#The world was made by singing— it’s a very powerful act

[arcane-ish]

I feel like the negative judgements about Vi's intelligence are heavily tied into:

1.) People only respecting two kinds of intelligence, either inventing (like Jayce, Viktor, Jinx and Ekko) or scheming (like Mel and Silco). Which is an incredibly reductive view on intelligence.

2.) People being upset that Vi doesn't do what they want her to do. I think there are a lot of people on various sides who consumed Arcane as a media and wanted Vi to become leader of the underground or become head of the Firelights for example. They have a certain view on the Zaun versus Piltover conflict and might lean towards thinking it is dumb of Vi not to share their analysis of the situation.

And that I just disagree with. It's not that Vi is too dumb to become leader of Underground, it's that she genuinely isn't interested. It's possible that she doesn't "understand" the complexities of power relationships between Piltover and Zaun (we can't see into her head), but maybe she just generally has a different moral outlook on life. (whether it is "prioritizing your family and loved ones over larger society is a good idea" or "all people have value and are a mixture between good and bad, regardless where they come from").

People, especially in certain online spaces act like these are "solved" problems (ie "well obviously thinking systemically is superior" and "well, obviously, people who are part of an oppressing system should be treated differently"), when in reality for a lot of people they aren't. And they aren't because those people are too dumb to understand the "correct" choice, they just have different values.

"I prioritize my immediate surroundings" could genuinely be for "I'm overwhelmed and scared by complex systems and withdraw towards simple things I understand" or it could for example be deeply cynical "I have a pessimistic outlook on what effect my contribution will have on a systemic level and/or I have made the experience that people who go on about the systemic level don't achieve anything or make the lived reality of people worse".

For Vi specifically I think the show does portray her as somebody straight laced and stubborn (but not incapable of adapting her world view). And somebody who generally has very good instincts about people or who heavily relies on her instincts on people.

IMO in season 2 we have seen Vi do her cop-like tracking of people twice. First at the memorial attack where she spotted the the chem goon and quickly understood the situation and who was involved in the attack. (even her fighting style against stronger opponents like the chem goons shows a complexity about finding weak points, like tearing off the chem baron's valve) Second when she tracks Singed. (and I would argue we have also seen her be suspicious of Ambessa after the Memorial Attack)

And her being willing to change her mind on disliking/distrusting Jinx and letting Jinx's words lead her to change her mind on seeing Warwick as a threat again is an example imo both on her trusting her instincts but also adapting. Vi's judgments about people isn't just "I see or smell you and I make my judgement", imo she watches people and adapts her judgement accordingly. IMO she adapated her judgement of Jinx because she saw how Jinx interacted with Isha. Just like she was initially suspicious of Caitlyn, but opened up to her when she saw how Caitlyn acted in a variety of situations.

IMO the idea that Vi has good instincts on characters isn't very pleasant, because she makes value judgements about people (such as she likes Caitlyn, but she does not like Silco) that might not match everybody's preference. Again, some people might want to turn this into a question of intelligence. Such as thinking Vi is "dumb" of liking Caitlyn more than Silco, when to them clearly Caitlyn is more immoral than Silco because she is part of an oppressive system or because Silco is more honest or more powerful or more smart. Rather than "year, but what if Vi has just has different priorities or a different value system". (like "will this person attack me" or "will this person be nice to me" or "will this person betray me" or "will this person be open to reason" or "does this person have straight laced goals")

When I look at season 1, Act 2 and 3, I see Vi as somebody with a clear goal (find and retrieve Powder). She has her goal, she identifies what she perceives to be threats to this goal (Silco), she is aware she is not strong enough to bring him down on her own, she identifies Shimmer as a source of his power, she makes allies and then attacks what she sees at the source of his power.

Vi has her goals and she has her tools and strategies (ie find allies, get more firepower, attack). [another good example being when during the Memorial Attack, Vi withdraws to retrieve the Hextech Hammer, because her analysis of the situation is that without it the fight might not be winnable]

Again, people might be looking at Vi's process and disagree on various steps (what she identifies as a threat, why she chooses one method and not another (ie choose violence rather than negotiation or subterfuge)), but imo it's pretty clear that Vi has multi step approaches and her choosing one methods might just be a question of personal preference.

one of the saddest things to me abt vi that i haven’t rly seen anyone talk abt is the fact that she never rly got the ability or privilege of learning how to do much else other than to be mainly good at fighting.

she’s learned that fighting is how you protect yourself and others, and protection is how you show love.

not to mention, she ended up getting unfairly sent to stillwater for years, and if caitlyn hadn’t broken her out, it would have most likely been forever.

she’s just never rly had the time to learn smth else to excel at.

[corsairspade]

I was going to say we need to be weirder about Maglor but then I remembered crablor. That’s on me. We need to also be DIFFERENT weird about Maglor.

Maglor who walks along the coast for thousands of years and does not stop singing. Maglor who after ages of the world have passed, has a voice that is made only for music. When he speaks, there is something too lyrical to the tone. He sighs and the world accompanies him. His raised voice sets the ground shaking, his laments call water like tears from the sky. He has to be careful when he speaks to people, however rare that is, because of it. He weeps and those who can hear him cannot help but weep as well. Maglor with a voice so powerful that he can no longer use it the way he could when the world was young. One more thing lost to the Oath.

[vanteguccir]

⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀❝ don't overthink, because your mind is very powerful ❞

⠀⠀⠀⠀⠀❆ - angst ✮ - smut ❀ - fluff

⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀✦﹒﹒𝑶𝑵𝑬𝑺𝑯𝑶𝑻𝑺﹒◌﹒

── ୨୧ !　chamego meu [ ❀ ]

instagram posts

── ୨୧ !　starve and die [ ❀ ]

when Nick and Matt test positive for covid and Chris has to go into lockdown to prevent catching the virus, who will look after them?

── ୨୧ !　watching you read [ ❀ ]

where Y/N read her book while Chris's streaming, but Chris's biggest hobby is watching his girlfriend read.

── ୨୧ !　truth or eat [ ❀ ]

where Y/N participates in the TRUTH OR EAT video from behind the camera.

── ୨୧ !　guess who's who [ ❀ ]

where Y/N participates in the new Sturniolo Triplets tiktok, but doesn't actually appear in it.

── ୨୧ !　sleeping prank [ ❀ ]

where Nick pranks Chris and Y/N while they are sleeping.

── ୨୧ !　texas is so cold [ ❀ ]

where Y/N and the triplets decide to go out for dinner at a pizzeria, but Y/N is cold and Chris becomes her personal heater.

── ୨୧ !　tiktok trends | part 2 | part 3 | part 4 [ ❀ ]

4 times that Y/N and Chris made a couple's trend on tiktok.

── ୨୧ !　can you sing for me? [ ❀ ]

where Y/N is a worldwide famous singer, but her favorite thing in the world is hearing Chris singing just for her.

── ୨୧ !　it's noted [ ❀ ]

where Y/N is part of the Sturniolo Triplets fandom and makes videos about them on TikTok. After years of creating content, one of her videos seems to catch the attention of none other than Chris.

── ୨୧ !　cooking together [ ❀ ]

where Y/N teaches Chris how to cook a typical sweet from her country.

── ୨୧ !　safari girl [ ❀ ]

where Y/N is the tour guide for the Sturniolo Triplets on their safari trip.

── ୨୧ !　her exception [ ❀ ]

where Y/N is shy and Chris loves to tease her for that.

── ୨୧ !　sleepwalker in love [ ❀ ]

where Chris returns home after recording another car video with his brothers and finds his girlfriend sleepwalking in their living room.

── ୨୧ !　best friend's plan [ ❀ ]

where Y/N has a secret crush on Chris, not imagining that the feeling is reciprocated. But her best friend, Nick, has a plan to put them together.

── ୨୧ !　8 minutes of cute moments [ ❀ ]

where a fan made an 8-minute video with a compilation of Chris and Y/N being in love.

── ୨୧ !　baking blind, deaf and mute [ ❆❀ ]

where Y/N participates in the Baking Blind, Deaf and Mute video, but things don't go as planned.

── ୨୧ !　in control [ ✮ ]

where Chris commands Y/N to stay still while he fucks her, but she can't seem to obey.

── ୨୧ !　drunk and in love [ ❀ ]

where Y/N goes out with her friends for a girls' night and comes home drunk, so Chris has to take care of her.

── ୨୧ !　always yours [ ❀ ]

where Y/N and Chris are secretly in love, but Chris is the one that acts shy around her; OR 4 times Chris loved Y/N from afar and 1 time he didn't.

── ୨୧ !　all too well [ ❆❀ ]

where Chris misplace his priorities.

── ୨୧ !　academic validation [ ❆❀ ]

amid relentless academic pressure, Y/N finds herself consumed by the desperate pursuit of perfection in her college. Her obsession with validation leads her to neglect her own basic needs until a sudden accident forces her to confront the reality of her situation, receiving the complete help and support of her boyfriend, Chris.

── ୨୧ !　loving without restrictions [ ❀ ]

where Y/N and Chris have been keeping their relationship a secret for just over a year until one day where Y/N feels ready to announce it; OR, where Y/N and Chris soft launch their relationship.

── ୨୧ !　fake smile [ ❆❀ ]

where Chris records a TikTok with Tara after many requests from both fandoms, but fans reacted contrary to what he expected, generating questioning thoughts in Y/N.

── ୨୧ !　girls like girls and boys [ ❆❀ ]

where Y/N faces a journey of self-discovery when questioning her sexuality. Fearing rejection, she is reluctant to reveal her truth to Chris, her boyfriend. But with the help of Nick, Y/N finds the courage to finally come out as bisexual.

── ୨୧ !　5 cute little moments [ ❀ ]

where Chris is deeply in love with Y/N and isn't ashamed to show it; OR, 5 cute little moments between Chris and Y/N.

── ୨୧ !　labyrinth [ ❆❀ ]

between love and pain, Y/N fights to save the relationship that once brought her and Chris together, but Chris's fear of commitment seems to stop them from moving forward, leading the two to find themselves trapped in a labyrinth of despair and uncertainty.

── ୨୧ !　vogue beauty secrets [ ❀ ]

where the world-famous actress and model, Y/N, is invited by Vogue to record a video of her Beauty Secrets, but during the recording, Chris, her boyfriend, decides to make a brief appearance.

── ୨୧ !　fighting her for a trend [ ❀ ]

where Chris has the idea of doing the famous TikTok trend "fighting my girlfriend in front of my brothers" with Y/N, just to see Nick and Matt's reaction.

── ୨୧ !　apocalypse [ ❀ ]

where Chris takes care of Y/N after they make love.

── ୨୧ !　over again [ ❆❀ ]

Y/N is caught between the past and the present, struggling to overcome her love for Chris while trying to move on with Alex, a kind and understanding man. When Chris reappears in her life, Y/N is forced to confront her feelings and make difficult decisions.

── ୨୧ !　trying and rating bad baby food [ ❀ ]

where Alisson, Chris and Y/N's daughter, makes an appearance in the Trying and Rating Bad Baby Food video.

── ୨୧ !　jealous boy [ ❆❀ ]

where, during a party, a man who doesn't know how to take "no" for an answer hits on Y/N, receiving an angry and jealous Chris in return.

── ୨୧ !　only girl (in the world) [ ❀✮ ]

where Chris takes Y/N for his trip to Las Vegas with his brothers, and amidst the neon lights and late-night wonders, Chris’s and Y/N get lost in love and sin.

── ୨୧ !　holiday echoes [ ❀ ]

where the triplets head back to Boston for the holidays and Chris, a bit drunk and nostalgic, ends up alone on the streets and stops at their old childhood home. Acting without thinking, he writes a small - and very random - note on a napkin and slips it through the door, without realizing Y/N now lives there and is feeling kinda lonely.

── ୨୧ !　soft launch | instagram [ ❀ ]

where Y/N and Chris have been in a stable relationship hidden from the media for years, until they were forced by it to do a soft launch.

── ୨୧ !　birthday boy [ ❆❀ ]

when Chris is starting to come to terms with the horrible idea that he will have to spend his birthday away from Y/N, a surprise takes him, literally, by surprise.

── ୨୧ !　the sexual tension between chris and Y/N [ ❀✮ ]

where a fan creates a 6-minute video with all the sexual tension moments between Chris and Y/N.

── ୨୧ !　too much [ ❆❀ ]

where Matt and Nick say some hurtful things to Chris during a fight, bringing his insecurities to life and causing him to turn to his anchor, Y/N.

All rights reserved © 2024 𝐕𝐀𝐍𝐓𝐄𝐆𝐔𝐂𝐂𝐈𝐑. Please do not copy, rewrite, or translate my works on any other platform.

[hotvintagepoll]

Propaganda

Anna May Wong (The Thief of Bagdad, Shanghai Express)—Wong was the first Chinese American movie star, arguably the first Asian woman to make it big in American films. Though the racism of the time often forced her into stereotypical roles, awarded Asian leading roles to white actors in yellowface, and prohibited on-screen romance between actors of different races, she delivered powerful and memorable performances. When Hollywood bigotry got to be too much, she made movies in Europe. Wong was intellectually curious, a fashion icon, and a strong advocate for authentic Asian representation in cinema. And, notably for the purposes of this tournament, absolutely gorgeous.

Josephine Baker (The Siren of the Tropics, ZouZou)— Josephine Baker was an American born actress, singer, and utter icon of the period, creating the 1920s banana skirt look. She was the first black woman to star in a major motion film. She fought in the French resistance in WWII, given a Legion of Honour, as well as refusing to perform in segregated theatres in the US. She was bisexual, a fighter, and overall an absolutely incredible woman as well as being extremely attractive.

This is round 6 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Anna May Wong propaganda:

"She so so gorgeous!! Due to Hollywood racism she was pretty limited in the roles she got to play but even despite that she’s so captivating and deserves to be known as a leading lady in her own right!! When she’s on screen in Shanghai Express I can’t look away, which is saying something because Marlene Dietrich is also in that film."

"SHE IS ON THE BACK OF QUARTERS also she was very smart and able to speak multiple languages and is a fashion icon on top of the acting/singing"

"Paved the way for Asian American actresses AND TOTAL HOTTIE!!! She broke boundaries and made it her mission to smash stereotypes of Asian women in western film (at the time, they were either protrayed them as delicate and demure or scheming and evil). In 1951, she made history with her television show The Gallery of Madame Liu-Tsong, the first-ever U.S. television show starring an Asian-American series lead (paraphrased from Wikipedia). Also, never married and rumor has it that she had an affair with Marlene Dietrich. We love a Controversial Queen!"

"She's got that Silent Era smoulder™ that I think transcends the very stereotypical roles in which she was typically cast. Also looks very hot smouldering opposite Marlene Dietrich in "Shanghai Express"; there's kiss energy there."

"Hot as hell and chronically overlooked in her time, she's truly phenomenal and absolutely stunning"

"A story of stardom unavoidably marred by Hollywood racism; Wong's early-career hype was significantly derailed by the higher-up's reluctance to have an Asian lead, and things only got worse when the Hayes code came down and she suddenly *couldn't* be shown kissing a white man--even if that white man was in yellowface. After being shoved into the Dragon Lady role one too many times, she took her career to other continents for many years. Still, she came back to America eventually, being more selective in her roles, speaking out against Asian stereotypes, and in the midst of all of this finding the time to be awarded both the title of "World's Best Dressed Woman" by Mayfair Mannequin Society of New York and an honorary doctorate by Peking University."

"Incredible beauty, incredible actress, incredible story."

"-flapper fashion ICON. look up her fits please <3 -rumors of lesbianism due to her Close Friendships with marlene dietrich & cecil cunningham, among others -leveraged her star power to criticize the racist depictions of Chinese and Asian characters in Hollywood, as well as raise money and popular support for China & Chinese refugees in the 1930s and 40s. -face card REFUSED to decline"

Josephine Baker:

Black, American-born, French dancer and singer. Phenomenal sensation, took music-halls by storm. Famous in the silent film era.

Let's talk La Revue Negre, Shuffle Along. The iconique banana outfit? But also getting a Croix de Guerre and full military honors at burial in Paris due to working with the Resistance.

She exuded sex, was a beautiful dancer, vivacious, and her silliness and humor added to her attractiveness. She looked just as good in drag too.

So I know she was more famous for other stuff than movies and her movies weren’t Hollywood but my first exposure to her was in her films so I’ve always thought of her as a film actress first and foremost. Also she was the first black woman to star in a major motion picture so I think that warrants an entry

Iconic! Just look up anything about her life. She was a fascinating woman.

[vaultdwellerbarbie]

hcs: going on a chase (twisters)

ft. boone gabi, javi, kate, lily, scott, and tyler (addy was barely in the movie but let me know if y'all want me to write about her too - i'm totally down! just not sure if anyone is interested)

content warning for tornadoes, imminent danger

divider credit to saradika!

boone

boone is probably the most fun person to go on a chase with! he definitely has a lot of fun with what he's doing and likes to try new things, he'll always keep you entertained.

he's very energetic, so he might get a little overexcited and tease you if you get nervous during it

but, if you genuinely are in danger or terrified of the chase, he'll stop teasing and make sure that you're doing okay. his personality can come off as a bit much sometimes, but it's so clear that he cares

boone for sure gets a look in his eyes during a chase - no matter how many times he's gone on one, he's still in awe of it

also, if it's your first time going on a chase with him, he's going to go all out to impress you

and i mean all out

he's going to make sure that there are rockets and fireworks, he's going to sing and blast music, and he's going to act incredibly confident even if he feels a little bit nervous (most of his nerves are coming from the fact that he wants to impress you)

even with how overzealous he gets, you're still going to be a top priority for him. if you somehow get hurt, he's going to do everything in his power to make sure that you recover

maybe, a bit too much! he'll try to keep you out of chases for a little while over a scratch, but when you finally convince him that you're fine, he'll praise how strong and independent you are

after chases, too, if there are any people to help in a wrecked town he's going to be the one that tries to make the people smile. in turn, your spirits are going to be lifted quite a bit from sticking by his side

gabi

the first thing about gabi going on a chase is that she's for sure going to give you her hat for 'good luck'. in theory, she could buy you a hat (and probably has) but she thinks that it's better luck for you and for the case if you're wearing her hat

every time, she's going to take a moment to make sure that she places her hat atop your head and adjusts it to make sure that it's not covering your eyes

she's also somewhat protective. even though she's been around the bush with chasing, and she knows that the team is doing everything in their power to keep things as safe as possible, things can go wrong. she'll blame herself if anything happens to you, so she makes sure to do her best to keep you safe.

that can include something as simple as putting her arm in front of you, to buckling you into your harness yourself. or, it can be something like her refusing to let you go in a car without her because she's not comfortable with you being out of her sight

if you are, for whatever reason, in a different vehicle during a chase, she's going to make sure that you're safe the moment that you're away from the action.

she also hypes you up! if you make a prediction about something, she's going to make sure that everyone listens and that she supports you!

if you make a mistake, she'll comfort you and let you know that everyone on the team has done so. she's made mistakes, even tyler has made mistakes. gabi will ensure that, no matter what, you know that you did nothing wrong.

if you're right, well nobody will ever hear the end of it. she's going to make sure that you get to speak again, that everyone thanks you, even if strangers know that it was you who predicted something, she's gonna tell them too. she'll make you feel like the smartest person in the world.

she's also so sweet when helping towns and victims of tornadoes recover. somehow, around as sweet as she is with you.

if you get injured, she'll quite literally nurse you back to health. she'll insist you go to the hospital for anything worse than a bruise, but she might be even a bit more concerned for your health than you are.

bonus, she'll tease you if you hold her hand during it but secretly she very much enjoys it.

javi

having previously lost three close friends to tornado chasing, javi is often worried about you. however, his perspective is a bit different than the others.

he stayed back to collect data when he lost his friends, and that arguably saved his life. but, he also remembers how terrifying not knowing was, and he doesn't want you to feel that. so, he agrees but makes sure that you stay with him so neither of you feel that anxiety.

going on chases with javi, he makes sure that his vehicle is equipped with anything he may need to keep you safe. whether that be investing more on more secure seatbelts, making sure that the glass is as reinforced as possible, or simply keeping an eye on you.

there is always a somewhat distracting air about how he feels after a chase if it effects other people, because it's clear that he wants to do more and feels like he can't. you often end up trying to comfort him after a chase, especially because you know that he already lives with a lot of guilt.

if you get hurt, there are some issues beyond his worry that comes along with it.

scott doesn't think it's that big a deal, and gets especially upset if it gets in the way of data collection. but javi will do everything in his power to not lose any more people that he loves. he'll take any amount of heat if it means making sure that you're safe - he'd ultimately rather put his funding in danger if it means that he doesn't lose you.

when things go well, and he doesn't need any comfort, you always feel like the ending of the chases are the best part. his wide smile, his bright eyes, the way that he looks at you if indescribable, but it makes your heart feel so warm

kate

there are two versions of chase kate - pre-losing her friends kate is a totally different person to chase with. for this, i'll be focusing on post-trauma kate.

kate is protective to a fault. she really doesn't even want you going on a chase, even though you insist that you're going to be okay. ultimately, you understand why she's so apprehensive and let her find peace with the idea herself. she needs to be the one to invite you on a chase, and she ends up coming around to the idea of it after a while of contemplation.

kate will make sure that you know exactly how to stay safe. what to do if the car flips, what to do if the tornado is stronger than expected, what to do in the event of you not being able to see through the rain, or hail, or any other event that could take you by surprise.

she's incredibly thorough, but you understand why. she doesn't want to lose anyone else because of these things.

seeing her in her element is absolutely beautiful, though. you always knew that she had a gift, but you had never been able to see it up close and personal. finally being able to see it, to see the awestruck look in her eyes, makes you wish that you could go on a million chases with her.

seeing her smile afterwards, knowing that she's made a difference in some way and that you're both safe, is also a beautiful experience. her smile is like sunshine and rainbows to you, especially after witnessing a tornado first-hand.

kate being able to go on chases with you is therapeutic for her too, after she gets past the initial fear. but, if you do get hurt in some way, she's going to be incredibly worried for you. though you understood the risks, as she did, she also can't help but think back. it'll take some convincing to let you back with her on a chase, but she ultimately does end up feeling more comfortable with you close to her during a storm than away from her.

lily

like boone, lily can be a little eccentric at times. she says things that can make you laugh even during the worst situations, and she always sticks her neck out to make sure that you're safe

granted, she might be more nervous than anyone else to go on a chase with you. the first time you ask her to take you on a chase, she's going to be apprehensive. i doubt she'll even be the deciding factor, it will probably be boone or gabi who convinces her that you're going to be okay.

seeing her during chases is always fun, though. hearing her crack little jokes that make nobody but you laugh, watching her in her element, speaking so expertly about the weather, is something that makes your heart feel warm.

she's going to keep you close, too. even though she won't insist that you ride with her, she prefers it when you do. she likes to keep an eye on you, sure, but she also just loves having you physically close.

holding your hand, wrapping an arm around you, letting you rest your head on her shoulder until you see the tornado and after you're out of harms way. she likes having you close to begin with, but it gives her a bit more confidence than she otherwise would have.

also, having you on camera holding her hand when she can naturally be a little awkward in front of the camera? it relaxes her, even though you're both still on the edge of your seat because of the work that you're doing.

lily does tend to be protective - naturally - but she's a little more shy about it so she doesn't always express it. she doesn't want you to feel overwhelmed, so you often reassure her that you don't mind if she's a little protective.

in the event of you getting hurt, she'll do everything she can to make sure that you get to a medical professional and that you're tended to in the meantime. though, i think she enjoys patching you up herself sometimes.

scott

this man will tell you straight to your face that he doesn't care if you get hurt if you ask him about it, and honestly, he probably believes that he's telling the truth.

he's going to spend most of the time worried about the numbers, worried about money and absolutely nothing else. he doesn't even seem awfully invested in the weather or storms, so much as he is in the dollar signs associated with them.

when you go on a chase with him, you don't often enjoy it at first because he can come off as so emotionless and because he really doesn't seem all that bothered by the idea of you not making it back.

things change when something actually does go wrong. if a storm is stronger than usual, he's going to be a little bit on edge. he's worried about himself, sure, but he's making sure every other second that you're not hurt and that you're alive. for someone who doesn't care, he certainly comes across like he does.

if you end up injured, he's going to insist that you never go on a chase again, and will only change his mind after you've recovered. but, after that, chases are different because not only do you know that he cares if you're hurt, but he also has found out that he cares if you're hurt.

he'll become almost overbearing with how protective he is after that, but you won't be able to be upset about it. after so long of him acting like he doesn't care at all, it's nice to have concrete proof that he'd be upset if something happened to you.

he also insists that you ride with him. he doesn't trust anyone else to keep you safe after the incident, even if it happened when he was around. he isn't going to let anyone put your life in harm's way, so he insists that you're with him at all times.

tyler

tyler is so fun to go on chases with!

he seems incredibly calm about it, even though you know for a fact that he's still just as scared of tornadoes as he was the first time that he ever saw one.

if it's your first chase, he's going to feel responsible for showing you the ropes and making sure that you know what your doing. meaning: he may as well have a binder of information that he's going to present to you.

it can be hard to forget that he's so educated with how he acts sometimes, but that fun persona is barely there when he's teaching you everything about 'chase safety' and 'what's in the truck' and 'what not to touch' and 'when to get out of the vehicle' and literally everything under the sun. some of these things are just common sense, but he's touching all his bases.

when he knows that you know what you're doing, he brings you along but makes sure that his predictions are a baby tornado. something so small that he knows you're not going to be at risk.

when he eventually lets you level up to bigger tornadoes, you get to see more of his personality. he also, like boone, likes to go all out to impress you. he totally makes sure to stock up on rockets, fireworks, flares, anything that he can really think of so he can impress you and make you smile.

but that's another fun thing about him on chases, he absolutely loves making you smile. he'll say the most out of pocket stuff out of no where just because it makes you laugh.

if you get hurt, he's absolutely petrified and will volunteer to patch up your wounds even if your injury is something as small as you twisting an ankle on the way out of the truck or your knee smacking into the glove box.

[tanzakukun]

Yoojin’s built is scrawny. He doesn’t have a degree. He’s an F-class and a support at that. He wants to be the protagonist, because then, he would be strong. And he would be so strong he can protect everyone and no one else has to suffer but him. Most importantly, as the protagonist, he would always be needed by others.

But he wasn’t made to be in that spotlight. He sees Sung Hyunje, handsome, powerful, experienced, mature and skilled in everything he puts his mind into. Everyone is naturally drawn to him. Everyone finds Sung Hyunje useful. Sung Hyunje will always be needed by others, and he will always appear impeccable while at it.

But the picture-perfect protagonist is tired of the genre he was nurtured by his transcendent step mom god to fit into. He doesn’t want to be a puppet of someone else’s will, of a world and society accepting him only for the roles they have for me. The protagonist is a free spirit who has been killed by being turned into someone who can move others but cannot be moved by the very people who he’s been destined to protect.

The closest to Sung Hyunje’s existence is Han Yoohyun, an incarnate of fire forced to live in the shell of human. Yoohyun is driven by his instinct, no different than Hyunje being controlled by his destiny. In another story, they would have been each other’s nemesis. The protagonist who watches over others because he was chosen by a higher power to do so, and the villain whose nature is to destroy and burn all creations down until his life sizzles out. But the villain doesn’t. He fights his nature. He willingly puts himself through the suffering of rejecting his instincts to stay close to a scrawny F-Class without any notable achievements.

Yoojin loves the attention Hyunje gives him and is taken aback when the ahjussi protagonist isn’t the benevolent protector he was shaped to be. When Hyunje, who was made exactly as the protagonist Yoojin imagined, rebels by craving to be an individual of his own choices. He’s whimsical. He gets bored easily. He peels the crusts off his bread. He’s never had anyone sing him “Happy Birthday.”

Yoojin makes fun of him, and Hyunje goes, “lol fair”. Yoojin sees holes in the protagonist, and he’s thrilled by how he can put down someone whose very role he wants to be. He’s envious of Hyunje. He wished he was Sung Hyunje. Resentment doesn’t grow. Instead, there’s only Yoojin’s self-hatred being fueled by seeing on Hyunje, who has everything, how Yoojin is sorely lacking.

He doesn’t put himself against Hyunje, only against himself. Yoojin is his own worst enemy. When he relishes in criticizing Hyunje, it’s soothing his own ego being constantly bruised by his ideals.

“You’re exactly who I wish I was. But I see you’re not perfect either, which also makes me feel good because it means that maybe, I don’t have to be so hard on myself. If Sung Hyunje, the protagonist, isn’t all that in reality, then my unreachable expectations of myself seems rather foolish now.”

Hyunje makes Yoojin feels more at peace with himself this way. And when Yoojin pities Hyunje for the small wonders of life he’s not known, it’s an act once more that soothes Yoojin’s own ego. The understanding and humanity Yoojin directs to Hyunje are - subconciously - also acts of kindness toward himself.

And we all know how Yoojin is exceptionally struggling with self-love.

Hyunje picks up on the bits and pieces of the person known as Han Yoojin. He is a complicated soul who deserves love and care. He is an ordinary person who is seeking a way to be happy, just like Hyunje. Hyunje, who had always put himself first, having lived lives chained to someone else’s desire, chooses Yoojin’s happiness over his own. This isn’t a form a sacrifice. It doesn’t go against Hyunje’s personality. Hyunje seeks to make decisions of his own, and Yoonjin is simply that choice he proudly decided.

For the plot, the protagonist has accomplished his heroic deed. This was the story Yoojin wanted for himself as a main character. Someone who would give himself up for someone else’s happiness. Hyunje made him realize this was not the story he wanted for himself, nor a story he would want for anyone. If lets Hyunje do exactly what all main characters do, then Yoojin’s demons that he had been coming in terms with would win.

I absolutely love jinjae for being two souls who have not been made for each other, but are encounters at the right time and moment that helped the other grow.

[imustspeakmyheart]

Here's my Earthsea tattoo I got as a little birthday present to myself. This illustration comes from the Bantam paperback editions; it's the little icon above the very first chapter of A Wizard of Earthsea, depicting the island of Gont.

Ramble about my FAVOURITE Earthsea passage below :)

So I've been obsessed with this quote ever since I first read it a couple years ago. The full thing goes as follows:

"As their eyes met, a bird sang aloud in the branches of the tree. In that moment Ged understood the singing of the bird, and the language of the water falling in the basin of the fountain, and the shape of the clouds, and the beginning and end of the wind that stirred the leaves: it seemed to him that he himself was a word spoken by the sunlight" (35).

This happens in Roke's courtyard, the first time Ged enters the school and meets the Archmage. Objectively, it's just a lovely passage in a book series full of beautiful prose. It exemplifies exactly what Roke is: a place where magic coalesces and an understanding of the world can be reached. This knowledge is the very thing Ged has been wanting throughout the book so far, what has driven away from Ogion where the learning was too slow. And look here! He steps foot in the school and at an instant, this moment of transcendence. Lovely stuff in a small atmospheric scene.

But it does another thing I find way more interesting in that last phrase I put in bold. See, Wizard is a book very preoccupied with mastery over the world, in particular Ged's continuous longing for power, for overpowering others. That's, you know, his whole arc in this thing. Learning that power means knowing when or even whether to use it, and that magic (which in Earthsea means change, even the tiniest change, that ripples and ripples onward) takes consideration, time, patience.

So how wondrous is it that we get this phrase still at the very beginning of Ged's inner journey, still in his full hubris mode, that shows the world's influence over him. And look, I know this is a tiny itty bitty sentence right and it might not seem all that, but I don't think anything like this happens anywhere else in the books either? In a series where words are power and influence and change, literal magic, I think it really does mean something here that Ged feels like "he himself is a word spoken by the sunlight".

What does this mean? What does it mean to be spoken by the sunlight? That he feels made, created by the sunlight? Changed? Held in place? Either way, some influence is held over him by the very powers that wizards usually command themselves. The landscape is speaking him, the sunlight is commanding him, subsuming him, he's part of the world in the realest most primal way you can be in Earthsea. He's a word.

And another thing! Ged's entire struggle in this book is with what? His shadow. Yet this phrase reminds us that even at a moment where Ged has not learned his lesson yet, when he is yet to commit that terrible act, he has light in him. He's changed by that sunlight all the same. Light and shadow both; there can't be one without the other.

(Also this fountain Ged's at in the courtyard in this scene is the very same place Nemmerle dies after saving Ged from the shadow. Very important place, this.)

ANYWAY suffice to say I love this passage and I will never stop thinking about it.

[harmoonix]

Peaceful Astrology Observations

Venus - Ascendant aspects make the native to come as pretty and charming, most of times these natives have something unique about their style and the way they dress. They can also show and embody an gracious personality 🌺

Venus - Mercury aspects can make the native to be gifted/talented artistically and to have talents or interests involving art, music, poetry, acting and so on.. singing and acting (or voice acting) can be very good since those people have really magnificent voices 🌺

Saturn - Mars aspects natives have really a great body and muscles, men with this aspect usually tend to be muscular or to have muscles/abs early in life. If you want to go to the gym and have this aspect, it can help you to gain muscles fast and also these natives have a great body structure 🌺

Moon in Scorpio/8th house can make the native to have trust issues because most people with those aspects were betrayed in the past so be sure they won't trust new people coming in their life that easy 🌺

Mercury in the 8th house/Scorpio/Sagittarius/Gemini can literally talk about all topics going around without shame, even taboo things. Is actually very admirable because they can talk about literally everything without being ashamed for that 🌺

Scorpio and Aquarius Risings both have this "Sirene eyes" thing, usually because they look very promising and intimidating. Don't blame them tho they know how it works 🌺

Capricorn and Cancer Risings on the other side have this "Doe eyes" because of their angelic face features and these people are attractive and attract people very fast cuz' of this thing 🌺

Sagittarius and Taurus Risings have this pretty body figure thing and a very nice appearance due to their nature and personality these people can catch your attention very fast 🌺

Virgo and Gemini Risings have something very unique about their voices, their voices might also been very pleasant to hear and these people are very good at communicating their feelings which is so good because they will always tell you what made them upset or why they are in a bad mood. They can also be very expressive while communicating and like "going straight to the point" 🌺

Pisces and Libra Risings both have this "dreamy" eyes kind of thing, you can get lost in their eyes and their magnetism 🧲. These natives are soooo charming and is so hard to not fall for them (Boys with those Risings are getting shy fast😍). 🌺

Aries and Leo Risings both have this "dominant" energy power upon others like you can feel they are so strong, when they enter in a room all eyes are upon them and people usually tend to call them out for being very beautiful 🌺

18+ Jupiter - Mars/Venus aspects can amplify the native's libido and make it to be more sensual/to seek more for sensuality and intimate

18+ Neptune - Mars/Venus aspects on the other side can make the native to have sexual/intimate dreams and to think a lot about sex but can also create an illusion of what sex is for them. (Attention for those with Mars - Neptune aspects can sometimes have dreams about violence and aggression)

Earth Moons have this thing for nature aesthetic and them being nature lovers is better 1000x times because these people need the connection with mother earth and seeking for better understanding of their inner worlds

Virgo Placements/Saturn in the 6th house can struggle a lot of with anxiety/panic attacks and in some cases even overthinking, they tend to stress a lot, sometimes stressing over little things and making them agitated.

Neptune/Uranus - Moon aspects can have something unique about the way they express their feelings, Neptune - Moon aspects tend to express their feelings with emotions while Uranus - Moon aspects tend to express their feelings based on the mood they have.

It's been some days since i posted my last post and i wanted to make a new one 🌺 aesthetic - nature kind of thing, i love those nature inspired gifs i think they are amazing! 😍

I hope you all have a good day and a lot of blessings for the news days and week coming!🌺

For those who are at school/highschool and have exams soon i wish you very much luck!🌺

Harmoonix 💋

[weoris]

EXPECTATION VS REALITY

an enhypen headcannon. 🔖

how enhypen would act as your boyfriend — but only few could match the ever-so-perfect dream-man stereotype shown on tv. (fem!reader)

GNRE fluff headcannon. PRNG enhypen x reader WRNG none. WRDS 180 ~ 280 each

LEE HEESEUNG

EXPECTATION we all know he’s the most romantic and flirtatious menace of the group, maybe tied with jake. He’s everything you could’ve wanted in a boyfriend.

The perfect combination of affectionate and sweet. What the little girl in you dreamed of when she watched all those high-school movies and dreamt of teenage romance.

Hands on your face, he squeezed your cheeks together while you looked down at your phone. “How are you this cute, hmm? You’re so pretty..” he giggled at your unbothered and squished pout. You looked up at him to smile and went back on your phone. “So pretty!”

The type to post you on his story until the top looks like little dots. Who’d post you on his story so much, it looked like your personal fan page or a mood-board page dedicated to you.

In any world, if he were an idol, college student, co worker or even a prince with magical powers for crying out loud — this man would be the world’s biggest loser in love. And you wouldn’t have it any other way.

PARK JONGSEONG

EXPECTATION c’mon, he’s the biggest green flag a man could be! rumour has it, psy was singing ‘mother, father gentlemen’ about park jongseong.

You could tell he had a thing for you with all his gestures. Offering to hold your purse, keeping your hair still when it got windy, covering the sun from your eyes, walking on the outer side of the road.

Being his crush was one thing, being his girlfriend was another. The silent gentlemen strikes again. Carrying you back home if you were sore, softly grazing your thigh or calf when sitting down at a restaurant, spoiling you; both mental and material.

Your eyes sparkled and you gasped when you pulled out the charm bracelet from the Pandora box. “Babe, I told you not to get stuff like this anymore!” You scolded and pushed his chest, but he couldn’t ignore your adorable reaction, giggling while putting an arm around your waist from the side, the other in his pocket and lips kissing your temple. “How can I resist?”

To put into words; he was the man that every wattpad girlie dreamed of. People thought rich, dreamy and caring fictional men would stay fictional, but you found one, right in the flesh.

SIM JAEYUN

CUSP imagining him as the perfect gentleman is far-fetched, but imagining him as the silly, rom-com lover is spot on. he was childish, cute and flirtatious — three things that made your heart go haywire.

“Hey y/n! This one’s for you!” You smile as he kicks the ball only to be met with a loud clang of the wall behind instead of the goal. He scratches his neck and bites his lips with a sheepish smile as he turns to you. “The thought that counts, babe!” You yell back while clapping.

Very adorably charming, was that apparent? But with his out-of-control mouth, he’d be spewing out corny pick-up lines with that smug look on his face. Definitely not contagious with your scrunched up face, showing pure disgust.

He turned and tapped your shoulder with a grin, making you already internally sigh. “Hey girl, if I could rearrange the alphabet, I’d put ‘U’ and ‘Me’ together.” He tilts his head with a smirk. “Babe, it’s ‘U’ and ‘I’.. for the last time.” His face frowns and requests to start over. “Jake, you have me already, the side-quests are done.”

But his blinking eyes and jutted pout was too adorable to say no to. His efforts of trying to make you blush instead made you giggle.. so you sit there, listening to his dumb jokes again.. and again.. and again.

PARK SUNGHOON

REALITY can you really see him as the type to buy you flowers and give you kisses everyday? or do you see him asking to film tiktoks and make weird jokes every second?

Thinking you had found the one at first sight when you laid eyes on him, who could blame your k-drama loving heart? He looked like he had came out straight off a manhwa! So who could really blame you when you tried to imitate those moments with your silly boyfriend.

Viewing the young couple from afar, you smiled when you saw the guy giving her his jacket. You glanced at your own boyfriend whose eyes were on his mobile game. “Hey, hoon.. I’m kind of col-” you couldn’t even finish before he blindly threw the scarf in your face. You blinked thrice, and pursed your lips. already expecting this.

and don’t ignore when I say he’d be whining and you’d be bickering every second. Fighting for the last chip, over what film to watch, what matching set you two should get, space to check yourselves out on the mirror — it’d be comical.

“Sunghoon, no.” You crossed your arms at the boy next to you, who was doing the same dance moves for the past five minutes, trying to persuade you. He stopped, tsked and frowned at you. “C‘mon! look- just, ay ay!” He cheered for himself as he played the tiktok music again. You stared blankly at him, but found yourself doing the same dance in front of the camera 5 minutes later, with your eyes dead while the boy put his all.

KIM SUNOO

REALITY side eye. all i have to say.

This man has the biggest pride in himself, knowing he was in top-form every second. Even you did, hell, you were dating him. So if you even mention a guy you thought looked nice, he’d give you the terrible stink eye..

“But he’s cute isn’t he?” He widened his eyes and his mouth contorted as he looked at you. “Babe, you have me! Who is cuter than me?” He muttered and rolled his eyes at the last sentence while you giggled and grabbed at his arm to look at you again.

Now trust me, he’ll still be doing all these gentleman-like acts that would have everyone fawning over, but he won’t do it with a smile on his face (but with a smile in his heart)

Your shoes untied? He’d complain about the laces being too long. A little hungry? He’d be nagging about how you should eat more as he ordered takeout from your favourite restaurant. You hurt yourself? He’s the first one to notice and scold you for being so clumsy while patching you up. All the while you purse your lips and fight back a snicker.

“You dyed your hair again? Babe, your hair is dying itself!” He said while softly grazing your new blonde hair. You continue to eat as he continues complaining. “Honey, you better not go bald by 30! Your hair is already damaged!” You put your fork down, turning your head up to peck his lips. “I know, you won’t shave your head to match me.” He pouts but chuckles a little at your words as he continues to run his fingers through your hair.

YANG JUNGWON

EXPECTATION we all know he’s the cutest person alive.. he’s the type to pout up at you and act cute all the time, but also the type to be all possessive and glare at a person for blinking at you.

We’ve seen that one fan sign by now, and can we collectively agree that jealous-won agenda has to be explored? You talk to a guy, you look at the guy too long, he finds someone checking you out — he’s killing everyone in the room.

And it’s crazy to see how fast he switches up.

Jungwon giggles at your joke, mouth puffed with food as you look lovingly at his adorable expression. But he quickly swallows it when he notices a group of older guys checking you out and laughing. “Baby, wanna go home?” He says with a sweet expression but you raise an eyebrow, “But I haven’t finished yet,” he grabs your hand and his eyes turn red when he looks at the group again. “Make it takeout, we’re leaving.”

But more often than not, he’s your regular cute and snuggly boyfriend who you can’t get enough of. To stuff his face into your neck, have a smug expression when talking about you, doing weird dances to cheer you up — I might faint.

And he knows the effect he has on you. There has not been one moment in the relationship where you said no to him and it stuck. But be real, how could you resist his big, sparkly eyes and cute smile.

Did I mention he was cute already?

NISHIMURA RIKI

REALITY a menace, a living spawn of satan. It’s like he was made to prank and tease you for whatever little thing you did. The idol thing? Oh, just a side hustle.

Searching your whole apartment for your keys with furrowed eyebrows, you grunted as they were nowhere in sight. “God, where the he- AHH!” You screamed out, turning a corner as Ni-ki came out with a clown mask and a jingle noise behind him. He cackled but pulled out the keys menacingly with a teasing smirk, and your angry expression that he knew was about to chase him around the apartment just made it more fun. “You are dead.”

It became routine for you to never wake up and live your day in peace. In every scenario possible — if he was thousands of miles away on tour, fighting crime, working a boring nine to five, he’s absolutely going to find a way to make your life a living hell.

“Ni- Give it.. Give it back!” You struggled as he held the chips high, eating a few himself as you scraped at him to get the snack. “You want it? Come and get it!” He smirked down at you before running across your house and raising his arm higher while you chased after him.

But He’ll never ignore the fact that he can make you blushing like crazy in one move either. One kiss is all it takes, they say, and it seems to apply to Ni-ki. A peck on the cheek, a sudden kiss when you least expect it, and pat on your head or a breath-taking (literally) hug, he’ll never fail to smile teasingly and your frozen lips and shocked eyes.

© weoris | tumblr — 2024.

NOTE ⌑ can u tell how much sunoo and sunghoon r climbing up my bias list..

ׂ  TAGLIST  ׅ @w3bqrl @boowoowho @ahnneyong @kynrki @ixomiyu @yunki4evr @flwoie @bubblytaetae @ja4hyvn @dimplewonie @xiaoderrrr @trsrina @adajoemaya @stepout-09-15 @ineedaherosavemeenow @lcv3lies @violetinferno @woncheecks @mijuuv @enhapocketz @star4rin @bubblytaetae @dimplewonie @isoobie @whoschr @jiaant11 @yeomha @mosssi @j-wyoung @artstaeh @spilled-coffee-cup @cowsmicwu

[raven-at-the-writing-desk]

Hiii I know you’ve talked about Lilia and Silver’s relationship before but how about Lilia and Malleus’s? He’s one of Lilia’s “sons” too, the first! I’d like to hear how you see their father-son relationship.

cbjsbsjwjskdn So strange!! I feel like I haven’t really talked much about Lilia and Malleus’s father-son relationship even though I’m such a sucker for family-related drama… Well, now is as good of a time as any!

***Please note: there are spoilers for 7-68+ in the main story; if you are comfortable with late book 7 spoilers, then please proceed with reading below the cut!***

Book 7 has made it pretty evident that Malleus thinks the world of Lilia and is willing to go to great lengths to protect him. Their bond is something that has been alluded to many times over prior to this point though!

Malleus has mentioned that Lilia trained him when he was younger. He did have formal tutors, but it was Lilia who instilled survival skills in him and taught him lessons unable to be learned through just a textbook. We get to observe one such scene via a flashback, which shows the aftermath of one of Malleus’s fits. The castle and various staff members were encased in ice, and along comes Lilia to fix things. He offers Malleus a bowl of shaved ice and invites him to eat with everyone (as the cause for his anger in the first place had been that his grandmother was busy with her duties and could no longer make time to each with him as promised). Lilia reminds Malleus that someone like him has great powers, so he has to wield it responsibly—otherwise he could have lost many of the people he is now sharing this snack with. (This is a very valid lesson since Malleus was capable of magic—and thus harming others—right out of the eggshell; he once singed Lilia’s hair with his flames.)

Malleus reports that Lilia has cut his hair for him (despite Malleus probably being able to go to a formal expert or the court’s hairdresser). Lilia has also sung to him at night and even taught Malleus how to play instruments.

It’s not clear to what extent Lilia was involved in his liege’s life, because even though he is established as a caretaker to Malleus, it was also revealed that Lilia was apparently banished from the capital city so they’d have to arrange to meet elsewhere. It’s known that Malleus would sometimes visit Lilia and baby Silver in their forest cottage, but again the frequency of these visits is unknown (Did he, like his headstrong mother, sneak out against the wishes of the senators?) I’d imagine that Malleus is kept fairly busy with studies to prepare him to ascend to the throne, but from the way Lilia describes raising Malleus, it sounds like he was with him quite frequently: “I always know exactly where he is. After all, I have been watching him since he was brushing eggshell off of his head.”

To this day, Lilia serves a similar guiding role, often acting as the facilitator between Malleus and his peers, as well as continuing to be a mentor to him. Malleus maintains his standoffish and difficult to approach aura at NRC, so it is Lilia who encourages him to engage with his peers. He delivers a holiday card to Malleus’s new friend who has taken up residence in Ramshackle. He invites Malleus as his plus one to Silk City in A Firelit Sky, wishing for him to see more of the world—even when disaster strikes and Lilia cannot accompany him. He extols the virtues of understanding and bonding with other races both in the main story (book 6) and in vignettes (Malleus’s Dorm Uniform). He gives Malleus a formal invitation to his farewell party (like, envelope and all!), because he knows just how much that would mean to him. Lilia has seen how a country looks when it has been ravaged by war and hate. He knows how a heart can grow bitter and resentful if left to fester in isolation. So he works his ass off to try and ensure that Malleus, the future of his country, can lead it to an era of peace and love that Lilia only got to experience with the passage of time. It could also be said that Lilia places a big emphasis on Malleus as their “future” since Lilia already suffered the loss of two close friends, Malleus’s parents.

Lilia seems to think of Malleus as a capable leader and one of great character, though perhaps marked with inexperience and a lack of worldly knowledge (which is why he pushes for Malleus to go out of his comfort zone). Most notably, he tells Leona in book 2: “[… ] with that sensitive ego of yours? That so quickly directs all your petty anger at your retainers... Well, the idea of you ever contending with a REAL king like our Malleus—is absolutely laughable. Even if you COULD defeat Malleus, so long as that's how you choose to conduct yourself? You would never be fit to rule!”

At times, Lilia has the habit of treating Malleus like a child. Something he does a lot is reassure his prince that it is okay to feel a certain way (usually frustrated or angry) and that Malleus is not capable of hiding the truth from his keen eyes. Lilia usually encourages Malleus to be more honest with his emotions and to take the chance to act like the child he is and enjoy his school life. Malleus tends to not take to the former very well, reminding Lilia that he is not a child and that he understands the circumstances. Despite these claims, he to hold Lilia in high regard and trusts him a great deal. Lilia currently occupies his vice dorm leader seat, which is implied to be handpicked by the dorm leader. Furthermore, Malleus trusts Lilia to fulfill the dorm leader duties that he is not capable of or able to, as we see Lilia attending dorm leader meetings and leading the Diasomnia freshmen during orientation.

Lilia is a more lax than Sebek and Silver when it comes to monitoring Malleus. He is of the belief that their prince needs his own independence and to experience life without people constantly breathing down his neck. Malleus, as we know, enjoys solitude like his midnight strolls throughout campus. In Leona’s Union Jacket vignettes, he also discusses the freedom of going out in public without an encourage accompanying him. Lilia is able to easily read and understand Malleus’s feelings in this regard (though he is good at reading all of the Diasomnia boys).

Malleus still cherishes the virtual pet that Lilia gifted him years ago. He takes care of it diligently, even though he is constantly faced with the cycle of Gao-Gao Dragon-kun/Roaring Draco growing up and leaving the nest. According to Malleus’s Labwear vignettes, he considers the virtual pet one of his most important treasures.

The two are able to pal around with each other despite holding the other in such high regard. When Malleus and Lilia are placed on opposite teams for Beans Day, they find fun in roughhousing and relish in the challenge (not really paying attention to the fact that their sheer power and speed is on a whole different level than that of the other students). They also served as co-conspirators in Endless Halloween Night, something which upset the other students and they both apologized for. Mischief isn’t entirely off the plate for this duo!

Malleus grew up without his parents (and his grandmother often kept away by her royal duties), so it’s possible that he latched onto Lilia as a parental figure. He is shown to be protective of Lilia both in vignettes and in the main story. For example, in Lilia’s PE Uniform vignette, Rook is chatting with Lilia and indicates that he is interested in Lilia as his hunting quarry—but Malleus throws the ball meant for long throwing at Rook, just narrowly missing his nose. “Perhaps he suspected that you were picking on little old me,” Lilia suggests. However, the example I’m sure we’re all familiar with of Malleus being protective of Lilia is book 7… when he decides it would be better you force everyone to have happy dreams instead of accepting a reality that changes and forces you to say good-bye to your loved ones. Malleus explicitly states that he is taking these actions so he “doesn’t lose [Lilia]”. Indeed, it is Lilia deciding to drop out of NRC and retire to the Land of Crimson Long that was the impetus for Malleus’s blot to kick into overdrive. When Lilia “wakes” from the dream, Malleus is eager to keep him in it. He offers to come up with a new dream, desperate and intent on keeping Lilia trapped there.

Malleus holds a lot of weight for Lilia too. When Lilia is pulled into a dream world fastened by Malleus’s magic to guarantee a “happy ending”, Lilia dreams of… an era of war? At first, Silver and co. find this to be strange because war isn’t something you tend to associate with happiness. It’s not until far later that Silver realizes what the real “happiest moment in [his father’s] life” is: the moment of Malleus finally hatching from his egg. Previously, Malleus had been very picky and rejecting the magic offered to him by others, even his own grandmother. This led to a dire situation where he was at risk of dying in his shell, as a dragon’s egg needs infusions of love and magic in order to be viable. In offering up much of himself—including a chunk of his own lifespan—Lilia helped Malleus hatch. To Lilia, this was his happiest—not because he “loves” Malleus more than Silver, but because Malleus hatching as a result of Lilia’s magic is affirming to Lilia that he is capable of parental love. This was a concern he communicated to Meleanor before she parted from this world, that he wasn’t sure he could look after Malleus in her stead because he’s an orphan and has never experienced what it is like to be loved… so he can’t have the capacity to love either. Meleanor reassures him though! If Lilia can love her and Raverne, then surely he can also bring himself to love their child. All these years, Lilia has never thought himself capable of “true love”—not even when he finds an infant Silver later, abandoned in a briar covered castle. But in that moment, when Malleus hatched, a miracle happened, and that miracle was the result of Lilia’s love.

This brings me to one final point about Lilia and Malleus’s relationship: how self-sacrificial Lilia is. Lilia hides a LOT of information from his loved ones, including Silver and Sebek, and instead chooses to accept the emotional burden of knowing himself. He does it with good intention, not wanting his children to be hurt by the scars of the past, but in a way that closes the boys off from fully understanding where they come from and Lilia’s own emotions. This is behavior that continues into present day, including Lilia being in a rush to leave to spare his boys the pain of a prolonged farewell. (I talk more about this aspect of Lilia’s character here, so I would advise reading that if you are interested in this topic.)

To conclude, Malleus and Lilia both highly respect and care for one another. Their bond is a strong one, and that’s perhaps why Malleus is so determined to cling to it—Lilia is one of the few intimate and meaningful connections he has.

[absolutebl]

This Week in BL - We Are Surprised

Organized, in each category, with ones I'm enjoying most at the top.

May 2024 Wk 2

Ongoing Series - Thai

Wandee Godday (Sat YT) ep 2 of 12 - Oh it’s fucking great. It could all go horribly south, of course. But it’s awesome at the moment. Messy gay and one of them is already pining? Got to love it. Including the negotiation.

I’d love a good sex negotiation, it’s almost as good as linguistic negotiation. This show makes me happy. All that said, it’s moving awfully quickly for a 12 episode run. Not sure what’s gonna happen on the backend. 

My Stand-In (Thai Fri iQIYI) ep 3 of 12 eps - I’m still enjoying it but I’m ready for him to die again now. 

We Are (Weds iQIYI) ep 5-6 of 16 - Toey is going after the Namgoong Award for Best Wingman this year, I see. And in exchange, literally all the rest of the friends are going to be his wingmen. It’s adorable. I also like that Phuwin got to be the aggressor for the first kiss. I like that this is mostly just boys flirting, and not really any prescribed seme/uke stuff. In general, I think these last two episodes I improved the show in my regard a lot. But then middles are always GMMTV's strong point, it’s whether they can stick the landing that’s an issue.

Two Worlds (Thurs iQIYI) ep 9 of 10 - Apparently we have the Frodo walking into Mordor episode. Also the sides were cute. In Thailand (like Taiwan) all gangsters are gay, apparently. 

Only Boo! (Sun YouTube) ep 5 of 12 - It’s cute but very cringe and dorky. Silly singing. Terrible pickup lines. Still, that was a ridiculously charming confession.

Ongoing Series - Not Thai

Unknown (Taiwan Tues YouTube & Viki) ep 12fin - Oh so good. Very few shows that feature one-sided long-term pining of this kind can resolve the unevenness of that power dynamic into a more stable and equal footing with such class. We really got to see the object of the desire turn completely around and become equally besotted. An age gap, stepbrothers trope like this one is hard enough but at this length? Very well acted boys! Unknown managed to show the older brother softening in a believable way that’s pretty unusual in narratives of this type.

All in all?

Unknown is a wonderful BL with a pitch perfect portrayal of long term pining, age gap, and the stepbrothers trope. The acting and chemistry are ON POINT (especially from the leads) which made the resulting characters very believable. When it dwells in intimate family drama, it's stunning. It's slightly less successful when it leaves the home and goes gritty. It's few flaws are the result of curtailed length. It could have used more breathing room to deal with side plots, characters, and companion character development. The editing was occasionally choppy and packed with flashbacks that broke the emotional tension. Still, those are mere quibbles. This is an excellent show that I know I'm going to be recommending a lot. 9/10

Finally Taiwan hits another one out of the park.

About.

Damn.

Time.

Blue Boys (Korea Sat YouTube) 4 of ? - Oh it’s so good, and they are so tortured and it’s just charming and I can’t EVEN. I just love it. I love that Korea is giving us this right now. You’re an idiot if you’re not watching this show, it’s truly spectacular.

At 25:00 in Akasaka AKA 25 Ji Akasaka de (Japan Thurs Gaga) ep 4 of 10 - Well well well Japan. I see how you kneed. I enjoyed this episode better than the first two, and I am way into our Bad Boy second lead. I can already feel myself succumbing  to the syndrome. Next week = the obligatory onsen ep! 

Living With Him AKA Kare no Iru Seikatsu (Japan Thurs Gaga) ep 5 of 10 - Omg most adorbs failed linguistic negotiation. 

Boys Be Brave AKA Roommates (Korea Thurs Viki) ep 5-6 of 8 - I love the side couple. It’s a shame we’re finally getting some truly great class conflict and it’s relegated to crumbs.

Love is like a Cat (Korea Mon Viki) eps 11-12fin - Well that was a waste of time. There was no connection (of any kind) between the leads. The language thing was hella weird and likely added to that. The past history of the Korean character was necessary to know from the start, its lack throughout, meant there was no depth to his character. They tried to tackle all the interesting stuff in the final 2 eps. AND they even killed the dog. I never thought I'd type this sentance, but Peach of Time is better.

I don’t know. 5/10 I guess

All in all:

A disappointing lackluster and barely cohesive BL about a jerk Thai actor (speaking Thai) who has to work for a Korean animal rescue cafe as a publicity stunt. It's difficult to believe the leads like each other, let alone fall in love. The acting is stiff, the characters lack motivation and cohesion, and there's not much to recommend this show beyond some pretty visuals. Also, they kill the dog. All in all, a disappointing and unsuccessful joint venture that mostly highlighted that between Thailand and Korea the style of BL, narrative approach, language cadence, and acting techniques all clash.

It's airing but...

Lady Boy Friends (Thai WeTV grey) 16 eps - reminds me a bit too much of Diary of Tootsies only high school. Not my thing. DNF unless it turns a corner and is truly amazing.

You Made My Day (Thai YT) ep 1 of 5 - mini series staring the I Will Knock You couple Tar & Bom, started but I couldn't find it. I also didn't try very hard.

A Balloon's Landing (Taiwan movie) trailer - A frustrated Hong Kong writer, Tian Yu, meets a Taipei street gangster, Xiang (Fandy Fan from HIStory2: Crossing the Line), and the two of them embark on a journey to find the Bay of Vanishing Whales. Along the way, they discover unexpected twists and turns and close bonds, which brings out the message that "there is always someone like you in this world who is waiting for you. This released to cinemas in Taiwan, no word on international release.

Memory in the Letter (Thai WeTV) - it's done, tell me if I should bother?

Fan's Only Corner

Someone asked in a comment (which tumblr promptly ate) about group sleepovers in BLs. It's happened a few times but the only one I can recall being noted and particularly lovely (and VERY college) was in Nitiman. There's also one in Lovesick.

Next Week Looks Like This:

5/16 Blossom Campus (Korea Thurs Gaga & iQIYI) ep 1 of 6 - Strongberry doing classic uni BL! Weeee!

5/19 OMG Vampire (Thai Sun ????) ep 1 of 10 - LeeFrank are back - not unlike the undead (as it were). But how do we feel about it? Unsure given their track record.

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

May Releases

VBL (Taiwan) is releasing 4 'Special Episode' epilogues to their 4 2023 shows every Friday this month on Gagaoolala, Viki & Viu. Not sure on search terms or how to find these. (Or, frankly, if we need them.)

5/10 – You Are Mine

5/17 – VIP Only

5/24 – Stay By My Side

5/31 – Anti Reset

5/25 The Time of Fever AKA Unintentional Love Story 2 (Korea movie) trailer - HoTae & DongHee are back but unfortunately not in a cinema near me. Side couple from Unintentional Love Story, same actors, same character names. I love them. I NEED TO SEE THIS.

5/28 My Biker 2 (Thai movie YT?) - trailer

5/31 The Time of Huannan (Taiwan movie) - May not be BL

THIS WEEK’S BEST MOMENTS

LOVE a smile kiss. Love it. Two killer kisses from PondPhuwin. Elegantly done, boys. Thank you very much.

I love them a lot all of a sudden. (All We Are)

It's hard to give MaxTul a run on their crown as best bodies in BL, but boy these two are giving it their, erm, best. (Wandee Goodday)

(Last week)

Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are a pain.

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire

If ya wanna be tagged each week leave a comment and I will add you to the template. Easy peesy.

[artist-issues]

I’m bored and I really enjoy your opinions on Disney, so I thought you might have something interesting to say to get my brain ticking. I came across a post on Frozen and I was like, “Ah, a perfect starting place for dropping you an ask.” I’ve never really been that bothered by Frozen and I don’t know what it is that I’m just not fond about. Maybe it’s that I dislike the characters? Maybe it’s that they didn’t really have any established rules for the way magic worked in that universe and thus had anything they wanted happening? Maybe it’s the twist villain? I don’t know, it’s probably just the characters that they tried to make so cool and girlboss!

Elsa is made out to be this awesome protagonist that is never in the wrong and that grates me. She has flaws, but the film doesn’t act like they’re flaws. She runs away out of fear and shame for not being able to control her powers, but then two seconds later she’s singing “Let It Go” and making giant ice castles and bringing snowmen to life?! And “Let It Go” is super annoying for the fact that Elsa starts off worried and upset (fair enough, she’s just ran away from her home, her kingdom, her sister whom she hasn’t seen in years, she lost control of her powers) but then immediately turns round and is like, “Actually, it’s not my fault and I’m fine as I am and I don’t need any of those responsibilities!” Which would be fine, but she also finishes the film with the same attitude!

Anna, too! Naive and optimistic and perhaps a little too trusting, she never realises that even if Han hadn’t turned out evil, Elsa had every right to be worried over their marriage. She never realises that it’s partly her fault for revealing Elsa’s powers (and she definitely doesn’t apologise). There’s a lot she doesn’t realise, and the only lesson she takes away from it all is that Christoff loves her instead of Han.

Oh my days, I’ve just realised how ridiculously long this has gotten, super sorry! Have a lovely day!

Let’s do this! For fun!

1. They don't need to establish exhaustive rules for how magic works in their world.

Red Riding Hood doesn't explain how the Big Bad Wolf can talk-it just explains that he can. Cinderella doesn't explain how Fairy Godmothers work, or why the spell should only last until midnight—it just explains that she casts one, and it does only last until midnight. Beauty & the Beast does not explain how, after The Beast has died, the "breaking of the curse" could bring him back to life. After Belle confesses her love, he should just go from dead beast to dead human, for all the explanation they give.

Beauty & the Beast also famously refuses to explain (explicitly) why all of the household were cursed, along with the castle and the Prince. But what it does explain is, "there's a curse, it was put in place because of a defect in the Prince's character, and there's a time limit on it's ability to be removed, which can only happen if the defect in his character is overcome."

The whole point of having magic in the story is just as a tool...to create a plot. You don't have to explain everything; you just have to explain what will affect the characters. So, Frozen says, very plainly in the beginning: "you can either be born with magical powers or cursed with them in this world, and trolls are the experts on how magical powers work. The way Elsa's specific magical powers work is, they're beautiful, but powerful, and they're tied to her emotions. Therefore, if her negative emotions control her, her negative emotions control those powers. Also, if you're struck with magical powers in the head, the effects can be removed with memory alteration. If you're struck with magical powers in the heart, the effects can only be removed by an act of True Love.

Also, here's an explanation of what counts as 'True Love." They actually do way more explaining than the average fairy tale. And they set you up really nicely to receive that explanation by having the opening scene be a song that describes Ice Magic as “beautiful/powerful/dangerous/cold/ice has a magic can't be controlled.” Etc.

If you were wondering what limits there are on Elsa's powers, and whether or not she can just make anything out of ice, and how it's possible for her to bring inanimate snow to life

—well, you're focusing on the wrong things for this kind of story.

It's not that important for a fairy tale like this one. In a superhero story, limitations on powers would be important. Because the point of a superhero story is, "how am I going to take selfless responsibility for what I'm able to do?" And if you don't know the boundaries on "what I'm able to do," then you can't communicate that point clearly. That's why we need to know that Superman can see through just about everything, but not lead. That's why you need to know that Elastigirl can't stretch in the cold. You can't know how to take responsibility for your abilities if you don't know what they are and are not.

But Elsa? The point of Elsa having powers is not as a metaphor for her unique skills. That's what it would be in a superhero movie.

Like, in superhero movies, Spidey's ability to stick to walls is supposed to be a reference to like, your ability to...l don't know, draw really well. How is Spidey going to use his ability to stick to walls for the good of others = how are you going to use your ability to draw for the good of others, because it's something special and unique to you, you have something to offer, are you going to use it selflessly, etc.

But for Elsa, that's not what it's about. Her powers are just a metaphor for how what's going on inside of her effects everyone around her, relationally. And it's still relatable. But not in a "skills" way. Just like all of us non-superpowered people: "if you let fear control you, you'll hurt everyone around you. But if you let love cast out fear, you'll love and be loved."

That's what's so good about this movie. When you look at it like that, you realize the powers aren’t the point.

Elsa isolates because she thinks that'll keep her from hurting everyone (fear controls her) but actually, by isolating, she's still hurting everyone-nobody in the kingdom gets to see their beloved ruler, and her sister is hurt, relationally, and feels unloved and shut-out, enough to trust the first scoundrel she meets-etc. See how the powers just make the story interesting, but they're not the point of the story? If Elsa's powers were replaced by "frantic outbursts of human temper" the story could be told in a lot of the same ways. But that's a post for another time.

So I don't think you disliked it because of the powers not being "established." "Whatever they wanted to have happen" did not happen, in the story. They laid out the rules that were relevant—“if fear controls you, it'll lead to great danger/but an act of true love can thaw a frozen heart."—and then they followed those rules in an interesting and consistent way.

2. The "twist" villain worked perfectly for the story.

A good villain is supposed to be the opposite of whatever your story's message is. Frozen's is, "Self-Sacrificial Love Casts Out Fear." Elsa is afraid she'll hurt everyone around her, and afraid that makes her unloveable-so she's a control freak over her circumstances. Anna is also afraid she's unloveable-simply because she's shut out and unknown-so she's always trying to control who she keeps in her life. Hans is both "unknown" and "controlling." He's "unknown" in two ways—1, nobody sees him in the shadows of his brothers in his own kingdom, and 2, nobody in Arendelle "knows" his true nature, especially not Anna. But the difference is, where our heroes don't like being unknown, Hans does, and uses it to his advantage, because he's also "controlling." But unlike our heroes, who learn that "control" is not the way to love, Hans is willing to do anything to stay in control. Which is, always, rooted in fear, too. Hans is just afraid he'll never get a throne. So. You see that he foils the two main characters perfectly.

But the main point of Hans is that he's not self-sacrificial, he's self-serving, which is the opposite of what the story claims "True Love" is.

Why's the "twist" part important? Because he uses the main characters' fears as a weapon to serve himself, and he couldn't have done that, for these two particular characters, by being anything but a liar. Anna is afraid she won't ever be loved, so he pretends to love her to get something for himself. Elsa is afraid she'll hurt everyone, so Hans pretends to be protecting everyone from her. And honestly, that's another core of the movie-love that is self-sacrificial, true love, can't be separated from truth. Anna can't really "truly love" Elsa in a way that HELPS Elsa feel loved if she doesn't know Elsa's flaws. Elsa can't "truly love" Anna if she's refusing to know Anna by always shutting her out. And Hans comes along and doesn't let himself be "truly known." Perfect.

So, the movie says "Self-Sacrificial Love Casts Out Fear" and Hans, the villain, says, "Self-Service Uses Fear As a Weapon."

So I don't think you disliked the "twist" villain. Because it wasn't just an empty "shock-jock, look how edgy we are, to make the Prince the bad guy" move. It was the right move, for this story and these characters.

3. I think your definition of "so cool" and "girlboss" might be different from what l understand those terms to mean, because none of the characters fit those descriptions.

Anna (as we understand her throughout the story) is introduced like this:

And she's constantly dropping stuff and getting into awkward social situations-and she basically makes zero correct decisions, for the entire adventure. Tries to fight wolves like a girlboss-and instead accidentally knocks her guide out of the sleigh and has to be thrown to safety while she ruins his livelihood. Tries to climb a cliff with zero experience-looks ridiculous and falls. Tries to talk her sister into lifting a curse and insists that she knows best because her sister would never hurt her-gets crippled, because her sister absolutely does hurt her, and totally fails. Tries to marry a handsome prince-really bad judgement of character, totally duped, basically would've died without help from the weakest and most mentally-confused character in the movie, Olaf. The only "girlboss" moment you could argue she had was punching Hans in the face at the end of the movie, and I would argue that that one moment, in the face of all her failures and humiliation throughout the movie, and in the face of him as a vile villain? That moment is okay.

Also, the whole way they pace that moment is still in-character for Anna. It's still like she's not doing the "dignified" thing. She delivers her little one liner, "the only frozen heart around here is you," and then turns around to walk away with her nose in the air, like she's

"above it all." Which frames the moment where she turns around and punches him like a joke. It frames that moment like it's a satisfying, but still "not decorous, not dignified," thing to do. It would've been "cool" and poorly received if Anna, the character who's always jumping into doing the emotional, awkward thing, had suddenly become the bigger person and risen above her hurt in that moment.

So instead, she punches him. And whatever. He deserved it, blah blah blah. The point is, even that moment isn’t supposed to be strictly “cool” or “girlboss.” It’s just supposed to be “in-character funny.”

See, usually a "girlboss" character knows exactly what the best thing to do is in a situation, and does it well. Or, she gets knocked down, but consistently gets back up and hits harder. Anna does not do any of those things. She keeps trying when she fails, yeah-but it's not because of an inner strength, it's because of an inner weakness. She keeps pushing because she's desperate, and insecure, not because she's awesome and never-say-die. Eventually, after Elsa strikes her and Hans betrays her, Anna does give up. She tells the snowman "we won't (come back.)" after Elsa strikes her. She tells Olaf she doesn't know what love is. It's not until she learns that lesson that anything she tries to do works—and she gives herself up to do it. And that's finally a moment of strength from her, not weakness. As for "cool"-gimme a break.

There's nothing "cool" about Anna. Anna's not good at anything except, at the very end, self-sacrificially standing in front of a sword and getting one punch in on a villain who's already disarmed, defeated and probably slightly concussed anyway. She's not supposed to be "cool" or "girlboss." She's supposed to be "Desperate to Love and Be Loved." And that's what she is, perfectly. "Desperate" is not a characteristic that fits the definition "girlboss" or "cool."

But maybe you just meant "Elsa is so cool and a girlboss." Okay, well, again, depends on what you mean by that. If you mean "having superpowers are cool" okay, well, are they? Is that what the movie is telling you? Because powers basically ruin all of Elsa's childhood and life until the last 3 minutes of the movie. You could be like "come on, she can make snow and ice monsters, glitter gowns, and an entire palace just by dancing. They totally tried to make her 'cool." That's like saying Simba's ability to eat bugs and belch and fight with Nala is "cool." She does all those things at her "Character in the WRONG" moment, in the story, just like Simba living in the Hakuna Matata jungle. Therefore the movie is not trying to tell you that Elsa is cool, it's trying to tell you that Elsa is wrong, but you can understand why she's wrong. You can understand why she feels triumphant for a moment-and then the movie shows you that triumph is misplaced.

I mean, she's taken out by her own falling chandelier. Every time she's confronted with a problem, she runs away. When she gets into "battles of wits," she says the wrong thing, or the shy, shut-down thing, not a girlboss one-liner that shuts the other person up. Elsa's not cool either. She doesn't have the answers, she doesn't save the day-she gets saved.

Both of these characters are desperate, open wounds-—they're needy and they're in the wrong, each in their own way, for the majority of the movie. They're weak, and they have to learn to find strength in love, for most of their story. There's nothing "girlboss" or "cool" about them.

I think maybe what some people make the mistake of is noticing the Frozen mania, and the fact that the two main characters are girls and one of them has superpowers and they other doesn't get with a Prince, and then they get the impression, from that, that the characters are "cool girlbosses." But like...that's like saying Dory from the first Finding Hemo movie is a girlboss. She's so totally not. She's a wreck. A funny, appealing, sometimes-relatable-human wreck. And a good character, but the hype doesn't change who she is, as a character. And who she is, like Anna and Elsa, is just a good character.

4. Elsa does not finish Let it Go with an "I'm Fine As I Am" attitude, and she doesn't finish the movie that way, either.

She finishes "Let it Go" with an "I'm fine up here, isolated from everyone," attitude. And then the movie very quickly proves her wrong by having Anna show up and reveal to her that no, actually, she is not fine up there, because the person she cares about most can still find her and be hurt by her, and the whole kingdom is still reeling from the problems she ran away from.

At the end of the movie the only thing I can guess you got the impression that she's "fine as she is" from was the fact that she's using her powers again.

But like. Elsa's whole problem was never her powers. She wasn't supposed to learn to stop using them. She was supposed to learn to stop living in fear. Instead, she was supposed to lean on love-love that sacrifices for her, flaws and dangerousness and all-and stop trying to control her image and what everyone knows about her.

Because in trying to control what everyone knows about her, she was controlling whether or not they loved her or treated her like a monster. And even running away and singing Let It Go was still an effort to control everything-by not being around people who could treat her like a monster or be hurt by her. Instead, accepting that she might hurt people because she can't always control everything, and trusting that they'll still love and forgive her, was her character arc.

She lives by faith in sacrificial love by the end, not by fear. That's the arc. She does that perfectly.

It was never, "I'm fine as I am." Because the point was never "there's* something wrong with me." It was, "I don't need to fear a lack of control, because true love covers what I can't control." That's all.

4. Anna does communicate to the audience that she's sorry and willing to understand the reasons behind Elsa's secrets.

The lesson Anna takes away from all of this is not "which guy loves me." It's "what is love?" And you know she's learned that because she demonstrates it. If Anna had died-frozen forever-or been cut down by Hans' sword, you realize that Elsa would never have been able to repay that gesture, right? But Anna still made that choice.

Even though it meant Elsa would never repay her. And the point is — excuse me, I know this is long enough, but I feel like you're missing out on something wonderful here—

Anna could have left Elsa to be killed and ridden off into the sunset with Kristoff.

They make it very clear that that is her goal when she stumbles onto the ice, free from the room Hans trapped her in. Elsa is no longer her motivation. She isn't looking for Elsa. She's not trying to get that love she's looked for, from Elsa, in that moment. She's trying to get it from Kristoff, not just for her emotional need-but for the "breaking of the curse" that's killing her in the moment. That whole scene where she realizes he loves her-truly loves her, because he fits the description Olaf gives-is in there to communicate to the audience that he could save her. He could give her what she needs.

And the reason that's important is that it proves that this is character development: when she chooses not to go to Kristoff, and to go to Elsa instead.

Because it's her, choosing to turn away from the person who could give her something (even if it is "love") and to turn toward the person who can't give her something (Elsa.) Who has repeatedly failed to give her something, for their entire lives.

Anna at the beginning of the movie would've run to Kristoff. That was the whole point of Hans, when it comes to Anna-he represents someone who can fulfill a need in Anna. But when Anna turns away from Kristoff and runs to save Elsa instead, Anna is demonstrating what she's learned —that love isn't about her own needs. It's putting someone else's needs before yours. She stands between Hans and Elsa, with the full expectation that she's not going to get anything out of it, not even a guarantee of E/sa's love in return. And her own needs will NOT get met if she puts Elsa's first.

And that's what she does. Whereas, at the beginning of the film, Anna would not have done that. Because that's not what she thinks love is. She hasn’t realized that yet.

She thinks love means closeness. And that does come with love. But that's not love. Love is, like Olaf says, putting someone else's needs before yours. But the whole movie, Anna is not working to put Elsa's needs before her own. She's working to change Elsa's mind, now that she knows the truth, so that she and Elsa can be "close again." She's climbing that mountain and arguing with Elsa, because she thinks that all that stood in their way before was this secret that's been uncovered. And sure, Anna has always been willing to “be there for” Elsa, but you have to see that Anna wanted that to come with Elsa being there for her, in return.

Which would be nice. But it's not true love. True love is being there for someone even when they refuse to be there for you. Because that's putting their needs before yours.

Thanks for the super long ask! That was fun! I hope you enjoyed reading as much as l enjoyed writing-I think sometimes we judge Frozen by the mania that followed, not the good quality that actually caused the mania, and deserved the mania, though. Anyway 😂

Guards! Take them away! Back to the theater with you! Watch the movie again!

[togglesbloggle]

In Defense of Bad Things

'Bad' here meaning mostly 'amateur'; stuff made enthusiastically by people at an unprofessional level. Art with visible gaps between what the artist imagined and what they achieved, products of flawed craftsmanship. I suppose everybody can appreciate them to some extent, it's a rare parent that doesn't put up their kid's drawings on the fridge in one way or another. But it turns out to be a fully general skill you can cultivate, and the more I do, the more I'm glad I did.

Partly, it's the teacher thing; finding delight in amateur work is one of the ways to find delight in the process of learning. Cultivating a love of striving-qua-striving can help make you a force for good in the world, as people start to feel safe trying to do things when you're around, even when their efforts are wobbly. You get to participate a little more in the process of atoms spinning themselves into ideas, even when there aren't any illusions about whether you're helping cultivate some revolutionary genius in the field.

And partly it's a fabulous way to build community. By necessity, our professional-level skills tend to be at the service of other people, performed for economic benefit; that's kind of how you get professionally good at something in the first place. When we're acting for our own sake, and among friends, most of what we do with one another is amateurish. I only cook middling-okay, I can't hold a tune that well, I'll never be a speed runner for anything. If you can only enjoy singing from the hundred best singers in the whole world, manufactured and polished by major studios, then you and your friends will sit shoulder-to-shoulder and passively listen to music. But it's so much richer an experience to sit face-to-face, actually singing together, even badly; you expose yourself to so many new ways to appreciate and respect one another, building relationships on what you've accomplished and not just by witty criticism or liking the same things.

And partly it's because some of the most powerful and innovative artistic experiences are in high-churn environments with low expectations and low barriers to entry, if only because those catch the passionate and driven young people that have been otherwise overlooked by our systems. The golden age of webcomics meant that a ton of the actual art involved was pretty lousy, but it also produced work that people still talk about today. D&D began as a profoundly unpolished collection of handmade rulebooks sold at cons in a plastic baggie. By the time these products of enthusiastic amateurs filter themselves through various levels of popularity and absorb mainstream cash influx, they're often risk-averse and missing a lot of the bold spark that inspired their fans in the first place; others will simply never drift towards the mainstream at all. I'm not saying you should be the person who goes out to dig through the slush piles of the internet looking for overlooked art, unless you want to be-- but sometimes a work of actual staggering genius also happens to be a Supernatural fanfic by a first-time author who's a little hazy on commas, and if that's a dealbreaker, you're going to miss out on some profoundly valuable experiences.

And hiding behind all of these things is, like...

Our appreciation of beauty has an odd structure, right? When things are done very skillfully, by brilliant artists with years of training, we can usually appreciate those accomplishments. And when we're looking at nature without human influence, and especially when we think very deeply about natural processes and understand them in context, we often rediscover that sense of beauty. There's just this bizarre hole in the middle where we declare things 'ugly'; as if a little skill is worse than none at all.

I really don't trust that gap. It feels like a trick my brain is playing on me, you know? It has me suspicious that a lot of what I consider 'ugly' or 'bad' is not a very direct experience of the world at all, or an informed judgment. That it is, rather, a declaration of (self-, social-) identity; a desire to be seen as a person of good taste, or as somebody who does things well, or just more primitively as one of the monkeys who is in the good-stuff-tribe and not one of the monkeys who is in the bad-stuff-tribe.

[harpieisthecarpie]

Okay not to be analysis georg over Alien Stage but I adore the ROUND 7 (Till vs Luka) art that dropped recently so much. And thus I will be analysis georg

(cw: I lightly and nonexplicitly reference the abuse Till suffered under captivity, including the heavily implied sa.

This is mostly contemplating Till's psyche, how Ivan's impact on Till contrasts the aliens, and art as rebellion against dehumanization. With that comes the possible triggers of Till's story.)

Till's closeup is what compelled me to post at all, because it's a very deliberate choice that speaks to his emotional state going in, and contrasts him strongly against Luka

This is long btw

The closeup focuses on the lower half of Till's face. It draws attention to his mouth and headset mic by mimicking a camera's depth of field to emphasize the yawning space between them, while using the metallic mic as a lure. The lighting sharpens the mic while softening Till.

The emphasis on Till's mouth (and mic) is indicative of a stark emotional shift from Round 6, where crushing hopelessness left him passive and barely singing.

Metatextually, the story being told by completely diagetic music videos ties strongly to the contrast between the aliens who've made the voices of the enslaved humans a commodity and the humans who are only given a voice through song.

There's a reason why music has been used for both propaganda and rebellion throughout our societal conflicts. You can only scream so loud before bystanders tune you out; music compels them to listen.

And I think that dichotomy between authority and autonomy, between the artist as product and as person, within the universe of Alien Stage is going to be delved a lot deeper into with 7.

Till having a hands-free mic and green strap over his shoulder leads me to believe he's going to be playing guitar again. Which we've seen him use for acts of rebellion before.

I saw someone saying the headset was a sign of his isolation, but I see it as him reviving the angry hope he'd extinguished using Ivan's memory. From what I've seen, Till never seemed happy when he had a standing or handheld mic. He's a creative, hands-on guy whose art and rebellions come from when he is able to use those hands.

Drawing, guitar, fighting... there's a reason he was singularly stripped of autonomy in ways we haven't seen happen much elsewhere (that physicality reminds me of Hyuna, I wonder if Luka will notice that). The caging, bodily restrictions, and physical degradation and assault from the aliens singularly target his personhood.

Even in the closeup art there's that possessive ownership, that clear replacement of Person with Commodity. His tears (or sweat) have been pointed out and remarked upon by the aliens. Yet the shot leaves out his eyes, which are often tied to personhood in literature because of how humanizing they are. Dilation, movement, eyelid position, blinking. It's hard to look into a creature's eyes and not understand there's a mind behind them.

The aliens commodify the emotion through his tears but deny the humanity behind them. They dissociate music as art with an artist behind it, even while intuitively knowing how an artist's lived experiences can create compelling music. The aliens want their product, they don't care that art isn't just entertainment to consume. They don't recognize the power music can have. They don't value it enough to truly understand it.

I wonder if this could be analagous to anything in the real world. Hm. Nahhhhhh. ANYWAYS

Till is creating what the aliens want, but the closeup has the same color palette as when he and Ivan were running away during the meteor shower. That shine on the mouthpiece even looks like a falling star.

The meteor shower was a moment of tension. A held breath before a breaking point: you can escape or you can stay trapped, but whatever decision you make you can't ever take it back.

It doesn't matter whether Till believes his last decision to stay was a mistake, he was a different person when Ivan took his hand. And he was changed again when Ivan kissed him before making that stage his death bed. Their death bed, perhaps, since something in Till had to die in order to be revived.

And Till is the only one in that arena who has the memory of running with Ivan under a cascade of falling stars. He is the only one those colors mean anything to. The aliens may be commodifying his tears, but they have no grasp on the emotions behind them. There is something within Till they cannot take, breathed into him by Ivan.

Ivan may have believed his love for Till was shallow, but he gave it freely. One of the reasons I even ship them is because Till has spent all his life in captivity getting pieces of himself carved out by aliens trying to consume his soul, and while Ivan can certainly be fucked up... he has always lain his insides out on a silver platter for Till. Given even the ugly bits over, despite knowing they'd be disregarded.

Till was strangled more visibly for how his humanity spilled out, but Ivan had been slowly suffocating because he refused to let them free. He accepted the role as pet (entertainment product dress-up doll) to keep his humanity safe. He played into the aliens' desires because he refused to give them any parts of himself that mattered.

But he still wanted to be seen, still needed to be known, so he gave them to Till.

And now Till is on that stage again (that had eaten Sua and Mizi and Ivan), carrying fragments of his loved ones that they had slipped into his palms. Quiet moments of joy and despair and fear and love. Bits of themselves they never allowed the aliens to have, that made a home in Till.

And what is love, surrounded by an entire society that refuses to acknowledge your humanity, other than an act of rebellion?

Which I think will be very interesting to see juxtaposed against how Luka seems to be portrayed. With an earpiece seemingly feeding him information, in the cool tones evoking a memory of Hyuna, whose closeup doesn't even deign to glance at his face.

(Though- not to overanalysis georg- it's interesting we get a glimpse at his seemingly gloved fingers. And that their color palettes are both interrupted by a small bit of green. Till's by what I think is a guitar strap, and Luka's by the center of his earpiece- and its sound.)

[hotvintagepoll]

Propaganda

Maude Fealy (King Rene’s Daughter, David Copperfield)—She served cunt all the time

Anna May Wong (The Thief of Bagdad, Shanghai Express)—Wong was the first Chinese American movie star, arguably the first Asian woman to make it big in American films. Though the racism of the time often forced her into stereotypical roles, awarded Asian leading roles to white actors in yellowface, and prohibited on-screen romance between actors of different races, she delivered powerful and memorable performances. When Hollywood bigotry got to be too much, she made movies in Europe. Wong was intellectually curious, a fashion icon, and a strong advocate for authentic Asian representation in cinema. And, notably for the purposes of this tournament, absolutely gorgeous.

This is round 3 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Maude Fealy propaganda:

Anna May Wong propaganda:

"She so so gorgeous!! Due to Hollywood racism she was pretty limited in the roles she got to play but even despite that she’s so captivating and deserves to be known as a leading lady in her own right!! When she’s on screen in Shanghai Express I can’t look away, which is saying something because Marlene Dietrich is also in that film."

"SHE IS ON THE BACK OF QUARTERS also she was very smart and able to speak multiple languages and is a fashion icon on top of the acting/singing"

"Paved the way for Asian American actresses AND TOTAL HOTTIE!!! She broke boundaries and made it her mission to smash stereotypes of Asian women in western film (at the time, they were either protrayed them as delicate and demure or scheming and evil). In 1951, she made history with her television show The Gallery of Madame Liu-Tsong, the first-ever U.S. television show starring an Asian-American series lead (paraphrased from Wikipedia). Also, never married and rumor has it that she had an affair with Marlene Dietrich. We love a Controversial Queen!"

"She's got that Silent Era smoulder™ that I think transcends the very stereotypical roles in which she was typically cast. Also looks very hot smouldering opposite Marlene Dietrich in "Shanghai Express"; there's kiss energy there."

"Hot as hell and chronically overlooked in her time, she's truly phenomenal and absolutely stunning"

"A story of stardom unavoidably marred by Hollywood racism; Wong's early-career hype was significantly derailed by the higher-up's reluctance to have an Asian lead, and things only got worse when the Hayes code came down and she suddenly *couldn't* be shown kissing a white man--even if that white man was in yellowface. After being shoved into the Dragon Lady role one too many times, she took her career to other continents for many years. Still, she came back to America eventually, being more selective in her roles, speaking out against Asian stereotypes, and in the midst of all of this finding the time to be awarded both the title of "World's Best Dressed Woman" by Mayfair Mannequin Society of New York and an honorary doctorate by Peking University."

"Incredible beauty, incredible actress, incredible story."

"-flapper fashion ICON. look up her fits please <3 -rumors of lesbianism due to her Close Friendships with marlene dietrich & cecil cunningham, among others -leveraged her star power to criticize the racist depictions of Chinese and Asian characters in Hollywood, as well as raise money and popular support for China & Chinese refugees in the 1930s and 40s. -face card REFUSED to decline"

[starberry-cupcake]

I shouldn't be making another one of these because I didn't even give you enough time to catch up and I'm sure you're tired of me (I'm probably losing mutuals over the length of these) BUT I FINISHED ACT II and I think this is the right place for an update recap. I'm so sorry.

previously, in harrowlana the ninth (reference I might explain one day):

this happened

currently, chapters 20 - 22 (END OF ACT II!!!):

we start with a killer epitaph from harrow for her own grave that I absolutely 10000% need in a tshirt yesterday

"Here lies the world's most insufferable witch"

alleged gideon the first, here known as ortus the first (but I am so sure about this one) has tried to kill harrowbeanie 14 times

I honestly don't know how harrow is going through this without outright telling emperor johnny man to go and insert this entire planetary situation right in the center of his bolthole

we're over here working overtime for you and your sorry ass of a plan that is probably terrible for everyone who isn't you

and we have to put up with zombies (we'll get there), the terrible attitude of your remaining lyctors, very questionable food, very questionable decor, very questionable non goth fashions, and also a man who tries to kill harrow at every turn

this is the worst

at least in canaan house we had gideon's humor and camilla's perfection

ANYWAY

emperor john tells alleged gideon the first (if I'm wrong about this, these are going to be embarrassing looking back on) "she's your responsibility, not your punching bag" to which alleged gideon the first answers "I find the responsibility a hard one"

I'm not sure if this is alluding to baby lyctors in general or harrow in particular, or if anything related to the gideon-involvement narrative I'm imagining has anything to do with it

emperor johnny boy tells harrowbean that this guy's problem is that he made a pact with an "authority he has no power to gainsay" to protect emperor johnny john and that alleged gideon the first thinks harrow is a danger to the emperor

I SURE HOPE SO

I SURE HOPE HARROW KILLS THIS MAN

I HOPE ALLEGED GIDEON THE FIRST IS RIGHT

harrow then mentions how she's "lyctor lite" and emperor john of nottingham says he doesn't think harrow fucked up the lyctor thing

he says only one person fucked it up and it was nasty

it was the ninth lyctor, Anastasia (and a song someone sings, once upon a december)

the vacant room harrowbean has taken residence in was meant for her, but she never made it there

she asked emperor john the asshat to kill her and he said no because he's that kind of a person

"she had much more to give"

I hate this guy

he also says "I had a body and I needed a tomb"

harrow asks the question everyone is asking themselves

aside from where tf are gideon and camilla

"God, who did you bury?"

he gets all vague and cryptic so he can avoid taking about what the fuck he's doing

and he quotes Annabel Lee

edgar allan poe's Annabel Lee

this is a bit more in my wheelhouse than shakespeare

to which harrow notes "Who was A.L.?"

now, I have SEVERAL THINGS TO SAY

first, and most importantly, I HAVE BEEN SAYING THIS

THAT ICE CUBE BARBIE MIGHT BE A.L.

I HAVE BEEN SAYING THIS, FAM

here's more magic knight rayearth art of the vibes I get from them to celebrate

second of all, Annabel Lee

I do have Annabel Lee in one of my EAP books, but not the one with the pretty Lacombe illustrations

so here are some Ligeia illustrations from it that have the vibe we're going for, as a treat

now, not to be all ortus over here, but I'm gonna be reciting some poetry

For the moon never beams, without bringing me dreams Of the beautiful Annabel Lee; And the stars never rise, but I feel the bright eyes Of the beautiful Annabel Lee; And so, all the night-tide, I lie down by the side Of my darling—my darling—my life and my bride, In her sepulchre there by the sea— In her tomb by the sounding sea.

gonna put that in the 3d model

in the middle of it, like a centerpiece

let's bring back the barbie

this man is doing the whole wife/madwoman in the attic gothic trope but instead of an attic it's a tomb in pluto

another madwoman archetype to add to the list, we've got a whole collection

CHAPTER 21

we have summoned ortus by reciting poetry, because we're back in the gideon-less version of canaan house

so, the sixth is dead in this version

the sleeper or random rifle carrying person shot them in the face a bunch of times

what I wanted to do to not!dulcinea

harrow mentions not having seen camilla or palmolive much in this gideon-less version

devastating for her not to have met camilla

so then protozoa and dulcinea come in

notice I didn't say not!dulcinea

that's because this is the real deal dulcinea and the alive non zombified protozoa

we can know this by their descriptions (especially the hair), the fact that dulcinea knows who tf palmolive is, that she has a breathing tube that palmolive designed for her (this guy istg), that she can identify them and calls them "cam" and "pal"

I was so caught up on this book I forgot to read the short story that came before it btw

anyway, we also know this because protozoa speaks, but we'll get to that

before that, ortus calls the sleeper "the waker" and it's giving me the vibes of the citadel deck

wait, I'm gonna take a pic of some of the cards that give me the correct tlt vibes, so you know what the hecko I'm talking about

(I'm going on unplanned tangents but maybe someone appreciates them)

(we've moved from 3d models to me fetching books and decks from my shelves, what has palmolive done to me)

so, as previously established, protozoa speaks, which is how we know he might be the real one and not the zombie version

he then proceeds to recite poetry

ortus is feral about this

I thought initially that they were gonna have to make room for protozoa in the polycule ortus is in with the fifth, but he doesn't like protozoa coming for his gig

abby says "we're all in this together" which reminds me I did make a high school musical connection with magnus before, so it's funny that it turned out that way

abby asks real dulcinea, aka "dulcie" to her, to bring in mayonnaise uncle because he'll listen to her

why is everyone always into her in all the aus, idk

this one is less bad than not!dulcinea though, but the bar for that was on the subsoil

magnus (who is very much in love with his wife and he's pointing it out every chance he gets) is in charge of looking for martita

harrow is in charge of regina george twin (and yandere twin)

abby thinks regina george twin is the most relevant one

apparently also they're flooded with the rain

which was me last week, so I feel you fam

and we get our traidtional quote, this time by real dulcinea

"Is this really how it happens, Lady Pent?" "No. It's not" "Does it get—better than this? Do you know?"

real dulcinea is saying goodbye to palmolive and the love of my life, who I refuse to accept is in any way harmed in any timeline

and harrow "felt something in her core, though she did not know precisely what it was"

palmolive had a filmsy and we love flimsies because they have what I have started to call "harrow texts"

or "texts which can only be read by harrow"

OP is still ranting, a continuation of the egg rant

I'm gonna transcribe all of it and bold the new part, for my own access, even though everyone who has me in their dash will hate me and block me

The eggs you gave me all died and you lied to me so I did the implantation myself you self-serving zombie and you still sent him after me and I would have had him if I hadn't been compromised and he took pity on me! he took pity on me! he saw me and he took pity on me. And for that I'll make you both suffer until you no longer understand the meaning of that goddamned word. Him I'll kill quick because she asked me to and because that much he honestly deserves but you two mummified wizard shits I will burn and burn and burn burn until there is no trace of you left in the shadow of my long-lost natal sun

could the self-serving zombie be emperor john? could gideon the first be one of the people alluded to? has Annabel Lee anything to do with any of this? since OP mentions a long-lost natal sun? who's "she"? has gideon's mom anything to do with any of this? is this totally not related? is this the actual present? does 'mummified wizard shits' stand for lyctor? because I kinda live for that

ortus, on the other hand, sees an S

ortus in this timeline knows how his dad died, apparently

and we end this part with harrow and ortus finding rusted pipette needles

CHAPTER 22

harrow has killed 13 planets in this practice, which is insane and nobody's asking any questions about it

she was dreaming with ice cube barbie annabel lee and she told her to wake up

harrow mentions the sword sleeping next to her in a loverlike position and it reads like a gideon body pillow to me

remember when I said we should have flushed not!dulcinea into space?

GUESS WHO WAS RIGHT

nobody ever takes the not!dulcinea threat seriously but me

I have to do everything around here

she's a zombie now, which is protozoa's revenge from behind the veil

there's a moment in which she trips but still looks at harrow and it's very creepy and well narrated but I can't help but think of the dracula dead and loving it scene with hypnosis

"it was as though a magnet were stuck in the meat, a magnet that craved some polar force within you" wonder what THAT is about

much like the sleeper/waker, not!dulcinea can pass through wards apparently

harrow goes to wake up yandere twin and says "septimus is walking"

yandere twin doesn't understand at first "the name that had never been cytherea's" and later says "tell her I want my arm back"

which relates to the fact that I've been thinking

if real dulcinea is there in the gideon-less ver

how was not!dulcinea even involved?

because harrow seems to have memories of killing her, of fighting her, of her doing damage in some way, of her being a threat, of her doing it to lure emperor johnny boy to canaan house

so we have some big missing link between the gideon-less canaan version and the emperor's bolthole timeline

she can't be the sleeper/waker, because harrow wouldn't call her "septimus"

so harrow remembers not!dulcinea posing as real dulcinea, which does not happen in the gideon-less version, as far as we can tell atm

AGAIN, DON'T TELL ME ANYTHING, LET ME BE IN DISTRESS

last but not less important

remember not to hint me anything at all and thank you for being patient with me all this time ♥