#but the thing is i am still entertained by the show

[iamespecter]

THIS.... OH MY GOD. THIS.

...THIS IS SUCH A GREAT ANALYSIS. THIS MAKES ME LOVE JAX EVEN MORE EVEN THOUGH I HAVE THE TENDENCY TO HATE ASSHOLE CHARACTERS.

And admittedly enough, if this analysis needs proof that this can happen to people in real life, I think I'm proof enough of that. I'm a person who doesn't really deal with what life throws at me very well, like yeah sure, I can act silly and goofy online but the moment I step away from the screen and reality seeps in?

... All I can really say is that I don't have a good coping mechanism for all the trauma I went through growing up in an abusive household. I even remember how it started: Memorizing the entire Kung Fu Panda movies and going to a secluded area, pretending I'm the characters because it came from a place of wanting to beat up my physically and verbally abusive, asshole of a father.

I'm not even kidding; sometimes when things are really really bad for me, I'll stare off into a wall or the floors and imagine an invisible audience that can hear my thoughts as they observe me like you would a TV show, and those thoughts slowly devolve into a third person narration that's either describing my motivation, my plans, my next move, or talking like it's an entirely separate entity from me.

When I'm in the bathroom, I talk to myself like I'm in a talk show in order to lessen the buzzing thoughts occupying my head. Keeping silent so that my cover isn't blown.

I've even entertained my friends that I prefer to be an NPC and while I don't say it to them often (because of fear of being thought of mentally insane, who could imagine), it always crosses my mind when I walk down a street, thinking "what if I was a background character, experiencing the world that I'm meant to be worldbuilding fodder for".

Listening to music helps stop these thoughts because the music blasts it all out, leaving no space for any crazy thoughts like that.

But to hear this analysis and to finally understand what pulls me to Jax that other asshole characters can't.... it's... I don't know how to feel. A part of me feels seen, but a part is also just... preventing me from further spiraling at the realization.

It's scary to admit this. It's downright horrifying, even, that I have a pit forming at my stomach as I tell this. To not only admit it to myself, but to also admit this publicly, where people would think I'm not mentally sound. Perhaps I am, perhaps I actually need help as much as I wanna say I don't, but I still wanna get this out there.

With Gooseworx all but confirming that the Jax being an AI thing is bullshit, I personally want to talk about an interesting part about Jax that a lot of theorists used as "evidence" that validates the theory:

Jax's fourth wall breaks are a common topic brought up amongst the "Jax is an NPC" theory. After all, Caine broke the fourth wall in the pilot, knowing full well that the world of The Amazing Digital Circus isn't real and is talking to some unseen viewer as he introduces the Circus Crew.

There's also this bit of official art surrounding Jax's pin:

Where everyone else is inside their room, Jax is outside as pieces of the circus fall apart around him and all of reality to crash. Certainly lends itself to this idea that Jax knows he's not a real person and that his presence could cause great disruption to this world. And he doesn't care because none of it is real. Might as well have fun and cause chaos in a world that doesn't exist.

And I'll admit, all of this seems like valid claims for how the theory could be true. I saw it all and thought that it surely COULD be possible...but there are some things that stop me from being convinced.

Firstly, Caine breaking the fourth wall in the pilot doesn't really seem like an AI talking to the audience. It looks more like an AI programmed to talk to a player as a game boots up. What we saw in the opening could be more like a morning routine that he has to do at least once a day. Plus, we've yet to see any other NPC talk to the audience like Jax has. He explicitly called out the viewers in episode three, knowing full well he's being watched by SOMEONE. Or, at the very least, acting like he is. What do I mean by that? Well, to explain, I'd like to use one of my favorite fourth wall breakers as an example:

Deadpool, in most adaptations, knows fully well that he's a fictional character. He'll talk to the readers/viewers, move the camera around, and constantly talk shit to the writers/studio for occasionally screwing him over. It's all in good (Sometimes bloody) fun...but there's a canonical reason for this. It's not like She-Hulk where the fourth wall breaks are a way to tell HER stories HER way. You see, Deadpool...is just fucking insane.

No, really, that's the reason. Due to the trauma of gaining his powers, Deadpool's mind breaks and he's led to believe that he MUST be a fictional character. In comics, he actually gets voices in his head that makes him think he must be some comic book superhero, and the movies implied that something similar happened given how he never broke the fourth wall ONCE before getting his powers. This means him breaking the fourth wall could be seen as a coping mechanism. After all, it's better to believe you're a fictional character designed to entertain some invisible audience than believe that all of the shitty things that happened to you and people close to you is just a cruel joke from the universe.

Sound familiar?

Going back to the pilot, remember how Pomni's first instinct was to say that the Circus was all just a dream? To her, it's better to live in a lie that everything around her isn't real than to accept the reality that she's stuck in digital purgatory. Jax very well could be going through something similar, but unlike Pomni who seemed to just accept her reality, Jax never did. The trauma of being stuck in the Circus had led to his mind breaking just like Pomni's, Kinger's, and anyone else's. It's just that, for him, he thinks he's coping with it better because he discovered the secret that no one else did: None of this is real.

They're not actually people trapped in some hellscape while an AI unintentionally tortures them. They're all just fictional characters whose tragedies and silly antics are used to entertain viewers. I mean, it's either that or they're real people forever trapped in the circus with the closest thing to death being a full, psychotic break as they give up their sanity because they no longer want to exist in this hell anymore...But that possibly can't be true. Because if that IS true, then Jax has to face that he's a real person stuck in a real, awful situation that he can't joke his way out of. So, it's best to think nothing is real and nothing they do matter. So, might as well have fun with it.

Going back to the pin...

I don't think this is damning evidence about Jax being an NPC. Actually, it perfectly captures who he is as a character. He knows the circus isn't real. He even thinks HE isn't real. So instead of grappling with that, Jax lets himself believe that if nothing is real than nothing he does matters. He can break things, ruin lives, and assist in torturing the others in the circus. It's what he thinks will make the show more entertaining, even though all he's really entertaining is himself so his mind doesn't break more than it does.

Now, could the same apply if he's an NPC? Well...maybe. Gumigoo definitely proves how far someone could fall when they're told their world is fake. He was about ready to give up on life because he didn't think he had one. If Jax was an NPC, I could see him having a similar break, but going in the far opposite direction where, instead of giving up on life, he chooses to live the way HE wants it. Instead of being some one-off NPC for a lame adventure, he could go off on adventures of his own and ruin the lives of others now that his is thoroughly ruined.

However, Gooseworx makes a good point: "...a lot of people come up with theories based on how unexpected they'd be, and not because they make sense or align with the show's themes."

If Jax is an NPC, it would harm the overall message of the show. That there's meaning to be found in a stagnant life, and you find that meaning with people close to you who make that life worth living. Jax represents a sort of foil to that idea, with his way of coping with the madness being pure chaos and breaking others. It's his coping mechanism, and it works because it shows how human Jax really is. They're ALL human and they have human desires and wants, with the Circus pretty much stripping that away and leaving them...as they are now. They're emotionally broken, their sanity is decreasing, and some of them are losing all sense of self. By making Jax an NPC, it would definitely be surprising, but it would take away from that idea. It no longer makes him a human facing his own tragedy but instead an AI that's just as broken as Gummigoo. More than that, it gives the others an easy out. All the crew has to do is tell Caine that Jax is an NPC and POOF! No more annoyance. So making him someone who HAS to stay with the others and they're forever forced to deal with him also adds more to THEIR tragedy and torture.

Jax being an NPC is an interesting theory, but I don't think it's one that SHOULD be true. To me, it's more fascinating watching Jax treat the world around him as meaningless knowing he's a human instead of a rogue NPC breaking everything. And Gooseworx made it clear how they feel about it. Now, could it potentially be a mislead to get fans off the trail? Genuinely...I don't think so. That sounded very "I don't like this idea so it's not gonna happen" type of response. Still, we won't know until the show wraps up. Anything can happen, but don't get your hopes up if a character who does bad things to people that don't deserve it is more human than you think.

[burningcheese-merchant]

What does Spice and Jack like to do together?

It's unbearably hot here and I hate working. One more ask, for realsies this time, because fuck everything else

"What do Kratos Burning Spice and Atreus Pepper Jack like to do together?" Sorry, I wanted to do that lol

Spice travels back and forth between the Golden Cheese Kingdom and the Spice Ridge by himself a lot (for work, basically), and he brings Jack with him whenever he can (after Paneer was born, he started either taking them both or alternating between them each time so they get an equal amounts of trips with him). He actually likes when his son joins him to do stuff, even if it's "boring" king/leader duties (which Jack does not find boring, he actually is legitimately interested in things like that and likes that his dad takes him to his "work")

They go on hunting trips often, too. Spice got him in on that early - as soon as he could walk in a straight line without tripping lol. Paneer doesn't like hunting (she actually really loves animals and doesn't want to hurt any ever), so it remained purely a father/son activity. They'll go out for a while - a few hours usually, or even a few days if Spice wants to go somewhere far for a challenge - and hunt game together. They lock onto/track something and work out a plan of attack, so to speak. They both have very different ways of doing/approaching things, both on a hunt and in general (it's those clashing personalities again), so they try to meet halfway and think of something that works for them both. They actually work quite well together and make a good team. (As Jack ages, Spice grants him a little more control/authority of their hunts, to see how he handles taking charge of something like that. Jack does well, for the most part. It makes Spice really proud.)

Jack likes to tell Spice about things he learns (he likes telling both his parents, really). Jack is very smart and even more curious, so he tends to pick a thing or two up every day, even if just a bit of obscure trivia - and he likes to share it with his dad, because he actually likes hearing what Spice has to say about stuff. He'll show him books, he'll bring Spice with him to the library when he can so they can read books together (I honestly think Spice is a smart guy, or at least I headcanon him as such. He was the Herald of History; it's canon that he used to enjoy having deep, open-minded discussions with others, particularly about history, so I think that lends itself to Spice being reasonably intelligent, even wise to some degree). When he was little, he'd just walk up to Spice with a book in hand and climb into his lap, then either ask him to read it to him or ask to read it together. (While Spice no longer fully possesses the patience he once had to entertain people's thoughts and attempts at conversation (he regained a decent amount, but a few millennia being violently antisocial kinda damages your people skills lol)... he has all the patience in the world for his son, so he's happy to indulge him.) Somewhere underneath this behavior is Jack's inherent need/want to get closer to his father, because (as I've mentioned in another post) they're so different from each other otherwise and he doesn't want that little gap between them to exist. They don't always understand each other very well and Jack doesn't like that. And there's still that little nagging insecurity in his heart that Spice is disappointed in who he is and he's not "worthy" of being his son, so it sometimes leads to him trying too hard to "prove" himself to Spice in one way or another. He knows his dad is smart, and he knows his dad will at least indulge him when he wants to tell him stuff, so that's the avenue Jack most often takes. "Look, Father, I know lots of things like you do. I know/want to know history like you do. I'm like you, see? Am I doing a good job?" Some sort of thought process like that. It's sad and unnecessary, but Jack doesn't really understand that for a long time (that "not knowing how to communicate with each other" thing doesn't help)

They also like to spar. Spice always made the biggest effort and took on the biggest role in training the kids in combat, and that reflects in him having one-on-one fights/sparring sessions with them both often. It's one of the ways he likes/tries to bond with them the most; he never loses his taste for battle even as a better man, and he wants to share that excitement with his children. He fights them for practical reasons and also just for fun. Jack views sparring more as a way to let off steam than to have fun (not that he doesn't have fun, though), so he doesn't necessarily always dig this every single time (because he's not upset about something all the time, you know?), but he rarely turns Spice down when he challenges him, so.

And this is more when Jack is little than any other time, but - Spice likes to pick him up and carry him around places. Jack will sit or perch on his shoulders and they'll walk around together. Just a father/son stroll, just because. Jack likes it because it makes him feel tall (Spice is like 6'5" minimum in my headcanon lol). Spice knows it makes him feel tall, so he helps his son pretend he's tall for a little while lol. They do this a lot less after Jack gets past toddler age; Jack thinks it's a little embarrassing to get piggyback rides when he's older... He just sticks to walking by Spice's side like a "mature" person then. But... Sometimes he misses clinging to his dad and feeling tall, so he'll just go ahead and fly up and perch on his shoulders like he used to. And Spice just lets him do it, whenever he wants, without any issue, because he likes being seen and admired as this larger-than-life figure (figuratively and literally) by his kids

[hexlenx]

I'D PICK HER OVER ME — james fleamont potter

note: I do not own any of the characters in harry Potter except for the plot in this small fic. This is purely made for entertainment purposes as well as cuz I am craving for some angst.

warnings!: mentions of death, angst

__________________

James was tired, he really was.

Being a single father was hard, plus being an auror for the ministry. His schedule from his work as well as being a father at the same time was harder than the war that had just ended four years ago.

James sighed in exhaustion as he covered his eyes with his arm while laying on his bed. He had just came back from a meeting in the ministry that ended two hours ago. The meeting ended very late and he hadn't had the time to rest until earlier before waking up in cold sweat.

James had nightmares. It was always the same.

Getting paralyzed by a spell, watching his wife get killed by a dark curse, his son almost dying but some miracle happened and the curse thrown at him was rebounded towards the killer, and repeat. All the same thing, every night.

So James did the only thing that helped him everytime it happened. Sitting up as he groaned, he began to stand up to walk towards downstairs and to the kitchen. Arriving at the location, he began to brew tea. Normally when he was still in his adolescence, he would drink firewhiskey to cope with the war, but now he settled for tea that he added a teaspoon of honey to cope with his loss.

It was what his wife always had whenever she was stressed, tea with a bit of honey. Something he never understood why that preference until now.

"Papa?" A timid voice of a young boy called out to James making him snap out of his daze.

"Yes, Harry?" James said to his son. Harry was a four year old boy, unruly brown hair like his father, circular black glasses on his face because of the poor eyesight he gained from his father. He was practically the carbon copy of James Potter but the only thing different is his son's eyes. It was his mother's, the only woman James had ever loved.

"Where's Mama?" Harry questioned. The air stilled but the small child was oblivious of it. It was a very sensitive topic but it is not a taboo. With sharp intake of breath, James knelt down to his son's height, putting his hand on his shoulder as he fixed his gaze on Harry's.

"Your mother." James started as he paused for a moment to think of a sentence to explain why his mother is gone. "Is in a far away land, at the moment."

"But why so far?"

"Because, Harry, she is trying to protect us from something and she needs to go away for a while." That's it, James. The father encouraged himself. He's still young, tell him when he is old enough. He continued these thoughts as he looked at his son's thoughtful expression.

"Will she come back?"

Silence. There was no answer to that question as James embraced his son in his arms, brows furrowed as tears were threatening to fall from its sockets. The truth was, his mother was not gonna come back but how could he tell that to his four year old son?

Finally having set his son to bed, James took one last glance to Harry before going downstairs to sit on the couch of the living room. The honey-tea has long gone cold as he sat in front of the fire that was slowly dwindling. James stared blankly at it as his thoughts were loud but at the same time quiet.

If only you were here.

"If I could pick on who would survive that day, I would've picked you." James muttered to himself out loud, quietly sniffling his tears that slowly fell on his cheeks to his hands.

"Because you would've known what to do.."

The crying of a baby echoed through the house in Godric's Hollow. The scene showed a master bedroom, two bumps could be seen under sheets of the bed. As the cry continued, one of the figures moved.

"Fuck.."

A deep male's voice cursed out as he sat up, not being able to fall asleep now because of the noise. Another voice moaned out from being awaken from the movement of the man.

"I'll take care of him, love. Just continue sleeping." The man coaxed to his wife beside him who blinked at him to ask if he's sure.

"You sure?"

"Yea, you sleep and I'll tend, yea?" With that, the woman went back to her dreams as the man carefully unravels himself from the sheets before walking out the bedroom to the nursery.

"Shh, it's okay, Harry. I got you, bud." He said the moment he took Harry from the crib and coaxed him in his arms. The man was James Potter, the leader of the band of misfits, Marauders is now a father. The one thing he never knew he would be with the war going on.

Harry, the baby, now stopped his fussing and opened his eyes that he got from his mother to stare at his father. Smiling widely, he giggled and tried to reach for James' hair.

"Hey now, not the hair you little twit."

"Do not curse at our child, James Fleamont Potter." A stern melodic voice spoke out from behind the father who flinched as James chuckled sheepishly.

"I'm not...." James trailed off as he looked everywhere but his wife, who rolled her eyes.

"I swear, I can't leave you alone for one second with Harry." You scolded your husband with a slight slap on his arm making him grin at you.

"You love me!" James teased to which you rolled your eyes again.

"Unfortunately." You said while grabbing Harry out of his hands and propping him up on your hip.

"What is that supposed to mean?!"

James leaned against the door frame of the kitchen as he wore a pink apron with a giant cute teddy bear printed on its front, courtesy of Sirius saying it was to look husband material and James agreeing to it because he was told it was husband material, he was listening to you humming a small song to Harry as you kept him occupied by holding up a toy on your son's face.

James was cooking up lunch because he wanted you to rest and let him handle household chores while you occupy your son. It was the least he could do for you as the war lead both of you into hiding your son from the Dark Lord because of a prophecy. He knew you wanted to spend more time with Harry before the worse happens, so he did all the chores while you spend your time with your child, even after so many of your refusals.

James smiled in content as well as fondness as he watched the both of you. How could he have such a wonderful family with how arrogant and stupid he was when he was a teen. He didn't think he deserved such thing after being such a prejudice prick towards Slytherins.

"Take Harry and run!" James yelled out to you as he tried to push the Dark Lord back even if it was just for a delay. He couldn't let him get to both of you, you're all that he had left.

Successfully stunning the Dark Lord, James then ran upstairs to be with you and Harry. It was the only thing he could do to help you run away before the Dark Lord catches up. Unfortunately, James underestimated the Dark Lord's recovery from a stunning hex. The moment James arrived at the doorframe of the nursery of where you were, he fell paralyzed by the spell the Dark Lord had thrown at him.

"No.." James mumbled as his eyes went wide in horror. He kept chanting the word like a mantra as he helplessly watched the scene in front of him. His mumbles becoming screams as he sobbed heavily. Sweat dripped his forehead as his face turned red, eyes squinting, brows furrowing hard as tears kept flowing down like a waterfall from his reddening eyes.

No...not my family..

Not the one I just built..

Please don't do this to me..

A green light blinded the whole room as a loud thump echoed the room. Silence overlapped as the Dark Lord grinned viciously. James' brown eyes stilled as he watched the limped lifeless body of the woman he was proud to say was his, the love of his life, the mother of his son, his wife, you.

James was not spared from tragedy as he now watched his son getting cursed by the Dark Lord before he stared in disbelief as the curse rebounded and hit the one who casted it. Watching as a lightning bolt of a cut appeared on his son's forehead.

But the moment he was free from his trap, he screamed in agony, not from his wounds, but from the death of his love.

"Now, Harry. If I could choose on who would've lived between me and your mother." James said to his son who was now in his teen, sixteen, as they stood in front of a gravestone. A familiar name etched in the stone.

[ Your Name ] Potter

[ Birthdate ] — October 31st, 1981

"In loving memory of a great friend, sister, mother, and wife."

"I'd pick her over me."

"Why?"

"Because, she would've known what to do."

[2demondogs]

Hey! If you are still accepting requests, could you possibly do some Charles and Lenny friendship headcanons or one shot? An underrated duo

I am :D This was fun to write! A true "we are not enemies but I don't fw your vibes" to "excuse me Charles did not want pickles on his burger" arc.

Everyone does the LENNYYY joke but anytime I read his name I can only hear this one lyric I misheard as "KENNY!" from I Know You're Fucking Someone Else. (Worst discovery ever: it's "hickey.")

Their horses were friends first. Taima can chill with the best of them, and Maggie is much more reserved than her owner. They drift off now and then from the others to eat grass together. And ain't that darnedest thing? Charles thinks Taima is a decent judge of character, and that how well a man takes care of his horse says a lot about him. Otherwise, he'd probably not have entertained Lenny for very long.

It is a struggle to get to know one another. That first wall is always the toughest to tear a hole in with someone as reserved as Charles, so Lenny doesn't stop trying. He sees how the man gets along with Arthur and John, and he wants at least a hello out of him now and then, too. He also prefers to be on good terms with people, and he suspects Charles despises him for some reason he can't grasp. Unfortunately, he just kinda looks like he hates everyone. (Charles also isn't too fond of him, but that's besides the point.)

After the first genuine conversation, things get smoother. It was pure luck catching Charles on a chatty day — meaning he nodded a greeting instead of ignoring him — in which everything seemed to be going wrong within camp. Though he usually remains optimistic and lighthearted, Lenny's serious side is much more Charles' speed. They have a good talk about where things are going and where they've been, why exactly Miss Grimshaw is like that, why Swanson is like that, and where all the money in the world seems to go.

They're more like brothers than friends, and Lenny's age shows often, if you ask Charles. Every time they speak, he's shooting down some big idea or fighting for his life to understand a joke. It's tiring, but, well... it's Lenny. He isn't sure how or when he got to the point of dismissing things as that's just Lenny, but he's starting to feel a little protective of him. Worse, sometimes he feels proud to see him pulling off the stunts he does for the gang.

Lenny's youth does show, truthfully. Fresh off his teenage years, he's done believing that he has his head sorted out. Usually, he ends up talking to Hosea about worries like his future. Charles' general, on-the-surface apathy (read: fear) towards that big question is put in jeopardy any time the subject comes up, whether it's because something's happened or just an occasional nineteen-year-old crisis. After a few awkward trail offs, he finally admits he doesn't know what the Hell he's doing either, and Lenny feels infinitely better that he's not the only one. Without realizing it, he'd started looking up to Charles. Which, of course, he's going to balance out by poking him with a proverbial stick later. Or maybe a real one.

The first time Lenny goes hunting with Charles, the rest of their respect for one another falls into place. He pays attention and does it well, which shocks Charles a little despite his increasingly positive opinions of him. He's a fast learner, and he actually gives a damn about listening to him despite all the teasing he does day-to-day. Lenny finds himself enjoying getting more than a few sentences out of Charles, especially over a skill he takes pride in.

[beachesgetpeaches]

my only problem w mandalorian season 3 is that it all feels like it should have been season 4

rushed is one word that might describe it but it's not rven that. it isn't rushed as much as it never gives audience the chance to connect with what is happening.

din giving bo the darksaber is fine, BUT watching just this show there is NO explanation as to why he would want to do this. we do not get din struggling with it, we are not given a reason within this series that makes him giving it to bo a fulfilling yay experience.

one way this would have "felt" better would have been if there was a "season 3" (lets call it season 2.5 here) where we see din struggle with it. where we see him talk about it and try to make sense of it. and a season in which we get to connect better with bo and want to root for her. a season which establishes that she is now the best fit to unite all mandalorians instead of being told so by the armorer.

there is a season missing in which din deals with finding his purpose after grogu leaves to train with luke. and then mid that season we could have a proper BoBF cross over in which one mandalorian episode sets up din helping out in BoBF episode and grogus return.

the season doesnt work because it doesn't give us payoff for two most important events of s2 finale: darksabre and grogu leaving. we dont get to see din (the protagonist of the first two seasons, and the character we have all been rooting for) handle the consequences of these two events. instead we get bits of it in another show (BoBF), and resolution for grogus departure in that same show. completely outaide of the mandalorian narrative, and with no character consequence or development coming from these.

it also does not address the point of helmet removal which is something i assume din has struggled with during/after s2.

which is frustrating. very much so. especially with how wonderful s2 was with addressing the creed and din removing his helmet. we dont even get much of him working through that - that he removed his helmet three times since meeting grogu: once on the brink of death, second time to get vital information to save grogu, third time to say goodbye.

all of these OUT OF LOVE (i am soft!!)

either way, we do not address these specifically. we dont see him think on it more than him doing what he must to redeem himself.

im not asking for an insanely character driven plot. but the plot did not even accommodate for any of this. idk if it was because pedro could not be present on set so they had to do a rewrite but even in that case this just seems to be the wrong focus for this season.

[silverwhittlingknife]

hi Silver! o/ because that fanart made me wonder - would you happen to know when/where Dick's stuffed elephant plush Zitka turns up in the comics?

GREETINGS CAM <3333 THAT ART WAS SO CUTE

Yeah, I think your instincts are right - it's a truly adorable bit of transformative fandom, but I'm 95% percent sure it's not comics canon. Barbara has canon plushies, but I don't think anyone else does.

I got kinda invested in the investigation (it's hard to prove a negative!) and I ended up typing out an entire History of Elinore/Zitka, so, uh, if you're curious, meet me below the cut for:

Where does Elinore / Zitka - the animal - appear in comics?

Did Dick ever have a stuffed elephant toy in comics?

Where does Elinore / Zitka appear in comics?

We're gonna go in chronological order!

Dick's circus elephant friend was first created for practical reasons: in Batman 436, Marv Wolfman does a big expanded flashback to Dick's circus backstory as a way to subtly show us Tim before officially introducing him (so that we can have a technically-solvable mystery-of-Tim's-identity in LPoD). In this comic, there's an elephant named Elinore who loves Dick:

Aww. Such a cute elephant!

Batman 436 comes out in August 1989. New Titans 60 comes out a few months later, in November, and guess what? When Dick visits the circus, he is suddenly surprised by an unexpected blast from the past! It turns out that even though it's been years, Elinore still remembers him!

Here's the part where Elinore remembers Dick:

SUCH a cute elephant. I love her.

(Guess who else still remembers Dick even though it was so long ago. Guess which other character is about to be an unexpected blast from the past. Guess which character Elinore is directly paralleling guess guess guess sorry everything is about Dick and Tim in my mind but I can focus I swear)

Four years later, in 1993, Batman: The Animated Series retells Dick's origin story. They like and keep Wolfman's elephant, but they change her name to Zitka:

Wolfman doesn't return to the elephant beyond those two appearances, and a few years down the line, New Titans gets cancelled and Wolfman's not writing Dick anymore anyway. So the animal gets abandoned for a while, until Devin Grayson, a fan of both Wolfman and B:tAS, revives the Wolfman-era Titans team in JLA/Titans and then the ongoing series Titans 1999.

Grayson then brings back the elephant in a flashback to Dick's past in Titans 16 (Jun 2000), where she imports the B:tAS name. Sometimes I'm skeptical of TV-to-comics imports, but honestly, I endorse this one. You lose the alliteration, which is a shame, but IMO Zitka is a better elephant name than Elinore.

Here's Dick with the newly-christened Zitka in Titans 16:

Grayson also briefly references the elephant in Gotham Knights 20 and - in a final angsty callback - in Nightwing 88 (Feb 2004), where Zitka tries futilely to comfort Dick in the midst of his trauma conga line:

... And... honestly, I think that's it for comic appearances? The two Wolfman comics plus the three Grayson comics.

Both Wolfman and Grayson are writing multiple titles - Batman, New Titans, Titans, Gotham Knights, and Nightwing between the two of them, spanning a big chunk of Dick's post-Crisis canon - and both writers use the elephant for heartwarming moments of nostalgia, which means if you're doing a post-Crisis readthrough for Dick, Elinore/Zitka feels memorable. But I don't think she actually shows up that much.

For post-2011, I am not as well-informed - throwing this out to the dash? anyone know? - but I feel like Zitka the heartwarming symbol of Dick's heartwarming circus past is, uh, thematically very at odds with the Court of Owls evil!circus vibes, so my instinct is that this story element was almost certainly dropped in the reboot.

Did Dick ever have a stuffed elephant toy in comics?

In WFA, yes; in main comics continuity, no. Technically, I have not read every comic ever published, so I could be wrong!! But I don't think so.

Below, find my rambling reasoning on the tonal vibes of pre-Crisis, post-Crisis, and post-2011, and why this particular story element doesn't seem right to me for the first two.

Pre-Crisis (...okay, mostly the Silver Age): stuffed animal, yes or no?

tl;dr no, requires too much background knowledge on the part of the reader, plus the elephant wasn't a thing until later

Elinore doesn't get created until post-Crisis, but also just generally, pre-Crisis callbacks are more along the lines of this reference in Batman 129 (published in 1960), where, wow, Batman and Robin are hunting jewel thieves - and it turns out Robin recognized this strongman! BUT HOW?!

The comic goes on to recap Dick's entire origin story in flashback, on the assumption that you may not know it.

(BTW, if you'd like to know more about Haly's Circus throughout the years, nightwingology has a great post here summarizing a lot of fun plotlines and characters!)

Basically: Silver Age comics are very self-consciously episodic and kid-friendly; they're not generally gonna do overly-elaborate callbacks because they don't know what comics their kid readers may have randomly picked up or remember.

By the time of post-Crisis, comic books were being written for an adult audience buying from the direct market, i.e. readers who are collecting whole runs & don't need or want Dick's origin story to be recapped to us in full every time it's referenced. That's why in post-Crisis, we get stuff like "hey, neat, this particular soda brand is getting mentioned in several different books!!" or "in order to understand this story arc, buy SIXTEEN DIFFERENT COMICS in FIVE DIFFERENT RUNS and read them ALL ACCORDING TO A NUMBERED ORDER and also you better be following the individual plotlines and recognize these five minor characters who we don't bother to introduce!! Good luck!!" But the elaborate post-Crisis plotlines - and subtler worldbuilding like a stuffed animal callback to Dick's backstory - don't make a lot of story sense UNLESS you're imagining your readers as completionist adult fans.

So IMO a stuffed animal wouldn't be a pre-Crisis thing unless it was The Episodic Story Of the Week, and I don't think a stuffed animal is action-adventure-y enough for the fast-paced storytelling of the Silver Age. (Unless it, like, came to life and tried to eat you or something.)

Post-Crisis: stuffed animals, yes or no?

tl;dr: no, Dick's a manly tough guy, he's not gonna have a stuffed animal, that'd be lame, like something Tim might do

Part of the edgy grimdark adult vibes in 80s/90s comics is that some characters who used to be kinda silly & goofy & lighthearted - like Batman and Robin - get reimagined as Serious and Angsty and Edgy in a Tough Cool Manly Brooding Way. This massively affects characterization for Bruce, Dick, and Bruce and Dick's relationship.

(I obviously love this change & love the tense Bruce-and-Dick interactions, but plenty of fans of the earlier fluffy comics really disliked the edgy retcons of Miller / Wolfman / Starlin / et al.)

The upshot is that post-Crisis is a period when you could have a recurring reference like a stuffed elephant, but you wouldn't have a stuffed elephant, not for Dick. I think a toy like that would be too cutesy / childish / effeminate to give a male character in post-Crisis, unless you were poking fun at him.

Now, you could probably let Tim have a stuffed animal, because Tim is sometimes cool but also sometimes a tryhard loser who is faking being cool and not entirely pulling it off (see e.g. the Robin comic where he practices tough-guy faces in the mirror, or the Teen Titans comic where Conner discovers his cringy Enya CD, or when he's fanboying over Connor and it's awkward, etc etc.). A stuffed animal would be deeply embarrassing, and you'd have to be careful to compensate by having Tim do something cool afterward - but Tim's character concept allows for "he's kind of a loser sometimes."

But Dick isn't!! In post-Crisis, Dick's a tough / impressive / "cool guy" character, the kind of guy anyone would want to be, even in the flashbacks where he's Robin, and even in the stories where he's more lighthearted than angsty. It'd be kinda lame for Dick to have a stuffed elephant, so he wouldn't. I feel like Dick would be more likely to poke fun at it if someone had one, like when he's making fun of Wally for liking the Hardy Boys. Dick could have a Batman action figure, at most, and if he had one he would have it ironically.

Basically: in post-Crisis, a male character hugging a stuffed elephant feels more likely to be a punchline to me, not something poignant. (Even with Tim, Tim could have an embarrassing stuffed animal, but he couldn't hug it when sad - that's too far. Maybe Booster Gold might do this. Probably he wouldn't, but spiritually, he would. Sorry Booster ilu! <3)

Instead, Dick instinctively deals with his inner turmoil like the TORTURED ACTION HERO he is: by punching things and brooding and yelling and joining the mob and sleeping on rooftops and going on obsessive secret missions and acquiring Angsty Stubble!! Just like Batman!

(Technically I don't know if Bruce ever joined the mob but you know he would.)

Anyway as you know this is my favorite continuity and I am poking fun affectionately, but uh, yeah sdfsfdsfs. No stuffed animals.

Post-2011 / Infinite Frontier / Wayne Family Adventures: stuffed animals, yes or no?

tl;dr it's in WFA! Probably not anywhere else, but it could be.

Post-2011 stuff tends to be cutesier overall, most of all in the current Infinite Frontier era. So I don't feel like this would be tonally out-of-line with IF comics. Taylor tends to go for more meme-y references rather than fanfic references, though.

So the obvious best fit is WFA, which is aiming for a rough approximation of Silver Age family-friendly vibes - wholesome, episodic plots, Teaching Good Moral Lessons For The Youth, etc. - plus lots of Easter eggs for fanfic readers and some comic references.

And look, here we are:

Aww.

Whew - that's everything I could find!

Anyway as you can probably tell, I LOVE the elephant, so this was a very entertaining rabbit hole to go down, thank you <3

[bogkeep]

i watched all of scavengers reign on my latest flight and i think my brain is different now

[courageisneverforgotten]

snow white looks bad this, moana 2 that. the real question is who in the world wanted a live action mufasa or lilo and stitch movie

[succulentcucumber]

I'm just really happy that the season ended on a happy tone. I was expecting a heart-wrenching episode and it kinda is but in a good way. It made me cry in relief, in comfort, in wonder of the Earth, of inevitable thing happening but that's okay, that sometimes, we don't have to be scared of what's in store of the future. Although it's okay to worry about the future, we also need to appreciate the present, the people who are in here with us before our memories become history, and even of they do, we should not forget about them. Also, it encapsulates the regret of having done something bad to your friend or someone you care about. The regret and the absolute relief of being forgiven, and being able to be forgiven in the first place.

This episode really gets to me in a way, as if it was made to fit inside my mess of a heart and make me cry. It had my fears of the future and being stuck in the past, the thought of hurting someone I care about, and just Earth stuff in general. The joy of existence, of being loved and comforted. Also, dinosaurs and prehistoric times is a topic I am always excited to learn new things about. (except the fate of the dinosaurs, that was really sad)

Ryan and the professor also needed rest, to be able to see each other again. The dread of not being able to say sorry to your friend is fucking excruciating, and I am really glad they made it. Fucking ecstatic that the dino parents are alive. They get to meet Ryan and vice versa. The most important things in the professor's life just meeting each other. I hope we see more of them and I really hope things stay happy for them for a while.

I am so thankful for this show. Makes learning so much fun and it covers topics that aren't really much known to everyone, and it makes me curious every time. I am thankful for everyone involved, directly or not, because without them, we would not be able to see this masterpiece of a show. I am thankful for watcher, for doing everything they do. Thank you so much. You have no idea how much this matters to me. Thank you Shane Madej, for willing this whole show to life.

Also puppet history saw me slipping out of the fandom and said "that's bullshit" before tossing me back again like Ryan defenestrated the subsitute

The editing is fucking awesome by the way. Good job.

[raziraphale]

it's hard to joke about samurai flamenco (my beloved) bc while I'm not a person who cares about spoilers, I realize I'm in the minority here and a lot of people think the best way to experience the show is to go in completely blind. but like... guys... I cannot stress this enough [spoiler spoiler spoiler oh my god spoiler] but that boy went to the moon and met god, the literal universe itself. he was even gay. if you even care.

[welcometogrouchland]

See, it's less about whether or not Willow is the braincell, and more about the fact that Willow likes taking care of her friends and looking out for them. It's both a source of self esteem and worth for her (she feels useful and competent if she's helping others) AND it's her main way of expressing her gratitude and affection for her friends presence in her life. They make her happy so she's gonna keep them safe and out of harms way. Plus most of her friends (sans hunter) have a history of looking out for her that, as much as she appreciates, she'd rather not return to. She likes her independence and she likes her new role in the friend group, she doesn't want to take steps back.

Sometimes this Need To Help manifests as magical outbursts that may not be great strategic moves (when she thinks Hunters been kidnapped in coth). Sometimes it manifests as scolding and steering in the right direction (her with Gus in something ventured) but ultimately letting them make their own choices. Ultimately Willows the sort of person to do whatever she thinks is right in the given situation for the people around her. When she can summon it, she has a lot of wisdom for her age (seen in the scene w/ her getting everyone to share food on the airship in king's tide). And if she can't summon it, she'll still try and do whatever seems right in the moment (gives hunter the pic of flapjack) and just problem solve as the day goes on until someone feels better, goddamit! <- this is the kinda moment that leads to rash decisions, bottling her feelings and burning out bc she really doesn't wanna fail due to her history and self esteem issues. It's why Hunter comforting her works so well in ftf and completely shifts their dynamic. She finally has confirmation that someone who loves her won't love her any less when she fucks up, but I digress.

Willows always looking out for others, and sometimes she's dumb about it, sometimes she's smart about it! It depends on who she's helping, why they need help and what kind of day she's had/where she is. Thanks to Them showed Willow in a pretty stable situation, hence there's extra room for silliness. For the future was following extremely distressing events and put even more stresses on Willow herself. Hence she bottles things up and struggles to make the good decisions she was once able to. It's not like she became a worse leader or friend since asias or king's tide (episodes that take time to include small moments of her playing to people's strengths, doing good strategy, making sure no one's left behind, etc). She's just having a really garbage fucking day.

She's probably only gonna get 1 Moment™ or so in the finale bc she had her day in ftf and I'm content with that, but I was rewatching asias where she DOES take on a responsible leadership role (while still maintaining her whole "blossoming wallflower/crouching underdog hidden badass" thing) and it reminded me of the small contained debate that happened around thanks to thems airing. Because yes, Willow and Gus were Goofy™ that ep, but a) they were literally comic relief in season 1 + 2A, it kinda has precedent and b) Willow is only as sensible as the situation calls for her and as her environment allows. She's nuanced like that!

[ofknowlcdge]

no, absolutely not. i refuse to watch something i spent like not even 3 minutes to try again on a god damn stupid ass show i have no interest in.

[beyondthetemples-ooc]

Casually wishing I could remember more about Little Witch Academia so I can figure out what Sucy would think of The Last of Us.

(Pretty sure she’d be rooting for the cordyceps.)

[loverofallthingssmart]

yo the words in this show r horrible for my eyes

[thedreadvampy]

I mean sure, I can understand this perspective, but I'm not sure whether most people feel less shaken to be thrust into conversations about "self-unaliving" than conversations about "suicide"

and I for one as a survivor would much rather unexpectedly encounter somebody talking about "rape" than somebody talking about how funny it is to have sex with somebody when they don't want to, a normal thing that doesn't need to be named because it's So Normal.

which is to say. this is a post about words. the words are not the distressing thing about the discussion. the distressing thing is the distressing thing about the discussion. sugarcoating, dodging or renaming the distressing thing doesn't make it less distressing but it DOES often make it harder to have a frank discussion about it or address it in serious terms.

[pinch of salt: solid probability from their blog that this person is a Literal 14 Year Old and the perspective from 30 and 14 are very different. I do stand by all the points I'm making but I think this conversation lands a lot different for people at different life stages - there is something to be said for the general issue that the internet has flattened social groups to the degree that I as a 30 year old can make a post to my audience of largely adult millennials that immediately enters the same conversational space as people half my age and still in school. that seems. ungreat. as the primary way we engage in conversation. but I don't have solutions to offer.]

you gotta be able to say "die"

you gotta be able to say "suicide"

you gotta be able to talk about "sex"

they're uncomfortable topics, YEAH for SURE

because LIFE is uncomfortable. Death and suicide and sex and pain are straight up going to happen. not having words for the way it discomforts you doesn't make it more comfortable, it just makes you less able to reach out about it.

even more vital, you gotta be able to say words like "rape", "abuse", "queer" or "racist". cause we fought fucking hard to name those experiences. to identify "rape" as distinct from "sex" and "racism" as distinct from "acceptable behaviour" and "queer" as distinct from "invert"

like the function of communication is not to minimise immediate discomfort. we gotta be able to talk about stuff that's hard or sucks or causes difficult conversations.

[madlori]

On being an older fangirl

I was probably 10 years old when I first conceived of what was, looking back, fanfiction. Me and my best friend would lie in bed together on sleepovers and I'd make up stories about what happened after the end of our favorite book, "The Westing Game." She'd ask me for more stories, and I'd tell her more, inventing them as I went along. "Then what?" she'd say.

I was 14 when I went to my first convention. I had discovered Star Trek: The Next Generation. It was 1987, and my youth pastor was a huge Trekkie. He took me to a one-day crappy Creation con, but it was amazing to me. I met Nichelle Nichols. My dad showed me the Trek movies. He and I watched TNG together.

When I went to college in 1991, my dad used to videotape TNG episodes onto VHS tapes and mail them to me, so I could keep watching (I didn't have TV in my dorm room).

By the time I was a senior, we had Trek watching parties in the dorm lounge, where the TV had cable. Star Trek: Voyager had started up, and I wrote a column about it for the college newspaper. I joined a mailing list about it, with people in it that I still know today.

I got my first computer that could go online in 1995. I was on newsgroups. I discovered Doctor Who. I went to Trek conventions where we still passed around fanzines containing fic and art and smutty K/S fan creations.

Then it was Harry Potter. Then there were websites. Then there was Geocities, where we could all make our own little spots. We organized them into webrings. We talked on newsgroups and mailing lists. There were fanfic archives. Then there was fanfiction.net.

Then...there was LiveJournal. And we could interact in entirely new ways. We could form communities, and debate things, and fight over canon, and get into ship wars. On LiveJournal, I met my best friend of 22 years. I was in her wedding. She's my sister of the heart (which is what she calls me).

Then there was Tumblr. And Twitter. And now there's Discord. But it's all the same.

I am the same.

I am still that little girl who made up fanfiction in her head to entertain her best friend. I am still the one who was amazed to find communities on the internet - which was so new, so raw, so uncommodified - where others like me could meet. I found there people to meet in real life.

I am still that twentysomething going to her first major convention, being told that someone loved my fic, being asked about my writing process.

I am still that thirtysomething watching something I wrote blow up. Seeing friends from other fandoms find me in new ones, finding them there, too. Forgetting which fandom I know someone from, because I've known them for twenty years.

I still know some of the people who created those early websites, those mailing lists, those archives. I still meet people in new fandoms who say "Oh, I read your fic in [fandom] fifteen years ago!" There's no feeling quite like having someone remember something you wrote for that long. Or meeting someone whose fic meant a lot to YOU, or who you talked with on rec.arts.drwho.creative in 1997.

Aging in fandom is a gift. Being middle-aged in fandom is a joy. Having people who still read what I write and ask "Then what?" is a blessing.

It breaks my heart that so many people see it as something to be ashamed of, when it is one of my life's greatest gifts.