#coma universe
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swordsonnet · 1 year ago
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the archival assistants @ jon:
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hesztia16 · 5 months ago
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Promt:
Bruce kept trackers in the people he loved. Ever since Dick was a young boy prone to get kidnapped. Some with consent, some… not so much. But it was a crime he was willing to commit, if only for the way it calmed his nerves when he looked at the little dots on his screen.
Alfred, in the kitchen, working tirelessly on lunch.
Tim, in Drake Manor (much to his annoyance, but he was working on that one), probably enjoying the weekend before school.
Dick, in Bludhaven (again, much to his annoyance) spending his day off with some friends in a coffee shop.
Barbara, in the library, helping visitors.
And the one little dot that always pained him to look at, but couldn’t bring himself to disarm, right above-
Where is it?
There.
Why in all Hell’s name was his son’s body in the hospital instead of the cemetery?
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lu-polls · 8 days ago
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notedgyanymore · 2 years ago
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DpxDc
An entire city has appeared out of nowhere, The Justice league goes to the location to investigate, there they notice that the whole area seems to be stuck in the year of 2007 and upon further inspection another strange phenomenon is uncovered.
Some residents of Amity Park appear to be replicas of people who already existed before the city materialized out of thin air, these citizens of Amity Park have the same DNA and look exactly alike to the individuals they seem to be a replica of, especially when compared to the pictures of these people in the year of 2007.
One of the few witnesses to what happened to the city Daniel James Fenton is in a deep coma without any apparent cause, his family, however, is awake, and they are now the biggest clue to the mysteries of Amity Park.
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italiantea · 5 months ago
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bit of translation+parsing through the shooting scene
saw someone say they didnt know it was a model gun so yeah. gun's not real guys free my boy he did nothign wrong
so the insomnia mv was edited together in a purposefully ambiguous way, with scenes that are nonchronological or metaphorical, representing fuchi's chaotic mental state.
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first there's the shooting
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then this shot of a truck driving itself
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which then cuts to the seven car pileup
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and then transitions to the news story covering it, presumably the next day
translation: indiscriminate shooting with a model gun at shibuya scramble crossing. an indiscriminate crime?
below that: passenger car, truck, minivan etc. involved in seven-car serial collision incident
the date and time is 11pm on the 28th of march, which happens to be 1 hour before what I'm assuming is fuchi's 18th birthday
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sidenote: this crossing is literally the busiest pedestrian crossing in the world
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anyway the police come for him and he runs for it.
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'under arrest: occupation unknown, suspect fuchi sunao (18)'
then there's this sequence of him wrestling for control with his inner child, which is obviously not meant to be taken literally
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along with this shot of him tumbling down the stairs into the path of a truck
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however, that stairwell is nowhere to be seen in the shot after he's actually been hit by the truck, and if you look closely he still has both shoes on his feet
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so we can infer that the whole sequence did not happen in reality
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then there's this newspaper from the 30th of march. the headline says 'successive accidents in tokyo'. on the right: 'collision with a driverless* truck' and on the left: 'accident in the same spot as...' (cut off) *literally: in motion with no driver(human), not referring to self-driving technology
the words are blurry but basically the right part describes the seven-car pileup from the 28th again, and the left part describes fuchi's collision with the self-driving truck. the good news is at least the pileup doesn't seem to have killed anyone, with the text describing 10 people with light to severe injuries, and 2 people in a coma.
the caption to the left of the photo says it's the scene of the accident, taken at 11pm on the 29th in shibuya, tokyo
so yeah piecing all that together, fuchi went on a sleepwalking shooting spree with a model gun on the night of the 28th of march, caused a massive traffic accident that injures several people, presumably just??? left?? and went home?? they just let him? i guess all the people ran away or were too busy dealing with the 7 smushed cars. then on the night of the 29th he sees the news on the tv, the police knock on his door and he runs. one mental breakdown and dreamworld sequence later he ends up getting hit by a truck in the same intersection as before.
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edit: as some in the notes have pointed out, the truck is reported as 'driverless' because his zingai mr. creepypasta was the one driving it, and it's invisible to most normal people. it's also foreshadowed (represented?) by this shot during the scene where his child self is rampaging.
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anyway now he's in jail. rip.
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gayofthefae · 2 months ago
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A classic, old stand by. Mike and El consistently kiss and have romantic moments at night.
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And their platonic
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Or negative moments are in the morning
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Whereas Mike and Will consistently have positive or romantic moments in the morning
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With their only night ones being either negative for their relationship or goodbyes/something final (knowing or unknowing)
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Also shoutout to the shed scene which I just realized is done at night despite being romantic because it is their last moment like that before El gets back!
Also makes me wonder about the ily2 scene, which takes place in the morning, and if that is, rather, emphasizing the fact that it's the first scene in the plotline of Mike's inability to say he loves her. That would make sense as, though it's played as romantic, we now know that it is starting a big plotline for the following season.
(If you're confused, mornings = new beginnings, night = endings is one of the oldest tricks in the book. So mornings is what will be their future and nights is what is/needs to come to a close. It's near universal, if not universal)
A great, direct example of this is also simply Mike saying goodbye to El at night and then staying up at the hospital to say hello to Will in the morning in 1x08. Establishes this really clearly for the audience.
Also, of course, can't talk about lighting without bringing up...
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In general, seasons are typically ended in the morning with hints and lead-ins to the future seasons - with Mike, this is consistently El. The one time it ends with El, the season ends at night.
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jane-lynndrake-t · 3 months ago
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Weird hospital… come to think of it, I’m not sure what hospital this is.
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mischiefbuckley · 4 months ago
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what the fuck is the 119
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thebuckandeddiething · 4 months ago
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A guy from a new station flirts with Eddie (I mean...the pornstache) as Buck stares in disbelief in the background?
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astronerdscorner · 2 years ago
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Deep look into the past
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This picture of the constellation of Coma Berenices isnt very spectacular on first glance. But within this constellation lays the Coma galaxy cluster, a group of 1000 Galaxies each with millions .... billions of own stars.
Most of those galaxies are roughly 300 Million lightyears away ... a distance hard to process for the human mind.
In the second picture each galaxy visible is marked in red or blue depending on the catalog it registered in. Who wanna count them? Who wanna guess on how many civilization we are looking at?
Bilddaten:
- RGB 63 x 300s / Gain 100
- 25 Flat Dark
- 25 Flat Darks
- 25 Darks
Setup:
- Skywatcher 150/750 PDS
- Omegon 571C
- Skywatcher EQ6R Pro
- Zwo Asi 178mm
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yellows-secret-blog · 1 year ago
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* person who's trapped in 2010's fandom culture voice * G-guys, what if Arthur is STILL in a COMA?! He just never woke up ;-; and everything is just a dream :0
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whatsurnameblog · 6 months ago
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Satoru’s Mother’s Day Gift.
It's Mother's Day, Satoru just has to make it sentimental, but he'll need a lot of love and help from his only ally.
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Giving a gift in the Gojo clan was intimidating. 
They already had everything they wanted.
But Satoru Gojo was always up for a challenge and even though he may not pull it together on time, he was determined to give his mother the best gift ever.
“C’mon Aguri you’ve gotta help me or I’ll die!” the boy whined as he tugged the older girl’s arm.
She was exhausted and the young sorcerer was more than two hands full. Sometimes, she wished to have had a twin to consume in the womb like the great king of curses. Alas, she was simply just the lonely fifth child of a lowly Gojo clan concubine. Something nobody ever brought up, not to spare the girl but because it was such old gossip it became boring to even acknowledge her existence. Satoru, at his young age, had always felt bad for Aguri.
“Satoru, your father would kill me if he even saw you with an empty measuring cup in your hand,” Aguri rolled her eyes and shrugged the young boy off.
“If you don’t teach me how to cook…” he thinks, sometimes of the dumbest things ever. “ I will tell my father you called me Satoru and not ‘Young Master Gojo’” The boy smiles menacingly before wiggling his brows.
“You traitor, you wouldn’t!”
“Oh, but I would Aguri, I definitely would,” he laughs at Aguri’s appalled expression. 
“You’re such a brat Satoru,” her mood lightens. “What’s this for anyway?”
“It’s for Mama,” the boy says simply as he looks at the trail ahead of him.
The two had gone for a walk to the river just before the boy wanted to play, Satoru always found himself enamored by the motion of the water and the small fish that inhabited it. He loved to watch the rice fish scatter when he threw a stone into the water. In moments like this, the adults realized that Satoru was still a child, something the elders hated to admit.
“Fine, I’ll help you,” the young woman finally gave in. “How about we pick some flowers for her too? Make a bouquet and a drawing for her to hold close. What do you think, Satoru?”
Aguri watched his face as the gears turned in his head. He glanced at her, his body full of uncertainty and nervousness. Would those really be good gifts for mama? He thought, and a puddle of nausea pulled at the bottom of his stomach. The boy was always unsure, never ready, mouth always stumbling when asked a question, fingers fiddling when in training, feet shifting during tests. Satoru wished he could fly under the radar, he desired to be placed in the back, something that would never be fulfilled. 
“Y-yeah? That would be cool,” the boy blushed as he pushed forward on the way back home.
“What sort of answer is that? Are you being honest, Satoru?” she stopped in her tracks, waiting for him to answer.
Satoru noticed the loss of footsteps behind him, his six eyes tingling uncontrollably at the lack of company. The boy always tried his best to use it on their hikes. He turned around, blue eyes downturned in thought.
“Mama makes me nervous sometimes. I was just going to eat with her a-and you, and just go to training or something. I wouldn’t know what to say if I gave her those things,” the boy fidgeted with the strap of his satchel. His eyes searched the ground for nothing in particular, making the woman crouch down to him.
“You know you don’t have to say anything at all if you wanted, she’ll be happy just sitting in silence with you,” Aguri smiles.
“No,” he suddenly protested. “I want her to know I love her so… I trust you, let’s pick some flowers an-and get some tools for drawing and…” the boy goes on and on as he skips toward the Gojo estate. Aguri simply giggles and encourages his excitement. They picked random colorful flowers along the path and placed them in the boy’s satchel. The two took advantage of the freedom and playfulness they had alone before being back home. They were more like siblings than the siblings they had.
The duo glanced at each other as they reached the garden entrance to the estate, they straightened out their appearance, posture stiffening in the name of sophistication. The Gojo clan was big on looks, although they valued power way more.
They walked toward the mansion smoothly, the cool air from the river slipping from their skin and clothes and into the wind. It isn’t long before they meet the entrance to the home.
“Okay, young master Gojo, many of the elders and fighters have a meeting with the Kamo and Zenin clans today, so they are away from the mansion. That means we have until sundown to prepare your gifts,” They both walk to Satoru’s quarters swiftly.
“Will that be enough time?”
“We’ll make it enough,” Aguri winks before returning to her calm demeanor. “You need to worry about washing up, something I am sure you can do yourself, and then meet me in the kitchen. You remember where it is, right?”
“Yup-“ Satoru stutters as he fixes himself when a man walks by. “Yes, Miss Aguri,” he bows before the woman and takes off into his bedroom.
As the woman skids off to prepare the kitchen, Satoru gets ready for a bath. He takes off his satchel and gathers the flowers from their trip to place them on his desk. The sun shined bright through the window and fortunately for the young boy, he had a vase hidden behind a stack of blankets near the wall. He was quick to fill the vase with water from the tub in his en suite bathroom and careful to place it on his desk so he wouldn’t slip later that night for a bathroom break from his sleep, not that that’s happened before.
He placed the flowers in the vase beautifully, Satoru had an eye for decoration, if he wasn’t a Gojo maybe he’d be something creative like a painter. Remembering that he left the faucet running, he quickly prepared himself to jump in and as he thought of what to draw for his mom, he nibbled at his bottom lip, stomach full of nervousness.
In the kitchen, Aguri was fast with her movements and grateful for the absence of staff. She quietly gathered the ingredients for Satoru and his mom’s favorite meal, something she had learned years ago from the previous caretaker.
Working for the Gojo clan wasn’t easy. When she first came to the main house as a teen she was bitter toward the conditions her cousin —six times removed—was living in. She always resented the family, but his wife, her aunt, was a sweet lady from the Kamo clan, a daughter they could do without, and, Satoru was just a child. She couldn’t even force herself to hate him. So, instead, she just did what she was told, with no feelings attached. Until she witnessed the nasty abuse the boy and his mother received, and that’s when the girl decided she’d always be on their side. And she promised Satoru’s mom that she’d always be there for him.
“Aguri? Are you here?” The boy whispers as he enters the kitchen in his usual white attire.
“Yes, Satoru, everyone is gone!” The young woman whispers back and smiles at the way his head pops out from the wall. “I’ve already gathered everything, okay? Just pass me the ingredients as we go, and you’ll learn just how she likes it! This is exciting.”
Satoru nods as he comes closer. The young sorcerer was tall the only thing out of his reach was anything farther than the third shelf, so he watched Aguri carefully and without struggle. 
The woman was practiced in her movements, unsurprisingly, and she knew the recipe by heart by now. She instructed Satoru professionally as if she were the head chef of an upscale restaurant, something that would seemingly always stay a dream. 
“You’re so cool, Aguri. I wish I could cook,” Satoru hmph’d as he passed her some pre-diced vegetables.
“Thanks ‘Toru,” there was that nickname that made the boy blush. Aguri was important to him, she was more family than his father and siblings and he enjoyed when they could be this comfortable. “Your mama’s going to love this gift, but I think she loves anything you do.”
“I don’t know ‘Guri, she’s usually so picky,” he pouts and backs away from the sizzling pot. 
“No, trust me, she’s going to love it,” Aguri smiled at him and quickly moved on to the next big pot. It would take her some time to make three portions of the meal, but it was worth it.
The two Gojo’s fall into a comfortable silence with the occasional childish back and forth. Neither can help themselves in the stillness of the house. There’s no one here, most of the staff are in their quarters by now. It was the best time for this they both concluded. Just being together without the watchful and strict eyes of the elders was freeing. Although it wasn’t unusual for Aguri to be here around this time as a caretaker, she was always on the clock.
Aguri’s living quarters were also relatively close to Satoru’s which is how they got so close. Late-night snacks and a few sneaky card games were enough to get a seven-year-old Satoru to warm up to the girl who was simply six years his senior. Like every child he was impressionable, and Aguri was honored to be the “good influence.” 
But Satoru was also a good child, a little bit of a rascal, but he was obedient, not that he had much of a choice. Going against the rules meant punishment for the whole clan. A fact only spoken of in letters between Aguri and one of her siblings, something kept sandwiched between time away from the boy's eyes. Now that Satoru was entering his preteen years, as his thirteenth birthday would be in early December, the topic hadn’t graced the pages of a paper since just as the letters slowly stopped coming.
“That smells so good,” Satoru squeals. “You’re right, mama’s gonna be so happy! Can I tell her I made it?”
“Of course you can,” she gestures for him to come closer. “How about you mix the sauce a little, and we can finish up.”
Satoru smiles and nods eagerly before stepping in front of the stove. Aguri observes him cautiously, not wanting him to hurt himself. She helps him mix it evenly and hums when it's consistent with the meal's expectations.
“Alright, let’s plate the food.”
“Will you eat with us?”
“Do you want me to? I made enough for three,” Aguri smiles.
“Then you’ll eat with us,” Satoru decides.
She instructs him to grab the three plates she had already placed on a counter across the room. She turns everything on the stovetop down and grabs another pair of gloves just in case. Satoru quietly helps her plate the food into three dishes while she turns everything off and cleans up, and when they’re finished, she grabs a tray and a familiar-looking container she had set out earlier to cool. 
“Drinks in the fridge ‘Toru!” he nods and runs to retrieve them.
Aguri sets everything on the tray and waits for Satoru to come bobbling back. He tugged his lip frustratedly, the only options always being water or alcohol and he could only have one. It’s unfortunate that Aguri didn’t make tea but Satoru wasn’t bothered and simply grabbed three water bottles. He slowly closes the refrigerator when he hears Aguri call for him and quickens his movements to rush back to her.
They silently walk towards Satoru’s mother’s quarters, the boy bumbling with anxiety and eagerness. He stops just at the large brown doors before looking back at the girl. 
“It’s okay, you can do it c’mon, open the door, and I’ll go first,” Aguri speaks softly, her voice full of care and warmth and Satoru nods and follows her directions.
Aguri enters the room first, the change in air chafing her skin as she sets the tray on a table near the wall. 
“Come on ‘Toru, don’t leave us waiting,” she calls out as she smiles at his mother. She places the plates around the square table right next to the bed, one chair adjacent to the head and the other adjacent to the foot while a third faces it. Aguri opens the small container quietly, listening for Satoru’s entrance.
His feet were soft and nervous on the ground as he walked in. He gulped as his eyes set on his mother in all her beauty, her face was full of color today, and she looked like she was sleeping more than dying. The beeping machine tracking her heartbeat, among other things, was taunting. Satoru hated the sound, but he loved his mom, so he could bear it. And he would, as long as she was still here, and even though Satoru had lost hope over the last couple of months, she was still here, and he’d be right next to her for as long as she stayed.
To Aguri, Satoru was still a young child, and to his mother, he would always be her baby. Satoru couldn’t disprove either of those things. At this moment, he felt like both. He felt so small.
He walked towards her bed, the vase of flowers he acquired on the way to her room now placed on a table near the door and a quick drawing of a water iris with a short poem etched into the left side of the paper under his arm.
A spoonful of your love is enough for me to live through infinite lifetimes.
A hug,
A kiss,
A laugh,
A tear,
A smile,
A sigh…
As simple as it seems, it’s enough.
“Happy Mother’s Day, mama,” the boy smiles, tears gathering in his eyes as Aguri holds out her arms to embrace him, a gesture he easily recognizes.
And as they all enjoyed this moment together, they never thought of a future where a love like this didn’t exist. But if they had, maybe they would have been better prepared.
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If you're reading this, I hope you've enjoyed it, and thank you for reading.
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© whatsurnameblog 2024, do not copy or repost anywhere
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Things that I know about A Stitch In Time prior to listening to it:
Garak goes to spy school, which is for spies (for some reason the idea of this is amusing to me. like I get it duh of course the Order must have some sort of training system but also. fanfic ass trope. Spy School! For Spies! it's even a boarding school and everything. DARKEST ACADEMIA)
Garak performs a classic bisexual rite of passage by falling in love with both members of an older(?) married couple (or well textually probably only the wife. I feel like I'd have heard about it if he were Betacanonically Queer (TM) in this book. but here's hoping I'll be astonished while listening!)
I can't remember if I read anything specific about it or not but just based on vibes alone I do not have high hopes for this couple's like. life expectancy.
Based on vibes alone I do not have high hopes for ANY character's life expectancy in this book tbh. If it involves Cardassians in general and Garak in specific I usually just assume everyone involved is doomed. This is going to be a FUN 12 hours and 28 minutes!
There was a post somewhere that mentioned that some supernatural magical stuff happens in this book and I'm SO FUCKING STOKED. HERE'S HOW GARAK ORB EXPERIENCE CAN STILL WIN!!!!
The entire concept of this book is so funny to me. Garak goes 7 years being ohhh so mysterious to Julian about himself or his past and then just spills his whole life story to him in a letter as soon as they're separated. Babygirl is going through Bashir Withdrawal Syndrome.
Most importantly KELAS MY BEST FRIEND KELAS FROM ONE (1) LINE OF CANON!!!!! I have no actual evidence that he ever shows up in this book but like he has to right. right. he's absolutely everywhere on ao3 y'all had to have gotten him from somewhere. I assume.
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buddiebuckley-diaz · 2 years ago
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In his coma Buck remembers two things:
1. Eddie (obviously)
2. That Eddie called him cowboy
I love that for them
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The Dead Zone (1983, David Cronenberg)
25/04/2024
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violent138 · 8 months ago
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I was thinking of the Snyderverse and this one Jason Todd universe-hopping post (if I ever find it again on my godforsaken dash I'll link it), but I eventually got to thinking about what if Red Hood at the very start of his return to Gotham, of wiping out the Black Mask and enacting his plot against Joker manages to accidentally get sent to a universe where he never became Robin? He runs into Bruce and Dick, who are completely perplexed by why he's got so much personal, targeted animus with them, and Bruce doesn't hate the Joker as much yet, because he hadn't lost a son to him. Thought this might be an interesting concept to flesh out if I ever stop being lazy. Or maybe Dick got killed by Joker (as per the Snyderverse) and Red Hood shows up here at just the right time. Or perhaps Dick survives the near-death and Red Hood shows up and things get hatched.
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