#and i would have liked to see an episode where we see what happens between the car ride home and shelly being. well

[deliriousblue]

THE HEART KILLERS (2024) episode nine

[miwiheroes]

Dropping Byler Evidence Every Day Until Season 5

. ݁₊ ⊹ . ݁˖ . ݁ Day 18: Mike's Bedroom Scene . ݁₊ ⊹ . ݁˖ . ݁

Everyone knows this scene, everyone here LOVES this scene (or they better love it). It's so ripe for analysis in every single way, not even just for byler, but for things that happen later on in the season. I think shots like this are extremely thought out. They chose a wide angle shot to show you Mike's bedroom for a reason. They also showed you this bedroom right after seeing El's, to show the contrast between their two lives and how they view each other.

I've already talked about this contrast between their two rooms and the fact that Mike has nothing from El in his room in this post.

1. Rainbow Letter + Closet

I want to talk about something else before the glaringly obvious queer coding first: and that is the fact that El has her own stationary specific for writing Mike's notes, while it is canon that Mike just writes his letters to El on some scrap pieces of paper, showing the unequal amounts they are putting into their relationship:

Anyways, back to El's letter to Mike having literal rainbows on it. For El, this is some clear foreshadowing for her being in the rainbow room, and we can all agree on that right?

So if we can agree on that, then I think we should agree that it could also be true this is queer coding for Mike. It's the first thing you see in this scene, even before you see a shot of Mike himself. Also the fact that the next shot of the scene is Mike next to the open closet with the light on, kind of implies or foreshadows his story being tied to queerness for the rest of the season.

Having the light on in the closet is also to draw your attention toward it. I've talked before about how often in film it is to use light to mean truth, meaning this would imply that being in the closet is the truth that Mike is hiding, since a lot of this scene is taken up by the fact El's lying to him. So what does he have to hide? The set designers utilise light in this scene very carefully, which I will touch on in the later sections <3

2. Posters

This is such a famous piece of evidence that I feel like I don't really need to say anything here lmaooo, like we can see in multiple different shots that instead of having posters of literally anything else on his walls, he has posters of men. Specifically buff men (or a dragon if u wanna be pedantic guys).

This seems so on the nose that it has to be queer coding, just like the scene where Mike goes to the wrestling gym while on his search for a DND replacement for Lucas, and stuff like this has been used on many different queer coded characaters in media for a long time.

I've heard people argue that there is also a girl character in the Conan the Barbarian poster, but honestly, if you watch the film you would know why this is not a great thing to say or equate women to lmao... Basically this film does not shy away from the fact that men in this time period treated women like property so I'd be careful saying that.

If you want to go past talking about the fact this CtB poster is just a poster of a buff man, I'd say that it could symbolise Mike's need to be normal and fit into the "male role" in society that we saw in S3. To be honest, if I saw a guy with this poster, I'd.....run, girl RUN

So anyways, not only is there one poster of a buff guy, there is another. The one on the left is a poster designed by Rick Ruhman, whose other posters can be seen in the show, like in Reefer Rick's house. Buff dragon poster you'll always be famous <3

This is two instances already of Mike being associated with buff men, um, and to be honest that should be enough, but it's funny that there are two other instances of this happening in the show. Another is literally in episode 1 of S4, where Mike goes to the wrestling gym, and another is when he mentions Superman in relation to El for some reason, rather than calling her 'Supergirl' like Argyle does 10000 times.

This is a pattern, everyone. And can be compared to the fact that other male characters who were around the same age as him have posters of women surrounding them in different scenes.

In Steve's room: he was 17

In Lucas's scene with the other basketball guys: he is same age as Mike

3. His Noticeboard

thanks to @runninguplenorahills for this very good photo haha

First of all, want to establish that the lamp is placed next to this notice board on purpose, in order to draw your attention towards it, just like his closet earlier on (and later, you shall see). So you are meant to view this notice board as having little hints on it.

And there are! Not just towards his queerness. and they are pretty much confirmed to be foreshadowing for some of the plot points in S4, so other stuff in his room could also be foreshadowing , but for his queerness too.

These Garbage Pail Kids cards clearly foreshadow some events of S4. I think Heavin Steven may have something to do with Steve literally biting the head off of a demobat, which makes sense, or it could be about him randomly pouring his heart out to Nancy in the caravan. Evil Eddie obviously foreshadows that everyone thinks Eddie is the head of an evil cult and has murdered a woman, which is what's happening in the card. Live Mike is either a reference to Eddie playing his guitar later on, or it could be a reference to Mike's monologue where there are many lightning strikes at the most interesting times... Finally, Mad Max's card shows a brain being outside someone's head, foreshadowing her mind visiting Vecna's mindscape and her being braindead by the end of the season.

Also on his notice board are:

Escape Fun City: reference to California

Pizza Sticker: foreshadowing his time in the surfer boy pizza van and the pizza place.

Will's Drawings: obviously showing that he places more care in Will's drawings than El's letters which I talk about on one of my previous posts. He also still has Will's drawings in his basement.

So how is this byler evidence? Well, I really think this proves just how much thought and care went into making Mike's room foreshadow some later plot points, because the audience can hardly see what's going on here, but it still foreshadows stuff. This leads me onto....

4. The One Way Sign ;)

This one is a classic, and if you don't know this already, then I guess you must be new here hello

I just want you guys to think for a second about the intentionality of this. And I want you to imagine people setting up his room for filming. Because it wasn't just created out of nowhere, people genuinely thought about each decision. Imagine this just being written off as a coincidence, because let's lay out some facts here:

A light has been set up in Mike's closet

That light has been pointed so that it is a beam towards Mike

The closet door has been opened for no practical reason

A one way sign has been ordered, put on the wall in this specific spot.

A one way sign does not foreshadow any other plot points in S4.

I am baffled when I talk to people and they don't think this type of stuff is intentional. It's a blink and you miss it hint, yes, but those types of hints are supposed to be subtle so that when you look back on them, they make a lot of sense.

Overall, this shot of Mike's room is the perfect introduction to his character this season and makes the most sense. There is no other way that he could have been introduced in S4, in my opinion. It's subtlety is only for people who care enough to look, but it heavily queercodes him nonetheless. Just because they're small, doesn't mean they are insignificant.

[butterflydm]

wot spec based on the picture drop!

I'm so excited! As we ramp up to s3, we're gonna be getting more and more too. Yay!

Okay, @markantonys noticed that the pictures were named with the episodes they probably belong to, so I will fold that into my thoughts (her post with the pictures is here).

For the first episode, I'm going to guess that Siuan using the OP comes earliest in the episode, during the "shredding" that will come along with Liandrin being accused of being Black Ajah and then escaping from the White Tower with her comrades (and Alanna will catch up with her outside the Tower and we get that fight from the teaser trailer). Someone is standing next to her who isn't channeling. Another Aes Sedai? Siuan definitely looks like she's in her fancy Amyrlin gear.

Moiraine gets her exile revoked and warns the Aes Sedai about the Seanchan. Egwene has her Accepted test (the horses picture). Elayne's Accepted test might happen off-screen like in the books. The gold that Egwene is wearing here is making me wonder if this is the one where she's an Amyrlin (are they hunting down Rand?). Especially with Elayne and Nynaeve in their own future respective Ajah colors of green and yellow.

Then I think the other three ep1 pictures might happen relatively close to each other - Elayne and Aviendha having drinks, the ta'veren boys hanging out, and Lanfear creeping on Rand.

I am so excited about getting a scene between Elayne and Aviendha. <3 At least one and maybe more.

Rand and Mat beaming at each other while Perrin looks more serious. What a picture. Hmm, Is Mat wearing the same shirt that we saw him wearing during the neck injury picture? Because if it is, then that happens in ep1, and maybe it's the playing cards from his own bubble of evil moment? I went back and rewatched the teaser trailer and it looks like a different shirt, with more of a lower "Tanchico" kinda neckline but idk for sure. Hmm. I do appreciate the radiant smile that Rand sends in Mat's direction.

I think the end of this episode might have the bubble of evil moment that we caught a glimpse of in the teaser, with Rand destroying his mirror images, and maybe Lanfear taking the place of Berelain in being The Lady In His Room. I do think that Lanfear is creeping probably on him, though it looks like she's in daylight and not nighttime (or it could be TAR)

For the second episode, we're going to get Queen Morgase and Elaida making a pretty official and formal-looking visit to the White Tower; and we're going to get Rand and Lan training. I'm hoping that we aren't getting a split this early on and that we're going to get more time with our kiddos all together. With the Caemlyn Crew in Tar Valon, there are a lot of moments from the books that they could adapt into having happen here, like Elaida catching a glimpse of Rand and having a Foretelling, Mat's face-off with the two Princes, and maybe we could even get our Elayne & Rand feather moment if Egwene and Rand have officially ended things in ep1 and Egwene is meeting Gawyn here in ep2.

It does look like the crown that Elayne puts on in the teaser trailer is the same as the one that Morgase is wearing, so that might be an indicator that the moment in the teaser is part of Elayne's Accepted test?

Morgase will likely be going home at the end of the episode, while Elaida (and the two princes?) stay in the White Tower.

No hints of anything for ep3, but I think the notion of this being Perrin & co's return to the Two Rivers via the Ways would make a lot of sense. We could see Alanna's grief; meet Faile; have Verin. Loial will be in Perrin's plotline again, like he was in s2, so those two really have their own friendship thing going on at this point. Reintroduce the Tuatha'an so that there's more of an impact in ep4 when we find out that they're a split-off from the Aiel.

Ep4 - this is going to be Rhuidean and the glass columns. Very excited! We get the front-facing shot of the wide shot that we got in the trailer -- this is everyone staring at Rhuidean. Moiraine's hat is very cute.

No hints of anything for ep5! A Mystery! Might be more Two Rivers focused again?

Ep6, we get our definitive confirmation that Mat and Min are definitely in Nynaeve & Elayne's Tanchico plotline. @markantonys noted this when the pictures first dropped, but we don't see any sign of Mat's neck injuries in this picture or the one from ep1 and we're getting a nice view of his neck both times (no one else is showing off their neck like Mat is!). So that potentially means that the neck injury happens later than this point, which means the "Mat is yeeted through a Redstone Doorway to the Waste" theory has not yet been disproved by anything. New Theory: the Pattern is very annoyed at Mat staying behind at the Waygate in s1 and is taking no chances and is yeeting Mat at Rand whenever it gets the chance.

Min is wearing the same outfit as she was in the teaser, again confirming that was from Tanchico. Is the man in the hat Juilin Sander? I feel like a flat-brim hat was part of his character description in the books.

I love that we see Mat and Nynaeve holding onto each other. Friendship! They love each other, your honor!

Once again, nothing for ep 7. We know, due to the title, that we're going to have more of a Two Rivers focus here.

Ep8 -- Moiraine is gonna dress up all fancy and Use An Orb. Did she bring her fancy clothes along with her (I mean, I would believe it) or did she get them from somewhere? The chest piece is very intricate and intriguing. It does not look like she's wearing it when she first picks up the Orb in the teaser trailer, so she might acquire it in ep4 and then use it in e8?

[mirai-e-jump]

Animage February 2025 Issue ft. Shoji Kohei Interview (translation below)

Publication: January 9, 2025

That man, is Vram

Shouma and Hanto discover that they're both transforming into Kamen Riders. Making her exit is Siita, second daughter of the Stomach Family, the biggest enemy to Shouma and his friends. As thrilling developments unfold each week, a new Kamen Rider has joined the fray in "Kamen Rider Gavv." His name, is Vram. Known as Lage 9, he's a Granute who's been employed by Stomach Inc and can transform into a Kamen Rider.

Shouma, born between a human and a Granute, transforms into Gavv. Then came Valen, who the human Hanto transforms into. Many fans may have predicted that the one to transform into the tertiary Rider would be a Granute. However, the "man" known as Lage 9 is more than just an enemy to fight. While he pretends to not be interested in the reward of dark sweets, when he negotiates with Nyelv, who approached him with a secret job behind president Lango's back, it becomes apparent that he has his own agenda, but what are his true intentions?

Before Granute Lage 9, Shoji Kohei-san passionately played the role of Crystaria Takamichi (KiramaiSilver) in "Mashin Sentai Kiramager." A complete departure from his role as a powerful and lively man, it'll be interesting to see how he'll play the role of a lazy and mysterious monster!

-Working together to express Vram's sense of strength-

"It's not often that a person who plays a hero in the Super Sentai series then goes onto playing the role of a Kamen Rider, so we were surprised when we first heard the news."

Shoji: I was surprised that coincidences like these could happen. I worked together with Kudo Mio on Kiramager, where she played KiramaiPink after appearing in "Kamen Rider Ghost," but I never dreamed that I'd be in a situation where I'd play a transforming hero and then a character who Henshins, and not just as a minor character, but as a regular.

"We also thought it was interesting that just like KiramaiSilver in Kiramager, you made your entrance with this role during the middle of the story."

Shoji: Yeah, it feels like some kind of fate.

"What kind of impression do you have of the Kamen Rider series?"

Shoji: Compared to Sentai, I have the impression that the human drama is played out more seriously. I've been watching Gavv's broadcast so far with the feeling of, "How can they do this much with a Sunday morning program?!"

"Lage 9 acts exactly like a typical enemy, doing things like collecting large amounts of Human Presses, so we couldn't believe that he was a character who'd transform into a Kamen Rider."

Shoji: I was alittle surprised by that too (laughs). In the original materials I received, all I knew about his character was his purpose in life and his general beliefs, which would be revealed in the future. When it comes to the scenes where he performs his evil tasks, I think it's easier for children to understand it if he looks like a bad person, as it also makes it clear as to why he's doing it, so I'm trying to play the role in a way that makes me appear as evil as possible.

"He made his first appearance in episode 12 for a short time in his Granute form, with Shoji-san only appearing through his voice performance."

Shoji: Until he appeared in his human form, he'd been putting on an act in front of Stomach Inc, so I wanted to make sure he appeared weak. From there until he transforms into a Kamen Rider at the end of episode 17, I wanted to make my performance as natural as possible, and to create an intense contrast with his fighting appearance.

"Starting from episode 18, he'll finally play an active role as Kamen Rider Vram."

Shoji: When talking about strong characters, I think there are many different types you could go with, but together with Vram's Suit Actor Eitoku-san and the production team, we're expressing him as the type who can "switch on and off." Eitoku-san doesn't make any exaggerated movements or heroic poses in his performance, and he'll wait until the last moment before suddenly moving, so even during post recording, I'm conscious of creating a difference between when he is and isn't putting in alot of energy.

"What was your impression of Vram's visuals using a pudding motif?"

Shoji: It was more poppin than I had envisioned (laughs). The vivid yellow color is eye catching, too flashy and cute for him to be an enemy, and I also like the pieces of pudding being applied to various parts of his body, such as his ears, shoulders and back. It's the same for Gavv and Valen, but I think the nice thing about Gavv's production is that while its story runs heavy, the Kamen Riders are colorful and poppin.

"How do you communicate with Eitoku-san?"

Shoji: Currently, I feel that we're on the same page and can have everyday conversations when we meet (laughs), but in the beginning, we didn't know how to approach each other, so we'd just confirm and adjust things one by one. We'd be like, "What'd you do in this scene?" or, "I think this is the emotion that's coming from the scene." Before Vram made his entrance, Eitoku-san and I have been performing Lage 9 together since his Granute form appeared. When done well, the effects of our synergy can expand upon this great role alot better than if we were to perform it alone, but on the other hand, if we're both looking to go in different directions, it can make the viewers feel that something's out of place. While thinking about how we should handle our emotions, I hope we can continue to trust each other and perform together.

-The difference between Rider and Sentai's storytelling-

"Shoji-san, please tell us your impressions of Shouma's Chinen Hidekazu-san and Hanto's Hino Yusuke-san."

Shoji: Chinen's a kid who's like a sponge. Even without lighting, his eyes are sparkling, and it makes me wonder if me and the other five appeared like that on the outside four years ago (laughs). Hino's career in the entertainment industry is longer than mine, and I feel that he has the desire to greatly expand upon the important role of Kamen Rider that he's obtained with his own hands, and that he wants to improve the entire set. I haven't actually said this to him, but he's a kind person. Our job isn't just to put on a good performance and create good scenes, it's also about making the finished footage look good. Chinen and Sachika's Miyabe Nozomi have yet to build up their acting careers, so there are times where they struggle on set. I'd like to give them advice, but it's something I also have to think about for myself, so I'm watching over them from a slightly detached position. I feel that Hino's advice, which varies in subtle ways depending on the person he's directing it to, has had a positive effect on Chinen, the others, and the entire set……I might be praising him abit too much (laughs).

"(laughs). You must feel that the atmosphere on Gavv's set is good then, huh?"

Shoji: That's right. I'm a main cast member with five years of experience as an actor, and especially on Kamen Rider's side, it's like I'm a veteran entering a younger set, where everyone has the ambition to take a big step forward as actors from this production. I hope that this will be a turning point in my career where I'll be able to grow, and I'm thinking about how I can give back to the set using the experience I've gained so far.

"What do you feel is the same or different between working on set for the Super Sentai series and Kamen Rider series?"

Shoji: What they share in common is that the scripts are written in parallel to watching our performances and the finished footage, which allows the actors to grow alongside their characters. As someone involved, I enjoy the fact that Chinen and the others look more appealing now than when I first met them, and I think that's the most interesting part tokusatsu fans who have loved the series for so many years want to see most. I think what's different is that Super Sentai has stories for each character, but they also work as a group and have storylines that are usually resolved in an episode, while each person in Kamen Rider has their own storyline that lasts the entire show. I was together with the Kiramager members pretty much all the time (laughs). In Gavv's case, it'll be interesting to see how Gavv and Valen, who are fighting together, deal with their opponent Vram, and how their relationship will change in the process. I'm excited to perform as well.

"What did you learn from your experience on Kiramager that you've been incorporating into Gavv?"

Shoji: I feel that I've been able to make use of my knowledge in post recording and how I behave on set. When I first started doing post recording for Kiramager, I struggled with it so much, that I finally recorded a single episode after what felt like countless hours of recording. What was great for all of us was that we were able to record while surrounded by Voice Actors such as Minase Inori-san, Sugita Tomokazu-san, and Nakamura Yuichi-san, all of whom are active at the very front of the industry. Suzumura Kenichi-san still contacts me every now and then, and Inada Tetsu-san comes over when I call him (laughs), so we're very close friends. I learned alot about how to approach the performance with just my voice, so I think it's one of my assets. Normal dramas are filmed and finished in about 2-3 months, and while staff members join and leave within Super Sentai and Kamen Rider, they're always involved in the same productions, so their sets are abit unique. With the main premise being what Chinen, the lead actor, wants to do, I try to come up with ways of improving the atmosphere on set, while also thinking about whether to give him a push or run with him.

"Please tell us what we should pay attention to in future episodes."

Shoji: First would be the action performed by Kamen Rider Vram. As a viewer, I really enjoy the battle scenes that Action Director Fujita Satoshi's been putting alot of thought into, and now that Gavv and Valen are being joined by Vram, you'll get to see three different fighting styles. I hope you enjoy his interesting visuals, as well as how he uses his weapon. And then, the type of fate Lage 9 carries on his back will become clearer as his character develops, so I hope that you'll watch each week's broadcast with anticipation. _

Double Riders from the tertiary Rider's point of view.

From Lage 9's perspective, they both serve as obstacles who get in the way of his objective, nothing more and nothing less. He happens to wear a suit that looks similar to theirs, but he's taken the stance to eliminate them since he's been ordered to do so by those above him. As for myself, I view both of them as heroic, but it's interesting to see how the things they both carry overlap, such as the feelings of guilt Shouma has towards Hanto. I think it's because there are some nuanced elements that you end up wondering, "What kind of person is this guy?" or "Maybe there's another side to him." I feel that that's what makes them so appealing within the story. (-Shoji)

[xena-im-a-thespian]

Hard agree! People don't like hearing about it because it's taboo and "icky" or they're afraid that awknowleging it reads as condoning it. But the thing is it's there, mostly subtextually, though not always, see: "If it was legal to marry my sister I'd have done it already" lol.

People have called me gross as well but it's very much woven into the story. The nuance that seems to get lost is framing. Like when I say Wynonna has a thing for her sister I'm not saying that's a healthy thing or something that should be normalized/glorified and neither is the show. I'm saying she's kinda messed up and it makes sense that she's messed up in that way. The reactivity around it is to the point where I've hardly anylized it on my main blog, which to be abundantly clear to anyone who may be reading, I would never in real life encourage someone to engage in a sexual or romantic relationship with their sibling, even in adults the emotional power dynamics still have a high risk of putting strain on consent. Please do not conflate my willingness to explore taboos within the safety of fiction with condoning any violation of consent or even with encouraging high risk relationships in the real world.

On top of the repressed bisexuality Wynonna has pretty severe trauma and doesn't form secure attachments, she's very avoidant in most of her relationships, but with those she let's closest to her she will often become anxiously attached. Waverly was the one really stable connection through a lot of Wynonna's life. We know her mom wasn't affectionate but was critical, her dad was severely abusive, and after she shot Ward by accident she was a social pariah in the town, plus we see in episode one that Gus openly saw her as so mentally ill she should be kept away from Waverly. Meanwhile Waverly not only loved her through it all but knew about the revenants and believed her when no one else in the world did. I think it's feels like a kinda real thing to happen for someone put through all that to attach unusually to their sibling. And I'm sure it didn't help to go years without seeing her and then be confronted with her being fully grown. See their first encounter in the series: "Hey sis. You grew out your... Hair." *wynonna gestures vaguely near her chest*

And maybe part of it is that people are afraid of their hero having this flaw. But Wynonna's flaws are why we love her. Even when we don't like particular flaws, like when she had her big fight with Waverly, they make her feel real. People don't want to look at Wynonna having an attraction to her sister because it so extremely taboo, it's a "she's not that kind of person" sentiment. Which is in a way both right and wrong. Because yeah it seems apparent to those not so adverse to pondering taboos on an intellectual level that Wynonna is attracted to her sister to some degree, but it's also true that she really isn't "that kind of person." Because there's a difference between feeling attraction and violating consent. So yes our beloved and realistically flawed hero has an attraction to her sister, but she obviously also would never violate Waverly which is what people associate with a word like incest. Instead she just tucks it away as she does with all the feelings she doesn't know what to do with and we get little glimpses. Wynonna's worst crime in that department is having a poor verbal filter and being kinda codependent, ultimately Wynonna's little crush on Waverly is harmless. Something she doesn't act on and probably feels immense shame about. Yes because of her discomfort with her orientation but mostly because there is nothing Wyononna regrets more than times she's hurt Waverly and there's nothing she fears more than hurting her again, so much so that she left for four years with little to no contact. It would be unthinkable to Wynonna to ever put hands on her sister in a way Waverly didn't want. Which even when you remove the element of attraction that dynamic of Wynonna wanting so much to protect Waverly and thinking so low of herself that she thinks Waverly needs to be protected from her is part of what makes their family dynamic so compelling, and for those with strained family dynamics in their upbringing it's extremely resonant. I ramble but all that to say that Wynonna having these socially unacceptable feelings may be considered a flaw but at the same time it in no way takes away from her role as a hero and a protector to Waverly.

The thing is in my fiction I do enjoy this kind of thing, I do enjoy shipping sisters, what can I say I like some twisted drama, I like that in a pair that aren't sisters too (not that I'd ever get the same hate for shipping characters like Villanelle and Eve, or for loving the rift arc in Xena. Though considering Wynonna has never tried to kill Waverly of her own accord it's arguable that Wynonna/Waverly is the tamer ship in question). And I know that kind of thing isn't for everyone, and can even be triggering for obvious reasons, but when it comes to Wynonna Earp I do get annoyed. Because in this case it is part of the show. I don't have any expectation for other fans to enjoy it like I do, I don't even expect everyone to feel a need to think about that aspect of the story, it's uncomfortable! But the fact that it's one of those flaws that give Wynonna depth make it something people should be allowed to analyze.

Yes referring to it as a choice was me saying it was intentional. I almost feel crazy analyzing it sometimes because I'm surrounded by people either just not seeing it or telling me I'm gross for interpretating things that way. But then I look at a scene like this and think how Melanie absolutely leaned in and closed her eyes and how that, like basically everything that ends up in a final project is a choice that came from somewhere. If it didn't come from a writer it came from a director, if not a director from the show runner or Melanie, and even if only one of the takes was played that way it still got chosen in post and approved by the director and producers.

I would love to read what you wrote about it!

Choices were made with this kiss. It really could've have just been a twisted thing a demon did to Wynonna, they could've had her recoil, or be completely frozen, but no, Wynonna looks down at Waverly's lips, closes her eyes and leans in!

There's such a moment of relaxing into it before the panic of 'omg I'm kissing my sister' sets in, plus whatever discomfort being possessed by a demon brings

[pimento-playing-hopscotch]

I love this show and it means a lot to me,

and I feel disappointed and a little bit misled tbh by the choices they have made-

These are two thoughts that can coexist btw

[cirnogaming]

would you guys still loved me if i told you i kind of liked season 15.

[imtryingandtired]

This but Kah and Ahk

[apilgrimpassingby]

I thought today - the TV show I'd really like to see is one about a medieval monastery.

You could have all kinds of characters: the pious guy who joined because he wanted to serve God, the son born out of wedlock sent there to cover up his parents' shame, the geek who wanted to study Latin but couldn't afford to go into university, the former knight sick of violence and afraid for his soul... Plus monasteries were centres of pilgrimage and places where criminals could take refuge, so we can have a lot of characters who crop up for a few episodes and leave.

Some plotlines I thought of:

Our relics aren't bringing in the pilgrims the way they used to - what do we do?

A women fleeing an abusive marriage has taken shelter in the monastery - how will the brothers respond to having a women in their midst?

One of the monks wants to leave - will the abbot accept or not?

A murderer has taken refuge in the abbey, and the abbot decides to try and save his soul - what will happen?

People are coming to the monastery for food during the famine, but the monastery is itself short of food - how will this be dealt with?

War has broken out between two local lords, and the monks attempt to broker a treaty - will it work?

I've already mentioned some reasons why I think this setting would lend itself to television, but I'd also love to make it for two other reasons:

Get people to understand how weird medieval religion could get, but also that, within its own frame of reference, it was a reasonable and consistent belief system.

Show people that the Middle Ages consisted of more than just muddy people stabbing each other and burning scientists at the stake.

[ohbother2]

do you know what?

I miss long seasons.

I miss seasons that had 20 episodes and half of them could be cut and nothing would be lost to the story.

I miss the episodes where nothing fucking happens but you get to see the main cast goofing around with one another. You get to see their interactions, their relationships develop, their day-to-day lives and how they all fit together in them.

You get the Christmas/halloween/valentine's special -is it needed? certainly not. but is it good? is it entertaining? does it give the show and characters life? do we, the viewers, enjoy it? YES!

give me long stories!! give me little quarrelling spats between characters that can be resolved in one episode with no need to have an impact on the greater story! make these stories real!

let me enjoy them before they end!!!

I absolutely love Hazbin Hotel and the little world that's been created, but I can't help but feel disappointed we're only getting two seasons of 8 episodes.

back in the early 2000's 16 episodes would have been ONE season, never mind the entire thing.

show my angel dust and husk and nifty and sir penthouse living their daily lives in the hotel! show me Charlie brainstorming ways to redeem sinners! give me Charlie forcing the hotel staff to do cringe-y exercises! give me an entire episode of Vox trying to follow alastor through security cameras! Give me husks typical day! Give me a special through the eyes of nifty on a mission to irradiate the hotel of bugs! Give me sir penthouse and the egg boys up to no good!

give me something other than the bare necessities to make the story flow

6 months have nearly gone by in the hotel, and it feels like 1 month.

[i-like-writing-stuff]

the other five [ five hargreeves x reader ]

request: Hello! This is my first time desperately requesting a fic because the new season is SO bad 😭 Can you write a fic where the reader finds out about everything that happened between Five & Lila and then she gets taken away by one of the Fives at the deli and promising her that he’ll treat her better than OG Five (You can also add a part where OG Five finds out about this and lives to regret it)

a/n: AU where everything in that trash season was the same, except when five made the first jump in s1 he made it in his 32 yr old body bc i will not have y/n pull a zach justice (lmao)

even if lila did 😭😭

anyways basically everyone is the same age

i like to think of the five that comforts y/n as the five that explained everything to five in the last episode because that one literally felt like the five we were supposed to get, the five that was there all the first three seasons

sorry i cant stop trashing this season you guys 😭 i’m just so disappointed

summary: after breaking up with five, you make up with… well, five

part two

“Leave me alone, Five!” You yelled in despair, pushing the man before you away, “Actually, first take me back home, you psycho! I have nothing to say to you!”

“Y/N, please, just hear me out!” Five tried to reason with you, as if anything he would say could make your heart glue itself back.

You were standing in the subway station after Five had blinked himself and you away from the family- or what was left of it, watching him at loss of words. You didn’t recognize the man before your eyes, as much as you tried. You didn’t even have time to gather all your thoughts since there was yet another impending apocalypse on its way, so your mind was completely all over the place.

Five Hargreeves was not the same Five Hargreeves you fell in love with all those years ago. He was not the same man who had stolen your heart and made you feel like you were the most precious person in the world. He wasn’t your partner anymore, he wasn’t your lover. Your boyfriend wasn’t there. You looked at this person and there was a stranger, acting as if he was the same who had hugged you, held your hand, kissed you all those many times. You were questioning everything about him now.

“Take me back!” You yelled again, ignoring his same pleas, curling your hand in a fist, “I’m this fucking close to making you ash!”

As your pure anger got the best of you, you were ready to let your powers take over for a second. Obviously you weren’t actually going to hurt him, no matter how much you wanted him to feel your pain, at least physically.

You met him six years ago, during the first time you tried to stop the apocalypse. You were also one of the extraordinary kids, but luckily enough, Reginald Hargreeves didn’t manage to adopt you- more so, purchase you. You only met Five not long after he managed to time travel back to his family in 2019 after spending all those decades by himself. Before you knew it, you were dragged into the Hargreeves family and your relationship soon after developed.

Your six year relationship that was so merry a few hours ago. Now it was crumbled, trashed.

What hurt was that it was six years only to you. Five managed to block himself seven years away from you, only in the presence of Lila.

“This is so fucking stupid,” You scoffed, fighting back the tears in your eyes, “It’s fucking over! Do you want me to spell it out for you?!”

“I want you to listen!” Five didn’t give up on arguing, “I thought I’d never see you again!”

“You didn’t want to see me again!” You screamed, wailing your hands in the air, “Fucking save it- It’s over! I don’t want to ever see you again if we survive this apocalypse! You ruined our relationship, you ruined your brother’s marriage, family! For fucking Lila!”

You hated him absolutely. The mere thought of his infidelity, of the nerve to act as if he still loved you, it was all despicable.

You grew to love all of your boyfriend’s siblings, and also your nieces and nephews, even if you and Five were not yet married. You planned to be a part of the family officially, but still wanted to focus on your careers, you wanted to adjust yourself to your old life, back to your origins.

“Y/N, please!” He tried to step, towards you, but you started stepping away.

Thoughtlessly, because of all your anger, you just walked towards the first train approaching you, fully intending to be away from him at whatever cost.

“If you don’t want to take me back, I’ll fucking find my own way!” You hopped onto the train, watching as he tried to catch up with you.

But he was too late.

In hindsight, maybe it was not the smartest idea, but you were just so devastated nothing made sense to you anymore. You spent the past six years thinking that you are set for the rest of your life, now that the world wasn’t ending anymore. You reconnected with your family, you built a career for yourself and were living happily with Five, you had literally just finished settling yourself in the new house you bought together. You couldn’t understand how he could do this to you.

You couldn’t understand how Lila could betray your friendship either, especially Diego and their kids.

You tried to make it make sense, be reasonable- it was only a few hours to you, but they were lost in this subway system for seven years.

But then again, Five was lost in the future 45 years by himself and he didn’t give up on trying to return to his family once.

Now he did, he gave up on trying to return to you.

That’s definitely another aspect that stung.

“Fucking piece of shit,” You mumbled, as the train approached its first station, “How do I fucking get out of here?”

You stumbled out of the sub, taking in your surroundings. It was yet another crumbled down station, but if you were to be at least a tiny bit fair, it was maybe a bit better kept. You looked around curiously, trying to figure out where to go from now on. Your fire-based superpowers were totally useless in this situation, so you hated to admit that you were in a bit of a pickle.

You rolled your eyes, as Five rounded the corner and stopped in his tracks, watching you with widened eyes.

“You again?” You sighed angrily, “Take me back or get out of my sight, Five.”

Five raised his brows, putting his hands in his pockets curiously. He didn’t say a word yet, as a small smile tugged at the corner of his lips. He slowly stepped towards you, not taking his eyes off you once. For a split second, you stopped as well, sending that something was up.

You took in his features, trying to make sense of what was going on, realizing that he didn’t have a coat on him. He was wearing the exact three piece suit an black tie, he was wearing the same silver watch on his left hand, but he didn’t have his coat on.

“Y/N,” He smiled, stopping in front of you, “I never thought I’d see you again, more so here.”

“What the fuck is going on?” You calmly asked, over-analyzing the man before you.

His smile didn’t drop. It was a genuine one, a smile you hadn’t seen in a while. Things between you and Five were okay a few hours ago, but he hadn’t watched you with this look since you first met. His eyes were sincere, taking in every single feature of yours, traveling all over your body.

“I take it your Five danced the devil’s tango with Lila,” He sighed deeply, raising a hand to gently brush away your tears.

When did you even start crying?

Your mind was scrambled all over the place, but at that exact moment you couldn’t say another word. You just melted into his touch, feeling warmth. It really hadn’t been that long since Five touched you, but this touch felt different. His hand rested on your cheek, as his thumb caressed you lightly. His touch was so intoxicatingly sweet, sending shivers down your spine.

“I’m so sorry I’m a literal shitface in some other timelines,” He lightly shook his head, “I’m so sorry.”

“What is going on?” You asked once again, calmer this time.

For whatever reason, you relaxed in an instant. You couldn’t tell if it was because of his gentle touch or simply his presence. Ironic, since just ten minutes ago you were ready to set him on fire.

“Come with me, my love,” Five said, grabbing your hand in his, “I’ll explain everything.”

You didn’t fight his touch, locking your fingers with his. None of you said a word, as you watched you hands fit so perfectly in one another. How could your relationship be over when you were so good together?

You followed Five through the subway station, rounding the same corner he appeared from. You watched as he turned his head to give you a reassuring smile, lightly squeezing your hand in comfort.

After a few more steps and going down a couple of stairs, you widened your eyes seeing a literal deli tucked away in this godforsaken out of order subway system. The headlights above the front entrance were lit up, writing Max’s Delicatessen. You saw inside a huddle of people as you entered, gathering everyone’s attention.

When they all turned to look at you, you literally couldn’t tell whether you or the huddle of people was more shocked.

They were all Fives.

There was music playing inside, as the deli was full of different versions of your boyfriend, whether they were customers sitting at the tables, drinking coffee or having a meal, reading the newspaper or having a chat. There were also other Fives working around, waiting tables or cooking in the back.

Nonetheless, they all stopped to look at you.

“Yeah, yeah, Y/N is here, carry on, you guys,” The Five that was holding your hand waved the others off with his free hand, “She needs a moment, stop being creeps.”

“I can’t tell if this is a dream come true or my worst nightmare,” You said, looking around the deli, as Five guided you towards an empty booth.

You sat down as the other picked up again whatever they were doing, still watching you with the corner of their eyes. Five took a seat in front of you, still holding onto your hand on top of the table, using his other hand to rub small circles on your skin.

“I am not the Five that dragged you here, in case you didn’t tell yet,” Five managed to say, “But I’m pretty sure that you did, since I know you’re smarter than he gives you credit for.”

“He did mention that this subway system is the knot to multiple timelines,” You sighed, as Waiter Five set down two cups of steaming coffee on the table.

You watched him curiously, as he looked yet again exactly like Five, wearing just a white shirt with the sleeves rolled up, with a black tie, pantsuit pants and a server apron around the waist. He smiled at you warmly, setting down two small packs of sugar and a creamer.

“I’m sorry, my love, we don’t have any Irish Capuccinos around here, since you’re the first Y/N to set foot in here,” He apologetically smiled, “I can only get you a shot of whiskey, if you’d like.”

Of course they all knew your favorite coffee.

“Make it a bottle,” You said, cracking a smile for the first time, causing him to chuckle, before walking away to attend to your order.

“I can’t begin to explain how much I missed your smile, darling,” The Five before you said, as you turned back to him, “The Handler got to the Y/N in my timeline,” He added, as sadness took over his eyes, “I missed you so much.”

“I can’t understand how you’re the same Five that fell in love with Lila,” You said, before quickly adding, “I mean- technically, you’re not, but still.”

“Everyone around here is a different version of me, from a different timeline,” He said, “I’m one of the many that didn’t go down that road.”

“Thank you, I guess,” You laughed, making him smile again.

What a sweet smile it was.

“When I lost you, I was a total wreck,” He confessed, as you couldn’t help but place your other hand on top of his, “I love you so much, Y/N, I could never hurt you like that no matter what. This is all such a fucked up turn of events, but when I saw you coming out of that train, my mind froze.”

“I love you too, Five,” You said, “But I need to wrap my head around what is going on- Everything is insane, I mean I’m right now in the middle of yet another apocalypse, I just found out that you love Lila and there’s just so fucking many of you.”

“I know, my love, I know,” Five nodded, “I wouldn’t dare to ask you accept everything so fast, I know it’s a lot to take in.”

“Can you just… hold me?” You asked, watching as he didn’t waste another second and got up to slide ne t yo you in the booth.

Wrapping one arm around your shoulders to pull you into his chest, he used his other one to caress your hair. You nuzzled your face into his shirt, taking in his scent, as you felt a wave of certitude wash over you. Five held you tightly into his arms, embracing you after years of your absence. He was grateful to have you in his arms once again.

And he was not about to let go anytime soon.

“I’ll always hold you, my love,” Five muttered, peppering small kisses in your hair.

The Five from your timeline watched from behind the window as you took comfort in his arms, but not exactly his arms.

This was only the beginning of his lifelong regret.

[ssahotchnerr]

girl!dad aaron reading to his daughter over the phone while on a case! 🥹 just like that one episode of jj and henry 😭🥰

nightmares

i will sob. 🥺 i'm also setting this in ellie's bad dreams era :( cw; fem!reader, girl dad!aaron, slight angst, fluff <3

"It looks like this is his comfort zone." Using a red marker, Spencer circled an area on the map. "If we pinpoint-"

As he was continuing his thought, Aaron's phone rang. He fully expected to see Penelope's name, anticipating her call as she was working her magic to narrow down a pool of potential unsubs. However, his eyebrows furrowed in worry as he saw it was from you instead.

"Excuse me." He spoke lowly yet urgently, keeping his eyes on his screen and hurrying away with no hesitation, missing the team's concerned glances.

"Hey," he answered, closing the door to the empty conference room behind him. There was knowing feeling deep in his chest - and a grim one at that. "Everything alright?"

"Kinda... no." You switched up quickly with a sigh, slight distress in your voice. "I'm sorry, I know you're busy. But can you spare a minute or two?"

"Another nightmare?" Aaron's eyes shot to the clock perched on the wall. While it was somewhat early for him, it was getting late back home, timezones to thank. And doing the math quickly, bedtime for the kids had been about two hours ago. So sadly this - right on schedule.

You hummed in confirmation, beginning with the positive first. "She fell asleep in her bed tonight, actually. Went down easy, not much protest. But then woke up crying, and was nearly inconsolable for a while. She's with me now." Your eyes shifted down to your frightened daughter besides you, who was inching closer and closer to seemingly making herself smaller. "And keeps asking for you."

Aaron glanced out; the team was still preoccupied, discussing the geographical profile amongst themselves, and could definitely manage without him for a while longer. "Yeah, I have some time."

There was a quick rustle as you set your phone down, placing it on speaker. Your voice was farther now, not by much, but it felt treacherously distant, as if more miles had been added. "It's Daddy, honey."

"Hey Ellie Bellie." Aaron's tone quieted, his face softening as he spoke. "What's the matter?"

A light sniffle came from the other end. "I had a scary dream."

"A scary dream, huh?" He repeated, an achy pang producing in his chest. Ellie's nightmares have been occurring for a while now, and indubitably becoming a problem. You both expected the dreams to run their course, eventually pass, and things would return to normal. But as time moved forward, it was becoming clear it was well beyond that as they worsened. "It's okay, you're safe with Mom now, right?"

Ellie nodded, unknowingly to him. Her small voice cracked, laced with tears. "I want you."

"I know, and I'll be home when work lets me, I promise. You can even use my pillow tonight too, if you want." He bit down onto his lip as Ellie mumbled a small 'okay' in response. Hard. "Or how about a story? Would that help you feel better?"

Her head rose up and down again, prompting you to speak up as Aaron was met with only her silence.

"We have a few right here." You reached across her, grabbing the few storybooks that frequented Aaron's nightstand and settling back against your own pillow.

"Your pick sweetheart." Aaron pulled a chair from the table, sitting down and making himself comfortable momentarily.

"Goodnight Moon?"

Goodnight Moon, also one of Jack's favorites when he was younger. Between him and Ellie, Aaron's read it so many times, he had the entirety of the book memorized. In addition, Ellie's other, more lengthy favorites - he had gone through and cleverly taken a picture of each page, all stored safely in his camera roll for instances such as tonight. No matter where he happened to be, he could read the text, while also drawing attention to and discussing the images with her.

"Sure. Get all comfy and cozy up to Mom, yeah?"

Ellie nestled herself more into your side, her head resting on your arm as she death-gripped onto her plush bunny. You adjusted the duvet to adequately cover the two of you, scooting down and propping the book up for the two of you to see.

"We're ready when you are." You told Aaron, brushing a few stray strands of hair away from Ellie's face.

As your brief sentence concluded, a harsh pinch formed behind Aaron's eyes, the guilt creeping in as he pictured the two of you laid together, where he also should've been. His little girl was beside herself in fear, wanted him, and yet here he was. Far away on the other side of the country. He felt as if he were failing her; letting her down.

Aaron swallowed to even out his voice, to sound as cheery as he possibly could, and to refrain any agony from being heard. He took a deep, yet small guttural breath.

"In the great green room..."

[alicentofhightower]

the cost of a dragon

pairing: addam velaryon x wife!reader

synopsis: addam is covered in cuts and scrapes from falling and running in the forest, and now you must take care of him.

includes: fluff, episode 6 heavy spoilers, probably historically inaccurate w some parts but we’re just gonna Let That Slide, not proofread again oops

wc: 1.3k

a/n: i love him so bad. rn my top 3 tb characters are rhaenyra rhaena and addam. he’s so sweet!! i really hope we get to see a lot more of him in the next few episodes

-

Addam is bewildered when he returns to your home, panting, eyes wide and mouth agape. You’ve never seen him like this, but you guess that it’s the dragon laying beside your house that’s done it.

“What’s happened?” You exclaim when you see the way he’s stumbled in, bleeding from a cut on his cheek.

“…The, the dragon,” He mumbles, locked hair spilling over his shoulders. Addam walks over to where you stand by the kitchen table, hands gently grasping your forearms, as yours do his, thumbs running over your skin to ground himself. He smells strange, like something otherworldly. Could it have been because of the beast outside your door?

“It came to me, followed me through the woods by the shore. I think I’ve claimed him. Yes, that’s what I’ve done. I must go.” Addam attempts to retract himself from your grip, but to no avail.

The pots and pans inside rattle when the silver creature lay its head on the yard outside, no doubt resting from its flight. “Please, my love,” Addam insists. “I need to go and see the queen myself. She is in need of more dragons herself, is she not? If I serve her, perhaps she will allow you and I to live at Dragonstone with her. This is our chance.”

You shake your head, apron ruffling from the beach’s wind blowing through the window. Addam has always been ambitious, has always wanted the best for you and himself. He’s fiercely loyal to you, a quality that made you want to marry him in the first place.

“Addam.” Your hands fly up to cup his cheeks, stopping him from continuing on with his tangent. “You’re covered in gashes and dirt and sand. At least let me lend you a hand.”

He softens at that, jaw seeming to unclench. Addam’s brown eyes have always been expressive, and now they seem to look at you as if you’re the sweetest person he’s ever known. “…I suppose you’re right,” He mutters, “but we must make haste.”

Finally, you let go of each other. You use one of your hands to intertwine your fingers with his, and the other to grip your skirts as you lead him to your room. It’s small and modest, mostly swallowed up by the bed you share. “Sit,” You say, almost commandingly, quickly fetching a spare piece of cloth by the tub in the main room and a bowl of water.

Addam’s eyes almost glint at the way you flounce about before him. He spreads his legs so you are able to stand between them, chin tilting up so he can make eye contact with you while you fix him up.

“Let me see.”

He holds out his right arm, palm up, covered in tiny scratches and sand from his poor attempt to escape from his new dragon. Seasmoke, he remembers. Addam squeezes your right hand lightly while the other cleans him up.

You barely manage to suppress a heavy scoff at the mess in front of you, but you dab gently at it with the towel anyway, soaked with water. “What did you do?” You ask, brows knitting together. “Did you try to run from it?”

“Yes,” He admits, face scrunching together at the fresh memory. You’ve told him to be careful of the sky-beasts constantly looming over the two of you, and he knows he’ll be scolded for trying to escape the damn thing.

You shake your head, mostly to yourself, and Addam’s shoulders deflate. “Well, what would you have done?” He asks, exasperated. “My apologies for wanting to come home to you tonight.”

You pinch his arm. “I only worry for you,” You say, voice soft. Addam and his brother, Alyn, are the only family you’ve left; you’d never known your father, and your sweet mother had died of a fever shortly after your seventeenth nameday. She hadn’t been able to last, to see you wed the man you love so dearly.

“…What will you say, when you see Queen Rhaenyra? She may think you are coming as a foe, to battle rather than service.”

Addam hisses as you brush against a particularly deep cut, eyes squeezing shut. “Sorry,” You say, and he only tips your interlaced fingers up to his lips and kisses the back of your hand.

Your husband pauses after he lets your hands back down, considering the weight of whatever his words to the Black Queen will mean. He almost thinks of it as a duty, to you and his brother. To further your ever so small family.

“I suppose the words will come to me when it happens.” He swallows harshly, eyes averted from yours, darting around like he’s telling himself to fucking think.

You’ve moved onto his other arm, now, and suddenly the odor of him has become unbearable. It’s nothing like anything you’ve smelled before.

Grimacing, you drop the washcloth and cover your nose with your hand, taking a step back. “What?” questions Addam, clearly confused. “What’s the matter?”

“Gods, you fucking stink. What is that?”

Addam laughs. He laughs, tension seeping out of him as he does. “It must be the dragon,” He claims, reaching out to grab your waist and pull you back towards him. “Don’t mind it, please.”

You’re unable to fight the smile you feel blooming, because despite the fact that your husband reeks of his new dragon sleeping outside your home, and your feet are sore from walking to the markets, only to find nothing, and your nerves are set ablaze thinking of his meeting with Rhaenyra, Addam is here. He’s here with you, holding you, safe in the comfort of your humble little home.

The feeling is fleeting, only settling in you for a moment, but you tip your head down to press a kiss to his mouth. “You must be vigilant,” You plead when you pull away, ignoring the way Addam’s lips seem to chase after yours. “And you must return to me. I do not know what I would do if I were to lose you.”

“I will be. I swear it.”

You brush away the dried blood on his cheek with the cloth, frowning. “We should leave, shouldn’t we? Fly to Essos, where we will be safe without the threat of war. That dragon is large enough to saddle three, isn’t it? We can go-“

A thumb soothingly presses against your lips, silencing you. “…If I can put the thing to use, it will strengthen us. Strengthen whatever I have with my father.”

Addam had always been desperate to get the same attention from Lord Corlys that Alyn had always seemed to receive after he’d saved the man. You’d never spoken to the Lord Velaryon yourself before, but it was hard to miss the way he’d stare at you when you visited your husband in the shipyard, almost melancholically.

“I do not care for jewels and gowns and for you to be gilded in glory, Addam,” You state, pushing his wrist away from your face. “I care for you. Should we not go now? I could find your brother.”

“No.” He shakes his head, standing from the bed, now towering over you. His fingers, callused from his seemingly never-ending work on Lord Corlys’s ship, caress your waist almost reverently.

Almost every inch of your skin heats up when Addam leans down to kiss your chest, right where your heart is. The skin is covered by the sea-blue gown you wear, a white apron tied about your waist, and you shudder at the feel of his lips on such an intimate spot.

He kisses up from your bosom to your mouth again, firm and sweet and longing. There’s no guarantee you’ll ever see him again, but some strange part of you feels that all will be well. It’s a naive thought, perhaps, but one you welcome nonetheless.

“I will come back to you,” He promises, voice rasping. “I love you.”

[cerisahh]

summary — love language headcanons for the arcane characters (giving and receiving)

characters included — jinx, ekko, silco, vander, viktor

cerisa speaks — literally started writing this the night of s2 act 3 release and only now finishing it if that doesn't tell you something about how inconsistent i am idk what does. ATTENTION PEOPLE IN MY REQUESTS!! i swear to god i will do your request in the next year for sure! viktor forgive me, amen.

jinx — gift giving. jinx's most loyal companion is her imagination so it isn't hard for her to think of gifts that are personal to you that'd you'd enjoy.

we see many of the little homemade trinkets that she's made for silco throughout the years, my favourite being the ashtray he keeps on the desk in his office. so dependant on what you're into, she'll showcase her love for you in the form of a trinket.

oh, so you like to read? she sees you dog-earing a page of your book whilst you two are in her hangout and drops her current project to fashion you a bookmark. you only notice that her tinkering has stopped when the bookmark has been dropped on your lap and she's made a blasé comment about you destroying your book for too long so she just had to make you this so you'd stop.

hiding behind a mask of indifference when giving out her gifts is kind of her thing, but she's anxious to no end to see if you like it. her mind runs a mile a minute; 'don't they like it? do the colours not match? they hate it they hate it theyhateittheyhateittheyhateme-'

until you're holding it carefully between your fingers and your mouth is making that 'o' shape it does when something unexpected has happened. when you say that it's the most thoughtful gift you've ever received she's insistent on making you a hundred more.

physical touch. stop booing me i'm right! let me explain. as we see before powder becomes jinx, she's quite normal with physical contact, we see vi hugging her, putting a hand on her shoulder, claggor helping her down to the apartment, etc.

it's after vi slaps and abandons her that she becomes uncomfortable with physical touch. silco (most of the time) lets her initiate it on her own terms.

one time he doesn't is where she's playing airplane with his shimmer device and he grabs her wrist. she lets him retain his grip for a moment but when she does move her arm away he doesn't follow her. through my own delusions i've come to the conclusion that jinx wants, maybe even craves physical comfort, but quickly feels smothered by it when it's forced on her.

despite this, with the right person i feel like she would be willing to accept physical affection from them. it would take time to establish and develop a trusting relationship with jinx but when you're there, you're there. she's also a deeply insecure person when it comes to relationships of any kind and retaining them so you'll have to slip in some words of affirmation between touches.

her favourite way to receive physical touch would for sure be you playing with her hair. running your fingers through it and scratching her scalp? congratulations, that's your new job. you mention off the cuff how you'd love to see her hair down? suddenly there's a brush in your hands and an expectant and giddy jinx sitting in front of you.

even though she trusts you, she'll still get startled and tense up if you suffocate her with too much affection. holding your arms out for a hug or patting the seat next to you so she can lean into your arms is a much better way to initiate contact with her.

a little extra headcanon, when she's doing your nails she'll use her own hands to hold your fingers still instead of a wrist rest. she says it keeps them steadier so she doesn't make any mistakes but really she craves that subtle contact.

ekko — acts of service. season two episode seven dictates this as canon i'll be taking no arguments on this day. seeing his huge mural of future vi to show powder after he upsets her really just cements this headcanon. this is a pretty big action so i'll focus on the smaller ones for now.

starting off really strong with him decorating your room for you. close your eyes and imagine him building you a shelf to store your books or keepsakes. not only building it but carving designs into it. ohh you like music? well take a look at those carvings of sheet music! and do you spy some new books in your collection (stolen from a piltover library, naturally)

with so many different types of people living at the tree, at the beginning he was pretty much forced to learn how to cook all different types of meals. it paid off though because no matter where you hail from, he'll be able to prepare you any of your favourite dishes.

the more i type about ekko the more i realise he is the best househusband out of the arcane gang. he can cook, he can clean, he's a provider - he is quite literally the entire package. him being a certified pretty boy also helps because everyone needs a little eye candy in their life.

this one is sickeningly sweet but for relationship milestones, and even just randomly, ekko will fully plan out a date night for the two of you. picnics on the top of buildings that overlook the neon lights of the undercity, just the two of you. it's so intimate.

physical touch. now this i truly will be taking no arguments on. receiving physical affection for ekko is huge. we all saw how fast he hugged benzo in the alternate au!!

with so many people from his early life either dying (benzo, vander, claggor, mylo) or leaving (jinx and vi), ekko hasn't really had anyone to offer him any form of closeness. sure, he has the firelights. it just isn't the same though.

so when you come along with all the tender hugs and fond touches that he's been deprived of for so long he knows he's done for. consider him addicted. even just clapping a hand on his shoulder after a fight, hell, LEANING ON HIM?? that man is YOURS to command for now until the end.

knowing you're just physically there and not going anywhere - not abandoning him - he's content to bask in your presence.

quick kisses and brief glances at each other come in abundance. if you're not at the firelights base then you're on the go. it's these times that make you both appreciate the time you have with each other. ekko plans to take full advantage of the downtime you both have between missions. don't expect to stray a few feet from each other.

silco — acts of service. silco's acts of service are usually communicated through orders that he gives his goons. say you offhandedly mention that some shimmer addicts have set up camp in the alley next to your apartment. when you leave the last drop and go home you notice that those shimmer addicts you briefly complained about? gone. without a trace.

i feel like he prefers to give out acts of service to you as a kind of 'i can provide for you, don't leave' kind of thing. you don't need to ask silco to do something, he'll take the initiative. he wants you to view him as a reliable provider. this sounds very 50s but he's an old fashioned kind of guy so it checks out.

not the kind of guy to do chores at the start i'm afraid. he has people for that. maybe you can convince him to wash the dishes after you cook you, him and jinx a meal. but never and i mean NEVER will you catch this man hoovering or mopping the floor. that is just simply not going to fucking happen. you'd have better luck asking him to quit smoking.

not gonna lie he just lightens the load of whatever jobs you need to do so you can spend more time together. the famed eye of zaun is clingy.

physical touch. actually controversial take no way CHILLS! similarly to jinx, silco wouldn't actively look for physical touch in any given situation. he's obviously traumatised by his former best friend choking him out and drowning him underwater. not to mention completely brutalising his eye.

jinx is likely the only person he would willingly let touch him. not even sevika on a good day gets that privilege. you would need to spend a lot of time gaining silco's undying trust. only when you two are emotionally close will you be able to share his touch.

buying you jewellery just so he can feel the warmth of your body heat as he clasps the necklace around you neck. silco is very subtle and sneaky when he wants to be close to you.

his neck is off limits to everyone, even you. placing your hand on his collarbone whilst entangled in bed together is the furthest you'll get.

vander — physical touch. oh i just know this man gives the best bear hugs. physical intimacy with vander is just safety incarnate. when he takes you into his arms it really feels like a breath of topside air after a lifetime underground.

i don't think vander would really like being with a partner that didn't enjoy physical affection. it's not only a bonding experience for the both of you to engage in but also a display of trust that he deeply values.

conveying his love for you with intimacy, non-sexual and sexual is something he cherishes. the level of mutual understanding and relationship building that comes with it is indispensable to vander. basically the keys to a successful partnership with him.

that little symbol of love in the undercity where two people touch their foreheads together? that's the most significant way you can show that you truly care for someone and it's vander's favourite way to connect with you in moments of peace.

words of affirmation. vander is the type of guy to not necessarily need words of affirmation to feel good about himself but will appreciate it all the same. he tries so hard to be a good example to the kids and in general to the populace of the undercity. he wants this life to be better. he wants to be better.

he's the leader, the protector, all the pressure is on him. affirming his efforts through words goes further than you might think.

it's you and him against the world. the brewing political storm that plagues both the undercity and piltover is little more than a distant thought when you're whispering honeyed words to and fro in the dead of night. for a man with such an imposing presence, telling him that you love and need him makes him weak.

with your words of affirmation, he's more certain of his role in the undercity than he's ever been. you renew the passion he had in youth, he wants the best for you and will do whatever he can to obtain it.

viktor — quality time. viktor is all about sharing the same space as his partner. with him being the co-founder of hextech, it's difficult for him to find time alone to dote on you. which is why you''ll often find yourself in the company of viktor (and oftentimes jayce) in their lab, them working on a new use for hextech, and yourself either studying or simply watching the magic (literally) happen.

when jayce is off being the poster child of hextech or following councillor medarda around like a lost puppy, you and viktor will settle into comfortable silences. usually with the only noise being the tinkering of science equipment or the quick scribbles of pen on paper. there's no pressure to fill the room with unnecessary chattering. just you being with him is enough. your presence is akin to a relaxant to him.

sometimes most of the time you'll need to remind him to take breaks when you've been there for hours on end and he's showing no signs of stopping or slowing down. it's a practised routine at this point; he refuses, you leave it alone for five minutes, during this time he is sneaking glances at you when he thinks you aren't looking, waiting for you to ask again.

when you do, he feigns reluctance as you grab his hand to get you both some fresh air and a proper meal. he might actually be part cat now that i'm thinking about it. he just can't help but love spending time with you.

words of affirmation. actions speak louder than words? pft, yeah right. communication is deeply valued by viktor. he's exceptional at deducing someone's intentions behind their words so don't even bother trying to get something by him. it won't work. you try to plan surprise birthday party for him? he's one of the first people to find out about it.

so when you earnestly tell him how special he is to you or how appreciative you are of him, he knows it's 100% what you actually think and BOY does that fluster him more than anything.

he isn't very big on compliments, not that he doesn't value the ones you so willingly give him, but he finds it hard to accept the good and beauty you see in him. there will always be a part of viktor, machine herald or mortal man, that refuses to believe he could be good enough for this type of love. when he retracts inside his mind and lets his doubt drown him, it's you who can pull him out of the water and onto land. telling him that you love him just the way he is will silence his uncertainty.

oh you know what would just about finish him off? making him a lunch box and putting a note in there. it doesn't having to be something poetic, even a simple 'i love you ♡' will be at the forefront of his mind until he gets back home to you.

honestly, if you're someone who expresses their love through words of gratitude or proclamations of admiration then a relationship with viktor will be smooth sailing.

[ratatattouille]

Why Arcane's Finale Fumbled Pt. 2

In my last post, I argued that Arcane's second season was artistically beautiful and thematically cheap. I broke down where I believed the writers fumbled with Vi's, Jinx's and Viktor's characters, and how the conflict of season 2 should have centred around a war between Piltover and Zaun rather than Piltover/Zaun against Ambessa and cosmic robots. I asserted the the real let-down of Season 2 had to do with its themes and its refusal to commit to the political story it had set up.

Well, folks, on further examination, it actually looks worse than I thought, and I'm going to use two characters--Silco and Mel--to break down what makes the message of Arcane so hollow and even a little dangerous.

Let's get into it.

Silco: The First Proposition

Silco and Vander:

Silco is a character CENTRAL to the themes of Arcane. The setup of the entire drama of the show, the central theme, are these questions: what is the price of progress and are we willing to pay it? Should we pay that price? Or as Silco says it quite bluntly to the first kid we see him give shimmer to: “Real power belongs to people who are willing to do anything to get it.” This story isn’t merely about ambition, but a dialogue on what actual progress costs and looks like. What does a better world look like? Is the better world we’re fighting for better for us or others? And what (or who) are we willing to sacrifice to achieve that goal? Vander, when faced with that question on the bridge answers, “No dream is worth the loss of those we love.”

The death on the Bridge of Progress during the early war/conflict had too high a cost to Vander. Silco, however, “had enough.” Unlike Vander, what happened on the Bridge of Progress radicalized him. Silco, while being drowned by Vander, realized in that moment that he would do anything, not just to live, but to achieve his dream of a free Zaun. With or without Vander. Even if he had to sacrifice Vander. And we soon see, that while Vander dedicated the rest of his life to keeping the vulnerable in The Lanes safe (even if it meant making deals with enforcers), Silco was willing to throw citizens of The Lanes to the wolves on his way to achieve independence for Zaun. Silco calls it, “The necessary violence for change.” And in this episode (3 of Season 1) Silco sets forth a proposition for the entire show: does the path to a better world require violence?

Silco and Sevika:

Silco’s new approach to crossing the bridge of progress, the path to freedom is winding and twisted. Silco embraces that, because only the goal matters: an independent Zaun. Silco won’t be at the mercy of the Council or anyone in The Lanes, and Sevika is into that shit. We saw that she percieved Vander as weak and servile to enforcers. Who she deems abhorrent without remorse (Vander and Grayson are both despised by Sevika and Marcus because they are percieved as being too lenient with their enemies). Silco, however, has an ACTUAL plan.

He creates a shimmer enterprise because having this control not only gives him a monopoly on The Lanes (and the gangs within), but leverage when it comes to manipulating the Council. Violence and the threat of war are the official languages of both Zaun and Piltover. It is how anyone bothers to listen to Silco both in The Lanes and within the Council. We know that the rich Piltovians (like those IRL) only speak money. “Progress” to them is prosperity and legacy (and I’ll get more into that later).

By creating the shimmer enterprise, Silco not only gets his foot in the door, monopoly over the other gangs and factions (thus uniting them), but a metaphorical seat at the table. His name has weight now, which positions him to make demands of Piltover and give Zaun a thriving industry (at least when it comes to money). Especially because (as we see with Salo and Lest) shimmer is also used by the elites. Silco is a brilliant tactician who exploits the hubris of Piltovians (like Marcus, who wanted to be in charge so he can neuter Zaunites indiscriminately), and manipulates them to his own advantage (much like Mel). But when Renni’s son is killed in the mines, Silco’s proposition is confronted once again: isn’t it easy to justify necessary violence when no one you love is the collateral?

Silco doesn’t care about Renni’s son, doesn’t see himself as remotely near Renni’s position. When Twitch calls Jinx his “dog” (something Sevika herself wanted to do lmao), Silco gets twitchy. He doesn’t recognize any similarity between his relationship with Jinx and Renni and her son. Jinx is not someone he would ever consider as up for debate. Which was the point of tension between him and Sevika (a Sevika who’s loyalty he KNEW he needed in order to keep control, especially in the wake of Jinx’s volatility and unpopularity). Nevertheless, Sevika doesn’t betray him in that moment, because she still sees Silco as stronger (even though she believes Jinx is a weakness he needs to get rid of). As with Vander, Sevika views affection for their own at the cost of freedom as weakness.

Yet, funnily enough, she is fiercely loyal. She, like Jinx, is Silco’s “dog.” She shares his weakness, the weakness that makes her zealous for a better world in the first place. But what Twitch and Renni pose to both Silco and Sevika is the unsettling question of: are you really willing to go far enough? Or do you still see yourself as an exception? Regardless, when it comes to Silco’s proposition, Silco WAS SUCCESSFUL (and also accurate in his deductions on what would get both cities to respect him and eventaully give him what he wanted - Zaun). His determination and focus paid off, indeed, it’s hard to see how he could have been successful without the “necessary violence”. It is clear that he wouldn’t have. No shimmer, no independence. Silco, for all his gruesome methods, WAS RIGHT. Except . . .

Silco and Marcus:

By exploiting and manipulating the vulnerable of The Lanes, Silco also ensured he would suffer the same fate as Marcus. Unlike Silco, Marcus did horrible things to protect his daughter. Marcus, at first, had started out as a zealous enforcer, eager to clean out the rats of The Lanes. Although he didn’t plan for Grayson to be killed, he was willing to get rid of her in order to ensure that he would get into a position that allowed him to do what he wanted to do: exterminate rats and be the hero of Piltover.

Silco offers him bodies for Stillwater in exchange for ease of shimmer distribution. Silco is willing to sacrifice his own people, the people Zaun is ironically for, in order to gain influence in Piltover. Silco, however, did the opposite. Because he loved Jinx, he recognized her deepest insecurity and sought to assuage it (inadvertently weaponizing it against her and those who loved her). He let Jinx get close and gave her responsibility so she could feel like she belonged (he let her drug his eye, a delicate process, while she was still thought of as reckless and untrustworthy). He brought her deeper into the heart of the violence and taught her to embrace it. He made her a child prodigy of warfare.

He takes a different approach to Vander (who kept telling the kids to stay out of trouble where they could and used himself as a buffer). So was Silco wrong? Was Vander? The answer was, quite poetically and profoundly, their deaths and the resulting silence. Both died, more or less, at the hands of their daughters. This is something overlooked often by fandom. It was Vi’s choice to lead her brothers and sister into Jayce’s apartment that would eventually bring the enforcers down to The Lanes, sparking the chain of events that would lead to Vander’s death (or had things gone “well,” his arrest). Vi is also how Powder got the arcane stones in the first place. Vi’s encouragement (well-meaning and innocent as it was) played a hand in the disaster that followed.

But the fact that both Vander and Silco die regardless, paints an excellent portrait of the constraints of oppression. Both tried different methods when it came to rearing their daughters. Both methods got them killed and thrust their children into peril. Vander could only have shielded Vi for so long, and Jinx could only have taken so much so young before she broke down completely. The fate of the girls is not merely their fathers’ fault, nor their sister’s. The tragedies of their lives happen due to the simple fact that they were born in The Lanes. No choice, on either Vander’s, Silco’s, Powder’s or Vi’s mattered in the end.

They were always playing a losing game, which is what makes it so fucking INFURIATING when S2 comes along and suggests that “ACKTUALLY the reason everyone’s happy in Ekko’s AU is because Vi died/hextech was no more/Silco and Vander made up).” All of those were symptoms of the bigger issue, not the issue itself. And that is the horrible irony of Silco’s story. He WAS right. But his folly was viewing himself and those he loved as exceptions to the rule. For when Zaun demands the final price, when Jayce asks for Jinx in exchange for his dream being realized, he isn’t willing to pay anymore.

Marcus only crossed the bridge of progress into Zaun for the sake of his daughter (as is shown in a chilling scene where he finds Silco playing with her in her room). Likewise, when Silco FINALLY finishes, after all those years, his march on The Bridge of Progress, like Marcus, he dies in a swarm of bullets. But unlike Marcus, he is afforded time to tell his daughter, “I wouldn’t have given you to them. Not for the world.” Not for his dream. So what did Season 2 do with that?

Summary of Fumblings:

-I’ll tell you what Season 2 did. Season 2 took the biggest shit on one of the most fascinating characters in animated history. The reason I didn’t put that much critique up there was to show you how complex, layered, deep and thoughtful Season 1 was with Silco’s character. Silco in S2 became a cheap gimmick flung in our faces like the marketing team was trying to sell Silco plushies following the release. His back-story in Season 2 clashes horribly with Season 1. If Vander, Silco and Felicia were such chums back then, why did neither Silco nor Vi recognize each other when they met in Season 1? They were quite grown by the time the March on The Bridge of Progress happened. Honestly, there’s too many mistakes and inconsistencies with how Season 2 handles the backstory I don’t even see a point in getting to it

-(excerpt from one of the writers) I can't BELIEVE MY FUCKING EYES! Silco’s respect for Vander, despite the fact that Vander tried to drown him (most likely after the carnage on the Bridge of Progress where Vander realized the cost of war), was that Vander remained dedicated to Zaun’s independence, at least, until he began prioritizing the safety of the children over Zaun’s freedom. Silco’s respect for Vander had never been a goal or motivation. Silco never expressed any desire to be respected by Vander. He merely expressed respect, ONLY because Vander, up until he became the enforcer’s “lapdog,” shared his pursuit of a free Zaun. Silco killed Vander for the same reason Vander tried to drown Silco: they had become a threat to what they held dear - Silco, his pursuit of Zaun, and Vander the safety of his adopted children.

-”We build our own prisons. Bars forged of oaths, codes, commitments.” This conversation is SO FUCKING—rips into mattress and pulls out stuffing Jinx hallucinates Silco from within the cell she’s in at Stillwater, maybe the same one Vi had been in. Silco starts off saying something like “It’s funny how Marcus thought putting Vi in this cell was a greater mercy than killing her,” cluing us in to not just Jinx’s mental state but the very real torment it must have been for Vi as a child as well. SO JUST TO RECAP, WE ARE TALKING ABOUT THE PRISON OF THE CYCLE OF KILLING AND VIOLENCE, OKAY. In addition to that already horrible quote above, Silco says, “. . . and it will continue, long after the two of you.” So, folks, IN CONCLUSION, this cycle of violence (which I have already established like a fucking broken record is EXPLICITLY started and perpetuated by Piltover) is eternal and inevitable. Just let that fucking sink in. Let it settle nice and sour in your gut and then tell me how that GERD feels. Not only is that an appalling thing to suggest about any oppressive regime, it’s also untrue. Yes, humanity has not gone a decade without some form of conflict and struggle, but individual societies have been PROVABLY capable of both progress and regress. Both of which require the agency and active participation of others. And Arcane seems to want to show that progress is indeed possible, but it has already declared it, to some extent, a pointless pursuit in this conversation. Which is it, Arcane S2 writers? Is progress worth striving for, or is it pointless? “Oh my god, you’re so dumb ratatatouille!” you say. “Of course they answered the former! Duh! In Ekko’s monologue when Jinx is trying to kill herself, he tells Jinx that someone special once told him that no matter what happened in the past, it’s never too late to build something new - someone worth building it for.” GREAT! DELICIOUS, EVEN! Now why is it that Ekko says this instead of Silco? Why isn’t this something Silco would say, given that this was the entire point of his and Vander’s story? That this is what his arc embodied and explored? “You’re so silly! Obviously Silco is a hallucination!” The show explicitly frames Silco as RIGHT and tries to tie in what Silco says with what Ekko says. More sympathetic viewers will say that since Ekko discovered that Jinx was never the problem, that hextech was, and that Jinx was actually the path towards progress - a path Silco had walked so she could run - Ekko approached her as someone he could finally save (and oh boy am I going to get into why that doesn’t work AT ALL later). Is is not Jinx, but the hextech, the ARCANE, that is dangerous. The hextech is the true jinx. It is what will keep the cycle going. That’s why Silco holds the arcane stone near his eye like that in the scene.

And to that I say . . . WELL THAT’S FUCKING STUPID. I don’t care that “Arcane” is the title of the show. It is the cheapest story gimmick I have seen since vibranium, except vibranium REMAINED a plot device and didn’t usurp the theme or political/interpersonal conflicts in Black Panther. Hextech was a PLOT DEVICE meant to be used to explore the themes which became the ENDPOINT. And this story SUFFERS SO MUCH from that simple change. This is why most critics of season 2 say the story should have remained focused on the interpersonal and political reasons characters did what they did, rather than siphoning all their stories into a mission to stop the evil, mystical stones. It is a fucking stupid distraction in S2, where in S1 it had been a beautiful metaphor, a fragment of a mirror that the characters held up to examine their faces.

But by claiming the cycle was the hextech all along, you just shat on everything that made S1 good.

Which brings me back to what Ekko tells Jinx, that she can still build a better world for the people she loves (like Vi, I guess). That’s why she comes back to help her sister. She cuts her hair (a symbol of letting go of the past) and joins Vi to defeat Ambessa and evil Viktor. This is treated as some kind of continuation (or the true point) of Silco’s “ending the cycle” speech. By letting go of Vi (literally) and Silco (also literally), she can finally . . . er . . . stop “running in circles.” So the show tells us she is BOTH supposed to fight one more time to achieve an autonomous Zaun AND fuck off to a new land to escape said cycle—which, what was the POINT of fighting if she still had to “escape” it in the end anyways?

NO S2 HALLUCINATION SILCO, JINX AND VI DID NOT BUILD THEIR OWN PRISONS. THEY SURVIVED THE CAGES THEY WERE PUT IN AS CHILDREN AND THEY DESERVED BETTER THAN THAT GODAWFUL DUMBASS SPEECH.

Do you see why this writing is so horrible? It contradicts itself so many fucking times, no matter how you splice it. Whether it’s about the cycle of violence being the fault of unforgiveness or hextech. None of it makes any sense because none of it was ever established in season 1 as being the cause for any of those things. And by even SUGGESTING that either or both of those could be the cause, the writers send us two very troubling messages: oppression is inevitable and also, somehow, the fault (rather than responsibility) of the oppressed. Actually no, I think the suggestion from the writers is even stupider: oppression is an option and you can opt in or out.

And that is the ultimate insult to Silco’s character and what he did for the story of the show.

Mel: The Counterpoint

Mel and Jayce:

Mel is Silco’s thematic counterpoint. In the story, Silco proposes that progress costs some “necessary violence.” Mel is faced with this same question as a child, when Ambessa presents her with the last remaining heir of a nation Noxus had conquered. Ambessa asks young Mel if they should kill or spare the girl. “Kino says war is a failure of statecraft,” Mel had said, when her mother told her about how her father had made her retrieve knives on the battlefield at ten so she’d know death. War, Mel is sure, is REGRESS not PROGRESS. It is the breaking down of the state, not the making of one. It’s obvious to Mel that sparing this girl, who looks about her age, is the progressive, less barbaric thing to do. Yet Ambessa insists, “Your brother thinks he can talk his way out of anything,” Likening him to being a fox among wolves when a good ruler needs to be both. To which Mel goes on to describe the kind of ruler the new conquered kingdom will need. A woman “with a kind, fat face to charm her subjects”, but moldable, to which Ambesaa basically says “So basically you? Cool. I’m down, but you have to prove yourself to me. Prove you can take it.” This is when Mel is presented with the ultimatum: choose to spare the girl or kill her. “We can show the people we are merciful,” she pleads on behalf of the girl. But Ambessa is firm. If Mel kills her now (a symbol of the old “regime”), she won’t (maybe) have to deal with any uprisings and kill thousands.

But Mel doesn’t swallow this poison, insists that diplomacy is the superior way, and is banished to Piltover, where she undertakes the task of proving herself. She tries to become the fox. She uses her kind, fat face to charm the Councilors of Piltover and utilizes Jayce to use hextech for Piltover so that her work in the city becomes impressive, cements her legacy as a Medarda, validates her as one of them, and ALSO proves her mother wrong, thus liberating herself from her mother’s cycle of violence and re-instating her rightful station as a worthy member of the Medarda clan.

But it’s not JUST that, though. Jayce’s enthusiasm to improve the world with hextech inspires Mel and validates what she felt so strongly as a child that Ambessa staunchly denied. When Jayce shares his dream with her, she goes all soft and says, “We’re (the Medarda’s) not often in the position to give back.” Which is . . . funny, lol. I think she was talking about herself rather than her entire family. Anyway, to Jayce, Mel was the one who gave him a second chance. He and Viktor wouldn’t have gone anywhere without her help. Jayce is likely the first person she’s felt capable of helping (especially outside Ambessa’s shadow), and likewise, Mel makes Jayce feel indominable (remember: “Nothing feels impossible when I’m with you”). Jayce makes her feel good about herself, hopeful that her ways can work. After all, being the fox has worked for Jayce and Piltover.

But Mel isn’t just the fox, and not for the reasons S2 thinks. Why? LONG before Ambessa sets foot in Piltover, Mel receives a letter from a correspondent overseas. She despairs that Jayce is not ready to be the success she needs him to be. Even after he confides in her about Viktor’s illness, to her it is not a personal loss. Like no matter what the meljayvik or melvik shippers say, Viktor and Mel DID NOT GIVE A FUCK ABOUT EACH OTHER OUTSIDE OF JAYCE. Jayce wants to uphold his promise in helping Viktor, the man who saved him from his own death (AND TRUST ME, WE’LL GET TO THAT) but Mel wants Jayce focused on keeping her investment and legacy IN PILTOVER safe from Ambessa.

So what does homegirl do? She manipulates Jayce into creating hextech weapons. The reason she moves for a vote to make Jayce a councilor on Progress Day is in light of Jinx’s attack. The councilors are worried that someone in the undercity got their hands on hextech and can use it against them. Jayce, feeling responsible for the situation (and that probably having something to do with Caitlyn nearly dying in the attack), proposes to pause all hextech developments until the threat is neutralized. Instantly, we see Viktor’s and Mel’s reactions—panic. Both are running out of time. Mel to make Piltover a success (in that it is able to defend itself from Ambessa), and Viktor to help those dying in The Lanes. So Mel proposes Jayce become a councilor instead.

We next see her examining Jinx’s bomb with Viktor and Jayce. Jayce asks Viktor if it’s possible that Jinx could create something resembling hextech. Viktor, who is busy marvelling at Jinx’s ingenuity and feeling a little proud of his people, says very confidently that “It’s a leap.” Meaning it’s far away from what Jayce and him are developing. But Mel needs SOMETHING to intimidate Ambessa. That, or she recognizes the undercity as a real threat to her dream of progress and prosperity. Legacy. The undercity is ugly and she wants to neutralize it before she loses her chance. Regardless, here, we see her make the choice to be the wolf. The relentless and unmerciful. Focused and driven by her ambition. She will be a Medarda, unlike last time. Armed and prepared. When Jayce asks if she knows for certain that Zaun intends to turn the gemstones into weapons, Mel says, “That doesn’t matter. We’ll assume,” which pisses Viktor off. But then she performs the ultimate manipulation on Jayce. She uses Jayce’s care for the Kirammans and Piltover to convince him that it’s necessary to “protect your people” which, Viktor can tell, does not extend to the people of the undercity.

Once again, Mel is demonstrating that she doesn’t see Zaunites as people. She barely acknowledges Viktor when he protests, saying “That’s not what we invented hextech for!” She merely looks at him, then looks back at Jayce and talks to Jayce. She repeatedly ignores Viktor, talks over him, as if he isn’t there. Doesn’t matter. After all, Jayce is the only one in Piltover worth her time. Piltover is her project, not the dirty undercity. Mel had already sown the seed for Jayce’s rampage by the time Ambessa showed up.

“Stay away from Jayce!” she says, and yet Mel is what brought Ambessa close to Jayce both physically and ideologically. For hextech and Piltover (the City of Progress) to be safe, Jayce has to commit some “necessary violence for change.”

This isn’t only Ambessa’s fault, but Mel’s and Jayce’s errors as leaders. By neglecting the undercity, Jayce fails to see how his innovations could be weapons until it's too late. Mel is also so focused on Ambessa as a threat that she neglects the threat of the undercity, a place that only became a threat because of YEARS of failed state-craft.

Jayce acquiesces to Ambessa's rhetoric since the attack at the bridge, and proposes to the other council members to go into The Lanes with force, which they are all (including Mel) hesitant to do. But then Jayce goes ahead anyways, and kills a kid (which we’ll come back to), and he not only regrets it, but does a 180 and returns, like Mel, back to his core values — peace and progress over prosperity or legacy. He makes a deal with Silco and then goes and tells the Council what’s up. Mel, now utterly convinced of her position, is the first to cast her vote in favor of an independent Zaun, and removes the Medarda ring while she does so, signalling her disdain for all the clan represents. Not only that, but she smears gold over the Noxian ships in her painting, which her mother correctly reads as a rejection of Noxus and an embrace of the Piltover her and Jayce want to build. Mel does not anticipate the attack, and Mel, in the last frame of the finale of Season 1, is the first target of Jinx’s bomb, the first councilor it was going to hit while her back was turned to it.

Mel and Viktor:

Mel’s parallel with Viktor is interesting. Mel’s interest in hextech (and initially Jayce) are to her own ends, later becoming altruistic (Viktor’s interest in Jayce also starts as an interest in his theories although his motivations were altruistic from the start). Jayce reminded her what she wanted to be in the first place. That her family name, like Jayce’s was to his, was a ball and chain around her neck. Holding her back from true progress. From a better world. A better legacy. Viktor comes from nowhere-land. Viktor doesn’t have a family legacy to inherit. Viktor is a Zaunite. And soon, much like Viktor, Mel is going to have to work hard to create her own legacy. Both Viktor and Mel are sort of outsiders in Piltover. As is shown in S2 with Salo, Piltover, the Fake City of Progress, has no accommodations for the disabled, which makes Viktor stand out like a sore thumb (also, Viktor is the one who made his own leg brace). Mel is a foreigner who has to make a name for herself before she can latch onto the Medarda title. Viktor wants the city to be good, while Mel wants the city (and herself) to look good by matching the strength and prosperity of Noxus.

This is why Viktor gets so sassy with her lmao. He sees through her manipulations and notices that she is pulling Jayce away from what they’d set out to do together (he is also annoyed at how easy it is for Jayce to forget). Mel is the one who tells Jayce it would be wiser to let the council members get away with their criminality (all while cracking down on The Lanes), which makes them wealthier, something that pushes Jayce deeper into his own prejudices against Zaun, where he starts seeing himself as primarily a caretaker of Piltover rather than hextech, as a councilor rather than a scientist, and it jeopardizes his relationship with Viktor.

But Jayce helped her re-connect with the values all three of them shared deep down. The desire to help people and make the world a better place. After the bridge massacre, Mel wants to put her charm and diplomacy to good use, and she does so in the Council Room when she votes for Zaun’s independence.

But here’s where the FUMBLE happens. In S2, we see that Mel’s magic seems to have shielded Jayce and herself, but not Viktor. Not only that, but it’s hinted that Viktor’s magic is resistant to her touch. We don’t get any answer as to why that is (although I’d like to think that was Viktor being petty even while unconscious). This is especially weird since the arcane is alluded to be where the mages get their power (and isn’t it convenient that Viktor became a mindless war machine controlled by the corrupted/corrupting arcane instead of a mage when we see that in other universes he is indeed a mage already?). Not only that, but Viktor can clearly “touch” her magic through the puppet, later on.

Jayce keeps asking her why he was spared and Viktor wasn’t, and Mel, once again, cannot answer him. She knows that her magic protected her and Jayce, but once again, Jayce is lowkey asking why all these horrible things keep happening to Viktor instead of him. Why he is spared instead of Viktor. Unlike Mel, I have an answer. The answer IS PRIVILEGE JAYCE NOT THE FUCKING ARCANE AND THE MYSTICAL NATURE OF MAGIC OR SOME UNKNOWN FORCE OF FATE. Viktor’s tragedy was something that could be helped by both hextech and just Piltover not being a bunch of fucking asswipes. Viktor’s “bad luck” was actually just piss poor governance, or as Kino would say, “a failure of statecraft.” When Mel forsook her original ideals in order to pursue her mother’s acceptance and her family legacy, she did what all the other council members did: make themselves comfortable in places of power at the expense of the oppressed. In order for her to reclaim herself, she had to abandon Noxus and her dream of returning or belonging to the Medarda Clan. Mel has to choose between her family’s legacy and her own longing for progress and dedication to mercy over violence.

Mel and Ambessa:

While Jayce has to fight Victor (who is really now reduced to just another weapon Jayce created that’s gotten into the wrong hands - and more on THAT later), Mel’s task is facing down her mother. By removing the context of oppressed/oppressor inherent to the Piltover/Zaun dynamic, we fail to explore S1’s setup for Mel. IT SHOULD BE NOTED that the reason diplomacy worked for Mel and not Silco was because of their differences in power. When Viktor tells Jayce “There is always a choice” after Jayce expresses his doubts regarding what Mel said about the Zaunites making hextech, Viktor was talking about Jayce’s choice. Mel’s choice. Mel could have chosen to be diplomatic, even with the threat of Jinx. But instead she forsook her ideals in pursuit of her desire to become a Medarda and, like her mother in her dream, preferred to eliminate the threat rather than integrate (Zaun). Even if she back-tracked by the time her mom came back.

Mel has to face the fact that, like Jayce, she betrayed her values and initiated something horrible: the war she’d always dreaded and despised. Mel is why Ambessa heard of the weapons in the first place. But S2 doesn’t focus on this at all. It barely acknowledges it. Instead, Mel is sucked into the Black Rose and told she’s a mage and that her mother must die for the sake of nameless nations the Black Rose mentions. You see, Ambessa is a scapegoat. An excuse to halt and dissolve any meaningful discussion on Piltover’s (and Mel’s) hand in the plight of The Lanes.

By making Ambessa the big bad, the council members and other Piltovians complicit in Zaun’s desperation get a free pass. Both in the show and by fandom. In fact, Mel can now be regarded as a hero (one of the GOATs of Arcane, if I recall) for killing Ambessa, then being christened the wolf by her mother. We don’t have to reckon with the fact that for most of the time she ignored Zaun, and that when Zaun got her attention, her first instinct was to weaponize Piltover, saying, “The peace was already broken.” And I’m pretty sure the reason she did this was LARGELY for ambition, because not more than an episode later, she’s backtracking, insisting that Jayce doesn’t know war like she does, that they should simply give Silco what he wants.

So Viktor was right. She wasn’t forced to create hextech weapons. She wanted to do it for her own gain. And Jayce rightfully gets mad at her in S2 when he recognizes her manipulations (even if he himself was complicit). He does, however tell her that “No one can control you and you’ll never be a passenger.” Once again affirming her incredible power—only this time, the focus is magic and not her political prowess. AND ISN’T IT CONVENIENT THAT MEL “DOESN’T UNDERSTAND” HER EMPATHIC POWERS SO SHE CAN BE TECHNICALLY EXCUSED FROM HER DECISIONS IN S1? HOW COOL IS THAT?!

Lmao when Mel starts lecturing her mother in the finale with “Mother, look at the price of your ambition,” it’s like . . . okay? You exacerbated this war long before your mother, girl. You were the one on the council for YEARS before she arrived. Mel, like Caitlyn, gets to play saviour while barely taking any credit for the fact that she was largely responsible for where Zaun and Piltover ended up (sis literally determined council votes singlehandedly). When Mel stands on the other side of the Bridge of Progress, she sees a trail of violence. She decides to cling even more firmly to her core values. Silco was right, but so was Mel. You see, diplomacy wouldn't have worked for Silco, but it could work for Mel, because Mel had power.

Summary of Fumblings:

-And what was that, “(Piltover is) the city I built for my family” BS? By the end of S1, it is clear that Mel wants NOTHING to do with being a Medarda anymore. She wants to keep Noxus and Piltover SEPARATE. So why does she tell her mother, “You will never be a Medarda” as some kind of gotcha? Lmao, like why tf does that matter? How would she know? Why would she care? Other than her and Kino, what other benevolent Medardas are out there that makes her say this?

-The Black Rose warns Mel of Ambessa’s “thirst for legacy” (much like Mel’s) leading to a worldwide calamity. Mel wants to imagine that her mother prizes her own children over her pride, but the Black Rose insists that’s not true. That Ambessa is willing to sacrifice her children for more power and legacy. We do understand, however, that when Ambessa is confronted by the Black Rose, she is resorting to hextech so she can avoid using Mel (”she’s safer as our enemy”). AND THAT WOULD MAKE SENSE IF THE THIRD ACT ACTUALLY ACTED LIKE IT. How is Mel going to be this really great weapon that Ambessa doesn’t want to use because she loves her (which like, why didn’t she love Kino then if it wasn’t about magic?), but also simultaneously SENT AWAY TO A DISTANT LAND OUT OF HER WATCH? So now she’s hiding Mel, but she wants to pursue the arcane that is waking her mage-ness up and making it impossible for Mel to hide? Ambessa was literally there in the council room in the aftermath of the explosion. She knew Mel had used magic to protect herself and Jayce, but she didn’t do anything? Say anything?

Now most of this is clearly setting up another story in Runeterra (which means my criticism will ultimately be left to conjecture), so I’m going to focus instead on her last words to Mel: “You are the wolf.” The wolf being a symbol (at least in callback to season 1) of ruthlessness and fearlessness: the opposite of mercy. Why does her mother say this? Because Mel finally made a kill? Or because she killed to protect what she built? Finally embraced her power? Yeah, let’s go with that last one. Mel’s development in S2 becomes one where we focus on the power she’s always had, both magical and influential. Yet the show focuses more on the cool magic part than the rammys of Mel’s decisions in S1. It ignores her political power and frontlines her magical abilities, even making her political prowess partly due to her magical empath powers . . . like . . .

-Mel had dislodged her legacy from the Medardas by the time S2 rolls around. . . except no she hasn’t. In the end, Mel is sailing back on the Noxian ships she painted over, and she is doing so as the new Warlord (even wearing what looks like her mother’s cape) because she is the badass wolf, the leader that her mom wasn’t. And how did she achieve that power? Magic. Why does she want to go back? To reform the Medarda name? To take on the mission her mother couldn’t finish against The Deceiver? Because Jayce is dead? Who even cares at this point, this is mainly happening for the spinoff. It isn’t illogical, it’s just the least interesting approach to her character. Mel had much more agency in S1, and her political prowess made her formidable. But that doesn’t matter anymore.

-Her whole arc in S1 was all about her finding the courage to leave the Medarda name behind in pursuit of true progress, but then she kills her mother and sails away from Piltover, the city she fought to protect and killed her mother for and is all about probably reforming the Medarda name—and that’s her job done? Is it me, or is that a reversal of her—pardon the pun—progress? Also, she grew up in Piltover, it must be more of her home than Noxus ever was. Not only that, but making Ambessa go from an imperialist tyrant to this woman bravely fighting against a larger, more powerful threat cheapens what Noxus represented for me. Sometimes conquerors do be conquering, and they make threats up to justify their greed. Not the other way around. It’s not too egregious, but it would’ve been nice if the Black Rose had been more of an epilogue thing.

-sigh I know I’ve said it before but it’s because it’s true . . . the conflict should have remained between Zaun and Piltover and Ambessa was a cheap way out of what S1 was building up

-Ambessa was not who Mel needed to physically defeat, but someone she needed to ideologically defeat. And we don’t see any of that. By the time Ambessa calls Mel “the wolf” it’s hollow, because it’s about Mel being a more powerful combatant than a wise ruler. In this moment, her “foxness” is about how she figured out the “deception” of the Black Rose and not how she outmaneuvered her mother politically. Perhaps it would be epic if we knew what the fuck she meant by “I see your face deceiver!” and then super sayan-ing out of nowhere. Her not having mercy on her mother is about being a Medarda, a question that wasn’t the focus of season 1, merely a catalyst. Becoming a Medarda was the goal Mel had, not the need. She needed to learn how to rule. Instead, she learns how to kill. And then she’s off to her home in Noxus as more of a soldier and spy than a queen. 

Which likely means two things:

-S2 got bored of Mel and just gave her cool reflective powers to make up for it. Making every interesting development about her character happen off-screen, in the writers room, or on another show.

-S2 was deliberately trying to communicate that it sided with Ambessa. That violence and combat, war, is not merely a failure of state craft, but necessary or inevitable to political growth. That militarism is the only thing that can answer militarism. That the only way to ensure the progress you make is secure is arming yourself. Even though this topic has some grey areas, Arcane explicitly picks a side by narratively using Ambessa to justify Piltover’s weaponization of hextech.

i know fandom has a lot to say about Mel being a “strong-black woman” character, but as a black woman myself, I hated how they stripped her of what made her such a strong, enigmatic presence in S1. Her prowess, her wit and cleverness. Her sheer intellectual power made her so FORMIDABLE.

She’s just a lost, hurt uwu little puppy for most of S2 before she’s given her US government assigned Avengers superhero uniform.

Mel in Act I was already using Lest to spy and we almost got a good story then—POOF!—Black Rose.

-Mel’s contribution to the development of hex-tech every step of the way is completely ignored. Instead Viktor and Jayce take full responsibility.

Conclusion:

Mel and Silco's arcs both ask: is violence necessary for progress? Both answer yes, but Mel's remains a little unsatisfactory. Because Mel had a choice. She had power. Power that Silco was willing to do (almost) anything to get. Both Mel and Silco's presence in S1 were formidable, and what made them so intriguing was there thorough understanding of people, both the good and the bad. But in S2, at least for Mel, what made her such an agentive character is thrust aside for spinoff hype. It's not that it isn't cool, it is. It's just one of the things that made S2 feel not only chunky, but disconnected from the roots of its story in S1. Both Silco's and Mel's characters in S2 reveal a very poor (or troubling) view of oppression, power dynamics and politics.

Anyway, that's just me. I was gonna do Ekko, Caitlyn and Jayce as well, but this post got too lengthy. I'll probably need to whittle it all down later. I've already cut so much.

[miraculouslbcnreactions]

I think a more charitable interpretation of the statue scene being when Adrien first fell in love with Marinette is that he’s lying.

I think contextually with the way his expression is animated the moment Adrien started to see Marinette differently was when he practiced her confession with her as Chat, but Adrien can’t tell her that. So they picked another scene from the show for him to lie about as a cover.

This isn’t to absolve the show of bad writing. It’s extremely telling that the romantic leads interact so infrequently out of the mask that the statue scene was their go to.

It also doesn’t help that we rarely get any insight into how Adrien thinks. Meaning we only have on screen actions to go on regarding his unreliability as a narrator and as a superhero.

(Post that spawned this ask or possible this one, not 100% sure since both reference that scene)

While this is obviously not what canon was going for, I utterly adore this as a simple fix to the problem. What a lovely idea that could have been perfectly in line with the show's humor. Just have Kagami ask Adrien when he started feeling like this for Marinette, leading him to flashback to:

The Glaciator balcony scene, but oops, can't talk about that one, he was Chat Noir

The Weredad confession and date, but oops, once again, can't discuss that because he was Chat Noir

The Glaciator 2 confession to "Buttercup", but oops, he's once again Chat Noir

Could even throw in an Evillustrator flashback, but once again, he can't talk about that because he was Chat Noir!

Between each flashback we see Kagami getting ever more impatient so Adrien finally just blurts out something about the wax museum based on a poster behind her head and the rest of the episode is him having to pretend that the awkward almost kiss was the moment while Marinette, Luka, and Kagami all look at him like he's nuts. It could have been amazing! You could also do a variation where the flashbacks happen throughout the episode as Adrien remembers his favorite moments with Marinette, but he can never talk about the real memory because it was with the wrong him.

Then again, that would probably eat up the whole 20 minutes, leaving no time for an akuma attack, so it wouldn't work for Miraculous as every episode has to have a fight in it, but that's not an argument against this idea. It's just another argument for why a romance is poorly suited to an episodic formula show that's incredibly strict about being both of those things!