#and i would have liked to see an episode where we see what happens between the car ride home and shelly being. well

[whateverisbeautiful]

Do you think Rick ever attempted to tell Michonne how he felt about her? I wondered if he tried and got scared or someone interrupted them. How do you think Rick trying would have gone?

I really like this question too! I can absolutely see there being moments where Rick wanted to tell her how he feels and maybe even came close to before something stopped him. Since in TOWL he admitted he didn’t know what to do about being in love with her for a while there, I think those mints ended up being pretty important in helping him finally figure out how to let Michonne know how he feels about her.

This post actually feels like the perfect place to put my Part Two of what I think happened with Rick and Michonne during that time jump between No Way Out and The Next World because I address this question some more in my play-by-play. So this is Part Two - what I think happened in that time jump to make Rick and Michonne be like this the next time we see them in 6.10 ⬇️💗:

As always, my extra self has to start right from where they left off in No Way Out, which includes one of my favorite TWD episode endings when Rick speaks to Carl and then Carl ever-so-lightly takes his hand.

I’ve always loved the staging of that scene too with Michone holding Judith right outside the room. It’s such a visual confirmation of the family unit they are. And I can envision that when Rick notices that Carl took his hand he calls Michonne in to tell her about Carl’s movement and they're really happy and relieved and it’s a moment where it’s pretty hard to ignore how much the two of them feel like a mom and dad. 

So then I’d think that Carl probably has to stay at the infirmary for a certain amount of time for Denise to monitor him in the earliest stages of his recovery. And Rick and Michonne visit every single day to be with Carl and help look after him. I feel like the community probably agreed that after NWO, Rick needs a little break from leadership so that he can focus on tending to Carl. So during this time, others step up around the community while Rick and Michonne have a lot more time to tend to Carl and be at home with Judith. I think spending all that time together really tightens Rick and Michonne’s bond even more.

And one of the biggest things I’m convinced we were robbed of seeing during this time jump is the increase in Richonne’s physical touch. I think Rick and Michonne got a lot more comfortable with showing affection through touch during this time. Nothing blatantly romantic of course but like those little low fives or nudges on the couch. They start doing those types of touches a lot more often. Along with ramping up the flirtation and the little glances that suggest this dynamic isn’t nearly as platonic as they’ve tried to act like it is because there’s some real yearning and desire evident during this time.

I can picture that there’s one night where maybe Michonne puts Judith to bed while Rick is downstairs putting away dishes and then on the way to her room they both just end up sitting on the couch and staying up late talking - something they subconsciously might have been more hesitant to do when Carl was in the house prior considering the whole son’s best friend/best friend’s dad thing. But while Carl is still in the infirmary, they end up feeling a bit more comfortable to spend this time together at night. And those nighttime chats then become a staple part of their daily routine that Rick and Michonne both really look forward to.

Like it’s so a part of their routine that even when they’re tired after a long day, they go to the couch instead of going to bed because they want to make sure they still get that time to decompress together.

And I think their conversations just flow so easily and they operate so organically as best friends, while also knowing it’s getting harder and harder to act like all they are is best friends. Especially when Rick decides to officially remove his wedding ring during this time - something I imagine Michonne did notice.

I feel like Judith also starts really clinging to Michonne like a mom during this time. Like I always love it when the baby who plays Judith reaches for Michonne during that 6.10 scene on the porch and even sounds like she says Michonne’s name. I always like to think that Judith feels so bonded to Michonne by that point.

And maybe Rick and Michonne even like to make predictions on when they think Judith will start crawling as they often like to smile over watching her "practice" on the baby monitor during their nighttime chats.

I can picture that on one of those nights, Rick thanks Michonne for saving his and Carl’s life when Ron had that gun on him and notes how she’s saved his life quite a few times and he feels like he owes her. And she’d tell him that he doesn’t owe her and again the silence after is so clearly her “because I love you and you’ve given me a whole family” but she doesn’t say all that and Rick doesn’t profess his love yet either. They just let the nice moment be. 

So then there’s the portion of time when Carl can finally come home and Denise teaches Rick and Michonne what they’ll need to do with Carl home, like how to wrap his bandages and do physical therapy. With Carl home, I picture that Rick and Michonne get a good routine going of how to take care of him and help him during this time of adjusting to his new life with one eye. It's all just even more confirmation that the two of them parent and operate like a well-oiled machine.

Some days are smoother than others because I think Carl would understandably have some days where the recovery is frustrating for him. But Carl is a fighter too so overall he’s resilient and keeps a good spirit during recovery. And Rick and Michonne try to make things as smooth as possible for him and they’re able to lean on each other when it’s hard or emotional to see Carl struggling. They’re both just so grateful Carl is alive. 

I think the four of them would have family dinner together every night and Carl can even peep that the bonding Rick and Michonne have done lately is so clearly because they’re into each other. Like I just know that the look Carl gave Michonne the morning after she was with Rick has to do with Carl being like I knew I was picking up on the right vibes in this house all this time. 😂

In my mind, I imagine that Michonne is best at changing the bandages so she often is the one who does that for Carl in the mornings. I think one of those mornings she’s getting ready for the day and realizes she’s out of toothpaste. So, wearing her robe and towel, she initially is going to ask Carl to borrow his before bandaging him but then she sees Rick’s bedroom door is open so she just asks him.

And Rick does have some toothpaste left and gives it to her while trying very hard to just seem casual about her showing up in her robe the first time lol. But he’s definitely not mad at the sight he sees. 😋

And then soon it just becomes a thing for Michonne to borrow Rick’s toothpaste in the mornings during their family's little morning routine.

Rick and Michonne still of course want to contribute to the community so Rick starts going back out on those runs with Daryl and Michonne takes on some guard shifts at the gate. Once again, I think Daryl is observant that Rick has been real cheery lately and he knows that, on top of the good news of Carl surviving and the community proving they’re capable of surviving too, it’s whatever Rick has going with Michonne that plays a big part in why he’s smiling and snapping to music on their supply runs.

I also think on Rick and Daryl's supply runs, Rick would always somehow find ways to bring up Michonne in their conversations - because he’s a man in love. And Rick thinks he’s bringing Michonne up casually and subtly but it’s not either of those things to Daryl lol. But again, Daryl mostly keeps those observations to himself, even tho the thought "if this idiot doesn't make a damn move on her already" likely crossed his mind at minimum three times.

There was a time when I would have thought that maybe Rick never outright told Daryl that he had fallen for Michonne pre-canon. But honestly seeing the way Rick is a guy who can wear his heart on his sleeve at times, I wouldn't be surprised if maybe he did open up to Daryl more straightforwardly about how he's in love with his son's best friend and doesn't exactly know how to best proceed. And Daryl is a man of few words but I'd imagine that even the few words he'd offer up about the situation would be somehow helpful or reassuring to his brother.

And then, even with Carl home, Rick and Michonne definitely still continue to have their nighttime chats between just the two of them. Even tho now maybe sometimes Carl will come downstairs for water or a snack and be like 'you guys are still up talking?' 🤭

I do think there could have been one night where they were talking and laughing, and everything in Rick wanted to just tell Michonne how he feels and even lean in and kiss her. Because again, he’s aware during this time that he’s in love with her.

Like maybe there’s a moment where Michonne even asks about why he stopped wearing the ring, sorta like how she asked Carl why he stopped wearing the sherrif hat in season 4. And Rick is about to say something about how it didn’t feel right anymore to wear the ring while he’s in love with someone else and he’d turn that into the moment he tells Michonne how he feels about her…But I bet they do have something that interrupts his chance. Like maybe Judith starts crying or Carl or Daryl walks into the kitchen or something so they sorta have to just let the moment pass again.

While Michonne would have reacted really positively to Rick professing his feelings for her at any point during this time jump, I think the actual timing of how Richonne got together ended up being perfect for them. After all the build-up of their slow burn, I think it’s better that their first officially romantic moment didn’t have to be a whole conversation but rather them just leading with their hearts and being passionately in the moment, rather than Rick perhaps directly telling her he’s fallen for her and maybe nervously adding something like “if that’s too much right now I understand” like the talk they had in 4.11. 

But I think these unseen time jump exchanges where Rick hoped to “find his moment," is also part of why Rick had that look that he had just before he kissed Michonne in 6.10. In that scene, I always feel like he looked at her like I think this might finally be my uninterrupted chance to kiss her and oh wow she looks like she wants me to.

I also feel like some of Rick’s hesitation to make a move before 6.10 was because he really didn’t want to potentially ruin what they have now by moving too fast or escalating in a way that Michonne may not want. So I think he just decided in his mind that if ever she gives the green light then he won’t hold back in letting her know how he feels, but he’ll wait until she’s comfortable enough for that. 

Until then, he’s just loving all their little exchanges throughout the day. And Michonne loves it too. She’s also aware she’s fallen in love with him by this point, but Rick is her best friend’s dad and they have such a good thing going as a family that I think she too is hesitant to make her feelings known and find out if it’s mutual. So like Rick, she's working up to it. Especially with Deanna’s final words to her ringing through her mind often during this time - “What do you want? Now you go figure it out.”

But one morning, Michonne remembers that she still doesn’t have toothpaste of her own so she goes up to Rick’s room to borrow it like she normally does. However, this time he’s all out too. And so is Carl.

All of them being out of toothpaste ends up being a blessing in disguise tho. Because fortunately, this is also the same day Rick very intentionally finds the perfect minty alternative. 😌

And those mints lead to Rick and Michonne finally acting on all the blatant love, desire, and sexual tension that they’d been steaming up the house with the last few weeks. 

And that’s my 'little' detailed play-by-play of what I think life was like for Rick and Michonne during that very impactful Season 6 time jump. 👌🏽😊

Also, I had said in Part One that this Part Two would possibly be less lengthy, but I checked and this one is longer than the first. 😅 They were just too fun to write and imagine. Thanks for reading them! I really do appreciate each person who takes the time to read my thoughts. 🙏🏽💕

[myechoecho]

When the Phone Rings, ep 8

I have so many thoughts on this one.

Sa Eon avoids Hee Joo's question about being a good cook. He may say it's sincerity, but I suspect it has much to do with him being forced to eat foods he did not like. I do love that the communication is more open between them, even if Sa Eon is hiding who he is. I laughed at Hee Joo mentioning them no sleeping together and Sa Eon pouncing on that point.

Sa Eon mentioned a plan, which I am thinking he's been methodically working on a way to break free of his own prison. Hee Joo is not part of that plan, so he has been protecting her this entire time.

The back hug was adorable, and we get Sa Eon's inner thoughts which parallel many of Hee Joo's. He fears that she will not accept his true self or forgive him. Hee Joo dreaming that he's left means she has insecurities around him. I adored the spooning in bed, which is a contrast to an earlier episode where they faced one another.

I did like Sa Eon chasing down Hee Joo and Sang Woo. It was surprising to learn that Sang Woo also knows that Hee Joo can speak. Sang Woo is definitely shocked that Hee Joo just goes with Sa Eon so he does not know about their relationship. He also seems genuinely confused at Sa Eon's suspicions about him.

My favourite scene, hands down, is the one by the side of the road. Hee Joo explains why she's scared, why she has doubts and that she thinks she'll be left alone when she learns his secret. What she needs to be reassured is for him to come completely clean. They both need to share their worst in order to be stronger. Sa Eon does not come clean, though he definitely gives some hints.

In the end, what reassures Hee Joo completely is the company photos where Sa Eon's gaze is always on her.

I am actually very invested in the other plot about the past. I genuinely do like In A, and I do think she is on Hee Joo's side. She definitely does not like her step mom and I don't think she's thrilled about her dad. I do also like that she does not pressure Hee Joo to talk.

Kidnapper guy sniffing up Sa Eon and saying he smells nice further still says to me that he is the OG Sa Eon. Our Sa Eon clearly worked around fish and the kidnapper has a fishy smell. Add the fact that our Sa Eon's "parents" recognized the description of the bi coloured eyes and mom gave a coded message.

However, I am less convinced of my previous theory of our Sa Eon having a twin. The pictures we see in his childhood home are only of him. The twins are still key though. Whomever Sa Eon saw being drowned by who I am guessing is the Chairman is one of the twins. The one who is the "master" of OG Sa Eon is the other twin. While I am still suspicious of the assistant, he seems significantly younger that Sa Eon.

Also, wtf happened in the past? i have so many questions:

Did the grandfather kidnap boys from the orphanage, whom he assumed no one would miss, so that OG Sa Eon would have something to torture/kill and then they'd dump the bodies in the lake?

Why did our Sa Eon's father/grandfather go along with it? It seems like he knew and he let the lake be a dumping ground?

Why did he let our Sa Eon go?

Why did Chairman Paik go to Hee Joo's step father for help, ON HIS KNEES, with a gun to his head?

Why did Hee Joo's stepfather help? Why did he make the deal and what does it have to do with the accident that killed his son and caused his daughter's deafness?

Did the Chairman know who was behind the accident and Hee Joo's stepfather was able to take revenge in his own way?

Why is everyone worried about THAT PROBLEM being still alive?

How did the grandfather/father know HE was still alive?

Who tf is HE, exactly?

I suppose I could be wrong about the kidnapper being the OG Sa Eon but I don't think so?

[warblogs17282]

I''m busy thinking about how this part of the episode is supposed to directly mirror what's already happened in the show.

Ignoring the obvious s1 e1 reference, let's start with the backstory behind this hit.

Something that this show makes very clear is that she is supposed to represent Stella, for multiple reasons that I will point out in this post.

Instantly starts out with ex-husband, just like with Stella and Stolas.

The next line proceeds to mention daughters, which is obviously the show planting the seeds for the scene yet to come, the Stolitz family scene. The daughters are very clearly supposed to represent Octavia and Loona.

Plus, the whole 'Can't stand my ex-husband enjoying himself' thing is also supposed to mirror Stella in a way, because guess who else purposefully went out of their way to ensure that their husband/ex-husband never was able to truly enjoy himself.

"When he fucking left me for another man!", when he left me for another man who was able to show him actual, true happiness. Just like how Blitz did just that for Stolas.

I also really want to note Blitz's and Stolas' reactions to all of this, for Blitz, even though he knows almost nothing about Stella, you can already tell he's put some pieces together and realized 'oh shit, this is sounding extremely similar to what happened between me and Stolas.', especially considering the way he looked over at Stolas when she finished talking there.

Which explains why Blitz looks so nervous and trying to talk her out of carrying through with the hit, before just outright denying the request, because it hits way too close to home for him as well. With the next thing she says after this scene pictured below just nailing the similarities home to Blitz.

As for Stolas' reaction, you can tell even before this moment that he's also realized just how similar the whole situation is to his own, and that detail tells us that Stolas isn't just talking about the person the client wants dead, but also himself.

Stolas thinks he's selfish for choosing to be with Blitz, Stolas thinks that he deserves death because of his 'selfish' choice to be with Blitz. Stolas likely thinks at that moment that he deserved to be killed by Striker for his 'selfish' choice.

And well, the show definitely doubles down on showing us just how evil the client is, just like Stella.

Then we get to the moment where every single similarity undeniably falls into focus for Blitz. Blitz doesn't see a random gay couple with two daughters he's been paid double to assassinate a member of, he sees himself, he sees Stolas, and their own respective daughters all in the same room as each other, he sees his dreams for the future with Stolas, and their daughters.

He sees a future of domestic bliss with the four of them, the future he's hoping he can achieve some day.

And because of all of these similarities between the family and Blitz himself, he cannot bring himself to ruin a happy family, can't bring himself to ruin what they have, can't bring himself to ruin what Blitz dreams for, can't bring himself to kill the person he envisions as Stolas, and can't bring himself to ruin the family that he envisions as his own as well.

Plus, Blitz would never be able to truly forgive himself if he took that shot, if he killed that man and ruined the family Blitz places himself in. Blitz would see himself as being no better than Striker if he did take the killing shot.

Because, let's compare s2 e4 and this episode for a second.

"Ex-wife hires assassin to kill their ex-husband with a daughter for extremely evil and selfish reasons."

"Ex-wife hires assassin to kill their ex-husband with two daughters for extremely evil and selfish reasons."

Even if Blitz only understands the s2 e4 hit as "Unknown person hired assassin to kill father with a daughter for unknown reasons.", as I've pointed out before, everything about this assassination hits way too close to home for Blitz.

Blitz has probably already realized at that moment that if Striker had killed Stolas in s2 e4, all of his hopes and dreams of having a happy family with Stolas, Octavia and Loona would instantly go up in flames.

So, why would Blitz want to ruin a family that has what he hopes for in the future? Why would Blitz want to kill the person he envisions as Stolas? Why would Blitz want to kill the person he envisions as Stolas, especially when Striker almost very well killed Stolas, which would've ruined the dream Blitz has that we see here if Striker had succeeded?

What I'm getting that with this is simple, the client represents Stella, the ex-husband represents Stolas, the daughters represents Octavia and Loona, and Blitz represents Striker.

But Blitz isn't Striker, Blitz could've very well chosen to be play the role of Striker and kill that ex-husband, ruining the family as a result for some money, but he didn't, Blitz saw the happy gay couple and their daughters, saw himself in it, and decided the money wasn't worth it, stopping himself or anyone else in the team from taking that killing shot, because Blitz simply refused to play the role of Striker, Blitz played his own role, which is himself.

Blitz is not Striker, and I feel like this moment goes to show even further that Blitz and Striker are supposed to be narrative foils to each other.

[vladdyissues]

so i've mentioned before how i think reign storm made vlad want danny's babies and i feel like you might like what i'm getting at when i expand on it because i am drawin' on ALL the lore for that headcanon

so in season 1, we absolutely got the arc that Vlad had a bit more in common with Jack than he wanted to admit (interests, skill, the ability to hyperfocus until the ectofilter makes their house explode), and that he was desperate for people to love him but unwilling to see them clearly enough to actually love them--he would happily sand off any traits incompatible with his vision, before accepting them as-is. he especially wants to sand off all the traits in danny he associates with Jack

if their relationship had changed in s1, it would be badger cereal all the way down for me. you could not get me to romantically ship it again, even with the chemistry, for love nor money. but it didn't

and then we got Reign Storm in S2

where we got to see vlad and danny being their most sincere and straightforward around each other. vlad was sincerely a magnificent bastard and danny was sincerely not putting up with his shit, but they're so much of their authentic selves only around each other. vlad still wants danny to be his son, to be influenced by him... up until the Pariah Dark fight

i am 100% certain he never meant for Danny to win there. he was waiting for Danny to wear Pariah down and pass out where Vlad could take his place in the suit and win, getting the credit AND the kudos for saving Danny. but that's not what happened

Danny, a younger, weaker, still half-mortal being in a suit actively draining him managed to win against Pariah Dark, who was so powerful it took multiple implied gods to seal him away the first time. all without Vlad having a single moment of true, lasting influence on him. and my theory...

is Vlad's ghost instincts saw this, finally saw Phantom as his own unrelated entity, and went "THIS ONE. MAKE BABIES WITH THIS ONE. LOCK HIM DOWN NOW, HE IS GOING TO BE A LEGEND"

(and so we get Dan and Dani in the same season)

and in every episode after, it is clear Maddie takes a backseat to Danny for him. he doesn't even plot the murder of Jack in any real way until the series finale. his focus is 100% on Danny and making his own Danny using the original Danny and/or putting Danny in a submissive/pliant position

i don't think he's consciously aware of any of this. or, if he is, he hates that he's thinking that way about someone nearly thirty years his junior. but i do think there's a hell of a story in half-ghost instincts being misinterpeted between the two halves of themselves and having to adapt to being their own, separate entity from humans OR ghosts

and that is my comprehensive explanation as to why I headcanon Reign Storm made Vlad's metaphorical ovaries start screaming for his attention

OH.

Shit. That's perfect.

Of course Vlad would wait until absolutely necessary to jump in and deliver the coup de grâce to Pariah. (Let the pawn sacrifice himself, do all the work, King takes credit, etc.) But the pawn... held his own?? The pawn fucking put that thing back where it came from or so help me?? By this time Vlad would surely know how to spot a good investment, and I just know the inside of his head sounded like hitting the jackpot at a Vegas casino when he saw Danny put the smack down.

Is there such a thing as Investments to Lovers? Arranged (Baby) Carriage?

Another thing you're absolutely right about is how Vlad's obsession with Maddie dropped off immediately after Reign Storm. Excepting Phantom Planet, naturally.

I love this meta. It's pure rocket fuel.

[pimento-playing-hopscotch]

I love this show and it means a lot to me,

and I feel disappointed and a little bit misled tbh by the choices they have made-

These are two thoughts that can coexist btw

[cirnogaming]

would you guys still loved me if i told you i kind of liked season 15.

[imtryingandtired]

This but Kah and Ahk

[apilgrimpassingby]

I thought today - the TV show I'd really like to see is one about a medieval monastery.

You could have all kinds of characters: the pious guy who joined because he wanted to serve God, the son born out of wedlock sent there to cover up his parents' shame, the geek who wanted to study Latin but couldn't afford to go into university, the former knight sick of violence and afraid for his soul... Plus monasteries were centres of pilgrimage and places where criminals could take refuge, so we can have a lot of characters who crop up for a few episodes and leave.

Some plotlines I thought of:

Our relics aren't bringing in the pilgrims the way they used to - what do we do?

A women fleeing an abusive marriage has taken shelter in the monastery - how will the brothers respond to having a women in their midst?

One of the monks wants to leave - will the abbot accept or not?

A murderer has taken refuge in the abbey, and the abbot decides to try and save his soul - what will happen?

People are coming to the monastery for food during the famine, but the monastery is itself short of food - how will this be dealt with?

War has broken out between two local lords, and the monks attempt to broker a treaty - will it work?

I've already mentioned some reasons why I think this setting would lend itself to television, but I'd also love to make it for two other reasons:

Get people to understand how weird medieval religion could get, but also that, within its own frame of reference, it was a reasonable and consistent belief system.

Show people that the Middle Ages consisted of more than just muddy people stabbing each other and burning scientists at the stake.

[ohbother2]

do you know what?

I miss long seasons.

I miss seasons that had 20 episodes and half of them could be cut and nothing would be lost to the story.

I miss the episodes where nothing fucking happens but you get to see the main cast goofing around with one another. You get to see their interactions, their relationships develop, their day-to-day lives and how they all fit together in them.

You get the Christmas/halloween/valentine's special -is it needed? certainly not. but is it good? is it entertaining? does it give the show and characters life? do we, the viewers, enjoy it? YES!

give me long stories!! give me little quarrelling spats between characters that can be resolved in one episode with no need to have an impact on the greater story! make these stories real!

let me enjoy them before they end!!!

I absolutely love Hazbin Hotel and the little world that's been created, but I can't help but feel disappointed we're only getting two seasons of 8 episodes.

back in the early 2000's 16 episodes would have been ONE season, never mind the entire thing.

show my angel dust and husk and nifty and sir penthouse living their daily lives in the hotel! show me Charlie brainstorming ways to redeem sinners! give me Charlie forcing the hotel staff to do cringe-y exercises! give me an entire episode of Vox trying to follow alastor through security cameras! Give me husks typical day! Give me a special through the eyes of nifty on a mission to irradiate the hotel of bugs! Give me sir penthouse and the egg boys up to no good!

give me something other than the bare necessities to make the story flow

6 months have nearly gone by in the hotel, and it feels like 1 month.

[i-like-writing-stuff]

the other five [ five hargreeves x reader ]

request: Hello! This is my first time desperately requesting a fic because the new season is SO bad 😭 Can you write a fic where the reader finds out about everything that happened between Five & Lila and then she gets taken away by one of the Fives at the deli and promising her that he’ll treat her better than OG Five (You can also add a part where OG Five finds out about this and lives to regret it)

a/n: AU where everything in that trash season was the same, except when five made the first jump in s1 he made it in his 32 yr old body bc i will not have y/n pull a zach justice (lmao)

even if lila did 😭😭

anyways basically everyone is the same age

i like to think of the five that comforts y/n as the five that explained everything to five in the last episode because that one literally felt like the five we were supposed to get, the five that was there all the first three seasons

sorry i cant stop trashing this season you guys 😭 i’m just so disappointed

summary: after breaking up with five, you make up with… well, five

part two

“Leave me alone, Five!” You yelled in despair, pushing the man before you away, “Actually, first take me back home, you psycho! I have nothing to say to you!”

“Y/N, please, just hear me out!” Five tried to reason with you, as if anything he would say could make your heart glue itself back.

You were standing in the subway station after Five had blinked himself and you away from the family- or what was left of it, watching him at loss of words. You didn’t recognize the man before your eyes, as much as you tried. You didn’t even have time to gather all your thoughts since there was yet another impending apocalypse on its way, so your mind was completely all over the place.

Five Hargreeves was not the same Five Hargreeves you fell in love with all those years ago. He was not the same man who had stolen your heart and made you feel like you were the most precious person in the world. He wasn’t your partner anymore, he wasn’t your lover. Your boyfriend wasn’t there. You looked at this person and there was a stranger, acting as if he was the same who had hugged you, held your hand, kissed you all those many times. You were questioning everything about him now.

“Take me back!” You yelled again, ignoring his same pleas, curling your hand in a fist, “I’m this fucking close to making you ash!”

As your pure anger got the best of you, you were ready to let your powers take over for a second. Obviously you weren’t actually going to hurt him, no matter how much you wanted him to feel your pain, at least physically.

You met him six years ago, during the first time you tried to stop the apocalypse. You were also one of the extraordinary kids, but luckily enough, Reginald Hargreeves didn’t manage to adopt you- more so, purchase you. You only met Five not long after he managed to time travel back to his family in 2019 after spending all those decades by himself. Before you knew it, you were dragged into the Hargreeves family and your relationship soon after developed.

Your six year relationship that was so merry a few hours ago. Now it was crumbled, trashed.

What hurt was that it was six years only to you. Five managed to block himself seven years away from you, only in the presence of Lila.

“This is so fucking stupid,” You scoffed, fighting back the tears in your eyes, “It’s fucking over! Do you want me to spell it out for you?!”

“I want you to listen!” Five didn’t give up on arguing, “I thought I’d never see you again!”

“You didn’t want to see me again!” You screamed, wailing your hands in the air, “Fucking save it- It’s over! I don’t want to ever see you again if we survive this apocalypse! You ruined our relationship, you ruined your brother’s marriage, family! For fucking Lila!”

You hated him absolutely. The mere thought of his infidelity, of the nerve to act as if he still loved you, it was all despicable.

You grew to love all of your boyfriend’s siblings, and also your nieces and nephews, even if you and Five were not yet married. You planned to be a part of the family officially, but still wanted to focus on your careers, you wanted to adjust yourself to your old life, back to your origins.

“Y/N, please!” He tried to step, towards you, but you started stepping away.

Thoughtlessly, because of all your anger, you just walked towards the first train approaching you, fully intending to be away from him at whatever cost.

“If you don’t want to take me back, I’ll fucking find my own way!” You hopped onto the train, watching as he tried to catch up with you.

But he was too late.

In hindsight, maybe it was not the smartest idea, but you were just so devastated nothing made sense to you anymore. You spent the past six years thinking that you are set for the rest of your life, now that the world wasn’t ending anymore. You reconnected with your family, you built a career for yourself and were living happily with Five, you had literally just finished settling yourself in the new house you bought together. You couldn’t understand how he could do this to you.

You couldn’t understand how Lila could betray your friendship either, especially Diego and their kids.

You tried to make it make sense, be reasonable- it was only a few hours to you, but they were lost in this subway system for seven years.

But then again, Five was lost in the future 45 years by himself and he didn’t give up on trying to return to his family once.

Now he did, he gave up on trying to return to you.

That’s definitely another aspect that stung.

“Fucking piece of shit,” You mumbled, as the train approached its first station, “How do I fucking get out of here?”

You stumbled out of the sub, taking in your surroundings. It was yet another crumbled down station, but if you were to be at least a tiny bit fair, it was maybe a bit better kept. You looked around curiously, trying to figure out where to go from now on. Your fire-based superpowers were totally useless in this situation, so you hated to admit that you were in a bit of a pickle.

You rolled your eyes, as Five rounded the corner and stopped in his tracks, watching you with widened eyes.

“You again?” You sighed angrily, “Take me back or get out of my sight, Five.”

Five raised his brows, putting his hands in his pockets curiously. He didn’t say a word yet, as a small smile tugged at the corner of his lips. He slowly stepped towards you, not taking his eyes off you once. For a split second, you stopped as well, sending that something was up.

You took in his features, trying to make sense of what was going on, realizing that he didn’t have a coat on him. He was wearing the exact three piece suit an black tie, he was wearing the same silver watch on his left hand, but he didn’t have his coat on.

“Y/N,” He smiled, stopping in front of you, “I never thought I’d see you again, more so here.”

“What the fuck is going on?” You calmly asked, over-analyzing the man before you.

His smile didn’t drop. It was a genuine one, a smile you hadn’t seen in a while. Things between you and Five were okay a few hours ago, but he hadn’t watched you with this look since you first met. His eyes were sincere, taking in every single feature of yours, traveling all over your body.

“I take it your Five danced the devil’s tango with Lila,” He sighed deeply, raising a hand to gently brush away your tears.

When did you even start crying?

Your mind was scrambled all over the place, but at that exact moment you couldn’t say another word. You just melted into his touch, feeling warmth. It really hadn’t been that long since Five touched you, but this touch felt different. His hand rested on your cheek, as his thumb caressed you lightly. His touch was so intoxicatingly sweet, sending shivers down your spine.

“I’m so sorry I’m a literal shitface in some other timelines,” He lightly shook his head, “I’m so sorry.”

“What is going on?” You asked once again, calmer this time.

For whatever reason, you relaxed in an instant. You couldn’t tell if it was because of his gentle touch or simply his presence. Ironic, since just ten minutes ago you were ready to set him on fire.

“Come with me, my love,” Five said, grabbing your hand in his, “I’ll explain everything.”

You didn’t fight his touch, locking your fingers with his. None of you said a word, as you watched you hands fit so perfectly in one another. How could your relationship be over when you were so good together?

You followed Five through the subway station, rounding the same corner he appeared from. You watched as he turned his head to give you a reassuring smile, lightly squeezing your hand in comfort.

After a few more steps and going down a couple of stairs, you widened your eyes seeing a literal deli tucked away in this godforsaken out of order subway system. The headlights above the front entrance were lit up, writing Max’s Delicatessen. You saw inside a huddle of people as you entered, gathering everyone’s attention.

When they all turned to look at you, you literally couldn’t tell whether you or the huddle of people was more shocked.

They were all Fives.

There was music playing inside, as the deli was full of different versions of your boyfriend, whether they were customers sitting at the tables, drinking coffee or having a meal, reading the newspaper or having a chat. There were also other Fives working around, waiting tables or cooking in the back.

Nonetheless, they all stopped to look at you.

“Yeah, yeah, Y/N is here, carry on, you guys,” The Five that was holding your hand waved the others off with his free hand, “She needs a moment, stop being creeps.”

“I can’t tell if this is a dream come true or my worst nightmare,” You said, looking around the deli, as Five guided you towards an empty booth.

You sat down as the other picked up again whatever they were doing, still watching you with the corner of their eyes. Five took a seat in front of you, still holding onto your hand on top of the table, using his other hand to rub small circles on your skin.

“I am not the Five that dragged you here, in case you didn’t tell yet,” Five managed to say, “But I’m pretty sure that you did, since I know you’re smarter than he gives you credit for.”

“He did mention that this subway system is the knot to multiple timelines,” You sighed, as Waiter Five set down two cups of steaming coffee on the table.

You watched him curiously, as he looked yet again exactly like Five, wearing just a white shirt with the sleeves rolled up, with a black tie, pantsuit pants and a server apron around the waist. He smiled at you warmly, setting down two small packs of sugar and a creamer.

“I’m sorry, my love, we don’t have any Irish Capuccinos around here, since you’re the first Y/N to set foot in here,” He apologetically smiled, “I can only get you a shot of whiskey, if you’d like.”

Of course they all knew your favorite coffee.

“Make it a bottle,” You said, cracking a smile for the first time, causing him to chuckle, before walking away to attend to your order.

“I can’t begin to explain how much I missed your smile, darling,” The Five before you said, as you turned back to him, “The Handler got to the Y/N in my timeline,” He added, as sadness took over his eyes, “I missed you so much.”

“I can’t understand how you’re the same Five that fell in love with Lila,” You said, before quickly adding, “I mean- technically, you’re not, but still.”

“Everyone around here is a different version of me, from a different timeline,” He said, “I’m one of the many that didn’t go down that road.”

“Thank you, I guess,” You laughed, making him smile again.

What a sweet smile it was.

“When I lost you, I was a total wreck,” He confessed, as you couldn’t help but place your other hand on top of his, “I love you so much, Y/N, I could never hurt you like that no matter what. This is all such a fucked up turn of events, but when I saw you coming out of that train, my mind froze.”

“I love you too, Five,” You said, “But I need to wrap my head around what is going on- Everything is insane, I mean I’m right now in the middle of yet another apocalypse, I just found out that you love Lila and there’s just so fucking many of you.”

“I know, my love, I know,” Five nodded, “I wouldn’t dare to ask you accept everything so fast, I know it’s a lot to take in.”

“Can you just… hold me?” You asked, watching as he didn’t waste another second and got up to slide ne t yo you in the booth.

Wrapping one arm around your shoulders to pull you into his chest, he used his other one to caress your hair. You nuzzled your face into his shirt, taking in his scent, as you felt a wave of certitude wash over you. Five held you tightly into his arms, embracing you after years of your absence. He was grateful to have you in his arms once again.

And he was not about to let go anytime soon.

“I’ll always hold you, my love,” Five muttered, peppering small kisses in your hair.

The Five from your timeline watched from behind the window as you took comfort in his arms, but not exactly his arms.

This was only the beginning of his lifelong regret.

[ssahotchnerr]

girl!dad aaron reading to his daughter over the phone while on a case! 🥹 just like that one episode of jj and henry 😭🥰

nightmares

i will sob. 🥺 i'm also setting this in ellie's bad dreams era :( cw; fem!reader, girl dad!aaron, slight angst, fluff <3

"It looks like this is his comfort zone." Using a red marker, Spencer circled an area on the map. "If we pinpoint-"

As he was continuing his thought, Aaron's phone rang. He fully expected to see Penelope's name, anticipating her call as she was working her magic to narrow down a pool of potential unsubs. However, his eyebrows furrowed in worry as he saw it was from you instead.

"Excuse me." He spoke lowly yet urgently, keeping his eyes on his screen and hurrying away with no hesitation, missing the team's concerned glances.

"Hey," he answered, closing the door to the empty conference room behind him. There was knowing feeling deep in his chest - and a grim one at that. "Everything alright?"

"Kinda... no." You switched up quickly with a sigh, slight distress in your voice. "I'm sorry, I know you're busy. But can you spare a minute or two?"

"Another nightmare?" Aaron's eyes shot to the clock perched on the wall. While it was somewhat early for him, it was getting late back home, timezones to thank. And doing the math quickly, bedtime for the kids had been about two hours ago. So sadly this - right on schedule.

You hummed in confirmation, beginning with the positive first. "She fell asleep in her bed tonight, actually. Went down easy, not much protest. But then woke up crying, and was nearly inconsolable for a while. She's with me now." Your eyes shifted down to your frightened daughter besides you, who was inching closer and closer to seemingly making herself smaller. "And keeps asking for you."

Aaron glanced out; the team was still preoccupied, discussing the geographical profile amongst themselves, and could definitely manage without him for a while longer. "Yeah, I have some time."

There was a quick rustle as you set your phone down, placing it on speaker. Your voice was farther now, not by much, but it felt treacherously distant, as if more miles had been added. "It's Daddy, honey."

"Hey Ellie Bellie." Aaron's tone quieted, his face softening as he spoke. "What's the matter?"

A light sniffle came from the other end. "I had a scary dream."

"A scary dream, huh?" He repeated, an achy pang producing in his chest. Ellie's nightmares have been occurring for a while now, and indubitably becoming a problem. You both expected the dreams to run their course, eventually pass, and things would return to normal. But as time moved forward, it was becoming clear it was well beyond that as they worsened. "It's okay, you're safe with Mom now, right?"

Ellie nodded, unknowingly to him. Her small voice cracked, laced with tears. "I want you."

"I know, and I'll be home when work lets me, I promise. You can even use my pillow tonight too, if you want." He bit down onto his lip as Ellie mumbled a small 'okay' in response. Hard. "Or how about a story? Would that help you feel better?"

Her head rose up and down again, prompting you to speak up as Aaron was met with only her silence.

"We have a few right here." You reached across her, grabbing the few storybooks that frequented Aaron's nightstand and settling back against your own pillow.

"Your pick sweetheart." Aaron pulled a chair from the table, sitting down and making himself comfortable momentarily.

"Goodnight Moon?"

Goodnight Moon, also one of Jack's favorites when he was younger. Between him and Ellie, Aaron's read it so many times, he had the entirety of the book memorized. In addition, Ellie's other, more lengthy favorites - he had gone through and cleverly taken a picture of each page, all stored safely in his camera roll for instances such as tonight. No matter where he happened to be, he could read the text, while also drawing attention to and discussing the images with her.

"Sure. Get all comfy and cozy up to Mom, yeah?"

Ellie nestled herself more into your side, her head resting on your arm as she death-gripped onto her plush bunny. You adjusted the duvet to adequately cover the two of you, scooting down and propping the book up for the two of you to see.

"We're ready when you are." You told Aaron, brushing a few stray strands of hair away from Ellie's face.

As your brief sentence concluded, a harsh pinch formed behind Aaron's eyes, the guilt creeping in as he pictured the two of you laid together, where he also should've been. His little girl was beside herself in fear, wanted him, and yet here he was. Far away on the other side of the country. He felt as if he were failing her; letting her down.

Aaron swallowed to even out his voice, to sound as cheery as he possibly could, and to refrain any agony from being heard. He took a deep, yet small guttural breath.

"In the great green room..."

[alicentofhightower]

the cost of a dragon

pairing: addam velaryon x wife!reader

synopsis: addam is covered in cuts and scrapes from falling and running in the forest, and now you must take care of him.

includes: fluff, episode 6 heavy spoilers, probably historically inaccurate w some parts but we’re just gonna Let That Slide, not proofread again oops

wc: 1.3k

a/n: i love him so bad. rn my top 3 tb characters are rhaenyra rhaena and addam. he’s so sweet!! i really hope we get to see a lot more of him in the next few episodes

-

Addam is bewildered when he returns to your home, panting, eyes wide and mouth agape. You’ve never seen him like this, but you guess that it’s the dragon laying beside your house that’s done it.

“What’s happened?” You exclaim when you see the way he’s stumbled in, bleeding from a cut on his cheek.

“…The, the dragon,” He mumbles, locked hair spilling over his shoulders. Addam walks over to where you stand by the kitchen table, hands gently grasping your forearms, as yours do his, thumbs running over your skin to ground himself. He smells strange, like something otherworldly. Could it have been because of the beast outside your door?

“It came to me, followed me through the woods by the shore. I think I’ve claimed him. Yes, that’s what I’ve done. I must go.” Addam attempts to retract himself from your grip, but to no avail.

The pots and pans inside rattle when the silver creature lay its head on the yard outside, no doubt resting from its flight. “Please, my love,” Addam insists. “I need to go and see the queen myself. She is in need of more dragons herself, is she not? If I serve her, perhaps she will allow you and I to live at Dragonstone with her. This is our chance.”

You shake your head, apron ruffling from the beach’s wind blowing through the window. Addam has always been ambitious, has always wanted the best for you and himself. He’s fiercely loyal to you, a quality that made you want to marry him in the first place.

“Addam.” Your hands fly up to cup his cheeks, stopping him from continuing on with his tangent. “You’re covered in gashes and dirt and sand. At least let me lend you a hand.”

He softens at that, jaw seeming to unclench. Addam’s brown eyes have always been expressive, and now they seem to look at you as if you’re the sweetest person he’s ever known. “…I suppose you’re right,” He mutters, “but we must make haste.”

Finally, you let go of each other. You use one of your hands to intertwine your fingers with his, and the other to grip your skirts as you lead him to your room. It’s small and modest, mostly swallowed up by the bed you share. “Sit,” You say, almost commandingly, quickly fetching a spare piece of cloth by the tub in the main room and a bowl of water.

Addam’s eyes almost glint at the way you flounce about before him. He spreads his legs so you are able to stand between them, chin tilting up so he can make eye contact with you while you fix him up.

“Let me see.”

He holds out his right arm, palm up, covered in tiny scratches and sand from his poor attempt to escape from his new dragon. Seasmoke, he remembers. Addam squeezes your right hand lightly while the other cleans him up.

You barely manage to suppress a heavy scoff at the mess in front of you, but you dab gently at it with the towel anyway, soaked with water. “What did you do?” You ask, brows knitting together. “Did you try to run from it?”

“Yes,” He admits, face scrunching together at the fresh memory. You’ve told him to be careful of the sky-beasts constantly looming over the two of you, and he knows he’ll be scolded for trying to escape the damn thing.

You shake your head, mostly to yourself, and Addam’s shoulders deflate. “Well, what would you have done?” He asks, exasperated. “My apologies for wanting to come home to you tonight.”

You pinch his arm. “I only worry for you,” You say, voice soft. Addam and his brother, Alyn, are the only family you’ve left; you’d never known your father, and your sweet mother had died of a fever shortly after your seventeenth nameday. She hadn’t been able to last, to see you wed the man you love so dearly.

“…What will you say, when you see Queen Rhaenyra? She may think you are coming as a foe, to battle rather than service.”

Addam hisses as you brush against a particularly deep cut, eyes squeezing shut. “Sorry,” You say, and he only tips your interlaced fingers up to his lips and kisses the back of your hand.

Your husband pauses after he lets your hands back down, considering the weight of whatever his words to the Black Queen will mean. He almost thinks of it as a duty, to you and his brother. To further your ever so small family.

“I suppose the words will come to me when it happens.” He swallows harshly, eyes averted from yours, darting around like he’s telling himself to fucking think.

You’ve moved onto his other arm, now, and suddenly the odor of him has become unbearable. It’s nothing like anything you’ve smelled before.

Grimacing, you drop the washcloth and cover your nose with your hand, taking a step back. “What?” questions Addam, clearly confused. “What’s the matter?”

“Gods, you fucking stink. What is that?”

Addam laughs. He laughs, tension seeping out of him as he does. “It must be the dragon,” He claims, reaching out to grab your waist and pull you back towards him. “Don’t mind it, please.”

You’re unable to fight the smile you feel blooming, because despite the fact that your husband reeks of his new dragon sleeping outside your home, and your feet are sore from walking to the markets, only to find nothing, and your nerves are set ablaze thinking of his meeting with Rhaenyra, Addam is here. He’s here with you, holding you, safe in the comfort of your humble little home.

The feeling is fleeting, only settling in you for a moment, but you tip your head down to press a kiss to his mouth. “You must be vigilant,” You plead when you pull away, ignoring the way Addam’s lips seem to chase after yours. “And you must return to me. I do not know what I would do if I were to lose you.”

“I will be. I swear it.”

You brush away the dried blood on his cheek with the cloth, frowning. “We should leave, shouldn’t we? Fly to Essos, where we will be safe without the threat of war. That dragon is large enough to saddle three, isn’t it? We can go-“

A thumb soothingly presses against your lips, silencing you. “…If I can put the thing to use, it will strengthen us. Strengthen whatever I have with my father.”

Addam had always been desperate to get the same attention from Lord Corlys that Alyn had always seemed to receive after he’d saved the man. You’d never spoken to the Lord Velaryon yourself before, but it was hard to miss the way he’d stare at you when you visited your husband in the shipyard, almost melancholically.

“I do not care for jewels and gowns and for you to be gilded in glory, Addam,” You state, pushing his wrist away from your face. “I care for you. Should we not go now? I could find your brother.”

“No.” He shakes his head, standing from the bed, now towering over you. His fingers, callused from his seemingly never-ending work on Lord Corlys’s ship, caress your waist almost reverently.

Almost every inch of your skin heats up when Addam leans down to kiss your chest, right where your heart is. The skin is covered by the sea-blue gown you wear, a white apron tied about your waist, and you shudder at the feel of his lips on such an intimate spot.

He kisses up from your bosom to your mouth again, firm and sweet and longing. There’s no guarantee you’ll ever see him again, but some strange part of you feels that all will be well. It’s a naive thought, perhaps, but one you welcome nonetheless.

“I will come back to you,” He promises, voice rasping. “I love you.”

[ratatattouille]

Why Arcane's Finale Fumbled Pt. 2

In my last post, I argued that Arcane's second season was artistically beautiful and thematically cheap. I broke down where I believed the writers fumbled with Vi's, Jinx's and Viktor's characters, and how the conflict of season 2 should have centred around a war between Piltover and Zaun rather than Piltover/Zaun against Ambessa and cosmic robots. I asserted the the real let-down of Season 2 had to do with its themes and its refusal to commit to the political story it had set up.

Well, folks, on further examination, it actually looks worse than I thought, and I'm going to use two characters--Silco and Mel--to break down what makes the message of Arcane so hollow and even a little dangerous.

Let's get into it.

Silco: The First Proposition

Silco and Vander:

Silco is a character CENTRAL to the themes of Arcane. The setup of the entire drama of the show, the central theme, are these questions: what is the price of progress and are we willing to pay it? Should we pay that price? Or as Silco says it quite bluntly to the first kid we see him give shimmer to: “Real power belongs to people who are willing to do anything to get it.” This story isn’t merely about ambition, but a dialogue on what actual progress costs and looks like. What does a better world look like? Is the better world we’re fighting for better for us or others? And what (or who) are we willing to sacrifice to achieve that goal? Vander, when faced with that question on the bridge answers, “No dream is worth the loss of those we love.”

The death on the Bridge of Progress during the early war/conflict had too high a cost to Vander. Silco, however, “had enough.” Unlike Vander, what happened on the Bridge of Progress radicalized him. Silco, while being drowned by Vander, realized in that moment that he would do anything, not just to live, but to achieve his dream of a free Zaun. With or without Vander. Even if he had to sacrifice Vander. And we soon see, that while Vander dedicated the rest of his life to keeping the vulnerable in The Lanes safe (even if it meant making deals with enforcers), Silco was willing to throw citizens of The Lanes to the wolves on his way to achieve independence for Zaun. Silco calls it, “The necessary violence for change.” And in this episode (3 of Season 1) Silco sets forth a proposition for the entire show: does the path to a better world require violence?

Silco and Sevika:

Silco’s new approach to crossing the bridge of progress, the path to freedom is winding and twisted. Silco embraces that, because only the goal matters: an independent Zaun. Silco won’t be at the mercy of the Council or anyone in The Lanes, and Sevika is into that shit. We saw that she percieved Vander as weak and servile to enforcers. Who she deems abhorrent without remorse (Vander and Grayson are both despised by Sevika and Marcus because they are percieved as being too lenient with their enemies). Silco, however, has an ACTUAL plan.

He creates a shimmer enterprise because having this control not only gives him a monopoly on The Lanes (and the gangs within), but leverage when it comes to manipulating the Council. Violence and the threat of war are the official languages of both Zaun and Piltover. It is how anyone bothers to listen to Silco both in The Lanes and within the Council. We know that the rich Piltovians (like those IRL) only speak money. “Progress” to them is prosperity and legacy (and I’ll get more into that later).

By creating the shimmer enterprise, Silco not only gets his foot in the door, monopoly over the other gangs and factions (thus uniting them), but a metaphorical seat at the table. His name has weight now, which positions him to make demands of Piltover and give Zaun a thriving industry (at least when it comes to money). Especially because (as we see with Salo and Lest) shimmer is also used by the elites. Silco is a brilliant tactician who exploits the hubris of Piltovians (like Marcus, who wanted to be in charge so he can neuter Zaunites indiscriminately), and manipulates them to his own advantage (much like Mel). But when Renni’s son is killed in the mines, Silco’s proposition is confronted once again: isn’t it easy to justify necessary violence when no one you love is the collateral?

Silco doesn’t care about Renni’s son, doesn’t see himself as remotely near Renni’s position. When Twitch calls Jinx his “dog” (something Sevika herself wanted to do lmao), Silco gets twitchy. He doesn’t recognize any similarity between his relationship with Jinx and Renni and her son. Jinx is not someone he would ever consider as up for debate. Which was the point of tension between him and Sevika (a Sevika who’s loyalty he KNEW he needed in order to keep control, especially in the wake of Jinx’s volatility and unpopularity). Nevertheless, Sevika doesn’t betray him in that moment, because she still sees Silco as stronger (even though she believes Jinx is a weakness he needs to get rid of). As with Vander, Sevika views affection for their own at the cost of freedom as weakness.

Yet, funnily enough, she is fiercely loyal. She, like Jinx, is Silco’s “dog.” She shares his weakness, the weakness that makes her zealous for a better world in the first place. But what Twitch and Renni pose to both Silco and Sevika is the unsettling question of: are you really willing to go far enough? Or do you still see yourself as an exception? Regardless, when it comes to Silco’s proposition, Silco WAS SUCCESSFUL (and also accurate in his deductions on what would get both cities to respect him and eventaully give him what he wanted - Zaun). His determination and focus paid off, indeed, it’s hard to see how he could have been successful without the “necessary violence”. It is clear that he wouldn’t have. No shimmer, no independence. Silco, for all his gruesome methods, WAS RIGHT. Except . . .

Silco and Marcus:

By exploiting and manipulating the vulnerable of The Lanes, Silco also ensured he would suffer the same fate as Marcus. Unlike Silco, Marcus did horrible things to protect his daughter. Marcus, at first, had started out as a zealous enforcer, eager to clean out the rats of The Lanes. Although he didn’t plan for Grayson to be killed, he was willing to get rid of her in order to ensure that he would get into a position that allowed him to do what he wanted to do: exterminate rats and be the hero of Piltover.

Silco offers him bodies for Stillwater in exchange for ease of shimmer distribution. Silco is willing to sacrifice his own people, the people Zaun is ironically for, in order to gain influence in Piltover. Silco, however, did the opposite. Because he loved Jinx, he recognized her deepest insecurity and sought to assuage it (inadvertently weaponizing it against her and those who loved her). He let Jinx get close and gave her responsibility so she could feel like she belonged (he let her drug his eye, a delicate process, while she was still thought of as reckless and untrustworthy). He brought her deeper into the heart of the violence and taught her to embrace it. He made her a child prodigy of warfare.

He takes a different approach to Vander (who kept telling the kids to stay out of trouble where they could and used himself as a buffer). So was Silco wrong? Was Vander? The answer was, quite poetically and profoundly, their deaths and the resulting silence. Both died, more or less, at the hands of their daughters. This is something overlooked often by fandom. It was Vi’s choice to lead her brothers and sister into Jayce’s apartment that would eventually bring the enforcers down to The Lanes, sparking the chain of events that would lead to Vander’s death (or had things gone “well,” his arrest). Vi is also how Powder got the arcane stones in the first place. Vi’s encouragement (well-meaning and innocent as it was) played a hand in the disaster that followed.

But the fact that both Vander and Silco die regardless, paints an excellent portrait of the constraints of oppression. Both tried different methods when it came to rearing their daughters. Both methods got them killed and thrust their children into peril. Vander could only have shielded Vi for so long, and Jinx could only have taken so much so young before she broke down completely. The fate of the girls is not merely their fathers’ fault, nor their sister’s. The tragedies of their lives happen due to the simple fact that they were born in The Lanes. No choice, on either Vander’s, Silco’s, Powder’s or Vi’s mattered in the end.

They were always playing a losing game, which is what makes it so fucking INFURIATING when S2 comes along and suggests that “ACKTUALLY the reason everyone’s happy in Ekko’s AU is because Vi died/hextech was no more/Silco and Vander made up).” All of those were symptoms of the bigger issue, not the issue itself. And that is the horrible irony of Silco’s story. He WAS right. But his folly was viewing himself and those he loved as exceptions to the rule. For when Zaun demands the final price, when Jayce asks for Jinx in exchange for his dream being realized, he isn’t willing to pay anymore.

Marcus only crossed the bridge of progress into Zaun for the sake of his daughter (as is shown in a chilling scene where he finds Silco playing with her in her room). Likewise, when Silco FINALLY finishes, after all those years, his march on The Bridge of Progress, like Marcus, he dies in a swarm of bullets. But unlike Marcus, he is afforded time to tell his daughter, “I wouldn’t have given you to them. Not for the world.” Not for his dream. So what did Season 2 do with that?

Summary of Fumblings:

-I’ll tell you what Season 2 did. Season 2 took the biggest shit on one of the most fascinating characters in animated history. The reason I didn’t put that much critique up there was to show you how complex, layered, deep and thoughtful Season 1 was with Silco’s character. Silco in S2 became a cheap gimmick flung in our faces like the marketing team was trying to sell Silco plushies following the release. His back-story in Season 2 clashes horribly with Season 1. If Vander, Silco and Felicia were such chums back then, why did neither Silco nor Vi recognize each other when they met in Season 1? They were quite grown by the time the March on The Bridge of Progress happened. Honestly, there’s too many mistakes and inconsistencies with how Season 2 handles the backstory I don’t even see a point in getting to it

-(excerpt from one of the writers) I can't BELIEVE MY FUCKING EYES! Silco’s respect for Vander, despite the fact that Vander tried to drown him (most likely after the carnage on the Bridge of Progress where Vander realized the cost of war), was that Vander remained dedicated to Zaun’s independence, at least, until he began prioritizing the safety of the children over Zaun’s freedom. Silco’s respect for Vander had never been a goal or motivation. Silco never expressed any desire to be respected by Vander. He merely expressed respect, ONLY because Vander, up until he became the enforcer’s “lapdog,” shared his pursuit of a free Zaun. Silco killed Vander for the same reason Vander tried to drown Silco: they had become a threat to what they held dear - Silco, his pursuit of Zaun, and Vander the safety of his adopted children.

-”We build our own prisons. Bars forged of oaths, codes, commitments.” This conversation is SO FUCKING—rips into mattress and pulls out stuffing Jinx hallucinates Silco from within the cell she’s in at Stillwater, maybe the same one Vi had been in. Silco starts off saying something like “It’s funny how Marcus thought putting Vi in this cell was a greater mercy than killing her,” cluing us in to not just Jinx’s mental state but the very real torment it must have been for Vi as a child as well. SO JUST TO RECAP, WE ARE TALKING ABOUT THE PRISON OF THE CYCLE OF KILLING AND VIOLENCE, OKAY. In addition to that already horrible quote above, Silco says, “. . . and it will continue, long after the two of you.” So, folks, IN CONCLUSION, this cycle of violence (which I have already established like a fucking broken record is EXPLICITLY started and perpetuated by Piltover) is eternal and inevitable. Just let that fucking sink in. Let it settle nice and sour in your gut and then tell me how that GERD feels. Not only is that an appalling thing to suggest about any oppressive regime, it’s also untrue. Yes, humanity has not gone a decade without some form of conflict and struggle, but individual societies have been PROVABLY capable of both progress and regress. Both of which require the agency and active participation of others. And Arcane seems to want to show that progress is indeed possible, but it has already declared it, to some extent, a pointless pursuit in this conversation. Which is it, Arcane S2 writers? Is progress worth striving for, or is it pointless? “Oh my god, you’re so dumb ratatatouille!” you say. “Of course they answered the former! Duh! In Ekko’s monologue when Jinx is trying to kill herself, he tells Jinx that someone special once told him that no matter what happened in the past, it’s never too late to build something new - someone worth building it for.” GREAT! DELICIOUS, EVEN! Now why is it that Ekko says this instead of Silco? Why isn’t this something Silco would say, given that this was the entire point of his and Vander’s story? That this is what his arc embodied and explored? “You’re so silly! Obviously Silco is a hallucination!” The show explicitly frames Silco as RIGHT and tries to tie in what Silco says with what Ekko says. More sympathetic viewers will say that since Ekko discovered that Jinx was never the problem, that hextech was, and that Jinx was actually the path towards progress - a path Silco had walked so she could run - Ekko approached her as someone he could finally save (and oh boy am I going to get into why that doesn’t work AT ALL later). Is is not Jinx, but the hextech, the ARCANE, that is dangerous. The hextech is the true jinx. It is what will keep the cycle going. That’s why Silco holds the arcane stone near his eye like that in the scene.

And to that I say . . . WELL THAT’S FUCKING STUPID. I don’t care that “Arcane” is the title of the show. It is the cheapest story gimmick I have seen since vibranium, except vibranium REMAINED a plot device and didn’t usurp the theme or political/interpersonal conflicts in Black Panther. Hextech was a PLOT DEVICE meant to be used to explore the themes which became the ENDPOINT. And this story SUFFERS SO MUCH from that simple change. This is why most critics of season 2 say the story should have remained focused on the interpersonal and political reasons characters did what they did, rather than siphoning all their stories into a mission to stop the evil, mystical stones. It is a fucking stupid distraction in S2, where in S1 it had been a beautiful metaphor, a fragment of a mirror that the characters held up to examine their faces.

But by claiming the cycle was the hextech all along, you just shat on everything that made S1 good.

Which brings me back to what Ekko tells Jinx, that she can still build a better world for the people she loves (like Vi, I guess). That’s why she comes back to help her sister. She cuts her hair (a symbol of letting go of the past) and joins Vi to defeat Ambessa and evil Viktor. This is treated as some kind of continuation (or the true point) of Silco’s “ending the cycle” speech. By letting go of Vi (literally) and Silco (also literally), she can finally . . . er . . . stop “running in circles.” So the show tells us she is BOTH supposed to fight one more time to achieve an autonomous Zaun AND fuck off to a new land to escape said cycle—which, what was the POINT of fighting if she still had to “escape” it in the end anyways?

NO S2 HALLUCINATION SILCO, JINX AND VI DID NOT BUILD THEIR OWN PRISONS. THEY SURVIVED THE CAGES THEY WERE PUT IN AS CHILDREN AND THEY DESERVED BETTER THAN THAT GODAWFUL DUMBASS SPEECH.

Do you see why this writing is so horrible? It contradicts itself so many fucking times, no matter how you splice it. Whether it’s about the cycle of violence being the fault of unforgiveness or hextech. None of it makes any sense because none of it was ever established in season 1 as being the cause for any of those things. And by even SUGGESTING that either or both of those could be the cause, the writers send us two very troubling messages: oppression is inevitable and also, somehow, the fault (rather than responsibility) of the oppressed. Actually no, I think the suggestion from the writers is even stupider: oppression is an option and you can opt in or out.

And that is the ultimate insult to Silco’s character and what he did for the story of the show.

Mel: The Counterpoint

Mel and Jayce:

Mel is Silco’s thematic counterpoint. In the story, Silco proposes that progress costs some “necessary violence.” Mel is faced with this same question as a child, when Ambessa presents her with the last remaining heir of a nation Noxus had conquered. Ambessa asks young Mel if they should kill or spare the girl. “Kino says war is a failure of statecraft,” Mel had said, when her mother told her about how her father had made her retrieve knives on the battlefield at ten so she’d know death. War, Mel is sure, is REGRESS not PROGRESS. It is the breaking down of the state, not the making of one. It’s obvious to Mel that sparing this girl, who looks about her age, is the progressive, less barbaric thing to do. Yet Ambessa insists, “Your brother thinks he can talk his way out of anything,” Likening him to being a fox among wolves when a good ruler needs to be both. To which Mel goes on to describe the kind of ruler the new conquered kingdom will need. A woman “with a kind, fat face to charm her subjects”, but moldable, to which Ambesaa basically says “So basically you? Cool. I’m down, but you have to prove yourself to me. Prove you can take it.” This is when Mel is presented with the ultimatum: choose to spare the girl or kill her. “We can show the people we are merciful,” she pleads on behalf of the girl. But Ambessa is firm. If Mel kills her now (a symbol of the old “regime”), she won’t (maybe) have to deal with any uprisings and kill thousands.

But Mel doesn’t swallow this poison, insists that diplomacy is the superior way, and is banished to Piltover, where she undertakes the task of proving herself. She tries to become the fox. She uses her kind, fat face to charm the Councilors of Piltover and manipulates Jayce to use hextech for Piltover so that her work in the city becomes impressive, cements her legacy as a Medarda, validates her as one of them, and ALSO proves her mother wrong, thus liberating herself from her mother’s cycle of violence and re-instating her rightful station as a worthy member of the Medarda clan.

But it’s not JUST that, though. Jayce’s enthusiasm to improve the world with hextech inspires Mel and validates what she felt so strongly as a child that Ambessa staunchly denied. When Jayce shares his dream with her, she goes all soft and says, “We’re (the Medarda’s) not often in the position to give back.” Which is . . . funny, lol. I think she was talking about herself rather than her entire family. Anyway, to Jayce, Mel was the one who gave him a second chance. He and Viktor wouldn’t have gone anywhere without her help. Jayce is likely the first person she’s felt capable of helping (especially outside Ambessa’s shadow), and likewise, Mel makes Jayce feel indominable (remember: “Nothing feels impossible when I’m with you”). Jayce makes her feel good about herself, hopeful that her ways can work. After all, being the fox has worked for Jayce and Piltover.

But Mel isn’t just the fox, and not for the reasons S2 thinks. Why? LONG before Ambessa sets foot in Piltover, Mel receives a letter from a correspondent overseas. She despairs that Jayce is not ready to be the success she needs him to be. Even after he confides in her about Viktor’s illness, to her it is not a personal loss. If anything, she’s more concerned that Jayce has a close relationship with him, wondering how much it may affect Jayce, hence her plans. Jayce wants to uphold his promise in helping Viktor, the man who saved him from his own death (AND TRUST ME, WE’LL GET TO THAT) but Mel wants Jayce focused on keeping her investment and legacy IN PILTOVER safe.

So what does homegirl do? She manipulates Jayce into creating hextech weapons. The reason she moves for a vote to make Jayce a councilor on Progress Day is in light of Jinx’s attack. The councilors are worried that someone in the undercity got their hands on hextech and can use it against them. Jayce, feeling responsible for the situation (and that probably having something to do with Caitlyn nearly dying in the attack), proposes to pause all hextech developments until the threat is neutralized. Instantly, we see Viktor’s and Mel’s reactions—panic. Both are running out of time. Mel to make Piltover a success, and Viktor to help those dying in The Lanes. So Mel proposes Jayce become a councilor instead.

We next see her examining Jinx’s bomb with Viktor and Jayce. Jayce asks Viktor if it’s possible that Jinx could create something resembling hextech. Viktor, who is busy marvelling at Jinx’s ingenuity and feeling a little proud of his people, says very confidently that “It’s a leap.” Meaning it’s far away from what Jayce and him are developing. But Mel needs SOMETHING to show her peers overseas. That, or she recognizes the undercity as a real threat to her dream of progress and prosperity. Legacy. The undercity is ugly and she wants to neutralize it before she loses her chance. Here, we see her make the choice to be the wolf. The relentless and unmerciful. Focused and driven by her ambition. She will be a Medarda, unlike last time. When Jayce asks if she knows for certain that Zaun intends to turn the gemstones into weapons, Mel says, “That doesn’t matter. We’ll assume,” which pisses Viktor off. But then she performs the ultimate manipulation on Jayce. She uses Jayce’s care for the Kirammans and Piltover to convince him that it’s necessary to “protect your people” which, Viktor can tell, does not extend to the people of the undercity.

Once again, Mel is demonstrating that she doesn’t see Zaunites as people. She barely acknowledges Viktor when he protests, saying “That’s not what we invented hextech for!” She merely looks at him, then looks back at Jayce and talks to Jayce. She repeatedly ignores Viktor, talks over him, as if he isn’t there. Doesn’t matter. After all, Jayce is the only one in Piltover worth her time. Piltover is her project, not the dirty undercity. Mel had already sown the seed for Jayce’s rampage by the time Ambessa showed up.

“Stay away from Jayce!” she says, and yet Mel is what brought Ambessa close to Jayce both physically and ideologically. For hextech and Piltover (the City of Progress) to be safe, Jayce has to commit some “necessary violence for change.”

This isn’t Ambessa’s fault, but Mel’s and Jayce’s. Again, Mel is the one who started the manipulation and Jayce is the one who betrayed his and Viktor’s vision.

Jayce acquiesces to Ambessa's rhetoric since the attack at the bridge, and proposes to the other council members to go into The Lanes with force, which they are all (including Mel) hesitant to do. But then Jayce goes ahead anyways, and kills a kid (which we’ll come back to), and he not only regrets it, but does a 180 and returns, like Mel, back to his core values — peace and progress over prosperity or legacy. He makes a deal with Silco and then goes and tells the Council what’s up. Mel, now utterly convinced of her position, is the first to cast her vote in favor of an independent Zaun, and removes the Medarda ring while she does so, signalling her disdain for all the clan represents. Not only that, but she smears gold over the Noxian ships in her painting, which her mother correctly reads as a rejection of Noxus and an embrace of the Piltover her and Jayce want to build. Mel does not anticipate the attack, and Mel, in the last frame of the finale of Season 1, is the first target of Jinx’s bomb, the first councilor it was going to hit while her back was turned to it.

Mel and Viktor:

Mel’s parallel with Viktor is interesting. Mel’s interest in hextech (and initially Jayce) are to her own ends, later becoming altruistic (Viktor’s interest in Jayce also starts as an interest in his theories although his motivations were altruistic from the start). Jayce reminded her what she wanted to be in the first place. That her family name, like Jayce’s was to his, was a ball and chain around her neck. Holding her back from true progress. From a better world. A better legacy. Viktor comes from nowhere-land. Viktor doesn’t have a family legacy to inherit. Viktor is a Zaunite. And soon, much like Viktor, Mel is going to have to work hard to create her own legacy. Both Viktor and Mel are sort of outsiders in Piltover. As is shown in S2 with Salo, Piltover, the Fake City of Progress, has no accommodations for the disabled, which makes Viktor stand out like a sore thumb (also, Viktor is the one who made his own leg brace). Mel is a foreigner who has to make a name for herself before she can latch onto the Medarda title. Viktor wants the city to be good, while Mel wants the city (and herself) to look good.

This is why Viktor gets so sassy with her lmao. He sees through her manipulations and notices that she is pulling Jayce away from what they’d set out to do together (he is also annoyed at how easy it is for Jayce to forget). Mel is the one who tells Jayce it would be wiser to let the council members get away with their criminality (all while cracking down on The Lanes), which makes them wealthier, something that pushes Jayce deeper into his own prejudices against Zaun, where he starts seeing himself as primarily a caretaker of Piltover rather than hextech, as a councilor rather than a scientist, and it jeopardizes his relationship with Viktor.

But Jayce helped her re-connect with the values all three of them shared deep down. The desire to help people and make the world a better place. After the bridge massacre, Mel wants to put her manipulation, charm and diplomacy to good use, and she does so in the Council Room when she votes for Zaun’s independence.

But here’s where the FUMBLE happens. In S2, we see that Mel’s magic seems to have shielded Jayce and herself, but not Viktor. Not only that, but it’s hinted that Viktor’s magic is resistant to her touch. We don’t get any answer as to why that is (although I’d like to think that was Viktor being petty even while unconscious). This is especially weird since the arcane is alluded to be where the mages get their power (and isn’t it convenient that Viktor became a mindless war machine controlled by the corrupted/corrupting arcane instead of a mage when we see that in other universes he is indeed a mage already?). Not only that, but Viktor can clearly “touch” her magic through the puppet, later on.

Jayce keeps asking her why he was spared and Viktor wasn’t, and Mel, once again, cannot answer him. She knows that her magic protected her and Jayce, but once again, Jayce is lowkey asking why all these horrible things keep happening to Viktor instead of him. Why he is spared instead of Viktor. Unlike Mel, I have an answer. The answer IS PRIVILEGE JAYCE NOT THE FUCKING ARCANE AND THE MYSTICAL NATURE OF MAGIC OR SOME UNKNOWN FORCE OF FATE. Viktor’s tragedy was something that could be helped by both hextech and just Piltover not being a bunch of fucking asswipes. Viktor’s “bad luck” was actually just piss poor governance, or as Kino would say, “a failure of statecraft.” When Mel forsook her original ideals in order to pursue her mother’s acceptance and her family legacy, she did what all the other council members did: make themselves comfortable in places of power at the expense of the oppressed. In order for her to reclaim herself, she had to abandon Noxus and her dream of returning or belonging to the Medarda Clan. Mel has to choose between her family’s legacy and her own longing for progress.

Mel and Ambessa:

While Jayce has to fight Victor (who is really now reduced to just another weapon Jayce created that’s gotten into the wrong hands - and more on THAT later), Mel’s task is facing down her mother. By removing the context of oppressed/oppressor inherent to the Piltover/Zaun dynamic, we fail to explore S1’s setup for Mel. IT SHOULD BE NOTED that the reason diplomacy worked for Mel and not Silco was because of their differences in power. When Viktor tells Jayce “There is always a choice” after Jayce expresses his doubts regarding what Mel said about the Zaunites making hextech, Viktor was talking about Jayce’s choice. Mel’s choice. Mel could have chosen to be diplomatic, even with the threat of Jinx. But instead she forsook her ideals in pursuit of her desire to become a Medarda and, like her mother in her dream, preferred to eliminate the threat rather than integrate (Zaun). Even if she back-tracked by the time her mom came back.

Mel has to face the fact that, like Jayce, she betrayed her values and initiated something horrible: the war she’d always dreaded and despised. Mel is why Ambessa heard of the weapons in the first place. But S2 doesn’t focus on this at all. It barely acknowledges it. Instead, Mel is sucked into the Black Rose and told she’s a mage and that her mother must die for the sake of nameless nations the Black Rose mentions. You see, Ambessa is a scapegoat. An excuse to halt and dissolve any meaningful discussion on Piltover’s (and Mel’s) hand in the plight of The Lanes.

By making Ambessa the big bad, the council members and other Piltovians complicit in Zaun’s desperation get a free pass. Both in the show and by fandom. In fact, Mel can now be regarded as a hero (one of the GOATs of Arcane, if I recall) for killing Ambessa, then being christened the wolf by her mother. We don’t have to reckon with the fact that for most of the time she knowingly used Viktor (and Jayce) as a means and ignored Zaun, and that when Zaun got her attention, her first instinct was to weaponize Piltover, saying, “The peace was already broken.” And I’m pretty sure the reason she did this was PURELY for ambition, because not more than an episode later, she’s backtracking, insisting that Jayce doesn’t know war like she does, that they should simply give Silco what he wants.

So Viktor was right. She wasn’t forced to manipulate Jayce into creating hextech weapons. She wanted to do it for her own gain. And Jayce rightfully gets mad at her in S2 when he recognizes her manipulations (even if he himself was complicit). He does, however tell her that “No one can control you and you’ll never be a passenger.” Once again affirming her incredible power—only this time, the focus is magic and not her political prowess. AND ISN’T IT CONVENIENT THAT MEL “DOESN’T UNDERSTAND” HER EMPATHIC POWERS SO SHE CAN BE TECHNICALLY EXCUSED FROM HER DECISIONS IN S1? HOW COOL IS THAT?!

Lmao when Mel starts lecturing her mother in the finale with “Mother, look at the price of your ambition,” it’s like . . . okay? You exacerbated this war long before your mother, girl. You were the one on the council for YEARS before she arrived. Mel, like Caitlyn, gets to play saviour while barely taking any credit for the fact that she was largely responsible for where Zaun and Piltover ended up (sis literally determined council votes singlehandedly). When Mel stands on the other side of the Bridge of Progress, she sees a trail of violence. She decides to cling even more firmly to her core values. Silco was right, but so was Mel. You see, diplomacy wouldn't have worked for Silco, but it could work for Mel, because Mel had power.

Summary of Fumblings:

-And what was that, “(Piltover is) the city I built for my family” BS? By the end of S1, it is clear that Mel wants NOTHING to do with being a Medarda anymore. She wants to keep Noxus and Piltover SEPARATE. So why does she tell her mother, “You will never be a Medarda” as some kind of gotcha? Lmao, like why tf does that matter? How would she know? Why would she care? Other than her and Kino, what other benevolent Medardas are out there that makes her say this?

-The Black Rose warns Mel of Ambessa’s “thirst for legacy” (much like Mel’s) leading to a worldwide calamity. Mel wants to imagine that her mother prizes her own children over her pride, but the Black Rose insists that’s not true. That Ambessa is willing to sacrifice her children for more power and legacy. We do understand, however, that when Ambessa is confronted by the Black Rose, she is resorting to hextech so she can avoid using Mel (”she’s safer as our enemy”). AND THAT WOULD MAKE SENSE IF THE THIRD ACT ACTUALLY ACTED LIKE IT. How is Mel going to be this really great weapon that Ambessa doesn’t want to use because she loves her (which like, why didn’t she love Kino then if it wasn’t about magic?), but also simultaneously SENT AWAY TO A DISTANT LAND OUT OF HER WATCH? So now she’s hiding Mel, but she wants to pursue the arcane that is waking her mage-ness up and making it impossible for Mel to hide? Ambessa was literally there in the council room in the aftermath of the explosion. She knew Mel had used magic to protect herself and Jayce, but she didn’t do anything? Say anything?

Now most of this is clearly setting up another story in Runeterra (which means my criticism will ultimately be left to conjecture), so I’m going to focus instead on her last words to Mel: “You are the wolf.” The wolf being a symbol (at least in callback to season 1) of ruthlessness and fearlessness: the opposite of mercy. Why does her mother say this? Because Mel finally made a kill? Or because she killed to protect what she built? Finally embraced her power? Yeah, let’s go with that last one. Mel’s development in S2 becomes one where we focus on the power she’s always had, both magical and influential. Yet the show focuses more on the cool magic part than the rammys of Mel’s decisions in S1. It ignores her political power and frontlines her magical abilities, even making her political prowess partly due to her magical empath powers . . . like . . .

Mel was the wolf long before she killed her mother because she had always been someone who used her strength in order to pursue her own goals ruthlessly, even at the expense of Zaunites. But S2 insists she became the wolf only when she was willing to kill her mother. That her wolfness had something to do with her magic rather than her judgement.

-Mel had dislodged her legacy from the Medardas by the time S2 rolls around. . . except no she hasn’t. In the end, Mel is sailing back on the Noxian ships she painted over, and she is doing so as the new Warlord (even wearing what looks like her mother’s cape) because she is the badass wolf, the leader that her mom wasn’t. And how did she achieve that power? Magic. Why does she want to go back? To reform the Medarda name? To take on the mission her mother couldn’t finish against The Deceiver? Because Jayce is dead? Who even cares at this point, this is mainly happening for the spinoff. It isn’t illogical, it’s just the least interesting approach to her character. Mel had much more agency in S1, and her political prowess made her formidable. But that doesn’t matter anymore.

-Her whole arc in S1 was all about her finding the courage to leave the Medarda name behind in pursuit of true progress, but then she kills her mother and sails away from Piltover, the city she fought to protect and killed her mother for and is all about probably reforming the Medarda name—and that’s her job done? Is it me, or is that a reversal of her—pardon the pun—progress? Not only that, but making Ambessa go from an imperialist tyrant to this woman bravely fighting against a larger, more powerful threat cheapens what Noxus represented for me. Sometimes conquerors do be conquering, and they make threats up to justify their greed. Not the other way around. It’s not too egregious, but it would’ve been nice if the Black Rose had been more of an epilogue thing.

-sigh I know I’ve said it before but it’s because it’s true . . . the conflict should have remained between Zaun and Piltover and Ambessa was a cheap way out of what S1 was building up

-Mel being a mage is a cool reveal, but it side-lines and devalues what she was, could do, had done and how she’d developed in S1

-Despite what the show would have you believe, Mel was not the victim. She was very much complicit in ignoring Zaun’s needs in priority of the rich and wealthy in order to make herself look good. She wasn’t as cruel as her mother, but she wasn’t progressive until she saw the damage already done (and Jayce helped her re-connect with her own conscience).

-Mel’s contribution to the development of hex-tech every step of the way is completely ignored. Instead Viktor and Jayce take full responsibility.

Conclusion:

Mel and Silco's arcs both ask: is violence necessary for progress? Both answer yes, but Mel's remains a little unsatisfactory. Because Mel had a choice. She had power. Power that Silco was willing to do (almost) anything to get. Both Mel and Silco's presence in S1 were formidable, and what made them so intriguing was there thorough understanding of people, both the good and the bad. But in S2, at least for Mel, what made her such an agentive character is thrust aside for spinoff hype. It's not that it isn't cool, it is. It's just one of the things that made S2 feel not only chunky, but disconnected from the roots of its story in S1. Both Silco's and Mel's characters in S2 reveal a very poor (or troubling) view of oppression, power dynamics and politics.

Anyway, that's just me. I was gonna do Ekko, Caitlyn and Jayce as well, but this post got too lengthy. I'll probably need to whittle it all down later. I've already cut so much.

[miraculouslbcnreactions]

Wait, I was reading your posts and came across something I've found confusing. How is Adrien asking Ladybug wth she is doing in Volpina a bad thing? From Adrien's perspective, Ladybug's a celebrity tracking down a middle schooler with zero clout and humiliating her for lying about meeting her before. That's, uh yeah? Imagine if that happened irl lmao. Millions of teenage girls would perish at 1D's hands. My middle school would be a horror story. And it's made clear multiple times in the episode that her motivation is jealousy. It's one of the few episodes where the lesson Marinette gets makes sense I think, because she was genuinely spiteful in shitting on this random girl in front of her crush. That's significantly different than Ladybug just asking for a retraction from the Ladyblog. It's also one of the few times when Adrien's celebrity background actually affects how he acts, and it makes sense that Marinette doesn't make the connection between superhero=celebrity=not allowed to scream at middleschoolers in public. If half the kids in her school didn't lie about meeting Ladybug before, my suspension of disbelief is gone.

I've seen this argument before and it makes no sense to me, especially in the context of the lie that Lila actually told and the way the Lila confrontation actually goes down. A lot of people who have this take seem to think that Lila's lie was, "Ladybug saved me," and that Ladybug made a big public confrontation which is not what canon actually gave us. The confrontation was done in a mostly private setting and, while we never see Lila's full Ladyblog interview, this is how Ladybug sums up the interview in Volpina:

Ladybug:(sarcastically) Well hey Lila! How's it going? Long time no see. I saw your interview on the Ladyblog, awesome job. Oh sure! I remember our instant connection when I saved your life and we've been really good friends ever since! Practically BFF's! Uh actually, when did I save your life again, Lila? I don't recall. Oh yes! Of course, now I remember. Never! And we're not friends either! Miss Show-Off here was trying to impress you and everyone around her.

Lila didn't just lie about meeting Ladybug, she lied about having an ongoing, close relationship with Ladybug, two very different things. And Ladybug isn't just a celebrity, she's a superhero who is fighting an active terrorist. If I had to rewrite this confrontation, I'd keep it pretty much the same and just change the "Miss Show-Off" line to something like:

Miss Show-Off here was trying to impress you and everyone around her, putting herself and all of you at major risk! You know that Hawkmoth would do anything to get these, right? (gestures at her earrings) Did you even stop to think about what he'd do if he learned the identity of my supposed best friend? Of course not. You were too busy trying to look cool to stop and think things through like an actual superhero! We keep our identities and relationships secret for a reason!

Is this the kindest, most gentle way to confront someone like Lila? No, but it's very in character for Marinette to be filled with righteous fury when she sees someone using her name for their own personal gain. I really can't blame her for getting incredibly angry at this total stranger presenting herself as a Ladybug authority and using that authority to manipulate Marinette's friends. As I've said before, take away the crush complication and Marinette's actions still make total sense to me.

I'm not a huge proponent of virtue ethics. That's the idea that you need proper motivation for an act to be morally justified. If you do the right thing for the wrong reason, then the act is bad no matter how good the results and vice versa. If you view the world that way, then sure, you could possibly argue that Marinette's actions were wrong just like you can also argue that Gabriel's actions were totally fine, but I don't view the world that way. Switch Marinette's motivation from jealousy and a little righteous fury to pure righteous fury and almost nothing changes. She'd still need to confront Lila, the words would just be a little different.

It's not like this confrontation stops Lila, either. Chameleon gives us this:

Lila: (in flashback) Not only did Ladybug save my life, we've become very close friends. Marinette: She lies with every breath. Nino: Wait. You eavesdropped on Lila and Adrien? That's not cool. Alya: A good reporter always verifies her sources. Can you prove she doesn't actually know Ladybug?

Quick mini rant before I give the next Chameleon quote: this isn't how verifying your sources works, Alya! You should be verifying that Lila does know Ladybug, not the other way around! Right now, Marinette and Lila have equal authority on the topic as far as you know and there is no evidence to support either claim, so you should be looking for proof that Lila isn't lying! Proof isn't a first come, first serve problem even though a lot of people fall into that trap. This is especially true since Lila goes on to make claims like this:

Lila: Of course Ladybug saved my life. She never misses an opportunity to rescue her best friends. Max: Didn't your tinnitus give you vertigo when you went up the Eiffel Tower? Lila: Oh no. Ladybug knows me so well that she brought me an earplug to stick in my right ear.

So Lila keeps right on lying about her relationship with Ladybug, presenting them as close friends, making it even harder for me to get on the "Marinette was in the wrong for privately confronting Lila" train. If anything, Marinette was too tame! She needed to go full scorched earth and have Alya post a public retraction that included a message about the dangers of claiming to be personal friends with someone you don't actually know.

If the show went that route and had Ladybug give an equally furious smack-down and Alya posted it without a second thought, THEN I'd probably be on team "Marinette needed to tone herself down because she went too far" because that isn't a heat-of-the-moment reaction. It's something Marinette would have time to think through. But Volpina didn't go there. Instead, we just get Marinette reacting live to someone using her name to flirt with her crush. Remember, this is the setup to Marinette transforming and jumping in to stop Lila:

Lila: Not only did Ladybug save my life, we've become very close friends because we have something very special in common- it's what I wanted to tell you about. I'm the descendant of a vixen superheroine myself, Volpina. Adrien: Volpina? Marinette: Volpina? Adrien: Wait a minute! I think I read about her in my book. Lila:(stopping him from grabbing the book) Of course she's in your book. She's one of the most important superheroes. More powerful and more celebrated than Ladybug. Between you and me Ladybug doesn't even make the top ten. My grandma gave me this necklace. [Marinette runs off to transform] Adrien: (holding Lila's necklace) Are you telling me this is a Miraculous?! (Ladybug lands in front of them)

This wasn't a planned confrontation. It was Marinette reacting live to some pretty massive lies. If Ladybug had been swinging by and just overhead this, then the scene once again wouldn't change much. That's why blaming Marinette for confronting Lila in the "wrong way" feels so victim blame-y to me. "How dare Ladybug not be perfectly poised at all times and react with grace when someone lies about being her close friend and teammate!" is not a take I'm ever going to agree with. And if you want to use the middle schooler defense? Then it applies to Marinette, too. She and Lila are the same age. Why the different standards just because Marinette has fame that she never asked for or sought out?

I've never been much of a fan of holding celebrities to an "always on" standard where their every interaction needs to be done with poise and grace even if the interaction happens out in the wild and not at a planned even where the celebrity can be mentally prepared for dealing with fans. That's extra true for accidental celebrities like Ladybug. Marinette didn't take up the earrings for fame and they certainly haven't brought her fortune, plus she has no PR training. Expecting her to be a PR master who knows how to handle her accidental fame is, once again, a little too victim blame-y for my tastes. Ladybug is here to save the world, not sign autographs. You can hold her to politician standards when you start paying her for risking her life on the daily.

There's a version of Lila where I would have a different take. A version where the lie really is minor and Marinette really did "overreact", but even there my lesson wouldn't be "Marinette was totally in the wrong" because I genuinely think that sends the wrong message to kids and kids are the show's target audience. Think about what you're actually saying here, "Because Marinette is famous, she needs to accept that people will lie about her and just ignore them even if people believe the lie."

While that isn't exactly a wrong take, it's still really messed up. It's not okay for people to use Marinette's name like that just because she's famous. The reason she needs to learn to let it go is because that's what's best for her mental health, not because her fame makes her lesser than others when it comes to things like personal privacy. The lies are not magically okay just because she's well known.

Remember, Marinette is a fictional character, but the kids watching this show are very real and they're way more likely to be Lilas than Marinettes. And the kids that do relate to Marinette in this episode? They'll be kids who have dealt with the rumor mill spreading lies about them or their friends without the celebrity complication. The show should not be telling either set of kids that Marinette is the one in the wrong here. That is the wrong moral and why I hate this episode so much. I might feel differently if the intended audience was teens and if this plot was allowed to be more complex, but none of that is true. The show is aimed at kids ages 5 to 12 and every episode is supposed to teach its own moral with Volpina's moral being "Marinette was explicitly and totally in the wrong here."

This is the age of internet personalities where there are more easily-accessible celebrities than ever and where many of them do not have the wealth needed to protect themselves from fans nor the PR training to know how to handle extreme fans if there even is PR training for that! That means that it's honestly really important for kids to learn to view these individuals as people who it's wrong to lie about and who deserve the same respect as non-famous people. Treating celebrities as public commodities is how we get things like the Kit Connor scandal where an 18-year-old actor felt forced to publicly come out because the internet wouldn't shut up about his sexuality. Oh, and since you brought up one direction, I'll also note that the band members have publicly stated that online shipping discourse has negatively impacted their relationships. So, yeah, I'm never going to agree that kids should be told that it's okay to lie about celebrities or treat them as fictional characters to play with and that the celebrities are the ones who are wrong if they get upset about that behavior. That shit is toxic.

If we go the "minor" lie route, then my version of this episode would be a very sad one where Marinette learns that people are going to ignore her boundaries and lie about her and there's nothing she can do about it. A lesson in mental health training that will hopefully help kids who are dealing with bullies, but that does not present Marinette as totally in the wrong. It just teaches her when to pick a fight and when to let it go, which is a very important skill to learn even outside of lies about your own person. There will be many times when you hear people say something that you vehemently disagree with and it's important to learn when to pick a fight and when to just let it go, knowing that no good will come from speaking up even if you're 100% in the right. It's a very sad, but also very necessary skill.

I think Adrien has a place in that story. A place where he still tells Ladybug to let it go, but it should NOT have been played the way it was in canon where he acted like Ladybug was totally out of line. He needed to be way more compassionate and understanding of her very justified anger. I've written Adrien giving advice on this topic before and it's always presented as, "people are going to be assholes and you have to learn to ignore them for your own well being," not as, "you are wrong to be upset about strangers telling lies about you. You agreed to deal with this when you decided to be a hero" because what kind of asinine lesson is that?

You could also keep Adrien's canon reaction and have the lesson be him learning that it's okay to have boundaries. That his fame doesn't negate his bodily autonomy and right to be treated with dignity. That people chasing him down, invading his personal space, and otherwise preventing him from living a normal life is wrong. I love it when fanfics take this approach to Adrien's part in the Lila conflict. It's very cathartic to see his friends supporting him and protecting him from Lila.

I really have tried to see Volpina from the "Marinette was totally in the wrong" perspective because I've come across it several times, but I just can't wrap my head around it. If you've got a counter argument, then feel free to try to change my mind because I've given you my full thoughts here, but know that I'm probably not budging on this one. You'd have to make some pretty dramatic changes to canon for me to feel like this take has a point. I think the only way that I'd be on Lila's side is if it was very clear that no one believed Lila and Marinette still had the same reaction that we see in canon as that does feel like going too far. But everyone believed Lila so that's not a solid argument and I'm just never going to agree that people have to be cool with others lying about them just because they're famous. I honestly despise celebrity culture so much and hate that people are basically forced to deal with that bullshit if they want to be successful in certain artistic fields.

[emo-batboy]

Battinson on SNL

Idk how popular Saturday Night Live is outside of the US so there will be some links for context. That said, as a New Jersey native, I think Battinson would totally watch the show. And since he's a celebrity...👀

SO

To promote WE’s newest charity fund, Alfred signs Bruce up to be a guest host on SNL (à la this post) The announcement is made, and everyone’s like “oh this is going to be a disaster. That man can’t even hold eye contact or speak a full sentence without crying.”

But oh, that’s why it’s so funny.

Now, hear me out. Bruce’s strengths are displayed best when he’s himself. That’s why he’s so popular in Gotham. That’s why the internet calls him Relatable TM and a Disaster (Affectionate) and “Poor Little Meow Meow.” It’s his ✨ essence ✨

But he tends to get overwhelmed or self-conscious onstage, right? Because he can’t be Himself himself if he has time to overthink something. So after a few meetings with Bruce, the writers of SNL figure out the perfect way to keep Bruce from getting anxious.

They decide to load this episode with as many skits where Bruce plays different caricature-like versions of himself as possible. The objective? Make him break character and laugh so he doesn’t overthink. And if he breaks character, he’ll still technically be in character because he’s playing himself, you know? Genius.

So that’s how they go about structuring the show. During the few days they have to write, they decide to take everything about Bruce’s public image and either ramp it up to 11 or turn it on its head.

He speaks quietly? Turn it into a running gag. He dresses in all black? Make him emo. He tips well? Add that in too. He’s “depressed” and “sad?” Literally, all he does on screen is laugh and break character. What’s not to love?

Of course, Bruce also gets to decide what skits are in each episode as well. (Refer to this if you have no idea how SNL works.) He loves the idea, though, and he has a surprisingly dark sense of humor which bleeds into some of the sketches. They add in a few skits without him, and they’ve got their lineup.

It’s the wildest episode of the season. Here are the highlights:

OPENING MONOLOGUE

It’s the big night, everyone’s excited to see Bruce Wayne hosting a live sketch comedy show with no idea how it will turn out.

To begin his monologue, Bruce walks on, opens his mouth to start talking, and immediately two cast members appear as stagehands to set up six microphones in front of him. He is already struggling to keep himself together.

Bruce: “You may be wondering why I’m host- Cast Member: *adds one more tiny microphone to his chest* Bruce: “You may be wondering why I’m hosting tonight.”

It’s working. The audience loves it.

Halfway through, Kate McKinnon comes out in a dark cloak with a chalice. “Your sustenance, my lord.” *sees camera* “Oh. Sorry. Carry on.” And she shambles off. Bruce has to take a second before continuing.

Bruce knows when (most of) the jokes come. It’s literally on the cue cards, but he still falls into a fit of giggles.

There are a few more gags, including Lex Luthor peeking out from behind the band set-up, all teasing the show to come.

Overall, an amazing way to set the tone for the episode. Expectations have been set. Then the skits begin!

(Oh but before I forget: During every single live skit with Bruce, the writers have scheduled for one of the cast members to run in dressed as a stagehand and put an extra mic on him. They do not tell him when it will happen.)

SKIT #1

Between the monologue and the first skit, he has to do a really fast quick change, but to everyone’s surprise, Bruce is a natural. (Huh, wonder why.)

The skit is called Gotham PTA Meeting. We open in a meeting room full of stereotypical PTA moms setting down baked goods and gossiping. And apparently, there is a new PTA member attending today 👀

Right as the meeting starts, he enters. Bruce walks in wearing the most emo get-up imaginable. He’s got a Nirvana shirt, a comical amount of eyeliner, black skinny jeans, chain accessories, metal rings, AND a clip-in extension to give him fringe.

Someone immediately runs in and puts another mic on him.

PTA Mom: “Oh, Bruce! You made it! Did you bring a snack?” Bruce: “I brought lemon bars.” PTA Mom: “Why are they black?” Bruce: “They match my soul…they’re also vegan.”

He talks like a moody teenager. HE CONSTANTLY has to brush the fringe off to the side to read the cue cards. And because there’s so much eyeliner and he’s sweating a bit from the lights, it starts running everywhere.

PTA Mom: “Bruce, you’re a little quiet. What are your thoughts on increasing the school lunch budget?” Bruce: *eyeliner dripping down his chin* “I think it’s a great idea.”

SKIT #2

For a pre-filmed skit, they bring back the Chad character with Pete Davidson.

It’s 2 am, and Chad is working at a 24hr drug store in Gotham. He’s reading Twilight (the book is upside down) when the lights begin to flicker.

He turns around and tries the light switch, turns back around, and JUMPSCARE it’s Bruce dressed as Edward from Twilight.

Yes, he IS sparkly.

Bruce is awkwardly holding a bunch of items, all concerning. He plops down a few knives, several raw meats, Sudafed. Chad: “Oh hey.” Bruce: O_O “I’d like to check out please.” Chad: “Lit.”

Chad’s “No Fucks Given” energy and Bruce’s “Please Do Not Perceive Me” energy clash like titans. The whole skit centers around it.

Bruce: *sweating bullets* “Oh. You’re reading Twilight?” Chad: “Just the title.” Bruce: *throws the book through the window at lightning speed* “It’s not very good. You should probably read something else.” Chad: *shrugs* “Okay.”

Chad: “ID?” Bruce: “ID? For what?” Chad: “Sudafed.” Bruce: “Oh. I don’t really need that, actually.” Chad: “Already scanned it.” Bruce: “Haha. Of course.” *awkwardly produces a scroll from his pocket that says Bruce Wayne DOB: 1901* Chad: “Okay.”

Bruce checks out, Chad picks up a porno mag or something, and we see Bruce turn into a bat and fly off through the window behind him.

SKIT #3

The next skit they have is Celebrity Family Feud: Billionaires Edition. Again, Bruce plays himself, but he’s more of a background character. Instead, the skit makes fun of billionaires as a whole.

Bruce’s team consists of Kylie Jenner, Lex Luthor, and Oliver Queen. So just imagine three Lucille Bluths standing beside one another. 

Bruce’s bit? He just keeps handing cash to Steve Harvey every time he breathes in his direction.

Host: "We got the richest man in the world: Bruce Wayne!" Bruce: *hands him a roll of cash* Host: "Oh, what’s this for?" Bruce: "It’s your tip. I always tip." Host: "Oh, Mr. Wayne, you don’t usually tip the show host. I’m also a millionaire myself." Lex Luthor: *snatches it* "Well, if you’re not going to use it, I will…for charity, of course." Host: "Uh huh, whatever helps you sleep at night."

Just a ton of fun quips, the usual.

At some point, Harvey says, “That’s batty.” Bruce: *ducks* “Where?!” Host: “Oh, I don’t mean Batman. He’s not here.” Bruce: “You don’t know that.”

This time, the mic bit is a bit different.

Host: “We asked 100 billionaires: How much does a loaf of bread cost? Top three answers are on the board.” Bruce: *hits buzzer* Host: Bruce, your answer is? Cast Member: *runs in with a megaphone and holds it in front of Bruce* Bruce: “TEN DOLLARS?”

Board dings! That was the #1 answer

Brucie Wayne for the win

SKIT #4

Next is a skit that dares to ask Gotham, “Why would anyone live here?”

The skit begins with someone opening a press conference for Wayne Enterprises. “And now presenting: Bruce Wayne!” Bruce walks in…

But it’s not him. Instead, it’s one of the cast members dressed in a black suit with horribly gelled brown hair.

Everyone in the audience is wondering where the actual Bruce is before another cast member runs onstage crying, “Help! Help! I’ve just been robbed! Somebody call Batman!”

A mini version of the bat-signal lights up…

We hear some generic hero music play…

And there he is: Bruce Wayne dressed in a horribly cheap Batman costume

(They got the cowl ALL wrong btw)

Bruce puts his hands on his hips in a weird superhero pose. Bruce: “I’m Batm-” Cast Member: *runs out to attach another mic to his costume* Bruce: “….I’m Batman!”

Cue all of the gags and digs against Batman. The fake Bruce faints then starts crying under a table. Someone calls Batman a furry. Bruce is barely keeping it together the whole time. Lord help him, but he asked for it. He approved the skit.

Bruce: “Looks like a job for my bat taser!” Cast Member: “Isn’t that just a taser with a bat on it?” Bruce: *whispers* “You shut your mouth.”

He saves the day, the police take the thief into custody, then Batman myStErioUsly disappears. Bruce: “Look over there!” *runs off* Cast Member: “Oh my gooood, how did he do that?”

CLOSING SEGMENT

Finally, they have the Weekend Update where Bruce comes on as himself for the final time.

Since they got his permission, the writers switch out some of Bruce’s jokes last minute. (Think Bill Hader’s Stefon which notoriously caused him to break character because the writers would mess with his cue cards.)

News Anchor: “Here to promote his newest humanitarian project: Bruce Wayne!” “Mr. Wayne, what a pleasure to see you today.” Bruce: “Thank you. This is probably the longest I’ve been out of the house.” News Anchor: “Since the Riddler catastrophe?” Bruce: “Since ever.”

News Anchor: “So Mr. Wayne! Before you make your announcement, any life updates?” Bruce: “Yes, actually. Just a few days ago, I adopted five- *starts losing it* five more children.” News Anchor: “Wow, really? So you have eight kids now.” Bruce: “Uh huh. *tears streaming down his face* One more orphan and I get the tenth one free.”

News Anchor: “So where can people find you online?” Bruce: “Well, I don’t have social media because I’m afraid of people, but sometimes I’m on Twitter.” News Anchor: “What about a phone call?” Bruce: “Oh no, phone calls- *giggle* phone calls give me fainting spells.”

It’s a great way of finishing the show, with the most genuine version of Bruce. Then, he gets to what’s really important!

News Anchor: “So if they can’t reach you on social media or on the phone, what else can our viewers do, Mr. Wayne?” Bruce: “They can donate to the Wayne Foundation’s newest charity called The Arts Initiative. It funds programs for the arts in underdeveloped school districts nationwide. I’ve already donated $30 million, and I’ve pledged to match every dollar donated within the next week.”

And that’s what he’s here for :) They share a link for where and how to donate. The anchors praise him for his charity, which he deflects because he can definitely afford this, and the 90-minute broadcast is over.

The camera pans away with the whole cast waving goodbye, and Bruce is seen keeling over with laughter.

Along with some of the other skits, these four specifically go viral. WE raises a fuck ton of money, and everyone loves Bruce.

THE END

LOVE YOU ALL!! Let me know what you think :D

[ckret2]

Chapter 77 of human Bill Cipher being a prisoner with terrible fashion sense: beach episode!!! Well, lake episode. Close enough.

And a few other people come to town.

Just after dawn, a sleek, nondescript black government SUV, now dusty from a long drive, parked in front of the Gravity Falls Police Department. Three agents in sleek, nondescript black suits stepped out.

As they left the car, Blubs came out to meet them, Durland trailing behind him. "Agent Powers, Agent Trigger! Good to see you again." He shook Powers's hand, then glanced at the new agent. "And you are...?"

"Agent Dale!" The rookie shook Blubs's hand next, beaming. "Very pleased to meet you. I was just saying in the car—you have a beautiful town here, just beautiful."

"Wouldn't stop talking about it," Trigger muttered.

Blubs chuckled. "Why, thank you. We're quite proud of it ourselves."

Durland said, "Say, Agent Dale—don't you agents usually have tougher-sounding codenames?"

"Agent Clyde S. Dale. Like the horse."

"Ohhh. Yup, that'll do it."

"Sheriff Blubs," Powers said. "I trust you have the requested materials?"

"Right inside," Blubs said. "We've got the readings on last week's gravity anomaly from McGucket's scanners, and reports on this weekend's power surge."

"No overlap between the incidents?"

"None anyone here detected."

"Hmm. Has anything else strange happened since we were last in town?"

Blubs hesitated. "Well—never mind all that." He quickly shifted topics, "Say, I like your 'honk if you want to be arrested' bumper sticker." ("Oh is that what it says?" Durland asked.)

Agent Powers said solemnly, "I can get you the contact information of the shop where I bought it. It's a very nice small business run by art students."

"Would you? That'd be delightful."

Powers paused before following the cops and his agents into the police department, glancing out at Gravity Falls' town square—the modest little main street shops, the town hall, the statue of the town founder, the distinctive water tower with the faded muffin graffiti, and the familiar mountains surrounding the little valley town.

And then he let out a long, frustrated sigh.

"Fine," he muttered grumpily, glaring at the town as though it were an old rival as annoyed to see him as he was to see it. "Let's just get this over with."

He followed Blubs into the police department.

####

"Attention, everybody," Stan said, standing in the entryway with his fists on his hips, Soos beaming behind him. "I've got some great news!"

Abuelita and Bill glanced up from one of Abuelita's soap operas; Mabel and Dipper craned their necks to see Stan from where they were having dinner at the kitchen table.

Stan announced, "It's finally time!"

Dipper and Mabel blinked. Bill said, "Great. I'll get the ritual daggers, you can set up the blood red candles. Dolores?"

Abuelita said, "I will put out the good sacrifice altar." Bill laughed in delight.

"Yeah, yuck it up, you two," Stan said. "We're going fishing tomorrow! I've got the bait, I found everyone's rods, Soos and I patched up the old boat, I even—" He paused at the sound of the vending machine opening. "Hey! Ford!"

Ford ducked in from the gift shop. "What?" 

Stan chucked a hat at him. "I made you a fishing buddy hat! See, it's got your name! That's pretty good!"

"Oh." Ford inspected the letters haphazardly stitched onto the hat. "Why?"

"Fishing tomorrow! Half the summer's gone by, and we haven't gone fishing once! The guys from the lodge probably think I'm too ashamed to show my face. But it rained this weekend, the weather's just cleared up, now's the perfect time for fishing!"

"Oh," Ford said again, trying to drag his thoughts from magical tapes to fishing. "If you'd let me know earlier, I'd have built another fish-summoning beacon like the one on our boat." (Bill glanced curiously at Ford at the mention of an invention he didn't already know about; then stubbornly refused to be interested and dragged his gaze back to the TV.)

"No beacons! This isn't fishing for survival, this is about the sport! Asserting our manhood! Just the skill, strength, and patience of three men—and some women and children—against the lake!" (Soos beamed at being included amongst the men.)

Ford considered that. He didn't assert his manhood very often; usually he just sort of let his manhood hang around minding its own business, like an old cat that wants to be in the same room as you without socializing. It sounded like an intriguingly novel experience. "Okay, great. What time?"

"I want everyone on the road tomorrow morning! By six thirty at the latest."

The kids groaned.

"C'mon, dudes," Soos said encouragingly. "It'll be fun! After about three hours, once you're awake enough to think."

"No griping, we've gotta be there early to get a prime fishing spot," Stan said. "Tomorrow's a lodge fishing day. We're going home with a haul so big they'll be embarrassed they kicked me out!"

Dipper asked, "You mean the lodge for the Royal Order of the Holy Mackerel, right? Why'd they kick you out?"

Stan sighed, "Once the town found out about Ford, they realized I'd spent the last thirty years attending lodge meetings under his membership. Since I'd never undergone the—" He rolled his eyes and made finger quotes, "'sacred angler initiation rites,' they booted me. And they said I can't try to join again, just because of that one dumb little white lie! And my extensive criminal record."

Ford hurriedly crossed the living room to avoid blocking Abuelita's TV view. (Bill looked through him like he wasn't there.) "Stan got a lot more out of my membership than I did—once I'd finished my initiation I probably only ever attended three meetings. I tried to petition the Mackerels to let him rejoin."

"How'd they respond?" Mabel asked.

"They kicked me out too."

Bill scoffed. "Big deal! The Fishmasons and all their subordinate organizations are just a big boring social club that got you hotel discounts three hundred years ago. The mystique around them is more interesting than anything they actually do."

"Figuring that out is why I stopped attending after three meetings," Ford said. "I joined to learn about the dark secret underbelly of Western politics—not sit around eating charcuterie and fancy nuts while everyone talks about baseball and makes fun of me for not knowing what a fly ball is. It's a stupid term! Doesn't the ball always fly?"

"Really, they aren't even worth joining," said Bill Cipher, the only person to have ever been kicked out of seventeen separate Masonic lodges in seventeen separate bodies.

Reminded of the fancy nuts he was missing out on at this very second, Stan set his jaw in determination. "Yeah, well, they're a big boring social club that'll rue the day they kicked out Stan Pines! Out the door, six thirty, on the dot!"

"I don't have an alarm," Bill said. "Hey star girl, wake me at five."

Mabel shuddered at the thought of setting an alarm that early. "No way. You can borrow my radio."

"Hold on, I didn't say you're invited," Stan said. "We've already got a full boat! Me, my brother, the kids, and Soos and his girl. Nobody wants to sit on the lake with you for eight hours."

"I wanna sit on the lake with Bill!"

"Nobody but Mabel wants that."

"Relax! I don't want to sit on a boat with you underpainted clowns either," Bill said. "I just want to sit on the beach! I miss sunlight! Sunlight without being forced to hike through half the valley on no food or sleep."

(Ford decided that was his cue to make himself scarce. He scooted into the guest room.)

"Well," Stan said, "we're not staying thirty feet from the shore, we're not leaving anybody behind, and we don't trust you to stay put on the beach without your dumb magic bracelet—so how do you expect that to work."

"I'll just stay with Dolores."

Stan and Soos stared at Abuelita. Soos said, "Abuelita? Do you want to come?"

Abuelita considered it. "Sure. The weather is nice. I can catch up on my reading."

"Yes!" Bill hopped off the couch. "Then it's a plan!"

"Hey, hold on," Stan said as Bill breezed past him, "I didn't agree to—"

"Hey star girl!" Bill leaned into the kitchen. "Need your fashion services! I need a swimsuit before tomorrow."

Mabel gasped in delight. "What kind?"

"Whatever exposes the most skin without getting me arrested. I'm absorbing as much sunlight as possible."

"With sunscreen, right?" Soos said.

Bill turned and gave him a blank-faced stare.

Soos hopefully repeated, "With sunscreen?"

"Don't need it."

"You totally do, dude. Not many people talk about this? But having more melanin doesn't totally protect you from sun damage, it just slows it down," Soos said. "Trust me on this. When I was like eight, I went to this water park—

"Uh-huh, and three days later you were peeling off flakes of your own dead flesh," Bill said. "It's cute how you think you know more about humans from 23 years of passively being one than I do from 500,000 years of actively studying them."

"Oh."

"C'mon, star girl! No time to waste!" Bill grabbed Mabel's hand and tugged her off her chair.

"Wait, my sandwich—!" Mabel grabbed the rest of her dinner off her plate and shoved it in her mouth as Bill dragged her upstairs.

Abuelita shot him a dirty look as he passed, but turned back to her soap opera.

####

Just past five in the morning, Bill crept by the guest room door. He glanced through the wall as he passed; good, both of the Stans were in bed and sound asleep. Bill wouldn't have had a chance to get up to his mischief if Ford had decided to sleep downstairs.

He snuck behind the vending machine; paused to squint toward the future and confirm that when he looked at the stairs, he could only see himself using them anytime soon; then down to the elevator; and down, down to Ford's study.

Bill sighed in relief when the elevator slid open and he saw that Ford had left his study door ajar. He crept into the room, feet socked, hands gloved—Ford was the kind of paranoid to actually check for prints if he suspected anything, and Bill's triangular whorls were very distinctive—and looked through the objects piled on the shelves and furniture for any concealed sensors or cameras. The coast was clear.

He idly scanned the nearby shelves for any sign of his stolen time tape, didn't find it, but didn't expect to. That wasn't what he was here for.

He knelt in front of a half-disassembled filing cabinet, flipped through the files in the removed bottom drawer until he found several folders together about curses and hexes, and flipped through them until he found the one labeled "Curses & Hexes (w/ ingredients)". Good old Sixer, left everything exactly where Bill remembered it.

He rifled through the pages—"aha!"—until he found the paper he was looking for and pulled it out. Handwritten at the top of a ragged-edged piece of notebook paper were the words "Reverse Sunscreen". Bill read through the list of ingredients—"Oh, pepper juice, not pepper flakes, right."—then put the paper back.

He glanced back and forth between the past and present to ensure he put the files back exactly where he'd found them—again, considering Ford's paranoia, he might notice any difference.

And then he returned to the elevator and headed upstairs.

The whole time he was in the study, Bill didn't let himself glance at the back of the room where Ford's shrine to him used to be.

####

"Heya, pal," Bill said. "It's been a while! Where have you been hiding all summer?"

Gompers blinked up at Bill.

"I guess we both look different than we did the last time we met, huh? I think your makeover went better than mine, though! You didn't fall as far as I did." He didn't have as far to fall.

Gompers accepted the backhanded compliment with utter indifference.

"But hey, why talk about the past! Let's let bygones be bygones. Here." Bill knelt, pulled one of Ford's nutrition pills from the folds of his beach towel, and held it out. "A peace offering! A little snack for you."

Gompers eyed it warily.

"Come on, you've eaten worse things than this."

He delicately ate the pill out of Bill's hand.

"Thaaat's right. Tell me how you like that thing later."

Leaning on his car, Stan—the only other person who'd actually been ready to go at 6:30—looked over Bill's shirt and trout slippers, and asked warily, "You didn't forget that humans need to wear pants, right?"

Bill got to his feet, shoved his makeshift umbrella-cane under the same arm as his beach towel, and pulled up the hem of the puma shirt he'd stolen from the gift shop to reveal his bikini bottom. It was teal with little puffy gold triangles painted on. "Cover-up dress. Your arbitrary fashion rules are different for beaches."

Stan considered whether a t-shirt counted as a dress, decided he didn't know enough about dresses and he might as well give this one to Bill, and grunted. "Fine, you're legal."

"Am I free to go, officer?"

"Never compare me to a cop again."

"Stop acting like one!" Bill trotted off to his ride to wait for the other humans to assemble.

There wasn't room for all eight beachgoers in one vehicle; the Pines piled together in Stan's car, while the Ramirezes (including Melody—honorary future Ramirez—and Bill—magic braceleted to Abuelita) took Soos's truck. So that Abuelita didn't have to squeeze past the front seats into the back, Bill and Melody were assigned the back bench; when Bill greeted Melody and she only responded with a vague mumble and an averted gaze, he scooted closer to the middle of the bench, spread his knees to take up more space, and smugly pretended not to notice how Melody squeezed herself against the door.

By the time the Ramirez vehicle parked at the beach, the Pines family was already out of their car: Stan was glaring up the beach with his fists on his hips, the kids were unsuccessfully searching Mabel's supply bag for Dipper's sunscreen, and Ford was lingering back at the car, pretending to check the contents of their tackle box but actually trying to shake the sudden memory of weightlessness and water in his throat. As Bill passed, Ford muttered, "I'm surprised you wanted to get this close to the lake so soon. Considering." It had been less than a week since their joint near death experience.

"Why not? Nearly drowning was the most fun part of that hike." (Ford wondered whether that was a red flag, an underhanded comment about how unfun the rest of the hike had been, or just Bill being Bill; and, for his own peace of mind, decided it was probably the third thing.) "Looks like you got something fun out of the trip, too." Bill snapped the shoulder strap of Ford's waders.

Ford shoved Bill's hand away. "As long as I have them, I might as well use them."

When everyone caught up with Stan, he was scowling at four men, ages ranging from 50 to 80, wearing fishing vests and hats with the Holy Mackerel's distinctive stylized fish symbol. "Eugene," Stan muttered. "Eugene and his goons wanted to kick me out of the lodge for years. Just because I have a grating personality and am generally unpleasant to be around! And tried to get the lodge to pick a local affordable housing fund as our charity for fundraising one year!"

Ford gave Stan a surprised look. "You never mentioned you worked with an affordable housing charity."

"Yeah. The Compassionate Angel's Fund For Gravity Falls Tourism Business Owners Who Are Behind On Their Mortgage Payments."

Ford snorted. 

Bill said, "I think you should've gotten away with it just for being funny."

"Don't even look at them," Stan instructed the group. "These jerks aren't worth it." The collected group studiously avoided looking at the Mackerels, except Bill and Abuelita, who didn't care.

As they walked up the beach toward the pier and veered around the Mackerels, Stan suddenly stopped, turned straight toward them, and said loudly, "Why, Eugene! What a coincidence! I almost didn't notice you!"

A tall, elderly man with a fishing rod over one shoulder and a black wooden cane in his other hand glanced over at the Pines/Ramirez party. "Oh," he said, with a voice like he'd found a fly stuck in gum on his cane. "Hello, Stan-ley. We haven't seen you out on the lake this summer."

Stan laughed loudly, as if Eugene had told a hilarious joke. "Oh, that! I was just waiting for perfect fishing weather! I'm not about to waste my time out on the lake on a bad fishing day!" He gestured behind himself, "Besides, I had to wait until my whole family was free to come along."

(Soos elbowed Melody and whispered excitedly, "He called us his family!")

Stan clapped his hands proudly on Dipper and Mabel's shoulders—who looked like they hoped the sandy beach would swallow them whole—and said, "I don't see your family, Eugene, where are they?"

"Dead." With mournful dignity, Eugene said, "I outlived my wife and all three of my children. Remember? You ate potato chips during my daughter's funeral."

Stan opened his mouth, shut it, and said, "Was that the really boring one that went like an hour?"

Ford, who didn't always have the best social instincts but could tell when Stan had screwed up, started shooing the rest of the family away from the scene, elbowed Stan, and said, "Let's get to the boat. You wanted to get a prime fishing spot, right?"

Eugene looked at Ford. "Ah. You must be the real Stanford Pines?" he said. "So I'm assuming, anyway. Apparently it's hard to tell you two apart."

Stan scowled; but before he could retort, Bill pushed past him to butt into the conversation. "Is it ever! Listen, take it from someone who's made this mistake—you've got to count the fingers on these two, every time."

Eugene huffed sardonically. "So it seems." (Ford self-consciously hid his hands in his pockets and shot Bill a dark look as he shuffled off with the rest of the family.)

"Say, while I've got your attention—name's Goldie, by the way—I couldn't help but admire your cane!" He tapped the tip of his umbrella against Eugene's cane. "I'm in the market for an upgrade from this substitute I've been using! That's no blackwood, right? That looks like true ebony."

"Good eye," Eugene said, surprised. "Yes, genuine Gaboon ebony."

"Must've dropped a lot of gold on this thing," Bill said appreciatively. "You've gotta tell me where you got it."

"I'm afraid I don't remember off the top of my head..."

"That's fine! Look it up—" (he twisted around to speak over his shoulder as Stan grabbed his arm and dragged him away) "—I'm sure we'll meet again!"

About fifteen feet away, Stan growled, "What was that?"

"Networking. I've got plans for that guy," Bill said. "Hey, did you hear him? Gaboon ebony?" He laughed condescendingly. "Easiest way to make a guy look like a moron, start talking about 'true' ebonies. Didja know the word 'ebony' comes from Egyptian? And when they talked about 𓍁𓈖𓏭𓆱, they were talking about African blackwood. Wood so hard it sinks and you have to tool it like a metal! Gaboon ebony is a flimsy usurper!"

"I have no idea what you're talking about."

"But you don't pretend you do, and that's what makes you better than that guy." Bill tugged Stan down by the shoulder. "Listen, Fisherman. I can't tell you where the fish are biting but I can tell you where they're swimming. It'll give you an advantage, but you'll need to do the rest."

Stan squinted mistrustfully at Bill. "What's the catch."

"The catch is you have to accept my help. Do you want it or not?"

"And why are you offering?"

"Because I think these lodge guys are a bunch of snobs. And they should've chosen your charity. It was funny."

That, plus Stan had been the most reluctant to let Bill live; Bill had to convince him he'd made the right choice.

Bill gave Stan directions to a bunch of fish he could see underwater by the Island Head Beast's right earhole; and then, his good deed for the day done, he headed off to claim a spot on the beach.

Ford had gone into Tate & Backle's to properly purchase the clothing they'd borrowed after the eclipse, and Soos was helping set Abuelita up with a low beach chair and a large umbrella. Bill smoothed out a patch of sand about ten feet from Abuelita so he could lay out his beach towel and dump his supplies for the day beside it. While Mabel and Melody got the boat ready, Dipper wandered around looking for sunscreen to borrow. He saw Bill's tube, snatched it without asking, and generously coated his arms, legs, and face. Bill fought back a grin and pretended not to notice.

He tossed aside his t-shirt and fish slippers, settled down on the towel in his bikini, carefully squeezed several horizontal lines of reverse sunscreen across the front of his abdomen and thighs, and drew a few vertical lines in between to break them up.

Ford trudged over from the bait shop to tell Bill, "I thought you'd like to know those ridiculous fish slippers were thirty dollars."

Bill laughed. "Whoa! Seems like a lot of money for some cheap novelty shoes! It's too bad you decided to trap me in a position where I'm too destitute and powerless to make my own purchases, isn't it?"

"All right, all right." Ford's gaze caught on the bruise-blue line discoloring the skin from Bill's left shoulder to his right hip—had he gotten injured during one of his hikes the past week? Or had that always been there? Ford didn't think he'd ever seen Bill's body shirtless, maybe it had always been here—but then he noticed Bill's lines of sunscreen and barked a laugh. "I suppose you're not planning to rub that in."

"Brilliant observation." Bill began smoothing down the lines with a finger, maintaining the pattern he'd drawn.

"You wanted to come out here to suntan? I'm sure you're already aware of the cancer risks from tanning."

"If I'm in this body long enough to get cancer, I'll welcome it." Bill lay down, laced his hands behind his head, and gave Ford an obnoxious smile. "Anyway, basal cell carcinomas are delicious. There's something kinda romantic about them, you know?"

Ford ruminated on that with thoughtful bafflement, shushed the voice in his head trying to point out that Bill was waving ever more red flags, and concluded that perhaps humans weren't meant to comprehend the romanticism of skin cancer. "Fine."

"What's everyone standing around for?" Stan asked, trudging up to Soos and Ford. "C'mon, we're burning daylight! Let's..." He trailed off, staring at Bill.

His bikini top consisted of two triangular red cups. Each cup had an enormous staring eye.

"See something ya like?" Bill asked dryly.

Stan quickly looked away. "Ugh. That's indecent."

"What is?"

"That—design!"

"What's indecent about eyeballs?"

"It looks like...!" He gestured vaguely but emphatically.

"What? What does it look like? Tell me what it looks like, Stanley."

"Never mind!" He turned away with a huff and muttered to Ford, "Can you believe him?"

"I honestly didn't notice anything until you pointed it out." Ford waved back at Bill dismissively as he followed Stan toward the boat. "Enjoy your sunburn."

"I will! I haven't had a good sunburn in centuries! That's one of the best features of earthling bodies!" Bill got comfortable and shut his eyes.

Soos finished getting Abuelita settled, headed toward the boat—but hesitated as he passed by Bill. Bill opened an eye a crack to glower up at him. "What?"

Soos mumbled, "You could've just told me you wanted to get sunburned. I mean—yesterday."

"But you didn't ask if I wanted a sunburn," Bill snapped. "You just assumed I didn't know how they work. And that's the point: you assumed I was stupid instead of considering that maybe you didn't know my plan."

"Oh. Uh... sorry." Soos rubbed the back of his neck. "I didn't mean to make you feel stupid."

Bill's irritation flared higher. He sat up. "I didn't say you made me feel stupid," he hissed, voice low, talking fast. "There's nothing that you could do to make me feel stupid. But that doesn't mean you aren't treating me like I'm stupid, does it?"

"Whoa—!" Soos raised his hands defensively. "Chill, dawg. I didn't mean—"

"What's the phrase, do ut des? 'Do unto others'? Your species's phrase. Don't treat me like I'm stupider than you and I won't have to return the favor—sound like a fair deal, Question Mark?" Bill stared up at him challengingly, brows raised.

"But th— I w— You..." Soos's protests that he'd been doing nothing but trying to do-unto-others Bill got jumbled all around under the force of Bill's spotlight glare. His shoulders slumped. "Sure," he mumbled. "Sorry."

"Good." Bill lay back down. "Get out of my sun."

Soos trudged away; and Bill took a deep breath, tried to get in a meditative mindset where he could shut off his mind, and focused on the feeling of sunshine on his body.

He'd just about managed to drop into a proper trance when Abuelita called sweetly, "Bill? Would you grab a bottle of water for me?"

His face twitched toward a frown as he was dragged back to full consciousness. Hadn't Soos left them close enough for her? Some grandson. 

"Bill?"

He tried to think of an excuse to stay where he was; then growled in irritation and sat up. "Okay, okay." He couldn't afford to offend the chef with access to the poisons.

The bag with the water bottles was right behind Abuelita's elbow; but maybe her joints were stiff. Bill knelt to unzip the bag. "Another bodice ripper?" he asked, glancing at her book. 

"A powerful sorceress queen has been captured by her enemies. She just learned they are led by her former apprentice."

"I can sympathize with that." Bill dragged the bag up next to Abuelita's knee so he wouldn't need to grab another bottle for her later. "Who's the love interest—guileless guard? Heroic rescuer?"

"The apprentice."

"Sympathy's gone." Bill glanced toward the boat to see what the rest of the household was up to.

They'd already reached the spot Bill had indicated and started fishing. Soos was excitedly reeling in his line; the boat listed to one side as everyone crowded around him to see what he'd brought up. Stan dipped a net in the water to scoop up his catch.

It was a boot.

Everyone's faces fell in disappointment.

Except for Ford's, who gleefully snatched up the boot he'd kicked off during the eclipse when he fell in the lake. He dumped the water out of his boot, switched places with Soos, and began fishing the same spot.

Abuelita said, "My grandson has been very nice to you."

Bill looked at her warily.

"Hasn't he?" She had a polite smile and daggers in her eyes.

He had the oddest feeling that this was going somewhere dangerous. "Yeah yeah yeah, sure he has," Bill said. "Nothing but nice. I think I'll take a little stroll, stretch these legs! See ya!" He stood to escape.

He only got a step away before the enchanted bracelet pulled tight around his wrist. He turned around to stare in amazement.

Abuelita had wrapped the slack of the bracelet thread around her hand.

Bill had made a severe miscalculation.

"So," Abuelita said. "Why are you being mean to my grandson." It was a trap all along. She'd agreed to be handcuffed to him so she could corner him for an interrogation.

"Whaaat," Bill said. "Me? No way! I'd never!"

Abuelita stared at him patiently.

"I don't even talk to him," Bill said, trying to think of a conversational escape route.

She raised a brow.

Got it. "He's just too nice, you see! I don't know how to talk to a guy that nice," he lied. "Makes things awkward!" How could any grandmother complain about her grandson being called too nice? "Yeah—not Jesús's fault at all. I don't hold it against him."

"Ah," Abuelita said, "you aren't used to people being nice to you?"

Sure, they could go with that, try to get him some pity. "Yeah! You know how it is. King of Nightmares, scourge of the multiverse—I'm not a popular guy."

"But you have friends, don't you? The scary ones you brought with you to town last year? Are they not nice to you?"

Bill hesitated, trying to figure out his story now. "Sure—they're nice to me. They're my friends! They love me! They'd do anything I say!"

"Oh. So, you're only comfortable with people being nice to you when you can control them." Abuelita smiled sweetly.

Swift, efficient, and brutal. Bill gaped at her.

"I'm glad you have nothing against Soos," she said. "And that you won't be rude to him."

Bill snapped his mouth shut. "Of course not." He gave Abuelita a tight smile. Played like a fiddle. Even though he'd been lying, she still managed to make him look like a loser. How embarrassing. "If you don't mind, I've got a sunburn to get back to."

"I'm not stopping you." She let the extra thread on the bracelet cuffs unwind from her hand and drop to the sand.

Bill trudged back to his towel, snapping as he went, "I hope this is one of those books you hate where the couple only gets hitched because they've got a baby coming."

"The sorceress has magical birth control."

"Course she does."

Bill flopped onto his towel again and stared at the sky. Ouch.

####

(I've been promising Agent Powers AND a beach episode for ages, and we finally get to them both at the same time. Let me know what y'all think so for!)