#can you paint a vampire?

[aimfor-theheart]

astarion with painter reader who takes him as their muse

[cryptocism]

"just as I did, in 1983."

you'd never know my favourite parts of the show are the fucked up insane bits when my first instinct is to draw the cheesiest thing imaginable

[ranuunculus]

at the cost of sunlight

[deoidesign]

Thinking about vampires, death, life, and the space they occupy in between

[nemonclature]

GUYS. I HAVE A THEORY. IT’S SUCH A GOOD THEORY. ACTUALLY IT’S THE BEST. Actually I’m just gonna go ahead and call this canon. I’m staking my entire identity on it.

So, I was gonna do an in depth art post bouncing off this excellent bit of research. I was expecting some thematic hints a la Hannibal and much fun to be had.

I decided to start with this:

Francis Bacon’s Three Studies for Figures at the Base of a Crucifixion, which hangs on the wall in the Dubai apartment.

Let’s sidestep the Christian connotations of the crucifixion* IMO the Christ bit is misdirection (mostly. We’ll come back to that)

Armand: Witnesses to Christ’s agony. Mr Bacon also referred to these as the Three Furies.

Who are they? The Furies/Erinyes are Ancient Greek Goddesses of vengeance. "The Erinyes, that under earth take vengeance on men, whosoever hath sworn a false oath" ... They are traditionally depicted as … preoccupied with avenging patricide and matricide by hunting down and killing violent criminals ... Their task is to hear complaints brought by mortals against the insolence of the young to the aged, of children to parents, of hosts to guests.” (wiki)

Kinda on point for a vampire that tried to kill his maker, no? Or for a vampire that’s abusing the guests in his home? Or an old man shit-talking two much older vamps. (lol jk not you Danny boy, you trash them all you want bb).

Armand: We’ve received an aggressive offer for the Bacon triptych.

Louis: Oh? I didn’t know we’d made it available.

Armand: It’s a new name, so I’ll have to run due diligence.

Hmm, who could possibly be being setup to enter late season under cover as some innocuous buyer? Who would Armand let into his theatre home in order to wreck it? Who’s presence/interest/existence would he keep from Louis? Who better to complete Bacon's intention and provide the crucified final figure of the set, but...

YES! Our favourite victim of patricide. The ultimate Daddy Vampire. Lestat de fucking Lioncourt.

Guys there’s a reason I’ve been calling him White Vampire Jesus and it’s not (just) because I find myself hilarious.

Real Rashid: The lawyer for the buyer is ready for the teleconference.

Not a massive deal, rich people make lawyers do things for them. But so do VAMPIRES WHO DON’T WANT TO BE IDENTIFIED.

But yeah, lets’ get into that phone call. Mr Philips, the lawyer, is introduced to Mr du Lac (like, in case anyone was wondering how Lestat knew it was Louis who owned it, just fucking use your real name Louis, sure.) The buyer wants it for her husband (GUYS. HE WANTS IT FOR LOUIS).

This is episode 2.03 and, guys, Lestat is EVERYWHERE in this episode. We get Armand opening up, but not about his full past, just about his past with Lestat.

Dreamstat dogs Louis’s footsteps

Louis admits to Armand that Lestat was his maker in this episode.

And the scene directly before the lawyer calls?

Louis and Claudia are talking about Lestat, it moves on to Bruce, but it starts with Lestat.

We could also talk about how, this season, as the focus has moved away from Loustat to Loumand, the action has moved away from the main room with the Triptych, to the tree room and the dining room.

Lets start with the tree room, where Armand (the clinging vine) reaches, but never touches Louis (the tree).

"For woman is a branching tree, and man a clinging vine. And from your branches carelessly, he’ll take what he can find."

(Let no man steal your thyme, trad)

Too much? Then how about the dining room of equally symbolic paintings. (and, side note. Paintings have been IT this season. This is the Armand season, the Amadeo season, the Louis photographer season, the breaking into museums to look at or steal art season. If S1 was music, S2 is art).

The dining room where we find the Ron Bechet, Transformation (A TREE AND VINES FFS), representing Louis (or Loumand) and the (stolen - can we take a moment to appreciate the hilarity that is Louis and Armand dressing up as police officers to carry out one of the biggest art heists in recent history?) Rembrandt, Christ in the Storm on the Sea of Galilee representing Daniel (Fear and Faith).

You can see them more clearly in the S1 scene where Dan and Louis are at either end of the table, each before their own painting.

But also in S2 in combo with the Marius christ-and-demons, representing Armand (or representing Armius?? Lol do they have a ship name? kill me now). I find it very interesting how Armand is sometimes framed with Dan's painting behind him and at other times with Louis', almost like he's being pulled between the two.

Anyway. Point is the GIANT RED ORANGE LESTAT CHRIST SYMBOLISM is suspiciously out of frame this season.

See the difference in framing here in Season 1: (note, this is DanLou first meeting. It's BEEN THERE FROM THE BEGINNING)

And this itty bitty corner shot in Season 2:

And when does the triptych come back into frame? Oh just DIRECTLY AFTER THIS BIT OMFG:

Me too, Dan. Me too.

The triptych has been on the wall from the start of the show. Looming over everything, haunting the narrative, like a giant bleeding meta signpost.

[luck-of-the-drawings]

"I think this is the most inhuman; and human, that I've ever felt.." MUCH CAN HAPPEN IN A YEAR. IN FIVE YEARS. A DECADE. imagine how much can happen in a century. just ONE (1). How will you grow? what phases do you find? even in 5 years, you will find patterns.

[svampira]

queen. Get out of the blood

[lizardkingeliot]

Okay. Trying this again. Maybe a bit more coherently this time as I try to Gather My Thoughts lol...

Armand painted contacting Lestat for Louis as an act of empathy on the surface when in actuality it feels like an extreme act of cruelty?? He was punishing Louis for daring to try and reach out to Lestat via Daniel. He was punishing Lestat with the knowledge he couldn't get to Louis when he was injured. He was punishing Lestat by refusing to relay his words of love. He was punishing both of them at once by being the only one to know where they both are and refusing to relay that information to the other...

And then he just ends up punishing himself by being reminded how deeply Lestat loves Louis. How wholly and irrevocably he LOVES....

And then he decides to just wipe the whole fucking thing from Louis' brain. Not even allowing him to keep the comfort of knowing Lestat is somewhere out there......

[dispossesst]

Armand de nothing amongst my other oilpaintings

Oil on water colour paper by @ayshapaints

[hrodvitnon]

SIGNALIS Big Teef Fic Preview!

Did anybody want a fic with the Big Teef? No? Well, too bad, you're getting one anyway. Have a taste!

---

"Hey, when were you going to tell me you have fangs?"

Elster pauses, having just gotten engrossed in a scene of tense questioning.  "Excuse me?"

Ariane sits beside her at the table, lays down the Replika overview, leans her elbows on it and rests her chin on folded hands, giving the Replika a look that to any Gestalt would be similar to a parent wanting to know why their kids didn't do what was asked of them – or rather, like she's taken on the role of detective in the midst of questioning.  Elster lifts her eyebrows, waiting for an explanation.

Ariane elaborates as if telling an anecdote from her Rotfront years.  "I looked through the Replika overview again to see if there was anything I could pick up to help you out, or do something for you, when... in the corner of my little eye, I spy... a schematic.  A schematic, El Bell.  Of retractable canine teeth.  Which you are in possession of, and neglected to inform me."

Elster closes her eyes, knowing where this is going.

"Ariane."

"Now, I don't ask the time of day from a clock..."

"Liebchen."

"But I'm not shy about how hot I am for nibbles and love bites..."

"Light of my life."

"And you didn't think to tell me?  When were you going to tell me?"

"Settle down, dramatic.  They're for self-defense, not for sexy time.  Besides, it's not even unique to LSTRs – all Replikas have them."

Ariane blinks in surprise.  "Wait, seriously?  Even Eules?"  Having such teeth makes sense for a Storch or Star, but an Eule?

"Absolutely.  I once heard that a secretary unit back at headquarters almost bit the fingers off an untrained Storch who got too ugly with her.  Not sure how it ended, but I like to think Frau Beißer got off with a warning and the Storch never lived it down.  Self-defense, like I said.  With combat units it's a last resort in case one runs out of ammunition or doesn't have a melee weapon ready."

Ariane's eyes widen.  Eules always looked so delicate to her with how lightly they carried themselves, but it seems even those domestic units are made of sterner stuff than expected.  Her eyes lower to Elster's mouth.  Elster gives her a knowing look.

"No."

"I didn't say anything!"

"You have that 'in the interest of science' look on your face."

"I just want to see them for myself!  There's nothing wrong with that!  Show me, please?  It's not like I'll ever see them in a combat situation, unless we get picked up by aliens or something."

Elster stares.  Ariane stares back, pleading and doe-eyed, just seconds away from deploying the dreaded pouty bottom lip.  Elster gives in, of course.  She can never really refuse humoring her love, so she teasingly grouses like it's such a chore.

"Ach, fine."

Ariane tries not to drum her fingers happily while Elster pops the mandibles in her jaw, mouth opening.  Nothing out of the ordinary, just 28 white teeth – go figure Replikas aren't manufactured with wisdom teeth – and then Elster curls her lips back wolfishly, her canines extending with an audible click.

There is, of course, the knee-jerk flicker of saucy fascination since Ariane does so love when Elster bites her, but in the moment it's also tempered by actual scientific curiosity.  Elster's lengthened teeth are only sharp at the very tips, as Ariane knows from experience, so while they probably can pierce through flesh or biomechanical components they must be intended for crushing and tearing, clamping down and keeping a steady grip thanks to powerful jaws.

A rather specific detail from the Replika overview comes to mind: the LSTR unit has a bite force of 1250 PSI at minimum.  Ariane's heard of certain Vinetan animals having a comparable bite, capable of piercing through the skulls of their prey.  The knowledge of this results in a revelatory daydream of hostile alien forces intercepting their little ship and abducting Ariane, causing Elster to crush an extraterrestrial skull or spine between her teeth as she goes in a rampaging rescue...

"Ari," Elster drawls.  The extended fangs seem to mess with her speech, an added lisp causing her accent to border on nonsensical.  "Ye hab dat look."

Ariane shakes her head.  "I wasn't thinking of anything sexy this time, honest!"

"Uh-huh.  Cad I pud dese away now?  Iz hahd to talk."

[fayevalcntine]

Positioning Louis as the "Edwardian wife who becomes trapped by her husband" in a literal sense does no justice to analyzing his actual place and role as a Black man in his society and in his relationship with Lestat. Any interpretation or analysis you do of him when it comes to their relationship cannot be stripped of the racial aspect because it's constantly there. Texts analyzing Edwardian wives (and particularly ones this fandom loves to bring up) typically were white and the dissection of their place in societal rules are always viewed from the aspect of gender that is within these texts only allowed to white women, but never to Black men or even Black women. And gender and race become inseparable when you discuss the latter, no matter how people may view it.

This is why I can't take this approach to analyzing Louis' story seriously because if you don't consider the racial aspect in his relationship even to himself and his sexuality, what's the point? You're still centering the standards that were more placed upon white male/female couples than you're willing to look into the unique structure of Black families, religion, their view of homosexuality and how that sooner heavily influences Louis than the family's "need" for him to be sold off to an Edwardian husband. Even in Louis' own story, him and Claudia being Black is more centered on than any demeaning "housewife" comment he tries to go against from Claudia's perspective. She makes that comment once, whereas we have at least two episodes from Louis' perspective that have very blatant hints and showings of the racism he still suffers from under the Jim Crow era and how it affects his self-worth as well as his relationship with Lestat who doesn't seem to take into consideration how any of the blatant racial aggressions and objections still affect Louis and what he considers to be important to achieve in his own life.

Then there's also the pointed topic of Louis' position as a Black man who is a pimp to the Black women he has as sex workers, as well as how his position as a Black father affects Claudia, another Black girl. If you insist on Louis being centered as this "Edwardian white wife" who is confined by his implicit gender in his marriage, where does that leave Claudia and the blatant misogyny and disrespect she gets from both him and Lestat? Lestat who is her white father abuses her. Positioning Louis within the strict confines of "being her mother" doesn't do her any favors because he didn't hesitate to choke her when he was deeply emotionally distressed, nor does it make him look any better when he's fine with chopping up her diaries and then delivering them on a silver platter so that Daniel, another white man, can read and dissect. Even if he does this under the sole pretense of "doing right by her", how does it in any way help when he also can't face up to his failures towards her?

[alfhildr-the-word-weaver]

I lowkey want one of those "live laugh love" type house signs that says "come freely, go safely, and leave something of the happiness you bring" for the entryway of my house someday. I think it'd be hilarious, but it's also lowkey a nice greeting in its own way, if perhaps mildly ominous... What a nice way to set a welcoming vibe! ;)

[z-eddsworld]

There are a lot of moments where that belief is questionable

"It doesn't matter now! He lost his memories!" They say

What they don't know, is that Matt still remembers.

[camellcat]

midnight mania strikes again

[nosferatufaggot]

[apuff]

pool boy at the vampire mansion is the reason why i have ink on my shorts now . fuck you gerard way