#Fictionalized History

[ancientroyalblood]

Writing Historical Fiction: Capturing the Past with Precision

Historical fiction, with its ability to transport readers to bygone eras, offers a captivating blend of storytelling and factual accuracy. As writers venture into recreating history, the challenge lies in capturing the essence of the past while weaving a compelling narrative. This guide aims to illuminate the intricate art of researching and crafting historically accurate fiction. Immersive…

[gothamite-rambler]

Duke Thomas gets added to the payroll

Bruce Wayne (seeing Duke walk past his office): Duke.

Duke backwards walked to Bruce’s office.

Duke: Sup?

Bruce: Did you check your bank account? The direct deposit should’ve hit.

Duke: The what? Oh you were serious about that?

Bruce: Of course, you’re not only my son, but you do work for me and you deserve an income.

Duke: Thanks dude, but I can’t take your money I work at the library.

Bruce: Duke, trust me. You deserve this. I do it for all my kids… except Tim.

Duke: Why not Tim?

Bruce: Long story… he owns part of my company, plus he- he definitely embezzled a lot of my funds before I noticed so him working at my company is his paycheck.

Duke (alarmed): That was him?!

Bruce: Yeah, but that’s not important currently. You enjoy your first payhcheck and I’m proud of you.

Duke: Thanks man.

Duke left the office, checking his phone as he walked to his room. He nearly dropped his phone seeing the four digits in his bank account that had five dollars in it three days ago.

Duke (shocked, happy): Three- Three thousand dollars?! Woooooooo! I’m eating good tonight! No wait, game stop here I come!

Duke ran out the house passing by Stephanie and Jason.

Duke: I can finally buy a PlayStation!

Jason: Wait until he finds out it’s a monthly payment.

Stephanie: I’ll tell him later. Want to go tell Tim about it first?

Jason: 100% yes.

[dndspellgifs]

look, I know I've talked about this essay (?) before but like,

If you ever needed a good demonstration of the quote "Any sufficiently advanced technology is indistinguishable from magic", have I got an exercise for you.

Somebody made a small article explaining the basics of atomic theory but it's written in Anglish. Anglish is basically a made-up version of English where they remove any elements (words, prefixes, etc) that were originally borrowed from romance languages like french and latin, as well as greek and other foreign loanwords, keeping only those of germanic origin.

What happens is an english which is for the most part intelligible, but since a lot everyday english, and especially the scientific vocabulary, has has heavy latin and greek influence, they have to make up new words from the existing germanic-english vocabulary. For me it kind of reads super viking-ey.

Anyway when you read this article on atomic theory, in Anglish called Uncleftish Beholding, you get this text which kind of reads like a fantasy novel. Like in my mind it feels like it recontextualizes advanced scientific concepts to explain it to a viking audience from ancient times.

Even though you're familiar with the scientific ideas, because it bypasses the normal language we use for these concepts, you get a chance to examine these ideas as if you were a visitor from another civilization - and guess what, it does feel like it's about magic. It has a mythical quality to it, like it feels like a book about magic written during viking times. For me this has the same vibe as reading deep magic lore from a Robert Jordan book.

[ulkaralakbarova]

Painter Francisco Goya becomes involved with the Spanish Inquisition after his muse, Inés, is arrested by the church for heresy. Her family turns to him, hoping that his connection with fanatical Inquisitor Lorenzo, whom he is painting, can secure her release. Credits: TheMovieDb. Film Cast: Lorenzo Casamares: Javier Bardem Inés Bilbatúa / Alicia: Natalie Portman Francisco Goya: Stellan Skarsgård King Carlos IV: Randy Quaid Tomás Bilbatúa: José Luis Gómez Inquisitor General: Michael Lonsdale Queen María Luisa: Blanca Portillo María Isabel Bilbatúa: Mabel Rivera Ángel Bilbatúa: Unax Ugalde Álvaro Bilbatúa: Fernando Tielve Monk 1: David Calder Hooded Monk: Ramón Langa Pyre Monk: Manuel de Blas Confiscating Monk: Andrés Lima Alicia’s Duena: Concha Hidalgo Mother Superior: Trinidad Rugero Queen: Silvia Kal Churchman 1: Emilio Linder Churchman 2: José María Sacristán Asylum Director: Simón Andreu Chamberlain: Jack Taylor Joseph Bonaparte: Julian Wadham Royal Messenger: Ben Temple Napoleon: Craig Stevenson French General: Scott Cleverdon French Colonel: Carlos Bardem Henrietta Casamares: Aurélia Thiérrée Frame Maker: Eusebio Lázaro Bespectacled Nun: Lola Peno Harlot’s Duena: May Heatherly Money Monk: Víctor Israel Message Monk: Enrique Martínez Familiar 1: Balbino Lacosta Familiar 2: Manolo Caro Dona Julia: Mercedes Castro Inquisition Notary: Jose L. Vasquez Apprentice 1: Tamar Novas Apprentice 2: David Luque Novice: Carolina Petterson Film Crew: Screenplay: Miloš Forman Screenplay: Jean-Claude Carrière Editor: Adam Boome Director of Photography: Javier Aguirresarobe Producer: Saul Zaentz Executive Producer: Paul Zaentz Production Design: Patrizia von Brandenstein Art Direction: José María Alarcón Art Direction: Eduardo Hidalgo Jr. Set Decoration: Emilio Ardura Costume Design: Yvonne Blake Supervising Sound Editor: Douglas Murray Sound Designer: Leslie Shatz Production Manager: Salvador Yagüe Music Supervisor: Josh Zaentz Makeup Designer: Ivana Primorac Key Hair Stylist: Manolo García Makeup Artist: María del Carmen Clavel Original Music Composer: Varhan Orchestrovič Bauer Additional Soundtrack: Arvo Pärt Movie Reviews:

[tazaryoot]

Flowers

[lotus-pear]

soukoku as one of my dearest renaissance paintings

[suzannahnatters]

all RIGHT:

Why You're Writing Medieval (and Medieval-Coded) Women Wrong: A RANT

(Or, For the Love of God, People, Stop Pretending Victorian Style Gender Roles Applied to All of History)

This is a problem I see alllll over the place - I'll be reading a medieval-coded book and the women will be told they aren't allowed to fight or learn or work, that they are only supposed to get married, keep house and have babies, &c &c.

If I point this out ppl will be like "yes but there was misogyny back then! women were treated terribly!" and OK. Stop right there.

By & large, what we as a culture think of as misogyny & patriarchy is the expression prevalent in Victorian times - not medieval. (And NO, this is not me blaming Victorians for their theme park version of "medieval history". This is me blaming 21st century people for being ignorant & refusing to do their homework).

Yes, there was misogyny in medieval times, but 1) in many ways it was actually markedly less severe than Victorian misogyny, tyvm - and 2) it was of a quite different type. (Disclaimer: I am speaking specifically of Frankish, Western European medieval women rather than those in other parts of the world. This applies to a lesser extent in Byzantium and I am still learning about women in the medieval Islamic world.)

So, here are the 2 vital things to remember about women when writing medieval or medieval-coded societies

FIRST. Where in Victorian times the primary axes of prejudice were gender and race - so that a male labourer had more rights than a female of the higher classes, and a middle class white man would be treated with more respect than an African or Indian dignitary - In medieval times, the primary axis of prejudice was, overwhelmingly, class. Thus, Frankish crusader knights arguably felt more solidarity with their Muslim opponents of knightly status, than they did their own peasants. Faith and age were also medieval axes of prejudice - children and young people were exploited ruthlessly, sent into war or marriage at 15 (boys) or 12 (girls). Gender was less important.

What this meant was that a medieval woman could expect - indeed demand - to be treated more or less the same way the men of her class were. Where no ancient legal obstacle existed, such as Salic law, a king's daughter could and did expect to rule, even after marriage.

Women of the knightly class could & did arm & fight - something that required a MASSIVE outlay of money, which was obviously at their discretion & disposal. See: Sichelgaita, Isabel de Conches, the unnamed women fighting in armour as knights during the Third Crusade, as recorded by Muslim chroniclers.

Tolkien's Eowyn is a great example of this medieval attitude to class trumping race: complaining that she's being told not to fight, she stresses her class: "I am of the house of Eorl & not a serving woman". She claims her rights, not as a woman, but as a member of the warrior class and the ruling family. Similarly in Renaissance Venice a doge protested the practice which saw 80% of noble women locked into convents for life: if these had been men they would have been "born to command & govern the world". Their class ought to have exempted them from discrimination on the basis of sex.

So, tip #1 for writing medieval women: remember that their class always outweighed their gender. They might be subordinate to the men within their own class, but not to those below.

SECOND. Whereas Victorians saw women's highest calling as marriage & children - the "angel in the house" ennobling & improving their men on a spiritual but rarely practical level - Medievals by contrast prized virginity/celibacy above marriage, seeing it as a way for women to transcend their sex. Often as nuns, saints, mystics; sometimes as warriors, queens, & ladies; always as businesswomen & merchants, women could & did forge their own paths in life

When Elizabeth I claimed to have "the heart & stomach of a king" & adopted the persona of the virgin queen, this was the norm she appealed to. Women could do things; they just had to prove they were Not Like Other Girls. By Elizabeth's time things were already changing: it was the Reformation that switched the ideal to marriage, & the Enlightenment that divorced femininity from reason, aggression & public life.

For more on this topic, read Katherine Hager's article "Endowed With Manly Courage: Medieval Perceptions of Women in Combat" on women who transcended gender to occupy a liminal space as warrior/virgin/saint.

So, tip #2: remember that for medieval women, wife and mother wasn't the ideal, virgin saint was the ideal. By proving yourself "not like other girls" you could gain significant autonomy & freedom.

Finally a bonus tip: if writing about medieval women, be sure to read writing on women's issues from the time so as to understand the terms in which these women spoke about & defended their ambitions. Start with Christine de Pisan.

I learned all this doing the reading for WATCHERS OF OUTREMER, my series of historical fantasy novels set in the medieval crusader states, which were dominated by strong medieval women! Book 5, THE HOUSE OF MOURNING (forthcoming 2023) will focus, to a greater extent than any other novel I've ever yet read or written, on the experience of women during the crusades - as warriors, captives, and political leaders. I can't wait to share it with you all!

[anyataylorjoys]

VAN HELSING —2004, written by Stephen Sommers

[spirk-trek]

Georgia Schmidt, Carole Shelyne, Serena Sande, Meg Wyllie, & Sandra Lee Gimpel

A tribute to some lesser-known women of Star Trek :)

[marzipanandminutiae]

quotes by Victorians about the 1920s view of their generation's women

"We are frequently told that the Victorian woman...generally behaved like a pampered and neurotic infant. This is all moonshine. I do not think that I ever saw a woman faint before I came to London in 1869, and not often after then...they enjoyed a hearty laugh, and a good many of them a contest of wits with any man." -Nineteenth Century, a Monthly Review, 1927 (written by a man born in 1850)

"What queer ideas the girl of 1929 has about the Victorian period- they are not a bit true...Marriage was by no means the end and aim of our existence. Oxford and Cambridge claimed quite a few of us after school days were over. We had great ideas about 'life' and what it all might mean to us." -St. Petersburg Times, 1929 (written by a woman born in 1853)

"True, debutantes were chaperoned at balls. But that fact did not prevent them from dancing as frequently as they chose with their favorite partners. The idea that girls in the Victorian era spent their days sewing seams and practicing scales is another fallacy." -Gettysburg Times, July 1, 1927 (quote from the Dowager Lady Raglan, Ethel Jemima Somerset, who lived from 1857 to 1940)

[makingqueerhistory]

I’m actually serious about this, if at all possible, right now is a very good time to request queer books from your local library. Whether they get them or not is not in your control, but it is so important to show that there is a desire for queer books. I will also say getting more queer books in libraries and supporting queer authors are pretty fantastic byproducts of any action.

This isn’t something everyone can do, but please do see if you are one of the people who has the privilege to engage in this form of activism, and if you are, leverage that privilege for all you’re worth.

For anyone who can’t think of a queer book to request, here is a little list of some queer books that I think are underrated and might not be in circulation even at larger libraries:

Refusing Compulsory Sexuality: A Black Asexual Lens on Our Sex-Obsessed Culture by Sherronda J. Brown

Silver Under Nightfall by Rin Chupeco     

Harvard's Secret Court: The Savage 1920 Purge of Campus Homosexuals by William Wright    

The Perks of Loving a Wallflower by Erica Ridley   

God Themselves by Jae Nichelle

IRL by Tommy Pico        

The Pink Line: Journeys Across the World's Queer Frontiers by Mark Gevisser

Passing Strange by Ellen Klages             

The New Queer Conscience by Adam Eli

Fierce Femmes and Notorious Liars: A Dangerous Trans Girl's Confabulous Memoir by Kai Cheng Thom          

Queering the Tarot by Cassandra Snow              

Wash Day Diaries by Jamila Rowser

Queer Magic: Lgbt+ Spirituality and Culture from Around the World by Tomás Prower            

Before We Were Trans: A New History of Gender by Kit Heyam   

Beyond the Pale by Elana Dykewomon 

Hi Honey, I'm Homo! by Matt Baume      

The Deep by Rivers Solomon

Homie: Poems by Danez Smith

The Secret Life of Church Ladies by Deesha Philyaw  

The Companion by E.E. Ottoman 

Kapaemahu by Dean Hamer, Joe Wilson, Hinaleimoana Wong-Kalu

Sacrament of Bodies by Romeo Oriogun     

Witching Moon by Poppy Woods 

Tell Me I'm Worthless by Alison Rumfitt    

Dead Collections by Isaac Fellman    

Disintegrate/Dissociate by Arielle Twist           

Dear Senthuran: A Black Spirit Memoir by Akwaeke Emezi             

Peaches and Honey by Imogen Markwell-Tweed      

Nepantla: An Anthology Dedicated to Queer Poets of Color by Christopher Soto

[jesslovesboats]

Hello friends, I am back with more reading recommendations for your agonies! Next up we have the long awaited and much requested Sad Boat Fiction list. As with all of my lists, this is NOT exhaustive and there WILL be great books left off, and also you may or may not like these books! I only rec things that I've personally enjoyed or that come highly recommended by trusted friends, but taste in books is incredibly subjective, especially with fiction. If I missed your favorite, please add it in the comments or drop it in my DMs!

Now that I'm feeling more settled in my new job, I will hopefully have a lot more time to make book lists and do more virtual Readers' Advisory. I have lists in the works for women in polar exploration and companion reads for the HBO War series, but if there's something else you would love to see, please send me a message!

Classics of the Genre

At the Mountains of Madness by H.P. Lovecraft

The Terror by Dan Simmons

Moby Dick by Herman Melville

Dark Matter by Michelle Paver

Media Tie-Ins

Who Goes There? (Filmed as The Thing) by John W. Campbell, Jr.

The North Water by Ian McGuire

Cold Skin by Alfred Sánchez Piñol

The Terror by Dan Simmons

Graphic Novels

Whiteout by Greg Rucka

How to Survive in the North by Luke Healy

The Worst Journey in the World- The Graphic Novel Volume 1: Making Our Easting Down adapted by Sarah Airriess from the book by Apsley Cherry-Garrard*

*this is only fiction in the broadest possible sense of the term, but there is a shiny new American version of this book coming out with a gorgeous new cover and you should pre-order it immediately

Science Fiction

The Left Hand of Darkness by Ursula K. LeGuin

Antarctica by Kim Stanley Robinson

Romance

Under a Pole Star by Stef Penney

The Ministry of Time by Kaliane Bradley

My Last Continent by Midge Raymond

Inspired by the Terra Nova Expedition

The Worst Journey in the World- The Graphic Novel Volume 1: Making Our Easting Down adapted by Sarah Airriess from the book by Apsley Cherry-Garrard*

The Birthday Boys by Beryl Bainbridge

Terra Nova: A Play by Ted Tally

Antarctic Navigation by Elizabeth Arthur

*this is only fiction in the broadest possible sense of the term, but there is a shiny new American version of this book coming out with a gorgeous new cover and you should pre-order it immediately

Inspired by the Franklin Expedition

The Rifles by William T. Vollmann

Minds of Winter by Ed O'Loughlin

Solomon Gursky Was Here by Mordecai Richler

On the Proper Use of Stars by Dominique Fortier

Literary Fiction

The Voyage of the Narwhal by Andrea Barrett

Migrations by Charlotte McConaghy

We, The Drowned by Carsten Jensen

Inspired by the Classics

The Route of Ice and Salt by José Luis Zárate

Ahab's Wife by Sena Jeter Naslund

Modern Day Antarctica

How the Penguins Saved Veronica by Hazel Prior

South Pole Station by Ashley Shelby

Where'd You Go, Bernadette by Maria Semple

Polar and Nautical Horror

Where the Dead Wait by Ally Wilkes

Dark Matter by Michelle Paver

Cold Earth by Sarah Moss

The Deep by Nick Cutter

All the White Spaces by Ally Wilkes

Dark Water by Elizabeth Lowry

The Deep by Alma Katsu

Happy reading!

[prokopetz]

The reason it's so difficult to get a handle on the history and development of interactive fiction is that we're never going to be working with a complete picture until we're prepared to acknowledge the vital role in that history of all the weird porn.

[fox-teeth]

Hundreds of years in the future and thousands of light-years away, Mazu from Three-Hills practices her culture’s ancient art of sculpting spirit guides for the dead. But when technology from beyond the stars encroaches on her people’s lives—and deaths—what will happen to her art?

Read the rest of my new graphic novella "The Maker of Grave-Goods" this October exclusively through ShortBox Comics Fair--the innovative all-digital comics convention! @shortboxcomicsfair

[sansculottides]

pisses me off to no end when people on reddit or whatever complain that the show wouldve been better off without the tuunbaq.....did we watch the same show? the tuunbaq is everything, it held everything together. the tuunbaq is the main transformative element of the terror. the tuunbaq elevates the text beyond mere historical fact and lets it say something about the expedition's broader context of imperialism. it hunted the british men who were trampling on its home as a mere stopover, a side casualty, to finding the northwest passage (for, you know, "trade with china" after britain beat china into submission after the imperialist opium war). silna couldnt complete a proper ritual with it because of the british men - just as british colonizers have historically intruded and disrupted the practice of indigenous culture. and in the end the tuunbaq dies, after all the injuries it's taken from the british over the course of 10 episodes and finally chokes to death on the worst of them. because there's no escaping the reality of colonial history, and there is especially no fantastical escape for the colonizer. there's no proper way for us to move forward otherwise.

good historical fiction doesnt have to limit itself to accuracy - it needs empathy to draw out meanings in history using literary craft. thats what the tuunbaq means to me.... if you wanted a straight depiction of historical record, just go watch a documentary.. TUUNBAQ DENIERS DNI