#did they know? did they know of the implications of this sentence?

[fuckyeahogonbat]

I'm going to scream?

[lochallthedoors]

Q&A w/ Liam conducted on 12 Sept. 2019 for The Monthly's 12/2019 issue

[halalgirlmeg]

People a little too obsessed with why Rege Jean Page left after season 1 of bridgerton and acting like he committed murder so reminder:

1) He is grown and you don't know him

2) He doesn't owe you anything esp if you're white cause let's be real a lot of yall just self insert yourself into Daphne bc you think Simon is hot and you want him there for your fantasies because you see Black men as sexual objects and not as real human beings (let's also not forget she SA The Duke and sooo many people just steamroll right over that, writers and fans included)

3) We not finna sit up here and act like the actress who plays Marina talks about how she faced horrific racist treatment for breathing while Black and playing a character who also breathes while Black was backed up by like nobody. Like it's possible Rege Jean Page was like Deuces I'm out here cause he'd seen enough

[compacflt]

“You live with that coldhearted son of a bitch?” Cyclone says later, when it’s just the two of them in his office, after he’s done tearing Maverick a new one for stealing a Super Hornet and flying it in a manner such that it may never be airworthy again.

“Uh,” says Maverick intelligently; he’s more tired and anxious than he’s ever been in his life, and no one’s ever come out and asked him directly about it before.

Rereading this part of Debriefing and oh god... NO ONE ever talked about it before with Mav? Not even Carole? Seriously no one? How did my man cope with it all... I can just imagine the whiplash he receives when Ice casually mentions that the entire brass + dozens of politicians across the world knew about them...

yeah that paragraphs getting edited when slider drops bc SLIDER directly asks him about it. “It’s been a while since someone asked him directly about it.” thanks for reminding me

[jimmyandthegiraffes]

randall and hopkirk deceased as an extended metaphor for reactions to severe trauma

i think theres a lot to be said about martys death as like. a metaphor or symbolic of severe trauma. its a life altering event that fundamentally alters everyone involved. marty obviously. because hes dead. but what if we think about it in a less literal, more abstract way? i dont know. there are a few experiences for the characters in this show which regardless of how they were intended, resonate a lot. for the sake of argument im avoiding referring to the event as 'martys death' in order to generalise the experiences and make them less specific. martys death for the sake of this post is an event. any event. that changes the lives of the people it touches both subtly and tangibly

its a traumatic event which means that marty can no longer relate to or interact with other people . hes isolated and ostracised and numbed, literally. he's derealised and dissociated, hes out-of-body. the traumatic event has left him unable to engage physically with anyone or anything around him. the only physically 'real' thing to marty is himself - which we can see when he says to bugsy "you're solid!": he doesnt recognise them as both being incorporeal. to marty, it's the rest of the world that doesn't exist anymore, and him and bugsy (someone with shared trauma) are all that's left. he is Such an isolated character, as a direct result of the traumatic event. it's left him with the ability to detect 'bad vibes' (hypervigilance). and it's not something that can be reversed - now that it's happened, that's it, but even tho he is often unhappy and hypervigilant and anxious and wishes he could go back to how he was before, he still does find moments to be silly and have fun, and eventually also to find excitement and empowerment in his new state of being. because hes still a person, even if most people dont treat him as such. his trauma means that other people no longer recognise him as a person, and that's not their fault. the living arent deliberately ostracising marty: it's his trauma which has distinctly separated him from everyone else. it's left him silent and invisible and almost completely alienated. no matter how much he yells to people to warn that they're going to be murdered, or yells for help, nobody is paying attention to him.

for jeff, his best friend is dead. yea. but jeff stops grieving this loss. in a very parallel way to marty being frozen in time and unable to continue his life, jeff is also trapped.when jeff comes home after the funeral, we see the beginnings of his journey with grief, and its a grieving process that has been interrupted; a healing process gone wrong. now he can't move on; marty is a constant reminder to him. its no wonder jeff gets angry with marty, occasionally wants marty to leave. and while jeff might feel trapped by marty, and marty feel hurt by jeff not recognising how tragic death was for marty, neither of them are to blame. its a terrible situation - and the evil isnt in either of them or their reactions to it. marty might have trouble with boundaries and jeff might occasionally be callous. but theyre just two traumatised people. the evil is that marty was killed at all.

jeff knows that things can't ever be the same; he has the dual struggle of mourning the loss of a normal life and a normal friendship, and accepting the fact that this is normality for them now. marty is who he is, the traumatic event happened and can't be undone, and marty is still here and suffering and so so deserving of compassion. sometimes when marty is silly jeff smiles a little bit and he loves him so much and he remembers that he does; because a lot of the time, the struggle in the aftermath of that traumatic event makes him too wrung out and stressed and tired to remember that that's his best friend, his best friend is right there and needs jeff as much as jeff needs him, if not more so

jeff ALSO now can't relate normally to the people around him. in the second ever episode jeannie, one of his best friends, tricks him into a hold in a psychiatric clinic, based on nothing but a few instances of jeff behaving a little strangely, right after having been bereaved. jeff has to act normal at all times under difficult or even impossible circumstances; he has to maintain the illusion of normality even more than marty does, even while marty is yelling directly into his ear. while marty might perform and mimic a 'living' existence (sitting on furniture, which we know he doesnt need to do; speaking to people he knows cant hear him; not allowing jeff to touch him so that they can both maintain the fantasy of normality after trauma) but for Jeff the illusion is crucial to his safety

jeannie is the one we might think is ironically spared some of this, even though she and marty were married. shes not involved in marty's continued existence post-trauma in the same way jeff and marty are. they deliberately keep it from her to preserve her wellbeing and, in jeff's case at least, to ensure that her ability to move on with her life isn’t curtailed the way Jeffs and Martys have been. and jeannie is trying; but it's not the case - not yet. caught up in his own life, and marty caught up in his death, jeff sometimes forgets that jeannie lost her husband, recently. him saying "i thought you got over marty ages ago" when it's been less than a year seems like an absolutely deranged thing to say to a widow when you hear it out of context. but it has to be a moment for jeff to remember: he and marty have sacrificed the healing of the grieving process in favour of what they have now, in favour of continuing their friendship and being there for each other. but jeannie hasnt. jeannie is still going through it in all of its agony. jeannie is consistently vulnerable when it comes to marty; over and over again she is manipulated by people who take advantage of her grief. and it's easy to say well she's being silly or naive, but thats because the audience follow the show primarily through jeff and marty's eyes, not jeannies. The only person Jeannie could talk to about marty seems so altered by his grief that she doesnt feel she can even bring Marty up in conversation

we also see that jeannie has been isolated from other people because of the traumatic event. Jenny comes down to see her shortly afterwards; but crucially when we see jeannie among her friends of whom we see, she has many! She is alone in a crowd, just as Jeff and Marty are. At parties she is on her own. She’s in the corner, changed by her experience of finding her husband dead just outside their house. The people around her are amiable and friendly but they don’t understand. They don’t approach her; and they don’t listen when she expresses reluctance at being asked to join in an activity she finds deeply uncomfortable.

All three characters love each other so much; and as a direct result of the traumatic event, they still sometimes harm each other inadvertently. Jeff harms Jeannie by forgetting that she is still grieving; perhaps he even harms her by keeping huge secrets from her even if he does so under oath and the best of intentions. Jeff harms Marty by not telling him ahead of time that Jeannie is an alibi when they’re in bed together; he harms him by being insensitive to Marty’s limitations; he harms him by dismissing his fears and anxieties out of hand; he harms him by rejecting him and telling him to leave. Marty harms Jeff and Jeannie both, tragically, by his inability to let them go. He harms Jeff by neglecting to observe Jeff’s boundaries appropriately. He harms Jeannie, albeit without her knowledge, in his jealous urge to keep her from moving on and finding someone else, even if he doesn’t act on it. He does Jeannie a disservice occasionally by underestimating her, and so does Jeff. Jeannie harms Jeff by not trusting him, by tricking him and having him confined without ever speaking to him about her concerns. She harms Marty without meaning to when she half believes that sheldon is Marty, and by agreeing to help cecil exorcise Marty.

None of these things are deliberate; and I think all three characters can overcome this. They love each other enough. But they’re just people. They’re trying to navigate a life that has become strange to them.

i dont know. its 4am. i have many thoughts and this isnt nearly as clean or comprehensive as i would want it to be. Jeannie, Jeff and Marty are all traumatised and are muddling their way through the aftermath as best they can and they all need each other’s understanding and compassion.

[layeredwanderings]

Got up to MHT5 before remembering I have a project I need to work on. So that's all for tonight. I find it interesting that Doc Slaughter writes her private notes expecting - hoping - that someone will read them. Maybe that's what the "more paranoid universe" bit means.

[famewolf]

we spent most of our session dealing with an assassin sent by my character's older brother yesterday and I'm still reeling

[ozzgin]

I'm playing Crime Scene Cleaner and all that floor scrubbing got me thinking... Content: gender neutral reader, morally grey reader, organized crime, violence, murder

Yandere!Crime Boss who needs someone to clean up his frequent messes, and you happen to be in desperate need of money. He will reward your hard work handsomely; all he demands in return is loyalty. You quickly learn what it means to stray from his orders, carrying body after body, and mopping never-ending pools of blood.

Well now, you're not half bad, are you? He didn't think you had it in you. A regular, law-fearing citizen, now disposing of leftover bullets and hiding condemning evidence from the cops.

"What am I supposed to do with all these drugs and stacks of bills?" you ask over the burner phone, staring at the lavish table you'd stumbled upon during your latest cleaning service.

"Consider it your tip", he responds with a chuckle, somewhat taken aback by your honesty.

What a ridiculous twist. He finds himself trusting you more than his own men. You always do your job flawlessly, no questions asked, and for whatever reason you never fail to provide a full report of your findings. He couldn't care less if you left with a suitcase full of cash. He doesn't need the leftover scraps from some dealer who tried to turn on him. Bold of you to assume he even noticed anything of value in the first place. He merely drove over, pulled the trigger, and returned to his usual business.

"Did you bring enough body bags-" he begins, but his voice is cut short.

This must be the first time he's actually seen you in person. You're no longer a string of sentences over the phone. He certainly didn’t expect you to be this cute.

"Uh huh, it's all here", you state casually, holding a bucket of water. You gaze at the gory scene and whistle. "It's going to be a long night", you add.

"Do you have anything to do afterwards?", he asks with an unfamiliar hesitancy, swiftly recovering himself. "Actually, it doesn't matter. Finish here, and I'll pick you up once you're done."

"What? Am I in trouble?" you ask, eyes widening in fear.

"Dumbass! I'm inviting you out. It's my treat", he huffs with indignation.

What an absurd implication. Why would he have any reason to threaten you? Surely you must know by now that as long as you behave, you've nothing to worry about.

You won't regret your obedience. He'll make sure of it.

[Part 2] | [More yandere stories]

[chemicalarospec]

you'll never be fucking happy with what people say just shut the fuck up. other POC are using BIPOC too. its whatever terminology and acronyms you feel comfortable using and feel represent you and your people best. i'm not gonna stand there using fourteen fucking sentences to say 'black people' when i can just say 'black people'

this might be a disproportionate reaction... (tbf tho there was a tone shift in the post from playful to frustrated b/c the first half was an old draft, which this tag dates back to. Still, I didn't deride people who use "BIPOC", just their lack of consensus, or swear at anybody.)

I literally said people should say "black people" when they want to say "black people". but uh. go off I guess.

[higuchisora]

"Jinx left so Vi wouldn't have to choose between them, she left so Vi could finally be happy"

Is anyone else bothered by the implication that a relatively NEW girlfriend would be capable of making someone just as if not MORE happy than healing their relationship with their sister, who they spent YEARS wanting to make up with?

Me personally, I can get over a bad breakup. But if either of my sisters DIED, or simply chose to actively walk out of my life forever, that would fucking break me. I would not, in fact, move on. And maybe it's different for you guys, but Vi consistently spent an entire season trying to find and make up with Jinx. I don't know what the hell happened in season 2, but her saying "the only thing that kept me going was the thought of getting back to you" about her 7-year prison sentence doesn't sound like "I'll be better off with this girl I've dated for a total of 2 weeks".

Why is there an immediate assumption that any romantic relationship holds just as much if not MORE weight than any platonic/familial one? I'm sorry but why is it even a contest? I'm fully convinced that in season 1, had Jinx not demanded Vi kill Caitlyn- aka take a life, ANY life- and instead asked for LITERALLY ANYTHING ELSE, she'd have done it. Remember what she said? She said they could leave the entire city behind, just the two of them, and never come back. She was ready to leave their home, leave Caitlyn, leave all of it, for Jinx. Because at the end of the day, all she wanted was her sister back. But suddenly season 2 rolls around and it's "Caitlyn makes her happier." When? Where? How? I don't see any scenes of Caitlyn making Vi happy. Oh but she did hit her though, after getting upset that Vi didn't want her to shoot at a kid.

I'm sick of romantic relationships being taken as "naturally" being the priority. Maybe if you're married with kids or something, you'll prioritize your partner over your friends, sure (but if you have kids they still take priority over your partner IMO). But a 2-week-long situationship? I've known people who get ghosted after longer than that. Fucking be real with me.

I'm simply not convinced that Caitlyn should matter this much to Vi so quickly. It shouldn't even be a competition. I genuinely cannot imagine Vi, who's SOLE MOTIVATION in season 1 was Jinx, and who's SOLE MOTIVATION in EVERY UNIVERSE and TIMELINE was her FAMILY, would ever "move on" and "be happier" with any romantic partner. Callous as it may sound, she can always get another girlfriend. There's no replacing her sister.

[realcube]

HQ MEN AS YOUR BOSS ...with chemistry

characters ♡ oikawa, tsukishima, iwaizumi & kenma

tags/cw ♡ vaginal, dad!oikawa, implied virginity loss, breeding // degredation, dacryphilia // age gap, power imbalance // oral (giving), monetary incentive — minors dni! (sfw ver.)

♡ OIKAWA

needing a babysitter while his ex-wife is out of town and he has to go to training, oikawa is given a recommendation by his teammate. that is how you end up in his massive house by the ocean, watching his kids. before he left, he promised that if you did a good job, he'd give you the tip. you assume he simply misphrased that sentence — spanish isn't his first language, after all — but you soon realise he meant exactly what he said.

he gave you a lot more than just the tip, though. his whole length pierces into you, while your fingers try to grasp at the smooth, polished surface of the kitchen island counter he has you bent over. a futile attempt at coping with the furious billow of bliss he sends sweeping through you.

his rough grip on your waist; his hand tangled in your hair, pushing your face against the cold marble; the way he avoids moaning your name because he doesn't remember it. you know he's only using you for his own pleasure and to be able to brag to his teammates that he fucked the hot babysitter senseless in his kitchen last night while the kids were down. young and tight — maybe even a virgin — but he had the honour of pounding into your chaste pussy, using you as his personal cumdump.

"good girl." he groans through gritted teeth, relief rushing through him as he spills his seed inside you. he fucks you through his high, making your body shake with each sloppy thrust. only faltering when he notices his actions cause some of his cum to leak out of you. with his finger, he guides it back into your hole. he smirks at the implications of what he has just done, and leans down to whisper coarsely in your ear, "maybe if you get pregnant, i'll let you come live here with me. how does that sound?"

he smacks your ass and you yelp, at which he laughs.

♡ TSUKISHIMA

working for a strict boss like tsukishima at the museum was a lot of pressure. he watches you like hawk, piercing eyes burning a hole through you, waiting for you to mess up or do something slightly wrong so he can yell at and reprimand you. all your co-workers brush it off as him being a mean guy, since it's true he is like that with everyone, but they can't see how much harsher he is with you.

that's only because tsukishima is very strategic when it comes to you. he only tells you off when the staff lounge is empty; he'll sabotage your work relationships so they won't care that he makes you stay late; he makes rude quips about your 'slutty outfits' only when nobody else is around to hear. after he screams at you for the exhibits being dirty and demand you clean them, he corners you in the janitor's cupboard and locks the door.

tears stream down your face, some drip onto the ground while others are soaked up by the cement wall tsukishima has your cheek pressed up against while he takes you from behind. with one hand up your skirt, fondling your ass. the other placed on your hip, which he moves to wipe away your tears roughly with the back of his hands.

"stop crying." his cock batters your aching walls, while you squirm against him, a feeble attempt to position yourself so his tip brushes your g-spot. though, he puts a swift end to this by clamping his hand down on your hips. "if didn't want me to yell at you, then don't be fuckin' hopeless." he stammers out through groans. "should be grateful i've found a use for you. so be quiet an take it like a decent whore."

♡ IWAIZUMI

an a student of sport science, you're very lucky that one of the best athletic trainers in the business agreed to take you on as an apprentice. you both get along very well too; iwaizumi can be strict at times but you can tell it's because he really cares and wants you to succeed.

when he's not actively training you, he's still very kind. you both joke around some and he's always making small talk, you even learned that he used to be a volleyball player and he's friends with a couple pros! beyond that though, you never notice how his gaze lingers when you're demonstrating stretches; how he 'coincidentally' asks you to stay late for practise on days you're wearing a low cut top; and how he always keeps an ear out for your small — but sweet — whimpers of struggle as you tidy up the weights and dumbbells.

his eyes have been on you ever since you started work for him, but things only change the day he takes of his shirt while cleaning up, and you happen finally realise how hot he is. from there, it's impossible for you to keep your hands off, and he feels the same. next thing you know, he has you sprawled out on the gym floor, laying into you in missionary.

it's been a long day of training and he's already exhausted but he still gives it to you with everything he has, and more. his firm dick lowers in to you while your walls cling to him, swallowing him up. your arms are daped around his shoulders to stable yourself while his hips smash against yours, and from the sheer mix of pain and pleasure, your nails dig into his skin. not that he minds, it's all muscle back there, anyway.

he likes giving it to you rough. not that he wants to wreck that pretty pussy of yours too badly; it needs to be enjoyable enough that'll your beg him for another round. but he likes the way your tits bounce when he thrusts hard enough, it's an even better sight than you doing starjumps. one that he'll never get enough of.

♡ KENMA

being a stock-trader, ceo, pro-gamer and youtuber is all really hard work so of course kenma requires a personal assistant. when you show up for the interview, he instantly knows you're the one, but he doesn't want to give you such a heavy workload. therefore, he hires two people: he hands the other person all the difficult stuff, and leaves you free. all you need to do is stand about and look pretty. he never said that aloud, but it was made obvious when one of the jobs he gave you was to come into his office and paint your nails. and of course, being the diligent employee you are, you followed his orders.

it didn't take long for him to start experiencing 'favouritism' accusations but they were promptly shut down by a simple 'yes, and?' from kenma. any person with half a brain can tell how much special treatment you receive, he would be foolish to try to deny it.

but it's all worth it. you're like his gorgeous doll, his prized possession, it's his responsibilty to treat you with all the care and love you deserve. he didn't even want anything in return for it, getting to see you every day was reward enough. but when you come in to his office requesting a raise, that's when the negotiation begins.

your lips swell around his cock, having been going at it for so long, but he urges you to continue in his muted, whiny voice. he relaxes in his chair, head tossed back in pleasure while you work on his cock, bobbing your head up and down on it. "s' good.." he grumbles, hand finding it's way to your cheek.

his thumb brushes against your skin while your tongue rubs his length. he tastes umami and strong. cock so long that even when you go down on him, you can't reach the base, and the back of your mouth hurts from trying. but he grips your chin and lifts your face so you can meet his sultry gaze. amused by how cute you look with your mouth stuffed full of his cock, he rasps, "there's a twenty thousand yen bonus if you deepthroat."

[olailamajnoon]

Bruce pulled off his sweaty shirt in Ma Kent's kitchen along with Clark and Hal, and began chugging a lemonade. The three men had been doing something that apparently constituted hard manual labor in the barn. Zatanna watched silently, then she noticed it.

A tattoo on Bruce's abs. Some foreign symbols engraved in calligraphic form.

It was possible the world was coming to an end.

She turned her head to try and read it. It was Kryptonian, if she had to take a guess.

Bruce noticed where her gaze was. "My eyes are up here," he said.

"I know," said Zatanna, rolling hers. "I just...since when do you have a tattoo?"

"Since I lost a bet to my kids," said Bruce.

"You let your kids do this to you?" Zatanna was incredulous.

"It's been five years, Zee," said Clark. "Are you seriously noticing it now?"

"Well, I don't make a habit of staring at Bruce's nude form," she replied, her sentence heavy with implication.

Clark blushed and dropped his spectacles.

"What's next," said Zatanna bitterly to Bruce. "I find out you're part of a biker gang?"

"You don't become a biker with just one tattoo," said Hal. "You need an entire sleeve of them."

"Don't give him any ideas," Zatanna cautioned.

"You're overreacting," said Clark.

"The world is in a delicate state of balance," said Zatanna. "The very foundations of my existence are being rocked. I'm questioning everything I've ever known."

"I should probably start paying rent for all the space I occupy in your head," said Bruce.

"The tattoo is actually a very sweet phrase," said Clark. "In Kryptonian."

"What does it mean?"

Bruce cleared his throat and shook his head warningly at Clark. Clark grinned.

"It means," Clark said, "My soul is in two halves, and one of them belongs to you."

Bruce buried his head in his hands. Clark laughed. "Like I said. A very sweet phrase."

"You're going to suffer for this," muttered Bruce to him. "I was okay with it, as long as no one knew what it fucking meant."

"Oh stop," said Hal, grinning without shame. "Stop with the toxic masculinity. Just because you have a soppy declaration of love on your abdomen doesn't make you any less of a man." He raised his glass to Bruce in a toast.

Bruce looked at him levelly, and narrowed his eyes. "One of these days, Jordan," he growled, "you will do something, and on that day—"

"Oh, I doubt it," Hal smirked. "I think you've set the bar pretty high."

"Well," said Clark, with a cheeky grin, "Bruce learned his lesson about betting against all of his kids simultaneously, but I would say the punishment was a bit disproportionate to the crime."

Bruce was putting on his t-shirt. "Enough," he said. "No one else finds out, or I will see that you all pay."

"No one else finds out what?" asked Diana from the kitchen door, where she had evidently just arrived. Her arms were crossed against her chest. Barry and Oliver were lined up behind her, with curious expressions.

Zatanna and Hal laughed maliciously. Clark did not look displeased in the slightest.

Bruce's mouth hardened and he stalked off, muttering something about contingency plans. But no one saw the small smile that tucked itself into the corner of his mouth afterwards, when he remembered Clark's face.

Kryptonians. His fingers brushed over the tattoo. And all the ways they love to claim you.

[stylesispunk]

"You're the loss of my life"

outbreak! Joel Miller x f!reader

part 2 here

summary: you and Joel went from one kiss to getting married to becoming strangers.

w.c: 5k>

Warnings: angst, implications of cheating, mentions miscarriage. Perhaps some grammar mistakes because no proofreading oops!

a/n: I know everything I write is angst but is what it fits in my mind right now. Reblogs and comments are always appreciated 💌

Dividers by @/saradika-graphics

The day you killed yourself, you woke up. The salty tears streamed down to your ears. There was a pity gaze you didn't want to meet, looking down at you, perhaps asking why. 

You didn't want to talk, even less to answer the pitiful comments from people who thought they had a say on all this.

You remember the fall. You remember Joel running to Sophie to save her life instead of yours, instead of both. You and the baby who was inside you. The one who wasn't there anymore because of its tiny form didn't resist the impact of your fall.

What a tragedy.

Sadness overcame you in the aftermath. In a world like this, treating your wounded body wasn't as hard as treating your heart, which became a frozen glass shell.

The days that followed were a blur, each moment blending into the next, a never-ending cycle of grief and numbness. You avoided mirrors, hating the reflection of a person you no longer recognized. The hollow eyes, the lifeless expression—they belonged to a ghost, not to you.

Joel tried to talk to you, his words a constant hum in the background. "I'm sorry," he'd say. "I didn't know what to do." But his apologies were meaningless, lost in the chasm that had formed between you. He perhaps saved Sophie because he loved her more, because in that split second, she was the one who mattered.

Not you anymore.

You spent hours in the nursery, the room you had so carefully prepared. The crib, the tiny clothes, the stuffed animals—all mocking reminders of what could have been. Your hands would linger on the soft blankets, tears falling silently onto the fabric. It was in that room that you felt the closest to the baby you had lost—a place where the field of dreams you had died.

One night, as you sat in the dark, the pain was too much to bear, and you decided you couldn't go on. The world was too cruel, too indifferent to people's suffering. You wrote a letter, your final words, to those who might wonder why. It was brief—just a few sentences explaining the unbearable weight of your grief and the unending ache in your heart. Meeting your family and beloved ones in heaven sounded better than keeping yourself prisoner in a world that would never be a safe place for anyone.

You took the pills, each one a step closer to peace. As you drifted off, you felt a strange sense of calm, a release from the torment that had consumed you. You hoped that in death, you would find the solace that eluded you in life.

But then you woke up again. The salty tears streamed down to your ears. There was a pity gaze you didn't want to meet, looking down at you, perhaps asking why.

Waking up again felt like a cruel joke. You were back in the same world, with the same pain. But something was different. Joel was there, his eyes red and swollen from crying. He took your hand, his touch hesitant and afraid.

"I thought I lost you," he whispered, his voice breaking.

You turned away, unable to meet his gaze. The wound was still too fresh, and the betrayal was still too raw to face them.

Joel's gaze burned in your back, and the smell of death was in the room. You held your breath for a moment. You wanted to smell the flowers and the baby smell of the little head of your baby, which you would never get to meet.

"Why?" he questioned, and for the first time, his voice did soothe your wounds; instead, it caused your blood to boil inside you and irritated you.

"I want Ellie here, not you."

"Baby- “

"Go." Your voice could slice Joel’s skin.

He recoiled as if struck, his face crumpling with pain. He stood there for a moment, looking lost and broken. "Please, don't push me away," he pleaded, but you couldn't hear him through the rage and grief that consumed you.

"Leave," you repeated, your voice cold and final.

Joel's shoulders slumped in defeat. He turned and walked out, the door closing softly behind him. The silence that followed was suffocating, a void that threatened to swallow you whole. You curled into a ball, the tears flowing freely now—a torrent of pain and loss.

“Go to Sophie,” you whispered to the void, allowing yourself to cry.

Time seemed to stand still in that moment; your sobs were the only sound in the quiet room. You didn't know how long you lay there, but eventually, you heard a soft knock on the door.

Ellie's voice was hesitant when she called out your name, filled with a mix of anger and concern. "Can I come in?"

You didn't answer, but she opened the door anyway, slipping inside and closing it behind her. She looked at you, her expression torn between fury and sadness.

"Why did you do it?" she demanded, her voice shaking. "Why did you try to leave me too?"

You looked up at her, seeing the pain in her eyes and mirroring your own. "I... I didn't think I could handle it anymore," you admitted, your voice breaking. "I lost everything, Ellie. I lost you, I lost Joel, and I lost the baby. I didn't know how to go on."

Ellie walked over to you, her steps hesitant. "You didn't lose me. I'm still here," she said, her voice softening. "But you almost did. And I'm so mad at Joel. He should have saved you both. He should have done more."

“Do you think Joel doesn’t love me anymore?” you sobbed.  The pain in your voice broke Ellie’s heart.

She kneeled beside you, taking your hands in hers. "I don’t know what’s on his mind now," she admitted, her voice trembling. "But I do know he loves you. He's just... broken too. We're all broken."

You pulled her into a tight embrace, both of you crying together, sharing the weight of your grief. “I lost my baby because of him.”

Ellie held you tighter, her own tears mingling with yours. "Cry,” she said softly. "Blaming him won't bring the baby back. It won't help us heal. We have to find a way to forgive and move forward."

The two of you stayed like that for a long time, finding strange solace in each other’s arms. The pain was still there, raw and overwhelming.

You were standing in the small kitchen of your home in Jackson, the dilapidated walls a far cry from the security of the life you once knew. But for a moment, you allowed yourself to dream of something better. Your hands trembled slightly as you held the small, worn piece of paper—a positive pregnancy test, a symbol of new life in a world consumed by death.

Joel walked in, weary from a long day of patrol. His eyes lit up when he saw you, but they quickly clouded with concern as he noticed the look on your face.

"What's going on?" he asked, setting down his backpack and walking over to you.

You took a deep breath, trying to steady your nerves. "Joel, I have something to tell you,” you began, your voice shaking. "I'm pregnant."

For a moment, there was silence. Joel's expression shifted from confusion to shock, and then to something darker—fear and maybe even anger.

"Pregnant?" he repeated, his voice rising slightly. "In this world? How could you be so irresponsible?"

The words hit you like a physical blow, your earlier excitement and hope crumbling into dust. "Irresponsible?" you echoed, your own voice rising defensively. "It takes two people to do this, you know.”

He shook his head, running a hand through his hair. "You know what it’s like out there! Every day is a fight for survival. We can barely keep ourselves alive, and now you want to bring a baby into this?”

“I know this is not the best way, but what do you want me to do?” 

“You know what.”

Tears welled up in your eyes, but you fought them back, unwilling to show weakness at his suggestion. "I know it's dangerous, Joel. But it's also a chance for us to have a future. To have a reason to keep going."

Joel's face softened for a moment, but then the hard lines returned. "And what if we can't protect it? What if we lose it? Bringing a baby into this world... it's a death sentence."

You turned away, unable to look at him. "I thought you'd be happy," you whispered, the tears finally spilling over. "I thought this would be something good for us."

He reached out, but you stepped back, the distance between you growing. "I'm sorry," he said, his voice softer now, but the damage was done. "I just... I can't see how this can work."

You clutched the pregnancy test to your chest, tainted by doubt and fear. “Are you mad because of the baby, or what would Sophie think of this?" you questioned quietly.

Joel's expression faltered, and he looked away, unable to meet your gaze. The mention of Sophie seemed to strike a chord, bringing a new layer of tension to the room.

"Sophie has nothing to do with this," he muttered, but the words lacked conviction.

"Doesn't she?" You pressed, your voice rising. "She's always in the back of your mind, Joel. Every decision you make, every risk you take, it's always about protecting her."

"She's my partner in patrol,” he shot back, his voice growing louder. "I’m just as protective as I am with everyone here! I can't fail her, or you. But this world... it's no place for a child."

You took a deep breath, trying to steady yourself. "I know you're scared, Joel. So am I. But we can't live our lives in fear. This baby is a chance for us to have something real, something good. Don't you see that?"

Joel's shoulders slumped, the weight of your words pressing down on him. He sighed, running a hand through his hair again. "I do see it," he admitted quietly. "But it doesn't change the reality we live in. I just... I don't know if I can take that risk."

The room fell silent, the tension hanging thick in the air. You turned away from him, your heart heavy with a mixture of hope and despair. "I'm going to do everything I can to protect this baby," you said firmly, your voice steady despite the tears streaming down your face. "With or without you."

Joel looked at you, pain and conflict warring in his eyes. He opened his mouth to say something but then closed it, shaking his head. He turned and walked out, leaving you standing alone in the kitchen, your heart breaking as the small symbol of hope in your hand seemed to grow heavier by the second.

The “I do” and vows seemed so foreign in the back of your mind now.

A week had passed since your almost-death. The days were a blur of grief and small steps toward recovery. Ellie remained close; her presence was a constant reminder that there was still something worth fighting for. In your head, you felt guilt and pity, not strong enough to keep believing you were the same woman who arrived here. You were the gosh of a lively fighter who became a lifeless frame.

Maria approached you in the cafeteria, where you were trying to busy yourself. She had always been a pillar of strength in Jackson and a calming presence for you since the day you, Joel, and Ellie arrived.

"Hey," she said softly, her voice gentle. "How are you holding up?"

You shrugged, not trusting yourself to speak without breaking down. Maria sighed, pulling up a chair beside you. "I know it's hard. But you need to take things slow. You can't rush healing."

You nodded, though her words felt distant. The weight of your grief was a constant presence, making everything seem surreal. "I just... I don't know how to keep going. I don’t know how to do this again," you admitted, your voice barely above a whisper as Sarah’s lifeless frame came to your mind.

You had lost another child.

Maria reached out, squeezing your hand. "One day at a time," she said. "And remember, it's okay to lean on others. You don't have to do this alone."

You wanted to believe her, but the pain was too fresh and overwhelming. As the days turned into a week, you forced yourself to go through the motions, trying to find some semblance of normalcy. One afternoon, you found yourself in the cafeteria of Jackson. The noise and bustle were a stark contrast to the turmoil inside you.

Maria was there, talking to a few people, and she caught your eye, giving you an encouraging smile. You tried to smile back, but it felt forced. The weight of your loss was a constant shadow, making everything seem heavier.

As you moved through the line, Maria came over, her expression concerned. "Hey, remember what I said. Take it slow. You don't have to do everything at once."

Something inside you snapped. The pressure, the grief, the guilt—it all came crashing down. "Take it slow?" you repeated, your voice rising. "How am I supposed to take it slow when everything is falling apart? How am I supposed to keep going when I not only lost my baby but also my husband?!”

The cafeteria fell silent, all eyes turning towards you. You could feel the weight of their stares, the shock, and the pity. Your breath came in short, ragged gasps as the enormity of your outburst sank in.

Maria reached out, but you recoiled, your emotions spiraling out of control. "I don't need to take it slow!" you shouted, tears streaming down your face. "I need... I need..." You didn't even know what you needed; the pain was too overwhelming to articulate.

Joel was there in an instant, his face etched with worry. "Hey, hey," he said softly, reaching out to you. "It's okay. You're okay."

But you weren't okay. You felt like you were drowning, the weight of your grief pulling you under. You shook your head, backing away from him. "Don't touch me for fuck's sake! I don't want your dirty hands on me!”

Joel’s eyes glazed, but you didn’t care. He had become the best of the man you had married ten years ago.

Joel's eyes glazed, but you didn’t care. He had become the ghost of the man you had married ten years ago.

He froze, the words hitting him like a physical blow. The cafeteria's silence deepened, the tension thickening. You saw the pain in his eyes, a reflection of your own turmoil, but it did nothing to quell the anger and sorrow boiling inside you.

"I can't do this," you said, your voice breaking as you took a step back, your chest heaving with sobs. "I can't keep pretending that everything is going to be okay. Because it's not! Nothing is okay!"

Ellie pushed through the crowd, her face pale but determined. "Mom," she said, her voice steady despite the fear in her eyes. "We're here. We're all here. We'll get through this."

Joel looked helplessly at Ellie, then back at you. "Please," he whispered, his voice barely audible. "Just let us help."

You looked at him, the man who had once been your rock, now just a shadow of the person you had relied on. The anger still simmered beneath the surface, but Ellie’s presence brought a flicker of something else—a reminder of why you needed to keep fighting.

Ellie wrapped her arms around you, holding you tightly as you sobbed into her shoulder. The room remained silent; the weight of your grief was palpable. But in that moment, you felt a glimmer of hope—a reminder that you weren’t alone and that you had people who loved you and who were willing to help you carry the burden.

Joel stepped closer, his hand hovering uncertainly at your back, not daring to touch you without permission. "I’m so sorry," he murmured, his voice choked with emotion. "For everything. I’m so, so sorry."

You took a deep, shuddering breath, trying to steady yourself. "You killed him," you snapped, your voice barely more than a whisper. "I can’t forgive you.”

Joel's face crumpled, the weight of your words hitting him like a physical blow. He took a step back, his hand dropping to his side. The silence in the room grew heavier, and the tension was palpable.

"I know," he said, his voice barely audible. "I know I can never undo what I've done. I live with that guilt every day."

Your anger burned hot and fierce, like a wildfire consuming everything in its path. "You killed him," you repeated, the words tasting bitter on your tongue. "And you expect me to just forgive you? To move on like nothing happened?"

Joel shook his head, his eyes filled with sorrow. "No," he said softly. "I don't expect you to forgive me. I don't even know if I can forgive myself. But I want to try. I want to make things right as much as I can."

You looked at him, the man who had once been your partner, your confidant, now a stranger in the wreckage of your shattered life. The anger still burned hot within you, but beneath it, there was a flicker of something else—pain, sorrow, and a desperate longing for the life you had lost.

"I don't know if I can do this," you admitted, your voice barely more than a whisper. "I don't know if I have the strength to forgive you."

Ellie's arms remained wrapped around you, a comforting presence amidst the turmoil. She gently guided you away from the cafeteria, her touch reassuring as you stumbled through the hallways of Jackson. The weight of your grief felt heavier with each step, but Ellie's presence gave you a glimmer of strength.

As you reached the door, Ellie helped you inside, guiding you to the small couch in the living area. She sat beside you, her eyes filled with concern.

"Are you okay?" she asked softly, her voice filled with worry.

You shook your head, the tears still streaming down your face. "I don't know," you admitted, your voice hoarse. "I just... I don't know how to deal with all of this."

Ellie reached out, taking your hand in hers. "We'll figure it out together," she said, her voice steady despite the tremor in her hands. "I promise."

You squeezed her hand tightly, grateful for her unwavering support. "Thank you, Ellie," you whispered, your voice choked with emotion.

She leaned in, wrapping you in a tight hug. "I love you, Mom," she said softly. "And I'll always be here for you, no matter what."

Tears pricked at your eyes as you hugged her back, her words echoing in your mind. "I love you too, Ellie," you whispered, your voice breaking with emotion.

As you and Ellie held each other close, the weight of her love and support was a balm to your wounded soul. But amidst the embrace, a knock on the door interrupted the moment, causing both of you to startle.

Ellie pulled back slightly, her eyes searching yours with concern. "Should I... Should I get that?" she asked, her voice hesitant.

You shook your head, wiping away your tears as you tried to compose yourself. "No, it's okay," you said, your voice still shaky. "I'll go."

Ellie nodded, giving your hand a reassuring squeeze before standing up from the couch. "I'll be in my room if you need me," she said softly, giving you a lingering look before leaving the living area.

As Ellie disappeared down the hallway, you took a deep breath, steeling yourself for what was to come. With trembling hands, you made your way to the door and opened it, revealing Joel standing on the other side.

His expression was a mix of worry and remorse as he looked at you, his eyes filled with a silent plea for forgiveness. "Can we talk?" he asked softly, his voice barely above a whisper.

You hesitated, the memories of your outburst in the cafeteria still fresh in your mind. But despite the anger and pain, there was a part of you that longed for closure, for a chance to understand.

"Okay," you said finally, stepping aside to let him in.

Joel entered the house, his footsteps hesitant as he crossed the threshold. The living room felt suffocatingly small as you both stood there, the weight of your shared grief hanging heavy in the air.

"I... I don't even know where to start," Joel said, his voice strained with emotion.

You took a deep breath, trying to find the words to express the whirlwind of emotions swirling inside you. "I just... I need to understand," you said, your voice barely more than a whisper. "I need to know why you did what you did."

The sun was setting, casting long shadows across the abandoned streets of the city. You and Joel had been scavenging for supplies, your footsteps echoing in the eerie silence that seemed to permeate every corner of the world.

You had felt uneasy all day, a knot of jealousy and insecurity twisting in your stomach at the sight of Sophie, her laughter ringing in your ears like a taunt.

You had implored Joel to come. You just wanted to feel as worthy and important to him as you used to, even in your state. But despite your misgivings, you had pushed them aside, focusing on the task at hand, determined to prove yourself capable and worthy of Joel's love and attention.

And then it happened.

If Joel had been more careful, he wouldn’t have allowed you to come. But he didn’t want to make you feel worthless.

A horde of infected had descended upon you, their snarls and growls a chilling symphony of death and despair. You had frozen; your mind was unable to comprehend the danger until it was too late.

But Joel had acted, his movements swift and sure as he pulled you away from the oncoming onslaught, his grip firm and unyielding.

And then he had seen her.

Sophie was trapped beneath the rubble, her screams echoing in the chaos as the infected closed in, their hunger insatiable.

And in that moment, something inside Joel shifted.

He had hesitated, torn between saving you and saving her, his eyes flickering with indecision, before he made his choice.

He had chosen Sophie.

He jumped off the horse, leaving you alone. You had watched in horror as he raced towards her, leaving you behind, your heart shattering into a million jagged pieces as the truth of his betrayal washed over you like a tidal wave.

You had screamed, your voice lost in the cacophony of the chaos, your tears mingling with the blood and dust that coated your skin.

And then the world went dark.

You fell from the horse, hitting the cobblestones hard. The pain was sharp and intense, searing through your body like a white-hot flame. You could hear the distant sound of screams and growls, the world around you spinning in a haze of confusion and agony.

Through the haze, you could dimly make out Joel's voice, calling out your name in desperation. But his words felt distant, a mere echo in the darkness that threatened to consume you.

And then, as suddenly as it had begun, the chaos subsided, leaving behind a heavy silence that pressed down on you like a weight. You tried to move, to call out, but your body felt numb and unresponsive. Your world went black.

"I need to know why, Joel," you repeated, your voice trembling with emotion. "Why did you choose her over us? Why did you leave me behind?"

Tears welled up in your eyes as you waited for his answer, the weight of his betrayal still fresh in your mind, a wound that refused to heal.

Joel's gaze dropped to the floor, his shoulders slumping with the weight of his guilt. "I... I don't know," he admitted, his voice barely above a whisper. "I panicked. I made a mistake."

Anger surged within you at his words, a fiery rage that threatened to consume you. "A mistake?" you repeated, your voice rising with indignation. "You left me to die, Joel. You left our child to die. How could you call that a mistake?"

Joel flinched at your words, the pain in his eyes mirroring your own. "I'm sorry," he whispered, his voice choked with emotion. "I'm so, so sorry. You were my wife; I should.”

"Were you my wife?” You sobbed, “Since when is that in the past, Joel?”

Joel's words hung in the air like a heavy weight, his admission of guilt and regret piercing through the veil of anger and pain that enveloped you. But amidst the turmoil, there was a flicker of something else—a longing for understanding, for closure, for a chance to heal.

"You are my wife," Joel repeated clearly, his voice trembling with emotion. "I should have protected you. I should have been there for you. But I failed. I failed both of you."

His words stirred something deep within you—a wellspring of grief and longing that threatened to overwhelm you. "And now?" you whispered, your voice barely more than a hoarse whisper. "What am I to you, Joel?"

Joel looked at you, his eyes filled with sorrow. Not uttering a word.

“Do you have feelings for Sophie?” You asked, fear creeping to your bones, not wanting to hear the answer.

Joel's silence spoke volumes; his hesitation was a weighty presence in the air between you. You held your breath, afraid of what his answer might be and of the truth that lay hidden in the depths of his gaze.

Finally, after what felt like an eternity, Joel spoke, his voice barely above a whisper. "I... I don't know," he admitted, his words heavy with uncertainty. "

“You love her,” you stated. “That’s why you chose her.”

Joel's silence in response to your accusation only confirmed your worst fears, leaving a bitter taste in your mouth and a heavy ache in your chest. The truth hung in the air, stark and undeniable, like a shadow cast by the setting sun.

Tears stung your eyes as you struggled to process the betrayal, the pain of Joel's admission cutting through you like a knife. The realization that he might love Sophie and might have chosen her over you and your unborn child was a blow that threatened to shatter you completely.

"I can't do this," you whispered, your voice barely more than a broken plea. "I can't stay here, knowing... knowing that I'll never be enough for you. Living in a world like this is already hell, but you made it even worse. You made me feel disgusted by myself, worthless, and ashamed," you shouted. "You're a fucking coward."

Joel flinched at your words, the truth of your accusations cutting through him like a knife. For a moment, it seemed as though he might speak, might try to defend himself, but he remained silent, his gaze fixed on the floor.

"Hate me; I'll wait. Until you forgive," he finally said, his voice barely more than a whisper.

You shook your head, tears streaming down your face as you struggled to find the words to express the depth of your pain. "Forgive you?" you chuckled bitterly. "I won't."

There are two types of grievances. The one who met the spirits in death and the one who met with the ghosts of someone who should have died in front of you. You still couldn't comprehend which one was worse. Both were painful, and both watered your eyes. But having the ghost of someone who brought you warm, freezing your aura while slipping from your grasp, leaving you crying to yourself till your head tired up and there wasn't anything left that fell into the voiceless world of sleeping, where in your dreams, you were still the same woman in the white dress, marrying the love of your life.

"I needed my husband! I need him now! And the worst thing is, I still need you, but you're just a fucking phantom."

"I'm still here," he exclaimed.

"No, you're not.".

"It wasn't even born!" Joel said.

The silence met souls leaving the lovers's bodies.

You were left speechless, tears ricocheting. Your heart was clenched in pain, and your throat felt like it was being torn apart by a monster.

"I'm sorry, I didn't mean-"

"Save it," you spat. You were exhausted, and your heart hurt so much that you couldn't even feel it beating anymore. "Sorry if grieving my baby was such a burden to you."

As you turned back to face Joel, the weight of your words hung heavy in the air, a painful reminder of the gaping chasm of loss that lay between you.

"Let me remind you of something, Joel," you said, your voice trembling with emotion. "Losing Sarah was the worst thing that happened to us, and just imagine how it is for me to know I carried her and this baby just to lose them both."

Joel's expression softened, a flicker of remorse crossing his features as he looked at you, his eyes filled with regret. "I know," he said softly, his voice heavy with sorrow.

"I'll move out," Joel said suddenly, his voice tinged with resignation. "So you can bring your new lover here and make all the babies you want."

His words cut through you like a knife, a painful reminder of the irreparable rift that had formed between you. "You know what really broke me?" you sobbed, the words tumbling out in a rush of emotion. "You... you're the biggest loss of my life, but as much as I love you, I despise you the same. You're the loss of my life I will be yours. There's no way back from this, Joel."

As the weight of your words hung heavy in the air, you reached for the wedding band adorning your finger, a symbol of a love that had once been unbreakable but now lay shattered at your feet.

With trembling hands, you removed the ring, feeling its weight in your palm as you stared at it, the memories of happier times flashing before your eyes like a cruel mockery of the present.

Without a second thought, you flung the ring towards Joel, watching as it spun through the air before landing at his feet with a soft thud.

"There," you said, your voice choked with emotion. "Take it. Take everything that remains of us."

Joel looked down at the ring, his expression unreadable as he reached out to pick it up and his fingers trembling as he held it in his palm.

"I don't want this," he whispered, his voice barely more than a hoarse whisper.

But you shook your head, tears streaming down your face as you stared at him, the pain of his betrayal a raw wound that refused to heal. "I don't want it either," you said, your voice barely more than a broken whisper. "But it's all we have left."

And with that, you turned away, unable to bear the weight of his presence any longer. The wounds he had inflicted upon you ran deep, a festering wound that refused to heal.

[knife-eared-jan]

Ok, as much as I have been hyping and playing 12 hours a day since it got out (still in Act 1 though, bc I'm a slowass player and completionist), I feel like I have to say something that is getting hard to ignore at this point... and I wanna preface this by saying that I am loving a lot of aspects of the game and I adore the writing when it comes to the companions, who I am obsessed with.

And maybe this will get better yet, as I generally heard the writing picks up once the story progresses beyond picking up all companions..

But I'm starting to get quite upset at the way the writing just does NOT care about the established lore and the politics of Thedas like at all, when to me - and many others - that richness, nuance and depth of the world is what makes the games so special.

(Spoilers below)

I looked past the way the elves in Arlathan just seemed to know that their gods are evil and Solas is "kind of a dick" but was right about that. When, you know, that made him basically the Satan of their pantheon up to now.. It was after all the tutorial stage of the game and I understand that you wanna ease newcomers into the lore. I could also handwave it in-universe with Morrigan being there - she could have filled the Veiljumpers in on the discoveries of the Inquisition or even what the Well told her.

It felt a bit weird that our contacts in every other faction just accepted this huge revelation without a blink, but again it was the early stages and I also get that having a discussion about it 6 times with different faction leaders would have been incredibly tedious. So I ignored that. And yeah, at least the First Warden found it hard to swallow.

The fact that they brushed aside the gods finding elven subjects - many of whom after all still worship them - with one sentence from Solas was disappointing though. Instead they chose to ally them with the Venatori and the Antaam who are the pure evil factions with no nuance or motive to side with them besides a comic book level of hunger for power. They didn't even throw in a sentence about the gods maybe speaking to the Venatori through the Archdemons to get them on their side or how it's very ironic that the Venatori, who want to make Tevinter great again, stoop to working with the pantheon of the people they oppress because they see them as lesser and other. No political exploration of the massive lore implications at all.

It really hit me when I picked up Davrin and he commented how Elgar'nan and Ghilan'nain blighting the world would really endear us (elves) to the rest of Thedas - this was the first time anyone actually mentioned the political impact of the elven gods being real, freed, evil and blighted on modern day elves at all, when this should be HUGE. It should be ugly. It should be complex. It should be explored in as many examples as bloodmagic and the oppression of mages was in DA2. It should be a central point of Act 1. (This btw made me love Davrin so much in that moment because this was the first time in the game for me when I actually felt like talking to a Dragon Age elf and even just that one line felt like home.)

And now I just did Taash's first companion quest and it seems Qunari lore is also being ignored (except for the gender aspect of it, which I look forward to). Taash's mum was a scholar and had a baby and the only problem about that was that it could breathe fire and was special but otherwise all would have been dandy? Like she would have just been allowed to keep Taash long enough to find that out about her baby if she was living under the Qun? That directly contradicts everything we know about how the Qunari's culture around reproduction and childcare works.

Sorry to be negative and talking myself into a rage - I know it's not something people want to see rn. But like, I realise you have to brush over some lore intricacies for brevity and to make it digestible for new players. But this is a world initially inspired by Wheel of Time and ASOIAF, both of which are interesting because of the depth of ficitional cultures, lore and politics, and hence it's also what gives Dragon Age its appeal. And now they take us to the most politcally interesting areas on the world map and just get rid of all of political depth?

That's really disappointing. Imagine if Winds of Winter dropped all political themes just because there's several previous books and it's been some a lot of years.

Also, I managed to play DA2 before I ever played Origins and they could introduce me to a vast established background of lore just fine back then.

Sorry. Rant over. But I had to get that out of my system.

[k4vehrtz]

WHORETICULTURE. various jjk men / sub gn. reader

synopsis. filled with lust for some fucking guy.

who. nanami kento / satoru gojo / toji fushiguro / heian era! sukuna . ✦ . what. one night stand / unprotected sex / mild religious themes/ thigh riding / slut shaming / against a wall / mean dom (or just brat)! satoru / exes with benefits / exhibition / recreational drug use + alcohol consumption ergo dubious consent / oral (r giving) / body betrayal / brat! reader / implied cnc kink + masochism / domination loss / mild degradation + nipple play / double penetration

notes. terms are kept general thus gender neutral reader but it’s entirely up to your interpretation. a mini compilation of thirsts i had while attempting to fight writer’s block and an unforgiving schedule.

⸻ ## I KNEW IT WHEN I. . .

MET HIM !

[ NANAMI KENTO ]

nanami kento was the embodiment of the traditional man in every sense. he was a businessman — clad in a white button–down, black slacks, and a matching tie hanging around his collar. five days a week, monday to friday, nine a.m. to five p.m. a true provider.

that much you can assume from observation alone. he’s not like the usual crowd; the man stands out. so, it’s only natural that you become curious.

“i’m not above sex before marriage,” and when he speaks, he takes his time to carefully enunciate each word with practised precision. something you didn’t know you were attracted to until now, straddling his thighs.

“somethin’ tells me you’re not just a—” he presses a finger to your lips, interjecting, “if you’re suspicious of me we can always stop,” and you quiet down, rocking your hips back and forth as you feel his erection grow beneath your crotch.

the backseat of his car is a tight fit but it makes it all the more intimate. remnants of nicotine on his breath waft across your face, warming your skin.

“the windows are tinted,” he murmurs, tracing the outline of your lips with his thumb, “it’s as private as it’s going to get,” before inserting the aforementioned finger into your mouth.

you smile to the best of your ability, wet muscle swirling around the salty digit as you maintain your grinding. slow and steady, purposeful movements that prompt just the right amount of friction between the two of you.

“isn’t this—” nanami interjects once more (you can barely get a word out), by way of pressing his thumb against your tongue thus causing a copious amount of saliva to cascade down your face. it’s wet and messy and done entirely for his own amusement. “we’re not celibate.”

[ SATORU GOJO ]

“do you—” he pauses mid–sentence, startling blue eyes fixated on his cock sliding in and out of your puffy entrance before continuing, “usually sleep with the stranger that saves you from a creep at the club or am i special?”

if you could’ve, you would’ve rolled your eyes. he’s talkative — too talkative but you find yourself enjoying the sound of his voice anyway. your hole quivers and tightens, gripping him like a vice at the implication that hangs between the two of you.

“i’m not easy ‘toru,” you protest in a weak attempt to sound firm though it leaves your parted lips as a breathy whine instead. and satoru smiles at that, chest rising and falling rapidly as he laughs.

“when did i say you were easy, stupid?” he asks, feigning innocence as he tilts his head to one side, bringing one hand up to your face to pat your cheek.

the action being somewhat degrading in its own sense. but ‘toru — satoru — was just like that. saying one thing and meaning or doing another. you couldn’t wrap your head around him.

and he revels in the fact, his smile continuing to grow; the type that meets his eyes and makes them crinkle ever so slightly.

“you wound me,” he tsks, bringing his lips closer to your ear as your body jolts upwards against the wall in sync with his cock bullying your hole, “all i meant by it was that we just met and look where we are now.”

‘it’s the same thing’ you think, but that’s all it is — a thought. when your lips part, you only vocalize a string of  moans. satoru was a labyrinth and you were lost in him — or rather the pleasure he provides.

“bet you’re already justifying this in your head.”

⸻ ## I LOVED HIM WHEN I. . .

LEFT HIM !

[ TOJI FUSHIGURO ]

“what —” he lifts the shot glass to his parted lips, “are you thinkin’ about?” before swallowing a mouthful of cheap liquor, adam’s apple bobbing in his throat as he does so.

it’s a good question; one you don’t know the answer to, but a good question all the same. you’re thinking about everything and anything while simultaneously not thinking at all — a blunt dangling haphazardly between your lips.

“you want to know what i’m thinkin’ about?” so you answer his question with a question like a smart ass instead, leaning in until you’re nose–to–nose with the man you swore you’d never see again. and he doesn’t hesitate, a half–smile playing on his lips as they ghost yours. they’re warm, lighting a fire beneath the surface of your skin in its wake.

“no, i don’t want to know,” he sing–songs in response, catching you somewhat off guard. what blindsided you though was him lowering the waistband of both his grey sweatpants and his boxers. his cock, exposed to the cool air of the alleyway, standing at full mast—a vein running from the base to the tip.

suddenly your mouth feels dry and your knees feel the slightest bit weaker. it’s muscle memory — or its evil cousin that encourages your body to betray you.

you’re sinking to your knees, blunt discarded somewhere on the concrete (for god’s sake, you don’t care). your lips part, cheeks hollowed and throat relaxed. quiet anticipation coursing through your veins as you feel the weight of his cock in your palms.

“you know what to do,” he rumbles from above you, picking at the beds of his nails. and he’s right, you do know what to do; how he likes it.

you take him into your mouth, dragging your tongue along the outline of his piercing some ways below the head of his cock. and toji lets out a satisfied groan. once, twice, and then a third time before you focus on taking his full length into your mouth inch by inch until he’s hit the back of your throat.

from there, you move your mouth along his length, tracing every inch of it with your tongue — imprinting its shape in your mind all over again. it’s more like refreshing an old memory rather than creating a new one.

“knew you’d—” he clenches his jaw, cock throbbing in your mouth as saliva mixed with his pre–cum slips past your lips stretched to capacity around him, “come back t’me.”

 [ HEIAN ERA! SUKUNA ]

“i’m—” your breath hitches, catching in your throat in sync with the rise of your shoulders, “many things my lord, but sorry isn’t one of them,” as your hips stutter.

momentarily. one hundred and twenty seconds.

it takes sukuna less than thirty seconds to capitalize on your fault. two hands wrap around your hips, nails pressed into the tender skin forming crescent-shaped indents. you’re forced to move to his rhythm now; cruel and unforgiving.

“should’ve focused on what’s important little one,” he clicks his tongue in feigned disappointment. he’s far from disappointed though, his cocks — both of them — buried to the hilt throb inside of you. and an onslaught of tears blur your vision; your mind is clouded by a myriad of sensations.

you’re somewhere between excruciating pain and unbelievable feats of pleasure.

“this isn’t—” you try, albeit with great difficulty as your words come in between gasps. but sukuna interjects, the corners of his lips curling upwards: “fair? stupid, this game of ours was never meant to be but you know that already.”

two more hands make contact with your skin after that exchange; two fingers on one hand pinching your nipple whereas the other holds your face in place so that you maintain eye contact with him.

and sukuna rolls his eyes as soon as your gazes meet though it’s a somewhat playful gesture. something most would find difficult to picture. but not you — never you.

“stop pretending to be a damsel in distress i’m not a—” he pauses mid–sentence, smile growing as he thrusts his hips, “well, i’m not that kind of monster,” the sound of his skin colliding with yours echoing throughout the room.

you whimper, staring at him through half–lidded eyes and a curtain of lashes wet with unshed tears: “i like what i like.”

 © k4vehrtz — all rights reserved. do not, under any circumstances, plagiarize / repost / translate my work.

[erwinsvow]

You creep carefully into Rafe’s bedroom, pushing the already-open door gently with your palm. Your eyes dart around, worried he’s going to be just around the corner, but you’re greeted with nothing—just the empty space that belongs to Rafe.

How exactly did you get yourself into this? It had started a few hours ago—at least that’s what you thought. You didn’t have any clue what Sarah and her new friends were up to, you were just over for a pre-planned girls night that was dismissed the second you walked into Tannyhill. Instead, Sarah asks for a favor, one that you deny almost immediately.

“You’ll be in and out, it won’t take more than a minute-”

“I am not sneaking into Rafe’s room for you, Sarah. What if he-he catches me? Finds me in there? What am I gonna say?”

“He’s not gonna be home later, I promise. It’ll be a second, and he’s always liked you most out of all my friends so he won’t even care-”

Your face flushes at the very sentence. Her brother, Rafe, the one that you’ve only interacted with on chance occasions, the one who makes your heartbeat speed up anytime he’s in the vicinity, that very Rafe, has always liked you? 

You’re too caught up in that thought and its implications to even question Sarah anymore. Her new friends—Pogue friends, ones that you don’t know and aren’t sure how long they’ve known her—linger by the door. They seem eager to make sure that you agree. 

You’re being moved around the board like a chess piece but you can’t find it in yourself to care. It’s shallow, you know, as one thought circulates through your mind, body, and bloodstream—Rafe has always liked you. 

A hazy, dreamy mist settles over you. You agree to Sarah, feeling increasingly stupid as you settle into the living room and keep your eyes on the television. She left with her friends, and when Rafe comes down, you’re supposed to tell him you’re waiting for his sister. Once he leaves, you need to sneak into his bedroom to find a map they seem to desperately need. One of the boys suggests it’ll be in his sock drawer.

“It’s not a porn magazine, JJ, why would it be there-”

“Oh, um, I don’t know, just that it’s the number one male hiding spot-” “What studies are you basing this off of?”

"A little thing called the study of life, Pope-”

You had interrupted them yourself, reassuring that you’ll look in his dresser and his desk. 

But now, walking into Rafe’s bedroom, you're losing all your nerve. You’ve thought about this before—you’d be lying to yourself to deny it. Any girl who has a best friend with a cute older brother has too. In the summers you sleep at Tannyhill more often than your own house, but you still could have never imagined this would be the reason you’re in Rafe’s room for the first time.

The house is silent, just like Sarah had told you. Mr. and Mrs. Cameron out at the country club, Wheezie at the beach, Sarah supposedly with you but actually with those Pogues. She says Rafe is gone too, driving around somewhere with his friends, and you believe her without a second thought.

But you do have a second thought, and it's the fact that this is so beyond wrong.

Looking through Rafe’s belongings with your eyes, your hands start to tremble at the idea of touching something of his without his permission. You want to swallow your nerves to do this for your friend, but you hesitate, hands hovering over the drawer to his dresser.

For a second, you want to puke, worried that you’ll open this drawer to find porn magazines like John B had said, or worse—photos of one of his girls that you really don’t want to see. 

Your shaking hands pull open the top-most drawer, but everything calms down once it’s open. Besides for white socks and plaid boxers, there’s nothing in there. Your shoulders relax, your knees feeling weak.

Then you wonder for a second—why were you so worried about finding evidence of some other girl in his bedroom? Your mind spins briefly, worried at how attached you really are to Sarah’s brother, someone who’s never spoken to you more than a handful of times. A million thoughts run through your brain, all of them about Rafe and none of them noticing the way his bedroom door has just opened wide.

“Looking for something?” The timber of Rafe’s voice hits your ears and you freeze, probably looking like something out of a cartoon, shoulders tense, eyes wide. You’re still facing his dresser, and you really, really don’t want to turn, but you do, and then you wish you hadn’t.

Rafe’s dripping wet—damp hair sticking to his forehead, a towel around his waist and droplets of water glittering on his abs. He’s looking at you like he never has before. Your eyes are focused on everything else—the bare skin of his chest, his huge arms, the blue color of his towel.

“My eyes are up here, kid.” 

Like a deer caught in headlights, you turn your gaze up to lock eyes. You’re terrified—he has to be angry, no, furious. You’re practically a stranger to him, a stranger invading his privacy. But when you finally take in his expression, it’s not angry. He looks amused, a smirk playing at his lips while he takes you in, standing before him like a child about to be reprimanded for touching something that doesn’t belong to them. 

“I-I…” you trail off, swallowing hard, still staring at Rafe.

“You, you?” he mocks. You think you’re going to start crying but no tears well up—yet. “What’re you looking for?” he asks it seriously, his tone shifting. 

You’ve never spoken to Rafe enough to notice, but he’s incredibly domineering. You shrink just from his gaze, while he closes the door and walks closer to you. 

“Um, I-” You stop yourself short.

“Looking for trouble, huh?” He says it like it’s a joke, but you know he’s not kidding. Your head shakes, trying to convince him you’re not, but it’s not much use.

He’s not very far from you now, maybe another foot and you could smell the scent of his soap, another few inches and you could feel the heat radiating off of his bare body. 

You realize how you must look right now, wearing a tiny dress because of the heat outside but now feeling goosebumps prick along your arms. Your bare feet rest on his carpet while your hands feel clammy from how scared you are.

“I, uh, I needed socks.” You look down at your feet and he does too, looking back up at the same time. 

“Socks? From me?”

“Couldn’t find Sarah’s. She needs to do laundry.”

“So you came in here to get mine?”

“I-I’ll bring them back. Washed. Promise.” Your gaze is now dying to avoid his, looking all around his room and then turning back to the drawer to take out a pair. 

You feel a wet hand on your arm, turning you back around at full force, his balled up socks falling from your hand as you stare Rafe in the eyes. He must be able to tell from the way your body shakes in his grip, how your eyelids are fluttering fast, how scared you are.

“Don’t lie to me, kid. I won’t like it.” You suck in a sharp breath. A few moments pass.

“I’m not lying, Rafe. Promise.”

You actually don’t know it happens—ending up with his towel on the floor and your sundress right next to it, tangled up in the sheets, your body folded in half with Rafe pounding into you. He grips your cheeks and fucks you like you’re his, like he owns your pussy and every other part of you. It goes on for so long you lose track, forgetting everything else but how to say Rafe’s name, remembering nothing but how he sounded groaning into your ear. He kisses you, hard and wet, and that’s when you cum for the third—fourth? fifth? you’ve lost track—time. He cums too—inside you, and normally you think you’d maybe have an issue with that, but since you were the one begging for it, you don’t think you’re allowed to say anything in the way of a complaint.

Rafe rolls off of you a little bit later, after you’ve had a chance to catch your breath. You think he’s gonna tell you to get out so you try to get up yourself, trying to balance on trembling legs, when he puts his hand on your waist and steadies you back onto the bed.

“What’d you need? You should sit.” You look up at him, surprised. He doesn’t like it. “Water?” You nod, and he pulls on some sweatpants and forgoes a shirt, walking out and closing the door softly behind him. 

You get comfortable under Rafe’s sheets, pulling them up to cover yourself and body sinking into his bed. You reach out to find your phone, which has somehow ended up on the nightstand even though you don’t recall putting it there. There’s a few new messages. 

Sarah: Did you go in yet?

Sarah: I think he left, go now!!

Then one from thirty minutes after that.

Sarah: Did you find it?? Call me!!

You reply quickly, setting the phone down when you hear Rafe’s hand on the doorknob.

Sorry, didn’t find anything. Had to go, I’ll see you tomorrow.