#female characters

[queerical]

[ID: #no no this is totally doable #you just have to make sure she stays grizzled #and has the same like #awkward none of this comes naturally thing #where it goes bad is if shes Suddenly A Warm And Immediately Nurturing Fixed Human #instead of a collection of busted parts going #ah fuck i guess im all you have #so i guess I do my best /END ID]

i understand why the ‘grizzled loner who slowly melts & improves their outlook on life when forced to take care of a kid’ trope is a male exclusive role, bc the optics of a grizzled loner woman healing by becoming a mother are maybe not so good, but every time i think abt a hypothetical female version of that trope i black out instantly. could we maybe just do it one time and all agree to be cool about it

[marshmellowed]

every time.

[noperopesaredope]

I wish we had more female characters like Eleanor Shellstrop. One of the most unlikable people you've ever met. Read a Buzzfeed article on most rude things you can do on a daily basis and decided to use that as a list of goals. Makes everyone's day worse just by being there. Dropped a margarita mix on the ground and tried to pick it up, only to get hit by a row of shopping carts which pushed her into the road where she was hit by a boner pill delivery truck, killing her instantly. Cannot keep a romantic partner despite being bisexual. Had a terrible childhood but will die before she gets therapy. Best employee at a scam company. Just the worst but also can't help but root for her to improve.

Absolute loser. Girl-failure. Bad at almost everything. Literally perfect female character.

[going2hell4everythingbutbeingbi]

things to ask yourself when designing a female character:

how much blood is she covered in

are her eyes filled with madness

can she rip things to shreds with her fingernails

[ultraericthered]

Eventually Homura started to doubt Madoka ever even existed, and that's implied to be what triggered her transformation.

It was a little more than just that. The "starting to doubt Madoka ever even existed" self-gaslighting and despair-induced breakdown that turned her into a witch actually arose from it starting to dawn on Homura that the Madoka she'd chosen to believe in and fight for might be a sham, a product of delusion on her part and on the part of the real Madoka's. Because Homura wanted to believe that Madoka was content with the choice she made and feels happy and at peace with her existence as the Law of Cycles, for if she wasn't truly happy with that decision she'd made and actually wanted to exist as a human again, it would mean that Madoka was not "saved" in any true way, which itself means that Madoka's ascension was ultimately just another failure to save her most precious person on Homura's part; the ultimate failure. This is why the Madoka in Homulily's Labyrinth telling Subconscious Homura to her face that she would rather exist as a human and be with her family and friends shook her so badly and made her piece together the truth about what had happened to her, and also why she ultimately did what she did afterwards.

Wait fuck Madoka is basically magical girl death

Like, a concept of death for magical girls itself, I didn't realize that before, but damn actually, it was always more of salvation for me? A savior? But she is just, death, the one who brings them over to the other side, the one to take their hand and gently lead them to the eternal rest, a comforting guide, but at the end of the day she's still leading you to your end

She isn't the reaper of souls, but a gentle guide who waits for you at the end of your path, who smiles at you and whispers you promises of calmness, of being free of suffering, free from being used, fredom from the life of fighting

Homura on the other hand can be called life, with witches always creating it, familiars are living beings, those that don't conform to the rules of reality, but they're still living beings and Homura, the peak of witches, the devil herself?

She's life itself, the hard fight, the one you go on and on for, go through tribulations, challenges and trials that she throws at you, but she's still gentle, still caring despite her harshness

She has her favorites, but she cares for all, doesn't she?

She will force you to fight, to survive, her entire goal at the start was to make sure people she was close to LIVED

And now as the devil, she's the cruelty of being alive, opposed to death, opposed to the pain it brings to others, opposed to the world that doesn't have the people she cares for

She created life in her familiars, Clara dolls being the absolute end of it all, beings that can mimics humans to the degree that isn't imaginable

These girls make me go slightly insane, the curse of coming to a fandom years down the line and realizing shit that probably had already been talked about

[hacked-wtsdz]

You can’t win as a woman in fiction. Be too positive, you become a Mary Sue, have flaws and those flaws are why almost nobody likes you. Be moderate, you have wet-cabbage personality, be exuberant, you are an unrealistic example. Have strong morals, and you’re badly developed, be morally corrupt and you’re hated with such vigour fans will send hate mail to the actress who plays the character. Be kind and soft and in love, you’re a representation of sexism, be cruel, harsh and cold and you’re just a bitch. Be a complex, realistic, ambiguous character, and either your flaws or your positive traits will be ignored or blown out of proportion and into oblivion. There is no winning for female characters.

[ebenelephant]

freddie lounds is so funny. she antagonises violent criminals for the entire series. the stories she gets scoops on should be on the news but she writes for her gossipy private website. she's a sensationalist tabloid journalist talking about active serial killers. her hair is amazing. she's a girl's girl. she's career-driven. someone faked her death. everyone hates her. she's right about everything from day one. will's mad about it but he is doing murder now, so... 🤷‍♀️

[queen-paladin]

I love you hated female characters. I love you female characters who are flawed. I love you female characters who mess up and try to do the right thing after. I love you female characters who get the undeserved vitriol from fans. I love you female characters who fans completely condemn because of one mistake they made. I love you female characters who fans completely condemn because of one mistake they made as a child. I love you female characters who people blame for ripping apart their ships instead of the larger forces that be. I love you female characters who get all the hate as the male characters who do worse in canon get absolutely none. I love you female characters who get hated on because they told a man “no.”

[violetumbrellalover]

Victim of war Princess Rhaenys and her Balerion 🐈‍⬛

[stevienick]

girls + massive attack

[writtenbycassandra]

most female main characters in ya fantasy usually don't have their parents around/are orphans/ran away from home (e.g. the mortal instruments, lockwood & co, a deadly education, ...), which is why there are often no adult figures around to manage the (magical) chaos the teenage characters have to untangle standalone.

but the raven cycle is different — the adults work together with the teen characters, actually listen to them, and try to help them with their quest. blue doesn't have only her friends around to help her out, she also has a giant home with different, female rolemodels. calla, persephone, maura, and all the other aunts and friends — they give blue something most ya characters don't have.

and as the series continues, she also meets the grey man, who becomes a familiar figure for her, too.

instead of having not enough help and support from adults, which is a thing most ya protagonists struggle with, blue has so many people constantly trying to protect, guide, and help her, and i think that's awesome.

she has a family, and they're actually a part of the story.

[elumish]

A thing to consider: when you're writing male characters, do you think of it as writing people, or as writing men?

When you're writing female characters, do you think of it as writing people, or as writing women?

In a lot of stories, men are written as people, but women are written as women. Men are written neutrally, with little to no explicit attention paid to their gender, while women are written with a lot of explicit attention paid to their gender. Women's gender becomes part of the story, while the fact that men are men is rarely lingered upon.

So if you're ever struggling to write female characters, or you're wondering why it feels harder, or if they seem less interesting or more annoying than your male characters, consider this: is it because you're focused on writing them as women, while you're used to just writing men as people?

[writeaboutit]

I LOVE WHEN FEMALE CHARACTERS SPIRAL AFTER GRIEF AND BECOME UNHINGED AND EVIL🗣️🗣️🗣️

[twistedshipper]

MERLIN 5.01 Arthur's Bane

[dalliancekay]

Aziraphale, misogyny and the female character treatment

I don't know if anyone wrote a post about this but I see from time to time comments to this end - that Aziraphale is treated like the female leads in films often are, obviously especially romantic films. So I'm gonna try to point how I see this. I welcome further insights of course.

Say we take a basic premise of a romantic film: A girl is wooed by a bad boy for example. And she is a good girl, from a good, proper family and everything so she refuses his advances. This goes on through his various ploys to entertain and romance her, do things for her etc etc and frustrates us as the audience because we can see the bad boy is actually good, her family is oppressive and holding her back and that she (deep down) cares for him (if only she was brave enough to admit it to herself) and so we want her to open her eyes and say she is actually in love with him cos her life will be so much better should she (finally) give in and run away with him.

Familiar? Reasons Aziraphale is not her and the analogy does not fit (but that I so often see in metas and takes about her):

Aziraphale always knew her family is shit. Or at least longer than Crowley did. She was already anxious in Before the Beginning about what she thought Angel!Crowley could and could not say or do without getting into trouble.

She knows Crowley is good. She never doubted him. Whatever he says or does or pretends to do or must do for his job. Aziraphale knows he's inherently good and would always do good if he can.

She knows she's in love - I mean we can argue about when each realised this and also when each realised the other loves them back just as fiercely, but they both know. And they both love. And they both long to be together. Aziraphale is not ashamed of her feelings nor hiding or suppressing them for fear they are wrong or immoral or other BS like that.

Aziraphale doesn't need to overcome her love for her family/employer and finally make the leap to be with Crowley. They simply can't leave their bosses without punishment. Neither of them. They live in a dictatorship with nowhere to go. And just because Crowley experienced both sides, doesn't give him some huge insight that Aziraphale completely lacks. Both places are awful. Their separation isn’t about fear of societal judgment (or Aziraphale's unwillingness to give up Heaven, being seen as good, being an angel - and to what end, to Fall? I really don't know what takes like this want from her, it would not work anyway), it’s about survival in a system that won’t let them be together.

Aziraphale doesn't want to change Crowley. She never did. She asked for Crowley to come to Heaven as an angel because that was THE ONLY option she had for them to be together in any capacity at that point. It was NOT an attempt to “fix” him—it was a desperate bid for a way they could be together at all.

One thing I don't see as much anymore is the call for Aziraphale to change. Obviously she's pretty but she would be prettier if she lost those century old clothes maybe and started listening to something made after 1950? Be more cool to match Crowley? Less stuffy?

These kind of film premises are already pointless, offensive and make me roll my eyes, but to stick them all over Aziraphale and huff cos she doesn't do what the clever sexy man in dark clothes and sunglasses says she should - well that makes me angry.

And so do takes and mischaracterisations that ignore Aziraphale as silly, her worries as pointless, sometimes excessive - maybe she's just hysterical, you know? The one time she shows more emotion, in F15, she is so often completely ignored in her obvious distress just because Crowley is trying to confess his love at the same time and seemingly 'not getting through,' because Aziraphale is not reacting the way everyone expects. So many takes that always assume Crowley is right, no matter what. Even when he calls Aziraphale an idiot. If Crowley says that, it must be true. No matter that the book spells out in Terry's voice that the angel is extremely clever.

Aziraphale’s charm lies in her kindness, her love for books and knowledge, her whimsy, and her quiet courage. These qualities don’t make her naive—they make her resilient. She often hides how she truly feels, hides her grief, her pain, her true desires, hides what she really thinks; always always to protect herself and her beloved. She is often forced to say stuff she doesn't mean. Again. To keep the one she loves and their fragile relationship safe. But where people seem to catch on with that on Crowley's side, they don't with Aziraphale. She is fierce when pushed and will defend the defenceless (humans) and the ones she loves (Crowley) to her last breath (whether she needs to breathe is irrelevant right now okay).

She loves her bookshop. She built this home, full of knowledge for herself and her demon and you can take this HC from my cold hands. That she was forced to leave it, only emphasises how little choice she had in Final 15. Good Omens has two main, equal characters; who are both gorgeous and complex and deep and neither is right or wrong or in need of saving or learning some huge lesson to get to their goal and be together. What needs to change is the world, the system they live in. And they will change it.

Just look at her!! Anyway. I love her. P.S. Just to add, many, many (if not all) bad takes on Aziraphale are also bad takes on Crowley. They mischaracterise and misunderstand just how deeply and unconditionally he loves Aziraphale. How he adores her and understands and accepts her just as she is. He does not expect or want Aziraphale to change in any way. He knows why they are not together. And it's not Aziraphale's fault, it's because of circumstances, not because of her choices. Crowley would never ever want Aziraphale to suffer, he wouldn't expect her to come back from Heaven saying how sorry she is for what happened, how stupid and blind she was and how he was always right. That's just not going to happen. ------------------------------------------ @tenok I simply must highlight the awesomeness you put in hashtags!! EVERYBODY please read:

Thank you sm for this!!