#but that’s the tragic irony isn’t it?

[b0tsbby]

More Trigun Racing AU!!! Wow!!!

Please give no welcome at all for your own safety to the elusive Racer Number 999.

The Pale White Horse. The Silver Angel. The Last Racer. Triple Nine. Maybe even Nines if you’re suicidal. This formidable legend of many names has only ever been seen once on the track 70 years ago. Was it mass hysteria? No one truly knows if he’s real. But something cleared that track in record time, and the unfortunate racers on it never lived to tell the tale…

Talking and Design Notes Under Cut as Usual

Since this is a Stampede au I! Didn’t have a lot to work with from the original content! But it’s okay cause I read Max❤️.

That said I wanted Knives to appear somewhat more uniform then Vash. It is essentially still SEEDS uniform, but I wanted it to feel somewhat at home in a racer setting, a bit more uniform to contrast everyone else who is a little wackier. So designing it close to astronaut attire felt like the way to go. A weird mix of general pro racer attire and something that feels a bit alien and unapproachable. The Onesie situation was also non negotiable. It’s in black now because I read Max❤️.

A lot my inspiration came from Knives’ edgy black Griffith suit he just fucking wore that one time (points to his helmet and the three eyes) as well as the abstract sci fi work of Range Murata.

I love the name 999 for the wordplay on Knives and Nai and Nines and Nine. It is also the last racer number. And the angel number 999 is so perfectly oxymoronic to his whole character and situation I guess it was perfect. Something about the end of everything too.

Knives in this au, like Stampede, still has an obsession with the idea of belonging and home. Where No Mans Land here is a purgatory, a criminal’s playground, Knives has a strong affinity for and desire to reach the stars. But he needs the power within both him and his brother to do that.

His car is dubbed the Ark too, it’s an extension of himself, made out of the material remains of his sisters and his own gate. It can drive on its ‘own’, but doesn’t for the purpose of winning, but rather to enact some form of judgement in one big swoop.

Not actually interested in this game Zazie has orchestrated, but the two are more so on equal footing in this setting, so Knives compromises. His car only appears twice, and he only actually races once. That one time being against his brother…for drama’s sake…

Oh also, glasses are reference to when he really fucked shit up that one time. Crazy swagger (among other things) radiating off this…

[saintobio]

sincerely yours. (12)

↳ gojou satoru/reader

when a twist of fate led their marriage to the path of a quintessential tragic romance, two past lovers go through another series of experiences on love, heartbreak, identity, illness, and trauma along the road to a happily ever after. 

genre. heavy angst, amnesia, modern au, 18+ 

tags/warnings. depression, mentions of cheating, trauma, implied suicide attempt, toxic relationships, illnesses

notes. 11k wc. finally. i wrote this with only one eye open so please don't mind the inconsistencies, i'm trying my best to tie any loose ends before we reach the ending. if the writing feels rushed, it’s bcos i’m just ready to wrap up this series 😭

series masterlist -> episode thirteen

You thought everything that had happened last night was just a dream. 

Because you had gotten used to the constant disappointments and vicissitudes of your life, sharing such domestic bliss with the person you loved had started to feel far-fetched for you. It had become an unachievable fantasy, a colorful delusion created by your mind to conceal the actual darkness of pain that surrounded it. 

But as you opened your eyes that morning, the familiar warmth of a sleeping Satoru’s embrace was the reality you never saw coming. The steady rise and fall of his chest, the comfort of his arms around you, it all felt surreal—like a fragile dream teetering on the edge of shattering. You wondered if it would be okay to stay here for now. To forget about the rest of the damn world and remain in his arms, staring at his beautiful saintly face, listening to his slow and steady heartbeat.

When Satoru stirred from his sleep, you knew your daydream was over. But he was pulling you dangerously close with arms wrapped around your frame and his lips pressed against your forehead. He was only half-awake, it seemed. His long white lashes reminded you of Sachiro’s as you watched him mumble incoherent words from his sleep, something along the lines of, ‘I’m sorry’ and ‘Akemi’. 

That was your cue to pull yourself away from him. With guilt now coursing through your body, you sat up from bed and covered your naked body with the duvet. Akemi. You had completely abandoned the thought of Akemi last night, and now you were here in bed with ‘supposedly’ her man. As much as your heart was in bliss from last night’s events, the dark and cold reality was that you slept with a man who wasn’t yours. It was a principle you told yourself you would never cross, but everything concerning Satoru Gojou seemed to be bringing you to that. 

“Satoru, hey.” Your voice almost came out as a plea as you shook his arm, your guilt eating at you with every minute that passed. “Wake up.” 

His eyelashes fluttered as he struggled to open his eyes, blinded by the sunlight that gleamed through the window as he stretched his arms and looked at you. “Y/N?” he softly whispered, a hand tenderly placed on your back as he scooted closer. “What’s wrong?” 

Slight disbelief blanketed your gaze. “You think this isn’t wrong?” 

Satoru let out a sigh of exasperation, pulling his head back, and covering his eyes with a hand as if last night’s events played through his mind scene to scene. He was obviously caught in a mindwreck thinking about the girl he had just cheated on. “It shouldn’t be,” he mumbled, “But it feels like it.”

“So you do regret it,” you laughed at your own words, internally in pain. 

“I didn’t say that.” He finally pulled himself back up, sitting as he pulled you towards him. “Y/N, if we really thought last night was wrong, we would have stopped after the first time.” He shook his head at the irony. “Look, it’s on me, alright? I put you in this situation.” 

“And I allowed it,” you argued, “I allowed it, Satoru. It makes me feel dirty. I feel like, like I’m wrecking someone else’s home. It’s not me.” 

Satoru held his breath, a look of hesitation dawning on his face as he realized that this wasn’t just a dream of his. It was pure and raw reality that he had made a mistake that he could never undo. While thinking it through, he rubbed his eyes and sat up, leaning against the headboard as he assessed the situation. Then, he looked at you, his expression softening as he spoke, “No, not your fault. It’s just complicated,” he insisted, “You didn’t do anything wrong. I’m the one who owes ‘Kemi an apology.” 

Each time you heard her nickname from him was a punch to your gut. And each silent cuss that left his lips was an arrow to your heart. So you put it on yourself to accept his reaction. “It’s okay. You can be honest and say last night was a mistake.”

“No, no, no. I didn’t say that,” he replied quickly, reaching out to take your hand. 

But you already stood up from the bed, clutching the duvet around your body like a shield against the encroaching chill. Your throat felt tight, and tears threatened to spill, but you fought to keep them at bay. Satoru’s gaze followed you with an expression of helplessness, as if he was struggling to bridge the gap between his rights and wrongs.

As you turned to face him, a knot of frustration and heartache tangled within you. “So, what now?” you asked, trying your hardest to keep your composure. “How are we gonna fix this, Satoru? How?”

Before he could answer, the door to the cabin suddenly burst open, and Akemi stood in the doorway with her eyes wide with shock and fury. The confrontation followed as soon as she caught you in a compromising position with Satoru, and the words she uttered next were ones you least expected from her. 

“You’re a hypocrite! You’ve become the person you despised the most when you were married.” 

“You’re no better than Sera! And that’s why you’re miserable, and you’ll forever be miserable! If this is your way of getting back at me..” 

“Then jokes on you, because Satoru will never be faithful to you. He’ll keep cheating on you, just like he did now with me! You two belong in that cycle!”

You felt like an outsider in your own heartbreak, the confrontation intensifying as you tried to process the bitter truth in silence. All you could do was stand there and cry. Even Satoru’s attempts to placate Akemi were futile as her anger only seemed to grow. The more her eyes danced back and forth between you and her lover, the more she wanted to destroy everything in her path.

Satoru’s face was indiscernible from where you stood. “Akemi, please, just listen—”

Akemi, however, was already turning on her heel and storming back into her cabin while eliciting loud, muffled sobs. Your chest tightened with sorrow and shame. Complete, utter shame of doing this to another woman. How could you even correct a situation like this? How could you pick yourself back up after you just trampled on another woman’s feelings because of your actions?

Satoru, like you, hesitated on his next move, his eyes meeting yours with a look of anguish. “I need to talk to her, Y/N. I’ll be back.”

Without waiting for your response, he already bolted after her, leaving you alone in a quiet, pathetic state. The door slammed behind him, the sound reverberating through the cabin like thunder in a heavy storm.

You didn’t know what to do, didn’t know how to face everyone, didn’t have the guts to even talk to Shoko and Suguru who now both have to deal with such scandals. You were too ashamed of yourself, as if your femininity had been stripped off its rights after you slept with the man you swore you would never get back with. 

“I didn’t mean it,” you could only silently whisper your laments, pacing around your cabin while swallowing the weakness that tried to escape. “I hate this.” 

The minutes dragged on, and each second stretched into an eternity as you waited for Satoru’s return. For now, you sat down heavily on the edge of the bed, wondering what excuse he was telling Akemi, and what actions he would do to try and calm her down. Did he kiss her, perhaps? Did he cup her face and tell her that you were nothing but a mistake? What was taking him so long? Or were they doing things to try and erase the same deeds you two did last night? 

The cacophony of voices and commotion from outside the cabin grew louder, and your curiosity led you to open your door, meeting the eyes of one of the hotel staff who sent you a look full of judgment. 

“Where’s…” you hesitated if she was the right person to ask, “Where’s Satoru? Would you know?” 

“Oh, ma’am. He already left the hotel half an hour ago… with Miss Akemi.” 

Her answer hit you hard like a truck on a highway. And your heart dropped as you realized who became The Fool in these deck of cards. Satoru had not only run off after Akemi, but had also left you behind without a word. 

The room felt colder now, the once-intimate sanctuary you shared with your ex-husband now a prison of your own grief. Even the familiar warmth of the bed seemed like a distant memory as you approached it, your body trembling as you thought of how you were treated like a dirty rag, thrown away after being used over and over again. 

With a soft, choked sob, you collapsed onto the bed, the duvet still a tangled mess from earlier. And your emotions, so tightly restrained, finally broke free. You pulled the blanket around you as if it could shield you from the crushing pain. The betrayal, the sense of being discarded for another—it all converged into a torrent of anguish. All you could do was cling to the duvet as if it were the only anchor in a stormy sea. 

——

Returning home didn’t make the situation any better. 

Although you tried to tell yourself that you shouldn’t be waiting on Satoru to contact you, you still found yourself checking your phone multiple times a day. Each second that passed without hearing from him was another stab to your heart. But it shouldn’t feel like that. It shouldn’t, not when Satoru clearly made his choice of choosing yet another woman over you. 

Of course, you knew what you did was wrong. In everyone’s eyes, sleeping with someone else’s man was unforgivable. There was no excuse, no way to justify your actions. Even if some people might side with you, saying you owed no one loyalty, it didn’t change how you felt about the whole situation. And that was because you remembered all too well the pain of being cheated on, and letting another woman endure the same heartbreak and betrayal was a weight on your conscience that you couldn’t ignore.

Sighing, you turned to the left side of the bed and saw Sachiro sleeping peacefully, clutching his favorite starfish plushie in his tiny arms. The thought of losing your son was unbearable, especially when he was your only source of calm amid the chaos that surrounded you. Caring for him was your solace, and his innocent presence served as a band-aid for your wounded heart. The most heart-wrenching part of this was knowing you couldn’t even repay him for the stability he brought you. Sachiro deserved a complete family to enrich his life, yet you—as his own biological mother—were unable to give him that. 

“Sleep tight, Sachi.” You lightly stroked his white hair before planting a soft kiss on his cheek. “Don’t let the bed bugs bite.”

The past few weeks had been a blur of emotions, work, and parenting—with each day blending into the next like a tornado of dull colors. You still hadn’t heard from Satoru, but the days of waiting and checking your phone for any notification from him did gradually stop. The only thing that didn’t stop replaying in your head like a broken record was the cabin incident, the very night that drew all these overthinking in your mind and in your heart. 

Returning to work did provide some distraction, but it didn’t take away the sting. It also didn’t help that your staff noticed the change in your demeanor, and how distracted you often were during your meetings and warehouse visits. Even Nobara was worried about how absentminded you had become, but you brushed off all their concerns with a forced smile. After all, staying at home would do you worse than being at work. 

Now, you were back in your office, and the soft knock on the door cut you off from your trance. It was Yuki peeking through the small opening on your door, her usual professional demeanor softened by a concerned expression. “Hey, Y/N. Do you have a minute?” she asked, stepping inside and closing the door behind her with a quiet click. 

You nodded, trying to muster a smile. “Sure, Yuki. What’s up?”

“I wanted to check in on you,” she began, taking a seat opposite your desk, “If you need to extend your vacation, please, by all means, go ahead. It’s off-season, anyway. I’ll take care of everything here while you’re focusing on yourself.”

That wasn’t really a good idea. And you shouldn’t be slacking off work when this very fashion house you establish used to be your passion, not your job. Yet here you were, losing all the inspiration to even run a business. “I don’t know if I have the energy for anything else right now.”

“Well, if you’re too worried about leaving work,” Yuki continued, her tone shifting to a more business-like note, “the progress we’ve made with Hearte is looking really promising. The new collection is getting great feedback, and our upcoming showcase is shaping up well. We’re on track for a strong quarter.”

“All because of you, Yuki.” A spark of gratitude appeared on your face. “Thanks for the update. It’s good to know things are moving in the right direction.”

She then stood up and gave you a reassuring smile. “I’m here if you need anything, Y/N. But seriously, take some time for yourself. You deserve it.”

On that same evening, you came home to your father’s mansion, and the first thing that greeted you when you entered the foyer was Gen sitting by the living room. And needless to say, her expression was a mix of concern and frustration as if she had been waiting for you to return. You weren’t really in the mood to have some back-and-forths with her, but you also didn’t like how she dropped her phone on the table and crossed her arms, her eyes narrowing at you like she was a mother who could scold you like a child.

“I’m not even gonna say anything at this point, but did you really do it with him?” Gen’s voice was low, but the disappointment was palpable. You could feel it from a few meters away. 

“What are you talking about?” you bit back, your already-terrible mood swings shifting into an unhealthy direction. 

Gen responded by pointing at her phone, gesturing for you to take a look at whatever’s on it. Reluctantly, you grabbed the device, and as you were scrolling through the screen, you stumbled upon a blind item circulating on social media. The words were vague but pointed, hinting at a scandalous encounter between two ex-spouses, both of whom were well-known figures. Great. Your heart stopped as you realized that the article was very much about you and Gojou. 

The online comments were brutal, not like you weren’t used to anonymous harassment anyway, but these ones were full of speculating and judging without knowing the full story. Everyone also seemed to be siding with “Ms. A” instead of you as though the person behind the article was clearly trying to paint you as the villain. It was written for the purpose of destroying your reputation rather than any regular exposé, and whoever wrote it was definitely someone who disliked you. 

Your shoulders slumped as you scrolled through hate comment after hate comment, a seemingly endless vitriol for someone they didn’t even know, and avoided your sister’s gaze knowing full well that seeing her expression would only make you feel worse. 

“Is it true?” your sister asked like there was even an ounce of chance that it was simply a rumor. Unfortunately, it was anything but. 

Sliding her phone back on the coffee table, you drew in a deep breath. “I can’t undo it, Gen. It happened.” 

“So, you did sleep with him? Am I hearing this right?” Gen sighed, rubbing her temples. “Do you have any idea what this could do to you? To Sachiro? People are ruthless, and now this blind item is all over the place and they’re targeting you like a punching bag!”

Your mouth felt heavy, as if it was weighed down by an invisible burden, making it difficult to form words or speak. And before you could think of a response, Ian became your temporary savior as he walked in with a calm but serious mien. “I’ve seen the post,” he said, holding up his phone. “It’s clearly defamatory, and we can take legal action. I’ll handle it.”

Even though Ian was a man of remarkable phlegm, you remained abashed, knowing that everyone’s feasting at the juicy rumor that you slept with your ex-husband. Yet, the only thing you could do was to put on a front. To save face. To act like someone you’re not. “Thank you, Ian. I’d appreciate that.”

Anticipating another lecture from Gen about Satoru, you began retreating to your room with your footsteps bouncing desperately on the grand staircase. This conversation was done. You just weren’t there to hear it anymore. However, as you climbed the stairs with a vacant mind, you could still hear your sister calling out to you.

“Y/N!” she called, her voice now tinged with concern. “I’m not going to give you a hard time. We can sort this issue out. Maturely.”

“I’m good.” Sorry, Gen. It was the anxious-avoidant side of you speaking. You didn’t want to discuss such a sensitive situation to anyone, even with your sister, because you weren’t ready to face all the negativity it would put you through. You were already dealing with enough, and going through yet another emotional turmoil might actually put you to your deathbed at this point. 

So, for now, isolating yourself from the world was the best choice. 

And as soon as you entered your room, you saw Sachiro’s nanny tucking him into bed. All your worries and self-destructive thoughts vanished in an instant the moment you looked at your son. It was like the heavens gave you your personal angel, a cute little cherub who brought nothing but light and happiness to your life. He was your sunshine, your shooting star, your bundle of joy. Nothing in this world could erase the pessimist in you than little Sachiro. 

“I got it from here.” You thanked the nanny and asked her to close the door before quickly joining your son in bed, wrapping him in a warm, comforting hug—more for your own comfort than his.

“Mama?” he asked, his voice unusually raspy, and his chest rising and falling heavily. “I mwiss you, mama!”

You pressed your lips onto his forehead. “I miss you too, my baby. How was daycare today?”

He seemed to struggle to speak too, but Sachiro still did his best to recount his day while he was trying to catch air in between his sentences. “Teacher ask Sachi to go home, mama. Sachi is tired.”

“Baby, are you okay? Are you sick?” Now, your motherly instincts kicked in immediately. You could tell something was wrong, so you reached for a thermometer from the bedside drawer to check his temperature, and listened to his breathing at the same time. “What happened to Sachi? Do you want Mommy to take you to the hospital?”

Sachiro shook his head and gave you a sleepy smile. “No, mama. Sachi is just sweepy.”

When the thermometer beeped, you were relieved to see that his temperature was normal. “Are you having trouble breathing, my sweetheart?” You looked into his droopy eyes and gently placed your hand on his chest. 

Once again, Sachiro shook his head. Maybe you were just overthinking. He often ran around the house or played in the bathtub before bed, which could explain why he seemed out of breath. It wasn’t the first time it happened. 

“Okay, Sachi. Go to sleep now. Close your eyes, baby.”

“Night night, mama.”

For now, you turned off the night lamp, and headed to the bathroom in silent and careful steps. It was quiet enough indeed, but in your head was an awful noise you couldn’t escape. And stepping into the shower only increased the warfare in your mind, as it immediately brought images of Satoru and Akemi back in the cabin, the harsh comments from the article, and the lack of contact from your ex-husband which all overwhelmed you at once. By now, he would have already seen that article. Nanami or Miwa might have already alerted him about it. But the fact that he said nothing, the fact that he let the public scrutinize you, destroy you with such vile, hurtful words behind their screens brought you a kind of pain that you wouldn’t wish upon anyone else. 

Because if it was Akemi in that position, he would have defended her in a heartbeat. 

So in your silence, under the cascading water of the shower, you let the tears flow—its warmth distinguishable compared to the cold droplets falling on you. If only you had successfully drowned yourself that night at the lake. If only Satoru didn’t pull you back in, none of this would have happened. 

That moment was deeply poignant to you, and you saw him in a new light you thought you would never see again because of the darkness of your past. Yet, with the events that followed your special moment, memories eventually turned into spite. Your sweet exchange twisted into something bitter. Looking back at that time when he kissed you at the lake now made you feel nauseous and hollow inside, with bile forming on your throat and threatening to be retched. 

The most gut-wrenching part about this was the fact that there wasn’t anyone left who could rescue you from this abyss of heartache anymore. 

——

There had been a sense of detachment in your emotions in the following days that passed, almost as though they belonged to a stranger inhabiting your body. Toji, the only person who comforted you at times like these, was no longer by your side to fulfill the warmth you once desperately sought, and now you were alone to face this cruel, mind-numbing battle all by yourself. It was you against the world. You against the entire populace inhabiting this living hell. And with that many enemies against one, how could you win? 

It was quite funny, actually, that your humor took a surprising turn when you thought of how Sera must have felt when it was revealed to the public that she was Satoru’s mistress. The irony didn’t even stop at your thoughts alone, it manifested itself outside Hearte’s headquarters, wearing a pink puffer jacket and a white prairie skirt. 

“Sera?” you blurted out her name in wonder, nonplussed as you got out of the car to approach her.

“Hey, Y/N.” She offered a casual smile while carrying an air of sophistication around her. That wasn’t the only thing that changed about Sera. Her hair was also shorter than the last you saw her, her face now sporting a more natural makeup, and her outfit a more modest yet classy choice. It was no longer the Sera who tried hard to fit in amongst the upper echelon of society, but a Sera who seemed to be satisfied at her current standing in life. 

What an awkward encounter. Was her presence your hypocritical reminder for sleeping with Satoru behind Akemi’s back? 

“What are you doing here?” you asked. 

And she answered with, “I read about what happened. You know, the thing on the internet.” She took a moment to pause, probably trying to choose the right words to say to her previous adversary. Because in a way, you two weren’t exactly friends. And you were no longer rivals either. Satoru was the only common denominator here, and Sera proved her exact sentiments about him by saying, “I just wanted to let you know that I understand your side. It’s a tough situation.”

You looked at her, searching for any hint of insincerity, but found none. “You were once on my spot,” you pointed out and gauged whether or not she would take the bait. For all you know, she could be putting on an act. “I’m assuming you’re here to rub it in my face how much of a hypocrite I am.” 

“No, that’s not it.” Sera was vehemently denying any malice on her intentions, and was instead trying to show you the sympathy of a woman who was once caught in the same predicament. “Look, I know it’s weird that I’m here out of all people. But the truth is, I just had to let you know that someone’s on your side. I’ve met the girl, okay? That… whoever she is. I don’t remember her name, and I hate having to pit two women against each other, but I’m telling you it’s about time you cut Satoru off your life. Completely. She doesn’t look like someone who’d easily let go. You’re just gonna suffer, Y/N.” 

Perhaps three years was too far back in your life and that tables could turn in a direction that you didn’t expect, as you could recall fragments of memories from when your only dilemma was dealing with Satoru and Sera in your marriage. She used to be besotted with your ex-husband back then. But now, it wasn’t until you heard the way she spoke about him that you realized she must be harboring a grudge deeper than you had imagined. After all, he did ruin her life in ways you couldn’t imagine. And her advice, though unsolicited, made sense. Because you could understand where she was going with it. You could see the true intentions clearly conveyed by her face.

The only problem here was that you didn’t have it in your heart to agree with her. You were too much of an empathic person to be taking sides, even if the supposed villain in this painting was the ex-husband who, time and time again, hurt you. Your heart stubbornly cared for Satoru deep down, and your wifely instinct of defending him no matter how poorly he acted had always been there. No one could hate Satoru more than you did, that was true, but you also weren’t very accepting of hearing others describe him as this ruthless, cheating bastard. 

That was the reason why talking to Gen had eventually exhausted you. Because no one knew the real Satoru Gojou behind his facade of an irresponsible and reckless husband. 

“Now that you’re here…” The idea to redirect the conversation to another topic struck you, unwilling to engage in a conversation that pushed Satoru in a bad light. “Would you be interested in being a model for our upcoming campaign? We’re launching a new collection, and I think you’d be perfect.”

Sera’s eyes were an amalgam of confusion and surprise. “Uh, I mean… I’d love to, but why so sudden?” 

“You have the face for it.” You shrugged, but still sent a smile her way. “Are you working right now? If not, this could open doors for you to be discovered by modeling agencies. I’m closely tied with them since I work in the fashion industry, so I can do a few calls if you want.” 

“Hold on, I’m—” Sera touched her head, laughing as if she were dreaming this conversation. “Y/N, you’re doing too much here. I mean, I’d obviously love that, but wouldn’t it be awkward? People know me as your ex-husband’s mistress, and if they recognize me in Hearte ads, I’m sure as hell those fuck ass netizens won’t stop talking about it.”

She had a point, a very good point, but then again, your suggestion was only brought up because you had to change the topic. “Well, it’s just an offer to consider in the future.” 

“And I appreciate you always extending a hand to help me even if I did you wrong in the past,” she said, feelings of shame lacing her voice. “I haven’t forgotten about what you did for my brother, that’s why I’m here. I’m not your enemy anymore, Y/N.”

Just then, the roaring engine of a classic red Ferrari pulled up to the curb, interrupting the unexpected conversation you were having with your ex-husband’s former mistress. The window rolled down to reveal a pink-haired man whom you recognized as Ryomen Sukuna, an up and coming tech mogul, that Toji had mentioned about many times before. His eyes were only on one woman alone, and it wasn’t you. “Ready to go, babe?”

Honestly, good for Sera. No wonder her aura had become different. They seemed to be in a stable committed relationship, something that you could only ever dream about. If karma was truly real, this was the perfect example for it. 

In the back seat, you spotted a younger boy who looked exactly like Sukuna and, surprisingly, Megumi, the son of your ex-fiancé. Really? How many more people were you going to ‘coincidentally’ run into today? 

“Hello, miss!” the other boy called out cheerfully, while Megumi offered a polite nod. You replied with a wave, feeling a small sense of normalcy in their innocent presence.

“I gotta get going, Y/N,” excused Sera, gesturing a civil goodbye. 

But as she moved to get into the car, your phone buzzed in your pocket. A single glance at the screen made your heart drop. It was a call from the hospital.

“Hello?” you answered almost immediately, pressing the phone on your ears with a tight push.

“Ms. Y/N, this is the hospital. Your son, Sachiro Gojou, is in the ICU. We need you to come as soon as possible.”

Your stomach contracted into a tight ball as you stood rigid with terror. Then and there, the world seemed to tilt on its axis. “Wh-What do you mean he’s in the hospital?!” you managed to shout, swept by horripilation from the sudden news. “What happened to my son?! What’s—!” 

Sera’s concerned gaze met yours as you desperately yelled into the phone, hyperventilating. Your trembling hand was threatening to drop the phone. “Y/N, is everything okay?”

“My son… I… he…,” you stammered, your voice shaky with fear and urgency. Your muscles locked in a momentary paralysis, eyes wide with astonishment, and surprise rendering you immobile. The thought of Sachiro in a critical state was about to make you faint, with the last bits of images you saw that afternoon were of Sera and her boyfriend rushing to catch you from completely falling to the ground. 

——

Megumi didn’t know how to deliver the bad news. 

He came home after Yuuji’s brother rushed you to the hospital, shocked by everything that happened in a span of a single day. His mind was aching from all the thinking he was doing; praying that little Sachiro will be fine, hoping that you would stay strong throughout, and lastly, wondering how he would break it to his dad that something terrible had happened. 

His father wasn’t exactly the greatest man to tread this Earth, especially not after the drunken words he had ‘mistakenly’ uttered to you that night in Miami that resulted in your separation. Yes, Megumi knew every word and detail. His father told him everything just as a sober man would. Did you really think that the Toji Zen’in you knew would sputter that utter nonsense to you? That you had an empty soul. That he couldn’t be with someone like you. That you would forever be a placeholder to Megumi’s mother. Bullshit. None of those were true. His father told him that the reason he had to say those words, as piercing and trenchant as they may be, was because it was the only way he could free you from being caged in a relationship your heart didn’t genuinely want. 

It was Toji’s last resort to hurt you with his words, hoping that you would wake up from your false fantasy and finally have a reason to leave a relationship with a man that wasn’t Satoru Gojou. If Megumi’s father wasn’t at the top of the list of Forbes’ richest men in Japan, he would have felt a great deal of inferiority complex over a younger man like Gojou. Not because of his looks and his riches, but because he had you. No matter what Satoru did, no matter how many times he hurt you, he was and would always be that man you wanted to be with. 

Sighing, Megumi’s first task upon coming home was to check on his father’s room, only to find the dark room void of its owner. When he made his way down the grand staircase, he met an ill-spirited Naoya who was ranting to Mai about Sera flaunting Sukuna in front of his face. Megumi’s sigh was then followed by another. The drama in this house was relentless. He felt like he was exhaling endlessly, like a malfunctioning appliance. 

“Where’s dad?” asked Megumi, directing her question to a more rational Maki. 

The tall, green-haired girl gave him a knowing shrug. “You already know,” she said, “Drowning himself in alcohol down at the bar.” 

As always. 

Megumi jogged around the estate to eventually find his father at one of the wet bars near his home office. He was there, seated on a stool, his head drooping low with a glass of premium scotch in hand. How many glasses he’d had, Megumi could only hope the numbers weren't that high. But upon approaching his father, his presence was barely acknowledged as he sat on the stool next to him, suggesting that the grown man might be more inebriated than his son had expected.

“Dad,” spoke the Zen’in heir, “Dad, you good?” 

Toji lifted his head up, three sheets to the wind, as a smile crept up on his scarred lips. “Son.” 

“Let me take that.” Megumi grabbed a hold of the glass of scotch, sliding the strong liquor away from his father. “There’s something I ought to tell you.” 

Toji stayed nonchalant, sitting upright and tapping his fingers on the counter. “What’s it about this time?” he asked. “I’ve told you, I can’t stop the elders from arranging your marriage unless you’re honest with me about someone you like. I know you have someone in mind, but you’re not saying who. Are you just shy?”

Megumi gave his father a look of exasperation. He’s rambling, he thought, frustrated with his father’s inebriated chattering. “It’s not about that. It’s about Y/N-san.”

The mention of your name was the only thing that made Toji's demeanor shift to one of genuine concern. “What happened?”

“Sachi’s in a critical condition,” the younger Zen’in went straight to the point, “Y/N-san went manic over it and fainted before we could get her to the hospital.”

Toji was quick to grab his coat and car keys, as if all the alcohol in his system had immediately evaporated. But before he could leave, Megumi caught his father’s arm and pulled him back. 

“What?” said Toji, concern and urgency blanketing his gaze. “I need to be with her.” 

“Do you really need to?” Megumi countered. “Dad, I know it’s not right for me to stop you in this crucial situation, but are you gonna do this every time she’s in trouble? Do you plan to do this forever? Do you plan to keep drowning yourself in alcohol thinking about her? We care for her like family, that’s true, but you and her aren’t a thing anymore. Your responsibilities in taking care of her should stop, too. You, yourself, said it’d be best if she stopped being reliant on you. Now, do yourself a favor and stop trying to be this pathetic superhero.” 

The concern etching on Tojis’s face softened into a sense of realization, a sense of candidness that only someone as straightforward as his own son could evoke. Megumi had to, not because he didn’t care for you anymore, but because he had to ensure he wouldn’t lose his father over a relationship that had already ended. Toji was the only real family Megumi had left. 

“Stay, dad,” he pleaded, “Please.”

Toji took a deep breath and released it in the same second. “Okay,” he softly said, ruffling his son’s hair. “I won’t leave.” 

——

Why is it that you keep attracting things, places, and people that you disliked the most? 

You hated hospitals, and you had spoken about it enough to make it clear how much you dreaded going to a place where your worst memories had taken root. Yet, the sterile environment seemed to beckon you, dragging you back with a new nightmare each time. It was beyond your worst fears that you would find yourself racing through the halls mere minutes after regaining consciousness, desperately trying to reach where your son was.

Please be okay. Please be okay. 

Frantically, you scanned the corridors, searching for the ICU and hoping that what you had just heard was nothing more than a cruel illusion, that this was all just a nightmare. You weren’t a deeply devout person, but you did send prayers to every saint you could think of, hoping that Sachiro’s current state wasn’t in the median between life and death. 

Because if you lost your son, then there was no point in living anymore. This life wouldn’t be worth enduring. 

“Y/N!”

You weren’t the first one to arrive outside the pediatric ICU, with Gen and your father already being there moments before you came. You were struggling to breathe by the time you reached them, feeling your heart race with a thunderous beat. “Gen… Dad, what h-happened to him?” You couldn’t stop the weakness in your voice. “Tell me he’s fine, please. Please. My baby. If anything h-happens to him, I’m g-gonna die, Gen! I c-can’t h-have that!”

Gen quickly enveloped you in a tight embrace, trying to offer any form of comfort she could. “I’m so sorry, Y/N. Dad and I are just as shocked.” She held you closer, her voice trembling as she, too, was just as anxious as you. “Sachi refused to eat and complained about having a hard time breathing. He was so pale and his lips were blue. We knew we had to rush him to the hospital immediately.”

“Oh my God.” Your hand flew to your mouth, trying to stifle the uncontrollable cries that were escaping. The news of Sachiro developing cyanosis shattered your heart, and the crushing reality that you weren’t there to take care of him tore you apart. “My baby, no. No, no. H-He—”

“Y/N!” 

Out of breath and also visibly shaken was the father of your son, Satoru, who came running to your side the moment his eyes landed on you. Behind him was his mother, clutching a rosary in her hand as both of them were seemingly shell-shocked in the same magnitude as you and your family were. Everyone cared for Sachiro’s well-being, everyone prayed for his safety, and the thought of losing an angel like your son was a soul-crushing thought that sent you slipping into a chasm of suffering.  

“Wh-What happened to Sachi?” Satoru asked in desperation, his question raised to everyone in the vicinity—you, your family, the nurses. But no one could give him a decent answer. “Please, tell me my son’s alright. Tell me.” 

You watched him walk in circles, raking his fingers through his hair as if he was seeking anything to hold onto. And you, feeling that magnet that pulled you closer to him, broke away from Gen’s embrace to look at your son’s father. “Satoru…” 

“Y/N,” his voice cracked as he met your gaze, “Our son.” He stopped, ready to wrap you in a hug—a moment of solace you both desperately needed in this critical time. But just as he pulled you close in a fragile attempt to find comfort together, the door to the ICU swung open, abruptly ending the brief respite.

All of you immediately rushed over to the doctor, the sterile white walls and the distant hum of hospital machinery did nothing to calm the turmoil inside you. 

“Doctor, how’s he?” 

“How’s my grandson, doc?”

“Doc, my son, is he okay?” 

“Is he stable, doc?” 

“Doctor, how’s my son, please?” you asked, your body growing tense to the point of shaking.

The doctor took a deep breath, his expression serious amidst the fusillade of questions thrown at him. “We’re currently running a series of tests on the patient. We suspect Sachiro may have congenital heart disease, specifically a ventricular septal defect with associated pulmonary hypertension.”

No, it can’t be. It’s not possible! The words hit you like a punch to the gut. You struggled to process the information, your vision blurring with tears and your heart drumming a rapid staccato inside. You didn’t need to look at everyone to know that they all, for a moment, looked at you. “Heart disease? But… how? I didn’t think—”

“Can you explain more, doc? Please.” Gojou was desperate, his bright blue eyes now dull and severely clouded with a brewing storm. It was as if he was keeping himself from crying.

The doctor continued gently, “VSD is a condition where there’s a hole in the heart’s ventricular septum. It can lead to pulmonary hypertension, which means the blood pressure in the lungs is elevated. It’s a serious condition, but we’re doing everything we can to assess the extent and provide the best treatment.”

“N-No, oh God. My baby.” You felt your knees go weak, and you sank down against the wall, with more tears cascading down your cheeks like waterfall. The weight of the diagnosis was crushing, but the hardest part was realizing that this was something you had unknowingly passed on to Sachiro. The heart disease was inherited from you and had now manifested in your beloved son.

It’s my fault. It’s my fault! 

The doctor placed a reassuring hand on your shoulder. “We’ll keep you updated as soon as we have more information. Please, try to stay calm, Y/N. It’s not best for your heart to panic right now. Sachiro is in good hands.”

You were unable to speak through the sobs that wracked your body. The hospital corridor felt endless, and you couldn’t shake the feeling of guilt and helplessness that consumed you. You could feel all eyes on you, judging, harboring hatred, carrying deep-rooted resentment. You were torn apart by the knowledge that the very thing you had feared most was now a reality for your son.

“It’s… It’s my fault,” you sobbed, covering your face with your quivering hands, “This is all my fault. I gave it to Sachiro, I… I’m a terrible mother!” 

Gen knelt beside you, her hands gripping your shoulders with a firm yet gentle touch. “Y/N, stop it. This is not your fault. You didn’t choose this for Sachiro.”

Your father, who had been pacing anxiously nearby, joined in. “Your sister’s right. You’re blaming yourself for something beyond your control. We’re all here for you. We’ll figure this out.”

But amidst your familial exchange, Satoru stood nearby, frozen and listless. His silence only added to the overwhelming distress. Was he also blaming you for what Sachiro was going through right now? Was he also angry at you for putting his son into this critical situation? 

Suddenly, a familiar voice cut through the commotion—voice that was equally harsh and spiteful. It was Satoru’s mother, boring her fiery eyes into your skull as she opened her mouth. “That’s right! You’re self-aware, aren’t you?” she spat and stood rigidly, arms crossed defensively over her chest. “This is all your fault. You’re such an irresponsible mother! You can’t even take care of my grandson properly, and now you’ve passed your disease onto him!”

You looked up in shock, seeing Satoru’s mother standing there with a disdainful expression. The sting of her words felt like a knife twisting in your heart, because they were true. They were painful, yes, but they were true. And all you could do was lower yourself until you were sitting on your haunches, trying to make yourself as small as possible. 

“Excuse me?!” Gen stood up, her eyes blazing with anger that came from the deepest pits of hell. “You’re unbelievable, Auntie. How dare you speak to my sister like that! You have no right to blame her for this. I hope to God it was you in the ICU right now instead of Sachiro!”

“You…!” 

Satoru’s mother raised a hand to slap Gen, but your father stepped forward, his face a mix of disbelief and indignation. “This is despicable. How can you stand here and say such things to someone who’s already suffering? Weren’t you friends with my wife once?”

Satoru, who had been standing still, suddenly moved with a menacing calm. His face was hard as stone, and his eyes narrowed in anger. What was scarier was him approaching his mother with a threatening stance. “Are you really this pathetic, mother?” Satoru questioned with a cold, cutting tone. “Do you get off on making Y/N suffer? Do you think you’ve gotten away with slapping her behind my back? You don’t get to blame Y/N for anything. Any fucking thing!”

His mother’s eyes widened in shock, but she tried to defend herself at the ruthless stance her son was carrying. All of you were stunned at the realization of how Satoru resembled his cruel father at that moment. “B-But Satoru, my son—”

“Shut up!” Satoru cut her off, his voice harsh and unforgiving, before he threw his cold knuckles against the hard surface of the concrete wall. “I don’t want to see your face ever again! Don’t consider yourself my mother any longer, you witch. You’ve lost that privilege.”

This took a wild turn, and hearing the brutality of Satoru’s words was like a thunderclap in the tense atmosphere. His mother’s face turned pale, her mouth opening and closing in shock as she struggled to respond.

“Get out of here,” Satoru commanded, his voice uncaring towards her. “Leave, and don’t ever come back. You’re nobody to me now.”

With that, Satoru’s mother turned and fled, stumbling down the corridor as if she was the victim in this situation. However, the tension in the air began to dissipate as soon as she left, leaving you, Satoru, Gen, and your father in a heavy silence. Only your sniffles could be heard. 

Even Gen, who was often hostile around your ex-husband, had remained quiet and composed after she watched him take such drastic measures to keep his mother away.

Everyone was silent. Pure, unbothered silence until Satoru’s phone began to buzz loudly, cutting through the stillness of the hallway. For a moment, he closed his eyes, then he fished his phone out of his pocket where you caught a glimpse of the caller ID. 

Akemi. 

——

The ICU only allowed short visits and one person at a time, so there was no need for everyone to stay the night. You were the parent, you were the one responsible for your son’s situation, so you insisted it was best for your dad and Gen to go home and get some rest. You didn’t mind watching over your son for the whole night, because coming home without him was the last thing you would do right now.

My precious angel.

Sachiro lay in the hospital bed, his small chest rising and falling in a steady rhythm. The doctors had managed to stabilize him for now, and the sight of his heart monitor showing a stable rhythm was a small comfort amidst the chaos.

Still, you sat by his bedside, mindful of your timed visit as your hands gently held his tiny ones, feeling the warmth of his small fingers. You glanced down at the medical report on your other hand, trying to make sense of the complex terms and figures.

The words blurred together as your tears fell silently onto the paper. “I’m sorry, baby.” He didn’t deserve this. He’s just a baby. “Mommy’s very sorry.”

You tried to stay strong, putting on a brave face for your son, but inside, you were falling apart. It was impossible not to blame yourself over this, wishing you could do more than just be present around him. This was the comeuppance of your own actions after you focused on your own emotions for the past few weeks to the point of neglecting your son’s wellbeing. If you had been more present in his life, if you had been more observant, you would have easily noticed the signs. Now, you allowed Satoru to find a flaw in your duty as a mother, and he could cite this very event as evidence to get full custody of him. That is, if he were to ever consider taking your son away from you. 

But in the first place, he should be the last person to do that, because where exactly was he now? 

Your thoughts kept drifting back to the earlier scene, where he excused to answer Akemi’s call, and later that night told you he had to leave and “check something” urgently. He promised he’d be back before midnight, but where was he? 

Resentment began to fester within you.

You had been very perceptive of Akemi’s feelings, apologetic in the way you supposedly betrayed her, but the fact that she was still scrambling for Satoru’s attention in the midst of your son’s hospitalization was something you could never forgive her for. 

And as for Sachiro’s father, how could he prioritize another woman when his own son was in such a critical state? The confusion of his actions was overwhelming. It felt like a cruel deja vu that, at a time when you needed him the most, he was choosing to be elsewhere. You could accept it if it was a choice between you and another woman, but between his son and her? His behavior was unacceptable, disgusting even, and it only served to deepen your grudge against him.

You clenched your fists, trying to push away the surge of anger that threatened to consume you after seeing that the disparity in his actions felt like both a betrayal and a slap to the face. Your poor son. You stared at Sachiro’s peaceful face and stroked his cheek. How could Satoru be so indifferent to his own flesh and blood?

The room was silent except for the soft beeping of the heart monitor and your quiet sobs. The situation was almost too much to bear, and your resentment towards Gojou grew heavier by the second. Each minute felt like a lifetime, and the emptiness left by his absence was a constant reminder that yet again he chose another woman over his own family.

It’s okay. You took a deep breath, trying to steady yourself. I won’t leave you, Sachi. For Sachiro’s sake, you needed to find the strength to carry on, to be the mother he needed in this moment of crisis and never again failing to be there for your only child. 

At exactly 10:30 pm, the nurse came in and told you visiting hours were over. You complied. 

At 11:00 pm, Ian paid you a quick visit and talked to the nurses, perhaps giving them reminders to look after you. 

At 12:00 am, you were alone again. Seated at one of the benches outside the ICU—sleepless, starving, and nauseous. 

At 2:00 am, you remained in your seat despite the sterile smell of antiseptic mingling with your own discomfort. The flickering fluorescent lights above did little to help you get some proper sleep. The cold air-conditioning alao made you shiver slightly, hugging your own body to try and give yourself some warmth. 

At 4:00 am, you awakened from the noise of the movements beside you. Realizing you had fallen asleep, you looked up and saw Satoru taking a seat to your left. His coat was draped over his arm, and he offered it to you.

“Are you cold?” he asked, his voice softer than usual, but you could see the bags under his eyes suggesting the sleepless nights he’d had for the past few days. “You can use my coat.”

You took the coat, but as you caught a whiff of it, a familiar scent of Akemi’s perfume lingered. Rose Prick by Tom Ford. It was a scent you’d come to recognize after your years of being her best friend, and it made your stomach turn slightly. Without any hesitation, you handed the coat back to him. “No, thank you. I’m fine,” you replied, avoiding his gaze. Looking into his eyes was the last thing you would do. 

And you knew Satoru was sighing, but didn’t press the issue. “The nurse mentioned you haven’t eaten today.” He pulled out a small bag of assorted fruits, placing it gently on the seat between you. You eyed the offerings, feeling a pang of hunger but also a strange aversion. “I bought some fruit. Is there anything you like?”

You took a deep breath and broke the silence with a hint of sarcasm. “You’re really good at this, huh?”

“At what?” was his immediate question, puzzled.

“Hitting two birds with one stone.”

“Y/N…”

“Stop trying to take care of me,” you interrupted, your tone sharper than intended. “ I don’t need it.”

“But—”

You swallowed the lump in your throat. “You can’t even be here for Sachi. You can’t even choose your son. He’s in a life and death situation and we’re still only receiving scraps of your attention.” It was the deep-seated grudge spilling out of you. “You’re so good at abandoning people, huh? Even though that’s what you hate the most. You’re so good at disappearing without even a text or call to check on me and our son. After that night at the cabin, you just…” you paused, realizing that you were opening too much of your heart to a man who didn’t deserve it. “Forget it. Just go home to Akemi. Live a happy life, build a family with her. Forget us. I don’t care. I’ll take care of Sachiro myself. I’ve done it for three years!”

“Y/N, I’m not trying to hurt you. I just…” Satoru fumbled for words, his somber blue eyes bearing the history of your shared heartbreak. It was as though the painful memories of your past were flooding his thoughts, seeking justification as to why he couldn’t pick you again this time. “I had to be there for her. She’s…”

You turned away before he could see your expression, because your heart was splintering at the thought of Satoru Gojou shattering it once more. As he always did. There seemed to be no end to this relentless heartbreak, as if any hope of a happy ever after with the man you loved would only return a pain that was a hundred times worse. Perhaps, this was destiny’s way of telling you that you and him weren’t meant to be. That any wishful thinking of being with Satoru again was only something that you could expect in another universe.

So, in your defense, you had to pull on a facade. A mask that you had to wear in the face of being the target of never-ending despair. “Satoru, I don’t want to talk about it,” you said firmly, concealing the raw ache in your voice with a smile. “And I don’t expect you to choose me every time. It’s okay. It’s happened before.”

“Can’t you see I’m hurting, too?” he asked, his voice breaking. Though you couldn’t see his face, the tremor in his voice revealed his struggle to hold back tears. 

You couldn’t understand why he would be hurting with his decision. When faced with two crossroads, he always seemed to pick the path that led away from you. So instead of trying to comprehend his pain, you decided it was time to honor your own. For your sake. For Sachiro’s. 

“Let’s just forget about that night,” you declared, wiping your eyes as you got up from your seat and prepared to walk away. “From this day forward, let’s pretend it never happened.”

——

Akemi’s apartment was dark when Satoru stepped inside. 

And to be honest, the darkness was a relief. At least, she wouldn’t be able to see the lassitude etched on his face, not just from juggling his time between his son and her, but from the constant ache of hurting the person he loved.

Miscommunication is a couple’s greatest enemy, and the persistent disconnect between you two, coupled with the reluctance to clear things up, had worn Satoru down. He wanted to end this—the feeling of helplessness and the torment of seeing the woman he cared for caught in a labyrinth of despair.

The hospital visits to Sachiro alone had been a whirlwind of emotions and responsibilities, and this brief visit to Akemi felt like an unwelcome detour, but one he couldn’t avoid. Satoru knew his heart wanted to stay in the hospital with you, to wait for any updates on his son, to hold your hand and care for you, yet here he was, dragging his feet across the carpeted floors to approach Akemi. 

“Hey.” She was sitting on the couch, looking frail but alert as if she had been desperately waiting on his arrival. She had recently started treatment for her stage 3 endometrial cancer, and Satoru could see the toll it was taking on her, physically and emotionally. He would be cruel to leave her hanging like this, to neglect her at her worst when she had been there by his side at his. Satoru had an unspoken accountability on her, because it wouldn’t be fair for him to just abandon her after she poured all her heart and soul into helping Gojou get back onto his own feet.  

“Hey, ‘Kemi,” he said, his tone soft but distant. “Did you take your meds today?”

Akemi looked up at him, her eyes tired and heavy. “I did. I took them just like the doctor said. How’s Sachiro?”

Gojou’s expression tightened. “He’s holding steady at the moment.”

A heavy silence settled between them before Akemi broke the tension. “I’m glad he’s stable,” she said, quietly. “Are you okay?”

He nodded once, his mind already drifting back to the hospital. “Yeah. Listen, I need to head back soon. Nanami and Miwa will be alternating in looking after you from now on. They’ll make sure you’re okay while I’m dealing with Sachiro. I have to focus on my son.”

Akemi’s frail hand reached out to gently grip his arm, the other held her lower abdomen in pain. “Satoru, please don’t go just yet. Can’t you stay a little longer?”

Now’s not the time to feel guilty. It was either her or Sachiro. Her or his son. Gojou decided to pull his arm away gently, his gaze distant. “Sachiro needs me, Akemi. You know that.”

Akemi’s face fell, but she knew it would be ridiculous to argue over that. “No, I understand. I get that. I want you to focus on Sachi, too. I just wish—” Before she could finish, her voice faltered, and she looked up at him with a hesitant gaze. “Satoru, do you regret that I took you back even if you cheated on me?”

The question caught him off guard, and Satoru’s blue eyes narrowed as he processed her words. He had been so focused on his responsibilities and the immediate crisis that he hadn’t given much thought to their ‘relationship’. All he knew was when he showed up at her doorstep back at the cabin, he was only going to try and end things with her. He was only going to clarify the longstanding feelings you and him poured out to each other that night, which was why he ended up sleeping with his ex-wife. But because Akemi suffered at the time, because her pelvic pain worsened to the point of an emergency, he had to hold back and just take care of her in the weeks that passed. He was caged in this situation like a prisoner who was found guilty for the crimes he had committed.

Just be honest, Satoru. Disregard everything else and just be honest. Satoru believed it was about time he stood his ground no matter the consequences. “You can’t take me back if we’re not together, ‘Kemi,” he breathed out those words, reticent on hurting her with the truth. If she would lash out on him, throw a vase on his head, slam a book on his face—he wouldn’t mind. He was ready to accept all the violence he deserved from being an asshole. “You knew from the start that this, us, was only temporary. It was never supposed to be serious.” 

Her expressions turned doleful. “Then, in that case, did you at least…” Tears welled up in her eyes as she she paused, “Did you at least love me?”

“I just… I never saw it that way, Akemi.” Satoru’s honesty would destroy her, but he didn’t want to keep on sending out false hopes. He had to be firm, and while he was grateful for everything she did for him, that doesn’t mean he owed her his life and loyalty. In the first place, he warned her that he wasn’t ready to be in a relationship. And God, he was far from ready to even settle down, yet Akemi constantly hinted at wanting to tie the knot with him. Again and again did she mention the thought of a wedding and a child and her own family. 

Satoru wanted all those things too, but with another person in mind. He was only set on having those things with one woman.

Akemi’s face paled upon hearing his answer and the fact that he didn’t even bother to explain himself. “I see. I guess I needed to hear that.”

Gojou looked at her with a mix of regret and sympathy. “I’m sorry. I’m sorry for hurting you like this, I really do.”

“It’s fine. Don’t worry about it.”

It definitely wasn’t fine, but Satoru had to take her word for it as he got out from the couch and gave her a gentle pat on the head. “I have to go. Nanami will be here soon. Please make sure to follow the treatment plan and take care of yourself.”

Akemi nodded, though her gaze remained fixed on the floor, unable to meet his eyes. “Alright. I’ll see him when he gets here.”

As Gojou turned to leave, he felt a pang of guilt twisting deep in his gut but pushed it aside. He was a father first before anything else. Sachiro would always be his first and foremost priority amongst everything else. 

——

After leaving Akemi’s place, Satoru was driving his car into the evening air beyond the speed limit. And his mind was racing together with him as he thought of you, your son, and the myriad of emotions he was struggling to manage. He couldn’t wait to be home, not literally at his own place, but anywhere with you and his son was his definition of home. 

It would be diabolical for him to run into your arms and yell, ‘I’m free! We can be together again!’ No, that would be cruel and disgusting. He respected Akemi just as he respected you. It was himself that he couldn’t respect, because he was the one responsible for the mess that he created. And adding Sachiro’s critical condition on top of the already festering wounds in your relationship? It truly was the manifestation of karma in his actions. 

His footsteps bounced through the hospital corridors the moment he arrived, each impatient step was ready to see your face and tell you he would never leave you and Sachiro now. But as he neared the pediatric ICU, his eyes darted around, the sight of his ex-wife was nowhere to be found. And instinctively, his heart pounded in his chest, and a drum of panic seemed to warn him of a storm that was about to come. Something was off, and it scared him. 

“Nurse,” he called out, his voice edged with urgency as he approached their station. “Where’s my wife? The boy’s mother?”

The nurse looked up, recognizing the infamous CEO’s face. “Uh, Mr. Gojou, she was heading to the rooftop, I think.”

“What?!” he unintentionally yelled at her face, “Why didn’t you guys keep an eye on her?” 

“Sir, calm down. She’s probably going to get some fresh air.”

A cold chill ran down his spine. You were definitely not there for that. 

Without another word, he sprinted towards the stairs, taking them two at a time instead of waiting at an elevator together with a group of people. He had to get to you as soon and as fast as he could without another second to waste. Although the climb felt endless, his mind racing with fear and dread was the push he needed to finally reach you. 

And upon bursting through the door to the rooftop, he was met with the soft whisper of the evening wind and the heart-stopping sight of you standing perilously close to the edge.

“Y/N!” he called out, his voice breaking with desperation. “Don’t do this. Please, step back.”

You stood motionless, eyes fixed on the distant horizon, the city lights blurring into a kaleidoscope of sorrow. “The world hates me, Satoru,” you whispered, the mellow tone of your voice carried away by the wind. “I’m a burden to everyone, even my own child. I-I just… I want to end it all.”

“No!” Satoru’s heart shattered at your words while he moved closer, his hands outstretched and careful not to startle or provoke you. He was dying to have you in his arms and keep you safe. “Y/N, please. Come back. What about Sachi? What about me? We need you. Sachiro needs you. I need you.”

What exactly made you go here? How did thoughts of ending yourself suddenly come into fruition? Was there something you discovered that brought you to this ultimatum? Gojou was desperate, utterly desperate, to hear what was running through your mind so that he could at least ease the burden that you were carrying all by yourself. He was once in the position where he wanted to commit too, and he knew the temptation that came with permanently escaping the cruelty of the world in just a single action. 

“Y/N, please. Please, I’m begging. Come to me,” he rattled on in a suffocating whisper, the pleading in his voice was heavy, “Please. I love you. Only you.”  

It was when you turned around that Gojou’s world collapsed, and the words you said after had shattered his entire universe. 

They were still. 

You. 

And the wind. 

“I’m pregnant,” you finally confessed, voice cracking as you looked at the faint tears that fell from Satoru’s eyes. “I don’t wanna have this baby.” 

[spiritofwhitefire]

I do think it’s strange that Maedhros of all people is a character that gets woobified so hard because the MOST compelling thing about him isn’t his heroism, it’s the fact that he was heroic and the BECAME A VILLAIN. I’m not even going to say became an anti hero because I don’t think that’s accurate, I mean he became a straight up villain. Destroying what was basically a refugee camp, attacking the army fighting against morgoth when half of his identity post thangorodrim was once based around fighting Morgoth. I’m not the first person to mention the irony of the fact that maedhros is the only person to ever escape Angband without being in thrall to Morgoth, and then years later his actions are absolutely aiding morgoths cause rather than the cause of the remaining Noldor.

And that is what sets this character apart. His downfall. Part of that downfall is his earlier heroism but what makes this character so well written in the first place is that the seeds of that downfall start early at Alqualonde. It’s tragic but it isn’t surprising.

I changing this character around so that somehow his later actions are excusable or against his will or that deep down he has actually been a hero this whole time is very strange because if that’s the case then how is he any different than fingon or turgon or thingol? In fact if that’s the case then he’s more boring than these characters because he’s not nearly as outwardly noble.

He becomes a villain and as the shadows of that villainy were apparent early on, the shadow of his heroism is still apparent later on as well and that’s the tragedy. He could have turned around at any point, he could have still saved himself. But he doesn’t and it’s horribly tragic and as a story, it’s absolutely brilliant character work.

[man-down-in-hatchet-town]

THERE'S A CASTLE ON THE HILL, AS THE STORY GOES...

As promised, some initial thoughts on the things I loved about seeing this show. Spoiler free, since most of us haven't gotten to see it yet, and under the cut since I do wax a bit poetic...

Cinderella’s Castle is, in a strange way, an exercise in irony. The show is a retelling of an ancient story that is beloved and recited throughout so many cultures, and yet somehow feels completely fresh. The modern take on glam-punk lighting, a score infused with styles from 80s synth to anime, a high fantasy set with the costumes to match, the spirit of Jim Henson lingering through both the puppets and some larger and intangible vibe, a script combining that Starkid humor and Hatchetfield darkness with a whole different style of speaking… all of these beautifully executed elements melted together into something that I’ve never before seen. To take a tale as old as time and make it unique is no easy feat, but Starkid did so with magic and charm to spare.

Like any good Starkid show, Cinderella’s Castle is relentlessly dynamic: fun and tragic and exciting and just-plain-silly, with many twists and turns and character moments will make you gasp or cheer just as often as you laugh. It simply rollicks. The story clicks right along, especially in act 2, but the characters are so distinct and fun that I found myself almost wishing the Langs had sacrificed their plotting and pace just to spend more time hanging with every single member of this ensemble of personalities.

And that’s also a tribute to the actors themselves. Jeff is David Bowie reborn as the impish and fabulous narrator. Jon and Joey bring Hop A Lot and Crumb to life with so much charm and presence that they practically had the audience eating out of their hands from the very first second. Like, seriously, you will not believe how invested you will immediately become in these talking animals. Kim’s Fairy Queen is as radiant and terrible as promised; her portrayal of immortal inhuman power compels and commands and stands fully distinct from the Lords in Black. Lauren and Mariah are delightfully disgusting as the vile but deeply lovable troll step-sisters; you can feel the fun they’re having practically radiating off of them. Curt’s Tadius is dryly funny and put-upon, but also provides a vitally grounding and centering presence in the larger-than-life world of the Lands That Are. His big scene with Bryce is probably my favorite part of the whole show. James Tolbert is nothing short of an absolute STAR as the Prince, stealing scene after scene after scene with ease and charm and more jokes about genitalia than I think any of us expected. Angela once again displays a completely different facet of her never-ending range, exuding such elegance and control even in trollish filth that I do fear that the kids on the internet are going to start calling her “mother” with greatly increasing frequency. "Facade" was an absolute highlight of the night. And of course Bryce anchors, propels, and heightens every scene she’s in with such apparent ease you forget she’s been rehearsing for weeks and isn’t simply Ella herself. Ella is this world’s bruised, brave, and angry heart, and you will absolutely root for her every step of the way as she wrestles with who she is and learns what it means to claim her own power.

This was Starkid’s biggest budgeted show to date, and you could tell. This group of Michigan Wolverines and friends have accomplished incredible things since the Very Potter days of a single door and some cardboard columns, and I’m so proud of how far they’ve come. And yet Cinderella’s Castle, the fifteenth musical in the fifteenth year, still retains some of that core Starkid magic that I’ve always believed boils down to love. You can so often see that love emanating from the performers on a Starkid stage: love for the show, for their friends, for their craft, for the audience’s energy pushing them through. And the sense of love and support and community radiating from the audience is just as palpable. The man sitting behind me last night was at his first ever Starkid show, and afterwards he remarked in awe how that was the best audience he’d ever been in. And all that love isn’t unearned—it is built and it is nourished by a proud history of creativity, of song and of dance and of laughter and tears. And Cinderella’s Castle, I think, is going to prove an installment worthy of both Starkid’s past and future.

Starkid family, Bogs Hollow grants thee Starlight.

[drchucktingle]

queer horror memory lane

i know this screenshot above is just way of some algorithm but seeing these books together i am so honored youve allowed me to open my heart and trot out my art in this unique way. having two well received queer horror books (and third on way) is amazing given where i started my trot. thank you

easy to talk on 'death of unique art' these days but if you look at my story it is powerful example that buckaroos have a taste for challenging or untraditional figures in art. this is NOT to my credit, this is to YOUR credit. YOU have supported queer autistic art. i am so moved

i am already a pretty optimistic bud but still BLOWN AWAY by way my trot has been embraced over time. i recognize my perspective is 'strange' to many but to see the way this unique way was once treated with irony and now sincerity has bloomed in its place. it brings tears of joy

as i trot down my QUEER HORROR memory lane i am going to repost TRAILER for each book just because i have been basking in these memories and recalling the slow embrace of this timeline around me. thank you for allowing me this space i am so humbled and honored. LOVE IS REAL

STRAIGHT

When a strange tear in the cosmos appears within Earth’s annual path, the consequences are disastrous. For one night a year, the vast majority of humans now undergo a frightening mental change, transforming into hateful, rage-fueled zombies who will stop at nothing to satiate their desire for brutality.

While not much is understood about this horrific mass hysteria, the demographic it effects is very specific: cisgender straight people. 

A few years after the first of these tragic events, four friends from across the queer spectrum look for safety in solitude, hunkering down in a remote desert cabin for what is now known as Saturation Day. With a vaccine available for straight people to curb their violent episodes, some predict the worst is over. Others aren’t so sure.

As night falls, it becomes clear that survival isn’t guaranteed this Saturation Day.

GET STRAIGHT HERE

CAMP DAMASCUS

From beloved internet icon Chuck Tingle, Camp Damascus is a searing and earnest horror debut about the demons the queer community faces in America, the price of keeping secrets, and finding the courage to burn it all down. Welcome to Neverton, Montana: home to a God-fearing community with a heart of gold. Nestled high up in the mountains is Camp Damascus, the self-proclaimed “most effective” gay conversion camp in the country. Here, a life free from sin awaits. But the secret behind that success is anything but holy. And they’ll scare you straight to hell.

GET CAMP DAMASCUS HERE

BURY YOUR GAYS

Misha knows that chasing success in Hollywood can be hell.

But finally, after years of trying to make it, his big moment is here: an Oscar nomination. And the executives at the studio for his long-running streaming series know just the thing to kick his career to the next level: kill off the gay characters, "for the algorithm," in the upcoming season finale.

Misha refuses, but he soon realizes that he’s just put a target on his back. And what’s worse, monsters from his horror movie days are stalking him and his friends through the hills above Los Angeles.

Haunted by his past, Misha must risk his entire future―before the horrors from the silver screen find a way to bury him for good.

PREORDER BURY YOUR GAYS HERE

i am blessed by your support, your love, and your kindness. cannot believe how lucky i am to trot with you in all in this way and i cant WAIT to see what the future of this timeline holds for us. thank you for proving love with me from the past to the future

[raven-at-the-writing-desk]

Hiii I’ve been following the Malleus talk for some time now and wanted to ask what things you do like about him or good traits you think he has. I ask because when you explained that why you don’t like Vil you also said what you liked about him. That he works hard and is confident. So I’m wondering if you have some of those for Malleus!

[Referencing this post and this post!]

Aaaaaah, I tried my best to come up with things I like about Malleus but fair warning that it’s not a lot and I had to pick really specific instances rather than general characteristics 💦 I hope that’s okay!!

His mom is hot--

There are times when he acts appropriately neutral, wise, and dignified, as a crown prince and future king should be. I like these moments and want more of them over him being pouty or lashing out. A few examples of this include Fairy Gala (he knows there are tensions between nocturnal and diurnal fae and rightfully stays out of it), Ghost Marriage (he cannot thoughtlessly propose to Eliza but does support Riddle and Lilia in their preparations), and Vargas Camp (when he instructs Sebek to apologize to Leona, who still counts as a fellow prince).

His patience with Sebek. Early on in the fandom I think there was this expectation that Malleus would find Sebek annoying? But it’s refreshing to see that he isn’t usually bothered by Sebek’s presence and handles interactions in a level-headed and blunt manner. He doesn’t discourage Sebek and his special interests either; Malleus tends to entertain them (like the time he sat still and had the royal painter do a portrait of Malleus for Sebek’s birthday gift) or is otherwise pretty indifferent about it, though of course he still corrects Sebek when he steps out of line or intrudes on others.

Malleus’s love and care for the gargoyles of the City of Flowers/Fleur City. His friendship with that one gargoyle was just so adorable!! Short it may have been, but it was still very genuine.

His parallels with Leona. A crown prince with few close friends or family… versus a prince who will never have the crown but is surrounded by loving people… They want what the other has so badly, and I think there’s such a tragic irony about that.

The one time Malleus truly felt fear (thanks to Rollo). Listen, LISTEN 😭 This was legitimately so cool????? To think that it would be Rollo lighting a fire under Malleus’s tail, forcing this overpowered fairy to experience that same feeling others may have when he unleashes his power on them… Oh, how the tables turn. It’s interesting that Malleus reacts as if he’s amused by the sensation of fear and welcomes the challenge; it sort of implies he was growing bored of the same old routine and is actually showing some strange respect to Rollo by deeming him a worthy opponent. This being one of the few times Malleus shows vulnerability instead of dominating the battle, of course I’d love it 😂

But most importantly…. Malleus’s best trait is—

***Late book 7 spoilers below the cut!!!***

He was once a cute lil’ baby dragon that makes silly lizard sounds 🐉 (alas, he is no longer one… 😔) And again, he has a hot mom—

[spacerockfloater]

Isn’t it tragic irony how Viserys was so consumed by his hope, desire and desperation to be a dreamer that he never realised he sired an actual dreamer?

[whatsthelimitoncharacters]

So, in my opinion, Athena is probably dead. I think that it’s dumb and doesn’t make sense but the listening party animatic definitely implies she’s dead

Here we have some before and after pictures. When I first saw the livestream, I assumed that she was just gonna pass out and that people were overreacting. However, the glow fading really implies that she is in fact dead.

Shortly before the earlier images, we see Athena kind of holding onto life with her glow flickering. We can assume she is almost dead because Ares asks if she’s even alive(I will return to this). All this considered, despite the fact she isn’t glowing in a lot of scenes in this song(such as Odysseus showing her Telemachus), her glow fading really does show that she is probably dead.

If you need some evidence from the songs, we can also get some without looking at the animatics. First and most importantly, Ares asks if Athena is dead. While Ares isn’t the most respected god and many would label him as kind of dumb, he would probably know that gods can’t die if that’s the case. Him asking this does show that a god can, in theory, die. If you want mythological precedence, you can look at how Pan died(I know that there’s a bit of debate to that but idc). Another piece of evidence is actually Calypso saying “Last i checked, goddesses can’t die.” Many people take this as proof that Athena is incapable of death but it’s already been established by major gods that a god/goddess could die and there’s a mythological precedent, so calypso may be lying. In honesty, she isn’t being entirely untruthful in saying that she can’t die. Odysseus is just a half dead mortal king and Zeus is the single most powerful god. Odysseus can’t kill calypso while Zeus could kill Athena. This segues very well into how this line fits into the larger saga. Instead of this line acting as foreshadowing for Athena’s survival, it instead acts as tragic irony for Odysseus. Athena is Odysseus’ only chance at leaving and she dies. The irony comes because Odysseus’ problem could be solved if only a different goddess had died. The wrong goddess died and now it’s up to Zeus to decide whether Odysseus should be set free.

Now, if I’m correct, then I have a lot of feelings about this. If I’m wrong I have slightly less. If I’m right, you can see my previous post for a lot of my reasons why I think athena dying is a bad decision, but I’ll give one here. Gods don’t die. Pan is the only death I can think of (not counting stuff like Helios disappearing over time) and the phrasing of pans death could also be interpreted as the cult of Tammuz praising him for his one myth. Even characters that are treated as mortal like Medea (both her parents are minor gods so she probably should be too) don’t get myths where they die. Medea just runs off to a far away land. Kronos is sliced to bits. Typhon is sealed under Mount Etna. Kronos’ children are swallowed whole. ATHENA’S MOTHER GAVE BIRTH IN ZEUS’ HEAD. IT DOESNT MAKE SENSE THAT ATHENA COULD DIE. If she isn’t dead, why is the animatic like that? Jorge had to have commissioned it. I doubt the animator would have added that in on their own. Why would it be framed so much like she’s dead if she wasn’t.

[sapphicthunderhead]

TMAGP 21 Spoilers Ahead!

Right out the gate we get yet more confirmation that Sam is trying his best to do the right thing, but that his curiosity is a substantially greater motivating factor behind his actions than either his self-preservation instincts (which may be nonexistent) or his moral principles. This is positively fascinating characterization.

Also, this episode really uses setting to help establish tone in a much subtler manner than a lot of podcasts, which require the characters describe to the setting verbally (Penumbra, Sherlock & Co., Malevolent). Of course, I don’t think it’s quite on the level of setting-through-sound-design that The Silt Verses pulls off, but environmental storytelling isn’t as necessary to the plot and world-building in TMAGP as it is in TSV, so that’s not necessarily a criticism.

Celia cracks me up with her talk of “complicated immigration status.” Every scene featuring Celia is heavy on Dramatic Irony from the perspective of we who Know (have listened to TMA) and bring an element of mystery to the plot for any and all audience members, be they in the Know or not— just a little bit less for the former. Reminds me of the early days of TMA in the way. Jonny does a great job of introducing a mystery element seamlessly into all his horror fiction, and I think the two complement one another perfectly. For another example of this, see his book 13 Storeys (it is spelled that way deliberately). I highly recommend the audiobook on Audible.

(Did anyone else subconsciously assume Jack was some sort of sinister Fear receptacle before this episode? Celia seems genuinely emotionally attached to him, so I’m a little less concerned now.)

On to the statement itself: FUCKING MAGNIFICENT. I am positively infatuated with this one. So much suspense! So much information, such a beautiful bit of storytelling, and yet NO ANSWERS! I am dying for an explanation here, in the best way possible— because I also found myself perfectly content to just enjoy the events unfolding while I was listening.

I really felt that the authorial tone and style Jonny used for this character, Mr. Kennings, harkened back to one of the major inspirations for TMA: the ghost stories of M.R. James, one of my favorite horror authors (alongside Shirley Jackson). I first read his collected works after Jonny mentioned him in a Q&A, and I was hooked; I have since re-read his work a couple of times.

But it wasn’t just the style of this episode I enjoyed. The substance was also very satisfying. I find the idea of the scholars and administrators of the Institute bickering like petty children whilst using their most formal jargon, attempting to conceal their contempt for one another behind a flimsy facade of civility, incredibly amusing. I also found Kennings’ jabs at the British monarchy and his concern about soil toxicity and its effect on the laborers and foremen at the construction site allowed me to follow his perspective somewhat sympathetically— although I was horrified when he did nothing to assist the poor man whose decrepit old doppelgänger emerged from the earthen wall of the ditch to drag him underground. But I should have expected it. Kennings worked for the Magnus Institute, after all.

As an aside, this tragic event could have a couple of possible symbolic meanings. The description of the haggard elderly counterpart of the younger construction worker, who drags himself out of a wall of dirt that Mr. Kennings specifies exhibits “tell-tale indications of heavy metals in the earthen edges of it,” evokes the idea of a young man confronting what his life looks like if he continues to sacrifice his health and safety to this dangerous line of work. It could also be the reverse: the old man killing a younger version of himself who made poor choices (because he had so few choices or none at all, because he had to support himself or a family, who knows?) that would otherwise have killed him slowly and perhaps agonizingly, the toxic gas seeping out of the soil and into his lungs and blood. By the end of the statement, I was surprised that the writers had titled the statement “Breaking Ground” instead of “Poisoned” or something along those lines.

Alice trying to protect Sam from the scary little men in the computer was very amusing. Silly Alice, he serves the plot now! There’s nothing you can do to stop him, my dear! Mwahahahaha!

Lena Kelley being worried about Gwen wasn’t entirely unexpected, but does further emphasize the contrast between her and Jonah-Elias. Still unclear whether Lena is a cog in the Fear machine or is actually doing anything to protect humanity, but she clearly thinks she’s doing the latter. Can’t wait for her disillusionment arc, epiphany, and/or moment of self-awareness.

Then we have Gwen, Ink5oul, and…. What the fuck is that. What the fuck what the fuck what the fuck? That can’t be Jon. Another Archivist? Gertrude? Doesn’t sound like it. Who? What? Definitely an extension of the Eye, but the voice is unfamiliar.

Returning to the subject of Kennings’ statement: this series continues to emphasize that there are no clear delineations between Fears. Doppelgänger? Stranger. Dirt? Buried. Pollution? Extinction. All of the above? It’s just fear. That’s all that matters.

[anewstartrekfan]

Reading an old Star Trek book and to my surprise Jim Kirk has always had Daddy issues

So the only Star Trek book I’ve read was the one explaining how the tribbles episode was made and the aftermath, so trying to read Enterprise (1986) with some basic knowledge of trek post 2009 is fascinating. Cuz you see where the breadcrumbs of some of the characterization and even backstory come from.

In chapter 2, Sam Kirk and Kirk’s mom show up to Kirk’s ceremony where he takes command of the enterprise. They talk about George Kirk Sr. being in Starfleet, (he’s dead here too) something that I don’t think was in any of the episodes or movies. And how he was always distant and away. And they’re clearly going for some parallels/dramatic irony with the Wrath of Khan when it comes to Kirk not believing he could’ve developed a relationship with his father as an adult. And it plays into the tragic aspect I love about Kirk.

Upon reflection he’s happy that Carol rejected him (he proposed to her in chapter 1) because he doesn’t want to leave anyone behind while on the job, only returning for sparse visits the way his father did. But at the same time, Jim craves companionship. And he can’t get it in his current job because as captain, it is not ethical for him to date anyone else on the Enterprise.

Anyway the long and short is if we take this book into account, Kirk has always had daddy issues. It’s just in TOS EU it was abandonment issues whereas in 2009 it was dad sacrificed himself so high expectations issues.

The little details like the mom’s name getting carried over into the aos movies are a good touch, but then seeing George Kirk being a Starfleet officer actually get incorporated into the 2009 movie as an important plot point, and then also using his absence in Kirk’s life but just in a different way as part of Kirk’s backstory is so cool to me.

A difference though is unlike fanfic tropes, Winona is actually a good mom and wants Jim to succeed in his career where his father failed in his Starfleet career. Unfortunately though Jim appears to be falling into the same pitfalls. As in lack of communication and unwillingness to play workplace politics.

That last burn from Winona tho… like damn girl I felt that.

Another thing I want to backtrack to, Sam Kirk. Sam being the alleged chosen child, the one that was supposed to follow in George Kirk’s footsteps but didn’t, and then Jim strolled in and did even more than what Sam was supposed to do, and Sam and George never reconciled. Like dudes this book is almost 40 years old and this stuff was in strange new worlds last year. Tho xenobiology appears to have morphed into xenoanthropology (tho according to the fan wiki he’s still a biologist so idk what the deal is)

For the record Sam’s characterization isn’t remotely the same here. Likely the choice to keep him out of Starfleet all together removed any sort of resentment of Jim potential like he has in SNW. There’s still tension though, as Sam tries to force Jim to confront why he’s reacting like this to his first mission for the enterprise being an escort job for a flying horse.

Shifting gears back to Jim needing to learn how to play workplace politics. The assumed reason for Pike leaving the enterprise. While SNW is doing the whole, Pike knows he won’t fly the enterprise forever and about the disfigurement and is cool with it, I find if fascinating that he’s more, sad about it here and that he got promoted out of the way for pushing too many buttons. It would be a sad ending but I wonder if SNW would incorporate that into its eventual ending. Hell I wonder if that’s what happened to Kirk between TOS and TMP.

Anyway big picture is this book is a fascinating time capsule and it’s fun seeing just how much has stuck around over the years both in fandom and in the franchise itself. Whether or not that’s the book’s doing is questionable but still. Fun to think about.

[hayleysayshay]

I’m going to defend The Captain and his closeted nature and that it never really gives way to a storyline where he’s openly gay and happy with that.

Ben Willbond based the character on growing up around army types during his childhood. I imagine he knew and met people who fought in WWII and had the mannerisms of the Captain. It feels very accurate to a certain type of person who was very real. It’s a pointed portrayal, and yes comically exaggerated to a point but perhaps not as much as we would think, because people really do be like the Captain sometimes.

The Captain was never able to live life as an openly gay man whilst alive. That carries with him. But he does find some peace with the fact that he’s gay and is able to live openly with a bunch of complete weirdos who do accept him for who he is. In death, he finds acceptance and life. The irony is part of the joke. Comedy and Tragedy often go hand in hand, and perhaps the Captain finding a level of acceptance in death is both the cruelest and funniest joke of them all.

We don’t get the Captain living openly gay, but maybe he won’t ever get that. But what we do see does mean something, it’s growth for both him and his companions and there’s beauty in that. It’s subtle and nuanced and often quite sad, and often funny.

This isn’t a knock on anyone wanting more from the Captain. But I sometimes feel people don’t appreciate the story actually being told in the show in favour of ‘I want warm and fuzzy feels’. I can be critical of the show’s use of bittersweet moments (I’m still not a fan of the finale, though I do respect it in theory in practice I thought it was meh). But I think in comparison to Isaac from the CBS version, comparing the two feels like apples and oranges because they’re not even that similar in function of the show and style of comedy. (CBS Ghost’s ‘Captain’ is more absurd and whacky as a character imo). This isn’t a knock against the CBS version, but I do think the more tragic nature of the Captain in the BBC version shouldn’t be knocked because it’s sadder; I think it should be embraced when we talk about comedy.

[bleue-flora]

Well in light of @elmhat’s post [here]. I started thinking even further, specifically about the name of the prison - Pandora’s Vault, no doubt named after the infamous Pandora’s Box, which in mythology is described as containing, All the Troubles of the World that could never be recaptured after being opened. The name certainly only further adding to this image of Dream being this boundless inhuman evil. Of course, Sam wasn’t going to see Dream as human, they put him in the main cell of Pandora’s Vault. As the only prisoner he became the embodiment of all the troubles and woes of humanity, a larger than life evil that Sam had sole responsibly to keep contained in the box. Which wow that’d be a pretty big task for anyone to be fair…

And if that isn’t a big enough job, the second part of the prison’s name is Vault - a secure place to store valuables. In this case the Revival Book, the ultimate valuable, the key to life once life has been taken, a book made all the more important by Tubbo’s almost recent death. Furthermore, a vault is also a place used for burials, which is fitting because in many ways this is Dream’s tomb, his sentence for life. Like a dead body, it is Sam’s job to strip him of all his valuables and lay him to rest. Quite the responsibility I’d say for poor Sam, to be in charge of containing evil incarnate, stripping it of its power and killing if once and for all…

And the irony as Dream points out in Daedalus:

“You put me in a box. And you made me very angry. I was tortured, I was betrayed, I was lied to and each and every person that has done these things to me is now going to face my wrath. And guess what? You released me—into the world, releasing evil and hate and anger. It’s pretty, you know, pretty parallel. Funnily enough.”

is that Dream never was the embodiment of evil. War still happened, people still died while he was contained. But in the end, Pandora’s Vault still lived up to its name just not in the way Sam thought it did…

As an aside, apparently in the myth Pandora shut the box before Hope could escape and I think there’s also something tragically beautiful about that parallel because in many ways, I think Dream’s hope lived and died in Pandora’s Vault…

[sepublic]

There's a lot of fun to be had with layered characters that are deeper than they seem, but I think there's a poetic irony/beauty to characters that are the opposite; Characters who seem so much more out-there, intimidating, mysterious, etc., but then when you peel back the mask, you realize they're actually quite simple, in some cases banal in a compelling way. A sort of "Man behind the machine" moment, the simplicity isn’t a contradiction either, and can add a lot of nuance in a surprising way.

Take for example Tai Lung, who on the surface is a deeply terrifying and lethal villain, with a tragic element... But by the time he's climbing out of a himself-shaped hole, the viewer realizes he's pathetically obvious: An entitled man-child who couldn't take no for an answer, a toxic and edgy try-hard. And that pairs well with a protagonist like Po, whom everyone dismisses as just some ineffectual, comical panda, but it turns out he's a lot deeper than that!!!

[oysters-aint-for-me]

my first time watching succession: oh my god kendall roy is such tragic figure. logan is such an asshole. shiv’s got so much anger and tom’s so sad. this show is so heartbreaking. what the hell. roman is funny, though. greg too. also they say “fuck” way too much.

second time watching succession: wait this is a goddamn comedy isn’t it? lmao kendall roy is just a little clown baby. connor is my favorite character because i hate him so much. willa is my second favorite character because i hate connor so much. kendall is fucking insufferable. wait kendall almost DIED?!* i think they still use “fuck” too much.

third time watching succession: oh wow. ok. this show is funny, but also it’s about the tragedy of sexual violence and the way it has subtly and unnoticeably crept into and then metastasized throughout every branch of this media conglomerate, which in turn influences the minds of at least half of the country. yikes ok. roman is a strange little creature. kendall is actually insufferable from the beginning of the show—his issues are exacerbated with drugs but there’s something deeper going on. i no longer think they overuse the word “fuck.” in fact, i think i could write an essay on the way they use the word “fuck.”

fourth time watching succession: oh okay this show isn’t just about the slow and subtle creep of sexual violence throughout the business and the way it waits to blow up suddenly like a time bomb—it’s also about the blatant sexual violence that is thrown in your face from the very first episode but which you overlook or don’t notice because we’re so desensitized to the use of sexual language to describe business activities. it probably means something that even though logan claims to have never actually committed any sexual assault, his medical issues are still often related to his dick, but in a not-sexual way—compare how he went piss mad from a UTI to how sandy furness had dementia because of a sexually transmitted infection (even though that’s probably a rumor, logan did start it). and the show is also about childhood trauma and neglect, and roman roy is the most fascinating character to walk across my screen since i don’t even know. i can’t even articulate what it is i find so interesting about him, but it has to do with how he is so flexible with his words so that everyone thinks he’s on their side and he kind of really IS on everyone’s side, because he wants to be liked sooo bad and the details don’t matter as much as that. and it’s also about bodily autonomy and sex as power vs sex as love vs sex as whatever the hell is going on between greg & tom. i am obsessed with the way the roys will say “(x) fucked me” and so rarely add the usual “over” to the phrase, turning every description of revenge or betrayal into an act of sexual violence. i could write a fucking dissertation on the way the show uses the word “fuck.”

*i was drunk when i watched the last two episodes and completely missed a healthy chunk of them. the irony of this is not lost on me.

[justastrugglinghotchocolate]

Ya’ll I used to jokingly consider this, but nah, there is enough evidence in the book to suggest:

Henry ruins Dorian out of spite and jealousy towards Basil for moving on from him.

Let’s get right into this. 

I went back into the book because I wanted to review the post I made about Henry and misogyny earlier. Besides the usual annoyance at Henry’s dumb stupid rant, I noticed this line:

“I had buried my romance in a bed of asphodel.”

And then it hit me that Henry’s worst rants about women only come after the topic of marriage, but more specifically, commitment. Which then led to an even more interesting idea: I’m pretty sure Henry mostly uses ‘women’ as cover to complain about Basil and Basil’s ‘lack of commitment to him.’

I want to note that there’s a lot of interesting things in regards to Henry and his relationship with women that I’d love to go into, but this will focus solely on him and Basil.

Here’s what Henry says in his misogynistic ass rant after Sibyl dies. (This is from the 1891 ver):

“But [Sibyl] would have soon found out that you were absolutely indifferent to her. And when a woman finds that out about her husband, she either becomes dreadfully  dowdy, or wears very smart bonnets that some other woman’s husband has to pay for.”

Basil is often considered ‘unfashionable’/‘dowdy’ by Henry’s standards. This is only further proven in what he says about Basil’s disappearance:

“Why should he have been murdered? He was not clever enough to have enemies. Of course, he had a wonderful genius for painting. But a man can paint like Velasquez and yet be as dull as possible. Basil was really rather dull. He only interested me once, and that was when he told me, years ago, that he had a wild adoration for you and that you were the dominant motive of his art.”

But that isn’t all. The last part of that quote matches one to one to Henry’s claim about women (or Sibyl, specifically). Basil was not only ‘dull’, but his only ‘fashionable’ attribute, his art, grew ‘dowdy’ once he discovered Dorian’s indifference to him.

Henry also says this about women:

“Good resolutions are useless attempts to interfere with scientific laws. Their origin is pure vanity. Their result is absolutely nil.”

And later:

“But women never know when the curtain has fallen. They always want a sixth act, and as soon as the interest of the play is entirely over, they propose to continue it. If they were allowed their own way, every comedy would have a tragic ending, and every tragedy would culminate in a farce. They are charmingly artificial, but they have no sense of art.”

Guess who makes resolutions regarding goodness? Basil, who refuses to believe that Dorian is nothing but a good, pure man. 

“[Basil] could not bear the idea of reproaching [Dorian] any more. After all, his indifference was probably merely a mood that would pass away. There was so much in him that was good, so much in him that was noble.”

Basil’s arc traditionally should have ended once Dorian rejects him. Between that chapter and the chapter where Basil dies, there is no mention of Basil in any form. By all means, Basil’s role in the story is over—and then he demands the ‘sixth act’ to confront Dorian.

And finally:

“Besides, nothing makes one so vain as being told that one is a sinner. Conscience makes egotists of us all. Yes; there is really no end to the consolations that women find in modern life. Indeed, I have not mentioned the most important one.”

“What is that, Harry?” said the lad listlessly.

“Oh, the obvious consolation. Taking some one else’s admirer when one loses one’s own.”

Now before I point out the obvious irony of Henry literally 'taking someone else's admirer' (henry actually has a lot in common with his 'criticisms' of women), I want to bring your attention to a key part we don’t discuss enough about in the book.

““Life has always poppies in her hands. Of course, now and then things linger. I once wore nothing but violets all through one season, as a form of artistic mourning for a romance that would not die. Ultimately, however, it did die. I forget what killed it. I think it was her proposing to sacrifice the whole world for me. That is always a dreadful moment. It fills one with the terror of eternity. Well—would you believe it?—a week ago, at Lady Hampshire’s, I found myself seated at dinner next the lady in question, and she insisted on going over the whole thing again, and digging up the past, and raking up the future. I had buried my romance in a bed of asphodel.”

So I’m gonna make an educated guess and say Henry is lying his ass off here. He did not have a ‘romance’ with a woman. He certainly did not get an emotional, romantic attachment with a ‘woman’. I feel comfortable saying this because 1) his general distaste for women literally points to this being bullshit and 2) a significant change that was made from the 1890 version of the book to the 1891 version.

This is the quote in 1890:

“I once wore nothing but violets all through one season, as mourning for a romance that would not die.”

This is 1891:

“I once wore nothing but violets all through one season, as a form of artistic mourning for a romance that would not die.”

Well, well, well, who is the arti—It’s Basil. He’s literally talking about Basil here. AND GUESS WHAT VIOLETS MEAN IN VICTORIAN FLOWER LANGUAGE?

A couple of things actually, but the top three are:

‘Faithfulness, Modesty, and Love.’

Henry emotionally had been faithful to Basil. While I doubt he was monogamous in anyway, Basil held a special place that no else would ever have. Not even Dorian.

And this brings me back to the quote that originally sent me down this rabbit hole:

“I had buried my romance in a bed of asphodel.”

In the 1890 version, it says:

“I had buried my romance in a bed of poppies.”

Poppies are known to mean death and would have fit perfectly if Henry was saying he felt nothing for the relationship, but what does asphodel mean?

‘Love Beyond The Grave’, ‘Remembered Beyond The Tomb’ and sometimes, ‘My regrets follow you to the grave’. 

(NOTE: please keep in mind floriography could mean certain things based on the color and the type of flowers. That being said, considering Wilde described the shit out of every setting he wrote, the lack of detail about the flowers suggest the most broad meaning is meant to be taken.)

Henry isn't over Basil. He couldn't kill the love, so he buried it and took Dorian as a consolation and revenge. He will never be able to get over Basil until Basil or himself dies.

BOY DO I HAVE GOOD NEWS FOR HENRY/s

[the-far-bright-center]

In discussions of TCW-Anakin vs. film-Anakin, I understand why some people see them as being incompatible or entirely different portrayals. But whatever problems I personally have with TCW are more to do with certain OOC dialogue lines that I don't agree with, or the overly-contrived situations that TCW tends to force him into just so an episode or scene can function as a 'meta-commentary' on his character or storyline. Believe me, I have issues with specific aspects of TCW's writing for Anakin, but the fact he's more outwardly 'suave' or 'dashing' than some people expected is not one of them. If anything, I see the 'Skyguy' persona as perfectly in keeping with Anakin as portrayed at the beginning of RotS, and I would argue that a great deal of the TCW characterisation is pulled directly from those Battle of Coruscant scenes. (TCW Anakin is also heavily inspired by Jake Lloyd's Little Ani in TPM, which, lest anyone forget, counts as FILM-Anakin.) The actual baseline 'persona' for both versions of the character isn't actually that different, and I'm tired of this idea that film-Anakin ISN’T supposed to be seen as ‘cool’ in-universe, just as much as I’m tired of the idea that TCW-Anakin ISN’T supposed to be viewed as a figure of pathos by the audience, either.

Imo, they’re both takes on the same character coming from different angles, set at different stages in his life, and portrayed through different mediums (animated series heavy on self-aware, darkly ironic humour in a more contemporary style intended to entertain and increase enjoyment of the Prequels-era and its characters vs. serious Greek tragedy with Shakespearean overtones made with old-Hollywood-style sensibilities as part of a mythic six-film saga). Just because TCW Ani doesn’t shed literal tears on-screen doesn’t mean he’s not emotional or emotionally vulnerable. As far as I remember, there's even a scene where Obi-Wan and Anakin discuss the fact that Anakin has trouble keeping his emotions hidden, which is the opposite of the 'macho' ideal the TCW version gets accused of being. And the amount of times we're constantly bashed over the head with dramatic irony about his fate as Vader in that series surely drives home the point that his trajectory is still a tragic one. (The way he cries out in agony in the Mortis arc, 'I will do such terrible things!' gets to me, every time.) Despite his powers and prowess, TCW Anakin is even shown as being physically vulnerable at times, as well. (See the Jedi Crash storyline which he spends mostly knocked-out unconscious, the nod to his mechanical arm as a liability in the Zillo Beast and Citadel arcs, and the scene of him futilely struggling like a wild beast before being captured with ropes in the Zyggerian arc, or the fact he gets captured and tortured by Dooku in 'Shadow Warrior'.) Fandom makes endless jokes about TCW Ani getting electrocuted every other episode, but then turns around and uses this to fuel the dismissive view of him as just some dumb himbo instead of understanding that this, too, is supposed to add to the character's pathos.

Likewise, fandom claims that film-Ani is 'uncool' and 'cries all the time', which is simply not true. Film-Anakin banters, jokes, laughs, makes daring jumps out of speeders, does bold piloting moves, is in fact an imposing duellist, and so on. Sure, his character is not supposed to be seen as aspirational (obviously!) and the most memorable and dramatic moments of the latter two Prequels films feature him in the midst of extremely intense emotions. But the oft-repeated view of him as 'uncool' completely ignores the fact that by the time that RotS starts, Anakin is also supposed to be a well-known and widely-admired charismatic general, aka the Hero With No Fear, who is viewed as almost singlehandedly saving the Republic. The audience may be privy to Anakin's inner turmoil, but in-story he is supposed to be seen as THE golden boy of the Jedi Order and the Republic. The RotS novelization frequently mentions that Anakin has 'dash', 'boldness', and a 'presence' 'like the Holo-Net hero that he is'. It literally says he's the best at what he does and he KNOWS it. He's not just supposed to be some sad, awkward idiot like the fandom thinks he is (rather, he's supposed to be shown as falling from a 'great height'). By the time of RotS, film Anakin has just as much swagger and self-confidence in his role as General Skywalker as he does in TCW. Just because that side of him is not the main focus of the film doesn't mean it's not supposed to be there.