#and don't get me started on the dynamics of their relationship

[darkestmetamorphosis]

THIS THIS THIS. It's just the perfect woman/incompetent man sitcom couple that's been the standard for literal decades, now with ukefication yay :|

Like can people just... write female characters as people it's not that hard! If you're trying to write a woman - whether that's an oc, or a canon character who probably already has a personality beyond what you're flattening her to - and all you can think of is either "girlboss" or "cringefail" with no middle ground; if you really cannot comprehend a woman being a normal three dimensional person, do some fucking introspection PLEASE. Stop taking inspiration from media and tropes and look at real live people

And the obsession with "queering" relationships is... ugh where do I even start. First of all that does not make it any more or less "pure" or whatever. Second of all if you have a straight man and a straight woman, they're still both straight no matter who's doing what in the bedroom

If one or both of the characters is queer though that's its own set of nasty stereotypes. If one or both of them are bi it's the "all bi men are feminine so they must also be (insert laundry list of infantilizing stereotype)"/"all bi women are badass girlbosses because they're Not Like Other Girls". If they're trans it's "penis=dom/vagina=sub" reducing them to their agab and parts they may not even want. Like it's misgendering with extra steps, in complete denial of things like bottom dysphoria, surgery, or the fact that maybe trans people might have more reason than most to be averse to the whole gender role reversal thing because having that expectation imposed on you your whole life really fucking sucks and it sucks even worse to be pushed back into the same box. Except the box now has a thin veneer of fake wokeness, repackaging the same old shit

And for all the people in the notes going "where are you seeing this" it's not even just on this webbed site, it happens irl too. ime it comes from the girls who say things like "all men are trash" and people who make nasty jokes/assumptions about me because they think I look like a ~smol uwu soft boi~

All the stereotyping aside, the vibe I get from these sort of dynamics is like... neither of the characters is even really into it? Like it's not about love, not even lust, it's just about power and dominance with no aftercare (because surprise surprise, they don't know how bdsm - including actual femdom - works) Like it's just there because the writer thinks it's the only way you can have a straight relationship without being sexist

can't vibe with the pathetic sopping wet generic sub boy man/pristine feminine perfect goddess woman dynamic people try to put onto every m/f pairing in existence. don't you want something more interesting? characters don't need to have perfect psychologist approved relationships in fiction obvs but it's just so boring. don't you want something in character? don't you want something more interesting?? oh she pegs him? and you write this in a way that implies penetration is about domination and power? wowee. never seen that one before.

[sizzlingcloudmentality]

slower

pairing: Dave York x f!reader

wordcount: ~2,4k

summary: One fine morning you overthink a little too much for Dave's liking, so he prescribes you his tried-and-true treatment: cockwarming. He continues to be just a guy <3 can be read as part 2 to slow, but works as a standalone as well

warnings: smut, explicit, no use of y/n, reader is ablebodied, established relationship, mild d/s dynamics, unprotected p in v, creampie, cockwarming but make it oral, deep throat-ish but not really, squint and you miss the dacryphilia, pussy pronouns, dick pronouns, pet names (honey, puppy), soft (dom)!Dave deserves his own warning, feelings

a/n: these two sat in my drafts since slow came out: to everyone who loved part 1, thank you and I hope you'll enjoy this one, too. my undying love and gratitude to @guiltyasdave because she beta'ed again (thanks bby) and reassured me by saying this is still Dave even if he's a little soft for his girl. I'd be so lost without you Jana 💛 tagging @sp00kymulderr as well because ✨dick pronouns✨ (justice for dick pronouns y'all)

Sunday morning. He ran. He made coffee. He showered. He stands next to your side of the bed with a steaming cup in his hand.

Your nose twitches, he can see it. It's either the coffee or the scent of his body wash that pulls you out of your sleep. 

You look so pretty, with that tiny gap between your lips, your lashes slowly fluttering against your cheeks as you wake up.

The coffee finds its place on the bedside table and Dave sits down, the mattress dipping under his weight. Finally you open your eyes, and when you see him, still wet from the shower and not already dressed, a smile touches your lips.

“There she is,” he hums with a smile of his own and gently cups your jaw in one hand. His thumb drags down your bottom lip before letting go of it again. 

You know him. At least the things that he lets you know about him. And he's having thoughts, you can clearly see it in the way he is staring at your mouth and the way his thumb looks pressed against the soft flesh of your lips.

You kiss the pad of his finger, adding a little kitten lick after and smirk when his eyes narrow for a split second. You got him. 

“What are you thinking about, handsome?” You stretch your body and lean one of your bare legs against his wet back.

“None of your business,” he grumbles, feeling his resolve slip away. You were onto him. Usually he is too clever and stubborn to fall for your weak manipulation attempts. But this morning he is feeling soft.

You pout, pursing your lips against his thumb that still moves along them. ‘Meanie,’ you mouth silently before licking his thumb again, slowly, as if you want to drag the digit into your mouth when you pull your tongue back.

It is so obvious, you don't even try to conceal the way you want him.

His thumb slips between your lips and when you make that little muffled uh and start to lazily twist your tongue around his finger, he can feel the memory of this feeling between his legs.

He needs you. 

“That's better, isn't it, honey. Keeping your pretty mouth busy and filled.”

You shift your body, move it closer to Dave and his towel clad thighs, your hands snaking over the sheets towards him.

He pushes his thumb deeper into your mouth, pressing down onto your tongue to get you from licking to sucking and you oblige, like you always do.

With half lidded eyes, another moan doesn't quite make its way past his finger and stays stuck in your mouth. Your thighs clamp together and your eyes open again, only to find your own desire mirrored in his expression.

You need him, too. To trust you enough to be soft around you, vulnerable. Just once.

“Too many thoughts in your pretty little head…” Dave shakes his head dismissively when he sees your tiny worry-line appearing between your brows. “When I fill your mouth, you better only think happy thoughts, honey. Or none. That's what I would prefer.”

Unceremoniously he pulls his thumb from your mouth and the deepening line between your brows makes him laugh a little.

“Poor baby,” he mocks with so much softness in his voice that his attempt to kiss your forehead smooth again works. 

You shuffle closer, your hand tugs his towel to the side so you can rest your cheek on his naked thigh. Skin to skin. You crave this nearness so openly and extensively that he can hide his own need for it behind your clinginess.

He never would admit it, but he enjoys it, the way you ask for his touch or simply just touch him whenever you need to. Which is often. Daves is sure about it, if you could and if he would let you, you would curl up in his lap like a loyal puppy.

He admires that about you, the fierceness with which you adore him. The way a heartfelt I love you slips from your lips so easily and the way you never are disappointed when he can't return the favor. He feels it, but words are hard for him. 

“What's worrying you, honey?” he coos quietly, looking down at you while he caresses your cheek.

“Nothing.” You. You worry me, David, you think to yourself while a finger follows the faint shadow of a vein appearing from under his towel.

“Mhmm… You're lying, honey.” A few droplets of water fall down from his wet hair and he wipes them away from your face. “Do you… want me to give you something to occupy your mind with? Something that helps you to get that adorable blank expression?” 

You nod your head slowly and a moment later Dave is on the bed and you are on him. The sheets rustle softly but the towel makes no sound when it slips open and down onto the floor.

A little pat on his thigh and you move without hesitation, curling your body between his spread legs and resting your cheek once again on him. 

It is comfortable, the position with your head in his lap, but also all of this. The absence of shame. Dave’s confidence and casualness with his body rubbed off on you. The definitions of naked, bare, exposed, vulnerable have shifted since you were with him. He often was bare before your eyes, he exposed his body in front of you, used and moved it as the high precision tool he thinks it is. But Dave was never vulnerable. 

You on the other hand have always been vulnerable when you were naked. He had a way of connecting your mind with your physical form and that made you exposed, bare, vulnerable. And seen and safe. Is he feeling safe with you?

“Stop overthinking,” he hums and strokes the back of your head. Such a good, loyal puppy for him.

“I can't.” The words are muffled against his skin, your lips occupied with scattering little kisses up his leg until you reach the always trimmed but never bare triangle. You stop and look up at him.

“You can. Just gotta focus, honey.” You are so pretty like this, so respectful, your mouth just one breath away from what you want and yet, you wait for his permission. “Let me help you,” he mutters softly. “What do you want?”

You move your head, your whole body, closer and nuzzle the patch of shortened curls at his base. “Him. Please.” 

You already miss him. It's been a couple of days. And the last time Dave helped you with your extensive overthinking has been even longer. You need him, them. A faint throb against your nose assures you that he needs you, too. Please, your eyes say when you look up again. He is so pretty like this, looking down at you.

“Go on. You can have him.”

You move again, immediately, and lick his limp dick into your mouth. He tastes so clean. Sweet almost. Purely David. Soft and sweet, resting on your tongue.

He continues to stroke your hair. There you are, curled up in his lap, needing him to help you relax. Such a good, good puppy.

“Don't move, just breathe.”

You nod and swallow. He starts growing. It never stops being magical. Slowly he crawls down your tongue, stretches into all directions that are you. Seeking your depths. You let him. 

It's peaceful, this morning, your head in Dave's lap, his hand in your hair, his hardening cock securely plugged in your mouth. No noise, just sheets rustling, your deep breaths, his sighs, your mewls. No movement except him, pushing himself deeper in the steady rhythm of Dave's pulse.

He begins to feel heavy. You know how he would look if you didn't hold him between your lips. Hanging, not hard enough yet to stand, point, spear. Just heavy hanging, swinging, giving the best slaps against your mouth and cheeks and pussy in this state. Full, heavy, promising. You want to suck him so bad. Want to suck him until he's rock hard and throbbing. You mewl again, sounding choked as he slowly makes it past the base of your tongue. 

Dave grips a fistful of hair and tugs. A reminder. Breathe for me, honey. And you do. In and out. In and out, no thoughts in your head, just his cock, who is forcing his way past your resistance. You breathe. You focus. You relax your jaw and your mind. Bliss. Your pussy pulses. You mewl.

“Such a good girl, you're doing so good.” He wants to move so badly. In and out. But he can't. You need him, trust him to take care of you. He sees the glossy sheen in your eyes as you're tearing up just the slightest bit. He's somewhere in there, he thinks and caresses your throat with his thumb. You don't like him there too much and he respects that boundary. But he loves being in there, loves seeing you getting teary eyed whenever you decide to grace him with your trust and kindness and take him as deep as you can. He's a bastard, he thinks when he coos at you, for taking such a pleasure in seeing you cry.

You swallow again, your saliva struggles past him on its way down and there it is, a fragrant hint of salt makes it to your palates. He is leaking. You see it in your mind: salty shimmery pearls, making a pretty string of beads down his cock, along that one pretty vein that throbs against your tongue right now. You mewl but all that you both can hear is a pathetic, strangled gurgle. A tear forms on your lash line and lands on your cheek. 

Dave takes it up with his thumb and licks it. Saltiness spreads on his tongue. A trade of salt, he gives you his, you give him yours. You're even, always. 

His hand loosens around your hair, it's over if you like, keep going if you want, puppy.

You struggle a few moments more around him while he takes up space in your throat and mind. Dave's eyes feel heavy on you, the love he never expresses with explicit words is carving the trails of your tears into your cheeks. He throbs violently and you pull yourself off of him, coughing.

You scramble to your knees and before you could even miss the feel of Dave's skin he has you pulled into his lap, cradling you, peppering you with sweet praise. How well you did with the breathing. How good and calm your mouth felt around him. How pretty you are. 

He feels it, your slick. Silky and sweet, sticking between your thighs, just from holding his cock in your mouth. Dave looks down, shifting you, encouraging you to straddle him and spread your legs wider, so he can see everything that is his.

Shimmery threads of sweetness, stretching from one inner thigh to the other. He sticks his fingers into it, twists them, turns them, spinning your thread of silk around his digits. He sucks them clean. Sweet. Like spun sugar but better. 

You look down, between your legs and watch him as he grips himself by the base, and twists more of you around him, mixing your sweetness with his saltiness, creating a smooth blend of sticky threads. You almost drool and add another liquid, but Dave is quicker.

With a small thrust he pushes himself inside of you, not hurried, not slow either, but determined and eager. Another wet, tight heat welcomes him this morning and he feels truly blessed for this woman on his lap. 

“Such a good puppy for me. So loyal,” he murmurs, voice strained and like gravel. Now it's you throbbing and pulsing, stretching around him but unwillingly, she likes to hold him close and tight, tucked away where he belongs. What you lack in clarity your pussy has enough of: she wants one thing and that is him. 

You tilt your hips, angling him deeper. You whimper and sling your arms around Dave's neck and you breathe, in and out, and he moves beneath you. In. And out. A determined rhythm, chasing nothing because why chase the inescapable? It will come, like Dave, like you. 

His hand finds his way down to the spot where you are joined, dipping and smearing in the salty sweet gooeyness, gliding over and circling around the nub that makes you hiss and your pussy clench violently.

“Feeling good, little puppy?” Dave groans and pushes his spread fingers deeper, feeling himself push inside of you and out again until the thick rim of his tip appears and disappears again.

You nod, head bouncing in the steady rhythm. In. Out. Up. Down. Full. Empty. Full. Empty. Deeper. Fuck, you're close. Deeper again, tensing, throbbing.

“Dave-”

“I know, honey. Be good.” Let go. Just breathe. In. Deep. Deeper, out. “Be a good puppy for me. I'm right there.” All he needs is you spasming around him and your whines. 

You angle your hips again, dragging your aching clit against his spikey trimmed hair that got all smooth and slick. Salty and sweet. Up, down, so fucking deep you wince, up, down, faster, again. Now you're chasing. Mind deliciously blank, just the hum of pleasure in your spine. So close. So deep, so full, so stretched around him you can't even clamp on him anymore. More. Down, deeper.

His fingers flick and he pinches your clit and you fall, white noise and moans in your ears, riding Dave through the wave of your orgasm. Feeling him filling you now. Feeling his fingers digging into your hips and pressing you down on him, so deep inside of you and he whines. A sweet whimper of your name, breathed into your ear and securely locked away in your mind with a kiss. 

You both breathe heavily now, in and out, sticky skin, gasps trickling from your mouths, arms encircling, little giggles mixed in, to make a soft, warm blend of safety.

He feels safe with me, you think and when you lean back, just enough to look at Dave's face, he mouthes something that looks like love and you and you securely lock those words away with a kiss.

comment or reblog to get an anti-overthinking session with Dave (I'm in dire need of one myself, help)

read part 1 here

find my Dave York masterlist here

find my general masterlist here

dividers: as always @/saradika-graphics

[spaceorphan18]

The other thing I've seen going around today (not here... on other sites) is discussion on when did Colin fall in love and...

Hmmm....

There are a couple of issues I have on this subject.

The first being, why is loving someone as a friend valued less than loving someone in a romantic capacity? It's just a different type of love. And, maybe this is a me thing, but sometimes I get frustrated that friendship is deemed less than romantic love.

(I mean, I could go on a full tangent about Penelope and Eloise, and how their friendship, and their love for each other, was another love story during Season 3 -- and that relationship to Penelope is just as important to her as the one with Colin. As is, Eloise and Colin's familial relationship - which is, again, another form of love.)

anyway, Penelope, we know, had romantic feelings right from the start. but they were childlike, in a way. Colin was a boy (and a person in general) who didn't laugh at her for being awkward. This meant the world to her. It was a childhood crush, that developed and matured into an actual friendship, and developed and matured into romantic love. These are two separate things that happen but are very intertwined for Penelope.

As for Colin - he says to his brothers that his feelings aren't some thunderbolt from the sky, and that they had developed over time. There isn't one point where he was bam! in love. It was always something simmering and taking shape.

And I mean - in Season 1, there was friendly affection there -- they grew up as literal children together. She was always around. They were fixtures in each other's lives, and it probably was a familial caring for her - in the way he cares for Eloise. There there are points in which he shows that she is special to him. He recognizes that she helps him understand himself. And that there's a unique dynamic there - beyond, hey, this girl is my sister's bff.

And then comes Season 2 - and the letters are incredibly important to their development. It starts an intimacy between them that they don't have with other people. It also lets them be open and vulnerable in a way that they aren't able to in person. There's a connection there. And a valuable one at that. And Colin sees her as a friend, and someone important and special in his life. The friendship is very real, and his love for her is there. Even if it is friendship that doesn't mean it's something less than how Penelope feels for him - it's just different.

And then the thing that does separate romantic love from friendship love is sexual desire -- and Colin doesn't really recognize this until they kiss, that he is attracted to her, as well as everything else. It compounds. So, by the time they finish up that carriage ride, there are three types of love going on -- familial, friendship, and romantic love, and Colin understands this enough to be sure in knowing that she's the one for him. (He also knows he has to lock her in, because she could develop all of that with someone else - she almost did - so that's also apart of the proposal, but i digress.)

I guess my long winded point is that it's odd to talk about Colin's love for Penelope in distinct moments, when it's all a spectrum, and overlapping kinds of love. And I mean - I think there's a better conversation to be had about what love is to Colin, how does he define it?

Because I think how we love is different person to person. And letting fictional characters be complex like that is really kind of fascinating (to me).

And I guess - what draws me to Polin (over Saphne and Kanthany) is that it's a love story where the foundation is friendship, and the specialness in that, is absolutely valued first, and romantic love stems from that, instead of vice versa.

But that's just me.

[phoenixfeathersinfall]

I was intrigued by the idea of Dr. NerdLove and his "advice column for bros" approach, so I decided to check it out and folks....This is so good. Context: In my job, I offer one-on-one coaching to adolescents and young adults who have disabilities to help them meet their goals and transition into adult life/build skills for adulthood. Most of my students right now are young college-aged men (some of whom are in school and some of whom work.) One of the big things I do with them is helping to build and maintain social networks: MAKING FRIENDS!!!! Many of my students are lonely! For some of them, the social networks very much include wanting a partner. They ask me for advice about (usually heterosexual) romantic relationships. As a queer woman who's not much older than them (which is to say, not much relationship experience) I often struggle to know how to answer their questions. I just don't know what it looks like from their point of view. So, I thought something like this might be helpful to point them to. I'm not in the demographic the column is reaching to, but I did grow up in several friend groups where I was one of the only girls, and I had friends who got onto the early stages of that Gamergate/alpha male/incel pipeline. I'm an amateur anthropologist by degree, which means I learned a lot of stuff about how cultures and societies work, how to interview people about complex social problems, and how to make things more equitable for communities that need it. I read and see the same news as the rest of you. I work as a camp counselor for middle and high schoolers in the summers. All of which leads me to reaffirm for you: Our boys are not okay. A scary high number of them are getting exposed to online communities that are misinformed at best and predatory at worst, and they lack the experience to know how to counteract that. The election results are going to be like pouring gasoline on a fire.

Enter Dr. NerdLove. Harris O'Malley tells young men things they need to know and start to internalize, and he does it in a way that is relatable to them, compassionate, and humorous. One of my favorite articles is "What Men Really Need," In it, he talks about the social isolation many men face, how they struggle to get support and connection from their male friends in emotionally fulfilling ways, and how that's devastating for everyone. He also tells them how to be a better friend and change the dynamic.

In other articles, he explains the importance of building confidence, self-care, how to overcome feeling awkward, that looks aren't everything. (again, all in terms a boy who's been lurking around on certain Reddits would understand.) He makes a point to explain what some of the risks of dating and relationships are for women (and how history informs that.)

And yes. He's saying the quiet part out loud (linked text is a news source.)

This is going to help me be better equipped to help my students with something really important to them. I think it's also going to be a protective, positive force for a lot of boys who need it.

I couldn't have said it better myself.

[herefortarlos]

Just some takeaways from these interviews that feature Ronen, Gina and Brianna!

Enzo will be back in episode 5x08! "We'll probably have to see Enzo in some orange colors, a jumpsuit perhaps because he's in big trouble right now."

Ronen gushing over how cute Jonah was when he says, "Hi, big brother."

Could this be leading to TK and Carlos taking in Jonah? And Ronen's deflecting response of, "I have no idea, that would just, I don't know, I just, I just work here." And looking away from the camera.

Ronen talking about the karaoke scene and having "no idea it was going to be Freddie Mercury, you know one of the most incredible singers of all time. Really talk about under pressure because of course they gave me the Freddie parts. So I was a little nervous because it's one thing to sing karaoke in front of people but this is gonna be watched by millions of people, so I hope I did a good job, and to sing with Henry and then Rob was so iconic... because it's TK and his two dads and how important they both are to him and just crucial to who TK has become as a man...." "They picked Under Pressure for us for a reason, I think the lyrics are very telling."

Talking about the Tarlos photos! "That's gonna be a recurring gif for the rest of time for sure! They knew what they were doing with that one."

Gina does not think Tommy would have stepped away if she had not been hurt like that for her to realize she had to take care of herself.

Brianna and Gina talk about filming the hospital scene! Tommy having to come to terms with leaving a job that means the world to her. "It had so little to do with trusting who I'm going to pass the torch along to and so much more to do with the trust and belief in the woman that's in front of me. And so it was bittersweet...but I know you've (Nancy) got this!"

Ronen saying, "Tommy is Nancy and TK's mama bird. Especially after 5x05." "That scene at the end of 5x07 is so beautifully heart breaking between Gina and Brianna, I just rewatched it again and just started crying on my own, and oh my god, when she asks her to become the temporary Captain..." "But that leads to some really fun stuff for Brianna and I. It's like the kids get to go out on their own now, so you'll see a lot of paramedic calls with just us, which is really fun. But Brianna really holds it down as Captain and we'll see what that leads to Tommy if she can come back or not. There's a lot of intense stuff for Tommy."

Brianna saying, "It's gonna be just TN." "Ronen and I had a lot of fun with the TN dynamic. The kids are taking the car!"

Ronen saying, "TK and Nancy are so close, especially this season, and Brianna and I got really close this season, and I just love her so much and I think you start to see that when we go out on the calls ourselves, and they're gonna be silly little kids, but still professional and so good at what they do and I think that dynamic is going to be really fun to see." "I'm so excited for people to see Brianna really shine and get her moment especially as Paramedic Captain, that's such a huge honor."

Gina talking about the story line Rashad wrote for Tommy this season, "Sometimes it's triumphant and sometimes you don't want to be there... If you're invested in Tommy, it's gonna hurt."

Ronen talking about Carlos' father's murder. "Carlos starts making more progress in the case...and then there's gonna be a few other questions that are going to be brought up that are really going to challenge TK and Carlos."

"Some of the questions are, "Are we ready to take the next step in our relationship?"

"TK fears for his husband's life because Carlos is getting involved with some really bad people, and I think TK vividly remembers seeing his husband almost die when he was kidnapped and I think that's probably an image that plays in his head and I think that's something he never wants to see again. His actions are coming from caring and fear..."

Ronen says TK has at least one scene with Campbell.

Ronen was asked about Judd drinking at his party and if TK will notice with his addiction, and Ronen said, "That leads to an incredible scene between Judd and TK. I think it opens the door for Jim to really shine and another side of Judd we may not have known. It's also just beautiful because Jim in real life is sober and it's a beautiful way for Jim to put his own experiences into that character."

[batmanisagatewaydrug]

Hi! I'd like to hear more of your thoughts on Rebecca and Eric from "Luster" by Raven Leilani. I just reread it recently and yeah, it is incredible (saying this as an almost 23-year-old Black woman that sort of identifies with Edie).

I really enjoy both Rebecca and Eric as characters - and within their separate relationships to Edie. However, it's really hard for me to understand which scenes/instances - besides the obvious humiliation they both participate in in regards to Edie - that show explicitly Rebecca's issues with rage and Eric's more absolute loserish tendencies.

I mean, I'm not completely unaware of the unsavory ways in which they act; not going to list them all out. But some of the reviews - including yours - and even interviews with Raven Leilani that talk more about the characters, don't go as in-depth as I'm looking for. I feel like the ogre reading Joyce :(

[The lines from the book I've been thinking of most often - though not my favorites are Eric saying "I don't think of you as a person at all" and (I'm gonna get the wording kind of wrong, but) "I cry everywhere and often" near the beginning of the book]

I hope this is asking too much. I really enjoyed your review and I'm already kind of looking forward to reading it again because of it <3

hi anon,

well Rebecca, to me, is impossible to read as anything BUT a white woman hitting middle age and realizing that she made all the "right" choices - she has a job that pays well and she married a stable man and together they adopted a child and got a good house in a good (read: white) neighborhood - and still isn't actually happy with her life.

I mean, what does Rebecca actually have going on? she's exercising furious control over her body via furious physical activity because it's one of the only things she can feel in charge of. she pushes the same on her daughter, making a child count calories in a way that's absolutely going to give her a complex. she didn't want the child in the first place; she tells Edie verbatim that she never wanted to be a mother and while I do think she cares about Akila's well-being I think she also knows that she's wildly ill-equipped trying to parent a traumatized Black girl. she's in an "open" marriage that reeks of "we either had to open the marriage or get divorced" that she micromanages from afar so that Eric gets as little freedom as possible with Edie in the early stage of their relationship; Rebecca doesn't actually want Eric to fuck someone else, she wants him to get tired of trying and come back to her.

after the initial humiliation of trapping Edie at their anniversary party Rebecca remains emotionally distant towards her; even after she invites Edie to stay in her house she stays mercurial and her mood is subject to switch on a dime, always falling back into little power plays to remind Edie she's in charge, because Edie is a safer and easier target for Rebecca's pent up frustrations than her husband or daughter. she's exactly warm enough to Edie to make it hurt more when she's callous and mean, which I don't think is strictly intentional (I don't think Rebecca consciously knows what the hell she's trying to get out of their dynamic, either) but is still an extremely shitty way to treat a vulnerable young woman who's currently completely dependent on her for shelter.

arguably the most relaxed we ever see her is when she takes Edie to a mosh pit, because that's one of the only moments of unrestrained emotional authenticity that Rebecca gets to have - and it's wildly outside the norm of her day to day life, something that she's supposed to have left behind when she started dating Eric. Rebecca is so furiously dissatisfied with everything about her life and I frankly think she'd be happier if she disappeared in the night to go be a bartender or a roadie and never saw her husband or daughter again, but she'll never do that because you Can't do that, not if you're a respectable woman trying to cling to the signifiers of success that you worked so hard for.

re: Eric being a loser I really don't know what I need to cite other than him having a wife and a girlfriend and not treating either of them well tbh

[hunterintheice]

I don't know if we'll ever get to see more of it, but the early SaintShin dynamic re Saint's gang is so interesting to me.

Obviously, Saint is poor, isn't doing well academically, has an alcoholic father, and doesn't have a lot of control over his life and his future. Was the gang (built on the only thing he was good at - fighting) the only place where he could feel in control? Was this why this place, where Saint could be the best and the most important, meant so much to him?

But then again, we see that he is willing to let Shin be the "Boss", order him around, playfully insult him, and poke him. So obviously Shin had a very special place in the hierarchy, especially considering that he has to be personally cajoled by Saint into going to the internet cafe for some fight.

So it's all the more interesting (read totally fucking me up) that when Shin tried to leave it was the gang and its rules that Saint tried to use to make him stay, where previously Shin was more or less exempt from them. Was it because Saint felt like his control was slipping? Because he thought that putting Shin back into this hierarchy would give Saint power to make him stay? Because even right before the whole beatdown starts Saint still asks Shin if he's sure he wants to do this (with a kind of desperate hope that this is the point where Shin will finally reconsider). It is also interesting that Saint is the only one beating Shin, with all other boys just kinda...standing there, since usually a punishment like that would entail a sort-of group-beatdown? And god, what a stupid rule, truly deserving of a group of 15-16 year old boys.

Still, it's like even at his angriest Saint can't alow anyone else to hurt Shin.

It's also curious how in the present one of the first things Saint does is express his willingness to be Shin's gofer, again trying to put them both in this sort of rigid hierarchy, just with their roles reversed. Is it out of desire to have a familiar pattern to fall into in a very unfamiliar situation? An attempt to forge at least some sort of relationship between them?

Something-something patriarchy and society making boys believe they can only express anger and not sadness, something-something Shin saying no one will ever make him cry again, and still shedding tears whenever he is face to face with Saint.

[murfpersonalblog]

IWTV S2 Ep7 Musings - Sam Reid’s Autumn Brown Interview (Pt2) S3 Akasha, the Drop, & Amel

Ok, returning to the whole "Blame Amel For Lestat's Abusive Behavior."

Sam referred to something VERY important that I think people overlooked in his segment on the Ep5 revisit; they heard the Akasha bit and just ran with it. But this is exactly what he said:

[SR] Loustat "had the potential to have something very beautiful, but [Lestat's] too messy and chaotic, and Louis and Lestat are also...the beauty of their violence and hatred together, their dynamic...you know.... [AB] It's the best! They have exactly what each other needs. But also everything that makes both of them the worst parts of themselves and the best parts of themselves. [SR] And I think that's kind of cool, when we revisit that scene from Episode 5 in Season 1. And you see that in the in the Trial. I think there's something really wildly beautiful, between the two of them, in that violence. Because Louis is unhinged and angry at Lestat, and I think Lestat is more obviously--he's way more powerful, and his act of violence is, you know, like unforgivable. [SR] But there's this space that private space that they have in the coffin room...how much they hate each other...that's how much Louis hates him, and that's how much Lestat is...hurt, and then turns into this violent, angry, I hate you!.... They have that much hate. They also have that much love; because they're also vampires, and so they operate on like a level of like-- [AB] Emotion that's dialed up to-- [SR] Pure chaos! They're operating on that level, and then Lestat drops him from the sky, and it is an irredeemable event in their relationship. It cannot come back from that. And it creates this kind of cascade in a set of events, that leads to Lestat being killed. And I think that's part of our adaptation. It's not necessarily the the real events Anne Rice's books, but this is what is in our adaptation. And I think it does feed into that overall sentiment that Lestat acknowledges his evil, hellish self-loathing self...that is there; and we obviously heighten things and make it bigger. [AB] In Season 1 you know that there's something else going on, on the other side of the wall; because you can hear the fight dies down. There's a break, and you think it's over, and suddenly starts back up again. And we have this moment of Lestat taking Louis into the sky. We finally get to see what that moment was. And Louis is chilling--oh my god that little laugh that he does! He's like I'm gonna cut your head off! I'm gonna feed it to the lions and I'm gonna laugh about it! I mean, do you think for Lestat in that moment...? Cuz what leads to Louis saying that is Lestat asking Are you going to leave me? Had Louis just said: Yeah! and walked out the door and left with Claudia, would that have led to the explosion? Was it the act of him leaving, or was it the words that instigated that level of vitriol? [SR] Uhhh....I don't know about that. And I don't know if it's worth speculating what would have happened if that didn't happen.

--MURF INTERJECTION-- Thank GOD Sam shut that ish down, omfg. Again: STOP tryna find ways to victim blame Louis for what went down or say he "instigated" the fight! 🤬 It doesn't frikkin MATTER what Louis said or didn't say. All that matters is what happened TO Louis, and TO Claudia, that was what got Lestat "killed."

[SR] But I think more importantly is that--and this is something that I've felt has been really important about playing Lestat from the beginning, and probably something that people find probably a little bit confronting--but for me, for Queen of the Damned to work, Lestat has to have a level of toxic male rage in him, so that when he is angry, and when he's violent, it has to be a toxic masculine rage for Akasha to follow through with the events that she does. And why she says: You are everything about masculinity that's wrong and terrible. And so that's why you're going to be my right-hand guy, and you're going to help me kill them all. And I think...I always felt like, when he does have those spurts of anger, it does have to come from a very toxic place. [SR] Where we're going, when we're looking at it, obviously there's a scene back in Season 1: he's had a drink of this, like, fountain that nobody knows he's had. Nobody knows. No one in the show. Nobody knows. The only person who knows is Lestat. And most of the people watching the show don't know this, at this point in time. [AB] There's just that one little throwaway line about Those Who Must Be Kept, and then nothing else. [SR] And originally in Season 1, when they're in the sky and they're having that moment, Lestat was originally scripted to tell Louis about The Sacred Fount! In that moment, Lestat actually tells Louis about what he has inside of him; what, who he's drunk from. I'm trying to be really vague for anyone who's watching this, and has no idea, and I'm not going to give anything away! But anyone who does know, will know. But originally it's that he's up in the sky. [SR] And I think that is the parallel line that we're drawing with. That level of rage that Lestat has. That toxic abusive rage is also coming from an extreme monstrous power, coming from this intense monster that he has, and he has no idea how to control; he's trying to repress it all the time. But he knows, if he can, if somebody just ticks him off a bit.... He's a volatile guy already, but he's got this thing in that makes him go: AAH! [AB] It's almost going back to that element of vanity that you're were talking about: being like, you would do this to ME?! You don't even KNOW what I have within me! [SR] Yeah, exactly! So that also means that we can feed that shame and shock into his monstrous self--and acknowledgement OF his monstrous self--into his progressive spiral, into where we're going. (34:10 - 40:59)

So. All of this stuff about Akasha (& Amel) needs to be recontextualized, cuz what Sam said is that "ORIGINALLY" the 1x5 script had Lestat threaten Louis with the warning: I'm trying to restrain the monstrous thing in me that makes me go AAH; you don't even KNOW what I have in me, AAH!

But guess what else happened? OBVIOUSLY, THEY TOTALLY TOSSED THAT ISH OUT OF THE SCRIPT, in S1 AND in the S2 revisit. 😂🤣 The time to have teased/suggested that there was something controlling Lestat that made him "accidentally" hurt Louis came & went in BOTH seasons, so arse-pulling Amel so late into the show after we already got Lestat's admission during the Trial looks goofy AF.

Cuz possession is a lazy abuse apologia COP OUT. Having "It was Amel's fault all along" would've directly contradicted AND undermined their whole point about PERSONAL ACCOUNTABILITY that they clearly wanted to get across MORE than using spirit possession as a crutch to explain/excuse Lestat's abusive behavior.

Possession would imply too many things, distracting from the overall thrust of Rolin's vision for telling a very real & very "aggressive, toxic, beautiful love story" about the ways soulmates find their way back to each other after hurting each other over & over.

Esp. since Hannah Moscovich (Ep5's writer) has already been VERY clear about her take on Lestat's capacity for "evil." She mentions his bad actions in TotBT, when Lestat was HUMAN again--he wasn't even in his own vampiric body (attached to Amel/Akasha's blood), and he was STILL doing effed up things! So his issues have nothing to do with spirit possession.

[SR] "it does feed into that overall sentiment that Lestat acknowledges his evil, hellish self-loathing self...that is there; and we obviously heighten things and make it bigger."

(Funny, when Sam something it's flowers & praise; but when Hannah says the same thing it's boos & hisses from the exact same fans, lol.)

Vampirism EXACERBATES & INTENSIFIES aspects of ALL people's character/nature that was ALREADY there; "all feels amplified." Cuz ALL vampires have Amel's spirit in them, NOT just Lestat. ALL of them are powered by his monstrous spirit, and ALL of them are capable of heinous sadistic bloodlust & inhuman acts of violence--look at Claudia's 56 Floaters & Santiago at the Chateau & Armand chasing Malik (& book!Daniel) for the lolz; and how hard Louis tries to FIGHT succumbing to those same impulses too. (Nebamun/Gregory & Teskhamen drank Akasha/Amel's blood. Marius & Pandora & Bianca drank her blood. Sweet baby Khayman drank her blood. Her son Seth drank her blood. Even Big Bad Rhoshamandes drank her blood, and as twisted as he is, even HE was like naaah this heifer's crazy, I'm outta here. Plenty of vamps drank from the Sacred Fountain, and aren't half as crazy & abusive & evil as the vampires that DIDN'T: Magnus, Santiago, Santino, Bruce/Killer, etc.) So the (weak) argument that Amel/Akasha's blood alone is what drives vamps to go totally effing ballistic on their significant others whenever they get mad is patently false, by the book AND the show's own logic.

So I'm glad they got rid of those lines, and just had Les say EXACTLY why he "fought myself a million times; fought my nature, controlled my temper!" and got mad enough to beat the breaks off Lou:

It's INSECURITY--not that Les can't control the monster in him (though ofc that's a VERY legit fear, his struggles with his temper & anger issues); it's that he can't control his family; his husband & child; and can't even "force Louis to love me;" esp. cuz despite all the Dark Gifts he has, he CAN'T read Louis' mind or manipulate his thoughts the way he could back when Lou was still human.

Cuz what Lestat DOES have from Amel/Akasha is direct access to more raw POWER & more Dark Gifts than the average vampire his age. He got her blood straight from the source, not diluted across vampiric generations. Those Gifts are why his rage so dangerous--his ability to overpower weaker vamps & fly them up in the air to drop them & set Millennial Fledglings on fire just for irritating him, etc. Esp. cuz we know "he's a volatile guy already;" he's got patented anger issues up the wazoo ("I am cursed with my father's temper; I am burdened with my Maker's temper").

ALSO, why would Amel have possessed Les to do something so counter-productive to his Chosen One's survival as almost winding up in the incinerator right next to Antoinette? By that logic, we'd have to say that Louis chokeslammed Claudia cuz HE was possessed by Amel too! That entirely strips away precisely what Sam said: how much Loustat LOVES each other drives them to unhinged levels of violence AGAINST each other, AND ultimately Claudia, as they each fear she'll take them away from each other (to Europe/the incinerator).

Hence why AMC hasn't laid ANY breadcrumbs indicating that Lestat was "possessed" by anything--just plain ole oppressive patriarchal toxic masculinity, just like I've been saying all along:

Cuz that machismo's what draws Magnus to Les in TVL & Akasha to Les in QotD; and that "vanity" is what draws Raglan James to Les in TotBT, and that sin/guilt/shame/self-loathing is what draws Memnoch to Les in MtD. In every book until Merrick, Lestat proves the villain right, before he finally realizes how bad he's messed up AGAIN, and course corrects to try proving them WRONG about him.

But Lestat's character development is a marathon, not a sprint; so it's not until Blackwood Farm that Lestat finally simmers TF down, and it's not till the PL Trilogy that his redemption arc really shines best. In PLatRoA, Louis proposes to Lestat WITH AMEL STILL IN HIM, as the Sacred Core directly communicating with Lestat, with the greatest chance to ACTUALLY take over Les if he wanted to! Louis is arguably the MOST concerned about Amel staying posted up in Lestat & possibly taking over him, so sure, I CAN see AMC leaning into the fear that Lestat's underestimating the chance of being spiritually possessed; esp. when compared with Akasha & Rhoshamandes. But that's also what SEPARATES Lestat from those 2, cuz he IS different; he IS special--to Amel. Cuz Les has a massive capacity to LOVE; he LISTENS, and treats Amel like a FRIEND, a PERSON, not a monster. And Lestat was SAD when Kapetria darn near kidnapped him & forced the surgical operation that finally separated Amel from him--cuz Lestat's ALWAYS carried that fear of abandonment in him.

Cuz it's not about Amel at all: it's about the HUMAN SOUL in each & every vampire; at the core of Gothic lit as a genre.

Cuz vampires ARE monsters, but the whole point of TVC is how they all learn how to be BETTER monsters/people; and NOT act like "barbarians" & wild animals--hence: Lestat's Vampire Court in the Chateau Era at the end of the franchise. Hence: Lestat finally becoming WORTHY of Louis' love.

So if AMC succumbs to pressure from the Lestans and retcons S1 & S2 to blame it all on Amel, Imma call that weak ish out on the spot.

[thedastravelerer]

I just finished the Dragon Age Veilguard and I need to scream my thoughts into the internet void.

My Rook, Lucrezia, was bought along with other kids by the house de Riva when she was 3 years old. She doesn't remember anything before that. When her magic manifested at the age of 8, she begged Viago not to send her to the Circle. Viago saw great potential in the little elven chaos gremlin, so he decided to hire private tutors for her. From the age of 14, she became Viagos apprentice, accompanying him everywhere. Her sunny, bubbly personality was a great distraction in social settings. She was the Robin and Viago was the Batman, basically.

Inquisitor romanced Solas.

So that is the viewpoint, from which I experienced the game.

The good:

The music is AMAZING

The environments are gorgeous

Spellblade is sooo much fun. The perfect mix of rogue and mage.

Treviso is so beautiful. I am never saving Minrathous. That sh*thole can get swallowed by the ocean.

The final missions were great. The tension, the loss, the heartbreak, the betrayal—10/10. No notes.

Baby griffons

The conversations/dynamic between Lucanis/Spite and Taash crack me up

The dynamic between Viago and Lucrezia was everything I could have hoped for. I still laugh when I remember the letter from Viago starting with "IDIOT".

Viago and Teia—I would die for them. Every time they flirt, I picture Lucrezia sticking fingers into her ears and going LALALALA. I don't want those pictures in my head.

Harding wins the competition for the prettiest room in the Lighthouse.

I love the little offhand comments and banter between all of the Crows. It was fun to hear Lucanis or Lucrezia randomly mention Viago or Teia. It really painted a picture of them knowing each other for a long time and being able to poke fun at each other.

I loved Lucanis as a character. Also, the 3-way relationship between Rook-Spite-Lucanis is perfect. I loved that when Lucanis learns about Caterina being alive, he shuts down and Spite is like: "What?! Why are you putting more locks into our prison? I AM GETTING ROOK! :D

The "Solas therapy" ending was heartwarming (and also a bit funny)

I loved Solas as a character. I see, why he is the god of trickery and lies. And how his wisdom turned into pride. I just wish I could slap that stubborn liar. Just once.

You know it is real love when you spent the last few hours chomping on an archedemon and your Vhenan still kisses you.

I liked the relationship progression between Davrin and Lucanis. They went from open hostility to mutual respect to drinking buddies.

Lucanis questioning Bellara and Neve about their business decisions was hilarious. Crows are first and foremost business people.

Isseyas storyline. I just wish they delved deeper into her story instead of getting an infodump. I enjoyed seeing how the blight twisted her grief and regrets. How she remembered only her love for the griffons she saved. And the blight corrupted that love, forcing her into horrible mistakes.

The bad:

The story is so shallow in comparison to previous games. All of the nuance is gone. There is no Loghain, no Meredith and Orsino, no Anders. Everyone is either the good guy or the bad guy. Maybe except for the Butcher and Isseya.

A lot of the darker, complicated, interesting themes are ignored. After the Antaam Qunari (Sten in DAO), the Ben-Hassrath Qunari (Bull in DAI) we finally meet a scholar of Qun and we get NOTHING interesting from her. We can't have a deeper conversation about the Qun. We can't even talk about her hypocrisy of running away from the very rules she forces on Taash. The Antaam are the a$$holes and everyone else following the Qun is good. Until they disagree with their assigned role in life and get their mind broken until they fit the mold again. But we don't get to learn that.

Who TF is Anaris? Why is he the Forgotten One? What does it even mean? What beef did he have with the Evanuris? We don't get to learn that. We get MWHAHAHA I AM SOOO EVIL. Boring and disappointing. It would have been much more interesting if he convinced Cyrian his sister was a pawn for the Dread Wolf. There could have been a conflict between elves choosing Anaris, who promised them power after their gods turned out to be a$$holes, and elves choosing a new, free path.

Are we not going to address the EXECUTIONER in the room? Who is he? Where did he come from? Why is he totally cool working a desk job in the Necropolis?

We finally see Kal-Sharok and we learn almost nothing about the dwarves living there. How did they survive? How do they govern themselves? What is the culture like?

I don't understand the Titan powers Harding has. Like, I get the concept, but the details are confusing.

I am sick of the words "ritual" and "artifact"

The quests "press button in three places" or "destroy/place crystals so they link/unlink" were a bit repetitive.

Characters sometimes have lapses in memory. Ferelden has fallen to the blight, but Emmerich and Harding are going camping there... Mmmmkay. Rook, baby, you have used the teleport vortex like three times before. We have 2 in the Lighthouse.

I love Lucanis, but his romance is very undercooked. I get, that he pushes a lot of emotions down, and flirting is just another weapon the Crows use to get to their targets. But we see no inner turmoil in banter, no notes wondering about Rook. He touches Rook exactly once - in the romance scene at the very end. They never even address the almost kiss.

The brutality of the life of Crow recruits is smoothed over to be nice and family-like. We are talking about an organization that buys enslaved children and forces them into hunger games to shape them into elite assassins.

The widespread Tevinter slavery is mentioned minimally. The only mention might be the codex of Dorians speech in the Magisterium. Their whole social system is built on slavery and caste system. We don't get to talk to Neve about any of it.

Most of the helmets are hideous.

The "stealing cultural stuff is wrong and we, the pirates and treasure hunters, are not doing it. We are the good guys!" talk you have with Taash right when you meet her was so jarring. Like, it makes sense, because Isabella is in charge. It would have been funnier and less preachy if they went with "We don't steal cultural stuff, because Isabella stole something from the Qunari once and it was a sh*tshow".

No dirt, no persistent gore

You don't get to have deep conversations with your followers. Instead, you get to read their diaries and letters in the codex. I felt like a creep snooping through their notes and letters to each other. Same feeling with the Lighthouse banter.

I miss the more abrasive followers. Everyone is high on friendship. Why is no one protesting against the demon-possessed assassin cooking all of our meals? Why isn't Bellara more wary about the Tevinter mage? Emmerich gets a lot of sh*t for the creepiness, but nobody questions the morality of using body parts as Legos.

I wish we could choose a class for the Inquisitor. She looked so ridiculous and out of place in the last fight. She is one of the most fearsome fighters in Thedas and she wears the blandest outfit possible. She isn't even armed.

We find out the Andrastian faith is a fairytale and no one except Harding comments on it? All of the human followers grew up in Andrastian cultures. Religion forms the structure of society, customs, inner values, viewpoints on the world, and what is considered "normal" on a subconscious level. In DAI you have a conversation with Josephine about how the Andrastian faith provides common ground for negotiations across cultures. Cassandra walks through an elven temple that is older than her religion and still wonders who could believe this nonsense. Why aren't you more upset, people?!

I am going to pretend the post-credit scene didn't happen. You will not soil the beautiful tragedies of the very human mistakes and choices the imperfect characters like Loghain made. I will not accept some demon whispering over the wonderful multi-faceted people and their rises and falls. F*ck you.

The bug, where the game loads the preset character instead of your custom Rook is annoying and didn't get fixed by the patch.

I hate the UI with a passion

No grey streaks in Inquisitors hair is a crime.

I hate the underwater view in Rooks room. I have an irrational fear of deep waters and sea life. The Ossuary is a prison of my nightmares.

I hate the redesign of the demons. They look like dementors with their robes open.

It is not clear how long was Rook trapped in the prison of regrets.

Anyway... rant over. I enjoyed the game like I enjoy the Marvel movies. With half of my brain turned off.

[rey-jake-therapist]

I have talked a couple of times about the huge parallels that exist between Hannigram (Hannibal Lecter and Will Graham, from the NBC show not the movie) and Haladriel (Galadriel and Sauron, The Rings of Power), and for me there are still the fictional relationships that are the closest in terms of narrative, despite the first being m/m and the second m/f. I have been told : Penny Dreadful, Vanessa and Dracula, but to be honest I found this relationship way too rushed, and totally ruined by the shitty ending of the show.

Besides, Dracula lied so much to Vanessa it was actually hard to say if his feelings for her were genuine or not. He had a nice speech though. Maybe on a second rewatch I'd have a different opinion, but it didn't really work for me. I didn't give a damn about this Dracula guy, while I do feel a lot for Hannibal and Sauron despite their undeniable evilness.

No, it's still Hannigram and Haladriel to me. The ships's names even both start with a H, isn't it a sign lol

Hannibal, Will, Galadriel, and Sauron are all very complex characters. Anyone who attempts to put these characters in a box and just see them as "entirely good" and "entirely evil" are, sorry, wrong.

Hannibal and Sauron get nowhere near to be redeemed in their story because they always commit to evil and feel unapologetic about it (Hannibal especially, while Sauron has a short "repentance phase". But since it's more motivated by the fear of the Valar's judgements than by a real, genuine desire to atone, he's easily drawn back to his old evil ways). They're both considered to be personifications of evil, for that matter.

Hannibal and Sauron are both capable of seeming extremely charming and deceive everybody who meets them into believing that they're "normal". I would say that Hannibal's an even better deceiver than Sauron is. They're also both control freaks who play 5D chess in real time. The rare times they lose control, it's almost always related to Will/Galadriel.

Hannibal and Sauron don't care about anybody and have no issues killing anyone who's in their way, except for Will/Galadriel.

Will and Galadriel are supposedly on "the good side", but in Hannibal and Sauron, respectively, they find the reflection of their own inner darkness.

Will and Galadriel are different from everybody else. They're respected in their respective field, but their differences make them loners, and seen as potentially dangerous by their peers.

Season 1 of both shows starts with exactly the same concept : Hannibal murders people and eats them, but for the world, including Will, he's just a respected psychiatrist. He befriends Will because he feels what Will would have probably always denied if he hadn't met him : that Will likes to kill, because it makes him feel powerful. Unlike Hannibal, he needs to feel that his victim "deserved" it, he won't just kill indifferently. Sauron pretends to be Halbrand, a regular mortal man, befriends Galadriel, and is drawn to her light but also to the darkness he can feel in her.

Hannibal is supposed to help Will find a murderer who's no other than himself. Halbrand is supposed to help Galadriel find Sauron, who's also no other than himself.

Both Hannigram and Haladriel have a clear push and pull dynamics through the seasons.

Will ends up realizing that Hannibal is the Chesapeake ripper, the murderer he was chasing, just like Galadriel finds out that Halbrand is Sauron at the end of season 1.

Will and Galadriel have an intense desire to kill Hannibal/Sauron, while being irresistibly drawn to him.

When he realizes that Will's close to find who he really is, Hannibal gets Will thrown in jail for the crimes he himself committed thanks to planted evidence and manipulation. Sauron somehow manages to instill the doubt in Elrond's head that Galadriel is not free of his influence, while manipulating Celebrimbor into believing that he was cast aside by her (and Gil-Galad) once they didn't need him anymore.

Hannibal acts all innocent when Will openly accuses him of being the Chesapeake ripper, just like Sauron plays innocent when referring to the fact that Galadriel cast him out once she found out who he was (the main difference is that Galadriel never accused Halbrand of being Sauron in front of Celebrimbor).

Talking of Elrond, I can see a parallel between him telling Galadriel "he (Sauron) never left" when she tells him she can't let him in again, and Bedelia du Maurier telling Will "Can't live with him, can't live without him, is that what this is?"

At the end of season 2, Hannibal stabs Will when he realizes he conspired with Jack Crawford to have him arrested (= he realizes he can't have Will even if Will is tempted). What do we get at the end of TROP S2 ? same thing, basically : Galadriel keeps on resisting him, so Sauron stabs her, literally leaving his mark (the wound) on her. In both cases, there's a clear erotic subtext.

In season 3, Hannibal tries to start a new life with a new partner, Bedelia du Maurier, but it doesn't work. He's visibly miserable and thinks about Will all the time. Sauron in season 2 does the same with Celebrimbor and a bit with Mirdania, who's basically a Galadriel stand-in. The partnership with Celebrimbor doesn't work as well as it did with Galadriel, and he's dead-eyed, most of the time.

Hannibal finally gets himself arrested so Will always knows where he is (in reaction to Will's claim that he never wants to think of him again, and doesn't want to know where he is). The parallel to that could be the bond that Sauron may have created between him and Galadriel, when he stabbed her with Morgoth's crown. Hannibal and Sauron both want to make sure that Will/Galadriel will never get rid of them.

Will finds himself a nice albeit quite bland wife, who's got a kid that Will treats as his own. I can't *not* see Molly as Will's Celeborn ;)

While being supposedly "happy" with his new quiet life, Will can't resist the temptation to leave this life to organize Hannibal's escape from jail, arguing that he can help him find another killer, the Red Dragon. It's quite obvious that at this point, Will just wants an excuse to spend time with Hannibal, as he has now fully embraced his "dark side". Season 3 ends with Will jumping off a cliff and dragging Hannibal with him in a desperate attempt to have them both killed.

I wouldn't be very surprised if we got a similar scenario in season 3 of TROP, especially if the theory that Galadriel and Sauron are now bound is revealed accurate... Maybe it's just wishful thinking, but it doesn't seem that far-fetched to me that Galadriel would still be attracted to Sauron in season 3.

[clone-wars-retteyo-au]

One things I think I forgot to mention in my other reblog that I thought about more and want to comment on/clarify. As you mentioned, there is a likelihood that some clones will HATE the assumption that they are all close. I thought about this more, and I realized there was something I didn't think about/touch on in relationship to that. While my interpretation of the clones presents them as all considering each other family (both by blood and as an overall relationship), there are many different family dynamics and relationships.

Overall, the vibe between clones as a whole is "giant extended family where there is a general expectation/sense of loyalty to the broader family, but also you only know half these people." Loosely based on my dad's side of the family, tbh. But individuals within that family will have different relationships with different family members and different feelings about the broader family as a whole.

When it comes to clones they've never met, clones will typically see that clone as a sibling, but emotionally feel more like distant cousins who you just met at the family reunion and it's kind of awkward since your parents/grandparents expect you to hug or whatever and you're both just like "who is this guy?" Sometimes they will end up getting along great, but it will always start out a bit distant.

~~~

Clones like Cut Lawquane who left the GAR (or in this AU, never really joined Retteyo and went off to do their own thing) are like the family member who had to go no contact with their parents and as a result lost contact with the rest of their extended family and nobody but the parents knows what happened or where they went. So when clones like Rex find them, it's like one of their cousins accidentally finding them on Facebook and messaging them. And the one that left doesn't hate most of their extended family. They still see them as family, but not particularly close family, so they still kind of want to keep their distance.

They also have an awkward relationship with family in general because they were raised in an environment where family is everything. And even though they don't regret going NC, they still have a hard time breaking that mindset and feel at least a little bit of obligation to help out extended family members in need, even if it's just in little ways like giving them a little extra money one time and then never talking to them again.

~~~

Clones who hate each other are just family members who hate each other. They see each other as siblings, but not in a good way. Like "oh yeah, he's definitely my brother, but I'm still getting that restraining order." Still family, but in a bad way. And while there is a "family is everything mindset," that doesn't mean "therefore you must get along with every family member or stay in contact." If someone does something crappy and someone else chooses to go NC, everyone will understand and support the decision even if they stay in contact with both.

~~~

The "family is everything" part is more about a loyalty to clones as a whole. Similar to loyalty to one's country, but with a familial twist. As I said before, it's like seeing a cousin in need of help, and even though you don't know that cousin, you still help them because they're your cousin.

Even clones who don't feel that strongly about other clones will have this mindset a little, they just aren't super intense about it. Like, as I said, they won't get into a fight on your behalf, but they will give you $50 to help you out of a tough spot.

It's honestly the craziest part to me. They are all family, but the dynamics are complicated and not always close or good.

~~~

As you mentioned, they are still capable of forming extremely close bonds with natborns, some of which are closer than with certain other clones or clones as a whole. Some clones even prefer not being around other clones as much. It's just that they were created to almost need other clones in some way. Kind of like how ants will die if they don't have other ants around. I think this might not fully apply to all clones, but as you said with Rex and the Ghost crew, most clones will get antsy after a certain point if they haven't seen other clones after a certain amount of time.

For many clones, not being without other clones is like being a hermit. Some can handle it really well, especially by forming bonds with Natborns (similar to some hermits finding inner peace that allows them to handle isolation well). But most will get to a point where they will start to lose it a little. Like, they are fine for a while, but after 6 years or so, they're like "alright but I need to see another clone at some point or I will die."

At least, this is the case in my AU since I find the idea of clone basically being pack animals in the most extreme way to be interesting.

I've decided that Rex is the one who paints Kanan's eye mask with his bird of prey design.

Kanan's feeling pretty low still just after Malachor, he's still distancing himself from everybody, and Rex decides to go try to talk to him at one point and the first thing he comes up with to say is to point out that his new mask is pretty plain. It's awkward, he regrets it immediately, but then Kanan says that it gets the job done and Rex is abruptly reminded of himself so so long ago back at the beginning of the war.

He sits Kanan down and tells him a story about how, at the beginning of the war, only a few of the clones had paint on their armor, to designate things like rank and battalion in order to make it easier for officers to find them in the middle of a busy battlefield. The paint was practical and it was limited to a very select few. But the Jedi almost immediately started trying to encourage the clones to utilize the paint less sparingly, suggesting that maybe everybody could wear at least a LITTLE paint and use more individualized designs so that it was still easy to tell the commanders and captains apart from the others when needed.

Some of the clones had taken to it with gusto, but others had been more hesitant, and Rex remembers having been one of them. He remembers telling Obi-Wan that there was no real REASON to paint everyone's armor and especially not to come up with personal designs. The armor was practical and it served its purpose with or without the paint and special designs. But the Jedi had insisted on at least TRYING to come up with his own design and if he didn't like it, he could always take it off, so Rex had given in and chosen something to paint on the armor. And, somehow, it felt a little lighter the next time he put it on. It didn't erase the horrors of war or the pain of loss or anything like that, but it helped.

He tells Kanan that the mask right now is just a reminder of the pain of the injury and whatever other feelings he's still got all caught up in the Malachor mission (guilt over what happened with Ezra, grief over Ahsoka's loss). But if he puts his own design on it, it might turn the mask into something other than a constant reminder of something bad. Instead, it's a reminder of who he is, the combination of the person he once was and who he's become. He is more than just his injury or this mission and he can use the mask to declare that if he wants to.

Kanan says he never realized Rex and the other clones had cared so deeply about their armor and Rex says that the armor itself was meaningless. It's better than what's being handed out to stormtroopers, but not but a LOT. It was the design on it that had meant something and, more than that, it was what the design REPRESENTED: having a choice about how you were perceived by others.

Kanan asks why Rex had chosen his particular designs, the bird of prey eyes on his helmet in particular. Rex explains that he chose it because he liked birds and thought it looked cool, but he's kept the helmet for as long as he has because it's come to mean something ELSE now. It's not just a cool-looking design, it's a reminder of a better time in his life. It's a reminder of when he'd been a part of something greater than himself, with the other clones and the Jedi. It's a reminder of a time when he'd had hope that he and his people could one day come out the other side of this war towards a brighter future.

Kanan looks at the mask he'd grabbed from storage somewhere or something just to keep light from hurting his eyes as they recovered and to cover up the injury from other people's stares (even if he couldn't see them staring), then hands it to Rex and asks if Rex minds sharing that symbol because he'd like a reminder of that, too. Rex remembers the 332nd and their helmets that they'd painted to look like their chosen Jedi, almost blindly giving away their individuality in favor of that loyalty that had been stripped from them anyway. And then he looks at Kanan, choosing to make himself look LIKE REX, someone who had shared his face with millions once, because he wants to honor both the connections he'd lost as well as this new connection the two of them have built together now. And Rex says he'd be happy to share.

[lucyskywalker]

I’m actually very curious to know why you don’t like jonsa! my reasons for example are: their fandom is acting way too insane for a ship that never happened and won’t ever happen; kit harington is unfortunately ugly. what are yours?

There are so many reasons that I dont even know how to begin with.

Alright. Let's go.

1st reason: It is only solely based on the show, and I really mean that. When you get to read metas and posts surrounding the ship, u realize these people never opened the books, while traying to pretend they did. I'm not being entitled. It is just obvious with what they write. Everything is taken out of contest. Especially surrounding Jon's pov and his lack of relationship with Sansa.

+ I despise the show. The only good thing about D&D's creations were the Dragons CGI and the dothraki and valyrian language, and it ends there. Out of it, everything sucks. They have rewrote all the female character in such a sexist and ridiculous way that I can't even start explaining for you.

2nd. I ship jonrya. Ik it is not everyone's cup of tea, but I do. And no. Idc if they become canon or not. I like the concept. I love their relationship. And I love what they can become. Now why the fact I ship Jonrya actually matters? Well, specially after season 7, a lot of Jonsa fans started taking things from Jon PIV that were about his love for Arya, and make it be about Sansa, with ridiculous excuses for their takes. The most commun and easy example being "What do you know of my heart, priestess? What do you know of my sister?" When Jon asks Melissandre, he is referring to Arya. And no. It is not a different interpretation. It is about Arya he is talking about. Another one was "Would you bed your sister?" And Again Jon thinks about Arya, but when you read Jonsa's metas; they say he is thinking about Sansa. Another common Jonsa take is that Jon died for his men in the books, or for Sansa, when again, this is not the case. He died for Arya. And that is explicit on the text with no room for other interpretation. No wonder why the last thing he tought was about her.

Jonsas straigh up lie about what happens in the books to support their takes, or they just read metas here on tumblr and believe it. Idk and neither do I wish to know.

Not only that. They started behaving as they had a moral high ground over jonerys and jonryas... when they don't, it is still incestuos and still problematic to modern standards - not only that, they behave entitled to this day, and attack Jonrya shippers and Jonerys shippers in a real coward way.

Many, many times, I received anon hate telling me to *kms*, slit my wrists. Someone even wished for me to get raped over a fictional ship.

My disdain over the ship is not only with the ship itself, hence taking a lot of Jon's dynamic and bound with Arya to give it to Sansa, which is really important in both of their stories and arc, but mostly about the fandom, and how I was affected by it. If it was treated only like a crackship (what book wise, actually is), as my beloved hitsukarin from bleach, I would have no problem with it.

But the community is far one of the most toxic ones I have ever seen or been in contact with. Actually, dealing with them heavily impacted my mental health.

3rd. I really didnt like Sansa way before dealing with the fandom. Since my favorite is Arya, the way Sansa treated her never vibed with me. (And no. It isn't normal sibling behavior. I am an older sister. I would never do half of the things Sansa have done, not even on 11). After book 1, I felt pity for her, but she still was the last interesting character for me, even if her Vale story was.... I guess, more berable.

After getting into the fandom, tho, Jonsas and Stansas ruined Sansa for me in every possible way as well to the point I read her chapters and I won't feel any kind of enjoyment in her journey or her character. She is my least liked character, not because "she is the most horrible person in the books" (she is not. She is far from being that. ) but because her fans made me feel terribly bitter about her. It is not logical or fair, but again, I'm not trying to be.

[misskattylashes]

Yes yes yes I totally agree with this. I feel their love sort of transcends romance or sex or friendship or brotherhood. They are literally two souls bound together, almost like the basis of a sitcom, two people who can't escape each other even though they want to and I am guessing there have been times in their relationship they have wanted to, but the pain of being without the other is too much and they end up back together again.

really love dynamics that are like 'it honestly doesn't matter if you view them as romantic or platonic, the point is that they love each other. the type of love is inconsequential, all that matters is that it's there'. gotta be one of my favorite genders.

[dxxtruction]

"Louis acting like a pimp to Armand" And what is a pimp exactly? Quickly. And, oh so sexual trauma survivors can't engage in kink now without it being all about that? Pet names? They can't be submissive anymore? Consensually? Sexually healthy? Be serious. I'd hardly say there's much power difference between them during all this anyway, except that Louis is freer than Armand and it's been putting a strain on their relationship. Louis wants more from Armand, and less of this 'being his past' for them both, and so helping Armand with this could fix that. It's healthy to want to help your partners get out of a rough patch?

I mean, the whole exchange was very clearly set up as a "I want to help you" after such a great moment of vulnerability Louis feels just how much Armand is desperate for it. Louis called Armand so they could work out a plan together.

And the bit with the umbrella was Louis' way of asking 'are you willing to listen to me?' and Armand said yes by unfolding it. Louis goes on and explains, Armand is allowed to argue against it, but Louis makes his point. And then he gives Armand a way to make his own choice in it too. Armand's already decided 'I want you, more than anything else in the world', but Louis still asks after if he's sure of his choice, and with a name, Arun, that is the one of his fullest agency, running the point home. Honoring the situation Armand calls Louis Maitre - as a way of being like 'I'll do as you've said then'. To make this work he's going to have to give Louis some of the control, yes. But it's the first time such a role is ever established, and it was his choice to do it. So so what if they do it in a very suggestive way? They can't like doing that? I think it's them having fun.

I struggle to find how Louis is being overly domineering here when really he's giving and offering Armand the most agency he's ever had. Same with finding it manipulative. The manipulation was more earlier in the episode I think, when he was stringing him along, giving mixed signals. He's no longer toying with him like that. Louis might be pushing Armand, leading him on to make a decision, but he doesn't mean bad by it.

But back to this pimp thing. I find it frankly offensive that this is where people are going with this. I get it, but to run with it being the case is, on many levels, wrong.

Louis told us episode 1 this was the only sustainable line of work to support his family and keep their standing, at the time. It was never his choice to be doing this either but his blackness allowed no other options. He did what he did so his family could stay in that house and maintain all their same comforts. It gave him privileges most black men didn't have at the time that he wanted to maintain and even have more of. Anyway, it doesn't and had never defined him the way 'being good at running things' had. And in that case he just likes having that kind of control where he can get it, which makes sense.

The world is what placed that kind of role onto him of what he was allowed to be able to run, not himself. And on that he actually treated the sex workers he employed well and respected them enough to give them more opportunity.** He recognizes they don't have much in the way of options either.

Louis employed sex workers, yes, but he didn't subject them to abuse, (like how Armand was)*. He didn't oversee things in a way that would go against their consent (see; episode 1 again)**. Sometimes a job is just a job. And Sex work is work.

Armand's particular past with sexual abuses may strike a particular cord with Louis, given all that, but the very last thing either is thinking is that Louis' pimping Armand out here. This is merely their decision as companions, and had nothing to do with adding another line in a laundry list of selling Armands body out to people at the command of someone else. Armand rescinds some of his control to Louis' wishes, because he wants him, and he trusts him, that's all.

If you aren't allowing Armand that choice, and are doubtful it's fully his, you're putting him right back in the box of being defined by his abuses. Putting him back into that space where he isn't given any agency over what he does. (Which is exactly opposite of what the intent of this scene is for)*.

*: (edit) added for clarity.

**: (strike through) numerous people are saying I'm misremembering these points so disregard it. (Thought he was siding with Bricks, it was the other way around). (Technically one aspect of those opportunities were for getting around the law). I don't have a perfect memory, it happens. Let's not get mad about it. Doesn't change much of the point which is that Louis, now, Louis then, was always considering more about the running things and for stated purposes. So I guess I'd say he may only have respected the SWers enough sometimes for what allowed him to do that, and there are moments he certainly expressed remorse over the fact, but he has a great deal higher respect for Armand that is genuine. It's incomparable. Please read my added notes in the tags, it should address most other concerns.

[bitchthefuck1]

you know what, I actually will talk about this because it's bothering me. The issue with focussing so heavily on syd and carmy's potential for a romantic relationship isn't that there's something inherently unintellectual about romance or whatever, it's that a lot of people seem incapable of doing that without immediately flattening the story and ignoring or intentionally misreading any and all nuance for the sake of that romance. Every scene suddenly becomes about how it impacts their relationship, every analysis is done through a romantic lens, every frame or line of dialogue becomes about finding some easter egg or hint that "proves" these people should start dating. Their dynamic is absolutely a fundamental part of this show, but if you can only see it as a will-they-won't-they, you miss so much of what the story is actually trying to say with these two.

There are good versions of this story where their relationship is romantic and there are good versions of this story where it isn't, but as soon as you decide them being together is "the point," you lose the ability to actually judge the story for what it is, not what you want it to be.

[stop-breaking-my-heart-dragonage]

This. This. This entire conversation with Morrigan actually makes me want to sob. She and my Tabris always becomes close friends over the course of DAO; that, paired with the fact that my Tabris always romances Alistair, makes everything about this hurt so much more when you take DAO's ending into account.

Her confusion over why my Tabris didn't send her away. Why she didn't abandon her after they learned of Flemeth's plans. Why Tabris went out of her way to slay Flemeth and bring her the true grimoire. She asks Tabris why, and is baffled when the answer is, "I did it because I'm your friend," as if it's that simple.

The way Morrigan looks at the warden, the way her voice cracks when she says, "I want you to know that while I may not always prove... worthy... of your friendship, I will always value it."

She knows how this will end; Flemeth sent her with the wardens with the end goal of stopping the blight and obtaining the old god soul through the dark ritual. Morrigan knows that Alistair and Tabris are the only Grey Wardens here, and assuming they don't find more, one of them will have to die defeating the archdemon unless they agree to do the dark ritual.

With that context, her asking Alistair, "And what if a Grey Warden has forced to choose between the Warden he loved and ending the Blight? What should his choice be?" suddenly has so much subtext weaved through the words that I'm gonna start foaming at the mouth. She's practically telling Alistair that a warden has to die. She's scrutinizing his reaction to find any hint that suggests he would agree to the dark ritual in order to save himself and the woman he loves. And when he doesn't choose, she has her answer.

Morrigan made comments to Tabris about him, almost hopeful that their relationship was just a physical thing between them and not actually riddled with feelings... and then gives disapproval when Tabris says she loves him.

She doesn't want the warden to die; hell, she doesn't want Alistair to die, either; whether because she does actually care about him or because she knows it'll break her friend's heart if she loses him, or both!

Things would be so much easier if the only two Grey Wardens left to defeat the blight didn't fall in love, wouldn't they, Morrigan?

She knows that in the end, no matter the outcome, she will lose the woman she called sister and it's devastating.

Morrigan, who has never known true friendship. Who grew up isolated in the woods with an abusive mother and terrible implications for her future. Who discovered said mother planned to take over her body just as she did with her other daughters. Who doesn't understand kindness as it was rarely given to her without a catch. Who isolates herself from the others in camp. Who finally has a companion she cares about... and in the end, if her plan works and the dark ritual is completed, she'll end up pregnant and alone and wearing Tabris' resentment like a tender wound on her heart.

Or Tabris will reject the ritual, and will die to the archdemon.

Or her lover will.

I just- the dynamic between the warden, romanced Alistair, and Morrigan is so good and painful and rich that I'm gnawing on furniture as we speak.