#and the final episode goes basically the same as it did in the show

[musclesandhammering]

The concept of Wandavision would’ve worked so good with Loki.

Like he’s running from the TVA and trying to figure out the mystery of the timekeepers, so he basically takes an apocalypse timeline hostage to use as his safe spot and base of operations, and enchants everyone there to think they’re living in a perfectly normal suburban town…. all the while the literal end of the world is approaching and there’s the whole creepy existential mystery element of him trying to piece everything together about the TVA.

Sylvie can be his accomplice and she comes and goes from the “hex” (more like a big enchantment bubble filled with illusions) to help with the investigating.

Mobius is the only person inside the hex besides loki that knows it’s not real.

The entire time the TVA people are trying to find them, and B-15 is the one that figures out the hiding in apocalypses thing (cause she’s smart af) but she doesn’t tell Ravonna cause she’s secretly on their side.

Loki and Mobius are playing the part of 2 small town detectives trying to bust a big criminal organisation, but as the show goes on it’s revealed that they’re actually trying to bust the TVA.

It’s like a creepy sci-fi mystery type thing, because for the first few episodes the audience doesn’t even know what’s going on and genuinely believes the buddy cop storyline.

[daffodils-and-viscera]

i've seen a lot of posts comparing mastermind to truth seekers but hear me out: ozzie's

SO this may be long buckle in. these episodes kinda have the same plot?

blitzø has found himself in a bit of a sitch, as it were...

our beloved dramatic gay owl is at home watching gabriela pine over alejandro, when suddenly... blitzy is in trouble! omg let's get cunty and go save the day!!

however, despite showing up and saving lives (he may have literally saved blitzø's life in mastermind but that outfit from ozzie's changed all our lives forever soo...) blitzø isn't necessarily ((outwardly)) happy to see stolas (((we all know he does not mind stolas' ass in his face but stay with me here)))

stolas' privilege allows him to be immediately heard and not punished by the people who would never listen to blitzø's side of things, and stolas gets to be his dramatic lil bitch self and we love to see it

in ozzie's, blitzø has his past come back to haunt him in so many ways, he is put in the spotlight and he is decidedly not comfortable there, being called out for all the shit he's done to fizz and verosika and even m&m - HOWEVER! as we all now know, all of those people actually care about blitzø and he was just being his lil destructive self. he is given the chance to defend himself but it's overwhelming and he kinda freezes up

in mastermind, blitzø is being outright blamed for things he didn't do but like.. he actually didn't do any of that ! and yet he can't defend himself because nobody would listen to him even if he wasn't gagged.

the difference between these 2 episodes is in stolas' behaviour when HE is put in the spotlight- at ozzie's he is freshly separated from stella and probably hasn’t done anything social for a long ass time and he’s not used to being in public. and here’s this thing that he thinks is gonna be fun and will help blitzø but he is not able to express himself so he hides and the result of that is blitzø pushing him away, literally doesn’t want to touch him

in MASTERMIND our birdy babe is singing his lil heart out with no regard for what anyone else thinks of him or what might happen to him, which is so beautiful (but also stolas pls try not to inhale the water).... when he doesn't hide his feelings from blitzø we see how perfect it could be when their inner worlds merge and they are finally on the same page, and blitzø does the furthest thing possible from pushing stolas away !!!

(he did however still neglect to consider octavia's feelings when he decided to drop everything for blitzø... with devastating implications in mastermind) sorry to bring the mood down but this needs to be pointed out

in ozzie's, stolas tries to invite blitzø to his place (and we all remember how well that went)........ blitzø goes home alone and loona is not there, he is all alone and sad curled up on the couch on his phone looking at all the people he believes he's let down and it's heartbreaking

when stolas goes to blitzø's place in mastermind, stolas gets all the love and support blitzø has to offer and loona is there too and blitzø curls up on the couch on his phone looking at all these people who love and support him!!! and then he makes the couch all comfy for stolas and he’s not alone?? like they’re both so not alone that it hurts my heart to think about. these 2 have so much love for each other and yeah there's gonna be tough times ahead but they are not alone! !!!!

basically both eps end the same? but also everything is better now? because blitz was loved before he just couldn’t see it through all his nonsense

and stolas is still in a messed up situation and he's still kinda problematic and he couldn’t see it before through all his nonsense but now he’s more self aware?

the real difference is they have each other now! they are so not alone it makes them look stupid!!

anyway this is the longest post i've ever made sorry if it's rambly i have adhd and a lot of feelings about these two

[fantasywater]

Octavia WILL bend the knee

Here I will go in-depth into why Octavia will not be given the same grace in the fandom as Blitz did when she has her Full Moon Reckoning with Stolas.

NOTE/WARNING: I have seen and read the leaks, and they will be part of the reason why I feel this way.

What I mean by Full Moon Reckoning:

This is when the writers finally allow a victim of Stolas to be fully and rightfully angry at him for all the transgressions he has done to them, and more importantly when the FANDOM treats the actual victim's pain as the take back my power moment that it is.

The reason for this distinction is that I have noticed that Stolas is the fan favorite, and therefore it seemed all his wrongdoings got default reasons for not being that bad.

However, when Full Moon aired an odd and swift negative wind hit his character, and it has not abated.

Even with the newer ep the wind didn't lessen it got stronger.

It's like some spell broke.

It feels like a genie that can't be put back in the bottle.

He has gone from the fan-favorite to the most criticized.

The fandom is pretty unanimously on Blitz's side and has stayed on it.

However, as I've stated Octavia will not get this.

Octavia's pain in Sinmas is going up against:

Blitz and Stolas are male

Octavia is female, and a female in a Yaoi series at that. The women exist only as one-note plot devices for male pain, and that's even when said women themselves are technically leads(Loona, Millie).

2. Blitz and Stolas are main characters

Octavia is a side character who has barely been in two episodes spanning two seasons.

3. In the leaks Octavia takes up for her mother twice

Basically, she goes to bat for the fandom's hatesink.

4. Two other fan favorites(Fizz and Asmodeous) are written to be Team Stoliz

Plus, apparently, they are going to be against Octavia's mother and therefore Octavia.

5. THE MOST IMPORTANT REASON why Octavia is going to get it both barrels from the fandom is that Blitz and Stolas are canonically a gay couple by Sinmas.

Viv said an important arc will be finished by season's end, and I saw a post from her patron where she point-blank says they are a couple by the end of season two. Also more proof to me is that Blitz is very affectionate to Stolas in the trailer and in the leaks.

Speaking of, if you go to YouTube pretty much every comment is praising the ship sailing. A daughter is painfully estrangling herself from her beloved father, while he cries and begs for her mercy, and all everyone can talk about is getting wet over a toxic ship flying into her pain.

Recap TLDR:

Blitz got fandom grace because he is THE main character and was at the time rightfully against Stolas.

While Octavia will get to have her say she is also a woman bit player up against Blitz THE male main character who is now with Stolas THE male fan favorite in a gay romantic relationship.

She will also make the unforgivable sin of taking up for her cheated on mother Stella the hatesink.

Blitz and Stolas will also have the backing of two other favorites Fizz and Ozz as well as the rest of I.M.P.

The YouTube comments ignoring her anguish for the now canon ship are simply a taste to come of what the fandom as a whole is going to do.

Basically, this poor girl doesn't stand a chance.

I WANT to eat crow.

I realllly do.

That's why I employ the fandom to give the same grace they gave Blitz these last two episodes to Octavia as well.

However, this show is made by a fujoshi for fujoshi and that's why I know in my heart of hearts she will be damned instead.

Now, I've stated that the fandom is probably going to kiss the Stolitz ring against Octavia, but let's go into what I think the show is going to do.

Yes, after a year in the show and two seasons overall, Blitz finally got to angrily reinsert his personhood to Stolas, and yes it was cathartic and I'm glad it happened.

However, that doesn't change the fact that four episodes after Full Moon his fate is to be his abuser's boyfriend.

Also, if the merchandise is said to be hints of the creator's thoughts then his final destiny is to be his husband.

Basically, if the main character ultimately bent the knee then so will Octavia.

While the fujoshi in charge does allow them to assert their pain their ultimate fate is to comply.

Essentially it's just lip service to shut critics up.

She, and apparently his voice actor, has said don't worry everything will be alright, and by everything it's obvious they mean Stolas.

She has also said she likes happy endings so you can bet there will be none given to Stolas that doesn't have Blitz and Octavia by his side.

Also make no mistake Blitz's own daughter is also there to help the story ignore their pain. The seed was planted in Seeing Stars when Octavia warmly hugged, hung out, and was gaslit by a complete stranger. It's also why she's her ''sister' now in the pride poster.

Yea, Loona has a big part to play in season three alright, and it's to brainwash Octavia's distress so Stolitz can reign supreme.

Realistically if a fujoshi fangirl weren't writing this show this is what would happen:

Now that he has the crystal; Blitz would completely cut ties with the guy who sexually extorted and depersonalized him for a year. Not become his boyfriend/husband.

Sometime in season three Octavia finds out about her father's (poorly written) abuse and attempted murder attempts by her mother. However, instead of seeing him as a martyr, she states that Stella's actions toward him DON'T NEGATE HIS toward Octavia.

He still broke his own daughter's mental health with his infidelity and abandoned her as a consequence of his own actions i.e. illegal grimoire lending.

She then states she still wants him, and her other toxic parent, out of her life for good.

Her final words are Goodbye Dad... No.... Stolas.

Stolas for his part should be having some serious self-reflection by season 3. He should be strongly asking himself if Blitz was worth Asmodeus's self-fulling prophecy of losing his title, wealth, home, and daughter.

It should be NO, but a fujoshi is steering.

What she is going to do instead is make them use Octavia's pain to trauma bond into domestication.

Then Loona and the writing, in general, is going to make sure Octavia solely blames Stella: The Convenient Stolas Trump Card so they can all just be a family already.

Bonus: We will even get to see Octavia kick her mother from the palace with Stolas' signature GET OUT this time.

Ultimately Blitz and Octavia's misery will not mean anything. As the official car sticker merch states they will be a blended family and their suffering by Stolas be damned. 

However, I do have a small (delusional) theory that Ms. Fujoshi could throw a curveball:

Apparently, she has been liking a lot of Vassago and Stolas romantic fanart, but with a of course jealous Blitz. 

What if Vassago is Disney Princess Stolas's true endgame.

The guy who gets to show him what an actual healthy relationship looks like, and for a romantic like him this would be his true Prince Charming.

Sure Stolas ending up with a prince(and therefore getting everything back through him) just drives home that dirty, poor, broken, baggage-having, hypersexual Blitz was ultimately never going to be good enough for Purity Angel Stolas in the first place.

However, on the bright side, he's finally away from his abuser...

So on that note, Blitz's true endgame is Fizz. 

His real first friend. His real first love.

The correct star-crossed lovers.

The person who actually knows the true Blitz and can meet him blow for blow when he gets messy instead of running away crying with self-pitying gaslighting.

However, since she seems to hate her own main character Blitz's true endgame is going to be tainted.

Foreshadowing Number 1:

I've always found it curious that right after the can we make-out line the very next scene is Fizz coming back to Ozz wiping his mouth.

Why even put that thought in the audience's head unless....

Foreshadowing Number 2:

When Blitz shoots the stalker the mirror that Fizz and Ozz are kissing in front of breaks right down the middle, splitting them, with Blitz's face the last thing seen in the fracture.....

Basically, she is going to have Blitz and Fizz get together by cheating on Ozz, and the fandom is going to blow them both up for it.

Other Tidbits:

Blitz still very much has feelings for Fizz.

Even how he acted when he met him shopping in Full Moon showed this, and he fully blushed in the storyboard.

This is something he has never done for Stolas.

You know the endgame we should be rooting for and all that.

Also Fizz full-on blushes(cage) in the Opps storyboard.

Of course, the show properly erases those because we can't have anyone shipping Blitz or Fizz with their true soulmate.

Apparently, in a leaked script bit, Blitz falls in love with Stolas because he reminds him of Fizz. I mean my dear Stolitz shippers it should be a yikes on a bike for that alone.

[heavenlee773]

Fairly Odd Parents; A New Wish finale spoilers!!

Okay so am I the only one who didn’t like the fact that Hazel’s friends now know about the fairies?

Because like, how do you go on from that? Maybe it’s because I never really got attached to her friends the same way I did with Dev, but it’s just racking my mind over how the episodes in season two will go.

It kind of feels like them knowing about the fairies will only cause troublesome situations like “oh it’s fine! Hazel can just wish us out of this mess” or “Hazel can you wish this for us please?” Which will probably cause a lot of problems, and there’s no going back from that.

It could be because on every site I watched FOPANW for free, it’s missing “The Wellsington Hotellsington” episode which I’m pretty sure is the episode where Winn gets formally introduced, and the trio’s friendship cements. I’ll probably have to buy that episode since websites don’t want to add it for some reason…

But now Season 2 most likely will be focused more on the trio and their shenanigans, so I don’t knowww… I’m really biased though, I love Dev as a character and I love his and Hazel’s dynamic (before the whole taking over fairy world thing)☹️

I like Jasmine and Winn but I just don’t care for them, you know?

And onto Hazel’s brother Antony, he’s cool and all but why does he need to know about the fairies?

Like I know this makes it SO much easier for Hazel, and it’s basically a huge weight lifted off of her, but story wise?? Eughhh I don’t know😖

I mean, if they explore his and Deja’s relationshipppp hmmm okayyyy😋😋 But I just know how they’d segue way into that, and thinking about it makes me uncomfortableeee!!

Basically what I’m saying is, I CAN’T WAIT FOR SEASON TWO AND I HOPE THERE IS MORE DEV CONTENT!!!

PLEASEE don’t have Dev just be a one off antagonist☹️☹️

The theory that Dev keeps his memories because of his shades (and also his similarities to some other rich kid that was in the original series of whom I forgot his name) is cool, but also awkwarddd— because what does he do with that information?? Like okay buddy, you remember. Now what? He never had the best relationship with Peri in the first place!! I’d prefer if maybe season one went on WITHOUT Irep interfering or at least appearing but not appearing again until the next season, because THEN Dev and Peri could’ve connected at least a little, and Dev could have more realizations about “maybe I don’t need my father’s approval” or something— then in season two when Dev goes on a spiral or something, let’s say his dad ticks him off;

Dev tries to have a heart to heart with his dad after Hazel and Peri push him to,

“I feel like you don’t care about me, and all I want is for you to be proud of me—“

And his dad is like,

“Come back to me when you do something I can be proud of.”

SO THEN he becomes bitter at Hazel and Peri for “making” him go do that, and turns to Irep to take over Fairy World.

Eughhhh but this is a kid’s show after all, and they want to cater to their attention spans so a show that takes a while to fully flesh out their characters would probably go right over some kid’s heads (or not, they could probably become smarter.)

I still love the show, and fanfiction exists for this exact reason—

I guess that’s enough of my Ramb-Lee’s for now, if anyone wants to talk about FOPANW, I’m here😝.

(Dev looks so CUTE in this scene🥺)

Peace!!

-🤍

[herefortarlos]

There are sadly only three episodes left of 9-1-1: Lone Star, which returns on Monday, January 20, 2025 (the finale is set for February 3).

And sure, there’s a massive emergency—an asteroid heading for Austin—but there’s also quite a bit left to wrap up about the characters as well. In addition to whether or not Owen (Rob Lowe) might take that job offer and what’s next for Judd (Jim Parrack) with his drinking, there’s the matter of T.K. (Ronen Rubinstein) and Carlos (Rafael Silva) adopting T.K.’s half-brother Jonah as well as what’s ahead for the rest of the first responders. TV Insider turned to co-showrunner Rashad Raisani for the scoop.

How much are we going to see T.K. and Carlos trying to balance being parents and balancing work? They have family, but at the same time, they are the primary caretakers now of this kid.

Rashad Raisani: You’re putting your finger right on the end of the series is all I’ll tell you about that. That becomes a major issue, let’s put it that way.

Do they have time for themselves as a couple?

They will, I’ll put it that way, but I won’t tell you how.

As much as I love seeing Nancy (Brianna Baker) as captain and she’s already doing great, will we see Tommy (Gina Torres) back at the 126 before the show ends?

I can’t answer that. It would be too big. I can’t answer it. Let’s just say Gina Torres is a Ferrari. You don’t leave a Ferrari in the garage forever.

But will we see her physically at the 126? She could just be visiting.

[Laughs] If I answered it. I would be spoiling so much.

What else can you tease about the final three episodes for the characters and their relationships?

The thing that I can say is that everyone in the last two episodes gets pushed to their extreme limit—and some past it, to be honest. We have some of our most insane apocalyptic emergencies in 11 and 12. It’s basically a combination of The Last of Us and Chernobyl. It mirrors where all of the characters are, and most of them are in an apocalyptic space for one reason or another.

Mateo [Julian Works] is going to have an existential crisis going back to his status as a DACA, as a dreamer. T.K. and Carlos, they are not done with—yeah, they want to adopt Jonah, but it’s not that easy, and there’s going to be a major fundamental hurdle for them that they’re going to have to make a significant life decision to decide how they want to deal with it. Tommy is at the end of her life. Owen will be at the end of his life. Judd will have a new future that I think will both be very shocking but also feel hopefully very appropriate that will change the game of where he goes. Marjan is going to have a massive episode in Episode 10, which I think people will get a lot of joy from—I know I did, and I think it’s her best episode of the series. I think everybody’s going to have some big game-changing moments in the final three episodes.

What about for Paul (Brian Michael Smith)?

There’s a great—I have to say Brian pitched me an idea. He said there was this moment in the pilot where Owen tells Paul basically, there’s somewhere out there in Austin as a kid like you that doesn’t think they belong. And I want you here for when we run across that kid, you know what I mean? Whether it be non-binary, trans, gay, whatever. And Brian said, we said that in the pilot, but wouldn’t it be great if we did a story that showed that? And I thought, well, that is a great idea. And so the last two episodes we’re going to do that and we’re going to introduce a new major character, I should say, who Paul will be their kind of role model.

Are there any significant steps for any of the relationships in these last episodes beyond the adoption for Tarlos?

There may be new babies. I won’t tell you who. There may be deaths. I won’t tell you who. So there will be, there sure will be.

9-1-1: Lone Star, Returns, Monday, January 20, 2025, 8/7c, Fox

[midnight1nk]

...

[*sighs*] I HATE THEM SO MUCH (/affectionate)

Like you don't understand. The first thing I noticed was Three and Tari, it already got me spiraling.

We all know that Three loves explosive chaos, especially when he is the one who causes it. He literally has a shop called "III's Coffee & Bombs" for meme's sake. Mr Puzzles knows that. Not only because Three uses them in his productions, but because Three tried to bomb him in the final fight during the Puzzlevision Movie.

Basically, Mr Puzzles is like

"You tried to kill me with your precious bombs, let's see how much you like it when we switch places, huh?"

Same thing goes for Tari, she was the one who used her metal arm to shoot him. As much as she was scared of Mr Puzzles, she was incredibly brave to confront him in the final fight. Not only that, Clench was a part of it too.

But without her arm, Tari might feel powerless.

"Without your robotic arm, you are nothing but a coward." - Mr Puzzles, probably

As for Boopkins, we didn't get to see him in the trailer but we know he's trapped there in Puzzle Park.

We know he isn't a sea monster but I suppose for Mr Puzzles, he's literally "a fish out of water", too "different" compared to the rest of the crew. (Which is not true considering the roster here). Mr Puzzles must've been feeling the same way, being different from everyone else and no one liking him.

Then, there's Bob with the knives. Bob had swords for hands presumably because he was bullied by Baby Wario and Waluigi and wanted to act/look cool. He changed and he's content with who he is now. (wow, really going in for trans Bob, huh)

Mr Puzzles also changed, but it was due to his obsession.

Yeah... Mr Puzzles is really projecting his insecurities onto the SMG4 Crew, calling them freaks when he himself "qualifies" as one. Especially in the state he's in right now. Ironic, isn't it?

But in his eyes, he's different. He's superior. No one understands his view of thinking, they could never. They didn't for his art, they didn't for him as Mr Puzzles. (There is no way "Mr Puzzles" is his actual name, It feels more like a stage name tbh.)

I knew the Marty speech would come back in some way,

"…And it's time for… everyone to suffer like I have! At the hands… of the one thing YOU love the MOST.”

But guys, if they bring up the whole freak show thing in WOTFI, Goop!Four could happen (please make it happen, for me specifically). I could just imagine:

Mr Puzzles: "And now, the greatest freak of them all: SMG4 and his keyboard goo!" SMG4, shocked: "...what?" Mr Puzzles: "Did you really think it was over in 'It's Gotta be Perfect'? Oh, SMG4. The goo never left your body. This is who you always wanted to be, you should've been more careful what you wished for." [*evil laughter*]

Then, it all comes together from the "SMG4: Inside Out" episode, and the goo takes over Four with the man in blue screaming in pain...

Is this ever going to happen? No. Am I thinking too much into this for a silly poster? Yeah. BUT I can't help it, I've gone insane over this.

[bisclavret]

what SICKO wrote the last scenes between gwaine and merlin is what i want to know. because even lancelot's last episode with merlin - which had to have been intentionally gay-coded since it's obvious the man is grappling with his feelings for merlin morphing from platonic to explicitly romantic - is still subtext because he doesn't have the tools to healthily express his feelings so he goes for the biggest romantic gesture he can think of: sacrificing his life to save a loved one. the writers also make sure to root this gesture back to gwen by adding a scene where she's inadvertently asking him to make that sacrifice first, so although it's very obvious that it's more for merlin than for gwen that lancelot dies for, she is there to add some plausible deniability, thus keeping his sexuality within the realms of subtext.

i don't want to delve too deeply into arthur's last scenes with merlin as there is both so much to unpack about what they mean to each other and there is also somehow nothing left to say that hasn't been said before. my point is just that there's so much at stake that if the viewer doesn't want to deal with the romantic subtext between them they can hang onto the 38 other dynamics merlin and arthur have represented to each other that the writers spent 5 years plastering on top of the gay subtext. basically, while the romance feels textual emotionally-speaking, it isn't "canon".

i don't mean to say that any relationship is better than another (even though i obviously have a preference) but that in gwaine's final scenes with merlin there's just no subtext anymore. his becomes the most explicit expression of romantic love towards merlin, and therefore the most explicit acknowledgment of homosexual love and the existence of queer people on the show:

it starts out with merlin suggesting that gwaine saved a girl from the saxons and then looked after her because he has a more than platonic interest in her, and they show us that merlin is right - gwaine and the girl eira slept together - even as gwaine half-heartedly denies any interest (which, why even deny it? merlin saw them holding hands! unless the lie is part of the point). then in that very same scene and directly after this exchange, merlin needs rescuing from the saxons, calls after gwaine, and gwaine performs the exact same role for him that he performed for eira: he saves him from the saxons and looks after him (for as long as merlin lets him).

the parallel between merlin and eira with such quick cause and effect (it literally all happens within the same minute) is where the shift from subtext to text becomes undeniable. yes, there have been other moments on the show where a character's affections towards two different genders are beat-for-beat the same, but, again, there has always been plausible deniability. in this case the parallel is meant to be taken at face value: the core point of it is to show us how gwaine expresses his attraction.

then, the dialogue they chose to bookend this scene with takes it a few steps further by functioning as a textual love confession to merlin himself: the scene opens with gwaine thanking merlin for everything he did for eira, and merlin saying that there is no need to thank him as it was the least he could do. a minute later, after merlin thanks gwaine for protecting him from the saxons as both merlin and the show just concluded gwaine did for eira for romantic reasons (even as he denied it by outright lying), gwaine parrots what merlin said when gwaine thanked him: no need to thank me, merlin, it's the least i could do.

but this comes off as the opposite of dismissive: in fact, this echoing of merlin's words is meant to jolt both merlin and the audience. by saying this right after saving merlin from the saxons, gwaine has now intentionally pointed merlin's attention towards the explicitly romantic parallel between himself and eira. gwaine is directly implying he just did for merlin what merlin correctly deduced he did for a woman because he desired her sexually and romantically, and he is using merlin's own words to challenge him into seeing past the initial flimsy lie that there is nothing between them. and what's behind the lie, of course, is that gwaine has done all of this and more because he desires merlin sexually and romantically. the camera even lingers on merlin, allowing him and the viewer to absorb what just happened. that for as long as we have known gwaine, his motivations have always boiled down to "i want to be there for merlin". and now both the audience and merlin finally know for sure what was motivating him the entire time.

what's more, by using merlin's own dismissive words, gwaine also implicates merlin's penchant for repression and denial and never allowing himself to be given credit where it's due. this unfortunately never properly gets dismantled on the show, but this moment shows that gwaine knows merlin well enough to know that he goes above and beyond for people, and that merlin's reasons for this ring as false to gwaine's ears as gwaine's reasons for saving damsels do to merlin. it also bittersweetly implies that gwaine has accepted that these are the platonic, repressed terms on which he can have a relationship with merlin. but i think the way in which he explicitly points all of this out to merlin is meant to imply that he isn't entirely happy about having to accept that. or, to circle back to eira, that merlin seems to be cheering for him to enter a heterosexual relationship when gwaine would clearly rather be with him.

what's additionally interesting to me about this is that this is one of the only scenes on this show that touch on same gender attraction that isn't using magic as a metaphor - because merlin doesn't have magic at the moment, yes, but also because gwaine is the more active character in this sequence, and he's an adventure hero, so he simply fights the bad guy to protect the person he loves. there is no metaphor to wrap this in, so he just gets to explicitly state his bisexuality. in the next scene, the very last one he and merlin share, it all becomes about magic again, which is both representative of merlin's sexuality and the show's "plausible deniability" approach to gay-coding, and so neither gwaine or merlin are permitted to acknowledge it. also, and this is for another post altogether, but all things point to "gwaine knew". not least because he gets to come out as queer without the complications of the magic-as-gay-metaphor which in turn emboldens him to ask merlin for the truth as directly as the metaphor-suffocated narrative will allow it.

tldr gwaine textually and canonically expresses and then confesses his feelings to merlin in a shockingly well-written and layered scene which makes gwaine the most explicitly queer character on bbc merlin and it's entirely because he exists outside the magic-as-gay-metaphor plot while loving someone who embodies that entire metaphor and it's crazy to me that we don't talk about this more. once again i ask what SICKO wrote this and where were they for the entire rest of this fucking show

tldrtldr at least gwaine is bi. its like i always say. at least gwaine is bi. at the end of the day. gwaine is bi. dont cry ok? gwaine is bi. at the end of the day. gwaine is bi. when all else fails. gwaine is bi. we'll always have. gwaine is bi

[thekingofwinterblog]

So one thing i absolutely love about Gangle's episode, is how deep a look it gives into our lovable comic artists heart and soul, for good and ill.

Gangle manages to get the job of being in charge for an adventure, to shape it as she sees fit.

And she gets a mask that lets her act exactly how she wants to, with NO filter at all for the occassion.

And rather than actually taking advantage of this and having a nice, peacefull day with the crew as they work at a burger King, she instead goes right back to acting like she did at her old job as a mcdonalds manager, only exagerated, and BOY does it paint a picture.

She makes an interactive video where she blatantly tells the employees to give up on all hopes and dreams, and resign themselves to working the fast food joint forever.

And while it's clear projecting on her part, it's not hard to imagine her acting the exact same with people under her employee back on earth. Resign yourself to this life, like i did... Except resign yourself to being at the bottom, under me.

Gangle had her hopes and dreams of being a professional comic artist crushed, and gave up... And rather than try to balance doing a webcomic and being a manager, she basically just compensated by throwing herself into being a boss, because it was the only part of her life she felt she had control over.

When Pomni points out that it is all just a game, she really begins to crack, because it would mean that there really wasn't any meaning to it, or her job. It really was just a routine for a paycheck, one Gangle was never able to balance with anything else.

This entire section where Pomni was flirting with Gummigoo, could have been a fun time, one Gangle could have encouraged as the point of these adventures is to have fun with the scenarios, but instead she went right back to being a manager, to wanting to be the one in control.

She was miserable, and she wanted, subconciously or not, that everyone else working there had to feel just miserable as well.

Because if she was the only one who felt that way, then it was all "pointless".

She could not just see her role here as "just a job". It HAD to be something else, because she never had the maturity or life experience to balance and separate her "Job" and her "actual life" and so when her dream crashed and burned, the job was all she had left in her eyes.

She could not separate herself from her job "Mask".

And we also see that Gangle understood, and was fully willing to use her power to get what she wanted.

Jax being uppety? Use Caine, aka her superior to get the power to bring the hammer down on him, which she does with glee.

And of course there is the whole Ragatha in the fry hell thing, where Gangle(Who has very mixed feelings on Ragatha) leaves her in the frying misery to instead focus on stomping down on Jax, rather than helping someone who needed it.

Because rather than wanting to help someone, she wants to be in charge, to be powerfull. Because it hives her job meaning. It makes her feel big.

Except as she slowly begins to realize, it doesnt.

Gangle starts to crack over the course of the episode, as she slowly starts to realize that not only was she miserable at her old job(Which she already knew), but there wasn't any meaning to it anyway.

It was just a paycheck, but rather than acting like it was just a job she did to earn money, she used her power to take out her feelings of misery on other people, to try to force it to mean anything. She deliberately hurt other people to make herself feel like she wasn't a failure.

Rather than being a responsible and fair boss, she was the leader everyone hated because she was an absolute bitch.

Only at the end, after Pomni showed her kindness despite her awfullness, did she finally manage to discard the mask for good and all, and accept herself, flaws and all, and finally manage to feel free and alive again, and become ready to move on with her life.

After the truck crash, and the high wearing off though, reality comes crashing down, and Gangle suddenly realises that one, brilliant moment of selfawareness and growth does not make up for everything.

She treated everyone like garbage, and showed her absolute worst traits for all to see.

And so she thinks everyone hates her now, just like she thinks(Probably more accurately) that every single person under her at her old job hated her... And yet she accepts that's her own fault. Her responsibility.

[toothlespoggers]

I got silly and infodumped again…

The fact that crystalised despite being the worst ninjago season by far- showed that for a long time now, possibly since season 11 has had his emotions turned off. Is crazy to me. Because I know Cole had a pretty okay moment with Zane about it and he ended up turning it back on in the same season or maybe even same episode I can’t fully recall. But I don’t know how mentally fucked these characters are or what- but I feel like no one stopped to think about that for enough time. Like Cole, he’s a very caring, affectionate, empathetic guy. Yet even he didn’t really seem to register the implications this had for Zane’s mental health. Zane is filled with so much emotional turmoil that he physically couldn’t bear to feel anymore. And this group of traumatised young adults were like- “oh haha Zane, that’s so quirky, that’s so silly of you, haha relatable anyway-“ Like duuuude I don’t know if this is the writers wanting to avoid actually discussing mental health in a “children’s” show or if these characters have had such little emotional awareness and support through their lives, almost dying everyday since they were teenagers that they are so desensitised to the horrors tm that they literally cannot tell when someone is basically holding a sign over their head saying “I NEED SERIOUS HELP.”

That kinda says a lot about Sensei wu, doesn’t it? I mean he’s great we Stan- but he did kinda adopt a bunch of struggling teenagers and burden them with saving the world and then allowed them to put themselves in harms way for years, without ever sitting them down and asking them if they were okay, emotionally? Like I don’t know if this happened and I didn’t see it or if it was implied to happen off screen but I really doubt wu was any sort of a support system for these guys that treated him like a father figure.  

Maybe it’s because this cycle of pain goes back to wu as well, because he’s not the most stable person in the world either, but idk it feels crazy to me that these people that were basically family. Just- never checked in on eachothers well being or looked out for each others mental issues.

I mean they never really got a break and when they did- hell the only reason season 11 happened was because wu, so obsessed with the ninja being in tip top condition urged them to do something, which led these idiots to unleashing Aspheera and then ended up with probably the worst fate you could wish upon a Lego, for Zane. Seriously the fact they turned the ice emperor thing into a joke is so tone deaf to me like if this happened to your friend. In real life, (just suspend disbelief for a second) you would be absolutely GUTTED. You’d probably feel SO BAD. And that person? Probably can’t function like a normal individual anymore. Probably needs serious therapy.  Not a joke.

I don’t hate wu, I never did. But I just think he’s been very irresponsible with the way he’s handled his students and while he’s wise in some aspects 70% of problems in the show could’ve been avoided if this old man valued communication.

And if this isn’t based on the characters flaws. And it’s Lego refusing to discuss mental illness and mental health. COME ON LEGO IT WOULD EDUCATE YOUR YOUNG AUDIENCE ON PTSD, ANXIETY AND HOW TO HEALTHILY DEAL WITH YOUR PROBLEMS. Because right now, if you wanna deal with issues the ninja way, YOU BURY THEM AND TAKE THEM TO THE GRAVE AND YOU NEVER COMPLAIN OR REST.

All I want is at least one episode where it’s not all about the current bad guy or plot and it’s just about the ninja actually confiding in one another and trying to help their friends out. Maybe Zane or Lloyd finally snap and have a full mental breakdown and the only way to deal with it is for them to actually talk about it and work it out. I’m sure you can make a compelling episode with that in mind. They’ve tried to address mental health in the show with Lloyds anxiety arc thing in DR they need to do better.

We need a scene in DR where Zane and Frohicky are at the monastery while the other ninja are doing stuff, (maybe I’ll work out the details more and write something on this) and something happens where all the pain and trauma and just, awfulness just builds up in Zane’s mind and he just. Has a moment where he cracks. And he stops working on whatever he’s working on. And Frohicky notices the shift in the air and suddenly his entire demeanour changes and he comes over concerned and Zane is standing there or kneeling and Frohicky puts his hand on his shoulder and asks. “Are you okay?” And Zane just doesn’t know how to respond. He tries to shake everything off but he can’t, he’s never been asked that before. And Frohicky starts babbling on trying to help him and offers to get him set up so he can rest, and Zane doesn’t have the strength to object or the will to say anything and he’s just like.

“I.. don’t know.” In a final response to the previous question. 

And it’s just a scene where Zane accepts Frohickys gesture of kindness. And while not everything is fixed obviously. You can slowly see the tension leaving him.

Because it matters if someone asks you if you’re okay. It reaches into the darkest place and offers a hand saying “I’ll listen.” And that could genuinely change someone’s life.

[volleypearlfan]

Canadian Cartoons Are Great

Today, the popular cartoon YouTuber Saberspark uploaded a video talking about the infamous “fart episode” of the 2023 Total Drama series. The comments were filled with hatred and generalizations towards Canadian animation. These terrible comments are not the fault of Saberspark, but it is true that the “big users” in the cartoon community are (mostly) Americans who spread myths and stereotypes about Canadian cartoons. This has bothered me and a few others for quite a while, so here, I’m going to prove why Canadian animation is great, actually, and dispel common misconceptions

All Canadian cartoons are about fart jokes - if you say stuff like this, you clearly have never seen a Canadian cartoon outside of Total Drama and Johnny Test. That’s like if I said “all anime is naughty tentacles” or “all American cartoons are about anvils falling on your head.” And don’t act like your precious USA cartoons and anime are exempt from toilet humor. One example of an anime with toilet humor is Panty and Stocking with Garterbelt - their first episode was about a monster made out of shit. And we all know about the gross out cartoons such as Ren and Stimpy.

Canadian cartoons are cheaply mass-produced because of CanCon - No. What CanCon ACTUALLY states is that a certain percentage of content on a Canadian channel has to be Canadian-made. The policy is about supporting Canadian art, not “mass-producing” cartoons, since this applies to ALL Canadian TV and radio content, animated or otherwise.

Now, let me tell you some reasons why Canadian animation is actually great

Some of your childhood shows, such as Arthur, Franklin, and Little Bear are Canadian in origin.

Some of the most acclaimed cartoons within the cartoon community, such as Ed Edd n Eddy and MLP:FIM, were both animated in Canada and had voice actors from there (same talent pool, in fact - Vancouver)

Inspector Gadget and the Beetlejuice animated series helped keep good animation afloat during the 80s. In a decade full of uninspired and insipid cartoons, these were two of the highlights.

Canada is still a great place to outsource animation, as proven with the works of Nelvana, Mercury Filmworks, Jam Filled, and countless others.

If you grew up without cable, you probably watched PBS Kids and/or Qubo a lot. Guess what - lots of the shows on both of those channels were Canadian. For example: the PBS Kids Bookworm Bunch: Timothy Goes to School, Seven Little Monsters, Marvin the Tap-Dancing Horse - these shows are all Canadian! Qubo was also home to Jane and the Dragon, Jacob Two Two, Babar, Spliced, etc - they’re all Canadian too.

Because Canada’s censors are far more lax compared to American ones, Canada has made huge strides in teen and adult animation. Such shows include Total Drama, 6teen, Detentionaire, Undergrads, Producing Parker, etc as well as the movie Heavy Metal.

Also because of the lax censors, Canadian cartoons had positive LGBTQ representation far before the United States did. One episode of 6teen has a character stating “I’m gay,” and in Braceface, the main character assists her gay friend in finding a boyfriend. Unsurprisingly, these episodes never aired in the US.

6teen also dealt with periods before Turning Red, Baymax, and Molly McGee did it (again, the episode was banned in the US).

Finally, here are a few Canadian cartoons I recommend, and where to watch them:

Cybersix (it was a Canadian and Japanese co-production). The whole thing is on TMS’ YouTube channel.

Redwall is on Pluto, and there are episodes of it on YouTube courtesy of Treehouse Direct

Toad Patrol (unfortunately you’re gonna have to resort to low quality YouTube uploads)

Silverwing - again, the complete series is on YouTube

Detentionaire- On Tubi and Pluto!

Ruby Gloom is a great show if you like cute gothic stuff; it too is on Tubi and Pluto

The Adventures of Sam and Max: Freelance Police - on Tubi

One of my favorites, The Raccoons. Basically the Canadian equivalent to The Simpsons, and with a banger ending song. The show’s production company has uploaded episodes of it for free on YouTube.

The original Clone High was animated by the legendary Nelvana (if you’re wondering, the new season is not outsourced to Canada 😔) It is on Paramount Plus and HBO Max

Undergrads - yet again on YouTube, in low quality unfortunately. Like Clone High, it was on MTV.

I also recommend watching some short films from the National Film Board of Canada. My personal favorite is the Log Driver’s Waltz.

Tl;dr - American cartoons are not bad because of Allen Gregory, anime is not bad because of Pupa, and Canadian cartoons are not bad because of Johnny Test or fart jokes.

[911lsbts]

How much are we going to see T.K. and Carlos trying to balance being parents and balancing work? They have family, but at the same time, they are the primary caretakers now of this kid.

Rashad Raisani: You’re putting your finger right on the end of the series is all I’ll tell you about that. That becomes a major issue, let’s put it that way.

Do they have time for themselves as a couple?

They will, I’ll put it that way, but I won’t tell you how.

As much as I love seeing Nancy (Brianna Baker) as captain and she’s already doing great, will we see Tommy (Gina Torres) back at the 126 before the show ends?

I can’t answer that. It would be too big. I can’t answer it. Let’s just say Gina Torres is a Ferrari. You don’t leave a Ferrari in the garage forever.

But will we see her physically at the 126? She could just be visiting.

[Laughs] If I answered it. I would be spoiling so much.

What else can you tease about the final three episodes for the characters and their relationships?

The thing that I can say is that everyone in the last two episodes gets pushed to their extreme limit—and some past it, to be honest. We have some of our most insane apocalyptic emergencies in 11 and 12. It’s basically a combination of The Last of Us and Chernobyl. It mirrors where all of the characters are, and most of them are in an apocalyptic space for one reason or another.

Mateo [Julian Works] is going to have an existential crisis going back to his status as a DACA, as a dreamer. T.K. and Carlos, they are not done with—yeah, they want to adopt Jonah, but it’s not that easy, and there’s going to be a major fundamental hurdle for them that they’re going to have to make a significant life decision to decide how they want to deal with it. Tommy is at the end of her life. Owen will be at the end of his life. Judd will have a new future that I think will both be very shocking but also feel hopefully very appropriate that will change the game of where he goes. Marjan is going to have a massive episode in Episode 10, which I think people will get a lot of joy from—I know I did, and I think it’s her best episode of the series. I think everybody’s going to have some big game-changing moments in the final three episodes.

What about for Paul (Brian Michael Smith)?

There’s a great—I have to say Brian pitched me an idea. He said there was this moment in the pilot where Owen tells Paul basically, there’s somewhere out there in Austin as a kid like you that doesn’t think they belong. And I want you here for when we run across that kid, you know what I mean? Whether it be non-binary, trans, gay, whatever. And Brian said, we said that in the pilot, but wouldn’t it be great if we did a story that showed that? And I thought, well, that is a great idea. And so the last two episodes we’re going to do that and we’re going to introduce a new major character, I should say, who Paul will be their kind of role model.

Are there any significant steps for any of the relationships in these last episodes beyond the adoption for Tarlos?

There may be new babies. I won’t tell you who. There may be deaths. I won’t tell you who. So there will be, there sure will be.

[lol-jackles]

https://www.tumblr.com/teamfreewill2pointo/750106101611151360/hi-finale-anon-here-thank-you-so-much-for-your

I’d love to get your take on this post. I don’t agree with it. Supernatural was about Sam’s hero journey which the finale completes the arc established over the 15 seasons.

Why is it difficult for people to see the basic and timeless story construct?

Supernatural is Sam Winchester's Hero Journey, it's all here in the "Hero Journey" tag. Dean Winchester is a very popular character, the awesome sauce but not the main course, which I explained in the "Support Protagonist" tag.

Link. Here I had thought Will viewed the finale through Destiel-rose-colored glasses but it turned out he was interpreting it through BiBro-stanning-lens. And Will's proof that SPN is just as much as about Dean as it is about Sam is, wait for it, "Dean was given a myth arc"', as in singular.... out of 15 seasons. Did he mean season 10? Because according to Jensen, season 10 was a “rare Dean centric storyline” and how "Dean's rarely in this position of being the focal point of the general story's motivation," (X). Is Will disregarding Jensen's own words?

Will: "you can't remove one brother without the whole thing falling apart."

True you can't remove Sam, otherwise there is no story. Once Jared planned to leave SPN, WB canceled the series. Remove Dean and with some minor tweaking, SPN will mostly still be the same (X) but it probably wouldn't have lasted 15 seasons. It would be more like Buffy with 7 seasons. (X)

Will: Sam returned to the ordinary world and got a wife and child because it did it for Dean.

Actually Dean gave his blessing and permission for Sam to return to the ordinary life he always wanted for himself. It's why season 15 clumsily shoehorned "Drag Me Away" episode just a few weeks from the finale to remind the audience that Sam wanted out of the hunting life since he was a kid. Yes Sam went to hell for Dean but it was unquestionable that Sam also did it to save the world. It set Sam apart from Dean's motive for going to hell which was only to save Sam, he didn't care about the world.

Will: "everything Sam did was for Dean".

Yes, by giving up his own desire for an ordinary life so that Dean wouldn't be alone. Sam told Charlie back in season 9 that he only stayed in the hunting life because he loved Dean. But that's not enough for AA stans and even some Bibro stans because they may have realized that Dean and the hunting world is the "belly of the beast" that every protagonist enters as part of their hero journey arc, which goes against their personal biases or agendas.

Will's Anon was only talking up to Return of the Jedi in their Star Wars analogy and Sam never became a witch and he never "used his powers". Holy smoke that was the whole point of depowering Sam after season 5 so that he doesn't end up an ex dues machina! Or am I mis-reading Will's writing and he was actually talking about Sam's power in the first 5 seasons?? Regardless, Sam is NOT a witch, what the heck is Will smoking???

Will, listen to me carefully: Luke's hero journey goal was to become a Jedi. Sam's hero journey goal was to return to the ordinary world. It was never supposed to be a one-to-one comparison, Kripke never said that.

Now we come to Will's streaming value argument by using the 2023 chart to "prove" that the Carry On finale isn't driving equal watch time for each season. How is that supposed to even make sense? Will is ignoring the very basic human nature of simply tiring out from watching so many episodes. The rate of decreasing viewership from season to season is fairly consistent. Unlike hellers, the general viewers will start with the first season and gradually peter out.

A bad series finale will kill the popularity of the show and gets memory-holed. A disappointing series finale will put a big question mark in the rewatch value. "Carry On" finale did none of this because it made narrative sense, as Jensen said when he paraphrased what Kripke told him.

See my "Carry On finale is awesome and here's bunch of reasons why" tag.

[bonzos-number-1-fan]

TMAGP 30 Thoughts: Concrete Evidence

Our finale is upon us. Albeit more of a slightly extended episode than it is double-length. It's more like 10 minutes longer than a standard episode and while I don't think that's necessarily a bad thing I do think it sort of sucks to set expectations and then not deliver on it. Especially when it was a Kickstarter stretch goal. I worry the epilogue is going to feel like the last 10 minutes sliced off of this one too. Either way it was a great episode all in all.

Spoilers for episode 30 below the cut.

This episode follows the classic late in a season episode formula. By which I mean lots of it is really explicit about what it means but some bits are the sort of thing I like to pull out and analyse. So a lot of the plot beats aren't things I need to cover but there are lots of quotes I do want to dig into. Starting with Sam and Celia on the train, which is a real culmination of Celia's general game plan so far. While it's made abundantly clear by the end of this episode her manipulation of the characters has been a fairly constant part of her characterisation so far.

CELIA It sounded like you’d have gone anyway. At least this way I can make sure it all goes to plan. SAM (small laugh) There’s a plan? CELIA Besides, you’re not the only one who’s curious.

That quote really sums up her whole deal this season IMO. She's always been pushing characters to do one thing or another. As soon as her intentions are brought up she'll avoid the question and move the conversation on to something else. It's been happening basically since she was introduced and I'm really glad to see it built up into something satisfying.

Man, poor Colin. I was hoping we'd get some sort of escalation of his storyline this episode but it looks like that'll be more of a season 2 affair. Similarly that looks to be where Gwen is headed too. She's finally got the job she's after but as Lena warns, and as we're all well aware, she's woefully unprepared for it. Mr. Bonzo, Ink5oul, Lady Mowbray, and Needles will all likely play larger roles in season 2 because of it.

I'm not going to get into the details much but I did really enjoy the Custodian's statement. Lots of fun vibes and little details with his character all around. I would've liked to see him stick around in all honestly and crop up again. His fate is quite interesting though because it's showing a lot more from [Error]'s abilities than has previously been showcased. She made Drowning Victim drown but her statement was all about drowning so that's not too crazy, this is much more tangentially related and a far more extreme effect on the victim. Hard to know how much that means but it might be worth pointing out.

The Hilltop Centre is a lot different to what I was expecting. It seems much more like a supernatural hub than the prior incidents concerning it let on. I'm wondering if this is unique to this universe or a constant throughout them. Without getting too much into the details it could be fallout from TMA's ending but this wound that Celia talks about strikes me as a little odd in that context. There was seemingly only one of them at Hilltop. Unless the world Celia came from is also where Darrien 3 came from, as he arrived from that point, then that wound is drawing in everyone from other realities. However if that's the case then there are some fairly major questions about the metaphysical underpinnings of it. It got "better" when Sam was thrown in but there are also clearly a lot of other people coming through as the Custodian mentions.

It wasn’t all death though. Sometimes people… arrived. Not often, but every now and then you’d find some thin, emaciated soul wandering around, lost and confused.

It wasn't just Darrien 3 that came through, multiple people arrived in the same manner. A manner we know isn't how Celia got here because her reaction to that incident was that it wasn't the same. So is this wound just an amalgamation of all the imbalances from all the various universes? We know why Celia wants to "balance" this because it's trying to pull her back, hence the "sleepwalking", and it would eventually win out. How it works on a larger scale is sort of hard to say. It seems like it will just be there forever until everyone who's not meant to be in this universe has left. That seems like a very tall order based on what we've seen. Speaking of balance.

The institute, alchemy, all of it. It’s all about balance. Dua prima, four elements, seven planets, it’s all the same. You’ve got to keep things balanced.

This is a very interesting quote. There are two possible interpretations for this and I'm not sure it's intended to be seen that way. Each of the things Celia lists here is either correctly numbered or off by one. So she might be saying that these are things for which balance is important, or she's saying these are unbalanced things and need correcting. Either works well with her point here.

Dua prima is not really actually a thing as such and is both the biggest indicator she's talking in terms of them being off by one, but also the biggest indicator she's not. Paracelsus' tria prima is a fairly important concept in alchemy as a whole and if you've read more than a few of my posts you'll have seen me mention it. In short sulphur, salt, and mercury are representative of three fundamental properties. Combustibility, permanence, and fluidity respectively and in addition represent the body, the soul, and the spirit. Paracelsus didn't arrive at this idea on his own however and it's largely an addition to Jābir ibn Ḥayyān's work. Jābir, or Geber as he's sometimes known, had this theory of metals that stated all metals were a mix of sulphur and mercury. Additionally sulphur is associated with masculine qualities and the sun, while mercury is associated with feminine ones and the moon. It's not ever called dua prima so far as I'm aware but you could reasonably make that argument.

This same logic can be applied to her mention of the four elements in which fire, air, earth, and water would make up a classical set of four but can also be considered off by one as aether is a later yet—still classical—addition. Alchemy has seven "planets" each with a corresponding metal but our modern definition puts seven off by one as we would say there are eight. However with all that being said I'm more inclined to believe she meant these things were balanced as they are. I said that the dua prima was also the best indicator of that and for the reason why we've got to go back to episode 19.

Doing mummy and daddy Stasi proud, I’m sure. Not that anyone cares as long as it all balances, right? Not too much mercury or the world ends, not too much sulfur or we all go mad…

At the time I said this was two of the three primes of tria prima, which it is, but in this context it doesn't appear that the lack of salt was an omission. Salt just might not be a part of it at all. It's fairly hard to say exactly how important this will be though. It certainly seems quite relevant but it's also something they might be making up rather than anything more firmly rooted in existing alchemic lore.

I don’t- when I first awoke I knew nothing, nothing but the dream of things that sliced my who from me with claws like scalpels… They would hunt me and toy with what it meant to be me peeling away my layers first my name, then my memory and then… …and then the fearless one reached in and grasped me, tore me out, leaving my story to fall away like autumn leaves…

I think Celia's statement has very little to get into really, I just wanted to mention that it was a nice detail. Another if you know you know and not a topic I get into here. [Error] also has a line here I think is interesting but it requires getting more into TMA than I care for so I'm going to leave it. I'm not 100% sure what to make of it either as of yet.

And there we have it. Season 1 is wrapped. Well other than the epilogue, What If?, fluff episode, and trailer. I don't have much of a bow to tie on this really other than to say I've really enjoyed this season and I'm excited for where it's going to go next.

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Prediction Follow Up

Celia is going to get [Error]ed and exposition dump about her whole deal. - That happened but the exposition relevant to the show's plot didn't occur via that.

Alice gets got and she's got some secret twisty trauma. - Didn't happen.

Teddy can give her a lift and we'll hear what was on his mind. - Also didn't happen.

Speaking of [Error] it seems likely that Celia is going to reveal at least what she knows about Archivists. - This didn't not happen but also didn't really happen exactly.

With [Error] being this season's antagonist it's likely that she's going to get defeated in the finale. - Kinda sorta maybe.

It could be a gaping maw in realities that sucks our cast off to someplace new. - Got some of our cast at least, so lets say 3.

Hilltop is likely to play some role in defeating [Error] and if I had to hazard a guess I think it's likely we'll see some of the great cosmology at play here - Kinda sorta.

I think we're also going to see a good bit of Gwen going behind Lena's back too... I don't think we'll necessarily see anything major happen but I do think it's a pretty likely hook for season 2. - Yeah, that all basically happened.

Final Score 10/10 - Being incorrect does not impact my self-worth.

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Season 2 Predictions

Honestly, I don't have much to say for this. It's probably going to be still follow the same characters, Sam will deal with whatever new universe he's in, Celia will play dumb but Alice won't buy it, Gwen will fail to deal with her new responsibilities, Teddy will reveal some awful secret, Colin will go further into the deep end, and there will probably be some sort of Magnus-based twist.

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Incident/CAT#R#DPHW Master Sheet and Terminology Sheet

DPHW Theory: 3366 is a very pleasing set of numbers. This one matches episode 8's Architecture (Liminal) -/- Hunger too which I mention for the thematic symmetry. They're quite different incidents but has some similar elements. Which I think is a good indication of my theory's strength. You'd expect some sort of parallels to be able to be drawn if these numbers were ratings in categories as I've laid out. It's not definitive proof but it's more than I've had to talk about here for a while.

CAT# Theory: CAT2 is another obviously "wrong" one for the Person/Place/Object theory IMO. Hilltop is a place but Hilltop didn't cause it and it didn't happen to Hilltop. [Error] made a dude turn into concrete. Fairly useless to pin that one on the location. I think there are more than enough of these obviously faulty ones that I can stop mentioning it come season 2. Hopefully I'll have my own theory to talk about by then too.

R# Theory: We've finally got our first S. It's been long awaited if only by myself. Generally, I'm very pleased with this. An S on this case is some of the best evidence I've had that I'm correct about the general purpose of Ranks. A still living concrete man is undeniable evidence of the supernatural. No amount of explaining it away changes the fact a man turned into concrete and lived to tell the tale. It's still not 100% certain if Rank is purely about evidence or more about urgency in general but I do think now it's fairly clear that if I'm not entirely correct it's the right path.

Header talk: Transmutation (Human) -/- Isolation (Urban). Very little to talk about on that one but it's interesting to see the continued difference between transformation and transmutation.

[suethesocks]

Third villain for my Egyptian Ben AU, Morningstar!! Michael was my favorite to work on so far and do my own take on him. Ive always been a big fan of his design and how his powers looked

The first sketch i did of him, i more or less knew what i wanted to do with his design immediately much like all the villain designs ive done so far haha. I just ironed out a few details in the final design more or less

After that was designing Michael himself and figuring out how i wanted him to look. I wanted to make him look more like a charming beautiful man and also make him look kind of twinkish, contrasting with how bulky and scary he looks with the armor

For his outfit i mostly figured that out later as youll see later in this post but basically it was mostly the same as the show, since i feel like it has that lowkey douchebag-y but still kind of stylish drip to it that i couldnt top myself. It couldve done with a bit of spice though so i did change around some stuff

Heres Michael being a piece of shit as usual. I imagine in his Morningstar era when he's scheming hed be more whimsical and in the moment about it, matching his smiley mask. Michael does kinda give me theater kid vibes

I imagine Michael is the kind of guy who speaks really eloquently and with a lot of charm, but once you push him over the edge or he can speak freely or thinks noone is listening, he speaks in this really gross distasteful way once he has no facade to keep up. Michael is definitely misogynistic and thinks of the women as objects

And finally for the most wild part of this, Goldstar. I noticed while refreshing my memory on Michael that he really doesnt really get supercharged all that often. It just happens once in his debut, once as a fakeout in the ult kevin arc, and once in that charmcaster episode. And only really his debut had that oomf to it from what i remember

So im tryna focus on it some more, making it more flashy and stuff and giving it a more creepy design that changes his body. I also wanted to make it more fun by having it affect his surroundings changing his clothes colors and making his armor turn golden and changing the shape of the buckles on his belts. Taking some inspo from like dragonball or sonic transformations

I think it'd be really fun to have the goldstar form be a seperate thing to access from michael regaining his beauty, cause it gives more opportunity to see him without first having him gain enough energy to revert his ugly-ness. Of course not too much though, cause it kinda loses its punch if he does access it as often as goku goes supersaiyan

[viwifey]

bear with me for a second yall but around 2 am after being awake for 23 hours combined with a couple drinks from being out with some friends, i was suddenly hit ideas of things that i thought could’ve helped season 2 to feel more satisfying for each character arc lmao 😭😭

definitely not saying this is perfect nor have i thought too much about if there would be any plot holes but i think it works for the most part

SEASON 1 CHANGES GOING INTO SEASON 2

-no ambessa introduction in season 1; or at least keep her in mel’s flashback or something so we still have a sense of why mel is against war

as much as i love ambessa, it feels like her arc got other character’s stories to be shortened. not having her play a role in season 2 really helps with allowing other characters to have more time on screen and with a couple changes they can still follow similar arcs they had a in season 2

-ending of season 1 plays out the same with jinx shooting the rocket at the council

ACT 1

-pretty much stays the same; no introduction of the black rose but instead after mel discovers that she could have powers, she leaves piltover to go on some journey to discover what it could be

-caitlyn still forms her strike team to try to catch jinx but after it fails she uses her power and status as a kiramman to place martial law on zaun

-basically everyone else still keeps their exact storyline from act 1

ACT 2

-jinx, who also agrees to be the symbol for the rebel group, is motivated by isha to mend her relationship with vi and discovers that she is pit fighting

no introduction of vander/warwick either; the time spent looking for him in episode 5 is instead focused on vi’s trauma and the sisters still end up on better terms

-cait is still inflicting martial law on zaun and starts to have a change of heart when something happens making her solely responsible for the killing of a mother in zaun, paralleling that to how she felt towards jinx killing cassandra. we begin to see her loosen her control of zaun in episode 6 while making efforts to try to atone for the damage she caused

-after helping vi, jinx has her work with the rebel group and they form a list of demands they find acceptable to produce to piltover that basically starts the process for zaun to become independent. vi is the one to bring these to cait with the hope that their relationship makes it more likely for it to be approved

-vi and cait make amends and cait apologizes

-jayce returns and still kills viktor at his cult

-singed is also present but instead of his experiments being on warwick, they’re on something else that is still intended to help his daughter; learns about viktor and his abilities and goes to him try to find a way to harness them for himself to use for oriana but isn’t able to figure it out before jayce kills viktor

-mel learns more about herself as a mage

ACT 3

-keep episode 7 the same

-episode 8 is preparation for war between piltover/zaun and viktor who is revived by singed like he was in the show

-zaun agrees to help fight viktor because they are on better terms with piltover after their proposal was accepted for their independence

-cait and jinx have a bit of a heart to heart moment and end their rift

-mel has returned from her self discovery journey and has her powers developed to where they were in act 3

-ekko returns with the zdrive and uses it to help win the fight

-final battle plays out but no jinx “death” since warwick isn’t present

-viktor and jayce scenes play out like it did in act 3

-cait steps down from her role in the kiramman house out of remorse for her actions and mel steps in to run piltover

-cait becomes a PI and we see her using her detective skills

-jinx, vi, and ekko help with rebuilding zaun to be a healthier place for its people

-caitvi are together and vi also helps cait with her investigative work sometimes

-singed could be successful with getting oriana back or not idk lol

THE END

[couldtransitionsaveher]

BRETT HAND from INSIDE JOB

JUSTIFICATION:

"Throughout the show it feels like she tries to entrench herself in masculinity and male dominated spaces a little too much. For example, she pledged every single frat (male exclusive) at her collage, and did all the hazing rituals. In the show she runs into two of her old frat bros and realizes she never made it to a certain level. During the episode she does whatever degrading thing the two tell her to do- ending with being shoved into a vent naked with rats- to make it to the final level of the frat.She also goes out of her way to seek the approval of primarily male authoritative figures, namely her father and her boss. In an episode she basically sacrifices herself so that Jeff Bezos would buy her Boss’ boat, all because his boss promised a head pat along with an ‘attaboy’.

She has a special love for puppet making and puppeteering, but it seems like she hid it because her father said ‘it would bring shame to the family name if anyone find out’, possibly due to his father seeing arts and crafts as being seen as too feminine for a man, let alone his son. In the same episode we find out about the puppets, Brett does a scene where Lil’ Brett (puppet version of herself) “dies” after standing up for Brett and teaching her self-confidence, this can be seen as a transgender allegory where pre-transition/pre-realization Brett (lil’brett) dies because she (Brett) learned that she doesnt need the approval of others and can be who she want. This isnt what happens im the show but cmon i mean you see it right?

A running joke in the show was about how utterly average Brett is, what if she’s like that because she felt like she needed a facade to hide behind, one that people would like.Maybe she took a little of everything from the men she grew up with or saw on TV. She doesnt know who she is but doesnt care because hey people like her. The only thing thats hers is her kindness. She doesnt even know what her favorite color is." - @thestaggggg

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