship - that family dynamic onto the next level - removing the platonic aspect of their family and making it a fully formed family for real - romantic love and all - so the ‘platonic’ family is the hamster wheel he actually needs to get off of. 

The other aspect of Tommy actually being Buck and the hamster wheel of it all is that hamster wheels are solitary pursuits - the implication is that Buck is the one standing in his own way - and coming back to the basketball game we see that played out in the moment where Buck tries to literally run through Tommy - only you can’t act out at yourself, and Tommy is a literal solid unmoving barrier and Buck won’t get past himself by just trying to bulldoze his way through.

This all then plays into the final Buck and Tommy scene of the episode - in bucks loft. I already spoke above about the red/black of it all, but now with the added concept of Tommy being A version of Buck things start to become more interesting. The red/black of it all is a warning (and the poker date red/black velvet suit and eddies red and black suit from s6 actually play into this as well!) - its dark romance - ‘forbidden’ dangerous romance or love. So for Eddie and his date with Kim that meaning is very self explanatory. The two season 6 suits are also fairly self explanatory - for Eddie again its the dangers of looking for romance that isn’t on your own terms and for Buck at the poker game its about the danger of falling in love with the person you are when you aren’t being truly yourself. Tommy being a version of Buck and this concept is a little more murky - essentially is about a similar thing to his poker suit - with a twist - its about the danger of seeing more value and loving a version of yourself that ‘used to exist’ as well as a version of yourself that you think will make you more attractive to others.

We do also need to Talk about Bucks costume here as well - the fact that it fits him almost perfectly - he’s in well fitted if slightly loose jeans and a navy shirt that isn’t tight with buttons not clinging on for dear life (to the same extent). The colouring is still on the dark side - so its not entirely positive - much in the same way that other scenes with buck in a dark navy shirt are moments where things go a bit askew for Buck (think the  taylor ‘I kinda love you for it’ scene from s5 as an example). The implication is that - before Tommy comes along Buck is at his most content with who he is - he’s fitting into his skin better than he has in a long while but it’s not perfect. This is key, firstly because of how the scene unfolds and secondly, because of how he is then costumed from here on out for the rest of the season.

I do also want to mention the yellow blue colour coding in this scene and that is mostly done through the lighting - Buck is in blue and the light behind him is always yellow - he is surrounded by yellow light. In contrast - Tommy is barely touched by the yellow light - not until Buck starts to figure things out - then we get him briefly touched by the yellow light - the rest of the time he is lit very cooly - which is in contrast to the warmth of the loft - and further plays into the idea of Tommy being a stand in for Evan - Evan who isn't loved and accepted in the same way Buck is - Evan who Buck needs to learn to love.

If we look at the script for this scene, it also fits in perfectly with the idea of Bucks internal monologue.  Tommy and Eddie being ‘buddie’s’ making perfect sense is a literal aside to the audience telling them that Buddie makes perfect sense - but it is more than that. This is where I have to bring up the ‘Evan’ of it all. I know a lot of us shudder with horror because of the fact Tommy only ever calls Buck ‘Evan’ and how both jarring and rude it is. How it shows how little Tommy knows Buck. We’ve always known it was being done intentionally. Well, if we view the use of Evan through the lens of Tommy being a version of Buck and things become clearer.  Because Tommy is basically the old version of Buck - the Buck who existed before he knew Eddie - before he joined the 118. And this is where the choice to bring back Tommy specifically for this role becomes a really smart one - because ‘Evan call me Buck Buckley’ was Tommys replacement at the 118. Tommy who has a problematic past that has never been dealt with on screen. This isn’t about the nature of the problematic past. This is the show playing on the idea of Buck’s software upgrades - before Buck 1.0 there was Evan, and using who Buck replaced at the 118 as a plot device to actually dig into Evan more so that Buck can deal with, accept and move on from Evan and become who Buck is meant to be.

Tommy saying he couldn’t replace Buck furthers this - because Buck cannot go back to being Evan - Evan can never replace Buck. invoking Christopher adds weight to this - because Chris never knew Evan - he’s only ever known Buck and Buck is ‘his Buck’ and irreplaceable. Tommy then stating his jealousy is about Evan feeling the lack of family that he grew up with - the recognition that as Buck he has made a family for himself - Bucks assertion that Tommy (Evan) was a part of it is valid - because without Evan Buck couldn’t build the family he has. The entirety of this conversation is about Buck choosing to ‘get to know’ his past (remember this is coming of the back of Buck crossing out the ‘LEY’ on his nameplate in s6 and his struggles with his parents acceptance in that season before the lightening strike), choosing to learn about Evan and embrace him as a part of Buck.  

Bucks assertion that he was ‘trying to get [Tommys] attention and it being exhausting’ is part of that as is the confusion Tommy expresses. The choice for Buck to use the word ‘exhausting’ - it’s Bucks subconscious trying to get his own attention - its his subconscious telling Buck that he’s exhausting himself by not listening to what his inner voice is saying. It’s of course a play on Buck being called exhausting by other people (and is perhaps why he doesn’t have the confidence to listen to that inner voice) and that also plays into the Evan of it all and how Buck views himself. Tommys confusion also plays into that - bucks own mind is confused - it was getting ready to ‘pursue’ Eddie but now we’re pivoting into what is essentially self love.

The continued bringing up of Eddie also makes sense with the contact of Tommy being alt Buck - because Eddie Eddie Eddie fills Bucks heart and mind - Both Evan and Buck recognise Eddies importance if not his full relevance in this moment. The resulting kiss then becomes less about Bucks bi awakening (I am not diminishing the importance of that in any way shape or form - its a vital aspect of Bucks journey) and more about Bucks decision to pursue loving himself - this ties into his statement ‘it wasn’t about me wanting to leave the 118 - it was about wanting to get to know you’ - its about Buck wanting to get to know himself - on the other side of his death and resurrection. It’s a continuation of his comments about Natalia ‘seeing him perhaps better than he sees himself’ - it’s about Buck starting to see himself better now he’s died and essentially been reborn and bout Buck now being in a place where he feels ready to confront that idea of being reborn and becoming someone new.

At the restaurant in 7x05 we have Tommy in an Eddie colour, but in a shirt that is much more Bucks style. There is also the green/blue colour play with Tommy stating Buck isn’t ready and Tommys ‘mismatched’ clothing bears that up - the play is on Bucks lingering confusion and uncertainty about what he wants - is it the Eddie side of things we’re pursuing the self love of Evan aspect we’re looking to explore? The entire scene is not just about Bucks first ‘date with a dude’ its also about Bucks fumbled attempts at self love - at not getting it right - its why Bucks outfit doesn’t fit him- why they’re now too big and baggy (I wrote about this in my costume meta for that episode - which like all the other costume posts can be found linked on my pinned post).  The innuendo about closets and Buck going into masculine bro mode is as much about his nervousness about being on a date with Tommy and being seen as it is about the fact that a man practicing self love is still taboo and so often met with derision - hiding that you are pursuing that is a kin to hiding queerness - at the start - until you get to a good place with it.

We side step into the Buck and Eddie loft scene briefly to look at Bucks confession to Eddie - I could write a whole thing on Eddies acceptance of Buck and its importance - but that is for a different post that isn’t already a million words long! what I want to mention in this scene is the why Buck can’t stop thinking about Tommy of it all - how it is essentially establishing the idea that Buck is starting to listen to himself.  He can’t stop thinking about Tommy because it isn’t Tommy he can’t stop thinking about it’s actually himself - Evan - in a learning to love himself and embrace who he is and was kind of way - all being done through a bi lens. it is essentially about Buck doing the thing he needs to do to be ready for a forever relationship with Eddie - which is love and accept himself - all of himself and acknowledging that to Eddie.

Buck switches back to better fitting clothes for the coffee date - and tommy is now dressed back in Buck colours and no trace of anything resembling Eddie in sight - making it clear that Buck has chosen to pursue himself. To get himself to the place he needs and wants to be first - the line about not knowing what it is he’s ready for but being ready for something is key - its a very self love line, but it also puts a very clear time frame on things - it makes it clear that Tommy is not endgame - because Bucks choosing self love and embracing and understanding ‘Evan’ isn’t his end game but a part of his bigger journey - a part of becoming who he needs to be to achieve what he actually wants - to get him to his endgame.

Then we have the Karaoke - brief scene(s). There isn’t really a huge amount in these scenes. But I do want to point out two things - the awkwardness of Buck and Tommys hug - and how that plays into the tentative nature of Bucks self love journey - and also Eddies behaviour towards Tommy - and the way it was very very clearly a lot cooler than we saw in 7x04.

We all jumped on the Petty Eddie train - and I agree there is an element of that. But - there is also the fact we are not seeing that scene through Bucks eyes - its through external eyes and we are therefore seeing the actual reality of Eddie and Tommys friendship - in that it isn’t this heightened date like - flirty new love type relationship - its simply two people who are loosely friends. Its remarkably normal and no threatening - only furthering the entire purpose of 7x04 being from Bucks viewpoint and Tommy being an alt Buck rather than an alt Eddie. It also therefore serves to further establish the Buddie of it all (but we all already knew that!). Tommy is still in Buck colours and the short sleeved henley is still something I would put more into the Buck costume camp than the Eddie one - especially in this season! 

The final Tommy scene and costume is the date at Bucks loft and the conversation about daddy kink. I still don’t like this scene (which has a lot more to do with execution and the script than the actual daddy kink of it all) but I am much more sanguine about it now that I understand what it is setting up.

Bear with me here I probably won’t make sense, but with the knowledge that Tommy is actually buck lite - a less good and developed version buck (Evan and in part the version of Buck that Buck himself thinks he is) the daddy kink scene actually becomes about setting up Buck addressing his past and his actual real daddy issues - because bucks past self sees his worth in those issues and without them it means both Evan and Buck have no worth. Buck confronting and dealing with them and choosing to forgive and move on means the end of Buck and Tommy because Tommy is no longer needed - he has served his purpose and Buck would be ready to start his future - Evan stays in the past and Buck completes his rebirth and closes his lightening strike arc.

Onto Bucks season 8 journey - Bringing Gerrard in to Bucks arc rather than the others who have far more connection to Gerrard now begins to make much more sense. Tommys past under Gerrard actually echoes Bucks past - in different ways and to vastly different degrees, but the parallel is there.  S1 Buck being a play boy and sleeping around and not treating women especially well (objectifying them etc) because of his own hang ups - is a pale echo of Tommy being closeted and racist sexist and homophobic under Gerrard. Like I said before - Buck is a pale imitation to Tommy here and that’s intentional (more in a sec) because once Tommy is under the wing of Bobby when he takes over the 118 we see him begin to grow and change. Buck follows the same pattern - Bobbys guidance pulls him away from his destructive behaviours and sets him onto the right path (Bobby is arguably the birther of Buck - Look I could write a whole thing off the back of my death and resurrection of Buck post about Bobbys role as God - the heavenly father - in Bucks life and how that is the overarching theme of Bobby and the show but I don’t have the time tbh!) to ‘redemption’.

Bucks behaviour is very intentionally not as bad as Tommys behaviour, because if Tommy is the plot device meant to essentially represent Bucks subconscious and how he views himself, then the reason we haven’t been shown Tommy atoning for any of his past sins and behaviours is because Buck hasn’t forgiven himself for his own. Buck is his own worst critic and will self flagellate to a ridiculous degree - and again with him being an unreliable narrator - he views his past indiscretions as being the equivalent of Tommys - therefore in his mind he hasn’t yet done enough to deserve absolution (Buck and Bobby being father and son in this as well!). 

Which brings me to s8 and the return of Gerrard and what Bucks arc is going to be (this is slightly incoherent and not fully formed - I’m still percolating!). Gerrard being central to Bucks arc - and Bucks push back is imo going to be about Buck taking a good look at himself and recognising/ facing up to and accepting his past. And that actually does come down to the daddy issues of it all. Because if Bobby is as good as Bucks dad - and allowed him (and his subconscious in the form of Tommy) to develop and grow - then Gerrard is Phillip Buckley (obviously a heightened more terrible version of reality in the same way Tommy is a much worse version of Buck) who parented Evan through apathy and taking the easy route - we saw Evan pushing back against Phillip in Buck Begins and being rewarded for it and thus establishing Bucks self destructive and self sacrificing pattern of behaviour. Acting out and getting hurt got him attention - so Buck acting out against Gerrard is this reduced and will ultimately have the same results just in an essentially more destructive way.  This is is a good thing - because this is about Buck recognising that he is worth and acting out etc is detrimental to him progressing as a person - its going to actively prevent his self love journey to flourish (and this is why in part I maintain my belief that Tommy is going to, if not encourage Bucks behaviour, then at least tell him to go along with Gerrard demands - for an easy life and also part of why I don’t think we’ll see a huge amount of Tommy - at least to begin with - until we get to a point where Buck is really motoring on the self love journey and getting to the point where he needs to do some pre break up face to face conversations that move him forward!).  It’s about forgiving and accepting his father for how Evan was raised - Bucks arc is going to be about forgiving himself and allowing himself to be happy, and he cannot do that if he doesn’t go through the Gerrard stuff - which is essentially a type of therapy. That’s also where I think the golf comes into it - it’s a metaphor for Buck building bridges, gaining understanding and accepting his past with his father - the metaphor of the driving range being the idea of standing side by side and performing the same thing, but landing in different places. There is also the concept of improving ones self and choosing to not repeat the mistakes of the past.

It also means the thing Tim said about Buck and Tommy becoming more comfortable with one another makes much more sense, and why he’d flip the question to talk about Eddie and about Eddie feeling a bit left out in the cold but not out in the cold! Buck is becoming more comfortable with himself and while he’s doing that and learning to be happy etc as I described above. Eddie is going to feel left out - because this is about Buck not Eddie - because it’s about Buck being ready for forever with Eddie - and Eddie ultimately cannot be a part of that journey - Buck has to do it for himself in the same way that Buck cannot help or be there while Eddie goes through his reckoning with the Catholic Church, and faiths place in his life and also dealing with the ghost of Shannon and his mother issues(because he has those and they are all set up to go in s8 - Chris being in Texas really sets that up nicely!

Bahaha Tim I’ve finally figured out your question answering methods and how they tell us all we need to know!! 

All this to say - Tommy is actually alt Buck - not Eddie lite (I mean he is still also that but it’s a bit of a red herring) he is a plot device for the biggest thing about Buck as a character and it all means Buddie here we come!

Thank you so so much if you have read this epic piece of waffle - I hope you enjoyed and I truly look forward to hearing all your thoughts on this and to you being as insane about it as I am!

Tagging some people who asked (and some who didn’t but might be interested anyway!)

@spotsandsocks @exhuastedpigeon @lover-of-mine @fruityfirehose @leothil

@bewitchedbewilderedbisexual @theladyyavilee @livingwherethesidewalkends @craigyxo

@izzysbeans @buddiediaz118 @inell @hotshotsxyz @winterskydragonx

[queen-of-deans-booty]

On The Run

Pairing: Demon!Dean Winchester x Female!Reader

Word Count: ~1.4k

Warnings: angst, fearing for your life

Summary: You’re on the run from someone very dangerous. You’re always looking over your shoulder, fearful that he is going to be right there and drag you back into Hell. You have a son to protect and you’ll do anything to make sure he is safe, even if it means sacrificing yourself.

Square Filled: silence (2021) for @spndarkbingo

Author’s Note: any and all comments are appreciated <3

x

It’s been ten minutes since you got the call, and you’re doing your best to pack whatever you and your son might need. He’s still sleeping since it’s three in the morning, but you’re running around your room throwing things in your suitcase--only the things you absolutely need. Everything else can be replaced later. Once you’re done with your suitcase, you walk into your son’s room to pack his suitcase.

Your son is a heavy sleeper so he doesn’t wake as you’re packing his suitcase, but he does wake when you scoop him into your arms.

“What’s going on, Mommy?” he asks sleepily.

“We’re going to live with Aunt Kathy for a while.”

“Why?”

“We’re going on a trip. Just you and me. We need to go now.”

“I’m tired,” he whines.

“Let me just get you into the car and you can sleep, baby.”

You keep your son propped up on your hip while grabbing both suitcases. You rush out to the car and place your son in his car seat before shoving the suitcases in the back. Tyler immediately falls asleep, and you rush back into the house for a last-minute grab. Inside the closet is a safe that contains the most important things you’ll ever own, and you punch in the code and rip the door open. You grab important documents and your gun with special bullets. There is only one thing left in there, and the shiny diamond shines brightly. It pains you to think about what this ring means but you can’t leave this behind.

There is a sliver of hope that everything is going to be fine which is why you can’t leave it behind. You take the ring, head back out to the car, and get in. You pull away from the house you once loved and start the five-hour drive to your sister’s house. When you get to the freeway, your phone rings to let you know you have a text message.

Unknown: Lay low for a few days. I’ll come get you and bring you somewhere where he can’t find you.

You let out a shaky breath and look at your son through the rearview mirror. Tyler is your entire world. You can’t let anything happen to him. You moving to your sister’s house and eventually a new safe location is what’s best for him even if he doesn’t see it.

It’s early when you get to your sister’s house, but you called her right after dawn to let her know you were coming. Tyler and your sister’s kids get along great, so he is happy to play with his cousins while you and your sister sit outside to discuss what’s going on.

“You know I’m happy to have you, but what’s going on? What couldn’t you tell me over the phone?”

“He’s back, and he’s coming for us.”

“You came here?” Kathy sighs. “I love you and Tyler, and I’ll always want to help, but you’re putting my kids at risk.”

“I know but it’s only for a few days. Sam is gonna come get us and bring us somewhere else when he can.”

Kathy pauses and thinks about your words.

“Do you think he’ll find you here?”

“I don’t know. I hope not. He never knew where you lived before, so I don’t think so.”

“Fine, you can stay for a few days. I still have the salt and iron plus that demon knife you made me.”

“I wish that would help. All of that would only piss him off.”

“What will kill him?”

“I don’t know,” you sigh. Kathy isn’t happy about any of this, and you feel terrible for bringing her in the middle of your shit. “I didn’t know where else to go, Kathy. My son is in danger.”

“I know,” she whispers. “We’ll figure it out.”

The first two days go by without any issues. Tyler loves spending time with his cousins and staying up late with them while you’re crying yourself to sleep every night. Another day goes by without a single word from Sam, and you’re starting to get concerned. If he says he’ll get you in a few days, best believe he’ll keep true to his word. What if something happened to him?

What if he got to him?

On the fourth day, you’re home alone with Tyler while your sister is out with her kids for a doctor’s appointment. Tyler is watching cartoons and coloring while you’re folding laundry in the living room. It’s not extremely dark outside but it is dark enough to have light on inside the house. Normally, you’d open the curtains and allow the sunlight to light up the rooms. However, the sun is inching closer to the horizon so the curtains are closed and the lights are on.

Tyler giggles at something SpongeBob does when the TV turns off. In fact, all of the lights turn off. The smile on your face from hearing your son laugh is now wiped off as dread creeps up your spine. Every single hair on the back of your neck stands up because you know he found you.

He’s here.

“Mommy?”

“Tyler, come on.” You grab Tyler’s hand and pull him up the stairs. The house isn’t completely dark but it’s not super light either. You tug Tyler to Kathy’s bedroom and pull him into her closet before shutting the door. “I need you to be extra quiet, okay? Can you do that for Mommy?”

“Yes.”

The entire house falls into a deadly silence. The fear of the unknown makes you want to cry but you cannot give your position away. It’s foolish to think that he won’t be able to find you but you’re holding onto that sliver of hope. You pull Tyler close to you and run your hands through his hair to try and calm yourself down.

“Tyler,” his voice drawls from the staircase. You close your eyes and try your best not to let the tears fall. “Tyler, you in here?”

“You’re doing so good, baby. Keep being quiet,” you whisper into his ear.

His heavy footsteps climb up the stairs slowly. You know he’s stomping just so you can hear where he is. He stops at the top of the stairs, walks toward Kathy’s bedroom, and opens the door. It creaks slightly and you shake in fear.

“Tyler, I have candy. It’s your favorite. Come on, buddy, don’t you want Kit-Kats?”

Your son gasps happily at the thought of munching on the sweet treat.

“No, don’t do it,” you whisper. “Don’t move.”

“Tyler, come on out. I have five big chocolate bars for you. Don’t you want a treat?” Tyler squirms out of your arms and runs out of the closet toward his father. The tears fall down knowing you’ve been found, and you take out your phone with shaky hands. “Hey, buddy. Good boys get candy. Now, where’s Mommy?”

“In the closet!”

Shit. You struggle to unlock your phone and pull up the phone app when you finally get it unlocked. You’re in the middle of dialing Sam’s number when the closet door opens. You look up at the man you once loved with all your heart.

“I found you, baby.” Dean kneels down, plucks your phone out of your hand, and slides it into his pocket. “Sam isn’t coming. He sent me instead.”

He reaches out and tucks a stray strand of hair behind your ear, and you fight the urge to sob. His eyes flash from beautiful forest green to dark-as-the-night black. Dean used to be the love of your life until he died and became the thing from your worst nightmare. He took care of you and Tyler until his dying breath, and now he’s back with a vengeance.

“Are you gonna be a good girl for me? Good girls get candy.”

“Fuck off,” you spit. “Just leave us alone.”

Dean’s look hardens and he wraps his hand around your throat. He doesn't squeeze but he makes sure you understand the threat.

“That’s no way to talk to your husband. You wouldn’t want Tyler to see Mommy and Daddy fighting, would you?”

You’re trapped. You don’t know how you’ll be able to escape. You did it before when he was in that dead state. Sam got you and Tyler the hell out of dodge as soon as Dean died. The tears fall as you shake your head, and Dean smirks, returning his eyes back to their green color.

“Good girl. Come on out. We have a lot to discuss.”

x

Want to be tagged? Follow my library blog @aqueenslibrary​​​​​​ where I reblog all my stories, so you can put notifications on there without the extra stuff :)

[eddwardharrison]

MOON HAS THE BIGGEST DOUBLE STANDARDS KNOWN TO TSAMS KIND

Ugh this is for the girlies that wanna rant about the lore… (AS THEY ARE IN THE SHOW, NOT OOC.) keep in mind this is NOT hate by ANY means. This is literally the equivalent to a pop-culture obsessed girly screaming over Love Island because her bitch didn’t get with the man she wanted /SILLY /POS

feel free to debate otherwise, this is an open space and will be maintained respectfully. :3

TW: All canon events including Depression, Su!c!d3, abu$3, etc. (sometimes i switch perspectives as if I’m talking to the characters — don’t mind that…it’s not directed at the reader I promise. <3 )

I HATE MOON WITH A BURNING PASSION. And that may be Eclipse screaming in the BACK OF MY SKULL but Moon makes me want to SET OFF MY LITTLE BROTHER SO HE ELECTROCUTES ME TO DEATH. LORD!!!!!! And I’ll explain why. Currently, I am missing out on ONE singular episode involving Moon and Eclipse that is probably a key factor in all of this, but after months of searching…I do not have it. Thus, my anger may not be fully pieced together, but THIS IS WHAT I HAVE.

Old Moon, New Moon, BOTH OF THEM. THEY ARE BOTH ACCOUNTABLE FOR HOW TERRIBLE ECLIPSE TURNED OUT. Instead of working himself to be better after Sun and Moon’s separation, he just decided “ykw a little lobotmy is okay, I’m sure.” And LEAVES Eclipse who is soon to form in Sun’s head. AND IT DIDN’T EVEN MAKE A DIFFERENCE! Moon was still a TERRIBLE brother (albiet, he was working on himself and things were not in his control all the time…ex: Killcode) and caused a LOT of his issues. And then when Eclipse formed he was so consumed by HATE that he took matters into his own hands.

LET’S DISCUSS ECLIPSE’S TRAUMA FOR A SECOND. (YEAH, HE HAS THAT….SHOCKER. Despite his constant denials, he very clearly has it. I’ve been studying this man since I entered this forsaken fandom. /silly) (MOON’S TRAUMA *IS* ECLIPSE’S TRAUMA.)

Imagine you’re Eclipse— before the separation. You and Moon are one person. You share the same feelings, the memories, the actions, the PAIN. You kill kids without WANTING TO, you’re shut out and you’re hated and nobody will help you so you’re SUPPRESSED in your own HEAD, forcing yourself just to BLINK. But, you still CARE about your brother, so you try your damn best not to move for HIS SAKE. You’re giving ALL YOUR ENERGY just to keep this CHILDREN’S BOOK CARDBOARD CUTOUT happy, and what does he give you?? NOTHING BUT AGONY! YOU GUESSED IT! Eventually, your labored sympathy will become hate. You act out, you lose yourself, and now suddenly you’re killing the very kids you just wanted to spend time with. OOPSIE DOOPSIE! OH WELL, THOUGH! A LITTLE BIT OF LOSS HASN’T EVER HURT ANYONE!

Separation day came, your final way out. You get to be SAFE, you get your own BODY, you get the chance to be FIXED, you’ll be ALIVE. YOU’LL BE *YOU*.

And then you wake up

and you realize

you didn’t leave.

You’re still stuck in that same body, unnoticeable, unheard, people are noticing your existence, but brush you off like a small error. You’re not supposed to be there. You knew this, but now other people were saying it too, but not in the way you meant it. You were abandoned by YOUR OWN BODY. This is where thought processes SPLIT. Eclipse is made of very limited parts of code from Sun and Moon, but is mainly depicted as “Moon’s Malice”, a string of code that caused him to be killing all those kids. Naturally, you can’t just stray away from this personality, right? You’re born to do it, it’s all you can think about, it’s all you feel, it’s all you are. Just “Moon’s Malice”. And so Eclipse rightfully played the part, but he wanted to be his own person. Adapting “Eclipse”, forced into a Sun’s body. Can we talk about how HORRIBLE it would be to wake up in your worst enemies BODY?! BODY DYSMORPHIA INSTANTLY! The whole “I’m quite comfortable in this body 🤪” quote from way back when - when Eclipse still had Sun was a LIE. He KEPT IT because he wanted an ADVANTAGE. He wanted REVENGE. He wanted to put Moon through the same amount of pain when HE LOST HIM BY MAKING HIM LOSE SOMEONE ELSE! YIPPIE! Not only that, but the bottled up trauma, anger, and hate that SUN CAUSED because of his HOGGING ASS KEEPING HIM AND MOON SUPPRESSED for so long, and he STILL isn’t free from that even as Eclipse. Eclipse at this point has spent his ENTIRE LIFE suffering under Sun and now he’s just being resourceful! So, he sends them a couple traumatic places yada yada he does his little dancy dance. He gets his own body, hunting for the star, yada yada yada.

AT ANY TIME POSSIBLE, MOON AND SUN COULD’VE GONE “hey, let’s make this work. Let’s help Eclipse. Let’s have a whole family.” Of COURSE Eclipse would DENY IT?! THE HELL DO YOU THINK YOU ARE?? Let’s put that very same sentence in a way that Eclipse sees it. “Hey, Eclipse. Apologize for being a monster even though I’m the one that abused you for several years.” BRO???? I WOULD DECLINE TOO??? H-H-H-HELL NAH!!!

Let’s quickly take a look at Eclipse’s actions against Lunar — specifically, his lash out. Was he terrible for that?! Abso-fucking-lutely. BUT LET’S ALSO COMPARE AND CONTRAST TO MOON JUST REAAAL QUICK. Moon regularly did this kind of stuff REPEATEDLY, whether it was verbal or physical, direct or indirect, SHIT HAPPENED A LOT AND IS IMPLIED TO HAVE BEEN WAAY WORSE BEFORE-SHOW. Because Eclipse is a SINGULAR STRAND OF MALICE-CODE, HE’S OBVIOUSLY GOING TO RETAIN THIS TERRIBLE, TERRIBLE QUALITY. But you know what ELSE happened during that day? Eclipse walks away, goes to a pillar and considers APOLOGIZING. Did he? No. Is he bad for that? Of course. You will NEVER hear me say “Eclipse is a good person”, BECAUSE HE’S NOT. You’d have to be a MORON to consider that. HOWEVER, he can be UNDERSTOOD and RELATED TO. The path he went down is often a COMMON ONE FOR REAL FUCKING PEOPLE WITH PTSD. TO LASH OUT WHEN TRIGGERED! TO BECOME WORSE THAN BETTER. CAN YOU EVEN BLAME HIM??? As stated by MOON HIMSELF, Eclipse is INCAPABLE of growing and learning as a person. You wanna know why?! HE’S A SINGULAR STRING OF MOON’S FUCKING MALICE YOU MOLDY RAT CONGESTED WITH DISEASE. He IS incapable of it and to HELP HIM he needs help with his PROGRAMMING. YOU BUFFOON. Though not given the time to see if Eclipse would repeat these actions against Lunar again, he (as of our knowledge) hasn’t. Moon has done it over and over again and Sun is /still/ traumatized from the Old Moon’s actions when Lunar got over it ages ago. LUNAR IS CHILD CODED…LUNAR SHOULD STILL BE THE TRAUMATIZED ONE. Moon had FAR MORE of an IMPACT than ECLIPSE DID.

This is why Eclipse’s “redemption arc” only came after RUIN CREATED HIM. HEY GUYS!! I CRACKED THE CODE!!!! ECLIPSE V4 ISN’T REDEEMED BECAUSE HE SUDDENLY WANTS TO BECOME A GOOD PERSON, HE’S BECOMING MORE CALM, COLLECTED, AND RATIONAL BECAUSE HE’S NOT /THAT SINGLE STRING OF MALICE CODE ANYMORE./ He HAS other coding, he’s built from the GROUND UP BY RUIN HIMSELF. Ruin has basically GIVEN HIM the ABILITY to THINK THROUGH MORALS. HE IS /FAR/ MORE COMPLEX NOW. SOMETHING MOON COULD’VE DONE FROM DAY 1!!! BUT NOOOO…

Let’s all step back for a minute. Because Hate, is exhausting. Having an existence with nothing but anger is a very tiring thing. Eclipse becomes depressed as we see a few weeks coming into the Two Parter death of Eclipse. He gets tired, he ends up wanting to just give up and DIE and let the star literally eat him alive, and then he gets that vision of armageddon. AND THEN— SOMEHOW, FOR SOME REASON, HE GOES TO WARN THEM! EVEN WITH HIS IRRATIONAL TACTICS, HIS MALICE BASED CODE, HE /WARNS/ THEM. I cannot express to a normal human being how important that one selfless act is when it comes from someone who only knows how to be selfish. AND YOU KNOW WHAT MOON DOES?! HE KILLS HIM. HE CALLS HIM A LIAR. AND HE FUCKING KILLS HIM. /WITH/ HIS REPLACEMENT WATCHING. HE WAS REPLACED. BY SOLAR.

I love Solar ‘n all

BUT I’VE ALWAYS HATED SOLAR FOR ONE, ONE SINGULAR REASON. HE WAS PUT THERE BY MOON, SUN, AND LUNAR TO /REPLACE/ ECLIPSE. SO THEY COULD BE A HAPPY FAMILY WITHOUT THE WORK. SO THEY DIDN’T /HAVE/ TO HELP ECLIPSE AND THEY’D JUST LET HIM FUCKING DIE SOMEWHERE. I am so TICKED OFF BECAUSE OF THEM. EARTH IS /EVERYTHING/ TO ME BECAUSE OF WHAT SHE’S BEEN DOING FOR ECLIPSE.

EVEN SOLAR FLARE UNDERSTOOD ECLIPSE MORE THAN MOON. THEY’RE THE SAME FUCKING PERSON. THE SAME. PERSON. 😭😭😭😭😭😭

This is where shit gets so funny.

Throughout all of this, old moon DIES. HE DIES FOR /KILLCODE/ SO THAT /KILLCODE/ CAN HAVE A REDEMPTION. FUCKING. KILLCODE. THE MAN THAT SHOWED NO SIGNS OF BECOMING A GOOD PERSON UP UNTIL IT WAS A LIFE OR DEATH SITUATION. THE MAN WHO HAS NO JUSTIFICATION FOR HIS VILLAINY OTHER THAN JUST BEING A KILLCODE. WHICH IS FAIR, BUT ITS NOT TO BE COMPARED WITH ECLIPSE. So the very thing ECLIPSE /NEEDS/ is given to someone WHO DOESN’T EVEN DESERVE IT. But, Moon is Moon. So…self righteous even though he’s horrible and terrible and I HATE HIM.

NEW MOON COMES IN! REMEMBER WHEN /EVERYONE/ IN THE FANDOM WAS LIKE “YAAAY NEW MOON. OLD MOON SUCKS. OLD MOON KINNIES DNI. IF YOU LIKE OLD MOON YOU’RE A BAD PERSON.” N YADA YADA. It wasn’t this radical, but it was everywhere. I saw it in a bunch of posts and it drove me insane. (I do love old moon, and I’ve always preferred him over new moon (nexus)) Like — EVERYONE just decided “well he’s a blank slate now, so whatever! x3” while also completely ignoring the fact Old Moon /was/ improving, and his sacrifice WAS a great deed and very selfless. Eclipse has always gone through the same thing, at times you could barely even mention him because there were Lunar fictives roaming around who’d get PTSD from it. (Which is valid. This is not to discriminate systems at all.)

BUT ECLIPSE HAS ALSO HAD THESE SAME GLIMPSES OF LIGHT AGAIN AND AGAIN AND AGAIN. From “I should apologize” to Sun and Moon finding out how much pain Eclipse was in to Solar Flare’s talk to “I’m tired.” to The Warning to his numerous deaths, to the (my speculation of) Eclipse’s attempt #1 to Eclipse’s attempt #2 to Eclipse freaking out and contacting Moon that he wasn’t supposed to be alive and something was wrong, to Eclipse making amends to Eclipse helping on his own desire, to Eclipse hanging out with Earth regularly (which he used to belittle her and insult her. He has CLEARLY changed.), to Eclipse being literally beaten up in a podcast and framed for numerous unspeakable things, to Eclipse BRINGING BACK SOLAR to Eclipse just leaving. The amount of times people could have seen ANY SIGN was IMPOSSIBLY DRASTIC AND LENGTHY. AND YOU KNOW WHAT THEY DID?? CONTINUED TO BELITTLE HIM AND KILL HIM. Eclipse only actually killed ONE character of importance, which was Lunar. (Which like oh my god dude but he did stab you in the back first…i guess…still…still fucked up…i cant defend you other than saying “it was really funny”.)

TELL ME. TELL ME WHY MOON GOT HIS REDEMPTION SO FUCKING EARLY WITHOUT BATTING AN EYE AND ECLIPSE HAS JUST BEEN FUCKING NEGLECTED?! MOON GOT TO GET AWAY SCOTT FREE, OLD MOON AND NEW MOON. EVEN THE NEW MOON ENDED UP BECOMING NEXUS AND TRIED TO KILL HIS FAMILY. WOWIE! WOWIE WOWIE DIDN’T SEE THAT ONE COMING!!! AND NOW OLD MOON IS BACK AND STILL EVERYONE IS JUST /HAPPY/. Moon has arguably had a BIGGER, MORE REPETITIVE, AND DEEPER impact traumatically when he lashes out. All Eclipse truly did was to LUNAR and then sending Sun and Moon on wild goose chases and races towards the star. Eclipse WON that star too and did NOTHING with it. BECAUSE HE’S FUCKING DEPRESSED!! AND HE HAS THAT RIGHT. Moon is AWARE that EVERYTHING is HIS FAULT. He has ACKNOWLEDGED THIS, YET HAS DONE NOTHING BUT MAKE IT WORSE. Moon is a VILE, SELFISH BROTHER. Not just to Sun, but to ECLIPSE. THEY’RE THE SAME FUCKING PERSON. You can’t just say “i hate myself….:emo:” EVERYONE ON THIS SHOW HATES THEMSELF BUT YOU COULD AT LEAST HELP THE FUCKING ORANGE VERSION OF YOU FIND A FUCKING COPING MECHANISM OTHER THAN REVENGE?? He’s been TAME SO MANY TIMES, SO MANY VULNERABLE POINTS and they NEVER TOOK ADVANTAGE OF IT TO HELP HIM. You can’t just try to help a person ONCE and then DROP THEM. That’s NOT HOW HEALING FUCKING WORKS. YOU /CONTINUE/ TO PRY, YOU STOP THEM FROM DESTRUCTIVE BEHAVIORS, YOU STAY WITH THEM. LEARN FROM SUN YOU DIMWIT. ECLIPSE NEEDED YOUR HELP SO MANY TIMES AND YOU JUST STOOD THERE AND CALLED HIM A MONSTER??? YOU DESERVED TO WATCH SOLAR DIE. YOU CAN’T JUST REDEEM YOURSELF AND LET THE OTHER YOU WITHER LIKE FUCKING PAPER IN WATER YOU COURT JESTER. YOUR JOKES AREN’T FUNNY, THEY MAKE ME WANT TO RIP THAT FOOL’S CAP OFF YOUR HEAD AND STUFF IT INTO YOUR ESOPHAGUS.

NOBODY WILL UNDERSTAND ECLIPSE’S ANGER THE WAY I DO.

😇

I am so unhealthy about this man.

anyways, thoughts? Sorry if this is a little messy, it just kinda happens…letting out my inner alpha and all..🐺🐺🐺

(believe it or not this is actually not all of it, this is just on one idea.)

Once again noting this is all light hearted, just being wrapped up in the acting and how much I can understand a character and feeling personally obligated to stand up for him. Eclipse has touched my heart in a way nothing else has, and I will continue screaming about him until I wither up and die. Everyone can have different perspectives and ideas, this is what I see. AND I SEE INJUSTICE!! /silly

[wings-of-ink]

During camp MC grabs RO and drags them of somewhere at bit more private MC looks back to camp to make sure they are out of hearing range and whispers to RO "I'm really horny for you right now"

Oswin & Zahn

Okay, teeeechnically, this will be a spoiler. I am not sure yet which chapter this will appear in, but I have some drafting and/or outlining done for a couple ROs already (I originally thought it could be as soon as chapter 5 and that is probably not the case, lol). Zahn's is roughly outlined, while Oswin has part of the first draft done...so, how about a little teaser for Oswin's? ^_^

Camp has been peaceful. It's been a nice long evening so far and everyone is relaxing by the fire as Rune plays the lute and sings. You get an idea. It may be a while before you get this chance again, so you subtly signal to Oswin to meet you, and quietly scuttle off to the thicket of trees a ways away from camp. Oswin follows a short time later with a worried look on his face. He places gentle and calloused palms over your cheeks. "Are you okay? You seem flustered." His green eyes shine with so much care. "I'm fine," you say. "I just wanted a moment alone with you while they're all distracted." "Oh?" Oswin's face shifts in relief as he smiles. "Does that mean I…we…kiss? We can kiss, right? Again…I'd like to." He clears his throat. ***Things progress, there's some code here and I won't spoil it all. And then...*** Oswin gropes at your hips, and then moves one hand up to the small of your back and splays it to press you closer. As your pelvis meets his, you feel that he's hard beneath the confines of his trousers. He keeps kissing and sucking at your lips and tongue, completely lost in a haze of new pleasure. But you want more.

[turtleplushi]

I haven't seen anybody post the full Riddle Chain yet (including Silas Birchtree) so here you go :)

I didn't find any of these codes myself by the way! I'm not sure who to credit for the rest of them, but I did get the Silas Birchtree code from @dismissivedestroyer (sorry for tagging you ^_^" if you don't want to be tagged let me know and i can edit the post). You can also get the answer using the code "STOD EHT TCENNOC"

(SPOILERS BELOW)

RIDDLE (would you like to play a game) > YES (what's Mcgucket's favorite soda?) > MOUNTAIN DONT (what's a medieval homonym?) > LYRE LIAR (the 20th ingredient of Anti-Cipherzing Tonic?) > HAROLDS RAMBLINGS (how is clown repellant made?) > UNION MADE (Bill's govt file number?) > 29121239168518 (who comes from Zimtrez 5?) > GREBLEY HEMBERDRECK (what's on Bill's flag?) > 3466554 (what leaves a thin line in the snow?) > TINSEL SNAKE (the 6th option on Bill's editing software?) > TORTURE MENTALLY (name an unpronouncable wizard) > XGQRTHX (where do Tri Angels come from?) > 333SUNDAPPLELANECOZYCREEKIL6071494611 (Bill Cipher's Lawyer?) > CAESARATBASHVIGNERE [or] MULTI LEVEL MARK (who defeated Silas Birchtree--?) > EMMALINE BUTTERNUBBINS (you've earned a treat! enter 'DISPENSE MY TREAT' to download) > DISPENSE MY TREAT

The 'treat' you get is under the cut

"BILL FILES DO NOT OPEN"

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octobillfest.jpg

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[teamfortresstwo]

Gwendolyn is absolutely Elias. That “I do” only cemented it . She’s Elias if he actually made do on his ambitions . She’s Elias if he wasn’t so worried about appealing to others . She’s Elias if her “fate” dictated more about her than her fear of being known .

She’s Elias but this is not the Eye’s domain .

This is the web’s

[nostalgia-tblr]

I watched Avengers: Age of Ultron (apart from I skipped some overly long action sequences) and I am not sure so can someone tell me whether or not Tony Stark was the baddy in that film? Because about halfway through I was sure he was but then it was maybe just an evil robot after all and I am confused because either this film was surprisingly subversive or it was about robots hitting each other.

[keeps-ache]

been telling my siblings 'you would NOT make it in vulcan academy' when they do smth goofy recently and nobody's been able to refute lol

[jikigo]

you ever just see a post and just

. 😭

.⬅️🫀⬅️

[narutomaki]

get me OUT OF HERE

[opens-up-4-nobody]

...

[poisoned-pearls]

”love letter from the sea to the shore,” (Delaney Bailey) and “good old fashioned lover boy,” are azul love songs directed at Jamil but from different ends of the spectrum

[elytrafemme]

every single fictional character i like should split and have mood swings like me. "ohhhhh but it's not canotical" "ohh they have good control over their emotions and stable views on the world" i don't fucking care. i see cq in his fake desert i see klavier's control dialogue i see dahlia and her serial murders and komaeda and the gun literally fuck with me right now. we need to stop being cowards about our fictional character headcanons i think everyone should kill people always because i can't

[floralovebot]

What are your thoughts on how nickelodeon made the Princess of Linphea lightskinned? Was this them trying to whitewash Linphea?

That's interesting!

I mean listen I wouldn't put it past them yknow? This is rainbow and nickelodeon, two companies very cozy with whitewashing and racism. But I do think this could've been more innocent on their part. We didn't see a lot of the people of Lynphea in the first three seasons but we did see some, notably Miele who is also very lightskinned and could very well be white or very white-passing.

I think it's also important to remember that Rainbow is,, pretty bad with racial sensitivity and they treat all of the planets as very "color blind" so to speak. Like Melody is considered the "Asian planet" yet the princess is likely wasian but so white-passing that most fans thought she was completely white. We've also seen multiple other characters from Melody that don't "look" asian (obvs being asian doesn't have a "look" but in the realm of animation and rainbow racism? yeah they do). Nabu and Helia are both heavily asian-coded, yet Nabu (and his family) is from Andros while Helia is implied to be from Lynphea or Solaria.

We also see multiple shots of the crowds on other plants like Domino and Solaria where you can see characters that are definitely Not White. And while those characters could easily be from a different planet, they're also usually wearing the clothing associated with that planet and are considered Part of the people.

Rainbow often mixes different races and ethnicities for literally all of the planets. Like the argument that a character couldn't be from one planet because they aren't a specific race does not work in the winx universe. All of the planets are incredibly "mixed". And again, while there's obviously a discussion to be had about whitewashing cultures, being color blind, uncomfortable implications of colonization, etc, the princess of Lynphea being a white girl or at least partially white-coded or white-passing is actually really on brand for them and not something that I would entirely blame Nickelodeon for.

[incorrectbatfam]

What does Tim say when people ask about his spleen?

Damian: I am updating my blackmail records. Tell me what happened to your spleen in its full hilarity.

Tim: I donated it to a sickly orphan.

Damian: You win this round.

———————

Tim: I have to be careful, I lost my spleen.

Carrie: How?

Tim: Aliens.

———————

Tim: I'm zero percent spleen and fifty-nine percent pizza sauce.

Helena: Zero percent spleen?

Tim: Yep. On the bright side, they named a disease after me.

———————

Luke: I've designed nanotech vitals trackers to be implanted on our spleens.

Tim: Oh, no thanks. I don't have one.

Luke: You don't have a spleen?

Tim: It wasn't paying rent so I evicted it. Lazy freeloader.

———————

Barbara: Why does your chart say you're missing a spleen?

Tim: I made a deal with the devil but I had a discount code so instead of my soul I just needed to sell a non-essential organ.

———————

Steph: What happened to your spleen? Are you okay?

Tim: I'm fine. It's taking an extended gap year.

———————

Harper: So... can I ask about your spleen?

Tim: Yeah, don't worry. I was part of a failed science experiment.

Cullen: What'd they do?

Tim: They injected me with a serum that was supposed to make me indestructible. But instead all I got were a spleen removal and chronic insomnia. And a free T-shirt.

Cullen:

Harper:

Cullen: Was it a nice shirt?

———————

Dick: What do you mean you don't have a spleen?!?

Tim: It was confiscated by airport security.

———————

Tim: Happy Pride! My spleen finally came out of the closet. And by closet I mean my body.

Kate: Diversity win.

———————

Tim and Jason: *arguing*

Jason: At least I still have my spleen!

Tim: It's genetic!

Jason: Sucks to be you.

Tim: We have the same dad. It could happen to you too.

Jason, scoffing: Whatever.

Jason, internally: Oh shit, he's right. I need to see Leslie.

———————

Tim and Bette: *sparring*

Bette: *hits Tim*

Tim: Ow. Time out. That was my spleenhole.

Bette: ...How?

Tim: It took a trip to the Titanic in a soup can with a Playstation controller.

———————

Duke: Since when did you have that scar?

Tim: Since losing my spleen last year.

Duke: How do you lose a spleen?

Tim: You forget to cherish it.

———————

Cass: ?

Tim: I digested it.

———————

Selina: You know I have to tell Bruce about this.

Tim: Okay, fine.

Tim: I had to get it removed as a kid after falling into a well of bats.

———————

Bruce: Tell me what happened to your spleen so Alfred and Leslie can give you the proper treatment.

Tim: What do you mean?

Bruce: Everyone's been telling me you don't have it.

Tim: Well, I do, so...

Bruce: Alright, I'll have a talk with them about bad taste pranks.

———————

Alfred: You can't keep the truth from me, Master Tim.

Tim: Assassins stole it.

Alfred: I wasn't born yesterday. Now what really happened?

Tim: ...

[kathaynesart]

The eye of the hurricane. I like to think Cassandra sometimes called the brothers by the nicknames their dad used, given they were probably pretty close before his passing.

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Man oh man, this one was way messier and off model than my last few updates but whatever, we got to keep this ball rolling! Life's been crazy so I've had to take some unwanted breaks in between updates. Thanks everyone for your patience as always!

One thing I wanted in this flashback was to really get a sense of how the brothers worked as an experienced team with Leo at the helm as a proper leader. It's something we never got to see much of in Rise and I felt it was important to include since half the team is already gone by the time of Replica. Team Dynamics Ted Talk under the cut!

We know from Casey Jr that Leo stressed the importance of listening to your team. A big part of that also means knowing how to communicate with them in general.

With Michelangelo, he keeps it short and succinct, trusting his brother to know what he's doing when in his element. This trust goes a long way with Mikey, having spent years of his youth as the baby striving for the respect he felt he deserved. Leo knows it's best to not bog Mikey down with details, allowing him to improvise as needed. This unspoken freedom has only grown over time as Mikey has dipped deeper into spiritual arts that, frankly, go completely over Leo's head.

The greatest sacrifice Leo has ever made was read Donnie's Big Book of Bad Guy Codes. While he doesn't remember ALL the numbers, he has memorized the ones that matter and it has helped tremendously in avoiding miscommunication with his genius brother. More importantly it silenced any of Donnie's usual belly-aching. As Leo's "twin"/"equal" the two still butt heads from time to time. Donnie respects his brother's authority (mostly) but will still push the boundaries of what he's allowed on a semi-regular basis. Give Donnie an inch and he will take the mile and then find a loop hole that allows him to go twenty miles more. This is partially due to him often being the one left behind at HQ, making the turtle just a TAD stir crazy. Leo does his best to keep him in line regardless.

Big brother Raph will forever and always be big brother to Leo. As such he holds a place of authority in Leo's heart and is someone he still regularly seeks counsel from in both the ways of leadership and more. Raph is always happy to support his younger brother and does a surprisingly good job (albeit after years of practice) of walking the line so as not to step on his brother's toes in the process. At least not since the secret of "the Key" blew up in their faces several years ago. They don't talk about that anymore. Leo is the leader now and he's done a great job in recent years as far as Raph is concerned. He trusts him to make the right call. The two have a close bond and regularly use mind meld to quickly communicate rather than speak ...this will be important to remember for the future.

Hope that overall feeling came through for this group!